Ethics normally proceeds by establishing some kind of ground from which norms can be derived for human action. However, no such terra firma is found in Jean-Paul Sartre’s Being and Nothingness, which instead lays down a sedimentary soil consisting of a blend of nothingness and contingency. This paper aims to show how Sartre is able to build an ethical theory from this seemingly groundless mixture, and it proceeds in three sections. Section one aims to disentangle the relation between (...) the for-itself (pour-soi) and the in-itself (en-soi) from antithetical characterizations by placing them in a state of supervenience. Section two works to explain how both the in-itself and the for-itself are not divided ontologically, but are both in the same ontological state, namely, contingency. And in section three, it is argued that Sartre’s ethics reveals that because human beings share the same thrownness with Others in a world, they have to take title for such a world. Within a Sartrean ethics of nothingness, one’s nothingness leads one to the shared nothingness of Others, of which one must take responsibility. (shrink)

O presente texto é uma investigação bibliográfica sobre a obra de Sartre, O Ser e o Nada. Delimita-se o foco em apresentar o projeto sartreano de pensar a condição humana na sua existência radical, contingente e engajada no mundo. A atenção recai sobre o problema da liberdade que não se caracteriza de forma abstrata, mas que se concretiza na ação dentro de situação existencial e histórica. O objetivo é descrever a possibilidade de se pensar, a partir da compreensão sobre a (...) condição humana, o esboço de uma ética para educação – entendida como a liberdade de criar-se a si mesmo, de maneira autêntica, enquanto ser no mundo engajado com a própria situação existencial e histórica. This is a research based on literature on work by Sartre, Being and Nothingness. Our main objective is to present the sartrean project of thinking the human condition as radically contingent and engaged existences in the world. There is attention to the problem of freedom that is not characterized in the abstract, but which is actualized in action within the historical and existential situation. The objective is to describe the possibility of considering, from the perspective of the human condition, the sketch of an ethics from education – understood as the freedom of authentically creating oneself, as a being engaged in the world within his or her own historical and existential situation. (shrink)

A major event in the history of twentieth-century thought, Notebooks for a Ethics is Jean-Paul Sartre's attempt to develop an ethics consistent with the profound individualism of his existential philosophy. In the famous conclusion to Being and Nothingness , Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented (...) here for the first time in English, the Notebooks reveal Sartre at his most productive, crafting a masterpiece of philosophical reflection that can easily stand alongside his other great works. Sartre grapples anew here with such central issues as "authenticity" and the relation of alienation and freedom to moral values. Exploring fundamental modes of relating to the Other--among them violence, entreaty, demand, appeal, refusal, and revolt--he articulates the necessary transition from individualism to historical consciousness. This work thus forms an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason . The Notebooks themselves are complemented here by two additional essays, one on "the good and subjectivity," the other on the oppression of blacks in the United States. With publication of David Pellauer's lucid translation, English-speaking readers will be able to appreciate this important contribution to moral philosophy and the history of ethics. Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot , and The Freud Scenario , both published in translation by the University of Chicago Press. (shrink)

Sartre on Sin: Between Being and Nothingness argues that Jean-Paul Sartre's early, anti-humanist philosophy is indebted to the Christian doctrine of original sin. On the standard reading, Sartre's most fundamental and attractive idea is freedom: he wished to demonstrate the existence of human freedom, and did so by connecting consciousness with nothingness. Focusing on Being and Nothingness, Kate Kirkpatrick demonstrates that Sartre's concept of nothingness (le néant) has a Christian genealogy which has been overlooked in philosophical and theological (...) discussions of his work. Previous scholars have noted the resemblance between Sartre's and Augustine's ontologies: to name but one shared theme, both thinkers describe the human as the being through which nothingness enters the world. However, there has been no previous in-depth examination of this 'resemblance'. Using historical, exegetical, and conceptual methods, Kirkpatrick demonstrates that Sartre's intellectual formation prior to his discovery of phenomenology included theological elements-especially concerning the compatibility of freedom with sin and grace. -/- After outlining the French Augustinianisms by which Sartre's account of the human as 'between being and nothingness' was informed, Kirkpatrick offers a close reading of Being and Nothingness which shows that the psychological, epistemological, and ethical consequences of Sartre's le néant closely resemble the consequences of its theological predecessor; and that his account of freedom can be read as an anti-theodicy. Sartre on Sin illustrates that Sartre' s insights are valuable resources for contemporary hamartiology. (shrink)

