In this illuminating study of Kant's theory of imagination and its role in interpretation, Rudolf A. Makkreel argues against the commonly held notion that Kant's transcendental philosophy is incompatible with hermeneutics. The charge that Kant's foundational philosophy is inadequate to the task of interpretation can be rebutted, explains Makkreel, if we fully understand the role of imagination in his work. In identifying this role, Makkreel also reevaluates the relationship among Kant's discussions of the feeling of life, common sense, and (...) the purposiveness of history. (shrink)

Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual (...) consequences of architecture with Arnheim's customary clarity and precision. (shrink)

Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual consequences (...) of architecture with Arnheim's customary clarity and precision. (shrink)

The habit of separating the intuitive from the abstractive functions, as they were called in the Middle Ages, goes far back in our tradition. Descartes, in the sixth Meditation, defined man as "a thing that thinks," to which reasoning came naturally; whereas imagining, the activity of the senses, required a special effort and was in no way necessary to the human nature or essence. The passive ability to receive images of sensory things, said Descartes, would be useless if there did (...) not exist in the mind a further and higher active faculty capable of shaping these images and of correcting the errors that derive from sensory experience. A century later Leibnitz spoke of two levels of clear cognition.1 Reasoning was cognition of the higher degree: it was distinct, that is, it could analyze things into their components. Sensory experience, on the other hand, was cognition of the lower order: it also could be clear but it was confused, in the original Latin sense of the term; that is, all elements fused and mingled together in an indivisible whole. Thus artists, who rely on this inferior faculty, are good judges of works of art but when asked what is wrong with a particular piece that displeases them can only reply that it lacks nescio quid, a certain "I don't know what." · 1. Leibnitz, Nouveaux essais sur l'entendement humain , bk. 2, chap. 29. Rudolf Arnheim is the author of Art and Visual Perception: A Psychology of the Creative Eye, Toward a Psychology of Art, The Dynamics of Architectural Form, and Visual Thinking. His previous contributions to Critical Inquiry are "On the Nature of Photography" and "A Stricture on Space and Time". (shrink)

"O fim do direito é a paz, e o meio para atingi-lo é a luta. Enquanto o direito precisar estar pronto ante a agressão da injustiça, o que ocorrerá enquanto existir o mundo, não poderá ele poupar se da luta. A vida do direito é luta, uma luta dos povos, do poder do estado, das classes, dos indivíduos." O jurista Rudolf von Ihering expõe neste livro de 1872 sua ideia de que o direito não é cedido ao povo naturalmente, (...) mas sim que deve haver uma luta social para conquistá-lo. O autor expressa que o processo é de fato difícil e doloroso, contudo é justamente essa dor que desenvolve uma ligação mais forte e perene entre o Direito conquistado e o povo que sangrou para conquistá-lo. E vai além: essa luta seria não apenas um dever moral do indivíduo para consigo mesmo como também um dever cívico dele para com a sociedade. A luta pelo Direito tece críticas a todos os que sacrificam seus direitos individuais em nome de uma paz pessoal, e reafirma o poder e o dever de cada um perante a coletividade. Obra fundamental em tempos de mudanças sociais e jurídicas tão profundas. (shrink)

Starting with the analysis of the diary kept by Constantijn Huygens Jr in the second half of the 17th century, this book sketches a panoramic view of life among Dutch regents and at the court of William and Mary, including an eyewitness account of the Glorious Revolution, and highlighting themes such as scientific progress, book and art collecting.

Excerpt from Thomas von Aquino und Kant: Ein Kampf Zweier Welten Der freundlichen Anregung der Redaktion der, Kantstudien," den in dieser Zeitschrift (Jahrg. 1901) veroffentlichten Auf Satz auch im Sonderabdruck erscheinen Zu lassen, habe ich gern Folge geleistet. Denn so sehr ich mir des aphioristischeii Charakters jenes Aufsatzes bewusst bin, er behandelt Probleme. deren Bedeutung uber die Gelehrtenkreise hinaus in das all gemeine Leben reicht, und er sucht bei diesen Problemen die grossen Gegensatze moglichst einfach herauszuheben, zwischen denen die geistige (...) Bewegung der Gegenwart verlauft. Bei diesen Lebens und wesensfragen kann alle Verdunklung, alle Abschwachiiiig nur schaden; mochte die kleine Arbeit ein wenig dazu beitragen, die Notwendigkeit einer klaren und kraftigen Entscheidung Zu deutlicherem Bewusstsein zu bringen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.". (shrink)