Results for 'Samuel Hopkins'

962 found
Order:
  1.  54
    Glyph: Johns Hopkins Textual Studies.N. W. Visser, Samuel Weber & Henry Sussman - 1977 - Substance 6 (17):168.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  5
    The world within the word: Maritain and the poet.Samuel Hazo - 2018 - Steubenville, OH: Franciscan University Press.
    This book, written in 1957, arises from the encounter of two men: the American poet Samuel Hazo and the French philosopher Jacques Maritain. They met on September 12, 1956, at Maritain's home in Princeton, New Jersey. Hazo sought to engage Maritain's diffuse writings in aesthetics by bringing them into conversation with the great voices of the English literary tradition, especially Samuel Taylor Coleridge, Gerard Manley Hopkins, and John Keats. Hazo was also striving to understand and articulate his (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  3. Quasi-realism, acquaintance, and the normative claims of aesthetic judgement.Cain Samuel Todd - 2004 - British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  4.  34
    Book Review: Critical Essays on Samuel Taylor Coleridge. [REVIEW]William E. Cain - 1995 - Philosophy and Literature 19 (1):151-152.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Critical Essays on Samuel Taylor ColeridgeWilliam E. CainCritical Essays on Samuel Taylor Coleridge, edited by Leonard Orr; vi & 194 pp. New York: Twayne, 1994, $42.00.“Coleridge, as you doubtless hear, is gone,” wrote Thomas Carlyle, August 12, 1834, to Ralph Waldo Emerson: “How great a Possibility, how small a realized Result.” There is now a huge Coleridge industry in the academy, engaged in producing editions of (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  5.  58
    Self-abandonment and self-denial quietism, calvinism, and the prospect of hell.Stephen R. Munzer - 2005 - Journal of Religious Ethics 33 (4):747-781.
    Self-abandonment and self-denial are, respectively, Catholic and hyper-Calvinist analogues of each other. Roughly, each requires the surrendering of a person to God's will and providence through faith, hope, and love. Should the self-abandoning/self-denying individual accept his or her own damnation if that be God's will? This article, which is virtually alone in discussing the Catholic and Reformed Protestant traditions together, answers "No." The unqualified self-abandonment present in quietism and the radical self-denial of Samuel Hopkins are perverse and irrational (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  6.  35
    Disinterested Benevolence: An American Debate Over the Nature of Christian Love.Stephen Post - 1986 - Journal of Religious Ethics 14 (2):356 - 368.
    This essay details the history of an important debate in American evangelical Christianity over the problem of disinterested benevolence, the common expression for Christian love during the early decades of the nineteenth century. It focuses on the thought of Jonathan Edwards and Samuel Hopkins, who differed significantly in their opinions regarding the degree to which Christian love requires self-denial. Some concluding remarks will underscore the persistence of this debate in the wider historical tradition of American theological ethics, as (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  7.  15
    Exploring Worldviews in Literature: From William Wordsworth to Edward Albee.Laura Inez Deavenport Barge - 2009 - Abilene Christian University Press.
    Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.
    Direct download  
     
