This article draws on the Conversational Structure Model (CSM) to explore a different explanation of the educational phenomenon. It is argued that education can be seen as a lifelong individual process that is lived by a human being in the different niches with which he or she interacts. These niches are modified by the persons' actions that are part of that structure; at the same time, the environments he or she interacts will modify the person, structurally. These structural changes produce, (...) in human beings, behaviors different from those shown before the interaction: the person has learned. The conclusion is that education occurs in a specific kind of conversations. (shrink)

Reasoning about causation in fact is an essential element of attributing legal responsibility. Therefore, the automation of the attribution of legal responsibility requires a modelling effort aimed at the following: a thorough understanding of the relation between the legal concepts of responsibility and of causation in fact; a thorough understanding of the relation between causation in fact and the common sense concept of causation; and, finally, the specification of an ontology of the concepts that are minimally required for (automatic) common (...) sense reasoning about causation. This article offers a worked-out example of the indicated analysis. Such example consists of: a definition of the legal concept of responsibility (in terms of liability and accountability); a definition of the legal concept of causation in fact (in terms of the initiation of physical processes by an agent and of the provision of reasons and/or opportunities to other agents); CausatiOnt, an AI-like ontology of the common sense (causal) concepts that are minimally needed for reasoning about the legal concept of causation in fact (in particular, the concepts of category, dimension, object, agent, process, event and act). (shrink)

By a free logic is generally meant a variant of classical first-order logic in which constant terms may, under interpretation, fail to refer to individuals in the domain D over which the bound variables range, either because they do not refer at all or because they refer to individuals outside D. If D is identified with what is assumed by the given interpretation to exist, in accord with Quine’s dictum that “to be is to be the value of a [bound] (...) variable,” then a free variation on classical semantics does not require that all constant terms refer to existents, and in this sense such terms lack existential import. (shrink)

The paper examines the significance of embarrassment for a concept of political publicity. It is critical of how the common interpretation of this apparently social phenomenon as a “milder form of shame” leads to a functionalist interpretation. According to this interpretation, embarrassment regulates given normative structures by initiating or even motivating self-criticism. In contrast, the article shows, first, that embarrassment cannot occur at all in a public sphere that is thought of exclusively in normative terms, and second, that the phenomenon (...) is primordially not reflexive. In embarrassment, one is not immediately “thrown back on oneself” but tries to find a relation to one’s public figure. A philosophical reflection on this pursuit reveals the constitution of normative structures. In this light, embarrassment presents itself as a genuinely political phenomenon. (shrink)

In the 1920s, London was a city on the cusp of change. Just as dance halls and jazz-age decadence displaced wartime austerity, a new generation of artists and designers sought to enliven the city's architecture, erecting dazzling buildings in the emerging art deco style. In contrast with the aging Victorian structures that dotted the city, these bright and colorful buildings--from the Hoover factory to the Ideal House by Raymond Hood, who later designed New York's Rockefeller Center--communicated the city's aspirations as (...) a thriving, modern metropolis. In the decades since, London's art deco buildings have lost none of their appeal. Millions of visitors gaze up at the headquarters of the Daily Telegraph and the nearby Daily Express, take in the elegance of Eltham Palace, or sip a martini at the Savoy. The city's most popular art deco attraction, however, is the London Underground, which boasts a series of art deco and modernist stations, designed throughout the 1920s and '30s by noted architect Charles Holden. In Modernism London Style, architectural historian Christoph Rauhut, with the help of three hundred photographs by Niels Lehmann, captures the architectural art deco heritage of London in a thrilling photographic tour. A portrait of the city during the interwar years, it chronicles the creativity of the artists and designers of the period--and the currents in the city's culture that helped shape their work. Insightful essays and an introduction by architecture scholar Adam Caruso shed light on some of the key features that characterize art deco, from floral and animal motifs to Egyptian themes. For readers planning a trip to London and hoping to place these striking buildings, the book also includes a detailed register and maps. (shrink)

