In the period 1875-1920, a debate about the generality and applicability of evolutionary theory to all organisms was motivated by work on unicellular ciliates like Paramecium because of their peculiar nuclear dualism and life cycles. The French cytologist Emile Maupas and the German zoologist August Weismann argued in the 1880s about the evolutionary origins and functions of sex (which in the ciliates is not linked to reproduction), and death (which appeared to be the inevitable fate of lineages denied sexual (...) conjugation), an argument rooted in the question of whether the ciliates and their processes where homologous to other cellular organisms. In the beginning of the twentieth century, this question of homology came to be less important as the ciliates were used by the British protozoologist Clifford Dobell and the American zoologist Herbert Spencer Jennings to study evolutionary processes in general rather than problems of development and cytology. For them, homology mattered less than analogy. This story illustrates two partially distinct problems in evolutionary biology: first, the question of whether all living things have common features and origins; and second, whether their history and current nature can be described by identical mechanisms. Where Maupas (contra Weismann) made the ciliates qualitatively the same as all other organisms in order to create a cohesive evolutionary theory for biology, Jennings and Dobell made them qualitatively different in order to achieve the same end. (shrink)

The concept of perversion has traditionally been applied particularly to the sexual sphere, in order to condemn certain desires and certain practices as wrong or inappropriate because of their unnaturalness, as they are understood as a deviation from a given function of sexuality. In this article, I explore the question whether and how such a concept could be applied to another central dimension of our existence, namely our death and, in particular, whether it makes sense to talk of perverted (...) attitudes towards (our own) death. In the first section I present a fairly common account of what is a perverted attitude towards sex and explain how that account can be used to define a perverted attitude towards death. I come up with four suggestions (one based on belief in the afterlife and three secular ones, based respectively on the notion of death as meaningless, on Heidegger’s concept of authenticity and on the evolutionary function of death). In the second section, I explore potential connections between perversion in sex and perversion in death. I conclude that, outside the Catholic worldview, perverted attitudes to sex do not bring along perverted attitudes towards death, nor is there a connection the other way around. In fact, certain kinds of perverted attitudes towards death are even inimical to sexual perversion. In the third section, I present a metaphysical and an ethical reason to doubt that we can and should talk of a function of death or sex. (shrink)

Is the history of life a series of accidents or a drama scripted by selfish genes? Is there an “essential” human nature, determined at birth or in a distant evolutionary past? What should we conserve—species, ecosystems, or something else? -/- Informed answers to questions like these, critical to our understanding of ourselves and the world around us, require both a knowledge of biology and a philosophical framework within which to make sense of its findings. In this accessible introduction to philosophy (...) of biology, Kim Sterelny and Paul E. Griffiths present both the science and the philosophical context necessary for a critical understanding of the most exciting debates shaping biology today. The authors, both of whom have published extensively in this field, describe the range of competing views—including their own—on these fascinating topics. -/- With its clear explanations of both biological and philosophical concepts, Sex and Death will appeal not only to undergraduates, but also to the many general readers eager to think critically about the science of life. (shrink)

For centuries people have debated the nature of the human self. Running beneath these various arguments lie three certainties - we are born, reproduce sexually, and die. The models of spirituality which dominate the Western tradition have claimed that it is possible to transcend these aspects of human physicality by ascribing to human beings alternative traits, such as consciousness, mind and reason. By locating the essence of human life outside its basic physical features, mortality itself has come to be viewed (...) as a problem, for it appears to render human life both meaningless and absurd. Complex connections have then been made between the key features of life: sex is linked with death, and birth becomes the event that introduces the child to the world of decay - and ultimately to death itself. This fascinating book exposes the way in which the preoccupation with transcendence in both religious and secular thinking has distorted our sense of what it is to be human. At the same time, Sex and Death offers an alternative approach to the debate, based on an acceptance of mortality that emphasizes the depth and profundity possible in human life. It is an argument which will be essential reading for students of philosophy or religion, as well as the general reader interested in these debates. (shrink)

The paper aims to show how the Tv series True Detective (season 1, 2014 – created and written by Nic Pizzolatto) aids us understanding the status of power whether in its political, judicial or religious form. The conjunction of sex and death is depicted through acts of paedophilia, rape, and murder of women and children. The study aims to elucidate the logic which is inherent to those acts of violence and which founds the reproduction of social domination mechanisms.

