Parts one and two of this volume present the theoretical lenses used to study the social contexts of education. These include long-established foundations disciplines such as sociology of education and philosophy of education as well as newer theoretical perspectives such as critical race theory, feminist educational theory, and cultural studies in education. Parts three, four, and five demonstrate how these theoretical lenses are used to examine such phenomena as globalization, media, popular culture, technology, youth culture, and schooling. This groundbreaking volume (...) helps readers understand the history, evolution, and significance of this wide-ranging, often misunderstood, and increasingly important field of study. This book is appropriate as a reference volume not only for scholars in the social foundations of education but also for scholars interested in the cultural contexts of teaching and learning. It is also appropriate as a textbook for graduate-level courses in Social Foundations of Education, School and Society, Educational Policy Studies, Cultural Studies in Education, and Curriculum and Instruction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 71-84 [Access article in PDF] Christian Views on Ritual Practice Society and Sacrament: The Anglican Left and Sacramental Socialism, Ritual as Ethics Nicholas GrovesLoyola University Introduction August in New York City is frequently a time of intense heat, where the congestion of city living kindles tempers to the breaking point. This is true in a special way in the tenements of the city, where people (...) without air-conditioning take raw anger and frustration into the streets. It was in this environment, in the tenements of the Lower East Side, that gang violence erupted in August of 1959. At least two young people were shot in gang-related "rumbles" and retaliation. Blacks and Puerto Ricans, already scrambling for the few available jobs society provided for them, squared off against each other. Police and the city of New York vowed more punishment, more arrests. (At this same time, Leonard Bernstein portrayed these struggles in terms of the love of Tony and Maria, but in "real life" it was "East Side Story" as much as "West Side Story.")In response to renewed war among his youth, the Episcopal priest, Fr. Kilmer Myers of St. Augustine's Chapel (now St. Augustine's Parish) also took to the streets. Canceling the church's usual patronal festival and carnival, he led his people in a procession through the streets of his neighborhood, with clergy clad in the solemn vestments of the Eucharist, with banners, incense, and hymns. His purpose: to pray and to plead that the killing stop, and that the authorities see the agony of the young who had abandoned an almost three-year "truce" he had helped work out with youth leaders between rival gangs.Myers wrote later in his book, Light the Dark Streets (Greenwich, Conn.: Seabury Press, 1957) about his ministry at St. Augustine's. In contrast to a city government and police department intent on further punishment as a solution to gang problems, Fr. Myers posed the presence of people who lived and worked with the young people and a community in desperate need: A parish such as this... so filled with darkness, defeat... and a longing for victory.... We think of next year and the year after that. We are not sure that we have the strength or that we can ask for it. The shouts in the street become an unending shout. The angry cry mingles with music from the tenement.... [End Page 71] There is the scream of the police siren. Will it stop in the block? There is the uncertainty at each youth affair. Will someone be shot or stabbed? (p. 96) In 1981, Bishop Desmond Tutu challenged the government of South Africa to abandon its policy of apartheid, a challenge he and others later won. But at that point, with any kind of victory far from certain, he confronted his opponents with words about his own spiritual commitment: I want to say that there is nothing the government can do to me that will stop me from being involved in what I believe is what God wants me to do. I do not do it because I like doing it. I do it because I am under what I believe to be the influence of God's hand. I cannot help it when I see injustice. I cannot keep quiet. I will not keep quiet, for as Jeremiah says, when I try to keep quiet, God's word burns like a fire in my breast. But what is it that they can ultimately do? The most awful thing that they can do is to kill me, and death is not the worst thing that can happen to a Christian. (Quoted in S. DuBoulay, Tutu: Voice of the Voiceless [Grand Rapids: Eerdmans, 1988], pp. 174-175.) How does ritual involve ethics? I would like to present for your consideration one example of such an intersection: the witness of what some have called the "Anglican Left" in both Britain and the United States, or what the historian Peter Jones has named "sacramental socialism... (shrink)

Background and PurposeMany critically ill patients in intensive care units (ICUs) are unable to communicate their wishes about goals of care, particularly about the use of life-sustaining treatments. Surrogates and clinicians struggle with medical decisions because of a lack of clarity regarding patients’ preferences, leading to prolonged hospitalizations and increased costs. This project focused on the development and implementation of a tool to facilitate a better communication process by (1) assuring the early identification of a surrogate if indicated on admission (...) and (2) clarifying the decision-making standards that the surrogate was to use when participating in decision making. Before introducing the tool into the admissions routine, the staff were educated about its use and value to the decision-making process.Project and MethodsThe study was to determine if early use of a simple method of identifying a patient’s surrogate and treatment preferences might impact length of stay (LOS) and total hospital charges. A pre- and post-intervention study design was used. Nurses completed the surrogacy information tool for all patients upon admission to the neuroscience ICU. Subjects (total N=203) were critically ill patients who had been on a mechanical ventilator for 96 hours or longer, or in the ICU for seven days or longer. The project included staff education on biomedical ethics, critical communication skills, early identification of families and staff in crisis, and use of a simple tool to document patients’ surrogates and previously expressed care wishes. Data on hospital LOS and hospital charges were collected through a retrospective review of medical records for similar four-month time frames pre- and post-implementation of the assessment tool.ResultsSignificant differences were found between pre- and post-groups in terms of hospital LOS (F=6.39, p=.01) and total hospital charges (F=7.03, p=.009).ConclusionsProject findings indicate that the use of a simple admission assessment tool, supported by staff education about its completion, use, and available resources, can decrease LOS and lower total hospital charges. The reasons for the difference between the pre- and post-intervention groups remain unclear. Further research is needed to evaluate if the quality of communications between patients, their legally authorized representatives, and clinicians—as suggested in the literature—may have played a role in decreasing LOS and total hospital charges. (shrink)

The setting is a garden in Elysium. The sun is shining. A rich verdant lawn is surrounded by flower beds and flowering bushes, with a grove of magnificent trees behind. Beyond, a large lake and in the distance high mountains. Five comfortable garden chairs are placed in the shade of some trees. There is a low table on which are placed a wine decanter and glasses, three of which are half full. Richard, Jill and Frank are deep in discussion.

