This is the first English-language intellectual biography of the German-Jewish philosopher Ernst Cassirer (1874-1945), a leading figure on the Weimar intellectual scene and one of the last and finest representatives of the liberal-idealist ...

In lieu of an abstract, here is a brief excerpt of the content:The Strange Death of British IdealismEdward SkidelskyIIn 1958, the Oxford philosopher G. J. Warnock opened his survey of twentieth-century English philosophy with some disparaging comments on British Idealism. It was, he writes, "an exotic in the English scene, the product of a quite recent revolution in ways of thought due primarily to German influences." Analytic philosophy, by contrast, represents a return to the venerable lineage of British empiricism, as (...) Bertrand Russell "symbolically joins hands" with his godfather John Stuart Mill. "Hume and Berkley would have been sadly puzzled by the pages of Bradley, to say nothing of Hegel's. But either might have conversed quite naturally with Moore, and with Russell too, at least in his less technical moments."1All this is rhetoric rather than history. Russell can be called the inheritor of Mill only with respect to his political and social attitudes; his main philosophical endeavour—the establishment of mathematics on a priori foundations—ran diametrically opposed to Mill. And Hume and Berkley would have been just as sadly puzzled by Moore's analysis of language—an activity they both regarded as the defining vice of scholasticism—as by anything in Bradley.Warnock's error has proved remarkably persistent. Only recently, thanks largely to the work of Peter Hylton, has the anti-empiricist, Platonist character of Russell's early thought been properly appreciated.2 I do not intend, in what follows, to retrace these philosophical arguments. My question is historical. It concerns the role of national feeling, first in the demise of Idealism after the First World War, and later in the interpretation of that demise after the Second. With regard to first question, I argue that the rejection of Idealism in Britain was in no sense [End Page 41] a reassertion of national tradition. The opposite is closer to the truth; the change in philosophical fashion was primarily a consequence of a widespread revulsion against nationalism following World War I. That this was later misinterpreted owes largely—and this is my second claim—to the very different climate prevailing in Britain after World War II. If in the twenties the British reserved their scorn for "Prussian militarism," in the fifties everything associated with Germany, its philosophy included, was viewed as irredeemably tainted. Analytic philosophy tried to present itself as a home-grown product, with deep roots in the English empiricist tradition. This partly accounts for the change in style from the highly technical scientism of Russell and the logical positivists to the concern with "ordinary language" characteristic of post-war Oxford philosophy. The fact that most of analytic philosophy's continental exponents were forced by Hitler into British or American exile assisted in the process of its naturalisation. Within a decade, it was possible to regard "analytic" and "Anglo-Saxon" philosophy as synonyms.Warnock's mistake now becomes easier to understand. He has interpreted the early twentieth century in the light of the post-war period, coming to the conclusion that Moore and Russell's rejection of Idealism was a reassertion of English national tradition. He has condensed fifty years of history into a single moment. I intend in what follows to pull apart the stages that Warnock has concertinaed together, demonstrating that national feeling played a far more complex and contradictory role in the history of British philosophy.IIOn one point Warnock is correct: Idealism did not perish of refutation. "Metaphysical systems do not yield...," he writes, "to frontal attack. Their odd property of being demonstrable only, so to speak, from within confers on them also a high resistance to attack from outside.... Such systems are much more vulnerable to ennui than to disproof" (Warnock, pp. 10–11). The claim of Russell and Moore to have "refuted" Bradley is regarded with scepticism by most recent commentators. Idealism, they point out, rested on something more substantial than a mere failure of logic or common-sense, and was therefore not vulnerable to the kind of simple knock-down arguments advanced by Russell and Moore. The causes of its decline must be sought elsewhere, in the broader cultural and political tendencies of the age.Had Russell and Moore's arguments been truly knock-down... (shrink)

This paper argues that happiness and pleasure are distinct states of mind because they stand in a distinct logical relation to belief. Roughly, being happy about a state of affairs s implies that one believes that s satisfies the description ‘s’ and that it is in some way good, whereas taking pleasure in s does not. In particular, Fred Feldman's analysis of happiness in terms of attitudinal pleasure overlooks this distinction.

