The article deals with the issues of creative society’s environment. The theses have been developed as follows. 1. Creative venture enters unknown environment concerning consuming. 2. Outstanding society is hardly recognized in consuming environment, which has been forced to change. 3. Creative society is outstanding as much as by arising in consumi+ng environment does not regard consuming logic and blocks communicative channels of the consumers. 4. A creative worker is rich not by having a lot of things to be consumed (...) but by satisfying things for realization of his (her) creative aspirations. 5. The concept of happiness is a mobility factor of both an individual and the society. 6. Happiness is to be created together with beneficial for it social environment, the creator of which is both an individual and the society. 7. Averageness does not mean inauthenticity, on the contrary, it is an environment of outstandingness nurturance while the creative phenomena canalize this environment into the identity whole. 8. Creation and creative life art is prophylaxis of moderation and ipso facto happiness. 9. Technology is a factor of new social environment. 10. Consumer society wastes natural and social environment by orienting to as bigger as possible comfort and, as a result, causes total discomfort. 11. Quality of ecosphere as well as being affected by environmental pollution becomes an important challenge for the creative society. (shrink)

Išblokštasis žmogus -- Milžinas, didvyris, šventasis -- Didysis nerimas.

Biography of Aurobindo Ghose, 1872-1950, philosopher and nationalist from India.

Nitric oxide (NO) is involved in synaptic long-term potentiation (LTP) by multiple signaling pathways. Here, we show that LTP of synaptic transmission can be explained as a feature of signal transduction—bistable behavior in a chain of biochemical reactions with positive feedback, formed by diffusion of NO to the presynaptic site and facilitating the release of glutamate (Glu). The dynamics of Glu, calcium (Ca2+) and NO is described by a system of nonlinear reaction–diffusion equations with modified Michaelis–Menten (MM) kinetics. Numerical investigation (...) reveals that the chain of biochemical reactions analyzed can exhibit a bistable behavior under physiological conditions when production of Glu is described by MM kinetics and decay of NO is modeled by means of two enzymatic pathways with different kinetic properties. Our finding extends understanding of the role of NO in LTP: a short high-intensity stimulus is “memorized” as a long-lasting elevation of NO concentration. The conclusions obtained by analysis of the chain of biochemical reactions describing LTP can be generalized to other chains of interactions or for creating the logical elements for biological computers. (shrink)

Classical Sāṃkhya has usually been interpreted as an intellectualist school. Its presumed method for the attainment of liberation is essentially characterized by rational inquiry into reality, which involves the intellectual understanding of the distinction between two principles: the conscious and the material. Some have argued that this liberating process is not only theoretical, but that it entails yogic practice, or that it is the natural outcome of existential forces that tend toward freedom. However, recent studies in Sāṃkhya involving detailed analysis (...) of an anonymous commentary of the Sāṃkhyakārikā, the Yuktidīpikā, suggest a more complex picture. The external functions of the five vital winds in relation to the sources of action and dispositions of being seem to play an important role in the liberating path. In this paper, I review the relation between bhāvas, karmayonis, and the five prāṇas by considering the social, moral, and interpersonal aspects of the five vital winds as described in the Yuktidīpikā. It will be shown how the external functions of prāṇa are related to the moral cultivation of vitality, leading to the enactment and manifestation of dispositions of being that bring about the realization of oneself as a knower in the ethical engagement with others. It is this unique way of understanding prāṇa in the Yuktidīpikā that makes the Sāṃkhya path for liberation something more than a theoretical cognitive method or a spontaneous and predetermined realization of one’s self. (shrink)

Each action, each thought is accompanied by one’s own breathing. To breathe is always thought of as an individual act. It is one’s own breathing that keeps us alive and it is one’s own breathing that leaves at the moment of death. Up until recently, it was uncommon to talk about breathing as a shared act, as a relational moment that is created with someone else. Yet, Luce Irigaray’s work calls for the cultivation of breathing to enable our ethical coexistence (...) with the other, and the eighth c. commentary on the Sāṃkhyakārikā, the Yuktidīpikā, relates the vital breath of samāna to the function of sharing. This paper searches for a philosophy of breath, such as the one that Irigaray calls for, that can emerge from a close reading of Indian philosophical sources. I explore the relational aspect of breathing throughout the development of the notion of prāṇa in the Upaniṣads and elucidate the meaning given to the term samāna within the classical Sāṃkhya tradition, unique in the Indian theory of the bodily winds. (shrink)