« Le XIXe siècle a marqué un essor considérable dans le création musicale féminine » C’est ainsi que s’ouvre le livre très riche de Florence Launay, musicologue et artiste lyrique. Cette étude issue d’une thèse soutenue en 2004 – dont le champ de recherche a d’abord concerné une douzaine de compositrices, puis une trentaine grâce au New Grove Dictionnary of Women Composers (Londres 1992) et enfin un cercle beaucoup plus large –, entend montrer la part prise par les femmes dans (...) le domaine de l... (shrink)

Among the fields of music study, ethnomusicology has wrestled most self-consciously with matters of representation. Since its inception in the late nineteenth century as vergleischende Musikwissenschaft [comparative musicology] and throughout its turbulent history, ethnomusicology has been centrally and vitally concerned with at least three basic issues and their numerous ramifications. First is the problem of locating disciplinary boundaries: is ethnomusicology a subfield of musicology, does it belong under anthropology or ethnology, or is it an autonomous discipline?1 Second is the problem (...) of translation: what factors influence the attempt to translate the reality of other musical cultures into audio and visual recordings, verbal accounts, and transcriptions in musical notation? Is there a viable “theory of translatability”?2 Third is a network of political and ideological matters: what sorts of ethical issues constrain the practical effort to understand another culture? What is the relation between empire and ethnomusicological representation? Can we—that is, is it a good thing to—study any music without taking note of the social, economic, political, and technological circumstances of its producers? 1. A concise introduction to the field of ethnomusicology, its history, personalities, and method may be found in Barbara Krader, “Ethnomusicology,” in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. , 6:275-82. The most comprehensive recent discussion of key issues in ethnomusicological research is Bruno Nettl, The Study of Ethnomusicology: Twenty-nine Issues and Concepts .2. See Johannes Fabian, Time and the Other: How Anthropology Makes Its Object , p. 43. Kofi Agawu teaches at Cornell University and is the author of Playing with Signs: A Semiotic Interpretation of Classic Music. (shrink)