In Being and Nothingness (1943) Sartre includes a grounding-breaking chapter on ‘the body’ which treats of the body under three headings: ‘the body as being for-itself: facticity’, ‘the body-for-others’, and ‘the third ontological dimension of the body’. Sartre’s phenomenology of the body has, in general, been neglected. In this essay, I want to revisit Sartre’s conception of embodiment. I shall argue that Sartre, even more than Merleau-Ponty, is the phenomenologist par excellence of the flesh (la chair) and of (...) intersubjective intercorporeity while emphasising that touching oneself is a merely contingent feature and not ‘the foundation for a study of corporeality’. (shrink)

This brief essay unpretentiously seeks to highlight the relevance of some of the central questions in Jean-Paul Sartre's Being and Nothingness, thus aiming to contribute to broadening the scope of the French philosopher's ideas. Without fearing controversy, it presents the correlation between the concept of freedom and the responsibility necessarily implied. Such concepts remind us that this work is current, for it demands to assume its political and ethical unfoldings as unavoidable demands. The debate is built, then, through Sartre's (...) encounters with his peers, highlighting the interlocutions and controversial divergences that mark his itinerary. Finally, the timeliness of the work seems to reside in the historical failure of the humanist project, that is, Being and Nothingness continues to be current, because we are still incapable of promoting a historical situation in which the human being is free. (shrink)

Where has all the hilarity gone – and, with it, the ethics of the dark? In this article, I engage with our metaphysical entities of darkness and nothingness. Undermining and re-declaring are more than just pleasurable exercise for my own indigenous group – Maori; they are ethical necessities that keep one’s certainties in check. Whether it is agreeable or uncomfortable, this acknowledgement of those first beings is necessary if we are to avoid taking ourselves too seriously. I then consider one (...) controversial statement about trauma and lend my perverse, indigenous sense to it, reinterpret it and recalibrate it in light of our inherent fallibility as human citizens who are always destabilised by our own metaphysical entities. This drive to undercut ourselves by making our statements contingent on other things, I shall argue, is an ethical one. (shrink)

In the postwar years Jean-Paul Sartre set himself the task of writing a book on ethics. His concern was to take up issues raised by his existentialist ontology and to resolve problems in his bleak account of the human situation in Being and Nothingness. "I am searching," he said, "for an ethics for the present time." For several years he prepared background notes, but then put the material aside as too abstract and idealistic, leaving it for publication after his (...) death. Years later he returned to ethics, this time in the hope of developing an account related to the Critique of Dialectical Reason. But once again he left the inquiry incomplete. There was yet a third attempt towards the end of his life when Sartre was blind and weak, a poignant witness to his abiding interest in ethics. This took the form of interviews with Benny Lèvy, which appeared in a controversial publication just before his death. Sartre in Search of an Ethics is a study of each of these stages in his ethical quest, with a focus on the major themes of his existentialist and dialectical ethics in the context of some of his main philosophical and literary writings. (shrink)

This article interprets Sartre's ethical reflections as leading to a negativistic ethics, that is to say an ethics that denies the possibility of conceiving a positive ideal that has to be attained, and therefore limits itself to the criticising of the negative in the existing world as the only way left for ethics. After a brief introduction into negativism, the article sets out the negativism of Being and Nothingness and the metaethical dilemma that the ontological work poses for a (...) conception of a traditional, positive ethics, which Sartre apparently tried to undertake in his Notebooks for an Ethics . Instead of speaking of a failure of Sartre's attempts to found a traditional ethics, the article shows how already in the Notebooks Sartre is on the way to establishing a conception of an ethics that can be called negativistic, and finally how the late Sartre attains, on the basis of the socio-ontological insights of his Critique of Dialectical Reason , a foundation for a genuinely negativistic ethics which he drafted in his 1964 Rome Lectures. (shrink)

In this essay, I propose a mutually constructive reading of the work of Jacques Rancière and Jean-Paul Sartre. On the one hand, I argue that Rancière's egalitarian political thought owes several important conceptual debts to Sartre's Being and Nothingness , especially in his use of the concepts of freedom, contingency and facticity. These concepts play a dual role in Rancière's thought. First, he appropriates them to show how the formation of subjectivity through freedom is a dynamic that introduces (...) new ways of speaking, being and doing, instead of being a mode of assuming an established identity. Second, Rancière uses these concepts to demonstrate the contingency of any situation or social order, a contingency that is the possibility of egalitarian praxis. On the other hand, I also argue that reading Sartre with Rancière makes possible the reconstruction of Sartre's project within the horizon of freedom and equality rather than that of authenticity. (shrink)

