SummaryThe relationship between travel, travel narrative, and the enterprise of natural history is explored, focusing on activities associated with the early Royal Society. In an era of expanding travel, for colonial, diplomatic, trade, and missionary purposes, reports of nature's effects proliferated, both in oral and written forms. Naturalists intent on compiling a comprehensive history of such phenomena, and making them useful in the process, readily incorporated these reports into their work. They went further by trying to direct the (...) course of travel to suit their ends, but the complex story of how travel influenced the direction of study cannot be told without acknowledging the influence of objects acquired in a random fashion, arriving in a miscellany off returning ships. Travel writing complemented the activity of documenting nature's history, supplementing the range of available testimony. Such accounts of travel became an accepted source for information, cross-references, and queries, ostensibly eliminating error and advancing knowledge. The difficulty of identifying and classifying objects added to the importance of these reports; furthermore, the scope for attending to prodigies created the grounds for accepting tales of marvels and monsters. The fluid exchange between travel, narrative, and natural history often masked rather than exposed problems of belief, testimony, and evidence, perpetuating an economy of error in which knowledge was both advanced and retarded. (shrink)

Locke had a lifelong love of travel literature. He was also a proponent of the construction of natural histories. Many commentators have noted that there is a close link between these two interests. They suggest that data gleaned from travel literature was used in the construction of natural histories. This paper uses Locke’s reading of François Pyrard’s Voyage to argue that the relationship between the two genres was closer than has been realized. Specifically, it is argued that Pyrard’s discussion of (...) the coconut displays characteristic features of a natural history. It pays careful attention to first-hand experience. It emphasizes empirical observation and eschews theory and speculation. It focuses on the practical utility of the coconut. And it records a number of specific measurements. These features allowed Locke to read this portion of a piece of travel literature as a piece of natural history. This allows us to recognize that the genres of natural history and travel literature were not distinct for early modern thinkers. They overlapped in significant ways. (shrink)

After its publication in 1916, Democracy and Education opened up a global debate about educational thought that is still ongoing. Various translations of Dewey's work, appearing at different times, have aided in introducing his ideas within different conversations and across different cultures. The introduction of Dewey's masterwork through academic, institutional, or political avenues has influenced its reception within contemporary educational scenarios; these avenues need to be taken into account when analyzing the book's reception as well as its impact on the (...) reconstruction of educational discourse. (shrink)

The methodology and theory developed by Koselleck has been successfully spread globally. Less attention has been devoted to reflections on the conditions and possibilities of universalizing his approach beyond the geographical area on the basis of which it was developed. This article proposes to reread Koselleck's three core contributions to the theory of history—the anthropological constants, the contemporaneity of the non-contemporaneous, and the Sattelzeit—from a postcolonial viewpoint. Empirically it is based on the history of the South Asian Muslims, (...) exploring how Koselleck can help raise new questions, but also how the change in the geographical viewpoint may lead to a reconsideration of some of his assumptions. (shrink)

Point-of-interest recommendations are a popular form of personalized service in which users share their POI location and related content with their contacts in location-based social networks. The similarity and relatedness between users of the same POI type are frequently used for trajectory retrieval, but most of the existing works rely on the explicit characteristics from all users’ check-in records without considering individual activities. We propose a POI recommendation method that attempts to optimally recommend POI types to serve multiple users. The (...) proposed method aims to predict destination POIs of a user and search for similar users of the same regions of interest, thus optimizing the user acceptance rate for each recommendation. The proposed method also employs the variable-order Markov model to determine the distribution of a user’s POIs based on his or her travel histories in LBSNs. To further enhance the user’s experience, we also apply linear discriminant analysis to cluster the topics related to “Travel” and connect to users with social links or similar interests. The probability of POIs based on users’ historical trip data and interests in the same topics can be calculated. The system then provides a list of the recommended destination POIs ranked by their probabilities. We demonstrate that our work outperforms collaborative-filtering-based and other methods using two real-world datasets from New York City. Experimental results show that the proposed method is better than other models in terms of both accuracy and recall. The proposed POI recommendation algorithms can be deployed in certain online transportation systems and can serve over 100,000 users. (shrink)