Van Fraassen's Judy Benjamin problem asks how one ought to update one's credence in A upon receiving evidence of the sort ``A may or may not obtain, but B is k times likelier than C'', where {A,B,C} is a partition. Van Fraassen's solution, in the limiting case of increasing k, recommends a posterior converging to the probability of A conditional on A union B, where P is one's prior probability function. Grove and Halpern, and more recently Douven and Romeijn, have (...) argued that one ought to leave credence in A unchanged, i.e. fixed at P(A). We argue that while the former approach is superior, it brings about a Reflection violation due in part to neglect of a ``regression to the mean'' phenomenon, whereby when C is eliminated by random evidence that leaves A and B alive, the ratio P(A):P(B) ought to drift in the direction of 1:1. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Spontaneity, Savaging, and Praise in Pindar's Sixth PaeanAnne Pippin BurnettThe fragments of Pindar's Sixth Paean—almost all of the opening strophe survives, as well as sixty consecutive lines of mythic narrative1—add up to a complex song that celebrates gracious gods even as its cult cry greets a destructive epiphany. Critical discussion has nonetheless limited itself to two narrow questions: the nature of the song's ceremonial occasion (who sings, and has (...) something gone wrong?), and the relation of its mythic episode to that of Nemean 7 (how is this Neoptolemus tale more offensive than the one told in the epinician?).2 Since these are the established "problems," I shall let them dictate a double approach to what is meant to be a more engaged reading of this Delphic song.First, the actualities of the occasion. Because the opening lines of Paean 6 describe the singers3 as rescuers come in a time of need, most scholars believe that there was something irregular about its performance. The song begins in this way:(1–18)By Olympian Zeus I beg you,mantic golden Pytho, with Aphrodite and the Graces4receive me, songful prophet of the Muses,5at this sacred season,for by Castalia's bronze–fenced springI heard an orphaned sound deprivedof dancing men, and so I cameto guard your citizens from insufficiencyand to defend the honors that are mine. [End Page 494] Obedient to my heart, like child to cherished mother, Ientered Apollo's grove, thisnursery of feasts and crowns where Delphic maidsin throngs sing Leto's sonand strike their feet upon the ground,close to the shady omphalos of Earth.These lines have inspired extended discussion because they seem to report an extraordinary event—the unexpected appearance of a chorus. Who are these singers, scholars ask, and why do they burst, à l'improviste, into a sacred place that is somehow benighted? Wilamowitz supposed that, the usual festival chorus of Delphians having for some reason failed to materialize, Pindar now comes with a group of his own to save the day,6 and this emergency theory, in one form or another, has dominated subsequent discussion. Scholars ask whether the members of this pinch–hitting chorus are locals, Thebans, or perhaps, asWilamowitz supposed, visiting Aeginetans? And they wonder about the exact nature of the crisis. Has a commissioned poem failed to arrive, so that Pindar simply trained the expectant dancers in a last–minute substitute song? Or is it a chorus that has gone missing, one that never got trained or was not dispatched, as it should have been, from abroad? These questions are put and answered in various ways, but all who have written about this song agree almost to a man that its opening speaks for a poet7 who actually rescues a threatened festival by training and bringing [End Page 495] a surprise chorus as an unexpected gift to Delphi.8 I prefer to argue, on the contrary, that this self–portrait of a chorus that hastens to a performance spot is not a bit of Pindaric autobiography but an elegant example of a favorite choral convention, the "arrival fiction."9 The problems of occasion, even that of the dancers' identity, all shift or disappear when the "emergency" of these opening lines is understood as a poetic contrivance.Spontaneity was a professed ideal in the Greek world, and those who performed in any realm simply because they were trained to do so were paradoxically expected to be disorderly and inharmonious (, P. O. 2.86).10 Best celebrations and most truthful praise would come from hearts and minds immediately moved to celebrate and praise, and yet according to Greek festival practice these activities also demanded a multiplicity of participants if they were to have their greatest effect. Ideally, then, a community would give thanks or attempt placation through a group of singing and dancing individuals, each following his own impulsive response to a festive stimulus, all performing with limbs and voices in perfect unison. This was the model offered by the very first singing of a Delphic paean, when all the sailors followed Apollo... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:russell: the Journal of Bertrand Russell Studies n.s. 34 (winter 2014–15): 131–4 The Bertrand Russell Research Centre, McMaster U. issn 0036–01631; online 1913–8032 c:\users\ken\documents\type3402\rj 3402 050 red.docx 2015-02-04 9:19 PM _ibliography NEW PERIODICAL ARTICLES BY RUSSELL Kenneth Blackwell here are 35 new C entries since 1993 for A Bibliography of Bertrand Russell, and more for all Parts of Vol. 2. With many thanks to several readers. C15.18a [RECONSTRUCTION OF (...) INTELLECTUAL INTERNATIONALISM AFTER THE WAR]. Svenska Dagbladet, Stockholm, 18 July 1915, sec. b, p. 5. Published under the general title “Det kulturella samarbetets återupptagande efter kriget” [The re-establishment of cultural cooperation after the war]. There is a subtitle : “Tre nya svar på Svenska Dagbladets världsenquête” [Three new responses to Svenska Dagbladet’s world enquiry].—Ms. (ra3 rec. acq. 1,325).—In English in Russell, n.s. 18 (1998): 141–3 (ed. K. Blackwell). C16.07a THE CASE OF MR. E. CHAPPELOW. The Manchester Guardian, 19 April 1916, p. 6. Six sentences, introduced thus: “The Hon. Bertrand Russell writes”.—Russell makes reference to the Everett case. C16.10a THE CASE OF THE CONSCIENTIOUS OBJECTOR. The Freethinker, 36 (14 May 1916): 310. “… the country is drifting into the infliction of serious persecution upon a large number of young men.…”—Reprinted, with two-thirds omitted, in Jim Herrick, Vision and Realism: a Hundred years of The Freethinker (London: Foote, 1982), pp. 51–2. C22.39 INSTINCT, HABIT, AND INTELLIGENCE. Hull Weekly Recorder, no. 1 (16 Dec. 1922): 6–9. Reprinted in Collected Papers 16 (in preparation). C23.10a BERTRAND RUSSELL PREDICTS U.S. WILL EVENTUALLY CONTROL THE ENTIRE WORLD. The Daily Argus, Mt. Vernon, ny, 7 March 1923, p. 3. Subtitled “Famous British Philosopher Declares America Will Conquer through Economic Causes What Others Have Tried to Win by Force”.—A note states: “Written exclusively for I.N.S.” (International News Service).—Reprinted in Collected Papers 16 (in preparation). C28.02a WHAT I THINK OF COMPANIONATE MARRIAGE. Children, the Magazine for Parents, Chicago, 3 (Feb. 1928): 17. Russell’s contribution—one of four under the title, the others being by Ernest R. Groves, Stephen S. Wise, and Anna Garlin Spencer, pp. 17, 47—is five sentences long.—Reprinted in Collected Papers 18 (in preparation). C28.02b [ADVICE ON WRITING]. The Daily Illini (U. of Illinois), Champaign, il, 12 Feb. 1928, p. 15. Letter to the author on developing a writing style, quoted fully in Newton York, q= 132 kenneth blackwell c:\users\ken\documents\type3402\rj 3402 050 red.docx 2015-02-04 9:19 PM “What Authors Advise”, ibid.—Part of Russell’s advice is to “read Gibbon all through, at least twice.” —Reprinted in Collected Papers 18 (in preparation). C32.39a MR. BERTRAND RUSSELL’S QUESTIONS. The Manchester Guardian, 27 June 1932, p. 10. Letter to a Coventry correspondent, under the title, “The Dismissed Teacher”. C34.36a ROMAN-CELTIC FARM SITE. The Times, 18 Sept. 1934, p. 7. Letter in “Points from Letters”, signed by John Russell, Telegraph House, Harting, Petersfield, referring to S. E. Winbolt’s “A Roman-Celtic Farm Site; Discovery near Harting, Sussex”, ibid., 10 Sept. 1934, p. 7. The writer states that his part was “not so great” as it appears in the account.—The composition of the letter is ascribed here to Bertrand Russell because a draft, with the exception of a phrase added later, is entirely in his fluent hand. That of his 13-year-old son is not present.—The draft was crossed out, and the verso became folio 1 of the ms. of “On Ceremony” (C34.48). C34.55a [THE AMERICAN LIBRARY OF NAZI BANNED BOOKS]. Jewish Daily Bulletin, New York, 11, no. 3,030 (23 Dec. 1934): 1. A telegram congratulating the Brooklyn Jewish Center for “inaugurating an American Library for Nazi burnt books”.—The allusion is to the Nazi bonfire of banned books on 10 May 1933.—The dinner celebrating the Library and mentioned in Russell’s telegram is the subject of Joseph Goldberg, “ ‘A Splendid and Historic Gathering’: Brooklyn Jewish Center Inaugurates Library of Nazi Banned books”, Brooklyn Jewish Center Review... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 633-637 [Access article in PDF] Susan E. Alcock, John F. Cherry, and Jas; Elsner, eds. Pausanias: Travel and Memory in Roman Greece. Oxford: Oxford University Press, 2001. xii + 379 pp. Cloth, $65. As he moves from monument to monument and polis to polis, Pausanias gives the impression that the sun is always shining and the weather fresh and sweet. Beyond the next (...) turn in the road, there might be a grove or spring and maybe a precinct of Demeter, a statue of Artemis, or a little temple of Aphrodite. If they were "worth seeing," we can rely on Pausanias to let us know. Delivering a mixed narrative that weaves together history, myth, and his own style of ekphrasis, his even-toned voiceover makes him a comfortable traveling companion. Or does it? We know that the oaks on Mt. Parnon make the forest dark (they are still there today), but for Pausanias, the land is called Skotitas, "Dark," not for the shadows of the oaks, but for Zeus Skotitas who had his sanctuary nearby. As Ada Cohen points out in her essay, Pausanias does not describe the landscape itself but only the places where it intersects with divinity. As the collaborators here make clear, similar principles of selection operate on other levels. Pausanias may enable us to visualize a lost world, but the view is sanitized. Writing at the peak of Roman wealth, power, and privilege, he gives us old Greece with hardly a trace of Rome. He presents cities without houses, landscapes without agriculture, sanctuaries without worshippers, and the past without the present. Like the cardboard and cellophane 3-D glasses worn by cinema audiences in the 1950s, his text brings into temporary and unstable focus a very specialized scene, but the view is that of a virtual museum, a theme park created for our viewing enjoyment.How did he do it and what are the consequences? I admit that when it comes to Pausanias, I am one of those "seekers after lost religions" whom Elsner classifies with archaeologists surveying the text of Pausanias for possible excavation sites. We will all be a little more careful after reading this book. Yet, where else [End Page 633] could we find the information Pausanias gives? Habicht rehabilitated Pausanias in the 1980s by demonstrating how well his text stands up when compared with the surviving external record. Pausanias did not have a spreadsheet to keep straight the sixty-nine altars at Olympia, but he must at least have taken notes.The arrangement of the articles presented here replicates a familiar academic setting. Structured like a weekend conference, the book divides into three sessions ("The Traveler and the Text," "Studies and Comparisons," and "Nachleben"), with four papers and two comments in each session. Very generally, the topics are: landscape as language (J. Elsner); mental baggage and method (E. Bowie); informants and information (C. P. Jones); pilgrimage and the inspiration of vision (I. Rutherford); selection and cultural choice (M. Torelli); memory and memorization (D. Konstan); identity, monumentality and the recall of mo(nu)ments sublime (J. Porter); representation of space and movement (A. Cohen); archaic text and image on the chest of Kypselos (A. M. Snodgrass); filling the empty map of Messenia (S. E. Alcock); Greek narratives in Roman images (B. Bergmann); other Spartas (P. Cartledge); shaping the genre of travel writing (S. B. Sutton); Leake's Pausanias and Greek topography (J. M. Wagstaff); rearranging Pausanias or Farnell on Greek ritual (J. Henderson); Harrison and Verrall present Pausanias for the hoipolloi (M. Beard); Sparta and the French Enlightenment (S. Bann); and remembering and reforming the past (J. Cherry).There isn't space enough here to do justice to every argument, but I will take a sentence to praise the editors for inspiring the synergy of so many specialties. Archaeologists talk about texts; literary scholars talk about places and objects; and art historians discuss the relation between the two. The section entitled Nachleben surveys the nineteenth-century efflorescence of Pausanias and from four very different vantage points evaluates his influence on... (shrink)

