pt. I. Ethics, by J. H. Tufts. Aesthetics, by D. H. Parker. Axiology, by W. M. Urban. Philosophy of law, by Roscoe Pound. Philosophy of history, by J. E. Boodin. Philosophy of science, by V. F. Lenzen. Philosophy of life, by A. N. Whitehead. Metaphysics, by E. W. Hall. Theology and metaphysics, by D. C. Mackintosh.--pt. II. Philosophy of the twentieth century, by Bertrand Russell. Kantianism, by A. C. Ewing. Philosophy of Hegelianism, by Richard Hoenigswald. The humanism of St. (...) Thomas Aquinas, by Jacques Maritain. Transcendental absolutism, by George Santayana. (shrink)

It used to be thought that, just as word-initialfl… and fr… behaved likepl…, pr…, tr…, etc., in not producing a long syllable when following a word-final short vowel, just so word-internal …fl… and …fr… allowed both the short and, except for the pre-classical scenic poets, the long scansion. It was implied that these clusters oscillated with the same degree of freedom which is the well-known characteristic of the stop-and-liquid clusters. The difficulty is, of course, that evidence can be no more (...) than minimal since in truly Latin material f occurs only at the beginning of words or after a compounding seam. In fact, the argument, explicit or implicit, has turned on Horace, Sat. 1.2.98: custodes lectica ceniflones parasitae; Horace, Sat. 2.2.131: ilium aut nequities aut uafri inscitia iuris; Ov. Ars 3.332: cuiue pater uafri luditur arte Getae; Martial 6.64.26: stigmata nec uafra delebit Cinnamus arte; 12.66.3: arte sed emptorem uafra corrumpis Amoene; Phaedrus 2.6.14: inducta uafris aquila monitis paruit; Silius 8.566: et quos aut Rufrae quos aut Aesernia quosue, and Martial 4.71.1: quaero diu totam Safroni Rufe per urbem. (shrink)

A discussion of Aristotle’s thought on determinism and culpability, Necessity, Cause, and Blame also reveals Richard Sorabji’s own philosophical commitments. He makes the original argument here that Aristotle separates the notions of necessity and cause, rejecting both the idea that all events are necessarily determined as well as the idea that a non-necessitated event must also be non-caused. In support of this argument, Sorabji engages in a wide-ranging discussion of explanation, time, free will, essence, and purpose in nature. He (...) also provides historical perspective, arguing that these problems remain intimately bound up with modern controversies. “ Necessity, Cause and Blame would be counted by all as one of Sorabji’s finest. The book is essential for philosophers—both specialists on the Greeks and modern thinkers about free will—and also compelling for non-specialists.”—Martha Nussbaum “Original and important . . . The book relates Aristotle’s discussions to both the contemporary debates on determinism and causation and the ancient ones. It is especially detailed on Stoic arguments about necessity . . . and on the social and legal background to Aristotle’s thought.”— Choice “It is difficult to convey the extraordinary richness of this book. . . . A Greekless philosopher could read it with pleasure . . . At the same time, its learning and scholarship are enormous.”—G. E. M. Anscombe, Times Literary Supplement. (shrink)

In his new introduction, "Note on a Missing Text," Richard Wolin uses the absence from this edition of an interview with Jacques Derrida as a springboard for ...

Living with people who differ—racially, ethnically, religiously, or economically—is the most urgent challenge facing civil society today. We tend socially to avoid engaging with people unlike ourselves, and modern politics encourages the politics of the tribe rather than of the city. In this thought-provoking book, Richard Sennett discusses why this has happened and what might be done about it. Sennett contends that cooperation is a craft, and the foundations for skillful cooperation lie in learning to listen well and discuss (...) rather than debate. In _Together_ he explores how people can cooperate online, on street corners, in schools, at work, and in local politics. He traces the evolution of cooperative rituals from medieval times to today, and in situations as diverse as slave communities, socialist groups in Paris, and workers on Wall Street. Divided into three parts, the book addresses the nature of cooperation, why it has become weak, and how it could be strengthened. The author warns that we must learn the craft of cooperation if we are to make our complex society prosper, yet he reassures us that we can do this, for the capacity for cooperation is embedded in human nature. (shrink)

Orientalism and Religion offers us a timely discussion of the implications of contemporary post-colonial theory for the study of religion. Drawing on a variety of post-structuralist and post-colonial thinkers, including Foucault, Gadamer, Said, and Spivak, Richard King examines the way in which notions such as mysticism, religion, Hinduism and Buddhism are taken for granted, and shows us how religion needs to be redescribed along the lines of cultural studies.