Sartre's Philosophy of Social Existence is a critical interpretation of Jean-Paul Sartre's phenomenology of social existence and the dynamics of group-formation. It seeks to trade the foreshadowing of a theory of individual action in the practical field of social existence in Being and Nothingness and sees a continuity between this work and Sartre's Critique of Rational Dialectic (1960). The movement in Sartre's thought from the abstract freedom of consciousness to concrete freedom and individual praxis is illuminated in relation to (...) his description of a complex social dialectic. It is shown that as Sartre develops an account of social group-formation he admits determinations and necessities that undermine his attempt to preserve the idea of free individual praxis. (shrink)

Kojève’s lectures on Phenomenology of Spirit generated two ideas – otherness is something threatening that must be overcome and one’s relationships with others are inexorably violent – that fundamentally shaped the way many exponents of early French phenomenology regarded intersubjectivity. This essay shows how Beauvoir’s appropriation of Hegel in The Ethics of Ambiguity offers a perspective on intersubjectivity that defies the other-conquering Cartesian hero implied by Kojève and celebrated in Sartre’s Being and Nothingness. Beauvoir appreciates the degree to which (...) Hegel makes subjectivity indebted to otherness. Like Hegel, she defines oppression as the failure to recognise the otherness of the other. Beauvoir shares Hegel’s optimism that individuals can sublate their naïve solipsism. She associates reciprocal recognition between subjects with ethical freedom, which she distinguishes from Sartre’s concept of freedom. From the analysis of ethical freedom it is concluded that both conflict and friendship are side-effects of the essential bond between subjects and their mutual need for one another. The Hegel-inspired hopefulness at the core of The Ethics of Ambiguity is further demonstrated by Beauvoir’s rejection of the absurd in favour of ambiguity, her positive rendering of failure, her appeal to outrageousness, and focus on the joy of existence. (shrink)

Sebastian Gardner competently tackles one of Sartre's more complex and challenging works in this new addition to the Reader's Guides series.

I understand Sartre's ontology to develop in three stages: first, through Being and Nothingness and Saint Genet: Actor and Martyr; second, through the Critique of Dialectical Reason; and, finally, as it unfolds in The Family Idiot. Each stage depends upon the former and deepens the original ontology, while still introducing novel elements. For example, in Being and Nothingness, the in-itself, which is the source of our world-making, develops in the Critique into the practico-inert, which is the world made (...) artifact, and in The Family Idiot, both the in-itself and the practico-inert unite to become the Spirit of the Age, joining our adventure with nature to that of our adventure with our family and our history. My reflection will be developed in four stages: first, a general overview; second, a more extended study of what Sartre calls the problematic of human reality; third, a brief reflection on Sartre's methodology; and finally, a concluding survey. (shrink)

In conclusion of his Being and Nothingness Sartre articulated the problem of freedom as a moral one, promising to write a book concerning the problem. The work was published only posthumously. As a consequence of it he was reproached by his critics either for the absence of the moral problematic in his existentialism or for that in the long run the moral problem disappears . Some of them recognized his moral vision, but only in its negative form . In (...) contrast to these views the author tries to show, that the perspective of meaning and values is the core of Sartre’s phenomenological ontology, which is the necessary background of the ultimate objective of the French philosopher: a conception of morals, which would be concrete and historical at he same time. Her argumentation is based on the passages from Being and Nothingness, as well as from Sartre’s posthumous Cahiers pour un morale . A special attention is paid to problems such as the distinction between ethical anxiety and the everyday mo_rals, the spirit of seriousness, understanding man as useless passion and also the problema_tic of the motive and sense of moral conversion, articulated by Sartre. (shrink)