    Export citation  
     
    Bookmark  
  8.  10
    Lands of likeness: for a poetics of contemplation: the Gifford lectures, 2020-2023.Kevin Hart - 2023 - Chicago: University of Chicago Press.
    In Lands of Likeness, philosopher, theologian, and poet Kevin Hart utilizes the history of Christian thought and secular philosophy to develop a novel and profound hermeneutics of contemplation. Drawing in particular on the work of Arthur Schopenhauer, Samuel Taylor Coleridge, and Edmund Husserl, Hart traces the development of notions of contemplation in modernity and refines the approaches he finds there. Utilizing his refined approach, Hart trains our attention on modern poems from G. M. Hopkins, Wallace Stevens, A. R. (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  9. (1 other version)Visual geometry.James Hopkins - 1973 - Philosophical Review 82 (1):3-34.
    We cannot imagine two straight lines intersecting at two points even though they may do so. In this case our abilities to imagine depend upon our abilities to visualise.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   18 citations  
  10.  25
    Waiting for Godot in New Orleans: A tragicomedy in two acts, a project in three parts.Paul Chan - 2007 - Diacritics 37 (2/3):2-165.
    In lieu of an abstract, here is a brief excerpt of the content:Waiting for Godot in New Orleans A tragicomedy in two acts, a project in three partsPaul Chan Click for larger view View full resolutionDrawing of “stage” (2007) (Page 2) Click for larger view View full resolutionOrganizing map of New Orleans 1 (2007) (Page 14) Click for larger view View full resolutionDrawing of bicycle for Pozzo (2007) (Page 28) Click for larger view View full resolutionDrawing of shopping cart for (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  11.  22
    Book Review: Literary Power and the Criteria of Truth. [REVIEW]Thomas Reinert - 1996 - Philosophy and Literature 20 (1):275-276.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Literary Power and the Criteria of TruthThomas ReinertLiterary Power and the Criteria of Truth, by Laura Quinney; xx & 183 pp. Gainesville: University Press of Florida, 1995, $35.00.Given the predominance of cultural materialism and historical scholarship, literary studies no longer ascribe much of a distinct, autonomous role to literariness as such. Current critics are interested in the complicity of individual works in the propagation of social and political (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  12. The Profile of Imagining.Robert Hopkins - 2024 - Oxford: Oxford University Press.
    What is sensory imagining and what role does it play in our lives? How does visualizing a castle, running through a tune in one's head, or imagining the taste of fish ice cream relate to perceiving such things, or to remembering them? What are the connections between imagining and agency, and how does it relate to emotion and other affect? The Profile of Imagining offers a theory that answers these and many other questions. It argues that sensory imagining involves the (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  13.  54
    Generativity and the Problem of Historicism.Burt C. Hopkins - 2001 - New Yearbook for Phenomenology and Phenomenological Philosophy 1:377-389.
  14. Picture, Image and Experience: A Philosophical Inquiry.Robert Hopkins - 1998 - New York: Cambridge University Press.
    How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   105 citations  
  15. Design and syntax in pictures.Robert Hopkins - 2024 - Mind and Language 39 (3):312-329.
    Many attempts to define depiction appeal to viewers' perceptual responses. Such accounts are liable to give a central role in determining depictive content to picture features responsible for the response, design. A different project is to give a compositional semantics for depictive content. Such attempts identify syntax: picture features systematically responsible for the content of the whole. Design and syntax are competitors. But syntax requires system, in how picture features contribute to content, that design does not. By examining John Kulvicki's (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  16.  31
    Nursing for the Chthulucene: Abolition, affirmation, antifascism.Jane Hopkins-Walsh, Jessica Dillard-Wright & Brandon B. Brown - 2023 - Nursing Philosophy 24 (1):e12405.
    Critical posthumanism as a philosophical, antifascist nonhierarchical imagination for nursing offers a liberatory passageway forward amidst environmental collapse, an epic pandemic, global authoritarianism, extreme health and wealth disparities, over‐reliance on technology and empirics, and unjust societal systems based in whiteness. Drawing upon philosophical and theoretical works from Black and Indigenous scholars, Haraway's idea of the Chthulucene, Deleuze and Guattari's rhizomatic thought, and Kaba's abolitionist organizing among others, we as activist nurse scholars continue the speculative discussion outlined in prior papers. Here (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  17.  55
    Free Energy and Virtual Reality in Neuroscience and Psychoanalysis: A Complexity Theory of Dreaming and Mental Disorder.Jim Hopkins - 2016 - Frontiers in Psychology 7:198697.
    The main concepts of the free energy (FE) neuroscience developed by Karl Friston and colleagues parallel those of Freud's Project for a Scientific Psychology. In Hobson et al. ( 2014 ) these include an innate virtual reality generator that produces the fictive prior beliefs that Freud described as the primary process. This enables Friston's account to encompass a unified treatment—a complexity theory—of the role of virtual reality in both dreaming and mental disorder. In both accounts the brain operates to minimize (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  18.  88
    The aesthetics of painting, 2024 revision (3rd edition).Robert Hopkins - forthcoming - Routledge Encyclopedia of Philosophy.
    ‘Painting’ names both a practice and its products. Both practice and product can, but need not, be art. When painting is art, in what does its artistic interest lie? This is the question an aesthetics of painting seeks to answer. While that answer might be sought in features found in other arts, here we investigate whether painting is of distinctive interest, containing phenomena of artistic value not to be found in most, or perhaps any, other art forms.
    Direct download  
     