Quantum theory is essentially a rationally coherent theory of the interaction of mind and matter, and it allows our conscious thoughts to play a causally efficacious and necessary role in brain dynamics. It therefore provides a natural basis, created by scientists, for the science of consciousness. As an illustration it is explained how the interaction of brain and consciousness can speed up brain processing, and thereby enhance the survival prospects of conscious organisms, as compared to similar organisms that lack consciousness. (...) As a second illustration it is explained how, within the quantum framework, the consciously experienced ``I'' directs the actions of a human being. It is concluded that contemporary science already has an adequate framework for incorporating causally efficacious experiential events into the physical universe in a manner that: 1) puts the neural correlates of consciousness into the theory in a well defined way, 2) explains in principle how the effects of consciousness, per se, can enhance the survival prospects of organisms that possess it, 3) allows this survival effect to feed into phylogenetic development, and 4) explains how the consciously experienced ``I'' can direct human behaviour. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 122.2 (2001) 296-297 [Access article in PDF] Michel Casevitz, ed. Pausanias: Description de la Grèce. Vol. 5: Livre 5:Élide (1). Trans. Jean Pouilloux, comm. Anne Jacquemin. Association Guillaume Budé for Collection des Universités de France. Paris: Les Belles Lettres, 1999. xxxix + pp. 1-82 (verso and recto double pp.) and 83-285. 2 maps. 1 plan. Cloth; price not stated. The fifth book of Pausanias (Elis (...) 1) is the third volume to appear in the Budé collection, following Attica (vol. 1, 1991) and Arcadia (vol. 8, 1998). Textual notes are by Michel Casevitz; archaeological notes are by Anne Jacquemin.The text is produced from a new recension of the manuscripts, based on the researches on Pausanias of Aubrey Diller, which were published in TAPA (67 [1936]: 232-39; 86 [1955]: 268-79; 87 [1956]: 84-97; 88 [1957]: 169-88). Diller showed that four manuscripts (V, F, P, Ma) were the only independent witnesses to the text of Pausanias, deriving from a lost exemplar of 1437 owned by Niccolò Niccoli and later in the Library of St. Mark in Florence. The Teubner edition of M. Rocha-Pereira (1973, 1977) was the first text produced on the basis of this recension. The Budé differs from it in various readings and in its excellent notes. Book 5, the first of Pausanias' books on Elis, contains the beginning of his description of Olympia. The notes take account of the German excavations of the site carried out since 1936, reports of which have appeared in the Jahrbücher des Deutschen Archäologischen Instituts and the Olympia Berichten.The collaboration of a philologist and an archaeologist as commentators is particularly fortunate, because of important developments in both areas since the extensive commentaries of the late nineteenth and early twentieth centuries (Frazer, Hitzig-Blümner). The wisdom accumulated in the earlier commentaries is not neglected, but in most cases the information has been brought up to date very well. For example, the comment on 10.2 (147), on the date of the Temple of Zeus, parallels that of Frazer in its dissociation of the building of the temple from the war between Elis and Pisa. There is a review of ancient texts, including Herodotus and Strabo and the Spartan dedication of a shield of the booty of Tanagra set atop the ridge of the roof, the inscription of which Pausanias quotes. A discussion follows of dedication bases set up nearby and the excavation levels at which they were found (the Praxiteles base, the dedication made by the sculptor Onatas of Aegina, the Mikythos dedications, etc.), suggesting that the temple was built in the general period 480-455. The Budé then takes note of a study by F. Krauss (Mélanges Bohringer, 1957) on the columns of the temple, suggesting that those of the east façade are the most beautiful examples of the Doric style of the temple.The comment on the Altis in 10.1 (146) is equally instructive. Frazer simply comments on Pindar's statement (Ol. 10.55) that the area was called Altis, and the comment of Hitzig-Blümner is also brief. The Budé, on the other hand, considers the etymology of from and cites several references in Pausanias to show that the Altis had limits within the larger area of the grove. [End Page 296]The discussion of the dating of the cult statue of Zeus by Phidias (in the 420s) in comment on 5.11 (156-57) is also good and follows in the tradition of Frazer, but here the Budé editor can call attention to excavation of the workshop of Phidias in 1954-58 and the monograph of Mallwitz and Schiering, which shows, because of pottery and other finds, that work on the statue was going on in the 430s. Consequently, the old controversy on the priority of the Olympian Zeus and the Athena Parthenos is settled in favor of the Athena statue, completed in 438.On 5.15.4, line 20: the reading of the manuscripts' which includes the... (shrink)