In this article, I discuss a relatively recent development of Russian interest in Kyiv as a place with symbolic and historical significance for Russian history, which makes it a desirable target in an ongoing war. I trace the changing attitude of Russian travelers towards Kyiv’s history from the mid-eighteenth to the early nineteenth century. Earlier generations of visitors came to Kyiv primarily to visit holy places, with no knowledge of the city’s historical significance, and because it was (...) a more affordable alternative to travel abroad. However, at the end of the eighteenth century, after Catherine II’s royal visit, the publication of guidebooks, and the ascend of history as a discipline, and interest among Russian educated elites, Kyiv’s past became an obsession for many Russian travelers. Their travel accounts were motivated by a search for the past glory of Kyiv. For Russian travelers and authorities, history became one of the key means of appropriation of Kyiv, with a new generation of travelers searching for material evidence connecting Kyivan Rus to the Russian past. However, they were unable to find much material evidence and often used their imagination to present Kyiv as a site of Kyivan Rus history, ignoring the city’s non[1]Russian heritage. (shrink)

Machine generated contents note: -- Acknowledgements -- Introduction: Points of Departure -- Chapter 1: Instructions for Traveling -- Chapter 2: Reflections on Travel -- Chapter 3: Imagined Travelers -- Conclusion: Homecomings -- Notes -- Index.

We standardly evaluate counterfactuals and abilities in temporally asymmetric terms—by keeping the past fixed and holding the future open. Only future events depend counterfactually on what happens now. Past events do not. Conversely, past events are relevant to what abilities one has now in a way that future events are not. Lewis, Sider and others continue to evaluate counterfactuals and abilities in temporally asymmetric terms, even in cases of backwards time travel. I’ll argue that we need more temporally neutral methods. (...) The past shouldn’t always be held fixed, because backwards time travel requires backwards counterfactual dependence. Future events should sometimes be held fixed, because they’re in the causal history of the past, and agents have evidence of them independently of their decisions now. We need temporally neutral methods to maintain connections between causation, counterfactuals and evidence, and if counterfactuals are used to explain the temporal asymmetry of causation. (shrink)

This contribution explores how Forrester’s work on cases has opened up an arena that might be called ‘the medical case as a travelling genre’. Although usually focused on the course of disease in an individual patient and authored mostly by one medical author, medical case histories have a social dimension: Once published, they often circulate in networks of scholars. Moreover, scholars of the history of literature have shown that numerous medical cases seem to travel easily beyond the context of (...) medical science into the realm of popular literature and journalism. After tracing the idea of cases travelling in Forrester’s Thinking in Cases, I discuss several contributions by authors who, in the wake of interdisciplinary research on cases in the past two decades, have dealt in different ways with this idea. In the third section, I present my own research on a case of self-crucifixion that was widely discussed in 19th-century Europe. I suggest that understanding the case as a ‘traveling genre’ – an expression borrowed from literary genre theory – highlights the role of readers and publication formats as constitutive for cases, and enables us to see more clearly what cases do for scientists and writers who work with them. (shrink)

Space and time are the most fundamental features of our experience of the world, and yet they are also the most perplexing. Does time really flow, or is that simply an illusion? Did time have a beginning? What does it mean to say that time has a direction? Does space have boundaries, or is it infinite? Is change really possible? Could space and time exist in the absence of any objects or events? What, in the end, are space and time? (...) Do they really exist, or are they simply the constructions of our minds? Robin Le Poidevin provides a clear, witty, and stimulating introduction to these deep questions and many other mind-boggling puzzles and paradoxes. He gives a vivid sense of the difficulties raised by our ordinary ideas about space and time, but he also gives us the basis to think about these problems independently, avoiding large amounts of jargon and technicality. His book is an invitation to think philosophically rather than a sustained argument for particular conclusions, but Le Poidevin does advance and defend a number of controversial views. He argues, for example, that time does not actually flow, that it is possible for space and time to be both finite and yet be without boundaries, and that causation is the key to an understanding of one of the deepest mysteries of time: its direction. Drawing on a variety of vivid examples from science, history, and literature, Travels in Four Dimensions brings to life some of the most profound questions imaginable. (shrink)