_In the light of Sri Aurobindo's philosophy, this paper looks into some of the problems of contemporary man as an individual, a member of society, a citizen of his country, a component of this world, and of nature itself. Concepts like Science; Nature,;Matter; Mental Being; Mana-purusa; Prana-purusa; Citta-purusa; Nation-ego and Nation-soul; True and False Subjectivism; World-state and World-union; Religion of Humanism are the focus of this paper. Nature: Beneath the diversity and uniqueness of the different elements in Nature there is (...) an essential unity that not only allows for this diversity but even supports it. Nature is both a benefactor and a force: a benefactor, because it acts to carry out the evolution of mankind; a force, because it also supplies the necessary energy and momentum to achieve it. Natural calamities: If mankind can quieten the tsunamis and cyclones and droughts and earthquakes that rage within, and behave with care and compassion towards Nature, not exploiting, denuding, or denigrating it, there is a strong possibility that Nature too will behave with equal care and compassion towards man and spare him the natural calamities than rend him asunder. Science: The limitation of science become obvious, according to Sri Aurobindo, when we realize that it has mastered knowledge of processes and helped in the creation of machinery but is ignorant of the foundations of being and, therefore, cannot perfect our nature or our life. Science and philosophy: The insights of philosophy could become heuristic and algorithmic models for scientific experimentation. Matter: An interesting aspect of Sri Aurobindo's philosophy is his acceptance of the reality of matter even while highlighting its inadequacies; the ultimate goal, according to him, is the divination of matter itself. Purusa: If the mana-purusa (mental being) were to log on to the genuine citta-purusa (psychic formation), without necessarily logging off from the prana-purusa (frontal formation), it may help quieten the turbulences within, which may be a prelude to the quietening of the disturbances without, whether it be physical maladies, cravings (for food, fame, fortune, etc.), destructive competitiveness; or wars, terrorism, ethnic conflicts, communal riots, and the other such social maladies that afflict mankind today. Nation-ego (false subjectivism) and Nation-soul (true subjectivism): Sri Aurobindo considers Nation-ego an example of false subjectivism, in which national identity and pride are stressed to prove one's superiority and suppress or exploit the rest. The Nation-soul, as an example of true subjectivism, attempts to capture one's traditional heritage and values in its pristine form, not as a reaction to hurts and angers or as compensation for real or imagined injuries or indignities of the past. World-state (false subjectivism) and World-union (true subjectivism): Similarly, a World-state founded upon the principle of centralization and uniformity, a mechanical and formal unity, is an example of false subjectivism, while a World-union founded upon the principle of liberty and variation in a free and intelligent unity is an example of true subjectivism Human actualization: Even if two human beings are similar, in so far as they are human beings, there is so much diversity between them. Part of the movement towards human self-actualization lies in the fact that this diversity should not be forcibly curbed, as also the realization that beneath all that appears disparate there is an essential unity. Also, man is not the end product of evolution but an intermediate stage between the animal and the divine. Moreover, he is endowed with consciousness that enables him to cooperate with the forces of evolution and speed up and telescope the next stage of evolution._. (shrink)

The mind is not structured anatomically, as emphasized by modern pathology. Instead, it is expanded as a whole in a subtle form behind the physical body. In the Indian system of medical philosophy, the mind is considered as the astral nerves made third body, which identified as the ‘Manomaya-sharira’ (subconscious mind). The mind is composed of millions of astralnadis, through which Pranic-energies circulate freely into the astral anatomy of mind. Seven-chakras are found parallel to the spine, serving as the major (...) seven innovation centres in the body. These Chakras facilitate the connection of the mind with the seven dimensions of the inner world. From these dimensions the Pranic-energies including Sattva, Raja, Tama are exported to the mind and its Nadi-tantras, influencing both the outer and inner subconscious minds. Subsequently, these elements, viz., Sattva, Raja and Tama are thrown from the mind to the outer world through the seven sense organs, manifesting as either constructive or destructive activities. Thus the mind exists due to ‘Prana’, (energy of Omkara) which increases through deeper meditation, sound sleep, and breathing exercises (O2). The positional behaviour of the mind shifts according to the physical and mental temperament, namely Triguna and Tridosha, or Panchavikara. The negative energy (Tama-guna) of the fourth dimension enters the astral Nadis-system of the mind via the interspace of the solar plexus, which crushes the mind’s structures, and consequently, all the Chakras are corrupted and the Nadis are blocked, so it generates a break in the circulation of ‘Prana’ into the Nadis. As a result, many socio-economic challenges and psychosomatic disorders occur. (shrink)

This chapter contains sections titled: Looking Back Looking Forward Namaste From the Individual to the Universal Yoga in Schools Furthering the Case for Yoga in Schools Specific, Additional Options Worth Considering Conclusion.