I argue that the project of moral enhancement is incipiently contradictory. All our judgements of human excellence and deficiency rest on what I call the human “form of life”, meaning that a radical transformation of this form of life, such as is envisioned by advocates of moral enhancement, would undermine the basis of those judgements. It follows that the project of moral enhancement is self-defeating: its fulfilment would spell the abolition of the very conditions that allow us to describe it (...) as an “enhancement”. (shrink)

It is often claimed that the core moral concepts are universal, though the words used to articulate them have changed significantly. I reject this claim. Concepts cannot be disentangled from words; as these latter change, they change too. Thus the philosophical analysis of moral concepts cannot overlook the history of the words by which these concepts have been expressed. In the second part of the essay, I illustrate this claim with the example of happiness, showing how its original ‘verdictive’ meaning (...) was overlaid, in the course of the sixteenth and seventeenth centuries, with a new psychological sense. Knowledge of this history should make us cautious, I suggest in conclusion, of narrowly psychological accounts of happiness. (shrink)

The Invention of Market Freedom, Eric MacGilvray , 216 pp., $94 cloth, $26.99 paper.What Money Can't Buy: The Moral Limits of Markets, Michael Sandel , 256 pp., $27 cloth, $15 paper.Money: The Unauthorised Biography, Felix Martin , 336 pp., £20 cloth, £9.99 paper.Money has always inspired obsession, both in those who amass it and in those who think about it. “Man will never be able to know what money is any more than he will be able to know what God (...) is,” wrote the French financier Marcel Labordère to his friend John Maynard Keynes. The analogy is apt. Money, like God, injects infinity into human desires. To love it is to embark on a journey without end. (shrink)

In 1973, the philosopher George Dickie proposed an ingenious new answer to the old question: what is art? Arthood, he suggested, is not an intrinsic property of objects, but a status conferred upon them by the institutions of the art world. He accordingly attached an exemplary significance to works like Duchamp's urinal, whose very lack of intrinsic distinction focuses our attention upon their institutional context. But his theory was about art in general, and not just readymades. ‘I am not claiming (...) that Duchamp and his friends invented the conferring of the status of art; they simply used an existing institutional device in an unusual way.’. (shrink)

Modern economics does not have much use for the classical scheme of virtues and vices. Yet, it appears to recognise prudence, or something lying in the same general region as prudence. In classical philosophy, prudence is the virtue of practical rationality, or rationality in action. Economics too has a theory of rationality in action. This paper asks if this is a good theory – if the actions prescribed by economics are indeed the actions that an ideally prudent counsellor would prescribe. (...) As I argue in what follows, there is reason to think that they are not, and the reason is to be traced back to the crucial dimension of time that is neglected in the economic theory of rational action. (shrink)

Defenders of happiness surveys often claim that individuals are infallible judges of their own happiness. I argue that this claim is untrue. Happiness, like other emotions, has three features that make it vulnerable to introspective error: it is dispositional, it is intentional, and it is publically manifest. Other defenders of the survey method claim, more modestly, that individuals are in general reliable judges of their own happiness. I argue that this is probably true, but that it limits what happiness surveys (...) might tell us, for the very claim that people are reliable judges of their own happiness implies that we already have a measure of how happy they are, independent of self-reports. Happiness surveys may help us extend and refine this prior measure, but they cannot, on pain of unintelligibility, supplant it altogether. (shrink)

Some recently-proposed counterexamples to the traditional definition of essential property do not require a separate logic of essence. Instead, the examples can be analysed in terms of the logic and theory of abstract objects. This theory distinguishes between abstract and ordinary objects, and provides a general analysis of the essential properties of both kinds of object. The claim ‘x has F necessarily’ becomes ambiguous in the case of abstract objects, and in the case of ordinary objects there are various ways (...) to make the definition of ‘F is essential to x’ more fine-grained. Consequently, the traditional definition of essential property for abstract objects in terms of modal notions is not correct, and for ordinary objects the relationship between essential properties and modality, once properly understood, addresses the counterexample. (shrink)

In recent times various books have suggested building a healthier economics on Aristotelian foundations. They often rely on Scott Meikle’s accurate study of Aristotle’s Economic Thought. For example, we can mention James Alvey’s A Short History of Ethics and Economics. The Greeks, Spencer Pack’s Aristotle, Adam Smith and Karl Marx, and Irene van Staveren’s The Values of Economics: An Aristotelian Perspective which stresses the need for inserting the values of justice, freedom and care into economics. Andrew Yuengert’s The Boundaries of (...) Technique is based on Aristotle and Aquinas conceptions of human action. Yuengert has also published Approximating Prudence: Aristotelian Practical Wisdom and Economic Models of Choice. James Halteman and Edd Noell’s book about the relevance of ethics for economics, Reckoning with Markets also deals with Aristotle’s economic thought. The proposal of a new book of Robert and Edward Skidelsky, How Much is Enough? is also highly based on Aristotle’s notion of the good life. This paper will briefly detect what are the Aristotelian concepts mostly used by these authors and the reason why they are returning to Aristotle. (shrink)