Famously, David Lewis argued that we can avoid the apparent paradoxes of time travel by introducing a notion of personal time, which by and large follows the causal flow of the time traveler's life history. This paper argues that a related approach can be adapted for use by three-dimensionalists in response to Ted Sider's claim that three-dimensionalism is inconsistent with time travel. In contrast to Lewis (and others who follow him on this point), however, this paper argues that the (...) order of events captured by so-called "personal time" should be thought of as causal, rather than temporal. (shrink)

The first ever history of the places where history and philosophy meet, from the Age of Discovery in the sixteenth century to contemplation of how space travel will affect our understanding of who we are in the twenty-first. This book will reshape your understanding of travel.

In his Ghosts of My Life, Mark Fisher argues that in the 21st century Western culture is in a state of stasis, which ‘has been buried, interred behind a superficial frenzy of “newness”, of perpetual movement’. To substantiate this claim Fisher contrasts contemporary pop music, particularly that with a ‘classic’ sound – such as recordings by Adele, Amy Winehouse and Arctic Monkeys – with the pop of the 1970s and ‘80s, the ‘mutations’ of which enabled listeners of his generation to (...) ‘measure the passage of cultural time’, concluding that today it is ‘the very sense of future shock which has disappeared from’ music and from culture generally. In this paper I apply Fisher’s observations to science fiction cinema focusing, on three recent time travel movies – Sound of My Voice (2011), Looper (2012) and About Time (2013) – and arguing that only the first can truly be considered science fiction, even though its relationship to the genre is the most problematic, since it may not involve time travel at all, and that the others, where time travel is used unambiguously, are instead exercises in what I term ‘genre-splicing’ – the introduction of elements of one type of narrative to another – a process which, like the ‘classic’ pop sound, is an indication of the lack of a sense of the future in current Western culture. A key element of Sound of My Voice is the promise of a future in which the culture industry has been replaced by an authentic folk culture; while this may appear merely a nostalgic fantasy, also identifiable in Looper’s fetishism of aspects of the Old West and the use of ‘nu-folk’ on About Time’s soundtrack, I argue, drawing on Walter Benjamin’s writings on nostalgia, that the Sound of My Voice’s representation of a ‘folk future’ is not an escapist fantasy but, like the uncertainty of the film’s generic status, a provocation, which asks us to reconsider our relationship both to contemporary capitalism and to the future which can be made to happen. (shrink)

A testimony is somebody else’s reported experience of what has happened. It is an indispensable source of knowledge. It only gives us historical cognition, however, which stands in a complex relation to rational or philosophical cognition: while the latter presupposes historical cognition as its matter, one needs the architectonic “eye of a philosopher” to select, interpret, and organize historical cognition. Kant develops this rationalist theory of testimony. He also practices it in his own work, especially while theorizing about race as (...) a subject of natural philosophy. In three dedicated essays on this subject, he treats race from the standpoint of a philosophical investigator of nature (Naturforscher), who (as Kant puts it in the first Critique) learns from nature “like an appointed judge who compels witnesses to answer the questions he puts to them.” This view underwrites Kant’s use of travel reports (a type of testimony) in developing and defending his theory of race. (shrink)

Introduction: Time travel and the mechanics of narrative -- Macrological fictions: evolutionary utopia and time travel (1887-1905) -- Historical interval I: the first time travel story -- Relativity, psychology, paradox: Wertenbaker to Heinlein (1923-1941) -- Historical interval II: three phases of time travel--the time machine -- The big time: multiple worlds, narrative viewpoint, and superspace -- Paradox and paratext: picturing narrative theory -- Theoretical interval: the primacy of the visual in time travel narrative -- Viewpoint-over-histories: narrative conservation in Star Trek (...) -- Oedipus multiplex, or, the subject as a time travel film: Back to the future -- Conclusion: The last time travel story. (shrink)

