Previous reports have demonstrated that the comprehension of sentences describing motion in a particular direction (toward, away, up, or down) is affected by concurrently viewing a stimulus that depicts motion in the same or opposite direction. We report 3 experiments that extend our understanding of the relation between perception and language processing in 2 ways. First, whereas most previous studies of the relation between perception and language processing have focused on visual perception, our data show that sentence processing can be (...) affected by the concurrent processing of auditory stimuli. Second, it is shown that the relation between the processing of auditory stimuli and the processing of sentences depends on whether the sentences are presented in the auditory or visual modality. (shrink)

Critics of the target article objected to our account of art appreciators' sensitivity to art-historical contexts and functions, the relations among the modes of artistic appreciation, and the weaknesses of aesthetic science. To rebut these objections and justify our program, we argue that the current neglect of sensitivity to art-historical contexts persists as a result of a pervasive aesthetic–artistic confound; we further specify our claim that basic exposure and the design stance are necessary conditions of artistic understanding; and we explain (...) why many experimental studies do not belong to a psycho-historical science of art. (shrink)

Population counts and longitude and latitude coordinates were estimated for the 50 largest cities in the United States by computational linguistic techniques and by human participants. The mathematical technique Latent Semantic Analysis applied to newspaper texts produced similarity ratings between the 50 cities that allowed for a multidimensional scaling (MDS) of these cities. MDS coordinates correlated with the actual longitude and latitude of these cities, showing that cities that are located together share similar semantic contexts. This finding was replicated using (...) a first‐order co‐occurrence algorithm. The computational estimates of geographical location as well as population were akin to human estimates. These findings show that language encodes geographical information that language users in turn may use in their understanding of language and the world. (shrink)

Pathological morphogenesis on leaves of Fraxinus ornus (ash) and Solanum lycopersicum (tomato) under the influence of mites (Aceria fraxinivora and Eriophyes cladophthirus respectively) leads to a range of structures whose morphology and development cannot be reduced to the classical categories of plant morphology, but present a heterogeneous continuum which links fundamental structural categories. These findings support the pyramid model of plant construction.

The studies in this book set out to examine the labile resonances of phenomenology and art in Michel Henry, by examining the different figures of movement given to the concept of the aesthetic by the philosopher. They are preceded by one of Michel Henry’s own texts. Les études qui composent ce livre proposent d’interroger les résonances labiles de la phénoménologie et de l’art chez Michel Henry, en examinant les différentes figures du déplacement imprimé par le philosophe au concept d’esthétique. Le (...) tout est précédé d’un texte de Michel Henry. (shrink)

In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images (...) of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. (shrink)

Which theories of Leibniz are still valid after post-modern critique? Using various methods, this work considers a new interpretation and views Leibniz's work from a different perspective. As such, the authors reconstruct Leibniz's viewpoints on tolerance and truth in light of his position and the influence of church politics. Furthermore, his strategy of differentiation between animal and human will be analyzed on its usefulness to current debate. Leibniz's theory of perception will also be contrasted to comparable theories of today. The (...) usual interpretations of his metaphysics based on substance will here be contrasted by a nature-based interpretation. German text. (shrink)

v. 1. A-D -- v. 2. E-L -- v. 3. M-Z -- v. 4. Verzeichnisse.

Open discourses and the free formation of opinions through unfettered information flows and communicated diversity of opinion are unthinkable without independent media and essential prerequisites for a functioning democracy. Notwithstanding the importance of the linkage between media and democracy, there is no harmonized framework addressing this issue. By adopting a legal perspective, this study shall outline existing and emerging regulations, with a particular focus on broadcast, print, and online media Two regulatory tiers are distinguished: At the international level, the establishment (...) of aWorld Information Order as well as the human rights perspective intrinsic to the subject matter will be addressed. At the national level, legal approaches to particular tensions accompanying state regulation of the media will be examined. (shrink)