AA 180& 'What has to be accepted, the given, is, so one could say, forms of life'. (PI p 226) Compare with Nietzsche. Nietzsche works out a theory of demoralisation. Understanding of the logic of language games makes a difference to those one will play. Compare Heraclitus. The form of life as the will, prana, that which determines whatever it is that is said or believed. The language is merely the medium. Yet this is not something to be set up (...) as a metaphysical theory. It is too particular, and any motive for demolishing it is likely to be sufficient to do so. There is no one way which is true over and above all others. To be able to talk on this plane we need a kind of higher logic. There are those who are desperate to discover the one explanation which is in a sense true. For them, an philosophy which focus on the nature of explanation itself, and thus dissolves the problem will appear irrelevant. Henceforth what is needed is not philosophical statements but logical tools. What we do with these tools is not the business of philosophy. 'one wonders what philosophy would have been like in Britain and the United States if it had not been for the accident of Wittgenstein, for he might not have been on the scene at all…. I meant that he became known to the world of philosophy through the very special circumstances of making a strong impression on Bertrand Russell, and being accepted into the world of philosophy through the bold initiative of Cambridge. Nature is wasteful, and if one wants to get something exceptionally good, one must take great risks about having a great deal that is simply wild. I am sure that both Russell and Cambridge were right to adopt such a policy. Cambridge is possibly the only university in the world that would have touched Wittgenstein at any price. Had it not been for Cambridge, and had it not been for Russell, - and some people would hold that he made an error of judgement- almost certainly nothing more would have been heard of Wittgenstein'.. (shrink)

The Upanishads reveal that in the beginning, nothing existed: “This was but non-existence in the beginning. That became existence. That became ready to be manifest”. (Chandogya Upanishad 3.15.1) The creation began from this state of non-existence or nonduality, a state comparable to (0). One can add any number of zeros to (0), but there will be nothing except a big (0) because (0) is a neutral number. If we take (0) as Nirguna Brahman (God without any form and attributes), then (...) from where and how did the universe come into existence? -/- The neutral power (0) cannot produce anything without having an element of duality in it. Although Nirguna Brahman is neutral, it has a positive, negative, and neutral pole, constituting its Prakriti or nature. Prakriti has three latent Gunas (modes or qualities): Satva, Rajas, and Tamas. They are related to Gyana Shakti (the power of knowledge) Sankalpa Shakti (the power of ideation), and Kriya Shakti (the power of action). Science says that Atom is the basic element from which the universe evolved. The Atom has three nuclei- electron, pluton, and neutron. The Satva, Rajas, and Tamas in Indian spirituality are nothing but the mystical names for the nuclei of an atom. -/- According to Bhagavata Purana, Prakriti is also constituted of the elements of Time, Karma (action/destiny) and Swabhava (innate nature). Time disturbs the equilibrium of Gunas. From the aspect of Karma is produced an entity called Mahat, in the form of intelligence. Mahat is dominated by Satva and Rajas. From Mahat manifests the next evolute dominated by Tamas with three predominant qualities – Dravya (substance), Kriya (action), as well as intelligence. It forms to become the Ego principle (Ahamkara). -/- Ahamkara has three modes – Satvic, Rajasic and Tamasic. Satvic is Jnana oriented, Rajasic action-oriented and Tamasic Dravya (substance) oriented. From the Tamasic Ahankara, five gross elements are produced (ether, air, fire, water, and earth - Akash, Vayu, Agni, Jal and Prithvi). From the Satvic Ahamkara, guardian deities (the sun and moon, deities of sense organs, and organs of action) and from Rajasic Ahamkara, ten senses (Indriyas), five senses of perception, five organs of action, the faculties of intellect and Prana (life breath) are produced. -/- Bhagavata says that since these energies, elements, and faculties remained disassociated, they were combined to form a Cosmic Egg. The egg floats in the primal waters for a thousand years. Then God enters this Cosmic Egg and manifests himself as the Cosmic Purusha. He is the first nucleus, the God particle equivalent to the number (1) which is the embodiment of everything in the universe. The concept of creation and dissolution in Hinduism can be compared to the waves in an ocean that appear and disappear incessantly. The Manvantaras are such successive episodes of creation emerging from the Cosmic Person, the Manu who is embodied God-Consciousness, God himself. These episodes of creation are measured in Hinduism in terms of Manvantaras, the epochs of Manus. -/- Manu is the ‘First-Born’ (1) of God, the Cosmic Purusha from whom the world has originated. This Cosmic Person (Purusha) has been described as having fourteen biospheres (heavens) that are inhabited by various life forms in the order of evolution of consciousness. If we begin from the human biosphere (Bhuloka), there are ten astral biospheres that a man must transcend to attain liberation or Mukti from the cycle of births and deaths. -/- The number (1) produces the primary numbers up to (9) through the transmutation of the creational energies and qualities. The process can be related to the descent and cyclical evolution of (1) through ten spiritual stages, finally merging with the nondual (0). The number (10) marks the merger of (1) with (0). The Hindu worldview is that all life forms in an episode of creation must evolve to become one with the non-dual state (0) to attain liberation from the cycle of births and deaths in a cyclical process. -/- . (shrink)

This book is about higher yoga, as practiced by the sages who composed the ancient scriptures of India. Learn to achieve, eternally, liberation from the limitations of time and space; unlimited divine powers; and an immortal, physically perfect divine body. Surrender the body and mind to the spontaneous workings of the awakened life force (prana), and practice pure conscious living.

