Even with a significant increase in representation of minority identities in popular media – especially in stories of speculative fiction – the ways in which inclusivity is designed must be examined, with Lovecraft Country standing as a useful example for this scrutiny. Adapted from a novel of the same name, the show Lovecraft Country swapped the genders and sexualities of a few characters from the book to increase representation. The ways that these swaps reified tropes about diverse identities (...) is the central concern of this analysis. Using Fields and Fields's conceptualization of racecraft as a "mental terrain of pervasive beliefs," this piece seeks to identify how pervasive beliefs and rules about identity were implicated in the series. The characters of Montrose Freeman, Ruby Baptiste, and Christina Braithwhite all undergo gender and/or sexuality swaps in the adaptation from page to screen, but the ways in which stereotypical assumptions around gender and sexuality are preserved in the narrative work mostly to reproduce negative tropes around these identities. This argument details narratives of violence, avoidance, and sacrifice that are given to these gender- and sexuality-swapped characters, and illustrates how, ultimately, these narratives provide detrimental instead of productive representation of diverse identities. (shrink)

Se realizó una investigación cualitativa, entre octubre de 2015 y junio de 2016, en la Casa de Abuelos No. 2 de Santa Clara con el objetivo de caracterizar la representación social de la sexualidad de los adultos mayores. Se seleccionó una muestra de 24 adultos mayores. Se utilizaron técnicas como: observación, entrevista, debate grupal, asociación de palabras, de cuestionamiento del núcleo central y la triangulación de datos. Como resultados se determinó que en la representación de la sexualidad se observó un (...) campo estructurado y un contenido que se aleja de su significado. Se concluyó que la representación social de la sexualidad de los adultos mayores se identificó con las relaciones sexuales, con el acto sexual. Las informaciones que poseen carecen de calidad y denotan un carácter prejuiciado y estereotipado. Manifestaron actitudes de rechazo hacia la sexualidad lo que se explicó por: el desconocimiento, la inadecuada relación entre sexualidad y reproducción, la existencia de prejuicios sociales y asociar el envejecimiento con la enfermedad. With the aim of characterizing the social representation of sexuality in senior citizens, a qualitative research was carried out from October 2015 to June 2016 in Grandparents House No. 2 in Santa Clara City. A sample of 24 people was selected. Methods such as observation, interview, group debate, words association, central core questioning technique and data triangulation were used. It was determined that in the representation of sexuality there is a structured field and a content that goes away from its meaning. Social representation of sexuality in senior citizens was identified with sexual relationships and with sexual intercourse. They lack quality information and show a prejudiced and stereotyped character. They expressed rejection attitudes towards sexuality which were based on: ignorance, inadequate connection between sexuality and reproduction, existence of social prejudice and association of aging with disease. (shrink)

“James Tiptree Jr.” is a pseudonym of Alice B. Sheldon, US Air Force intelligence officer, CIA analyst, experimental psychologist, and one of the most important and highly acclaimed science fiction writers of the twentieth century. Sheldon’s work as Tiptree deals with a variety of important feminist concerns—among them, sexism, misogyny, objectification, sexual assault, the “otherness” of women, and silencing. This paper explores in a philosophical mode some of the important insights about objectification conveyed in one of Tiptree’s most well-known (...) stories, “’And I Awoke and Found Me Here on the Cold Hill’s Side.” These insights lead naturally to a characterization of sexual objectification that both avoids problems with standard philosophical characterizations and also sheds important light on the relationship between objectification and silencing. (shrink)

This paper argues that current iterations of lesbian, gay, bisexual, transgender and intersex rights are limited by an overreliance on particular representations of sexuality, in which homosexuality is defined negatively through a binary of homosexual/heterosexual. The limits of these representations are explored in order to unpick the possibility of engaging in a form of sexuality politics that is grounded in difference rather than in sameness or opposition. The paper seeks to respond to Braidotti’s call for an “affirmative politics” that is (...) open to forms of creative, future-oriented action and that might serve to answer some of the more common criticisms of current LGBTI rights activism. (shrink)

This paper examines the representation of mental illness and mental disorder in the Washington Community Protection Act of 1990 (WCPA), the first package of sexual predator legislation passed in the United States. I focus on the public outcry over a violent crime committed by a repeat sexual offender, Earl Shriner, and show how the act was drafted in direct response to this outcry. Following his arrest, there was a public discussion of a) whether the state had a (...) responsibility to cure individuals like Shriner before releasing them, and b) whether sex offenders could be cured at all. The WCPA was a landmark law because it shifted forensic psychology in the use of sexual criminals from an intervention model to a containment model, from a model that sought to separate out those sexual criminals who could be treated to a model that separated out sexual criminals because they could not be treated. I demonstrate here that this shift was made in response to the representation of Earl Shriner as a member of a group classified by legislators as having a coherent, recognizable and untreatable mental disorder that caused them to commit acts of sexual violence. (shrink)