The humanity formulation of Kant's Categorical Imperative demands that we treat humanity as an end in itself. Because this principle resonates with currently influential ideals of human rights and dignity, contemporary readers often find it compelling, even if the rest of Kant's moral philosophy leaves them cold. Moreover, some prominent specialists in Kant's ethics have recently turned to the humanity formulation as the most theoretically central and promising principle of Kant's ethics. Nevertheless, it has received less attention than many other (...) aspects of Kant's ethics. Richard Dean offers the most sustained and systematic examination of the humanity formulation to date. He presents an original analysis of what it means to treat humanity as an end in itself, and examines the implications both for Kant scholarship and for practical guidance on specific moral issues. (shrink)

The current status of string theory is assessed quite differently by most of the theory’s exponents than by the majority of physicists in other fields. While the former tend to have a high degree of trust in string theory’s viability, the latter largely share a substantially more skeptical point of view. This article argues that the controversy can be best understood in terms of a paradigmatic rift between the two sides over their understandings of theory assessment. An attempt is made (...) to evaluate the two conflicting paradigms on their own terms. †To contact the author, please write to: Institute Vienna Circle, University of Vienna, Universtitätscampus Spitalgasse 2‐4, Hof 1, 1090 Vienna, Austria; e‐mail: richard[email protected]. (shrink)

Some theorists who accept the existence of global justice duties to alleviate the condition of distant needy strangers hold that these duties are significantly constrained by special ties to fellow countrymen. The patriotic priority thesis holds that morality requires the members of each nation-state to give priority to helping needy fellow compatriots over more needy distant strangers. Three arguments for constraint and patriotic priority are examined in this essay: an argument from fair play, one from coercion, another from coercion and (...) autonomy. Under scrutiny, none of these arguments qualifies as successful. (shrink)

Motivation to Permissibility 780 III. The Deception Accounts of Wrongful Discrimination 783 IV. Discrimination from Animus and Prejudice 787 V. An Objection 789 VI. Innocent Discrimination 790 VII. Disparate Impact 793 VIII. Suspect Classifications 795..

Much of the history of physics at the beginning of the twentieth century has been written with a sharp focus on a few key figures and a handful of notable events. Einstein’s Generation offers a distinctive new approach to the origins of modern physics by exploring both the material culture that stimulated relativity and the reaction of Einstein’s colleagues to his pioneering work. Richard Staley weaves together the diverse strands of experimental and theoretical physics, commercial instrument making, and the (...) sociology of physics around 1900 to present a complete view of the collective efforts of a group whose work helped set the stage for Einstein’s revolutionary theories and the transition from classical to modern physics that followed. Collecting papers, talks, catalogues, conferences, and correspondence, Staley juxtaposes scientists’ views of relativity at the time to modern understandings of its history. Ultimately, Einstein’s Generation tells the story of a group of individuals whose work engendered some of the most significant advances of the twentieth century—and challenges our celebration of Einstein’s era above all others. (shrink)

This essay describes modern American legal pragmatism. Its origins in pragmatist philosophy are traced, and it is compared with the law and economics movement in American law and the formalist style of Continental legal theory. The essay argues that the inevitability of legal pragmatism in America, and its dispensability in Europe, reflect fundamental institutional and cultural differences rather than mere accidents of history or legal thought.

Drawing from existentialism, feminism, the thought of Karl Marx and novelists like Dostoevsky, Richard Schmitt looks at modern capitalist societies to understand what it is that might be wrong for individuals. His concern focuses specifically on those who are alienated-- those persons who have difficulty finding meaning in their lives, who lack confidence in themselves and trust in others and, finally, who are constantly distracted by consumer society. He explores how and why alienation occurs. From friendship, love, and work, (...) Alienation and Freedom touches on issues meaningful to us all. (shrink)