In Death-Devoted Heart Roger Scruton argues that Tristan und Isolde has profound religious meaning. Blending philosophy, criticism and musicology, he shows the work is as relevant today as it was to Wagner's contemporaries. Scruton's analysis touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption.

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 29.3 (1999) 81-101 [Access article in PDF] Sex without Sex, Queering the Market, the Collapse of the Political, the Death of Difference, and AIDS: Hailing Judith Butler Brett Levinson It is interesting to note that in Judith Butler's study of the social construction of sex, Gender Trouble (as well as in the sequel, Bodies That Matter), one finds barely a trace of sex. Or to put matters (...) more bluntly: in Butler's study of gender critiques that avoid or dismiss the matters of hetero- and homosexuality, in her examination of the relationship of gayness and lesbianism to feminism, and in her exposition of a politics of queerness--as to fucking, not a word. This omission is not tangential to Gender Trouble. It determines Butler's entire undertaking. 1. The (In)difference of Performance By illustrating that sex, like gender, is a social construction, Butler strives to tear not sex but both sex and gender from biological essentialism. For as Butler insists, as soon as we imagine sex (woman/man) as naturally given, and gender (feminine/masculine) as a product of social forces, we fall into the very gender essentialism that we seemingly called into question. This is because the sex/gender binary makes sex the ground of gender: a woman may be masculine or feminine, and she may subvert the social norms that demand that women act in a certain manner. But throughout all of these gender reversals, she remains a woman. Her behavior, therefore, is either far from her sex (if she is subversive) or close to it (if she conforms). But in either case, it is measured in terms of that sex, which stands as the essence or foundation of the conduct. Hence, within such a discourse, gender stereotypes do not actually emerge as social (thereby deconstructible) constructs since the substructure (sex) of their edifice is given prior to production.This thesis, which ultimately reveals that the sex/gender split reproduces the woman/man binary--the foundation of sexism--opens the way for one of Butler's most renowned interventions: her theory of performativity. Butlerian performance traces the intersection of Derrida's concept of mimesis and Foucault's understanding of power. Derrida argues that if a mark (in writing) or a sound (in speech) is to form part of a language, it must be iterable. Language hinges on social conventions, and social conventions on repetition, ritual. Repetition, therefore, does not follow (from) a pregiven [End Page 81] [Begin Page 83] sign but is a condition of its possibility: a sign must be repeatable before it is a sign. 1Derrida often translates these ideas into an analysis of "the citation," a fact Butler fully exploits. An articulation, Derrida argues, must be a priori citable (again, iterable) if it is to function as an articulation, as a "speech act." This means that deviance, miscitation, recontextualization, and the possible transformation or loss of an enunciation--any or all of which could occur via a citation--belong essentially to that enunciation. The repetitions that yield rituals, habits, and then norms are the same iterations that undermine those norms. But this is true not only for speech. It holds as well for the law: the citing, execution, reading, writing, and acknowledgment of the law, hence the possibility of the law's shift and even disappearance, pertain to the law's groundwork.Gender Trouble posits patriarchy and compulsive heterosexuality as two such citable laws. And as laws, they are powerful but not inevitable. Indeed, because the law of normalcy harbors its own deviance as a condition of its public emergence or deployment, this normalcy opens the way for its own transgression. One is indeed subject to the law of the norm. But this subjection cannot not grant the very alternative agency/subjectivity it strives to suppress.Hence for Butler, queer types such as the "femme" or the "butch," as they perhaps flaunt (through dress, bodily image, or public demonstration) the constructed character of their own sexual identities, recite and dis-cover the constructed, artificial... (shrink)

Book reviewed in this article: Sex, Drugs, Death and the Law: An Essay on Human Rights and Overcriminalization. By David A. J. Richards. Totowa, NJ: Rowman and Littlefield, 1982. xii + 316 pp. $26.95.

