This paper explores moments of democratising disorderliness that interrupt a vision of the sublime as a particular ordering of subjectivity. Situated within the context of the Narmada movement against the construction of the Sardar Sarovar Dam in India in the mid-1990s, it argues that sublime regimes and ‘counter-sublime’ insurgences draw their energies from the figures of the dam and the bund, respectively. Where the dam’s walls establish the horizons of visibility, of who counts as subject, the bund’s curved surfaces reveal (...) a pluralising depth that folds the visible with/in the invisible, constituting the possibility of novel modes of seeing/subjectification. Working through oral histories, films, images, archival materials and ethnographic studies alongside the work of Foucault and the later Merleau-Ponty, the paper argues that the Narmada movement enacts a counter-sublime that contests the invisibility imposed by the dam in favour of an imbrication of the human and non-human disclosing radically different constellations of visibility and subjectification. (shrink)

To succeed, we posit that research cartography will require high-throughput natural description to identify unknown unknowns in a particular design space. High-throughput natural description, the systematic collection and annotation of representative corpora of real-world stimuli, faces logistical challenges, but these can be overcome by solutions that are deployed in the later stages of integrative experiment design.

In lieu of an abstract, here is a brief excerpt of the content:“Nos faysoms contre Nature...”: Fourteenth-Century Sophismata and the Musical Avant GardeDorit TanayThe secular musical repertory of the late fourteenth century has been described in terms of unparalleled rhythmic intricacies, reflecting a conscious tendency to exhaust the scope of free play within the parameter of time in music. 1 Historians of music see in such musical complexity a case of a musical system in disarray, to be explained by patterns (...) that seem always adequate to account for phases of aberration from stylistic norm, such as the notions of mannerism or fin de siècle phenomenon, understood literally as well as figuratively. 2Current views seem to echo contemporaneous observations. The late fourteenth-century poet-musician Guido cast his critique on what he interprets as a shift towards chaotic musical expression, in a form of an introspective ballade:Or voit tout en aventure Puis qu’ainsi me convient fayre A la novelle figure Qui doyt a chascun desplayre; Que c’est trestout en contraire De bon art qui est parfayt: Certes, ce n’est pas bien fayt. [End Page 29]Nos faysoms contre Nature De ce qu’est bien fayt deffayre; Que Philipe qui mais ne dure Nos dona boin exemplaire. Nos laisons tous ses afayres Por Marquet le contrefayt: Certes, ce n’est pas bien fayt. L’art de Marquet n’a mesureN’onques rien ne sait parfyre; D’ansuir et de portrayre C’est trop grant outrecuidure Ces figures, et tout traire Ou il n’a riens de bon trayt: Certes, ce n’est pas bien fayt. 3Curiously enough, Guido set his ballade to a melody that evokes some of the obscenities deplored in the poem. The musical text displays needless complication, being notated by deceitful figures that are willful, misleading, and difficult to decipher and follow. 4 The literary text, similarly, diversifies words in a vein of irony and ambiguity, clouding any indication as to whether the speaker is for or against the new style. In other words Guido’s esthetic position is sophistic, self-amused, and self-conscious.Since artistic expressions are generally conceived as reflecting their consumers, late-medieval chansons have been interpreted as a manifestation of the incredibly decadent yet sophisticated social milieu in which and for which the music was created. To ground further the argument for the correspondence between the countenance of the music and that of its audience, historians invoke the proximity in time and space between the evolution of the manneristic musical style, significantly in Avignon, and the Great Schism (1378–1417) that [End Page 30] followed the Babylonian Captivity. This famous crisis in the papal reign has been associated with a strong tendency to secularization in the papal Court, by which life styles became luxurious if not licentious. 5This socio-historical account is based on suggestive conjectures, comprising in part explanatory commonplaces. No direct relation can be established between the “Great Schism” or the specific social condition, of Avignon and the most refined music of the late fourteenth century. Furthermore, the claim of the above social account for a contextual approach is misleading. In fact no solid immanent relations are shown to exist between a complex, quasi-degenerate society on the one hand, and the intricate rhythms of the music on the other. The attribution of complexity in the broadest sense of the term does not satisfy our curiosity as to the possible interdependence between style and society. Interestingly enough, as far as late fourteenth-century chansons style is concerned, such an association can even be countered, considering the coincidental cultivation of the new simple style in the complex and decadent Burgundian courts of the waning Middle Ages. 6Here I propose to examine the late fourteenth-century musical style not on the background of social procedures but in the context of fourteenth century scientific thought, and to demonstrate immanent and structural cohesion between a compositional trend that features manipulations within the dimension of musical time and the sciences which investigate the properties of time qua continuum. This affinity concerns a parallel, yet not a completely overlapping, development directed towards the ultimate refinement of the notion of mensura. In other words we are dealing here... (shrink)

