The purpose of this article is to provide a broad overview and analysis of the evolution of natural theology in response to influential critiques raised against it. I identify eight main lines of critique against natural theology, and analyze how the defenders of different types of natural theology differ in their responses to these critiques, leading into several very different forms of natural theology. Based on the amount and quality of discussion that exists, I argue that simply referring to the (...) critiques of Hume, Kant, Darwin, and Barth should no longer be regarded as sufficient to settle the debate over natural theology. (shrink)

“Intelligent Design” (ID) is a contemporary intellectual movement arguing that there is scientific evidence for the existence of some sort of creator. Its proponents see ID as a scientific research program and as a way to build a bridge between science and theology, while many critics see it merely as a repackaged form of religiously motivated creationism: both bad science and bad theology. In this article, I offer a close reading of the ID movement's critique of theistic evolutionism and argue (...) that this critique is ultimately in tension with the movement's broader thought. (shrink)

Summary It is usually supposed that biological design arguments are made obsolete by Darwinian evolutionary theory. However, philosopher Alvin Plantinga and others have defended the continued possibility of a rational “design discourse”, in which biological order is taken as a sign of God’s purposeful action. In this article, I consider two objections to design discourse: a theological objection to biological design based on the problem of natural evil, and the evolutionary objection, according to which evolutionary theory removes the justification for (...) any biological design perception. Whereas Plantinga’s own response utilizes the arguments of the Intelligent Design movement, I argue in favor of utilizing “design discourse” as part of a theistic evolutionist view. (shrink)

Although ecumenical dialogue has highlighted many commonalities between Protestants, Catholics, and Orthodox, many issues still remain contentious. One often recurring suspicion is that the Protestant idea of sola scriptura inevitably leads to an individualistic religiosity, neglecting the importance of the divinely guided Christian tradition and Christian church teaching for understanding the Bible. In this article, I relate this critique to the idea of “epistemic egoism”, as defined by Linda Zagzebski, and develop an alternative Protestant social epistemology based on tradition as (...) the “democracy of the dead”, error-corrected by sola scriptura. I test this Protestant theological epistemology against two recent criticisms: (1) the “Conciliar Argument Against Protestantism” (CAAP), arguing that Protestantism fails to provide consistent criteria for valuing conciliar authority as a guide to biblical interpretation, and (2) the “Scriptural Argument Against Dogmatic Protestantism”, arguing that sola scriptura, when understood in light of theological disagreement, ultimately becomes self-refuting in the absence of properly guiding theological authority. I argue, however, that sola scriptura is compatible with assigning an important epistemic role to both tradition and community, and that Protestant principles of theological reasoning can be defended further using recent theories in social epistemology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 46, no. 1. © 2020 by Abby Minor 103 JUMP ROPE CHANT: A CURE FOR ALL KINDS OF STOMACH ACHES, ca. 2000 BCE–ca. 2000 CE Abby Minor Happy are those who stand in a field at night and hear the double rainbows land, or clap the gaps that RHYTHM makes, or shout to the beat of grasses; They are like trees planted by streams of water, (...) which yield their fruit in its season, & their leaps & their leaves & their feet do not wither, they leap up in the morning singing, in all that they do they chant, and jump, and are singing: “Blood root, hair pin, lupine, clover, watermints and cinnamon, a pencil, myrrh, poplar, juniper, copper water, whiskey, cotton root, snake root, savin, wire,  Clap your hands, all you peoples. —Psalm 47.1 104 Abby Minor wallflower, gunpowder, emeralds, myrtle, tonic of geranium, lace seeds, soap, bone stay, coltsfoot, catheters, quinine, a hoop bound with oil-silk, a hat pin, oak—” I chant a long time I chant from within a hollow place I chant all colors of cohosh Instantly as dawn clips green & white, I chant to dissolve separate parts I jump backwards and I chant So that you may bathe your feet in blood, it was in the Psalms, it’s what God does it might be a rain dance it will come to you like a beautiful cigar filled with fine leaves like the fine feet of a deer cleft in gold leaves Like rhythm a hair pin, rhythm a hat pin, rhythm a knitting hook, rhythm a nail RHYTHM makes my feet like the feet of a deer. I chant rosemary so assiduous I chant pennyroyal forever most poisonous I chant intransigence and double rainbows pop on the sidewalks of the cosmos, double Abby Minor 105 Dutch ropes spin like twin rivers, there I am planted like a tree by the water, like an outrider dropping fire into the ropes: I will kick up my heels seven times there will be a noise and the seed will fall out on the ground shouting, “Date palms, dancing, anise, trillium, turpentine, scissors, silphium, rum, cundums, pomegranate, pearlash, iron, foot baths, borax, birthwort, rue, wormwood, fern root, fig leaf, sneezing, a small ball of sheep’s wool, smart weed, brass, blackberries, goldbeaters, button hooks, hawthorn, womb veil, vinegar, saffron, glass—” If you try our hearts, RHYTHM, if you visit us by night; if I forget which is my left hand and which is your right— just let it be me; psalmist, you, a trace of blood. Me, muscle, 106 Abby Minor you, myrrh. Or you jumping, me rope. Me mirrorstep, you leave your dark prints on the light. Me ambush, you flood. Me bloodthirsty, you a smaller blood. You bloodthirsty, me myrrh. Me fortress, you a tent for the sun. Me splendor, you go on and on. Me hat pin, me flood. You poetry, me a clapping tree, or me poetry and you nothing at all. I say to RHYTHM, “You are my Rhythm, I have no song apart from you and I could never tell just where the sole leaves the sidewalk and turns into the smallest lit pause popped, suspended above shoe shadow; I could never say whether I’m the jumper picking up her knees or the turner planted so still save for her hands— and what pilots her hands, pilot, if not you, if not her hands? If not the offbeat, the bows of light we pattern, Rhythm which is both the rivet and what’s held: like rhythm a hair pin, rhythm a hat pin, rhythm a knitting hook, rhythm a nail Abby Minor 107 RHYTHM makes my feet like the feet of a deer. Now I chant the bitter melon fruit who lights up darkness and my feet do not grow weary writing RHYTHM on the sidewalk lighting incense in the bathtub filled with gin in which I lay chanting like the singers in front, like the musicians last, like the girls between them playing tambourines: Rhythm make a riot Rhythm eat a bee Rhythm use a chicken feather & make a joyful noise Praise Rhythm with mint & astringents with spearmints & syringes with pipes, pen handles, mercury... (shrink)