The text examines the representations of relationships, intimacy and love in virtual reality, based on a thematic analysis of a corpus of keyword-selected YouTube videos. The interest in this topic is driven by its status as a new phenomenon that challenges the very boundaries of our cultural understanding. These boundaries are situated at the nexus of real and virtual, identity and belonging, trust and infidelity. Given that virtual reality is not yet a mainstream phenomenon, the analysis is made at the (...) level of representations rather than practices. In general, the data highlight specific forms of reimagining the body and its agency in online environments. (shrink)

I argue that Alisa Carse's call for antipornography legislation sets a potentially dangerous legal move that could threaten to shut off the dialogue women need to redefine the meanings and terms of our sexualities. I also argue that the terms of legitimacy need to be re-examined outside a legal system that systematically fails to protect the rights of sexual minorities.

Leading scholars offer new readings of Degas1 representations of the family, prostitution, city life and leisure in which looking at women is shown to be a complex and ambiguous process. One major topic of the book is the encounter between feminism and art history. Having put images of women1 on the agenda of cultural analysis, feminist interventions in the theory and analysis of representation have created a diverse and intricate field of interpretation which now supersedes that formulation. These essays (...) challenge art history to confront issues of spectatorship, the interface of class and gender, identification and the politics of vision. This illustrated collection is thus a major contribution to debates on representation and sexuality. (shrink)

Background. Although genital sensations are an essential aspect of sexual behavior, the cortical somatosensory representation of genitalia in women and men remain poorly known and contradictory results have been reported. Objective. To conduct a systematic review of studies based on electrophysiological and functional neuroimaging studies, with the aim to identify insights brought by modern methods since the early descriptions of the sensory homunculus in the primary somatosensory cortex . Results. The review supports the interpretation that there are two (...) distinct representations of genital sensations in SI, one on the medial surface and the other on the lateral surface. In addition, the review suggests that the secondary somatosensory cortex and the posterior insula support a representation of the affective aspects of genital sensation. Conclusion. In view of the erogenous character of sensations originating in the genitalia, future studies on this topic should systematically assess qualitatively as well as quantitatively the sexually stimulating and/or sexually pleasurable characteristics of sensations felt by subjects in response to experimental stimuli. (shrink)

Media reflect and affect social understandings, beliefs, and values on many topics, including the lives of autistic and disabled people. Media analysis has garnered attention in the field of disability studies, which some scholars and activists consider a promising approach to discussing the experiences of – and for promoting social justice for – autistic people, who remain underrepresented on scripted television. Additionally, existing portrayals often rely on stereotyped representations of disabled individuals as objects of pity, objects of inspiration, or villains. (...) Television may also serve as a primary source of public knowledge about disabled people and the concept of disability. It is therefore essential that such portrayals avoid stigma and stereotyping. We take a disability studies lens to critically analyze and compare representations of diverse people, who may sometimes be conflated in the popular imaginary, across television series about autistic characters, those with cerebral palsy, and a character with fetal alcohol spectrum disorder. We employ an intersectional analytic framework to problematize representations of autistic and disabled people, using television, feminist, and critical disability studies literatures. We analyze how the formal structure of television storytelling can either enable or disable its characters, as well as how portrayals of disability that display a sensitivity to concerns raised by critical disability discourse do not necessarily display the same sensitivity when they intersect with marginalized experiences of gender, sexuality, race, and class. (shrink)

This enlightening book presents new perspectives on how women's bodies are viewed and absorbed in popular culture, and considers some of the ways in which the body is central to questions of women's sexual and other identities.