In lieu of an abstract, here is a brief excerpt of the content:BreathingLuk Van den Dries (bio)This text, "Breathing," was conceived for the book From Act to Acting: Fabre's Guidelines for the Performer of the 21st Century (2021). The book was conceived and designed by Jan Fabre, author, theatre artist, and visual artist, active since the 1970s. The book was written by Luk Van den Dries, dramaturg and theatre researcher of the University of Antwerp, in tight collaboration with Jan Fabre (...) and the three most important performers/teachers of the Belgian theatre company, Troubleyn (Annabelle Chambon, Cédric Charron, and Ivana Jozic). The book sheds new light on the physical, mental, and vocal training of the performer and furthermore gives insight into Fabre's revolutionary thoughts on contemporary theatre.1Breathing is the first of the ten performative principles that together create the basic grammar in which the language of the performers is grounded.Three-phased breathing (one part in, one part out, one part nothing) is a basic condition in the series of exercises Jan Fabre developed throughout his career. This respiration technique returns in all exercises. Also, it is the first principle that the performers are taught: by dividing breathing into three equal parts, energy is built up and stress or fatigue is canalized. It is a way to rebalance, to find a place of rest after a strenuous effort, or it can also be used as a springboard to a heightened performance. Very regularly during individual exercises, Fabre will refer to this respiration technique, especially in specific situations of high adrenaline, but of course the performers should learn to use this respiration technique autonomously. They should become so familiar with the rhythm of this breathing that they automatically fall back on it when necessary. Because this respiration technique is so crucial to Fabre's acting pedagogy, it is described in detail as the very first exercise in his book. Its basic principles are explained below as well, as the first performative principle.Breathing is a sign of life, and on this primal and essential level it needs to be understood that, through breathing, the performer gives life. He breathes life into the performance. Fabre himself has described this basic condition for the birth of theatre through breathing very precisely: [End Page 30]The most important weapon of the warrior of beauty is his respiration. When the performance starts, life stops. Life itself dies. The warrior of beauty is alive, but life itself is dead. The warrior of beauty remains with just his own breath. When he enters the stage, he needs to breathe life into deceased life. Like a god gives his breath to create life. In the same way he will create life with his breath. How will he achieve this? By breathing correctly: one-third inhaling through the nostrils, one-third exhaling through pursed lips, one-third without breathing. And then the miracle happens. The breath becomes imagination and the imagination breathes. The warrior of beauty is the master of breath and life.2Fabre's abdominal breathing differs from regular forms of breathing, such as techniques derived from Asian yoga techniques, Chi-kung or Tai-chi, as it stresses different parts. At the same time, it is closely related to it, because these practices also adopt the notion that breathing in the first place rouses vitality and spirit and that the right kind of breathing thus aims at controlling life currents and bringing about a clear mind. In yoga it is called pranayama: prana meaning spirit or force of life, ayama meaning 'control' or 'grasp.' Yoga knows many variants in directing the breath, depending on the asanas (yoga postures) in which they are bedded. Sometimes focusing mainly on the diaphragm and the flanks, sometimes on abdominal breathing. Also, suspending your breath (kumbhaka) is a yoga technique, applied at the end of inhalation as well as after exhalation and during taking breath.In Fabre's case, abdominal breathing is stressed: first, air is inhaled through the nose, subsequently sent in the direction of the peritoneal cavity and the flanks, and then again exhaled via a very precise blowing technique (a dosed flow of air through an imaginary straw). During the cycle the diaphragm remains... (shrink)

This essay explores the origin and estimates the values of the Hindu explanations and definitions of the series of terms comprising Prāṇa or vital breaths. It provides a rare analysis of the question of proper interpretation and translation of the various terms. As such, it is a fundamental work for all those seeking a deeper understanding of the concepts pertaining to psycho-physiology as understood in Hindu texts.

The primary project involves an analysis of the phenomenon described as Ki-energy. This concept is found in some form or another and is called by a variety of names in a number of traditional yogic and medical technologies. Counterparts to Ki from other cultural traditions would be, for example: qi from the Chinese tradition; prana from the Indian traditions; nefesh or ruach from the Hebrew traditions; and so on. Phenomenologically, this life force accounts for the activity and "living-ness" of living (...) things. The attempt to conserve and cultivate this life force informs many yogic systems. (shrink)

This chapter contains sections titled: Against Yoga Theory: A Standard Objection Some Inadequate Responses to the Standard Objection The Standard Objection and Testimony Higher Up the Scale Conclusion.