Central to Thomas Sprat's History of the Royal Society was the description and justification of the method adopted and advocated by the Fellows of the Society, for it was thought that it was their method which distinguished them from ancients, dogmatists, sceptics, and contemporary natural philosophers such as Descartes. The Fellows saw themselves as furthering primarily a novel method, rather than a system, of philosophy, and the History gave expression to this corporate self-perception. However, the History's description of their method (...) was not necessarily accurate. Rather, as will be argued below, by a combination of subtle misrepresentation and selective exposition, Sprat portrayed a method which would further the aims of social and ecclesiastical stability and material prosperity, essential for the Royal Society since its continued existence depended upon the creation of a social basis for the institutionalized pursuit of natural philosophy. Some link had to be forged between the activities of the Society and the intellectual and social aspirations of the Restoration. To understand the intent and meaning of Sprat's History and the method there portrayed, we must therefore look to the institutional needs which it fulfilled. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Zhuangzi:Personal Freedom and/or Incongruity of Names?Paul J. D'Ambrosio (bio)Tao Jiang's Origins of Moral-Political Philosophy in Early China: Contestation of Humaneness, Justice, and Personal Freedom (hereafter Origins) has sparked much scholarly debate. Already numerous presentations, various types of discussions, and reviews have appeared based on Origins. The present review focuses specifically on the Zhuangzi chapter. The entire project actually began, Jiang writes, fifteen years ago as a book on (...) the Zhuangzi. Through his research Jiang realized he needed to learn more about the objects of philosophical ridicule and critique in the Zhuangzi. Origins is the result of this decade-and-a-half study.Origins provides a somewhat novel framework for reading Warring States period philosophy. Summarizing the basic structure of his project Jiang writes: "I make the case that the philosophical dialectics between the partialist humaneness and imperialist justice formed the fundamental dynamics underlying the mainstream moral-political project during the classic period, with the musing on personal freedom as the outlier" (p. 35). As Karyn Lai puts it, Origins revolves around a "predictable set of inherited pre-Qin texts associated with key figures, traditionally called the "Masters" (zi 子) text" (Lai 2022, p. 181). Some models inherited by the "masters," such as yinyang 陰陽 thinking or ming 名 (names) and shi 實 (actualities), are nearly absent in Origins and would cast new light on the project as well [End Page 458] as the tradition. In this review I will first outline Jiang's reading of the Zhuangzi before considering how a richer appreciation of the Chinese tradition, especially its own methodological tools, frameworks, and concepts, could bolster the exciting contributions Origins stands to make. We will start with Jiang's big picture view of the Zhuangzi.In Origins the Zhuangzi is taken to be a completely unique text. It does not engage in the moral and political discourse the other "masters" texts are subsumed by, and instead of supporting either partialist humaneness or impartialist justice it "muses" on personal freedom. Jiang defines: "Personal freedom is understood as the appreciation and cultivation of personal space wherein one can be left alone and enjoy the company of like-minded friends without being entangled in the sociopolitical world" (p. 36). There are two significant points to note about Jiang's understanding of freedom. First, it is almost a word-for-character definition of how the "Seven Worthies of the Bamboo Grove" have been described by many. Research on these philosophical works could significantly enrich Jiang's reading, albeit from a different angle. Second, Guo Xiang's 郭象 (d. 312) emphasis on, and philosophical explorations of, du 獨 (an interconnected type of "lone") would further fill out how freedom and relationality—which are both attributed to the Zhuangzi by Jiang—are connected.In addition to a "fierce advocacy for personal freedom" Jiang classifies the Zhuangzi as a "singular outlier" for ridiculing the "misguided character of [the contestations between humaneness and justice] and warn[ing] against their potential for inhumanity and injustice" (p. 49). Indeed, the Zhuangzi does demonstrate that these discussions can elicit "the very opposite of what was intended by the participants of the mainstream discourse" (p. 49). Its criticisms are even more penetrating when we appreciate its deeper point about "names being the guests of actualities" (Zhuangzi 1:4). From this perspective the Zhuangzi is not against systems of humaneness or justice as such. It rather points out that humaneness does not have a single referent, nor could that referent be reliably distinguished. The name "humane" does not guarantee humane action, or really anything in particular. The same is true for "justice." We will return to these points below.Jiang's chapter on the Zhuangzi begins by defending moral and political readings of the text. It is an outlier from the perspective of the "humanity-justice" framework, but this only means that the moral-political discourse Zhuangists were engaged in was different. The result was that already by the early Han and by the time of Sima Qian 司馬遷 (d. 86 b.c.e.) "Zhuangzi's teachings were … of little use to contemporary political discourse" (p. 288). Jiang should be delighted to know that the Wei-Jin period, which had inestimable... (shrink)