It is clear that philosophy has a “woman problem”. Despite the recent acceptance of this fact, it is less clear what ought to be done about it. In this paper, we argue that philosophy as a discipline is uniquely well-positioned to think through the marginalisation suffered by women and other minorities. We therefore interrogate two values that already undergird conversations about inclusion— representation and intersectionality—in order to think about the path ahead. We argue that, once we have done so, (...) it becomes clear that the slow pace of improvement over the last few decades is unacceptable and more radical steps need to be taken. First, we outline the current state of women in philosophy focusing on three areas: levels of employment, publishing, and sexual harassment. Then we turn to representation and intersectionality respectively. We conclude by arguing that many women and people of colour have been arguing for a more radically diverse philosophy for many years. What we are facing is a lack of ambition on the one hand and problem of attention on the other. (shrink)

The title of this book translates one of the many ways in which Lucretius in De rerum natura names the basic matter from which the world is made. In Lucretius, and in the strain of thought followed in this study, matter is always in motion, always differing from itself, and yet always also made of the same stuff. From the pious Lucy Hutchinson's all but complete translation of the Roman epic poem to Margaret Cavendish's repudiation of atomism, a central concern (...) of this book is how a thoroughgoing materialism can be read alongside other strains in the thought of the early modern period, particularly Christianity. In this light, Milton and Spenser are given close consideration. Although English literature is the book's main concern, it first contemplates relations between Lucretian matter and Pauline flesh by way of Tintoretto's painting The Conversion of St. Paul. Theoretical issues raised in the work of Agamben and Badiou, among others, lead to a chapter that takes up the role that Lucretius has played in theory, from Bergson and Marx to Foucault and Deleuze. This study should be of concern to students of religion and philosophy, gender and sexuality, especially as they impinge on questions of representation. (shrink)

The aim of this paper is to assert that any moral critique or political censorship of sexually violent imagery cannot be justified with reference to participants nor matters of taste. Rather, the present paper seeks to distinguish objectification and alienation and apply this distinction to the issue of the representation of sexual violence. Alienation is the morally problematic category because systems of domination and control determine the expressions and consumption of desires, but this means that the violence in (...) such material may well be a red herring. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 47, no. 1. © 2021 by Feminist Studies, Inc. 147 Eric Andrew James The Representational Necropolitics of Black Women in Zombie Dystopia Video Games Though Stuart Hall defends popular representation as an important terrain of political struggle, he also argues that images of difference are dominated by “racialized regimes of representation” manifest in stereotypes and invisibilities.1 These ensure that marginal identities are reduced, essentialized, and (...) rendered other. One of the most powerful tools for this form of silencing in the popular representation repertoire is the notion of an established genre. In US popular culture, creators and critics alike often position people who experience multiple layers of oppression as constitutively outside the expectations of existing genres. Their absence is attributable not simply to creator racism but also to that genre’s relationships to intersecting categories of difference and domination, such as race and gender. Beginning with the preponderance of representational violence in popular media, this article draws from existing work by feminists of color in order to model a critique of US representational precarity. To illustrate the political tensions in popular US culture, I stage my intervention into a medium whose industry has had particularly fraught struggles with representation: video gaming. There, I focus specifically on 1. Stuart Hall, “The Spectacle of the Other,” in Discourse Theory and Practice: A Reader, ed. Margaret Wetherell, Stephanie Taylor, and Simeon J. Yates. (London: Sage, 2001), 325–44. 148 Eric Andrew James recent attempts to represent Black women, whom the gaming industry has held up as emblematic of difference and diversity. 2 These attempts are marred by predictable disasters and pitfalls. In particular, I discuss how the representational politics of Black women in popular zombie dystopia games repeats a similar violence as the previous silencing of Black women in these spaces. The gaming industry’s struggles with representation in the wake of Gamergate are demonstrative of broader tensions in Black women’s representation in popular media. Thus, while I am focused on video games, I also intend this analysis to reflect on feminist studies of the relationship between genre and representation. I advance existing scholarship on video game representations of Blackness by theorizing violence enacted at the intersections of race, gender, and sexuality in game genres. Specifically, I position this intervention as a point of departure from TreaAndrea M. Russworm’s chapter in Gaming Representation: “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us.”3 This chapter provides a compelling critique of the relationship between the dystopian game genre and Black representation, highlighting the lack of self-reflexivity in mass-market representations of Blackness. Expanding this project by taking another look at her objects of study—The Last of Us (2013– 2014) and Telltale’s The Walking Dead (2012)—I argue that taking Black women’s multiple jeopardy as foundational to the zombie dystopia genre offers a deeper look at the grammars of representational violence. My use of multiple jeopardy refers to Deborah K. King’s theorization of how multiple layers of oppression exponentially multiply individual disadvantages. As King describes, “The modifier ‘multiple’ refers not only to several, simultaneous oppressions but to the multiplicative 2. AnnaMaria Jackson-Phelps, “Representation Matters: Positive Portrayals of Black Women in Video Games,” Medium, February 28, 2017, https:// medium.com/legendary-women/representation-matters-positive-portrayals -of-black-women-in-video-games-c96cf9f66fdf; Jef Rouner, “Would You Believe There Have Been Only 14 Playable Black Women in Gaming?” Houston Press, June 5, 2015, https://www.houstonpress.com/arts/would-you-believethere -have-been-only-14-playable-black-women-in-gaming-7484017. 3. TreaAndrea M. Russworm, “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us,” Gaming Representation: Race, Gender, and Sexuality in Video Games, ed. Jennifer Malkowski and TreaAndrea M. Russworm (Bloomington: Indiana University Press, 2017), 109–28. Eric Andrew James 149 relationships among them as well.”4 These layers of oppression are often contradictory and may leave no avenues for action; the expectations placed on one for their race become impossible to fulfill because of the contradictory expectations placed on them for their gender or sexuality. This multiple jeopardy thus introduces... (shrink)