This chapter discusses several possible reasons why works by women philosophers have traveled significantly less than those written by men, although women’s contributions go back to the start of European history of philosophy. Differentiating between geographic, linguistic, historic and philosophical travels, Tove Pettersen claims that gender is particularly significant with regard to historical and philosophical traveling. As the case of women philosophers clearly demonstrate, gender hampers the circulation of certain texts and inhibit transhistorical exchange of knowledge and ideas. ****** (...) Che chapitre examine plusieurs raisons possibles pour expliquer pourquoi les œuvres de femmes philosophes ont “voyage” beaucoup moins que celle des hommes, bien que la contribution des femmes remonte au début de l´histoire européenne de la philosophie. Distinguant entre plusieurs façons de voyager – géographique, linguistique, historique et philosophique –, Tove Pettersen soutient que le “genre” est un facteur particulièrement significative par rapport au voyage historique et philosophique- Comme le démontre clairement le cas des femmes philosophes, leur genre nuit á la circulation de certains textes ainsi qu’à l’échange transnational du savoir et des idées. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 10.3 (2003) 225-226 [Access article in PDF] Travelers in the Land of Sickness Eric J. Cassell THE PROBLEM OF knowing another person and the world in which that person lives, particularly someone with major mental illness, is addressed in this interesting and rich essay. The number of different metaphors and concepts Potter employs to describe the task of crossing into and then understanding the (...) thoughts, emotions, symptoms, constraints, context, and perspectives of another testifies to the difficulties involved.Yet, as I read the essay, it was not clear what the clinician world traveler, moral tourist, empathizer (and other categories) is supposed to do on the journey to another person. Why do we reach out to the sick person? What is it that we want to know or do that makes this trip necessary? Potter is primarily concerned with mental illness—the examples she cites are patients with schizophrenia—while my experience has in the main been with persons with physical illness, but for the moment, the differences are less important than the central lesson. The illness that the patient presents—the experience of the symptoms, the impairments, disability, and disruptions of the emotional and social existence that happen because of the disease result from an amalgam of the disease process with the specific nature of the sick person. There is no disease in pure form; there is no disease in abstract for clinicians. There is only this sick person. She correctly quotes me, because of all this, as pointing out the importance of integrating knowledge of this particular patient with the abstract knowledge of disease to understand the illness as it is expressed in this person. All to form a basis for the treatment of the patient and especially to help relieve suffering because suffering is always personal, particular, and individual. (It is important in thinking about this topic to remember that most serious diseases, psychiatric and otherwise, are chronic and take place over significant lived time. The acute schizophrenic symptoms or the acute infectious diseases, as dramatic as they are, distract attention from the importance of the place of the sick person.)In physical disease, our long (and continuing) history of separating human beings from nature and the body, and the importance medicine places on objectivity and the objective, have made the inevitable personalization of the disease and symptoms virtually invisible. After ages of explaining psychiatric diseases as the alienation of the person, and a long psychoanalytic period of finding their origins in the person, in the last 30 years these diseases have become increasingly objectified. The place of the person has been diminished as psychiatry has entered the DSM, neurotransmitter, and effective psychotropic drug era. For both physical and mental disease, however, and whatever the current ideology, the nature of person is crucial in determining the onset, diagnosis, course, treatment, and outcome of each illness. It is in order to have an impact on these crucial aspects of sickness that clinicians must come to know their patients to the degree possible. [End Page 225]But there is something more. Nancy Potter quotes a woman with schizophrenia as saying, "All that was my former self has crumbled and fallen together and a creature has emerged of whom I know nothing. She is a stranger to me... She is not real—she is not I... She is I—and because I still have myself on my hands, even if I am a maniac, I must deal with me somehow." (Potter, 2003, p. 215)Must she deal with this crazy self alone? Is that not what her doctors and caregivers are for? But how can they take care of her, protect her, keep what is left intact, and sustain her until she is (hopefully) better without knowing who she is? She makes clear in those few phrases that inside her there is a person with a past, a family, a world, a culture, a role(s) in life, relationships, a body, dreams for the future, things she does, and all the other things that make up a person. It is in... (shrink)