After #MeToo, academics have become increasingly focused on the liberal concept of consent. Either problematized as a means of distinguishing between sex and rape, or vaunted as a tool for having better sex, consent remains central to discussions of sexual violence. Returning to Andrea Dworkin’s thought, this article argues that contemporary feminists must move beyond consent and recenter the problem of violence to theorize rape. Dworkin, alongside Catharine MacKinnon and Carole Pateman, critiques consent for disguising the violence of rape, sex, (...) and pornography. By defining violence as a process of objectification, Dworkin exposes rape, pornography, and most controversially, consensual heterosexual intercourse as “a new kind of death.” She, in turn, calls for the feminist exercise of violence as a tactic of disclosure that promises to make visible patriarchal violence hidden by consent and sexualization. Moving beyond consent to recenter the problem of violence, I conclude, opens up new avenues for feminist action and brings into view the seemingly unthinkable possibility of a world without rape. (shrink)

Neonatal mortality during the first week of life, corresponding to the years 19750·023 per year. This decline cannot be explained by an increase in the mean birth weight (MBW=23440·835−10·107 g per year). From the most frequent of the causes of death to the least were: congenital anomalies, preterm born or low birth weight, respiratory problems, pregnancy difficulties, hypoxaemia/asphyxia, delivery difficulties and infectious diseases. This sequence changed when the specific age at death was considered. The NMR descended evenly for (...) both sexes for the causes indicated above, except for preterm born or low birth weight, in which the male mortality decrease was greater since its rate was more elevated at the beginning of the period studied. For all the causes listed, NMR was more elevated both in urban areas and for males. Early neonatal mortality (first 24 hours) was higher for pregnancy difficulties, preterm born or low birth weight, congenital anomalies and hypoxaemia/asphyxia. (shrink)

From Odysseus' seduction by the song of the Sirens to Oscar Moore's 1991 novel A Matter of Life and Sex , whose protagonist courts death through sex and dies of AIDS, the frustrated relationship between death and desire has fixated the Western imagination. Philosophers have grappled with it and poets have told of its beauty and pain. In this strikingly original work, cultural critic Jonathan Dollimore once again demonstrates his remarkable ability to take on the complex and reveal (...) its relevance with eloquence and grace. Death, Desire and Loss in Western Culture is a rich testament to our ubiquitous preoccupation with the tangled web of death and desire. In these pages we find nuanced analysis that blends Plato with Shelley, Hölderlin with Foucault. Dollimore, a gifted thinker, is not content to summarize these texts from afar; instead, he weaves a thread through each to tell the magnificent story of the making of the modern individual. An immensely important book, Death, Desire and Loss in Western Culture is a challenge to the way we understand desire, sexuality, and the very notion of identity. (shrink)

Sex selection in India and China is fostered by a limiting social structure that disallows women from performing the roles that men perform, and relegates women to a lower status level. Individual parents and individual families benefit concretely from having a son born into the family, while society, and girls and women as a group, are harmed by the widespread practice of sex selection. Sex selection reinforces oppression of women and girls. Sex selection is best addressed by ameliorating the situations (...) of women and girls, increasing their autonomy, and elevating their status in society. One might argue that restricting or prohibiting abortion, prohibiting sex selection, and prohibiting sex determination would eliminate sex selective abortion. But this decreases women's autonomy rather than increases it. Such practices will turn underground. Sex selective infanticide, and slower death by long term neglect, could increase. If abortion is restricted, the burden is placed on women seeking abortions to show that they have a legally acceptable or legitimate reason for a desired abortion, and this seriously limits women's autonomy. Instead of restricting abortion, banning sex selection, and sex determination, it is better to address the practice of sex selection by elevating the status of women and empowering women so that giving birth to a girl is a real and positive option, instead of a detriment to the parents and family as it is currently. But, if a ban on sex selective abortion or a ban on sex determination is indeed instituted, then wider social change promoting women's status in society should be instituted simultaneously. (shrink)