Critics have standardly regarded Sartre’s Critique of Dialectical Reason as an abortive attempt to overcome the subjectivist individualism of his early philosophy, motivated by a recognition that Being and Nothingness lacks ethical and political significance, but derailed by Sartre’s Marxism. In this paper I offer an interpretation of the Critique which, if correct, shows it to offer a coherent and highly original account of social and political reality, which merits attention both in its own right and as a reconstruction (...) of the philosophical foundation of Marxism. The key to Sartre’s theory of collective and historical existence in the Critique is a thesis carried over from Being and Nothingness: intersubjectivity on Sartre’s account is inherently aporetic, and social ontology reproduces in magnified form its limited intelligibility, lack of transparency, and necessary frustration of the demands of freedom. Sartre’s further conjecture – which can be formulated a priori but requires a posteriori verification – is that man’s collective historical existence may be understood as the means by which the antinomy within human freedom, insoluble at the level of the individual, is finally overcome. The Critique provides therefore the ethical theory promised in Being and Nothingness. (shrink)

This article will offer an alternative understanding of managerial decision-making drawing from Sartre’s Critique of Dialectical Reason rather than simply Being and Nothingness. I will begin with a brief explanation of Sartre’s account of freedom in Being and Nothingness. I will then show in the second section how Andrew West uses Sartre’s conception of radical freedom from Being and Nothingness for a managerial decision-making model. In the third section, I will explore a more robust account of freedom (...) from Sartre’s Critique of Dialectical Reason. I will attempt to show that freedom is not simply a matter of choosing (or not choosing) to perform an action, but entails external constraints—including other people. Finally, I will provide the implications of this account of freedom for managerial decision-making. I will show that it’s unreasonable to place full responsibility and/or blame on managers given their constraints. This does not absolve them from responsibility, but better accounts for the way in which we ought to hold them responsible. (shrink)

Sartre’s analysis of intersubjectivity in the third part of Being and Nothingness is guided by two main motives1. First of all, Sartre is simply expanding his ontological investigation of the essential structure of and relation between the for-itself (pour-soi) and the in-itself (en-soi). For as he points out, I need the Other in order fully to understand the structure of my own being, since the for-itself refers to the for-others (EN 267/303, 260/298); moreover, as he later adds, a (...) treatment of the relation to the in-itself must necessarily include an analysis of the Other precisely because this relation is played out in the presence of the Other (EN 410/472). Secondly, Sartre wants to supply a concrete solution to the problem of solipsism (EN 289/329, 296/337). This problem was already preoccupying him in The Transcendence of the Ego, but at that time, Sartre argued that solipsism could be avoided by means of a non-egological theory of consciousness, since such a theory—which sees the transcendental field of consciousness as non-personal and the I as a product of reflection (TE 36/52-53, 63/80- 81)—would no longer confer a privileged status to the I vis-à-vis the Other (TE 85/104). In Being and Nothingness, however, Sartre concedes that this renunciation of the transcendental I has in fact been of no help in overcoming solipsism (EN 280/318). The problem remains and has to be solved. As he is quick to add, however, a proper solution will not involve any proof of the existence of Others; rather, it will be a question of revealing the foundation of our “pre-ontological” certainty with regard to the existence of the Other (EN.. (shrink)

Arguing that Sartre's social philosophy is both heuristic and normative, Greene's book represents a major contribution to the study of Sartre. He desires to eschew any evaluative judgments on Sartre's work and to concentrate on how to unravel the social philosophy of Sartre. But herein lies the major shortcoming: although warning the reader to be wary when interpreting Sartre's fiction and insisting that the major source of Sartre's doctrine is to be found in Being and Nothingness, Greene neither indicates (...) how to interpret Sartre's fiction, nor satisfactorily explicates Sartre's major work. The basic themes of Greene's exposition are that: Sartre is only concerned with the intellectual environment of the twentieth century; Sartre criticizes liberalism, Marxism and Catholicism in order to describe social reality and to define the proper relationship between the individual and society; Sartre has an ethics.—C. E. B. (shrink)

This article rescues the original theory of violence that Jean-Paul Sartre developed in the late forties in Notebooks for an Ethics (1983). Notebooks is a posthumous and unfinished work in which the philosopher outlined the ethics promised in the last pages of Being and Nothingness. In this unfinished moral philosophy, violence is phenomenologically described as a human enterprise, freely chosen in an existential situation, which possesses the following essential features: the intransigent attitude, the destructive function, the dissociation of ends (...) and means, the rupture of bonds of solidarity, the magical belief, the self-justification, the demand and the devaluation of the freedom of others. The main objective of this article is to reconstruct this theory so that it is possible to judge its value today in the philosophical problem of defining what violence is. (shrink)