Erwin Panofsky explicitly states that the first half of the opening chapter of Studies in Iconology—his landmark American publication of 1939—contains ‘the revised content of a methodological article published by the writer in 1932’, which is now translated for the first time in this issue of Critical Inquiry.1 That article, published in the philosophical journal Logos, is among his most important works. First, it marks the apogee of his series of philosophically reflective essays on how to do art history,2 that (...) reach back, via a couple of major pieces on Alois Riegl, to the 1915 essay on Heinrich Wölfflin.3 Under the influence of his colleague at Hamburg Ernst Cassirer, the principal interpreter of Kant in the 1920s, Panofsky from 1915 on exhibits in his work ever more Kantian thinking and language.4 But Logos was not an art-historical review or one dedicated to aesthetics but a principal mainstream journal of the philosophy of culture. So ‘On the Problem of Describing and Interpreting Works of the Visual Arts’ has a good claim to be the culmination of Panofsky's philosophical thinking in his German period under the Weimar Republic. · 1. Erwin Panofsky, Studies in Iconology: Humanistic Themes in the Art of the Renaissance , p. xv; hereafter abbreviated SI. See Panofsky, ‘Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst’, Logos 21 : 103–19; trans. Jaś Elsner and Katharina Lorenz under the title ‘On the Problem of Describing and Interpreting Works of the Visual Arts’, Critical Inquiry 38 : 467–82; hereafter abbreviated ‘P’.· 2. See the discussion in Carlo Ginzburg, ‘From Aby Warburg to E. H. Gombrich: A Problem of Method’, Myths, Emblems, Clues, trans. John and Anne C. Tedeschi , pp. 17–59, esp. pp. 36–41.· 3. See Panofsky, ‘Das Problem des Stils in der bildenden Kunst’, Deutschsprachige Aufsätze, ed. Karen Michels and Martin Warnke, 2 vols. , 2:1009–18; ‘Der Begriff des Kunstwollens’,Deutschsprachige Aufsätze, 2:1019–34, trans. Kenneth J. Northcott and Joel Snyder under the title ‘The Concept of Artistic Volition’, Critical Inquiry 8 : 17–33; and ‘Über das Verhältnis der Kunstgeschichte zur Kunsttheorie: Ein Beitrag zu der Erörterung über die Möglichkeit kunstwissenschaftlicher Grundbegriffe’, Deutschsprachige Aufsätze, 2: 1035–63, trans. Lorenz and Elsner under the title ‘On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art’, Critical Inquiry 35 : 43–71.· 4. On neo-Kantianism in pre-Nazi Germany, see Michael Friedman, A Parting of the Ways: Carnap, Cassirer, and Heidegger , pp. 25–37; Éric Dufour and T. Z. R. Créteil, ‘Le Statue du singulier: Kant et le néokantisme de l’École de Marbourg', Kantstudien 93 : 324–50; Edward Skidelsky, Ernst Cassirer: The Last Philosopher of Culture , pp. 22–51; and Peter E. Gordon, Continental Divide: Heidegger, Cassirer, Davos , pp. 52–86. Specifically on the Cassirerian Kantianism of Panofsky, see Michael Podro, The Critical Historians of Art , pp. 181–82; Michael Ann Holly, Panofsky and the Foundations of Art History , pp. 91–92, 147–52; Silvia Ferretti, Cassirer, Panofsky, and Warburg: Symbol, Art, and History, trans. Richard Pierce , pp. 174–77, 182–84; David Summers, ‘Meaning in the Visual Arts as a Humanistic Discipline’, in Meaning in the Visual Arts: Views from the Outside, ed. Irving Lavin , pp. 9–24; Mark A. Cheetham, Kant, Art, and Art History: Moments of Discipline , pp. 68–77; Paul Crowther, The Transhistorical Image: Philosophizing Art and Its History , pp. 70–73; Allister Neher, ‘“The Concept of Kunstwollen”, Neo-Kantianism, and Erwin Panofsky's Early Art Theoretical Essays', Word and Image 20 : 41–51; Georges Didi-Huberman,Confronting Images: Questioning the Ends of a Certain History of Art, trans. John Goodman , pp. 4–6, 90–138; and Lorenz and Elsner, ‘Translators’ Introduction', Critical Inquiry35 : 33–42, esp. pp. 38, 40–42. (shrink)

Wright, Ken Review of: How much is Enough?: Money and the good life, by Robert and Edward Skidelsky, Other Press, New York, 2012, x + 241 pp., $20.07.

Samantha Matherne has written an excellent, timely introduction to the thought of Ernst Cassirer, the brilliant polymath who was the last representative of the “Marburg school” of neo-Kantianism, and who is well-known for wrangling a wide range of cultural phenomena into a system of “symbolic forms.” Despite Cassirer’s recent rise in prominence in the English-speaking philosophical world, there is only one other single-volume survey of his thought in English, Edward Skidelsky’s Ernst Cassirer. Matherne’s book has the merit of (...) helping to shore up this scholarly gap, and of providing a clear and succinct presentation of the philosophical system that... (shrink)

Discusses Indian Buddhist philosophy in three phases of its development.