We show that Leitgeb’s dependence operator of Leitgeb is a \-operator and that this is best possible.

In lieu of an abstract, here is a brief excerpt of the content:Truth in Tragedy:When are we Entitled to Doubt a Character's Words?A. Maria Van Erp Taalman KipIn Sophocles' Electra 563–76 Electra explains what happened at Aulis. Because Agamemnon had shot a stag in Artemis' grove and boasted of his deed, the goddess demanded the sacrifice of his daughter. If he refused, the Greeks would not be allowed to leave Aulis, either to go home or to sail to Troy. Thus, (...) Electra assures her mother, he was forced to make the sacrifice, "under sore constraint and with sore reluctance" (tr. Jebb, Sophocles ad loc).The same version of the story is found in the Cypria(Davies, Fragmenta 32, 55–63), but Sophocles adds a new detail: the impossibility of going home. This is a significant addition. According to the Cypria, Agamemnon could have renounced the war in order to save Iphigeneia, but this solution was not open to his Sophoclean namesake, since refusal meant the Greeks were doomed to remain at Aulis, more or less as prisoners. In this way, we are given to understand that for Sophocles' Agamemnon there was in effect no alternative. This considerably lessens his guilt, while Clytaemnestra is largely deprived of what might have been a righteous motive for her deed. The other motive, her adulterous love, now carries all the weight. But is what Electra says true? Or, to be more precise: are the audience meant to accept her information as true?A number of scholars have answered this question in the negative and it may be useful to begin by examining their arguments. In his article with the telling title "A Defence of Sophocles" J. T. Sheppard asks: "What if the story... were false? 'They tell me...,' she says (566). But what if it were not true? What if Agamemnon was a criminal?" (7). J. H. Kells (Electra), in his general introduction to 566–633, ridicules the whole story as recounted by Electra: "This was the popular belief as to how such unpleasantnesses as Ajax's madness and the Greeks' detention at Aulis came about. But did Sophocles expect an intelligent person to believe it? I do not think so, since in Ajax, in which such causes of Ajax's madness are ventilated, we are also given a behind–the–scenes picture [End Page 517] of the goddess concerned in action (Ajax 1–133), and there we see that the madness of Ajax was in fact inspired by no such divine jealousy: it was simply to prevent Ajax from killing the Greek leaders (51)—an aim which he conceived through no divine infatuation, but because he was angry over the bestowal of the arms of Achilles (41)."Kells' comment on 573 is also noteworthy: : did any intelligent Greek really believe this?" and on 566ff: " 'as I am told.' Does not she know why her father sacrificed her sister?" In the same vein R. P. Winnington–Ingram (Sophocles 220) says that "Electra's account of Aulis, admittedly second–hand ( 566), is the story she would like to believe; and we can hardly suppose that Sophocles wishes us to take it too seriously as an explanation of events." In a note he refers to Kells and adds: "If Sophocles had been concerned to give a serious account of Agamemnon's dilemma, he would hardly have trivialized it in the way he does. The fact remains that Agamemnon did kill his daughter."1On closer inspection, these arguments are not actually arguments at all. Both Kells and Winnington–Ingram appear to be very certain about Sophocles' intentions and expectations, but neither of them presents any convincing reason to disbelieve Electra's account. Sophocles does not give them what they want and therefore they assume that he is not serious. Winnington–Ingram may consider Agamemnon's dilemma trivial, but it makes no sense to say that Sophocles trivialized it, as if it were something real that existed outside of myth. For the purpose of this play, the reason for Artemis' demand was not relevant, but the sanction was. And what about Kells' rhetorical questions? He does not explain why an "intelligent person" or an "intelligent Greek" would disbelieve what Electra says. Because it is... (shrink)