The legal literature generally assumes that an aggregate-risk-utility test is employed to determine whether conduct was reasonable or negligent. However, this test is infrequently mentioned by the courts and almost never explains their decisions. Instead, they apply, explicitly or implicitly, various justice-based standards that take into account the rights and relationships among the parties. This is true even for the two judges most closely identified with the aggregate-risk-utility test: Learned Hand and Richard Posner. During the five decades that Hand (...) served as a federal judge, he mentioned the test in only eleven opinions, between 1938 and 1949, and in none of those opinions did he actually apply the test to resolve the negligence issue. In his last reference to the test, in 1949, he essentially abandoned it. None of his fellow circuit judges ever mentioned the test. Posner claims that the Hand formula expresses an economic efficiency interpretation of negligence that has long been implicit in judicial opinions. However, Posner’s arguments are based on speculative and implausible assumptions, overbroad generalizations, selective quotations, and superficial descriptions of cases that misstate or ignore facts, language, rationales, and holdings that are inconsistent with his argument. The same flaws are apparent in Posner’s attempts to apply the Hand formula in his own judicial opinions. Neither he nor his like-minded colleague, Frank Easterbrook, has been able to employ the Hand formula to resolve the negligence issue in any case, and none of their fellow circuit judges has attempted to do so. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 28.2 (2004) 393-405 [Access article in PDF] Decency and Its Discontents Richard Freadman La Trobe University In The Beginning of the Journey, Diana Trilling makes this rather shocking claim about her husband, Lionel: "In the dark recesses of his heart where unhappiness was so often his companion, he was contemptuous of everything in his life that was dedicated to seriousness and responsibility."1 Lionel had been (...) dead almost 20 years when a near blind Diana dictated this comment in her controversial auto/biography in the early 1990s. Of course he was revered for—among other things—precisely his qualities of intellectual "seriousness and responsibility." But Diana argued that Lionel had in effect settled for such sober virtues because for temperamental and other reasons he could not live the life he really craved—the life of a swashbuckling novelist, with all its recklessness, its refusal of compromise, even its moral waywardness. When Hemingway died Lionel wrote in his notebook: "who would suppose how much he haunted me? How much he existed in my mind—as a reproach? He was the only writer of our time I envied" (Beginning, p. 371). Lionel's critical discussions of Hemingway's fiction are judicious and qualified.2 He admired the uncompromising short story writer who was "passionately and aggressively concerned with truth" (SLS, p. 127), but found the work of the self-conscious "legend" (p. 125), writing in the first-person, ponderous and disappointing. It was not the prose that Lionel so wanted to emulate. It was the life; in particular, its power to release and nurture creativity. Diana continues: "It was to decency that Lionel felt he had sacrificed his hope of being a writer of fiction—conscience had not made a coward of him, it had made him a critic" (Beginning, p. 372). [End Page 393]Decency—how often we use the word. How seldom we ask what we mean by it. Usually it functions as a sort of guarantor term, like the caged canary in the coal mine. If the canary lives, the miners are judged to have fair air to breathe; if a person possesses certain qualities, or a society provides certain requisite conditions, we say the person is "decent," or that this is a "decent society." Yet remarkably few virtue ethicists have countenanced the possibility that decency might be counted among the virtues; that it might be the subject of substantive intellectual reflection; that we might investigate its relation to other virtues, its internal structure, its characteristic patterns and possibilities of existential investment. As John Kekes, one of the very few philosophers to have paid the notion serious philosophical attention, says: "Decency is generally admitted to be a good thing, but is not generally supposed to be particularly important."3In this short essay I attempt two linked undertakings: first, to offer a characterization of Decency—the term henceforth accorded a capital "D" to indicate its status as a moral virtue; second, to read aspects of Lionel Trilling's life and work, and Diana's late assessment of him, in the light of Decency, as I understand the term. I "Decent" seems to refer to a "state," a sort of moral condition a person is "in," and to a resultant orientation towards others. The "state" is one of modesty, even humility. The ego doesn't loom large or get in the way. The orientation is one of solicitude towards others. Decent people of this kind genuinely care about, feel for others. Unless they are given good reason to behave otherwise, their disposition towards others tends to be respectful; they bring to most situations an assumption that the other person is worthy, deserves to be taken seriously. Decency of this kind tends to be associated with receptiveness, relatedness, a patient openness to others, though it need not be passive.The word "decent" derives from the Latin, deceré—to become, to be fitting. It's been used in English since about the 1530s. From that period to the early twentieth century "decent" has generally indicated that something is fitting, appropriate, with respect to social rank... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:An I for an I: Projection, Subjection, and Christian Antisemitism in The Service for RepresentingAdam1 Richard J. Prystowsky Irvine Valley College You know well enough how to look in a mirror: Now look at this hand for me, and tell If my heart is sick or healthy. The Servicefor Representing Adam Far from experience producing his idea of the Jew, it was the latter which explained his experience. (...) If the Jew did not exist, the anti-Semite would invent him. Jean-Paul Sartre, Anti-Semite and Jew These wretched Jews, my own kindred, /... have more to be unhappy about than other peoples. The Holy Resurrection No modern theorist has done more to help us understand the nature of inter- and intra-personal and communal violence than has René Girard. Perhaps his most important insight into the workings of such violence, an insight grounding his other provocative discoveries concerning human conflict, is that the antagonistic participants in acts ofinter- and intra-personal and communal violence are "doubles" of each other. By demonstrating that 1 In their hyphenated forms, the terms "anti-Semite," "anti-Semitism," and "anti-Semitic" have sometimes proved more problematic than helpful. In order to avoid "fosterfing] the false impression that there is a wider ethnic entity against which 'anti-Semitism' is leveled" (Telushkin 467), and in light of the importance of the concept of antisemitism to the history of Jewhating, throughout this essay I follow the lead of those scholars who do not hyphenate the words "antisemite," "antisemitism," or "antisemitic." For more information concerning this issue, see Telushkin. 140Richard J. Prystowsky people fight not because they are different, but because they are the same, Girard has shown us how "violence is a great leveler of men" and has helped us to understand the serious consequences that either follow or can follow from mimetic rivalry (Violence 79). For example, he has helped us see how the internal violence occurring in a community in which differentiation has broken down finds its outlet in scapegoating, that mechanism by means of which a community in conflict with itself attempts to save itselfby sacrificing an expendable, arbitrary victim (who lacks a champion but whose real guilt or innocence is irrelevant) onto whom the collective victimizers have projected their own guilt, their own mimetically-oriented self-hatred—their own "sins," we might say. Among other things, Girard's critique of the mimetic rivalry characteristic of what we might call "the conflicted communal Self" also sheds light on the nature of the violence and victimization that we find in the history of Christian persecution of Jews. Without referring to Girard's ideas, the eminent historian Léon Poliakov nevertheless captures a Girardian view of this tragic history when he writes that "to massacre first, and then, from fear of revenge, to accuse afterward; to attribute to the victims one's own aggressive intentions; to impute to them one's own cruelty: from country to country and from century to century, under various disguises, this is the device we find" (106-7). In the present essay, I will attempt to show that such vengeance-laden acts of Christian persecution of Jews, of the Jew-as-Other, derive from antisemitic Christians' mimetic rivalry with Jews—an "I" for an "I," as this essay's title would suggest—and that underlying this rivalry is the introjection ofreal or imagined Jewish self-hatred.2 1 hope to demonstrate that this projected intra-victimization is marked, in part, by Christians' mimetic appropriations of fantasized or real acts of Jewish self-incrimination, punishment, or more generalized suffering. Ultimately, I will try to provide support for the idea that, despite its obvious promise and appeal of love, peace, and brotherhood, Christianity cannot wrest itself entirely from its moorings in real or fantasized Jewish self-hatred, that is, in an appropriation of enacted or imagined Judaism against itself. If my contentions prove even partially legitimate, then an overwhelming question for good-faith Christians is whether or not the peculiar brand of antisemitism discussed above is endemic to Christianity and, if it is, whether 2Sander L. Oilman's Jewish Self-Hatredremains the preeminent work on the relationship between Jewish self-hatred and antisemitism. Among... (shrink)