    Export citation  
     
    Bookmark  
  19. Explaining depiction.Robert Hopkins - 1995 - Philosophical Review 104 (3):425-455.
    An account of depiction should explain its key features. I identify six: that depiction is from a point of view; that it represents its objects as having a visual appearance; that it depictive content is always reasonably detailed; that misrepresentation is possible, but only within limits; and that the ability to interpret depictions co-varies, given general competence with pictures, with knowledge of what the depicted objects look like. All this suggests that picturing works by capturing appearances, but how more precisely (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   19 citations  
  20. How To Form Aesthetic Belief: Interpreting The Acquaintance Principle.Robert Hopkins - 2006 - Postgraduate Journal of Aesthetics 3 (3):85-99.
    What are the legitimate sources of aesthetic belief? Which methods for forming aesthetic belief are acceptable? Although the question is rarely framed explicitly, it is a familiar idea that there is something distinctive about aesthetic matters in this respect. Crudely, the thought is that the legitimate routes to belief are rather more limited in the aesthetic case than elsewhere. If so, this might tell us something about the sorts of facts that aesthetic beliefs describe, about the nature of our aesthetic (...)
    Direct download  
     
    Export citation  
     
    Bookmark   9 citations  
  21. The Hopkins Discussion.Donald Davidson & James Hopkins - 1997 - Philosophy International.
     
    Export citation  
     
    Bookmark  
  22.  19
    The Philosophy of Husserl.Burt C. Hopkins - 2008 - Routledge.
    Hopkins begins his study with Plato's written and unwritten theories of eidê and Aristotle's criticism of both. He then traces Husserl's early investigations into the formation of mathematical and logical concepts, charting the critical necessity that leads from descriptive psychology to transcendentally pure phenomenology. An investigation of the movement of Husserl's phenomenology of transcendental consciousness to that of monadological intersubjectivity follows. Hopkins then presents the final stage of the development of Husserl's thought, which situates monadological intersubjectivity within the (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   14 citations  
  23. Agriculture in Egypt, From Pharaonic to Modern Times.S. Hopkins Nicholas - 1999
    No categories
     
    Export citation  
     
    Bookmark  
  24. An Outline Study of Man; or, the Body and Mind in One System.Mark Hopkins - 1873
  25. A translation and an appraisal of de ignota litteratura and apologia doctae ignorantiae.Jasper Hopkins - unknown
    To the venerable and devout man, Lord John of Gelnhausen,2 formerly abbot in Maulbronn, intercessor for one of his own. Most lovable Father, I was recently presented with Learned Ig- norance, which consists of three books (each incomplete in itself) and which is written in a sufficiently elegant style. It begins with the words “Admirabitur, et recte, maximum tuum et iam probatissimum ingeni- um” and ends “Eo aeternaliter fruituri qui est in saecula benedictus. Amen.” Having looked over [this work], I (...)
    No categories
     
    Export citation  
     
    Bookmark  
  26. Imagining the Past: on the nature of episodic memory.Robert Hopkins - 2018 - In Fiona MacPherson Fabian Dorsch, Memory and Imagination. Oxford University Press.
    What kind of mental state is episodic memory? I defend the claim that it is, in key part, imagining the past, where the imagining in question is experiential imagining. To remember a past episode is to experientially imagine how things were, in a way controlled by one’s past experience of that episode. Call this the Inclusion View. I motive this view by appeal both to patterns of compatibilities and incompatibilities between various states, and to phenomenology. The bulk of the paper (...)
    Direct download  
     
    Export citation  
     
    Bookmark   30 citations  
  27. Artistic Style as the Expression of Ideals.Robert Hopkins & Nick Riggle - 2021 - Philosophers' Imprint 21 (NO. 8):1-18.
    What is artistic style? In the literature one answer to this question has proved influential: the view that artistic style is the expression of personality. In what follows we elaborate upon and evaluatively compare the two most plausible versions of this view with a new proposal—that style is the expression of the artist’s ideals for her art. We proceed by comparing the views’ answers to certain questions we think a theory of individual artistic style should address: Are there limits on (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  28. Mind and Metaphor.Jim Hopkins - unknown
     