L’article étudie les relations étroites, aux débuts de l’époque moderne, entre la représentation des femmes âgées et des sorcières, à partir du tableau de Hans Baldung, Les Trois Âges et la Mort. Il s’intéresse au cycle de vie féminin qui définit les femmes par rapport aux hommes comme vierges, mères, puis veuves. Il se penche en dernier lieu sur la peur qui entoure la sexualité des femmes âgées au début de l’époque moderne.

This study examines the representations of male and female social actors in selected Iranian EFL (English as a Foreign Language) textbooks. It is grounded in Critical Discourse Analysis and uses van Leeuwen’s Social Actor Network Model to analyze social actor representations in the gendered discourses of compulsory heterosexuality. Findings from the analysis show that the representations endorse the discourse of compulsory heterosexuality which is an institutionalized form of social practice in Iran. Three male and three female students were interviewed to (...) find out what they think about these representations. Their responses with regard to whether they think textbooks should also include representations of other forms of sexuality were non-committal and vague. To them LGBT people are the ‘‘Other’’ practicing a form of sexuality that is not normal. Such exclusions could obscure the reality regarding the existence of such gender identities and represent the world in a particular manner. (shrink)

Anatomy texts are seen as authoritative sources for knowledge about natural sex differences. The concepts of a natural, biological sex and of a natural difference are, however, increasingly difficult to sustain. A growing number of scholars have pointed to the fact that `sex' as much as `gender' is a historical and social construction. This article examines how the multiple-edition anatomy textbook, Gray's Anatomy, has portrayed the sexed body and male/female differences during the course of its publication, 1858 to the present, (...) focusing on specific parts of the anatomy, namely the sex organs or `organs of generation', the pelvis, the skull and the brain. An analysis of textual descriptions and graphic illustrations reveals that the male body has been the stable norm or standard against which the female body has been compared and implicitly judged as underdeveloped, weak or faulty. Only rarely has the male body been compared with the female body. Reflecting long-standing views about sexual complementarity and natural differences between men and women, some comparisons emphasize the reproductive functioning of females or imply that females are intellectually inferior. It would appear that the discipline of anatomy has remained largely immune from broader public debates about sexual inequality and gender representations. (shrink)

This essay examines media images of women in recent conflicts in the Middle East. From the Abu Ghraib prison abuses to protests in Iran, women have become the public face of violence, carried out and suffered. Women’s bodies are figured as sexual and violent, a potent combination that stirs public imagination and feeds into stereotypes of women as femme fatales or “bombshells.”.

This study brings together various images of enslaved women characterized as jawārī (sing. jāriya) across Fatimid visual culture to shed light on the frequency with which jawārī are represented in the corpus of Fatimid art and to offer an explanation for their ubiquity in the visual archive. This study argues that the oft-repeated visual motif of jawārī highlights the required visibility of enslaved women in Fatimid society. In addition to their labor being exploited as well as their bodies being sexually (...) accessible to their owners, jawārī were also visually available to those they served. In this sense, the jawārī represented in Fatimid visual culture became mere objects on the surface of objects, things on things, constructed to provide pleasurable experiences for their audiences – their owners, of course, but also members of elite society at large. Carved in wood and ivory, painted on ceramics and walls of architectural spaces, drawn on paper, and crafted in sculptural form, representations of jawārī sought to beautify physical and sexual labor, superimposing an aesthetic element on the representation of enslavement. Representations of jawārī thus reveal less about the day-to-day experience of enslaved women in the Fatimid world and more about the carefully constructed ideologies and desires undergirding enslavement in the period. Slavery and its images were therefore not hidden features of the Fatimid visual landscape but rather spectacles to be commodified, consumed, and enjoyed. (shrink)