The emergence of the German Jewish philosopher Ernst Cassirer as the object of scholarly attention has been both surprising and rapid. In the decades since his early death while in exile in the United States, Cassirer never fell into complete oblivion. His works remained known to specialists in German intellectual history; his participation in a famous 1929 debate with Martin Heidegger in Davos, Switzerland, one of the most iconic moments in modern Continental thought, made his name familiar to most students (...) of modern philosophy. Yet Cassirer lacked the widespread recognition given to contemporaries such as Heidegger or Walter Benjamin, and his work never became the center of historical or philosophical study. This neglect stemmed, in part, from dismissal by his peers; as Edward Skidelsky explains in his new study, Rudolf Carnap found him “rather pastoral,” Isaiah Berlin dismissed him as “serenely innocent,” and Theodor Adorno thought he was “totally gaga”. The last few years, however, have seen the rise of a remarkable new interest in Cassirer in both Germany and the English-speaking world. Among this recent literature, Edward Skidelsky's and Peter Gordon's works lead the small “Cassirer renaissance” and offer the best English-language introduction to his thought. Both Gordon and Skidelsky ambitiously seek to relocate Cassirer at the forefront of modern German and European thought. Gordon goes as far as to call him “one of the greatest philosophers and intellectual historians to emerge from the cultural ferment of modern Germany” and one of the most important thinkers of the twentieth century. In making such bold statements, Gordon and Skidelsky clearly set their sights beyond the person himself; they aspire to highlight a central strand of thought that enjoyed a powerful presence in early twentieth-century Germany but fell into neglect in the postwar era. In doing so, they seek to reevaluate the nature and legacy of Weimar thought, its complex relationship with the period's unstable politics, and its relevance today. (shrink)

The author engages a question raised about theories of nonexistent objects. The question concerns the way names of fictional characters, when analyzed as names which denote nonexistent objects, acquire their denotations. Since nonexistent objects cannot causally interact with existent objects, it is thought that we cannot appeal to a `dubbing' or a `baptism'. The question is, therefore, what is the starting point of the chain? The answer is that storytellings are to be thought of as extended baptisms, and the details (...) of this response receive attention in the paper. Once the storytelling is complete, and the characters have been baptized, a priori metaphysical principles linking the storytelling with the realm of nonexistent objects provide the referential, non-causal connection between the names used in the storytelling and the objects denoted by such names. [This is the original English version of an article that first appeared in German translation, translated into German by Arnold Günther and published in the Zeitschrift für Semiotik 9/1-2 (1987): 85-95. The version that appears here is, for the most part, unaltered.]. (shrink)

This essay explores the vexed issue of individual corporeal substance in Descartes' natural philosophy. Although Descartes' often referred to individual material objects as separate substances, the constraints on his definitions of matter and substance would seem to favor the opposite view; namely, that there exists only one corporeal substance, the plenum. In contrast to this standard interpretation, however, it will be demonstrated that Descartes' hypotheses make a fairly convincing case for the existence of individual material substances; and the key to (...) this new found individuation is a long neglected set of passages in the Principles of Philosophy. (shrink)

Exploring the power of spontaneity, an ancient Chinese virtue, this book, based on new research in psychology and neuroscience, reveals why it is essential to individual and societal well-being.

This original book brings together some of the world's leading critics of economics orthodoxy to debate Lawson's contribution to the economics literature.

One of the strongest arguments for the incompatibility of divine foreknowledge and human free action appeals to the apparent fixity or necessity of the past. Two leading responses to the argument—Ockhamism, which denies a premiss of the argument, and the so-called “eternity solution”, which holds that strictly speaking God does not have foreknowledge—have both come under attack on similar grounds. Neither response, it is alleged, is adequate to the case of divine prophecy. In this paper I shall first state the (...) argument in question and the two responses to it. I shall then consider objections to these responses, focusing primarily on how they deal with prophecy. (shrink)

This paper discusses certain conceptual tensions in a set of archeological texts from the Warring States period, the Guodian corpus. One of the central themes of the Guodian corpus is the disanalogy between spontaneous, natural familial relationships and artificial political relationships. This is problematic because, like many early Chinese texts, the Guodian corpus believes that political relationships must come to be characterized by unselfconsciousness and spontaneity if social order is to prevail. This tension will be compared to my earlier work (...) on the “paradox of wu-wei (effortless action),” and the Guodian corpus’ “solution” to the problem of teaching spontaneity—drawing upon the transformative power of music—will be placed within the landscape of early “Confucian” and “Daoist” theories concerning human nature and self-cultivation. (shrink)