Since its birth in 1600 opera has been interpreted as an attempt to revive Greek tragedies in its marvelous music. Its provocative presentation of action and narration entirely in music has been seen as a manifestation of the enchanted universe of sixteenth-century hermeticism. Viewed as a final homage to the magical incantations of the premodern era, late Renaissance operas have been interpreted as the culmination rather than the dissolution of Renaissance culture. This paper proposes that the relationship between the natural (...) and the supernatural in early opera represents a rational mediation between the real and the unreal rather than an enchanted bond between these realms. The paper situates the birth of opera in the context of the epistemological shift of the new science and suggests that opera played a key role in the transition from the old to the modern notions of meaning and truth. (shrink)

The ArgumentThe paper argues that the distinction between modernism and postmodernism can be applied metaphorically to clarify the changing image of music during the late Middle Ages. The paper discusses the scientific and rational strategies that thirteenth century musical theorists applied to revise earlier musical conceptualization. It highlights the thirteenth-century innovative affiliation of music with Aristotelian physics and argues that in a very subtle and seemingly contradictory way music theorists expressed the nascent awareness, if not tacit acknowledgment, of the mundane (...) nature of music. It argues further that in the fourteenth century the issue of representing musical-rhythmical variability by means of a suitable language shifted to the forefront of musical theory and practice. The unprecedented emphasis on musical signs and their semantic behavior as well as the demand to demystify the discourse about rhythmical concepts — so as to question the necessity of metacategories — all point to an affinity between fourteenth century musical thought and postmodern sensibilities. (shrink)

Assembled with skill and sensitivity, this selection of brief and incisive quotations range from religion and theology, personal and social ethics, service, and international and political affairs, to the family, education, culture, Indian problems, and Gandhi's most original concept, satyagraha - group nonviolent direct action. Some quotes from this book: Ahimsa is the highest ideal. It is meant for the brave, never for the cowardly. Eating for the sake of pleasure is a sin like animal indulgence for the sake (...) of it. The real meaning of economic equality is 'to each according to his need'. Without prayer there is no inward peace. (shrink)

v. 1. The Jain philosophy, collected and edited by Bhagu F. Karbari.

Hind Swaraj is Mahatma Gandhi's fundamental work. Not only is it key to understanding his life and thoughts, but also the politics of South Asia in the first half of the twentieth century. Celebrating 100 years since Hind Swaraj was first published in a newspaper, this centenary edition includes a new Preface and Editor's Introduction, as well as a new chapter on 'Gandhi and the 'Four Canonical Aims of Life''. The volume presents a critical edition of the 1910 (...) text of Hind Swaraj, fully annotated and including Gandhi's own Preface and Foreword (not found in other editions). Anthony J. Parel sets the work in its historical and political contexts and analyses the significance of Gandhi's experiences in England and South Africa. The second part of the volume contains some of Gandhi's other writings, including his correspondence with Tolstoy and Nehru. (shrink)