War is a highly gendered experience which is both informed by and informs constructions of masculinity and femininity. The dominant depiction of masculine heroes and feminine victims simplifies the complex intersections of militarism, nationalism and gendered roles and identities. Focusing on a case study of the Anglo-Irish War or War of Independence (1919–1921), this paper examines how violence against women, especially sexual violence, was written about and reported in ways which framed representations of Irish and British masculinity and Irish (...) femininity. In addition, by analysing a range of varied sources including newspapers, autobiographical accounts and recorded testimonies, this paper attempts to assess the extent to which violence against women formed a key aspect of military practice in the war. In conclusion, I engage with some of the difficulties faced by researchers today in exploring evidence of gendered violence in specific historical, cultural and militarized contexts. (shrink)

The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing (...) on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form. (shrink)

Recently, scientific and popular press articles have begun to represent sex as a health-promoting activity. A number of scientific studies have identified possible health benefits of sexual activity, including increased lifespan and decreased risk of certain types of cancers. These scientific findings have been widely reported on in the popular press. This "sex for health" discourse claims that sexual activity leads to quantifiable physical and mental health benefits in areas not directly related to sexuality. Analyzing this discourse provides (...) an opportunity to better understand both broader health promotion discourses and current norms and anxieties about sexuality. In this article, I place this "sex for health" discourse within the context of broader health promotion discourses and within the context of a number of historical and contemporary discourses connecting health and sexuality. I argue that although the "sex for health" discourse may serve to de-stigmatize sexual activity for some, it may also increase pressure on others to be sexually active and may further pathologize sexual "dysfunction." In addition, these representations often serve to further privilege a normative form of sexual behavior - coitus in the context of a monogamous heterosexual partnership - at the expense of non-normative sexual desires, identities, and practices. (shrink)

This article examines and presents examples of contemporary advertising within the medical and health professions that continue the process and organisation of knowledge about women and their reproductive bodies. It draws on feminist and poststructural perspectives to inform a critical evaluation of the visual representations of menopausal women and hormone replacement therapy. These representations work to construct certain definitions of the feminine that sustain and support existing contradictory cultural meanings and values about menopause. I argue that the images continue to (...) misrepresent and define what forms of femininity and sexual gender are desirable and acceptable for menopausal women. The article addresses the problems of gender discrimination and bias within the advertising industry, and illustrates the ways in which readers of visual texts may be influenced by stereotypic assumptions concerning a woman's lived experience of menopause. It illustrates how specific symbolic images directed towards men and women for hormone replacement therapy, testosterone deficiency and sexual dysfunction influence the viewer's decision making and action responses. (shrink)

The plays written about AIDS in the past dozen years form a radical canon establishing gay men as the locus for public attention. These plays have been all but silent in their representation of women with AIDS. This article examines the marginalized women in early plays such as The Normal Heart and As Is, and the women more central to later plays such as The Baltimore Waltz, Before It Hits Home, and Patient A. It foregrounds some of the most (...) problematic issues surrounding the AIDS virus: the perception of women as vectors of disease for men and unborn children, the insistent representation of women as mothers and caregivers, and the denial of patterns of abuse, sexual exploitation, and poverty which contribute to the marginalization of woman and people of color. (shrink)

The evolution of human language, and the kind of thought the communication of which requires it, raises considerable explanatory challenges. These systems of representation constitute a radical discontinuity in the natural world. Even species closely related to our own appear incapable of either thought or talk with the recursive structure, generalized systematicity, and task-domain neutrality that characterize human talk and the thought it expresses. W. Tecumseh Fitch’s proposal (2004, in press) that human language is descended from a sexually selected, (...) prosodic proto-language that approximated its syntactic complexity, and later acquired semantics thanks to kin selection for its use as a means of pedagogical transmission, has the promise of meeting these explanatory challenges. However, Fitch’s theory raises two problems of its own: (1) according to Boyd and Richerson (1996, Proc. Br. Acad. 88: 77–93), circumstances in which pedagogy is adaptive are inevitably rare in nature, and (2) it is unlikely that our non-discursive precursors had generally systematic, task-domain neutral thoughts to communicate to their offspring. I propose solutions to these problems. Pedagogy would be favored in a population where complex rituals dominated diverse aspects of life. Prosodic proto-language could emerge as the medium of pedagogic transmission. As this medium was used to teach a greater variety of tasks, it would become increasingly general and domain neutral. The presence and importance of such a system of communication in hominid populations could then drive, via Baldwinian mechanisms, the evolution of a kind of ‘thinking for speaking’ (Slobin 1991, Pragmatics 1: 7–25) characterized by recursive structure, generalized systematicity, and task-domain neutrality. (shrink)