Frauen sind ängstlich, Männer sollen mutig sein. Bei dieser Behauptung handelt es sich zwar nicht um ein wörtliches Zitat von Kant, doch gibt sie seine Auffassung recht genau wieder. Und sie kann in gewisser Weise als geradezu paradigmatisch für die Geschlechterspezifik von Emotionen stehen, so wie Kant sie sieht. Nun ließe sich einwenden, bei Ängstlichkeit und Mut handele es sich nicht um Emotionen, sondern um Charaktereigenschaften. Das soll natürlich nicht bestritten werden. Doch sind sie ebenso wie zahlreiche andere, etwa die (...) Schamhaftigkeit, eng mit den entsprechenden Emotionen verbunden: sich ängstigen, sich schämen. Zudem benutzt Kant des Öfteren den die Charaktereigenschaft bezeichnenden Ausdruck, meint aber das Gefühl. Das ist insbesondere in von ihm selbst nicht publizierten Notizen, etwa den Reflexionen der Fall. Das gleiche gilt für die von Studierenden eilig mitgeschriebenen Vorlesungen, die oft nur in Form weiterer Nachschriften vorliegen. Hierzu ist anzumerken, dass sowohl Kants Notizen oder den Reflexionen finden) als auch die Mit- und Nachschriften der Vorlesungen seine Auffassung möglicherweise in geringerer Authentizität wiedergeben als die von ihm selbst publizierten Schriften. Das wird an Ort und Stelle nicht jeweils eigens erwähnt, sondern ist stets mitgedacht. Denn ich werde zur Untersuchung der Geschlechterspezifik von Emotionen bei Kant wiederholt sowohl auf die Bemerkungen und Reflexionen als auch auf Vorlesungsnachschriften zurückgreifen müssen, sind sie doch weitaus ergiebig als seine Schriften, von denen nur die Beobachtungen und die Anthropologie in pragmatischer Hinsicht ausführliche Überlegungen zu unserem Thema enthalten. (shrink)

This book examines the presence of idealism in modern philosophy from the seventeenth century to the turn of the twenty-first. We define idealism proper as the position that reality is ultimately mental or conceptual in nature, to be contrasted to materialism or physicalism. So defined, idealism has hardly been a popular view, at least in the twentieth century. But we distinguish between metaphysical and epistemological arguments for idealism, and argue that while the former have rarely been popular, the latter are (...) so, and present in many philosophers who would hardly call themselves idealists. We conclude that metaphysical arguments in favor of a reduction of all reality to either mind or matter are highly questionable, because we have no reason to believe that we have arrived at an adequate understanding of either. However, epistemological arguments in favor of idealism that point to some version of conceptual idealism or other are indeed difficult to avoid. (shrink)

Am Leitfaden von Immanenz und Differenz als den beiden zentralen Begriffen, die Lebensphanomenologie und Postmoderne seit den 1960er Jahren charakterisieren, erfolgt in der vorliegenden Untersuchung ein kritisches Gesprach zwischen Dekonstruktion und radikaler Phanomenologie. Im Ausgang von Husserl und Heidegger als Umbruch des Denkens in der Moderne werden die Weiterentwicklungen bei den postmodernen Autoren wie Bataille, Merleau-Ponty, Levinas, Deleuze, Lacan, Lyotard, Baudrillard, Foucault sowie Derrida und Nancy aufgegriffen und diskutiert. Ihre entsprechenden Affinitaten zur Lebensphanomenologie als einer Dekonstruktion der Metaphysik der Vorstellung (...) bei Henry fuhren zur besonderen thematischen Berucksichtigung von Leiblichkeit, Intensitat, Begehren und jouissance. Dabei wird ebenfalls die postmoderne Wissens- und Machtkritik im Zusammenhang mit Diskurs und Sprache behandelt, um eine ethisch-asthetische Zukunft in Kultur und Gesellschaft in den Blick zu bekommen, welche auch die neuere normorientierte Post-Postmoderne nicht ignorieren kann. (shrink)