In a reflective and richly entertaining piece from 1979, Doug Hofstadter playfully imagined a conversation between ‘Achilles’ and an anthill (the eponymous ‘Aunt Hillary’), in which he famously explored many ideas and themes related to cognition and consciousness. For Hofstadter, the anthill is able to carry on a conversation because the ants that compose it play roughly the same role that neurons play in human languaging; unfortunately, Hofstadter’s work is notably short on detail suggesting how this magic might be achieved1. (...) Conversely in this paper - finally reifying Hofstadter’s imagination - we demonstrate how populations of simple ant-like creatures can be organised to solve complex problems; problems that involve the use of forward planning and strategy. Specifically we will demonstrate that populations of such creatures can be configured to play a strategically strong - though tactically weak - game of HeX (a complex strategic game).We subsequently demonstrate how tactical play can be improved by introducing a form of forward planning instantiated via multiple populations of agents; a technique that can be compared to the dynamics of interacting populations of social insects via the concept of meta-population. In this way although, pace Hofstadter, we do not establish that a meta-population of ants could actually hold a conversation with Achilles, we do successfully introduce Aunt Hillary to the complex, seductive charms of HeX. (shrink)

Upshot: Albeit mostly supportive of our work, the commentaries we received highlighted a few points that deserve additional explanation, with regard to the notion of learning in our model, the relationship between our model and the brain, as well as the notion of anticipation. This open discussion emphasizes the need for toy computer models, to fuel theoretical discussion and prevent business-as-usual from getting in the way of new ideas.

Context: Constructivist approaches to cognition have mostly been descriptive, and now face the challenge of specifying the mechanisms that may support the acquisition of knowledge. Departing from cognitivism, however, requires the development of a new functional framework that will support causal, powerful and goal-directed behavior in the context of the interaction between the organism and the environment. Problem: The properties affecting the computational power of this interaction are, however, unclear, and may include partial information from the environment, exploration, distributed processing (...) and aggregation of information, emergence of knowledge and directedness towards relevant information. Method: We posit that one path towards such a framework may be grounded in these properties, supported by dynamical systems. To assess this hypothesis, we describe computational models inspired from swarm intelligence, which we use as a metaphor to explore the practical implications of the properties highlighted. Results: Our results demonstrate that these properties may serve as the basis for complex operations, yielding the elaboration of knowledge and goal-directed behavior. Implications: This work highlights aspects of interaction that we believe ought to be taken into account when characterizing the possible mechanisms underlying cognition. The scope of the models we describe cannot go beyond that of a metaphor, however, and future work, theoretical and experimental, is required for further insight into the functional role of interaction with the environment for the elaboration of complex behavior. Constructivist content: Inspiration for this work stems from the constructivist impetus to account for knowledge acquisition based on interaction. (shrink)

All Men Are Brothers is a compelling and unique collection of Gandhi's most trenchant writings on nonviolence, especially in the context of a post-nuclear world. This compendium, which reads like a traditional book - "Gandhi without tears" - is drawn from a wide range of his reflections on world peace. "It is not that I am incapable of anger, but I succeed on almost all occasions to keep my feelings under control. Such a struggle leaves one stronger for (...) it. The more I work at this, the more I feel delight in my life, the delight in the scheme of the universe. It gives me a peace and a meaning of the mysteries of nature that I have no power to describe.">. (shrink)

Scarce resource allocation policies vary across the United States. Little is known about regional variation in resource allocation protocols and variation in their application. We sought to evaluat...

Hypnosis is associated with profound changes in conscious experience and is increasingly used as a cognitive tool to explore neuropsychological processes. Studies of this sort typically employ suggestions following a hypnotic induction to produce changes in perceptual experience and motor control. It is not clear, however, to what extent the induction procedure serves to facilitate suggested phenomena. This study investigated the effect on suggestibility of a hypnotic induction and labelling that procedure ‘hypnosis.’ Suggestibility of participants was tested before and after (...) an adapted hypnotic procedure, which was either labelled as ‘hypnosis’ or as ‘relaxation.’ The hypnotic procedure produced a modest increase in suggestibility when it was called ‘relaxation,’ but a very significant increase if it was labelled ‘hypnosis.’ The results are important for both clinical and experimental applications and indicate that labelling an induction procedure ‘hypnosis’ is an important determinant of subsequent responses to suggestion. (shrink)