Sartre’s description of violence from his often-neglected Notebooks for an Ethics can be analyzed from a psychological point of view in relationship with other negative passions like hatred, fury, pain and sufferance. Literary characters such as Seneca’s Medea or Anouilh’s Antigone seem to embody this fundamental characteristic of violence: the alliance with an ontological striving for destruction. In this paper we provide an interpretation of the Sartrean portrait of the violent man, analyzing its connections with his existential doctrine from (...) class='Hi'>Being and Nothingness, and its affinity with modern nihilism (Nietzsche and Cioran) and Gnostic dualism (Catharism and Manicheanism). (shrink)

This article examines Sartre’s works in which his attempt to find an existentialist ethics is evident. Most of the clues to this project are to be found in texts published posthumously since during his lifetime he never managed to fulfil the promise he made at the end of Being and Nothingness. It will be argued that this existentialist ethics owes a strong debt to Kantian philosophy, even if it confronts more directly the historical dynamics of violence and oppression. Despite (...) the fact that this project is unfinished and only sketched out, it is possible to ask what Sartre’s direction of development would have been, pointing to the outline of a normative theory, Critical Existentialism, that could have its place in contemporary ethical debate. (shrink)

The question of nothingness occupies the thinking of a number of philosophers in the first half of the twentieth-century, with three of the most important responses being those of Henri Bergson, Martin Heidegger, and Jean-Paul Sartre. Surprisingly, however, there has been little discussion of their specific comments on nothingness either individually or comparatively. This paper starts to remedy this by suggesting that, while Bergson dismisses nothingness as a pseudo-problem based in a flawed metaphysical understanding, Heidegger, in What is Metaphysics?, (...) claims that metaphysics entails a covering of being meaning that Bergson’s analysis actually depends on and so brings thinking to a questioning of being. In turn, Heidegger’s insight acts as the transitional point for Sartre who criticizes Bergson’s description of nothingness to show that, following Heidegger, nothingness is a real ontological problem. From this insight, Sartre distinguishes between negativity, nothingness, and nihilation to show that the issue of nothingness is intimately connected to the freedom of human consciousness, which, by distinguishing between ontological and practical freedom, reveals that nothingness has ethical and political significance. By way of conclusion, a number of problems in Sartre’s account are identified. (shrink)

At the end of Being and Nothingness Sartre made the curious claim that his ethical views follow from his ontology and are based on it. Yiwei Zheng argues that there are unbridgeable gaps between Sartre's ontology and ethics that cannot be filled in, and in the process provides a careful study of some notoriously murky notions in Sartre's early philosophy.

Analysis of the feeling of shame plays a crucial role in classical phenomenological accounts of intersubjectivity, and shame has increasingly become a core topic in Anglo‐American moral philosophy since at least the publication of Bernard Williams's Shame and Necessity in 1993. While Williams's philosophical approach to the deep moral implications of shame was indeed groundbreaking, previous philosophical readings of the emotion were already in the offing, including Jean‐Paul Sartre's prodigious representation of the moment shame reaches consciousness in Being and (...) Nothingness, first published in 1943. This paper compares Sartre's and Williams's interpretive frameworks for understanding the rich (first‐personal) experience of shame, explaining in detail how they not only complement but also illuminate each other, thereby offering a novel understanding of shame's relation to the moral, nonmoral, and ethical self. (shrink)

In a statement too strong even to summarize his own views, Jean-Paul Sartre famously declares in “Existentialism is a Humanism” that “man is nothing other than what he makes of himself.” It is bad faith, according to him, to attribute what I am to my family, culture, condition, etc., because through awareness of what I am and have been, I can determine whether what I am will continue into the future. Human being, as a result, is nothing but what (...) he or she has chosen or decided. In “On the Necessity and Impossibility of Being a Jew,” Jean Améry rejects that view.He explicitly rejects the idea that “I am what I am for myself and in myself, and nothing else.” In doing so, he is one of a group of Jewish thinkers, including Emmanuel Levinas and Jacques Derrida, who reject Sartre’s ideas about Jewish identity and identi ty more generally, ideas expressed particularly in Reflections on the Jewish Question but amplified by views expressed in “Existentialism is a Humanism” and Being and Nothingness.Those in the group go out of their way to express their gratitude to Sartre f or writing on “the Jewish question” after the war --Sartre who wrote because he saw no mention of the 77,000 Jews in France who were deported and murdered by the Nazis. (shrink)