    Export citation  
     
    Bookmark  
  29.  85
    Invariances: The Structure of the Objective World.Robert Hopkins - 2003 - Mind 112 (447):558-563.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   30 citations  
  30.  32
    Post-Husserl Husserlian Phenomenological Epistemology: Seebohm on History as a Science and the System of Sciences.Burt C. Hopkins - 2021 - Husserl Studies 38 (1):67-85.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  31.  9
    Mythological Aspects of Trees and Mountains in the Great Epic.E. Washburn Hopkins - 1910 - Journal of the American Oriental Society 30 (4):347-374.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  32. Mickunas - solver of phenomenological riddles.Burt Hopkins - 2000 - Žmogus ir Žodis 2:13-20.
    Straipsnyjc svarstornas Algio Micklino atsakas huscrliSkosios fcnorncnologijos kritikarns. Autorius iSrySkina tris svarbiausius IJusscrlio kritikq argurnen- tus: 1 .IHusscrlio fcnorncnologija yra toli graiu nc "rnohlas bc jokiq ikankstiniy prielaidq", ji suponuo- ja dckartiSkqj teiginj, jog bliti rciSkia "hliti paiintu". 2.1-Tusserlio tciginj apic fcnorncnologines duotics apo- diktiSkurnq susilpnina jo patics patcikiarni tokios duo- tics apra5yrnai. IS ju, prieSingai Husserlio ketinirnarns. i6aiSkcja fenorncnologincs rcflcksijos ncpajcgurnas "susidoroti" tiek su retencine 1;iikines patirties di- rncnsija, tiek su radikalia Kito patirtics kitokybe. 3.Husscrlio rnctodui ir rnqstyrnui apskritai (...)
    No categories
     
    Export citation  
     
    Bookmark  
  33.  15
    Phenomenology: Japanese and American Perspectives.Burt Hopkins - 2010 - Springer.
    Many of the contributions to this volume are based on research originally presented at the historic first meeting in the United States of Japanese and American phenomenologists that took place at Seattle University in the Summer of 1991. In addition, other contributions have been added in order to supplement and complement the themes of the work presented at this meeting. Owing both to the vagaries of fate and the finitude of time, the publication of these essays has taken much longer (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  34. The New Yearbook for Phenomenology and Phenomenological Philosophy: Volume 10.Burt Hopkins & John Drummond (eds.) - 2011 - Routledge.
    The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer.
    No categories
     
    Export citation  
     
    Bookmark  
  35. How to Be a Pessimist about Aesthetic Testimony.Robert Hopkins - 2011 - Journal of Philosophy 108 (3):138-157.
    Is testimony a legitimate source of aesthetic belief? Can I, for instance, learn that a film is excellent on your say-so? Optimists say yes, pessimists no. But pessimism comes in two forms. One claims that testimony is not a legitimate source of aesthetic belief because it cannot yield aesthetic knowledge. The other accepts that testimony can be a source of aesthetic knowledge, yet insists that some further norm prohibits us from exploiting that resource. I argue that this second form of (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   88 citations  
  36.  30
    A charity school in the nineteenth century: Old Swinford hospital school, 1815–1914.Eric Hopkins - 1969 - British Journal of Educational Studies 17 (2):177-192.
  37. Aesthetics, experience, and discrimination.Robert Hopkins - 2005 - Journal of Aesthetics and Art Criticism 63 (2):119–133.
    Can indistinguishable objects differ aesthetically? Manifestationism answers ‘no’ on the grounds that (i) aesthetically significant features of an object must show up in our experience of it; and (ii) a feature—aesthetic or not—figures in our experience only if we can discriminate its presence. Goodman’s response to Manifestationism has been much discussed, but little understood. I explain and reject it. I then explore an alternative. Doubles can differ aesthetically provided, first, it is possible to experience them differently; and, second, those experiences (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  38.  39
    Comments on A. W. Eaton’s “A Sensible Antiporn Feminism”.Patrick D. Hopkins - 2008 - Symposia on Gender, Race, and Philosophy 4 (2).
  39.  23
    Jeffrey Hopkins Responds to David Tracy.Paul Jeffrey Hopkins - 1987 - Buddhist-Christian Studies 7.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  40. Touching pictures.Robert Hopkins - 2000 - British Journal of Aesthetics 40 (1):149-167.
    Congenitally blind people can make and understand ‘tactile pictures’ – representations form of raised ridges on flat surfaces. If made visible, these representations can serve as pictures for the sighted. Does it follow that we should take at face value the idea that they are pictures made for touch? I explore this question, and the related issue of the aesthetics of ‘tactile pictures’ by considering the role in both depiction and pictorial aesthetics of experience, and by asking how far the (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  41. A Word of Introduction from ESA President.Robert Hopkins - 2011 - Estetika: The European Journal of Aesthetics:3-3.
     