Biological traits, the foci of natural selection, are by definition emergent from the genes, proteins, and other “nothing-buts” that constitute them. Moreover, and with the exception of recently emergent “spandrels,” each can be accorded a teleological dimension—each is “for” some purpose conducive to an organism's continuation. Sex, which is “for” the generation of recombinant genomes, may be one of the most ancient and ubiquitous traits in biology. In the course of its evolution, many additional traits, such as gender and nurture, (...) have emerged. Patterns of sexual exchange are the basis for patterns of biological evolution and are central to the process of eukaryotic speciation. Human sexuality is central to our selves. (shrink)

Background Inequities in COVID-19 outcomes in the USA have been clearly documented for sex and race: men are dying at higher rates than women, and Black individuals are dying at higher rates than white individuals. Unexplored, however, is how sex and race interact in COVID-19 outcomes. Objective Use available data to characterize COVID-19 mortality rates within and between race and sex strata in two US states, with the aim of understanding how apparent sex disparities in COVID-19 deaths vary across race. (...) Design and Participants This observational study uses COVID-19 mortality data through September 21, 2020, from Georgia (GA) and Michigan (MI). Main Measures We calculate age-specific rates for each sex-race-age stratum, and age-standardized rates for each race-sex stratum. We investigate the sex disparity within race groups and the race disparity within sex groups using age-standardized rate ratios, and rate differences. Key Results Within race groups, men have a higher COVID-19 mortality rate than women. Black men have the highest rate of all race-sex groups (in MI: 254.6, deaths per 100,000, 95% CI: 241.1–268.2, in GA:128.5, 95% CI: 121.0-135.9). In MI, the COVID-19 mortality rate for Black women (147.1, 95% CI: 138.7–155.4) is higher than the rate for white men (39.1, 95% CI: 37.3–40.9), white women (29.7, 95% CI: 28.3–31.0), and Asian/Pacific Islander men and women. COVID-19 mortality rates in GA followed the same pattern. In MI, the male:female mortality rate ratio among Black individuals is 1.7 (1.5–2.0) while the rate ratio among White individuals is only 1.3 (1.2–1.5). Conclusion While overall, men have higher COVID-19 mortality rates than women, our findings show that this sex disparity does not hold across racial groups. This demonstrates the limitations of unidimensional reporting and analyses and highlights the ways that race and gender intersect to shape COVID-19 outcomes. (shrink)