_Being and Nothingness_ is without doubt one of the most significant books of the twentieth century. The central work by one of the world's most influential thinkers, it altered the course of western philosophy. Its revolutionary approach challenged all previous assumptions about the individual's relationship with the world. Known as 'the Bible of existentialism', its impact on culture and literature was immediate and was felt worldwide, from the absurd drama of Samuel Beckett to the soul-searching cries of the Beat poets. (...) _Being and Nothingness_ is one of those rare books whose influence has affected the mind-set of subsequent generations. Sixty years after its first publication, its message remains as potent as ever - challenging the reader to confront the fundamental dilemmas of human freedom, responsibility and action. (shrink)

Lange has argued that contingencies lack the modal strength to be necessity-makers. Here, I argue that Lange’s case turns upon a faulty premise, and that there is no obvious fixes he might pursue. The general upshot is that his argument gives us no reason to think that contingencies could not be necessity-makers after all.

This article shows that Sartre's theatrical works offer a reflection on morality, in particular The Flies , The Devil and the Good Lord , and The Sequestered of Altona . The ethical reflections that we find in his plays fill a philosophical gap left after Being and Nothingness . The plays offer an exploration of freedom's rootedness in situation which complements the more theoretical notes of the posthumously published Notebooks for an Ethics . Additionally, I link Sartre's ethics and (...) Nietzsche's ethics showing that both thinkers rest their philosophies on a strict atheism. Further, their elaborations on morality follow a similar path by emphasizing individual freedom and thus subsequently the responsibility of the individual as the creator of values. French Cet article fait la démonstration que les œuvres théâtrales de Sartre, plus particulièrement Les Mouches , Le Diable et le bon dieu et Les Séquestrés d'Altona , tiennent lieu de réflexion morale chez Sartre. La réflexion éthique qu'on y retrouve comble un manque laissé par les écrits philosophiques suivant L'Être et le néant . Les pièces et leur exploration de l'ancrage de la liberté dans la situation offrent un complément aux notes plus théoriques des Cahiers pour une morale, publiés à titre posthume. En plus de faire cette démonstration, cet article explore les liens entre la morale des pièces sartriennes et la morale nietzschéenne. Il ressort de cet examen que ces deux morales s'appuient sur un athéisme pur et dur et s'élaborent de même façon en mettant l'emphase sur la liberté de l'individu et son rôle en tant que créateur de valeurs. (shrink)

Being and Nothingness is without doubt one of the most significant books of the twentieth century. The central work by one of the world's most influential thinkers, it altered the course of western philosophy. Its revolutionary approach challenged all previous assumptions about the individual's relationship with the world. Known as 'the Bible of existentialism', its impact on culture and literature was immediate and was felt worldwide, from the absurd drama of Samuel Beckett to the soul-searching cries of the Beat (...) poets. Being and Nothingness is one of those rare books whose influence has affected the mind-set of subsequent generations. Sixty years after its first publication, its message remains as potent as ever - challenging the reader to confront the fundamental dilemmas of human freedom, responsibility and action. (shrink)

More than a purely philosophical problem, straddling the ambivalent terrain between necessity and impossibility, contingency seems to have become today the very horizon of our everyday life. Often used as a synonym for the precariousness of working conditions under neoliberalism, for the unknown threats posed by terrorism, or for the uncertain future of the planet itself, contingency needs to be calculated and controlled in the name of the protection of life. The overcoming of contingency is not only (...) called upon to justify questionable mechanisms of political control; it serves as a central legitimating factor for Enlightenment itself. In this volume, nine major philosophers and theorists address a range of questions around contingency and moral philosophy. How can we rethink contingency in its creative aspects, outside the dominant rhetoric of risk and dangerous exposure? What is the status of contingency-as the unnecessary and law-defying-in or for ethics? What would an alternative "ethics of contingency"-one that does not simply attempt to sublate it out of existence-look like? The volume tackles the problem contingency has always posed to both ethical theory and dialectics: that of difference itself, in the difficult mediation between the particular and the universal, same and other, the contingent singularity of the event and the necessary generality of the norms and laws. From deconstruction to feminism to ecological thought, some of today's most influential thinkers reshape many of the most debated concepts in moral philosophy: difference, agency, community, and life itself. Contributors: Étienne Balibar, Rosi Braidotti, Thomas Claviez, Drucilla Cornell, Hans Ulrich Gumbrecht, Viola Marchi, Michael Naas, Cary Wolfe, Slavoj Žižek. (shrink)