ABSTRACT Chemsex is a phenomenon in which typically gay, bisexual, trans, queer, and/or related communities of men take psychoactive drugs while having sex, often without a condom. The practice can lead to increased rates of HIV transmission, sexual assault, and in extreme cases murder. GBTQ+ men are already a stigmatised group so those who engage in chemsex face multiple stigmas. This study examines the ways that two types of media report on chemsex while negotiating these stigmas. We take a (...) large data set of newspaper articles written for the general British public and a smaller data set of magazines aimed at GBTQ+ men to examine how chemsex is represented in the media. We find that the mainstream press focus on extreme criminal cases involving chemsex, while the media aimed at GBTQ+ men focus on counselling services and discuss chemsex in relation to gay culture. Chemsex is unlikely to go away, and so we address how information about it is conveyed in different media and call for more research in this area. (shrink)

The performative representation of the Spanish Roma woman reveals a historical journey that brings her closer to many symbolic elaborations of the feminine, giving her a special affinity with the imaginary concerning the colonized woman, particularly with the Orientalist vision. Developed initially by the travelling intellectuals in Spain who sought a fusion of the topics of sexualized exoticism, the myth was reworked by local artists and thinkers without undermining their power to silence and make invisible the reality of the (...) most vulnerable and most represented members of the ethnic group, their women. Today, a growing awareness of the importance of collective action directs Roma women to initiatives such as the revision of their historical memory, at the intersection between the external gaze and self-perception. These searches lead to the pioneering creation of community museum institutions, which have arisen around feminine Roma associations and are a symptom of an emerging desire to be heard. Based on the terminological tools shared by women and memory studies, this article seeks the personal dimension of this invitation to listen. The authors analyse a series of interviews with Roma women that investigate the social agents of representation, self-representation and their conceptual and experiential foundations. (shrink)

This paper addresses the representation of violence in the film In the Land of Blood and Honey, which was directed by Angelina Jolie (2011). Internationally hailed, awarded but also hugely criticized, the film purports to be about rape camps where Muslim women were held and assaulted by Bosnian Serb forces during the Bosnian war. However, the film merges the story of rape camps with a story about a (sexual) relationship between an incarcerated Muslim woman and a Serb camp (...) commander. Our paper analyzes the cinematic tools used to tell these two stories, focusing on what is referred to as borrowing, and suggests that Jolie borrowed liberally to tell her story. The article focuses on three types of borrowing, cinematic, literary and experiential, and looks at three visual cinematic tropes obtained from Holocaust movies, Cold War movies, and ex-Yugoslav cinematic productions. It is concluded that the film recycles an already largely discarded narrative of “a history of ethnic hatred” as prime cause of war in the former Yugoslavia. The film’s director thus misses an opportunity to challenge the ethnicization of the region – something many local film directors have already successfully achieved. (shrink)

Recent decades have witnessed an increase in lesbian, gay, bisexual, transgender, queer and intersex visibility in the British media. Increased representation has not been equally distributed, however, as bisexuality remains an obscured sexual identity in discourses of sexuality. Through the use of diachronic corpus-based critical discourse analysis, this study seeks to uncover how bisexual people have been represented in the British press between 1957 and 2017. By specifically focusing on the discursive construction of bisexuality in The Times, the (...) results reveal how bisexual people are represented as existing primarily in discourses of the past or in fiction. The Times corpus also reveals significant variation in the lexical meaning of bisexual throughout the 60 years in question. These findings contribute to contemporary theories of bisexual erasure which posit that bisexual people are denied the same ontological status as monosexual identities, that is, homosexuality and heterosexuality. (shrink)

Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from Southern (...) and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the "other" in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well."--Jacket. (shrink)

A content analysis of 1,785 American ads and 1,467 Israeli ads maps the representation of violence in mainstream TV advertising in the two countries, finding violence present in 2.5% of the American commercials and in 1.5% of the Israeli commercials. The most frequently depicted conduct in the two countries is bare-handed assault. Sexual violence is not presented at all. A humorous mode of presentation is more frequent than a serious tone. The results are discussed from inter-cultural and intra-cultural (...) perspectives, taking regulation factors and public opinion implications into account. (shrink)