Methodological naturalism, the exclusion of the supernatural from the natural sciences, has drawn critique from both proponents of Intelligent Design and some philosophical naturalists who argue that the methods of science can also be used to evaluate supernatural claims. One principal objection to methodological naturalism has been what I call the truth seeking objection. In this article I develop an understanding of methodological naturalism capable of answering the truth seeking objection. I further also argue that methodological naturalism as a convention (...) of science can be best defended by abandoning scientism. In this way methodological naturalism can be reconnected to the original theistic context in which it was first developed. (shrink)

This paper examines the legal and ethical aspects of traceback testing, a process in which patients who have been previously diagnosed with ovarian cancer are identified and offered genetic testing so that their family members can be informed of their genetic risk and can also choose to undergo testing. Specifically, this analysis examines the ethical and legal limits in implementing traceback testing in cases when the patient is deceased and can no longer consent to genetic testing.

Vollmer, modifying the transposition by Fr. Jacobs of 61–74 after 24, placed these lines after 23; this finally put paid to the reading exordiar astus, which the authority of the Aldine edition had imposed on the early editors, and consequently v. 24 could no longer be taken as concluding the sense of the preceding lines.

The article is motivated by a growing interest to solve local problems by infusing indigenous knowledge systems. It discusses the strained interface between religious and political actors using a local brand of theology, termed bindepinde [stout rope] theology. This theology is based on a local fable told to children, on how a Hare abused Hippopotamus and Elephant using a tethering rope. The folk story is taken as a metaphor in which Hare represents the sly politician abusing the (...) class='Hi'>rope to control Hippopotamus and Elephant, representing religious actors. Though Zimbabwe has a special place in this research, the research has shown that politicians act as third forces the world over. Religious entities often act as fodder for the progress of political demagogues, whose egos are legitimised by competing religious ideologies. Many religious bodies inadvertently enable politicians, thinking that they are fulfilling their own mandates. The article proposes negotiated versions of liberation theology and synodality as possible ways of overcoming inadvertent scaffolding of bindepinde theology. It concludes that while it may be difficult to tame the politician, it may be worthwhile to minimise the damage by making him focus more on the common good. Contribution: This article contributes bindepinde brand of theology as an indigenous theory of knowledge in the area of religio-political dialogue. The bindepinde theology has proved applicable to various contexts globally, where it thrives on dualism. Its mitigation lies in Kairos theology. (shrink)

This article explores the way in which the generative capacity of language inflects objects and props in several films by Alfred Hitchcock, focusing in particular on Rope (1948) and Strangers on a Train (1951). Camera angle and framing, the duration of the shot, the close-up or the long shot – all give shape to the filmed object. But why is language – or its absence – not mentioned among the set of operations that determines cinematic objects? In the form (...) of dialogue or imaged writing (words or letters visible in the frame), it notably contextualizes the object in Hitchcock's films. Language in relation to objects can be punning; it can extend the image, evoking another, unimaged object through the use of rhyme, and it may act as a verbal solution to a puzzle. When imaged as writing, language is materialized, itself an object. At their most macabre, Hitchcock films stage an oscillation between a word's literal and figurative use, generating an undertext that extends beyond the joke the film's surface makes available. This discussion teases out several functions of language in Hitchcock films as it impacts the viewer's understanding of objects, moments when language creates undertexts that are clearly intentional but resist interpretation. (shrink)

During his philosophical career Karl Popper sought to characterize natural laws alternately as strictly universal and as 'naturally' or 'physically' necessary statements. In this paper we argue that neither characterization does what Popper claimed and sketch a reconstruction of his views that avoids some of their major drawbacks.

This is a piece written for interdisciplinary audiences and contains very little philosophy. It looks into whether, or in what sense, pains and pleasures are emotions.