The figure of Peter the Tomb, various aspects of his life and activity, as well as the era called by his name, have long been the subject of study by numerous scholars, comprehensive and meticulous research. It is enough to mention the works of M.Grushevsky, A.Zhukovsky, V.Klimov, A.Kolodny, V.Nichik, O.Sarapin, L.Filipovich and V.Shevchenko, in which the phenomenon of the metropolitan, his spiritual and religious dominant, is thoroughly and thoroughly explained, the influence of P. Mogila's heritage on the past and present. (...) And yet it is impossible to talk about the exhaustiveness of this topic, because such inexhaustibility is dictated by the very universe of its multidimensional activity. This is what determines the relevance of the proposed article. And this, in turn, gives rise to reflections on the need for scientific innovative understanding of religious philosophy as a constant basis of thinking of Petro Mohyla, which, in particular, was reflected in his "Notebook", which is still a little-studied phenomenon of Ukrainian spiritual culture, for the first time it saw the world only in 1995, more than 60 years after its invention by M. Grushevsky. This work, like all narratives on the spiritual and religious themes that make up it, is an integral part of the metropolitan's religious and philosophical heritage. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 122.4 (2001) 527-531 [Access article in PDF] A Virgilian Crux: Aeneid 8.342-43 Neil Adkin When Evander conducts Aeneas around the future site of Rome, the objects of interest he points out to his guest include the following: "hinc lucum ingentem, quem Romulus acer asylum / rettulit, et gelida monstrat sub rupe Lupercal" (8.342-43). John Conington (1883, 119) complained that rettulit had "not been satisfactorily explained." (...) A century later, Gerhard Binder (1971, 118 with n. 27) repeated the complaint: "Über Vergils rettulit ist viel gerätselt worden." Binder's study was then followed by the unprecedented appearance of three different commentaries on this book of the Aeneid in three successive years. 1 None of them was however able to offer a satisfactory explanation of rettulit: the latest discussion of this passage is obliged to reiterate Conington's original complaint. 2 The purpose of the present article is to suggest a possible solution to this vexatious and long-standing crux.Servius Danielis was himself perplexed by this Virgilian passage, for which he felt the need to offer two alternative explanations: "retulit aut restituit aut nominavit" (Aen. 8.342). The second of these was accepted by Heyne (1833, 221: "retulit est appellavit"); however Conington rightly objected that there is no evidence for such a meaning of referre. The first exegesis proposed by Servius has on the other hand found widespread support. 3 It must however be pointed out that those who accept the equation of referre with restituere appear to have forgotten that the object of rettulit is not asylum, but lucum: while the "re-establishment" of an asylum makes excellent sense, the same can hardly be said of "re-establishing" a grove of trees. Servius himself detected an allusion to the asylum founded at Athens by the Heraclidae: "ideo ergo ait 'quod Romulus acer asylum retulit,' hoc est fecit ad imitationem [End Page 527] Atheniensis asyli" (Aen. 8.342). This interpretation of referre as signifying "to reproduce from a model" has similarly been widely accepted. 4 Such a construe is however open to the same objection that can be raised against restituere: while this rendering would have been admirably suited to asylum as direct object, the notion of "reproducing" a grove "from a model" is likewise far less satisfactory. 5 In support of both these explications it has been customary to adduce Aeneid 5.596-98: "hunc morem cursus atque haec certamina primus / Ascanius, Longam muris cum cingeret Albam, / rettulit." The supposed parallel is however illusory, since here referre simply governs a direct object, whereas in book 8 the same verb is instead employed in conjunction with the predicative apposition asylum. K. W. Gransden's commentary on this latter book (1976, 129) accordingly proposed the novel rendering "instituted as," which was however rejected by P. T. Eden's postscript (1986, 439) to his own commentary as "emphatically not a meaning of refero." Eden's commentary itself had taken rettulit as equivalent to reddidit. 6 This view that referre is here being used in the sense of "to render" had already been tentatively advanced by Conington himself; it too has received a certain measure of support. 7 In his latest contribution to the debate, however, Eden (1986, 440) changes his mind and instead adopts the unsatisfactory notion of Fordyce's commentary that rettulit signifies "reproduced from a model." Eden's reason for this volte-face is the following: "even if... the construction here of referre with a double accusative is an analogical imitation of reddere with the same construction, it cannot therefore also be presumed to share its meaning." Perhaps it is nonetheless possible to indicate how this objection of Eden's can be circumvented by a novel hypothesis which would at last appear to provide a key to this troublesomely enigmatic text. [End Page 528]Quintilian (Inst. 8.6.37) illustrates the rhetorical figure of metalempsis or transumptio with a reference to Odyssey 15.299 where thoos ("quick") is employed in the sense of oxus ("sharp"). Heinrich Lausberg (1990, 295) explains the figure as follows: "Die... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:No-Self, Dōgen, the Senika Doctrine, and Western Views of SoulGerhard FadenNo-Self Versus SoulFrom the very beginning of Buddhism, the concept of no-self (P. anattā, J. muga) has been at the heart of Buddhist thought. Based on this concept, Buddhist apologetics rejected the concept of Atman in the Upanishads as well as Western concepts of soul. Christian authors, on the other hand, see an unbridgeable abyss between what they call (...) "Christian personalism" and Buddhist "rejection of souls."1 However, is there really such a clear-cut distinction? Posing this question means denying it. The no-self doctrine is one of the most intricate concepts within philosophy, and words like "self" and "soul" have countless interpretations. It seems to me that the Buddhist tradition itself has not always realized the crucial point of its fundamental doctrine, just as the Western concepts of "person" and "soul" more often than not fell behind the achievements of Plato and the New Testament. Especially the Theravāda line of Buddhism has developed a very counterintuitive picture of what it is to be a human person. "There is suffering, but there is no self who suffers." The most outstanding philosopher of Mahāyāna Buddhism, Nāgārjuna (ca. 150-250), introduced a more convincing interpretation when he said that according to Buddha the self or soul does neither exist nor not exist. This interpretation too, no less than the Theravāda doctrine, can refer to the early epoch of Buddhism. In the Pāli suttas a monk named Vacchagotta asked the Buddha, "Is there a self?" The Buddha gave no response. Then Vacchagotta asked, "Is there no self?" Again the Buddha was silent.2 In any case, the teaching of no-self leaves room for many divergent interpretations. In this paper, I shall propose to understand it as an original view of what is my true being, a view that has analogues in traditional Western philosophy. The truth is one; philosophy has to demonstrate that the different doctrines are nothing but aspects of a single universe. As for the dogmatic tenets of each religion, I would propose to see them like educators of the individual's thought: they set limits, develop abilities, suggest lines of sight, and the like. [End Page 41]The Concept of No-self in Pāli BuddhismIn the limited space of this essay, I can only give some marginal remarks. For a first approach, let us look at the origins of the no-self concept in the scriptures of Pāli Buddhism. They show clearly the aim of that doctrine: it consists in the liberation from objectifying theories of the soul. In the canonical texts, we find repeatedly the formula of rejecting the five aggregates, the so-called "heaps" (Skt. skhandha, P. khandha) that form the phantom of a persistent ego: body, sensation, conceptualization, volitions, and consciousness. None of these things is really mine. The Buddha tells to his disciples as follows: "Suppose, bhikkhus, people were to carry off the grass, sticks, branches, and foliage in this Jeta's Grove, or to burn them, or to do with them as they wish. Would you think: 'People are carrying us off, or burning us, or doing with us as they wish'?" Of course, the disciples do not think so. It is neither their self nor what belongs to their self. In the same way, the Buddha instructs them to think, the ear is not yours, and the mind is not yours, and so on, and to abandon it all.3In other words, by the teaching of anattā the Buddha invites his disciples to cease identifying their true being with things like body or consciousness. Only what really is mine can be my self. The khandhas seem to be mine. To a certain degree, I can dispose of them. However, really they are not mine; on the contrary, they are my master. The teaching of no-self does not originally mean there is no self, but nothing in this world can be my self. What is my self can never be taken from me. I cannot dispose of it, and on the other... (shrink)