This volume presents, for the first time, an assemblage of contributions on the philosophical dimensions of the impersonal, the multiplicity of its linguistic, social, scientific, religious and artistic perspectives, as well as initial approaches to its unified definition. Linguistic and logical impersonality The “It" in K. Kraus “Impersonality” in the subject and in events The impersonal ontology of H. Rombach Levinas on the “Il y a” Organisation in non-egological consciousness The witness of consciousness in the Vedānta traditions Anonymous self-consciousness G. (...) Deleuzes figures of the impersonal The impersonal in G. Agamben's Philosophy Formal and collective thought in Spinoza Cusanus and the person as stake in the game of life Impersonal subjectivity and the comedy of solipsism Dimensions of the impersonal in T. Nagel, E. Husserl and H. Plessner On the figure of the impersonal in the Anthropocene Language and mask in F. Nietzsche Theodoros Terzopoulos on impersonality and theatre With contributions by Michael Astroh, Eric Ebner, Eric Eggert, Rolf Elberfeld, Katrin Felgenhauer, Ralf Gisinger, Annika Hand, Stefan Lang, Robert Lehmann, Enrico Müller, Daniel Neumann, Frank Raddatz, Christian Rößner, Thomas Schmaus, Fabian Strobel and Theodoros Terzopoulos. (shrink)

Socrates: A Life Worth Living traces the life and ideas of one of Western Civilization's founding philosophers, whose influence is still felt more than two thousand years later. Socrates is famous for how he died, executed by the Athenian government for corrupting the youth of Athens, but his most important contribution was to challenge the people around him to test their ideas and beliefs in conversation with each other, in the belief that in this way we could become a society (...) that knows the difference between truth and falsehood, and find what makes a life worthwhile. He did not claim to have definitive answers, but he knew that knowledge was the key to finding them, and he invited everyone he met to join him in his quest. (shrink)

A vast and interesting family of natural semantics for belief revision is defined. Suppose one is given a distance d between any two models. One may then define the revision of a theory K by a formula α as the theory defined by the set of all those models of α that are closest, by d, to the set of models of K. This family is characterized by a set of rationality postulates that extends the AGM postulates. The new postulates (...) describe properties of iterated revisions. (shrink)

In this contemporary classic originally published in 1963, Paul Lehmann answers the central question posed time and again to Christians throughout the ages: what am I as a believer in Jesus Christ and a member of his church to do? Lehmann argues that while principles for moral action can be rules of thumb, there are no absolute moral norms beyond the general norm of love. Lehmann contends that Christians are to act in every situation in ways that (...) are consistent with God's humanizing purposes, but what that means changes from context to context and requires strong, faith-shaped discernment.The Library of Theological Ethics series focuses on what it means to think theologically and ethically. It presents a selection of important and otherwise unavailable texts in easily accessible form. Volumes in this series will enable sustained dialogue with predecessors though reflection on classic works in the field. (shrink)

This paper reports a case study on a family of American English constructions that will be called the family of approximate comparison constructions. This family has three members, all of which follow the syntactic pattern about as X as Y with X being an adjective, but which allow three related functions: literal comparison, simile and irony. Two cognitive frameworks concern themselves with irony, the cognitive modelling approach and viewpoint approach, and the paper will show that, while the ironic approximate comparison (...) construction calls central assumptions of the cognitive modelling approach to question, the viewpoint account can be refined to handle these cases. In doing so, it furthers our understanding of the cognitive underpinning of irony. The paper provides a corpus-based analysis on the Y slot as well as collostructional analyses on the adjectival X slot in the family of approximate comparison constructions. The results thereof suggest that the ironic approximate comparison construction, in comparison to its literal counterpart, prefers adjectives that convey positively connotated, nuanced attitudes and is formally less variable in the Y slot. The preference for particular adjectives lends further support to the assumption that hearers understand the construction as ironic or literal before speakers complete their utterance. Given that, it is argued that the ironic approximate comparison construction communicates an inherent viewpoint. (shrink)