Human suffering is a complex phenomenon that can manifest physically or psychologically. As the negative valence of affective phenomena, with the positive being pleasure or happiness, human suffering could easily be interpreted as something to avoid. Sartre explored existential aspects of human suffering in Being and Nothingness. Examining each occurrence of the word suffering in that work provides a basis for understanding the roles Sartre assigned to it within the human experience and consequently provides a more nuanced appreciation (...) of this complex phenomenon. An electronic copy of Being and Nothingness was searched for all occurrences of the word suffering (N = 50), tabularized using the Key Word In Context (KWIC) approach at the sentence level, resulting in 40 sentences for thematic analysis. That analysis resulted in 5 themes, showing the complexity of suffering in Sartre’s major philosophical work and suggesting that suffering is quintessentially human, unavoidable, and potentially liberating. (shrink)

This paper discusses the relevance and the conceptual role, within Sartre’s Being and Nothingness, of a fleeting impression of shame that reverts the threat of solipsism looming over any project of transcendental philosophy. In reading Sartre’s masterpiece, I underscore two methodological points that tend to be bypassed in standard interpretations and lengthy discussions of the book. On the one hand, I safeguard the strictly descriptive core of Sartre’s presentation of the impression of shame and what it reveals about the (...) formal structures of the (pre-reflective) cogito, as Sartre understands it. On the other hand, my analysis explores the different phases of the (conceptual) narrative of the For-Itself, which Sartre inherits from the Idealist tradition in modern philosophy and applies to the concreteness of a phenomenological description of the main stages of one’s experience of the outside world. (shrink)

The Transcendence of the Ego may be regarded as a turning-point in the philosophical development of Jean-Paul Sartre. Prior to the writing of this essay, published in France in 1937, Sartre had been intimately acquainted with the phenomenological movement which originated in Germany with Edmund Husserl. It is a fundamental tenet of Husserl, the notion of a transcendent ego, which is here attacked by Sartre. This disagreement with Husserl has great importance for Sartre and facilitated the transition from phenomenology to (...) the doctrine of Being and Nothingness. (shrink)

Existentialist Ethics Ethics was Sartre's principal concern, beginning with his famous and complex treatment of "bad faith" in Being and Nothingness, and continuing through his massive posthumously-published Notebooks for an Ethics of the late 1940's, and his mostly unpublished lecture notes that date back to 1964. This volume contains highly informed analyses of all of these materials and other Sartrean works on ethics, as well as interpretations emphasizing the confrontation of his ethical ideas with inauthenticity, sexism, and racism.

The article addresses the psychological experience of the "We" developed in Being and Nothingness (BN), and how it resonates within the social dynamics of Critique of Dialectical Reason (CDR). It is problematized about which "We" is spoken in the condition of Being-with. In BN, Sartre demonstrates that the foundation of human relationships is conflict, as being-with-others is rooted in being-for-others. This, therefore, reflects on the impossibility of psychological experiences of the Us-object and We-subject to support alienation (...) and engagement. We start from the conjuncture of serial collectivity to address the experience of the Us-object, and the necessity of individual choice for engagement with others, which may or not occur when the experience of Us-object takes place. In this way, when individuals recognize themselves as part of a structure organized by a third party and aim for a common goal, the community subject happens. We noticed that Sartre, in Being and Nothingness and its developments, helps us to think about being-with-another, even in a virtual world of the 21st century. Sartre, throughout his life and although without success, strove to materialize the Being that he idealized for people: mutually committed to the responsible construction of a socio-material field “desirable for a community”, including conflict resolutions. (shrink)

In Being and Nothingness, Jean-Paul Sartre boldly asserts that: “To be dead is to be a prey for theliving.”1 In the following paper, I argue that Sartre’s rather pessimistic understanding of death isunwarranted. In fact, Herbert Marcuse forcefully suggests that Sartre is one of the “betrayers of Utopia”because Sartre’s notion of death stifles efforts towards true liberation. By returning to Eros andCivilization, I explain and further substantiate Marcuse’s critique of Sartrean freedom as originallypresented in Marcuse’s essay, “Existentialism: Remarks on (...) Jean-Paul Sartre’s L’Etre et le Neant.”. (shrink)