Motivated by the issues raised by the merging of women and machines in science fiction, this article explores gender representations in Spike film Her that discusses the interaction between a male human and a disembodied female whose consciousness is held in an artificial intelligence (AI) operating system. One of the primary questions regarding the representation of the female AI is whether the film encourages a feminist perspective, that promotes female subjectivity in the era of the post-human, or it ends (...) up perpetuating visions of women’s oppression and objectification. Visual representations are important when discussing gender binaries, as they can be related to the image and the physical sexual differences. However, the role of sound is also crucial, as it contributes to different readings. In my analysis, I examine the merging and unmerging of audio and visual in the film. The female voice is the focal point of the analysis. (shrink)

In this essay, I attempt to consider a difficult issue: the triangular relationship between the subject, the object and the visual representations of masculinity in the context of male homosexual desire. I outline contemporary circumstances of society’s interaction with popular culture in which gay men form two images of an idealized masculine body: a concept of their own body and a concept of the body they feel sexually attracted to. My concern is to theorize these two kinds of desire and (...) position them in the chaotic landscape of contesting masculinities that increasingly often besiege men via visual media. I differentiate between “straight” and “gay” masculinities as historically they have been represented and negotiated independently. What I want to reflect on is in what ways these masculinities can impact on gay men’s desires—to be a man, and to have a man. Approaching this task produces a rather puzzling picture as interpreting contemporary visual culture poses more questions than it gives answers. I argue that some of these questions are worth pursuing as an empirical inquiry. My objective is to provide a theoretical background such work could be based on. I locate elements of this theory that I find problematic or out-of-date and mention certain aspects of the problem that I believe could be addressed further. (shrink)

Consciousness, as a higher-order cognitive capacity allowing for the explicit representation of abstract mental states, might be the incidental byproduct of design features from other adaptive systems, such as those governing expansion of the frontal lobes in primates. Although such abilities may have occurred entirely by chance, the standardized entrenchment of this representational capacity in human cognition may have posed engineering dilemmas for natural selection in that consciousness could not be easily removed without disrupting the adaptive features of other (...) design solutions. If so, then those organisms saddled with the burden of higher-order representation by the occurrence of these chance events were suddenly assaulted with a series of social problems previously unencountered by any other species in evolutionary history. Such consciousness-based problems constituted enormous selective pressure for generating ancestrally adaptive psychological programs designed to cope with them. Each of these design solutions was, by necessity, generated and progressively pruned over an extraordinarily short span of geological time. In addition, these programs ran into conflict with more ancient primate social adaptations — such as those underlying sexual coercion and violence — that did not evolve to be sensitive to the epistemic positions of others. These mosaic processes have likely resulted in selection for innumerable algorithmic properties driving human-specific behaviors which are both proximally and ultimately caused by consciousness. Consciousness by itself should be classified as maladaptive; what is adaptive are those psychological programs in place to support its incidental and problematic arrival in the human brain. (shrink)