This chapter discusses some emerging trends, new directions, and outstanding issues in philosophy of science. The first section places contemporary philosophy of science in context by considering its relationship to analytic philosophy at large, to the history of science, and to science itself. The subsequent sections will then take a look at a selection of interesting trends emerging from current research, and some important issues calling for further work. The presentation is inevitably coloured by our personal perspectives, and we (...) cannot hope to do justice even to the majority of new developments. But we hope to be able to convey some sense of the range of problems, issues and areas where new and interesting research is being conducted. (shrink)

In 1987, Roy Sorensen coined the term 'parahistory' to denote the study of genuinely anachronistic artefacts delivered by time travel.¹ 'Parahistory' would thus stand to history rather as parapsychology is claimed to stand to psychology, i.e. the parahistorian would study historical data that were obtained through channels that orthodox science does not recognise. How might one establish credentials as a time traveller? What sort of evidence could a time-traveller point to in support of claims that would presumably command a (...) great deal of scepticism? While successful predictions might be one confirmatory tool, supporting evidence needn't take the form of predictions. (Although Sorensen offers an intriguing argument that a Humean about miracle-testimony would be obliged to reject any testimony to the occurrence of time travel.) Perhaps artefacts that time travellers retrieve from other times (past or future) could usefully supplement testimonial or predictive evidence for the parahistorian. However, this paper will argue, any appeal to past-artefactual evidence for parahistorical claims faces a dilemma that threatens to undermine its value: appeals to past-artefact evidence must either collapse into appeals to predictive evidence or see their value diminished by such past artefacts' necessarily exhibiting contradictory indicators of age and period. (shrink)

Working from the concept of cosmopolitanism and incorporating textual evidence from philosophy, drama of the English Renaissance, seventeenth-century travel narratives, and eighteenth-century literature, The Cosmopolitan Evolution, explores the interactions between the European consciousness and the foreign. The book also chronicles the development of cosmopolitanism from a form of representative universalism, which seeks to enfold all humans under on ideal, towards complex universalism, which seeks to account for alternate and particular views.

The contribution is based on a sketch of the conceptual history of travel and its technical and infrastructural framework. It then argues that not before the mass media of the nineteenth century, especially newspapers and popular journals, is traveling is displayed as a cause and effect of globalization. Two consequences of global travelling popularized by mass media are analyzed: the ubiquity of comparison, which integrates the experience of otherness generated by travels into narratives of progress and primitive backwardness; the (...) enormous importance of the phenomenon of lost and missing persons. It appears in literary, scientific and media history, and as a legal problem. It refers to the disturbances and interruptions of world traffic and thus paradoxically demonstrates the increasingly dense and close network of globalization. (shrink)