    Export citation  
     
    Bookmark  
  42. Didactic Sermons: A Selection.Jasper Hopkins - unknown
    The title of this present volume tends to be misleading. For it suggests that Nicholas’s didactic sermons are to be distinguished from his non-didactic ones—ones that are, say, more inspirational and less philosophical, or more devotional and less theological, or more situationally oriented and less Scripturally focused. Yet, in truth, all 293 of Nicholas’s sermons are highly didactic, highly pedagogical, highly exegetical.1 To be sure, there are inspirational and devotional elements; but they are subordinate to the primary purpose of teaching. (...)
     
    Export citation  
     
    Bookmark  
  43.  7
    Nicholas of Cusa's debate with John Wenck: a translation and an appraisal of De Ignota litteratura and Apologia doctae ignorantiae.Jasper Hopkins (ed.) - 1981 - Minneapolis: A.J. Banning Press.
  44. (1 other version)The share of Thomas Aquinas in the growth of the witchcraft delusion.Charles Edward Hopkin - 1940 - Philadelphia,:
    Introduction.--pt. I. The demonology of Thomas Aquinas.--pt. II. Thomas Aquinas as mediator between earlier and later beliefs.--Conclusion.--Bibliography (p. 185-188).
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  45. Inflected Pictorial Experience: Its Treatment and Significance.Robert Hopkins - 2010 - In Catharine Abell & Katerina Bantinaki, Philosophical Perspectives on Depiction. Oxford, GB: Oxford University Press. pp. 151.
    Some (Podro, Lopes) think that sometimes our experience of pictures is ‘inflected’. What we see in these pictures involves, somehow, an awareness of features of their design. I clarify the idea of inflection, arguing that the thought must be that what is seen in the picture is something with properties which themselves need characterising by reference to that picture’s design, conceived as such. I argue that there is at least one case of inflection, so understood. Proponents of inflection have claimed (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   27 citations  
  46. Transcending the animal: How transhumanism and religion are and are not alike.Patrick D. Hopkins - 2005 - Journal of Evolution and Technology 14 (2):13-28.
     
    Export citation  
     
    Bookmark   3 citations  
  47.  54
    Transl.帕托契卡对柏拉图的现象学挪用/Patočka’s Phenomenological Appropriation of Plato.Burt C. Hopkins, Letian Lei & Wai-Shun Hung - 2023 - Zhexue Tansuo 5:306-321. Translated by Letian Lei.
  48. What Perky did not show.Robert Hopkins - 2012 - Analysis 72 (3):431-439.
    Some philosophers take Perky's experiments to show that perceiving can be mistaken for visualizing and so that the two sometimes match in phenomenology. On Segal’s alternative interpretation Perky’s subjects did not consciously perceive the stimuli at all. I argue that even setting this alternative aside, Perky's results do not prove what the philosophers think. She showed her subjects, not the objects they were asked to visualise, but pictures of them. What they mistook for visualizing was not perceptual consciousness of stimuli, (...)
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  49. Episodic Memory as Representing the Past to Oneself.Robert Hopkins - 2014 - Review of Philosophy and Psychology 5 (3):313-331.
    Episodic memory is sometimes described as mental time travel. This suggests three ideas: that episodic memory offers us access to the past that is quasi-experiential, that it is a source of knowledge of the past, and that it is, at root, passive. I offer an account of episodic memory that rejects all three ideas. The account claims that remembering is a matter of representing the past to oneself, in a way suitably responsive to how one experienced the remembered episode to (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   15 citations  
  50.  34
    The seductive allure is a reductive allure: People prefer scientific explanations that contain logically irrelevant reductive information.Emily J. Hopkins, Deena Skolnick Weisberg & Jordan C. V. Taylor - 2016 - Cognition 155 (C):67-76.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   23 citations  
1 — 50 / 962