On Christian philosophy in comparison with philosophies of other religions.

On the contribution of Tamils to Indian philosophy.

Lectures on Hindu philosophy; with reference to Tamil literature.

Illustrations: 14 B/w Illustrations Description: Tamil Siddhas hav ebeen known as iconoclastic in their writings and tendencies. Here this misunderstanding is cleared and correct knowledge of the writings is given. For the first time also, the writings is given. For the first time also, the das adiksa and gymnosophy of the Tamil Siddhas are adumberated here in a new light, which the students of the Tamil Siddhas will appreciate. The author has attempted, successfully to prove some of (...) the concepts and the Yogic practices of the Siddhas by quoting from the Upanisads and explaining them. The modern discoveries and medicla science have helped him to assert the scientific and medical qualities of the prescriptiosn of the Siddhas for perfect health and steady spiritual progress. If the world of humanity today still carried a semblance of peace and well-being. It is by the Grace and Guidance of these Elders, the Siddha Brotherhood. May their Grace continue to guide humanity is the prayer in this study. (shrink)

Articles on philosophy of Tamil society based on Tamil literature, by a Marxist author and critic.

Study on elements of Hindu philosophy and ethics in Tamil Vaishnava and Saivite literature.

The Purūravac-cakkiravartti-katai, “The Story of Emperor Purūravas,” is a pre-modern Tamil folk telling of the ancient Urvaśī-Purūravas legend. The classical narrative of King Purūravas of the Lunar Dynasty tells about his love affair with the celestial nymph Urvaśī, their tragic separation, and final reunion. The PCK follows the classical narrative closely, but interposes a long account of other exploits of Purūravas, which do not appear in any of the Sanskrit tellings of the story. In this supplement, which I call (...) “The Tamil Life of Purūravas,” Purūravas faces a tragic chain of unavoidable events, but eventually restores his former status through meditation and devotion. A comparative examination of the two parts of the text, that is, the classical narrative and the Tamil Life, shows that the latter generates an inverted mirror image of the fundamental notions implied in the classical narrative. The outcome of this structure is a shift in the ideological tendencies of the narrative toward a local ethos and popular religious notions. The PCK is thus shown to be a field of cultural negotiations, in which opposing ideologies contend for superiority, and its structure can be regarded as a transformative mechanism applied by local and popular cultural forms to enable appropriation of classical narrative traditions. (shrink)

Philosophy of Tamils in the context of Indian philosophy.

Tamil Love Poetry: The Five Hundred Short Poems of the Aiṅkurunūru. By Martha Ann Selby. Translations from the Asian Classics. New York: Columbia University Press, 2011. Pp. 195 + xii. $84.50 cloth; $27.50.

Tamil: A Biography. By David Shulman. Cambridge, Mass.: Belknap Press of Harvard University Press, 2016. Pp. xii + 402.

The writing of literary histories of Tamil literature coincided with the practice of history itself as a discipline starting in the late nineteenth century. The historiographical practices conflated Tamil literary history, religious history, as well as notions of the Tamil nation, which led to such works becoming vitally important legitimising narratives that established the claim of self-defining groups within a new Tamil modernity. The absence of such a narrative also meant the erasure of a particular group, (...) identifying itself as a caste or religious unit, or both, from Tamil history. It is in the light of these cultural and political stakes that we must view the textual and hermeneutical strategies of an old, Tamil, religious group, the Śrīvaiṣṇavas, to position themselves anew in the mid-twentieth century, in what they saw with anxiety as a Tamil, Ṡaiva Age. (shrink)

The Tirumantiram, believed to have been written in midfirst millennium CE, is regarded as the tenth of the twelve volumes of the Śaiva Tamil canon Paṇṇiru Tirumuṟai used in worship in Śiva temples all over Tamilnadu. The Tirumantiram is a collection of approximately 3100 verses in lucid Tamil written by Tirumūlar, regarded variously as a ŚaivaSiddhānta yogi, a nātha yogi, and a tāntric. Tirumūlar’s verses form the basis of the Tamil ŚaivaSiddhānta philosophy; they also deal with tantra (...) and yoga. Unlike other ŚaivaSiddhānta texts, the Tirumantiram elaborates on aṣṭāṅga yoga like in the yoga sūtras of Patañjali; it further goes on to describe several āsanas and prāṇāyāma in elaborate detail. Acknowledging that classical and modern scholarship on yoga have paid scant attention to the work of Tirumūlar, this essay provides an insight into Tirumūlar’s legacy. It compares the aṣṭāṇga yoga of Tirumūlar framed in the context of ŚaivaSiddhānta with the approach of Patañjali. It also shows the continuity of the Tirumūlar tradition in the framework of bhakti literature and in the context of the earlier Tamil approach to āsanas. It establishes that no narrative on yoga is complete without acknowledging the enduring contribution of Tirumūlar. (shrink)

Between Preservation and Recreation: Tamil Traditions of Commentary. Edited by Eva Wilden. École Française d’Extrême-Orient Collection Indologie, vol. 109. Pondichéry: Institut Français de Pondichéry / École Française d’Extrême-Orient, 2009. Pp. xiv + 319.

Ancient Fortifications of the Tamil Country as Recorded in Eighteenth-Century French Plans. By Jean Deloche. Collection Indologie, vol. 120. Pondicherry: Institut Français De Pondichery, École Française D’Extreme-Orient, 2013. Pp. 139, 111 photos, 41 figs., 6 pls.

On philosophy and intellectual tradition of Tamils.