For better and worse, our world has been transformed by Big Data. To understand digital traces generated by individuals, we need to design multidisciplinary approaches that combine social and data science. Data and social scientists face the challenge of effectively building upon each other’s approaches to overcome the limitations inherent in each side. Here, we offer a “data science perspective” on the challenges that arise when working to establish this interdisciplinary environment. We discuss how we perceive the differences and commonalities (...) of the questions we ask to understand digital behaviors, and how our methods may complement each other. Finally, we describe what a path toward common ground between these fields looks like when viewed from data science. (shrink)

. A new approach to the formalization of concepts used in legal reasoning such as obligation and cause is presented. The formalization is based on the linguistic use of the concepts both in legal language and in ordinary language, and has been motivated by work on a legal expert system with a natural language interface. Particularly for the concept of obligation this yields quite different results from those obtained by the usual approach of deontic logic: So‐called paradoxes are avoided, quantification (...) over obligations becomes possible, no restriction to a “single‐agent system” is required, and collisions of obligations can be formulated. (shrink)

Der Beitrag stellt die These auf, dass der Einfluss digitaler Bilder auf visuelle Kultur nur verstanden werden kann, wenn die spezifische Materialität dieser Artefakte bedacht wird. Anhand einer Analyse des berühmten Utah teapot werden fünf materiale Schichten unterschieden, darunter Herstellung, Codierung, forensische und epistemische Materialität, sowie der Begriff der Trans-Materialität. Jede Schicht wird in Beziehung zu theoretischen Konzepten von Materialität in Medienwissenschaften, Kunstgeschichte, Computerwissenschaft und Anthropologie diskutiert. This article argues that the impact of digital images on visual culture can only (...) be understood if the specific materiality of these artefacts is taken into account. An analysis of the famous distinguishes five material layers, including making, coding, forensic and epistemic materiality, as well as the notion of trans-materiality. Each layer is developed in relation to theoretical concepts of materiality in media studies, art history, computer science, and anthropology. (shrink)

This study investigates how background music influences learning with respect to three different theoretical approaches. Both the Mozart effect as well as the arousal-mood-hypothesis indicate that background music can potentially benefit learning outcomes. While the Mozart effect assumes a direct influence of background music on cognitive abilities, the arousal-mood-hypothesis assumes a mediation effect over arousal and mood. However, the seductive detail effect indicates that seductive details such as background music worsen learning. Moreover, as working memory capacity has a crucial influence (...) on learning with seductive details, we also included the learner’s working memory capacity as a factor in our study. We tested 81 college students using a between-subject design with half of the sample listening to two pop songs while learning a visual text and the other half learning in silence. We included working memory capacity in the design as a continuous organism variable. Arousal and mood scores before and after learning were collected as potential mediating variables. To measure learning outcomes we tested recall and comprehension. We did not find a mediation effect between background music and arousal or mood on learning outcomes. In addition, for recall performance there were no main effects of background music or working memory capacity, nor an interaction effect of these factors. However, when considering comprehension we did find an interaction between background music and working memory capacity: the higher the learners’ working memory capacity, the better they learned with background music. This is in line with the seductive detail assumption. (shrink)

A brilliant schoolboy in Amsterdam quickly learns to keep his ideas to himself. When he is twenty-three years old, those ideas prove so shocking and scandalous to his Jewish community that he is publicly denounced and expelled from his synagogue and neighborhood. The scandal shows no sign of waning as his ideas spread throughout seventeenth-century Europe, where he is almost universally reviled as an instrument of the devil. At the center of the storm, he lives the simplest of lives, quietly (...) devoted to his work as a lens grinder and to his steadfast search for truth--an endeavor that paves the way for all that is best in modern democracies. He does not live to see the results of his efforts, but his ideas change the world."--Provided by publisher. (shrink)