Ethics of Description: The Anthropological Dispositif and French Modern Travel Writing follows the development of a minor tradition in French literature where metropolitan authors traveling abroad demonstrate their awareness of the ethical conundrums of representing world peoples. During the colonial-modern era, currents of anthropological thought and representational practice are identifiable throughout society, and across literature, the arts, and the sciences. Collectively, they can be theorized as belonging to a dispositif, the anthropological dispositif. The modernization of anthropology serves as an ambivalent (...) interlocutor for the realizations of the writers studied in this book about the difficulties of describing cultural realities that lie largely outside their ken. Anthropology motivates new literary representational strategies that are, alternatively, in keeping with scientific mandates or operate against them. Forty images are analyzed alongside literary works. A postcolonial chapter shows how the ethical awareness of the colonial-modern authors studied have impacted minority self-representation in contemporary France. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 633-637 [Access article in PDF] Susan E. Alcock, John F. Cherry, and Jas; Elsner, eds. Pausanias: Travel and Memory in Roman Greece. Oxford: Oxford University Press, 2001. xii + 379 pp. Cloth, $65. As he moves from monument to monument and polis to polis, Pausanias gives the impression that the sun is always shining and the weather fresh and sweet. Beyond the next (...) turn in the road, there might be a grove or spring and maybe a precinct of Demeter, a statue of Artemis, or a little temple of Aphrodite. If they were "worth seeing," we can rely on Pausanias to let us know. Delivering a mixed narrative that weaves together history, myth, and his own style of ekphrasis, his even-toned voiceover makes him a comfortable traveling companion. Or does it? We know that the oaks on Mt. Parnon make the forest dark (they are still there today), but for Pausanias, the land is called Skotitas, "Dark," not for the shadows of the oaks, but for Zeus Skotitas who had his sanctuary nearby. As Ada Cohen points out in her essay, Pausanias does not describe the landscape itself but only the places where it intersects with divinity. As the collaborators here make clear, similar principles of selection operate on other levels. Pausanias may enable us to visualize a lost world, but the view is sanitized. Writing at the peak of Roman wealth, power, and privilege, he gives us old Greece with hardly a trace of Rome. He presents cities without houses, landscapes without agriculture, sanctuaries without worshippers, and the past without the present. Like the cardboard and cellophane 3-D glasses worn by cinema audiences in the 1950s, his text brings into temporary and unstable focus a very specialized scene, but the view is that of a virtual museum, a theme park created for our viewing enjoyment.How did he do it and what are the consequences? I admit that when it comes to Pausanias, I am one of those "seekers after lost religions" whom Elsner classifies with archaeologists surveying the text of Pausanias for possible excavation sites. We will all be a little more careful after reading this book. Yet, where else [End Page 633] could we find the information Pausanias gives? Habicht rehabilitated Pausanias in the 1980s by demonstrating how well his text stands up when compared with the surviving external record. Pausanias did not have a spreadsheet to keep straight the sixty-nine altars at Olympia, but he must at least have taken notes.The arrangement of the articles presented here replicates a familiar academic setting. Structured like a weekend conference, the book divides into three sessions ("The Traveler and the Text," "Studies and Comparisons," and "Nachleben"), with four papers and two comments in each session. Very generally, the topics are: landscape as language (J. Elsner); mental baggage and method (E. Bowie); informants and information (C. P. Jones); pilgrimage and the inspiration of vision (I. Rutherford); selection and cultural choice (M. Torelli); memory and memorization (D. Konstan); identity, monumentality and the recall of mo(nu)ments sublime (J. Porter); representation of space and movement (A. Cohen); archaic text and image on the chest of Kypselos (A. M. Snodgrass); filling the empty map of Messenia (S. E. Alcock); Greek narratives in Roman images (B. Bergmann); other Spartas (P. Cartledge); shaping the genre of travel writing (S. B. Sutton); Leake's Pausanias and Greek topography (J. M. Wagstaff); rearranging Pausanias or Farnell on Greek ritual (J. Henderson); Harrison and Verrall present Pausanias for the hoipolloi (M. Beard); Sparta and the French Enlightenment (S. Bann); and remembering and reforming the past (J. Cherry).There isn't space enough here to do justice to every argument, but I will take a sentence to praise the editors for inspiring the synergy of so many specialties. Archaeologists talk about texts; literary scholars talk about places and objects; and art historians discuss the relation between the two. The section entitled Nachleben surveys the nineteenth-century efflorescence of Pausanias and from four very different vantage points evaluates his influence on... (shrink)

This book concerns clinical psychology, but it is most concerned with the world outside the clinic. That world—where culture, history, and economy are found—radically impacts the public’s mental health. However these worldly considerations often do not feature centrally in the science and practice of clinical psychology, a subfield of psychology seemingly dedicated to mental health. Desai offers a corrective by travelling out of the clinic and into the world, exploring ideas, movements, and thinkers that help broaden our approach to (...) well-being, by situating it within its cultural, historical, and sociopolitical contexts. The book aims to be an intercultural journey itself—encountering Buddhism, phenomenology, Edmund Husserl, Mahatma Gandhi, and Rev. Dr. Martin Luther King, Jr. along the way. Featuring a Foreword by Jeffrey Sachs, the book positions pressing matters such as social justice, racial justice, and environmental justice as integral components of good mental health work. The book will be of interest to readers interested in cultural and community approaches to psychological science and practice. (shrink)