Having shown previously how a culture type can be given a unitary description in terms of a semiotic “lens” constrained by one of the Peircean Categories (“Shamanic” culture, by Firstness), we apply this methodology to a more “fine-grained” level of analysis, by comparing the Tamil and Sinhalese cultures under the assumption that one of them (Sinhalese) is in fact a “hybrid” culture-sign. Having shown in previous work that the greater South Asian microculture may be characterized as a Firstness of (...) Thirdness (13), in this paper we provide evidence from a variety of semiotic contexts, including language, art, and religion, that the novel or “intrusive” sign in Sinhalese culture is Firstness of Secondness (12), resulting in a hybrid culture sign that may be described as 12 × 13. (shrink)

The Jains and their texts play a key role in the literary histories of the Tamil-speaking region. However, in their modern form, dating from 1856 to the present, these histories have been written almost exclusively by non-Jains. Driving their efforts have been agendas such as cultural evolutionism, Dravidian nationalism or Śaiva devotionalism. This essay builds on ideas articulated by the contemporary Tamil theorist K. Civatampi, examining how various models of periodization have frozen the Jains in the ancient past. (...) Further, it will explore how this unfolding historical drama, which gloriously climaxes in Tamil literature, has attributed the Jains, as dramatis personae , merely a role in early Jain texts; their role as communities transmitting these texts has been ignored. In contrast to this typical pattern, this article will also introduce a literary history written in 1941 by the Jain A. Cakravarti Nāyaṉār (1880–1960). It will explore whether or not his voice, which emerged from within the same academic community contributing to the strange absence of Jains in the contemporary awareness of Tamil literary, was successful in finding another way for Jains of being heard, and for non-Jains, of listening. (shrink)

U. Vē. Cāminātaiyar (1885–1942) is arguably one of the most influential figures of the so-called “Tamil Renaissance” of the nineteenth and early twentieth centuries; his work has profoundly shaped the study of Tamil literature, both in India and the Euro-American academy, for more than a century. Among his many literary works is a long and incomplete autobiographical treatise known as Eṉ Carittiram , literally “My Life Story,” initially published in 122 installments between 1940 and 1942. What little scholarly (...) attention this fascinating autobiographical narrative has received thus far has largely read the text as an artless, transparent documenting of South Indian literary culture in the late nineteenth century. Yet the text reveals substantial rhetorical art on close reading. Greater attention to Cāminātaiyar’s specific context and probable concerns when composing (and publicly publishing) Eṉ Carittiram suggests alternative ways of reading Tamil literary history and those texts that he first made widely available. (shrink)

This book provides a social history of the Tamil Jainas, a minority community living in Tamil Nadu in south India. It holds special significance in the method of studying the community, living in villages of Tamil Nadu and retrieving their perspectives on their past. This is a new approach in terms of historiography from extant works on Jainism in south India. A major feature of this book is the hitherto uncovered aspect of the question of language and (...) identity, caste and the modern socio-political movements in Tamil Nadu, such as the Self-Respect Movement (initiated by 'Periyar'), in which some Tamil Jainas were active participants. Special features in the book include photographs of the community and monuments, maps, and a unique style, which combines a journalistic approach and academic historical research. This book is of interest to readers of Tamil language and history, and to anyone working on the idea of politics of marginalisation of religious identities, ide as of memory, and community narratives of shared history in the face of religious persecution. (shrink)

Based primarily on original sources in Tamil as well as interviews, the article seeks to portray the attitude of Tamil Dalit intellectuals and political leaders towards the question of religion. It seeks to discover the role of religion in their discourse and how they utilise religious matters to mobilise their fellow caste members. It maps their efforts to distance themselves from Hinduism and to propagate the particularity of Dalit deities and Dalit religion as a part of their newly (...) constructed identity. Their opinions on the possibility of conversion are also briefly noted. These attitudes are examined from the viewpoint of the differing emancipation strategies of the three major Tamil Dalit castes. The Paraiyar as well as the Arunthaiyar leaders try to reject the Hindu identity, though the common folk consider themselves to be Hindus. The Devendrars on the contrary associate themselves with the Hindu gods and Hindu temples, they claim direct connection with some of them. Even they, however, tend to emphasise particularity of their deities as a part of their identity building. (shrink)

The author analyses the change in the Tamil Śaiva bhakti concept of corporeality showing that understanding the body of a bhakta as the main obstacle to connecting with the body of Śiva based on the attitude of rejecting one's corporeality has much in common with Buddhist and Jain ideas about the body. Therefore, the main task of the bhakta was to liberate from his body, its elimination or transformation (remelting the physical body as an impure body, as an obstacle (...) body on the way to union with God). They solved this task in various ways, including various practices of ecstatic behaviour and self-harm. The concept of kaya siddhi put forward by Tirumūlar is the idea of a perfect body, potentially immortal and homologous to the body of Śiva. He also formulated and developed sophisticated techniques for using the physical body of a sādhaka as the primary tool for achieving liberation based on yoga techniques and working with the mind of an adept. The result achieved was presented in the description of Tirumūlar's own mystical experience. As a result, he achieved the state of the super material body of yoga-deha, the ideal of which is the manifest body of Śiva as Naṭarāja. The new iconography of Naṭarāja formed in the visionary insights of bhaktas, who described their darśans in their hymns. Then it became the basis for forming a new iconology of Naṭarāja and the cult of images of the bhaktas themselves embodied in the intensive temple construction of the Chola Empire. In combination with new ritual practices, the Tamil philosophy of Śaivism had formed as a tripartite religious and philosophical canon of Śaiva Siddhānta. This canon included the poetic canon of Śaiva bhakti (Paṉṉiru Tirumuṟai), the agamic temple ritual, and 14 philosophical treatises of Śaiva Siddhānta (Meikaṇṭar Shastras). (shrink)