Here is an in-depth look at the role myth, mortality, and religion play in J. R. R. Tolkien's works such as The Hobbit, The Lord of the Rings, and The Silmarillion -- including Tolkien's private letters and revealing opinions of his own work. Richard L. Purtill brilliantly argues that Tolkien's extraordinary ability to touch his readers' lives through his storytelling -- so unlike much modern literature -- accounts for his enormous literary success. This book demonstrates the moral depth in (...) Tolkien's work and cuts through current subjectivism and cynicism about morality. A careful reader will find a subtle religious dimension to Tolkien's work -- all the more potent because it is below the surface. Purtill reveals that the author's fantasy stories creatively incorporate profound religious and ethical ideas. For example, Purtill shows us how hobbits reflect both the pettiness of unimaginative parochial humanity and the unexpected heroism of ordinary people in crisis. Purtill effectively addresses larger issues of the place of myth, the relation of religion and morality to literature, the relation of Tolkien's work to traditional mythology, modern fantasy and science fiction, and the lessons Tolkien's work teaches that are applicable to our own lives. Book jacket. (shrink)

In the United States, property rights are afforded protection, but moral rights are not. Up until 1989, the United States adamantly refused to join the Berne Copyright Convention, the first multilateral copyright treaty, now ratified by seventy-eight countries. The American government refused to comply because the Berne Convention grants moral rights to authors. This international policy was—and is—incompatible with United States copyright law, which recognizes only economic rights. Although ten states have enacted some form of moral rights legislation, federal copyright (...) laws tend to prevail, and those are still wholly economic in their motivation. Indeed, the recent pressure for the United States to agree, at least in part, to the terms of the Berne Convention came only as a result of a dramatic increase in the international piracy of American records and films.In September 1986, Senator Edward M. Kennedy of Massachusetts first introduced a bill called the Visual Artists Rights Act. This bill attempts to amend federal copyright laws to incorporate some aspects of international moral rights protection. The Kennedy bill would prohibit the intentional distortion, mutilation, or destruction of works of art after they have been sold. Moreover, the act would empower artists to claim authorship, to receive royalties on subsequent sales, and to disclaim their authorship if the work were distorted.4 This legislation would have prevented Clement Greenburg and the other executors of David Smith’s estate from authorizing the stripping of paint from Several of Smith’s later sculptures so that they would resemble his earlier—and more marketable—unpainted sculptures. Such moral rights legislations would have prevented a Japanese bank in New York from removing and destroying a sculpture by Isamu Noguchi simply because the bank president did not like it. And such legislation would have prevented the United States government from destroying Tilted Arc. 4. Although this section appeared in the original version of Kennedy’s bill, the current version provides for a study of resale royalties. Richard Serra is known for his large-scale site-specific works in landscapes, urban environments, and museums. (shrink)

Thomas Hobbes (1588-1679) was the first great English political philosopher, and his book Leviathan was one of the first truly modern works of philosophy. Richard Tuck shows that while Hobbes may indeed have been an atheist, he was far from pessimistic about human nature, nor did he advocate totalitarianism. By locating him against the context of his age, we learn that Hobbes developed a theory of knowledge which rivaled that of Descartes in its importance for the formation of modern (...) philosophy. (shrink)

This chapter contains sections titled: Works cited Additional recommended readings.

Adorno unquestionably loved opera music as much as he hated opera as a cultural institution. His take on opera in the twentieth century led him to write its socio‐political obituary, while recognizing at the same time that opera continued to attract a steady stream of would‐be onlooker‐auditors. Paradoxically for Adorno, opera continued to appeal to audiences, and – from his dialectical reckoning – characteristically for precisely the wrong reasons. His opera analyses address the sociology of musical theater, performance hermeneutics, and (...) the direct consideration of music itself (though given his typical writing mode this writing is perhaps best characterized as criticism rather than analysis, as the latter term is commonly employed within musicology). Adorno's interests principally revolve around modern opera (Schoenberg, Berg, Strauss, Weill, especially) but also, if to a lesser extent, canonic works from Mozart to Verdi. Wagner, Wagnerian music drama, and cultural Wagnerism more generally were special cases for Adorno, and subjects he returned to repeatedly throughout his adult life, coinciding with the rise and fall of National Socialism and the Wagner cult, which in the 1930s and 1940s war years comfortably accommodated fascist proclivities. Adorno recognized the socio‐cultural agency of opera as a still‐prestigious cultural leftover of nineteenth‐century bourgeois triumphalism, which he vigorously opposed. In its place, he labored to promote what he regarded as a more socially responsible musico‐operatic practice to supplant the aesthetic and social complacency of the established order, ideas that after his death have found considerable currency, nowhere more evident than in late‐modern opera productions throughout the world. (shrink)