Europeans and Americans tend to hold the opinion that democracy is a uniquely Western inheritance, but in _The Common Cause_, Leela Gandhi recovers stories of an alternate version, describing a transnational history of democracy in the first half of the twentieth century through the lens of ethics in the broad sense of disciplined self-fashioning. Gandhi identifies a shared culture of perfectionism across imperialism, fascism, and liberalism—an ethic that excluded the ordinary and unexceptional. But, she also illuminates an ethic (...) of moral imperfectionism, a set of anticolonial, antifascist practices devoted to ordinariness and abnegation that ranged from doomed mutinies in the Indian military to Mahatma Gandhi’s spiritual discipline. Reframing the way we think about some of the most consequential political events of the era, Gandhi presents moral imperfectionism as the lost tradition of global democratic thought and offers it to us as a key to democracy’s future. In doing so, she defends democracy as a shared art of living on the other side of perfection and mounts a postcolonial appeal for an ethics of becoming common. (shrink)

The drives of white nationalism in the US and Hindu nationalism in India are found to be significantly similar in aim and methods. Witnessed in two large nations that are alike too in diversity and in constitutions, the two drives violate statutory norms as also the norms of democracy and equality acknowledged by the world. Contrasting these drives with Gandhi’s vision of partnership and mutual respect among communities and races is illuminating. It may be seen, in addition, that both (...) white nationalism and Hindu nationalism rest on a falsification of history. Stirring up and employing a sentiment of majority victimhood, and another sentiment of dislike for the minority “other,” the two drives present a challenge to all who regard humanity as one and human beings as equal. (shrink)

Text, with extensive interpretive notes, of Maṅgala prabhāta, a treatise on ethics by Mahatma Gandhi, 1869-1948, Indian statesman.

'those who say that religion has nothing to do with politics do not know what religion means' Mahatma Gandhi was a profound and original thinker as well as one of the most influential figures in the history of the twentieth century. A religious and social reformer, he became a notable leader in the Indian nationalist movement, made famous for his advocacy of non-violent civil resistance. His many and varied writings are essentially responses to the specific challenges he faced, and (...) they show his maturing ideas and political will, as well as his spirituality and humanity, over several decades. This new selection demonstrates how his thinking was truly radical, dealing with problems from the roots upwards: in the lives of individuals, of societies, and of political structures. It underlines the supreme importance of non-violence, and Gandhi's unique and unrealized vision of a new India after the departure of the British. (shrink)

These are both critical as well as constructive, and thus inspire the reader to be a better Hindu and a better citizen of India and the world.