Volume 20, Issue 8, August 2020, Page 76-78.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 641-644 [Access article in PDF] Erich Segal. The Death of Comedy. Cambridge, Mass.: Harvard University Press, 2001. xiv + 589 pp. Cloth, $35. "In a grand tour of comic theater over the centuries," says the jacket blurb, "Erich Segal traces the evolution of the classical form from its beginnings... to Samuel Beckett. With fitting wit, profound erudition lightly worn, and instructive [End (...) Page 641] examples from the mildly amusing to the uproarious, his book fully illustrates comedy's glorious life cycle from its first breath to its death in the Theater of the Absurd." I agree, in part: It's a grand tour, after the fashion of Segal's Dionysian Ivy-League lectures, mixing pleasure with instruction and reminding the reader of comedy's changing devices, delights, and powers in the different periods and locales in which Segal has made himself comfortably at home. He doesn't, of course, "fully illustrate"—and I don't think he's gotten comedy's "life cycle" quite right, especially that titular death. Rival comedy tour guides like myself will question this or that judgment call, especially in their specialties (and still more when their own supremely valuable writings go unacknowledged). Yet there is much to praise in this highly readable, highly entertaining book, which I shall happily put on the reserve shelf next time I teach Honors 28 ("Comedy and Satire") to my laughter-loving sophomores and juniors at UNC.Segal's first 250 pages, more than half the book, take us from comedy's hypothetical beginnings in holiday fun and revelry to Terence's beleaguered Hecyra. To the usual etymologies of "revel-" and "country-song" (from komos and kome) he adds the less familiar "nightsong" (from koma, "sleep"), anticipating the prominent place of dreamlike disguises, confusions, and misadventures in comedy and in the human unconscious as explored by Freud. In subsequent chapters, Segal sketches the rise and fall of Old Comedy, which reaches new heights in the imaginatively playful erections of Aristophanes' Acharnians, Peace, and Birds, thenceforth declining towards Middle Comedy as sex gives way to money, Phales to Plutus. A chapter on Euripides' Ion entitled "The Comic Catastrophe" (why not "Eucatastrophe"?) provides a helpful bridge to the familial concerns and dramatic conventions of the New Comedy of Menander. From there, pivoting on Plautus and Terence, Segal follows "the evolution and transmutations of the classical literary form" (256), from Machiavelli and Marlowe, through Shakespeare, Molière, Jonson, Wycherley, and Beaumarchais, to what he regards as its foul and unnatural murder by the Surrealists and Absurdists of the last century—even as the beginning of Beckett's Waiting for Godot ironically completes a great circle by recalling the beginning of Aristophanes' Birds.Through all this, Segal keeps up a good, brisk pace. He chooses his plays well, discussing them with a skillful mix of plot summary, paraphrase, quotation (the good, clear translations are his own), and lively running commentary. As classicists, we readers of AJP will have our professional quibbles, our personal bones to pick (some of them juicy) about Aristophanes' Clouds (underrated by Segal), say, or Terence's borrowings from Plautus (which he plays down); but we are amateurs, too, more easily pleased when it comes to Shakespeare or Molière. Here, two of Segal's leitmotifs seem most effective and affecting: First, the dreamlike movement of events in Comedy of Errors (after Menaechmi, but we should add Amphitruo for the twice-doubling) and in Twelfth Night, drifting out of shipwreck, through confusion of identity approaching nightmare and madness, to the komos and gamos of festive comedy—or is it Freudian wish-fulfillment?; second, the sad clown or playwright, poor old cuckolded Molière, pushing to his life's very [End Page 642] end the comic enactments of cuckoldry, sickness, aging, and (near) death. Which reminds me, painfully, of what a difference it would make to our overly naive or sophisticated readings of Aristophanes or Terence if we knew more, even a little more, about their life and work than the usual, all too meager hearsay.Like his beloved Plautus, Segal... (shrink)

I begin with the assumption that a philosophically significant tension exists today in feminist philosophy of religion between those subjects who seek to become divine and those who seek their identity in mutual recognition. My critical engagement with the ambiguous assertions of Luce Irigaray seeks to demonstrate, one the one hand, that a woman needs to recognize her own identity but, on the other hand, that each subject whether male or female must struggle in relation to the other in order (...) to maintain realism about life and death. No one can avoid the recognition that we are each given life but each of us also dies. In addition, I raise a more general, philosophical problem for analytic philosophers who attempt to read Continental philosophy of religion: how should philosophers interpret deliberately ambiguous assertions? For example, what does Irigaray mean in asserting. 'Divinity is what we need to become free, autonomous, sovereign'? To find an answer, I turn to the distinctively French readings of the Hegelian struggle for recognition which have preoccupied Continental philosophers especially since the first half of the last century. I explore the struggle for mutual recognition between womrn and men who must face the reality of life and death in order to avoid the projection of their fear of mortality onto the other sex. This includes a critical look at Irigaray's account of subjectivity and divinity. I turn to the French philosopher Michèle Le Doeuff in order to shift the focus from divinity to intersubjectivity. I conclude that taking seriously the struggle for mutual recognition between subjects forces contemporary philosophers of religion to be realist in their living and dying. With this in mind, the lesson from the Continent for philosophy of religion is that we must not stop yearning for recognition. Indeed, we must event risk our autonomy/divinity in seeking to recognize intersubjectivity. (shrink)

(2010). A Review of “Zen Wrapped in Karma, Dipped in Chocolate: A Trip Through Death, Sex, Divorce, and Spiritual Celebrity in Search of the True Dharma”. World Futures: Vol. 66, No. 1, pp. 69-72.