We follow [8] in asking when a set of ordinals $X \subseteq \alpha$ is a countable union of sets in K, the core model. We show that, analogously to L, and X closed under the canonical Σ 1 Skolem function for K α can be so decomposed provided K is such that no ω-closed filters are put on its measure sequence, but not otherwise. This proviso holds if there is no inner model of a weak Erdős-type property.

Monografii︠a︡ posvi︠a︡shchena tvorchestvu Petra Evgenʹevicha Astafʹeva (1846-1893), zamechatelʹnogo russkogo filosofa, psikhologa i publit︠s︡ista iz plei︠a︡dy mysliteleĭ kont︠s︡a XIX veka -- "zolotogo veka" russkoĭ kulʹtury. V knige detalʹno rassmotreny osnovnye dostizhenii︠a︡ P.E. Astafʹeva, svi︠a︡zannye s obosnovaniem spiritualisticheskogo mirovozzrenii︠a︡: ego uchenie o dukhovnoĭ lichnosti i svobode voli, paradoksalʹnai︠a︡ traktovka chuvstva li︠u︡bvi, originalʹnai︠a︡ kont︠s︡ept︠s︡ii︠a︡ "bessoznatelʹnogo", predstavlenie o vere cheloveka v sebi︠a︡ kak pochve estestvennogo bogopoznanii︠a︡ i t.d. V edinstve s filosofsko-psikhologicheskim ucheniem P.E. Astafʹeva rassmotrena ego publit︠s︡istika (vkli︠u︡chai︠a︡ novyĭ i gluboko aktualʹnyĭ variant "troĭstvennoĭ (...) formuly") i namechena vozmozhnostʹ metafizicheskogo ponimanii︠a︡ nat︠s︡ionalʹnoĭ prirody cheloveka. V prilozhenii︠a︡ k knige vkli︠u︡cheny dva ėti︠u︡da avtora, posvi︠a︡shchennye poni︠a︡tii︠a︡m narodnosti i sobornosti. (shrink)

The status nomenclature of the Imperial slaves, as that of the Imperial freedmen, is important mainly for its bearing on the difficult problems of dating slave sepulchral inscriptions, but also as a means of determining who were Imperial slaves belonging to the Familia Caesaris with the significant social status this implied. Bang's careful but brief treatment of the subject, published in 1919, was not based on a complete collection of the material—admittedly difficult to obtain—and much has appeared in the interval. (...) Moreover, a deeper analysis of the evidence necessitates some revision of his conclusions. (shrink)

We sketch a broadening of the Gupta-Belnap notion of a circular or revision theoretic definition into that of a more generalized form incorporating ideas of Kleene’s generalized or higher type recursion. This thereby connects the philosophically motivated, and derived, notion of a circular definition with an older form of definition by recursion using functionals, that is functions of functions, as oracles. We note that Gupta and Belnap’s notion of ‘categorical in L’ can be formulated in at least one of these (...) schemes. (shrink)

This paper critically examines traditional rule-based and externalist approaches to the teaching of business ethics. The review materializes in a framework of seven pitfalls associated with the traditional approach, and bridges to overcome these perils are offered. Care is taken to avoid submitting the implausible positions of moral relativism. A perspective of methodological pluralism and normative internalism is developed and presented as a fruitful avenue for effective teaching in business ethics, and possible avenues for empirical exploration are offered.