Amartya Sen's teeming account of an ecumenical life lived across three continents and over nine decades, in the interstices of colonial encounter, takes the reader on an intimate journey through some of the most significant global, intellectual, and historical events of the second half of the twentieth and early twenty-first centuries. We learn of Sen's formative years at Rabindranath Tagore's Shantiniketan University (he was named by the sage himself), and of the lasting impact of the Bengal Famine of 1943 on (...) his oeuvre and outlook. At Cambridge (where Sen was a student and later master of Trinity College, becoming the first Asian head of an Oxbridge college), his interlocuters included Edward Morgan Forster and Piero Sraffa—the Italian economist who reputedly catalyzed Wittgenstein's later work by scratching his (own) chin with an upward sweep to communicate a non-verbal “form of life” expletive. Sraffa and the Marxian Maurice Dobb, among others, fueled Sen's interest in welfare economics at a time when the discipline was all about capital and growth. Several chapters also point to the little-known impact of the ancient Indic renunciatory tradition on Sen's dazzling, counterintuitive vision of economics as an ethical enterprise, more concerned with living well than with factors of capital growth or prosperity as such. “Even though economic growth is important,” Sen writes, “the single-minded pursuit of it... is terrible... for people's quality of life.” A good life gains more substantially from opportunities for the development of existential capabilities. This insight is at the heart of Sen's modified social choice theory. He tells us that it was fully anticipated and realized in ascetic outlooks that proliferated around the fifth century BCE across the Eastern Gangetic Plain, incorporating parts of modern Bihar, Nepal, and Bengal (proximate stomping grounds of Sen's childhood and early youth). It's worth lingering on this point.The German philosopher, Karl Jaspers—a winner of the Peace Prize of the German Book Trade, awarded to Sen as well in 2020—discerned early signs of non-Western modernity in these subcontinental ascetic philosophies, instigated by eccentric proponents, such as Kashyapa the elder, Makkali of the cowshed, Ajita of the hairshirt, and Vardhamana Mahavira and Siddhartha Gautama, the more reputable founders of Jainism and Buddhism, respectively. By modernity, Jaspers means individual self-sufficiency, in the Kantian sense: a dissociative freedom from the paraphernalia of law, custom, habitual observances, and the lives and examples of others. Sen agrees and disagrees. In his reading, the Indic enlightenment tradition pioneered by the Buddha and his contemporaries calls for critical yet compassionate coexistence, points of reentry into, rather than rupture from, the mainstay of human interaction. Buddhist asceticism (much like Sen's brand of economics) takes the suffering of the destitute as a conceptual springboard. Its proposal to end suffering—or capability-deprivation, in Sen's formulation—through the liberation of transformative resources for living well (agencies and choices) is revealed only in the company of others, on plural ground (to follow Sen's thinking about justice) and as a program of joint action. The program is thwarted by systemic inequality and interpersonal intolerance when, for example, interest groups (identified by gender, race, religion, caste, sexuality, and so on) insist on privileged distance or divergence from other groups.Sen's memoir tempts us to imagine the earliest Buddhist disciples in his own likeness: fearless, free, highly sociable, brimful of curiosity and clarity, a touch impatient, compassionate, tolerant, restless, immeasurably sane. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], which is itself (...) a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

A couple and their five‐year‐old daughter are in a car accident. The parents are not expected to survive. The child is transported to a children's hospital, and urgent treatment decisions must be made. Whom should the attending physician approach to make decisions for the child? When such cases arise in, for example, the hospitals where we work, the social worker or chaplain is instructed to use the Illinois Health Care Surrogacy Act as a guidepost to identify a decision‐maker. But in (...) our state and the country overall, the limitations of such statutes leave hospital workers to make a judgment call among friends, family, and clergy who may come forward. While surrogate decision‐making statutes comprehensively address surrogate decision‐makers for adults, a patchwork of laws—permanency statutes, kinship provider statutes, standby guardianship statutes, and, in some cases, surrogate decision‐making statutes—provide variable decision‐making pathways for children. (shrink)

Live streaming is a unique form of media that creates a direct line of interaction between streamers and viewers. While previous research has explored the social motivations of those who stream and watch streams in the gaming community, there is a lack of research that investigates intimate self-disclosure in this context, such as discussing sensitive topics like mental health on platforms such as Twitch.tv. This study aims to explore discussions about mental health in gaming live streams to better understand how (...) people perceive discussions of mental health in this new media context. The context of live streaming is particularly interesting as it facilitates social interactions that are masspersonal in nature: the streamer broadcasts to a larger, mostly unknown audience, but can also interact in a personal way with viewers. In this study, we interviewed Twitch viewers about the streamers they view, how and to what extent they discuss mental health on their channels in relation to gaming, how other viewers reacted to these discussions, and what they think about live streams, gaming-focused or otherwise, as a medium for mental health discussions. Through these interviews, our team was able to establish a baseline of user perception of mental health in gaming communities on Twitch that extends our understanding of how social media and live streaming can be used for mental health conversations. Our first research question unraveled that mental health discussions happen in a variety of ways on Twitch, including during gaming streams, Just Chatting talks, and through the stream chat. Our second research question showed that streamers handle mental health conversations on their channels in a variety of ways. These depend on how they have built their channel, which subsequently impacts how viewers perceive mental health. Lastly, we learned that viewers’ reactions to mental health discussions depend on their motivations for watching the stream such as learning about the game, being entertained, and more. We found that more discussions about mental health on Twitch led to some viewers being more cautious when talking about mental health to show understanding. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...) made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In the recent past, it was common to hear complaints about the paucity of biographies on South Asian historical subjects. During the last few years, the situati.