Contemporary understandings of nature, or what is ‘natural’, are increasingly subject to debate in our bio-technological age. In this article, I argue that ideas about nature and biology bear a largely unacknowledged relation to normative ideas about sex in western science and philosophy. By examining the concepts of nature and sex in the writings of prominent 18th-century thinkers such as Kant, Rousseau, Burke and Linnaeus, I try to show that in response to the withdrawal, absence or ‘death’ of God (...) that characterizes the Enlightenment worldview, the desire to control sexual expression emerges as a key feature of scientific, aesthetic and philosophical systems of knowledge. Moreover, this desire shapes the concept of nature in such a way that it becomes amenable to the specifically 19th-century figuration of modern biological science. (shrink)

This article reviews the literature on Holocaust and genocide studies to consider the question, ‘what is the sex doing in the genocide?’ Of the three answers usually given: sexual violence is like other forms of genocidal violence, sexual violence is a coordinate in genocide and sexual violence is integral to genocidal violence, the author argues for the third position, but takes issue with Catharine MacKinnon’s claim that sexual violence destroys women as a group, thereby destroying the ethnic, racial, religious, or (...) national group to which women belong. Drawing on Hannah Arendt’s concept of natality, the author argues that sexual violence is an attack on a fundamental condition for the possibility of the existence of human groups. When political violence is used to force biological birth in the service of death, it is a form of thanatonatality. (shrink)

What elements lie at the core of patriarchal consciousness and give it its particular expressions? Beneath the hatred of women, at its source, is a profound, dissociating fear: the fear of non-being, the Absence beyond Death. In an effort to escape death and non-being, the patriarchs have constructed a conception of existence which is split in two, with eternal life, God, meaning and spirit on one side and bodily death on the other. The masculist association of women (...) with bodies, nature and the birthing-dying cycle places us clearly on the side of death, in the realm of being which is and necessarily must be despised and controlled. Alienation from the rhythms of life, giving rise to a crisis of meaning; the denial of death, which leads paradoxically to an adoration of death; and a hysterical ambivalence to sex and sensuality all coalesce and find concrete expression in the personal and institutionalized hatred of Woman. (shrink)

Applies Deleuze's philosophical ideas, such as the body-machine and becoming, to sex. These 12 new essays develop a fresh philosophical approach to the study of sex and sexuality as practice. The contributors pursue the restricting as well as the liberating force of sex in relation to a spread of themes and subjects including the limits of the human, bacteria, death, disability and animality.

What is viral law? In order to being my discussion, I note that the last two years have been extremely difficult to understand and that we, meaning those who have lived through the pandemic, have struggled to make sense. Thus, I make the argument that the virus has impacted upon not only the individual’s ability to make sense in a world where every day routines have been upended, but also social and political structures that similarly rely on repetition to continue (...) to function. According to this thesis, Covid-19 is more than simply a biological organism, but also a cultural virus that undermines the organisation of social, political, and economic systems and requires new ways of thinking about how we might move forward into a post-Covid world. In the name of beginning this project of making sense of Covid-19, I track back in history to the comparable reference point of the Spanish flu pandemic of 1918–1920 and, in particular, a reading of Freud’s Beyond the Pleasure Principle, which the founder of psychoanalysis wrote in the shadow of the virus. In reading Freud’s attempt to write a psychology of death in the context of this funereal period of history, I argue that he set out first, a mythological theory of viral law concerned with the death drive, before turning to second, a techno-scientific, biological theory of the same law characterised by microbial immortality. Beyond this exploration of Beyond the Pleasure Principle, in the third part of the article I turn to a reading of Lacan’s interpretation of Freud’s work, where viral law becomes a story of cybernetics and nihilistic mechanisation. Here, perfect mechanisation, and the endless oscillation between message and noise, looks a lot like living death. Finally, I take up Derrida’s critique of Jacob’s molecular biology and, by extension, Freud’s theory of microbial immorality, that he thinks privileges an idea of repetitive sameness and opens up a space for cultural politics concerned with immunity against otherness. Derrida’s key point here is that this biological fantasy ignores the reality of viral sex that enables evolution to happen. What this means is that the other, even in its microbial form, is ever present, and that we must recognise the importance of difference to the possibility of social, political, and economic change. (shrink)