ABSTRACTIn this article I argue that Sartre’s notions of nothingness and “negatity” are not, as he presents it, primarily reactions to Hegel and Heidegger. Instead, they are a reaction to an ongoing struggle with Husserl’s notion of intentionality and related notions. I do this by comparing the criticism aimed at Husserl in Sartre’s Being and Nothingness to that presented in his earlier work, The Imagination, where he discusses Husserl more elaborately. Furthermore, I compare his criticism to Husserl’s own criticism (...) of the “doctrine of immanent objects”, in order to show that Sartre’s notion of nothingness is a continuation of Husserl’s criticism, and that he turns Husserl’s own arguments against himself. (shrink)

Jean-Paul Sartre's account of the Look in Being and Nothingness is not straightforward and many conflicting interpretations have arisen due to apparent contradictions in Sartre's own writing. The Look, for Sartre, demonstrates how the self gains thematic awareness of the body, forming a public and self-conscious sense of how the body appears to others and, furthermore, illustrates affective and social aspects of embodied being. In this article, I will critically explore Sartre's oft-cited voyeur vignette in order to provide (...) a coherent account of the Look and to illustrate the significance of intersubjectivity and self-consciousness in Sartre's work. Through considering Sartre's voyeur vignette and other examples of reflective self-consciousness, this article will examine epistemological, self-evaluative and ontological concerns in the constitution of reflective self-consciousness. It will be contended that Sartre's accounts of the Look and reflective self-consciousness within social relations can provide insight into the intersubjective nature of the shaping of the body and the significance of self-presentation within the social realm. (shrink)

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea . The Transcendence of the Ego is the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in many subsequent writings, (...) Sartre embraces Husserl's vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Ego offers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness : the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

In Being and Nothingness (1943), Sartre explains love as a strategy for achieving control over "being-for-others," the objectified aspect of the self-imposed by others' defining looks. Two contemporaneous fictions by Sartre, The Room (1939) and Dirty Hands (1948), expand the notions of love and of being-for-others in surprising directions. Dirty Hands shows the creative, productive potential of being-for-others: Hugo's reliance on the other for his self-definition paradoxically generates his decisive embrace of being for-itself. The Room (...) dramatizes the role of the family in constituting a child's subjectivity: Eve's family situation explains her ontological imprisonment in the dimension of being-for-others. The two stories' tolerant vision of the complex social and psychological reasons for adopting being-for-others as one's dominant modality contrasts with Sartre's rigorous critique of reliance on being-for-others as a form of bad faith in Being and Nothingness. The fictions' enlarged perspective on human love and on being-for-others provides a framework for complicating and critiquing the ontological categories presented in Being and Nothingness. (shrink)

It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about (...) to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This book presents a new English translation of Sartre’s 1945 lecture and his analysis of Camus’s _The Stranger_, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture. (shrink)

The central tenet in the ontology Sartre describes and seeks to defend in Being and Nothingness is that being divides into the for-itself and the in-itself. Self-consciousness characterizes being-for-itself and distinguishes it from being-in-itself. What it means for a being to exist for itself is that it is self-conscious. How Sartre characterizes self-consciousness in Being and Nothingness is, however, a question that remains to be asked. There is no simple answer to this question. For (...) Sartre, there are really several levels of self-consciousness: the self-consciousness of consciousness at the pre-reflective level, at the level of reflection and at the level of being-for-others. There is a profound difference between the self-consciousness of being-for-others and impure reflection, on the one hand, and the self-consciousness of reflection and pre-reflective consciousness, on the other. With being-for-others and impure reflection, self-consciousness involves the attempt to grasp the self as an object for consciousness. Although the nature of this attempt and the reasons for its ultimate failure differ at each level, these levels are bound together by a common sense of self-consciousness as a consciousness of the self as an object. (shrink)

This article stresses the importance of one of Sartre's often overlooked novels, The Age of Reason (1945), and the possibility that it should be considered an early attempt by Sartre to answer the questions he raises at the very end of Being and Nothingness (1943). Considered as a preliminary response to Being and Nothingness , this novel provides an opportunity to explore how ethics might be lived, and draws a clear distinction between a theoretical understanding of being-for-itself (...) and living authentically. As such, it is argued that Sartre's fictional writings, especially The Age of Reason , must be taken seriously in Sartre scholarship. (shrink)