This article is an attempt to understand a phenomenon highlighted by French philosopher Michel Foucault in hisHistory of Sexuality, vols. 2 and 3, namely, that of the positive appreciation of ‘old age’ in the late period of the Roman Empire, particularly in Seneca’s Stoicism. The positive value in the latter’s representation and imagery of old age serves as a focal point of individuals’ existences in their entirety and as a magnetic pole in the lives of individuals who strive to (...) make works of art out of the raw material of their existences—something we call ‘self-building’ practices, following Foucault. Moving beyond his work, we will further show that late Stoicism’s representation of old age is marked by an intellectual and ethical effort to activate another—indeed, opposed—direction for the passage of time, usually experienced as a painful dereliction of self. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.2 (2001) 35-48 [Access article in PDF] Film, Freud, and ParanoiaDalí and the Representation of Male Desire in An Andalusian Dog Ignacio Javier López An Andalusian Dog, one of the most universally acclaimed films in cinema history, is frequently mentioned by critics as a privileged point of reference for the Surrealist rebellion. The film remains enigmatic to this day. Criticism has concentrated on the validity and effectiveness (...) of its images to exemplify the avant-garde attack against social conventions and against the exclusive dominance of rationality in epistemology and social discourse. But this contextual approach does not take account of the script's fragmented narrative, which finds support in Freud's psychoanalytical theories and articulates a radical proposal for identity and culture. Largely neglected by critics, this narrative has been highly influential in the history of cinema. An Andalusian Dog is central to a long list of films that explore different aspects of the irrational, among them Jean Cocteau's Le sang du poète, Hunt Stromberg's The Strange Woman, Guy Debord's script Howling in Favor of the Marquis de Sade, Alfred Hitchcock's Spellbound, David Lynch's Blue Velvet, Jonathan Demme's The Silence of the Lambs, and Philip Kaufman's Quills. This impressive list underscores the need for an interpretative critical effort that accounts for the authors' proposal in the context of the Surrealist reaction to convention and tradition.Conventionally An Andalusian Dog has been viewed as a film about sexuality; I suggest that sexuality appears in the film as the pretext for a discussion of the threat sexual desire poses for male identity. In this respect, the film develops ideas that begin to appear in paintings completed by Dalí after his initial contact with Freud's works in the mid-1920s. These paintings display male identity as a fragile form of subsistence unfolding between two alternate forces, desire and fear: the desire for sexual realization and the opposed fear that sexual intercourse will conclude in disease and ultimately in death. Given the scarcity of Buñuel's production prior to 1929, I suggest that Dalí's monumental production of paintings during these years served as a preliminary visual point of reference for the design of some of the images in An Andalusian Dog.By concentrating on Dalí's work, I do not mean to suggest that he deserves exclusive credit for the film; a careful examination of Buñuel's writings clearly indicates that the movie included most of his interests as well. Nonetheless, I would like to correct what has become a common trend in the study of An Andalusian Dog. In the early 1940s, Buñuel and Dalí's friendship came to an abrupt end, and in the following years each claimed sole authorship for the ideas in the film. The conflict between the two artists contaminated critical attitudes, which were guided exclusively by Buñuel's pre-1929 writings on cinema. The recurrence of images in the filmmaker's subsequent work was employed to confirm critics' initial intuitions that the film was exclusively Buñuel's. As a result, Dalí's name became increasingly dissociated from the movie, as is illustrated by the absence of the painter's name on the cover of the English edition of the script. However, the antagonism that separated the artists more than ten years after An [End Page 35] [Begin Page 37] Andalusian Dog premiered in Paris on June 6, 1929, should not be a consideration in our critical understanding of this work. Although Buñuel directed the movie and deserves to be recognized for his undeniable input, we should not forget that he eagerly sought the painter's cooperation in writing the script. Moreover, contrary to Buñuel's later practice of frequently altering the initial script during the course of the film's production, An Andalusian Dog closely follows the original plan. This furthers the idea of the importance of Dalí's contribution, and, despite the opposing claims made by both artists in later years, it certainly appears... (shrink)

Hebbian mechanisms are justified according to their functional utility in an evolutionary sense. The selective advantage of correlating content-contingent stimuli reflects the putative common cause of temporally or spatially contiguous inputs. The selective consequences of such correlations are discussed by using examples from the evolution of signal form in sexual selection and model-mimic coevolution. We suggest that evolutionary justification might be considered in addition to neurophysiology plansibility when constructing representational models.

Muslim migrants are the counter-figures through whom the modern Western identity is shaped. In Islamophobic discourses, they are constructed as inherently sexist and homophobic. In this ideological context, queer migrants coming from Muslim countries occupy an intersectional social location between Islamophobia and homophobia. In this paper we analyze the cinematic representation of queer migrants living in Europe coming from Muslim backgrounds. The aim of the paper is to analyze whether the films reproduce or subvert the Western “gay narrative”. The (...) corpus of analysis is made up of 19 films which were studied through a process of categorization of the relevant fragments in a matrix. The films are classified in three categories according to their approach. The first gathers those films that hold an assimilationist discourse, according to which queer migrants should embrace the Western “gay narrative” and abandon the values of the communities of origin. In the second category, the films propose a hybrid perspective in which characters merge elements from both the country of residence and the cultural background of origin in the exploration of their sexuality and gender. The films in the third category revolve around a metaphorical relationship between a queer migrant and a native person, promoting a reflection on the possibilities of transformative encounters that break the boundaries between supposedly opposed social groups. (shrink)

La première loi envisageant de mobiliser les femmes en cas de guerre est mise en application en 1939 en France et des femmes s’engagent pour la première fois dans l’Armée française au début de la Seconde Guerre mondiale. De 1939 à 1962, la France est en guerre sans discontinuer et les effectifs militaires féminins ne cessent d’augmenter. Cette présence féminine dans un bastion masculin, par excellence, engendre de nombreux débats et questionnements. Ces femmes doivent affronter de lourdes critiques et briser (...) les préjugés dont elles sont l’objet. Peinant à être reconnues comme militaires à part entière, les pionnières de la féminisation de l’Armée intriguent. Les médecins, les politiques mais aussi la presse et la société portent sur elles un regard très contrasté. Générant mythes et fantasmes, leur identité féminine et sexuelle est souvent remise en question. (shrink)