Grzegorz Musiał’s late work is exemplary of the Modernist coupling of desire and death, which German Ritz linked to the way that homosexual sensibility has been encoded in Polish literary Modernism. This reading of Musiał is paradoxical at heart, as the writer’s literary output must also be ridden with tensions, because his clinging to a bygone aesthetic in order to render homosexual desire seems quaint in an era in which the idea of gay emancipation is widespread. Musiał’s literary alter (...) ego, who is realized as a fictional character and as the speaker in his poems, is a hybrid of an erudite homosexual male equipped with the classical sensibility and a devout Catholic, whose appreciation and outright enjoyment of church ritual is almost camp. Musiał attempts to pit this literary dummy against the usually younger homosexual men who, like a mob of the living dead, populate the underground world of night clubs and anonymous sex. (shrink)

In this new, updated edition of a book heralded as a clarion call to the nation's conscience, William Bennett asks why we see so little public outrage in the fade of the evidence of deep corruption within Bill Clinton's administration. The Death of Outrage examines the Monica Lewinsky scandal as it unfolded, from Clinton's denials that he had had sex with a young White House intern, to his testimony before the grand jury, to the nation's decision not to remove (...) Clinton from office. Brick by brick, Bennett dismantles the wall of defenses offered by Clinton and his apologists, and casts the clear light of moral reason and common sense on a shameful chapter in American history. (shrink)

The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, introduces new perspectives on desire and longing, in and outside of the analytic relationship._ _This exciting volume explores the known and unknown, ghosts and demons, sexuality and lust. Galit Atlas discusses the subjects of sex and desire and explores what she terms the Enigmatic and the Pragmatic aspects of sexuality, longing, female desire, sexual inhibition, pregnancy, parenthood and creativity. The author focuses on the levels of communication that take place in (...) the most intimate settings: between mothers and their babies; between lovers; in the unconscious bond of two people— in the consulting room, where two individuals sit alone in one room, looking and listening, breathing and dreaming. Atlas examines the ways in which different languages, translations and integrations focus on birth, death, sexuality, and human bonds. In _The Enigma of Desire_ each chapter opens with a narrative, a therapeutic story which illustrates both the analyst’s and patient’s desires and the ways these interact and emerge in the consulting room. This book will be of interest to anyone who is interested in the intricacies of sex and desire and of great appeal to psychoanalysts, therapists and mental health professionals. (shrink)

Cardiovascular disease is the leading cause of death of women in the United States, yet cardiovascular research is disproportionately conducted using male human subjects and male animal models. This article deploys Katrina Hutchison’s (2019) analysis of gender disparity in clinical trials as a moral aggregation problem to address the problem of underrepresentation of women in cardiovascular research. I identify cost concerns, convenience, pregnancy, and negligence as potential reasons for the underrepresentation of women in CVD research. Finally, I suggest that (...) multilevel strategies will be needed to eliminate sex disparity in CVD research and improve patient care. (shrink)

Four issues relevant to sex differences in human aggression and violence are considered. (1) The motivation for play and serious aggression in children and juvenile animals is different. Consequently, the evolutionary explanations for each may be different. (2) Sex differences in intrasexual aggression may be due to effects of the attacker or the target. There is evidence that both males and females are more physically aggressive against males and less physically aggressive against females. The evolutionary explanation for each component of (...) the sex difference in intrasexual aggression may be different. (3) Aggression and violence are defined. The former is the attack, and the latter is the consequent injury or death. The evolutionary explanation for each may not be the same. (4) Most men and women are neither physically aggressive nor criminally violent. The evolutionary explanations of sex differences in aggression and violence should take this polymorphism into account. (shrink)