Our journeys are never only to the exterior: the interior journey of the traveller has a long tradition, witnessed in travel writings of authors like Montaigne and Unamuno, and in the history of literature as a whole understood as a hodoeporics. We ceaselessly pursue things which give us pleasure and fulfil our needs, including the specific kind of enjoyment that travel and tourism afford. The desire to travel is closely tied to an original kind of nostalgia, the desire for (...) self-discovery. Hailing from Heraclitus, Socrates, and the sayings of the Seven Wise Men of Delphi, this desire manifests itself as a fundamental motivating force of travel and tourism. Although we humans tend to “grow our desires big,” like the tyrant in Plato’s Republic, the pursuit of tourism is not to be equated with mere self-indulgence. The tension between a life of physical enjoyment and the life of the mind, a life of action and a life of contemplation, is decisive for proper understanding of the phenomenon of tourism, and in the history of Western philosophy is perhaps most pronounced in Plato and the philosophy of Platonism. Plato and Plotinus recommend an integrative view of their relationship – while gently steering us away from the tyranny of unbounded pursuit of our every drive and lust. To achieve proper balance in tourism, it is necessary to take account of humans’ natural drives. Properly fostered and cultivated, these can provide the basis upon which our second, higher nature can begin to unfold. (shrink)

This is a paper about time travel and what it teaches us about freedom. I argue that cases of time travel bring out an important difference between two ways of thinking about “the past”—either in terms of time itself, or in terms of causation. This ambiguity naturally transfers over to our talk about things like fixity, determinism, and incompatibilism. Moreover, certain cases of time travel suggest that our freedom is not constrained by the temporal past _per se_, but by our (...) own causal histories. This, in turn, raises a number of interesting questions about the formulation of incompatibilism and the broader debate over freedom. (shrink)

This book focuses on yoga’s transcultural dissemination in the twentieth and twenty-first centuries. In the course of this process, the term “yoga” has been associated with various distinctive blends of mental and physical exercises performed in order to achieve some sort of improvement, whether understood in terms of esotericism, fitness, self-actualization, body aesthetics, or health care. The essays in this volume explore some of the turning points in yoga’s historico-spatial evolution and their relevance to its current appeal. The authors focus (...) on central motivations, sites, and agents in the spread of posture-based yoga as well as on its successive (re-)interpretation and diversification, addressing questions such as: Why has yoga taken its various forms? How do time and place influence its meanings, social roles, and associated experiences? How does the transfer into new settings affect the ways in which yogic practice has been conceptualized as a system, and on what basis is it still identified as (Indian) yoga? The initial section of the volume concentrates on the re-evaluation of yoga in Indian and Western settings in the first half of the twentieth century. The following chapters link global discourses to particular local settings and explore meaning production at the micro-social level, taking Germany as the focal site. The final part of the book focuses on yoga advertising and consumption across national, social, and discursive boundaries, taking a closer look at transnational and deterritorialized yoga markets, as well as at various classes of mobile yoga practitioners. (shrink)

The article traces the origin and development of the concept of social skills in first and foremost American academic discourse. As soon as the concept of social skills was coined, the concern for people lacking such skills started and has been on the increase ever since. After the analysis of the academic history of the concept follows an examination of the implementation of a range of assessment instruments and training programmes related to social skills in contemporary Danish welfare institutions. (...) The analysis forwarded in the article thus demonstrates how an intellectual idea may develop and travel - and on its journey connect to pre-existing cultural logics and societal concerns. The idea of social skills has through its development been made uncontroversial – everybody wants to be skilful. The concept does, however, convey an individualistic view on social life and imposes a reflexivity over own performance on the participants. Further, its normative character contributes to a problematization of those who are perceived to lack these skills. (shrink)

In the winter of 1859, the Boston poet Julia Ward Howe sailed for Cuba; and in the winter of 1860, Ticknor and Fields published an account of her travel. A Trip to Cuba appeared only months after the same firm had published Richard Henry Dana's story of his ???vacation voyage,??? To Cuba and Back . These two narratives responded to a burgeoning American interest in the Caribbean island that promised recuperation to American invalids and adventure for military ???filibusters.??? Howe's narrative (...) demonstrated a self-conscious familiarity with antebellum travel writing more broadly, however, as she playfully resisted yet ultimately upheld various conventions of a genre that had become a staple of the American literary marketplace. ???I do not know why all celebrated people who write books of travel begin by describing their days of seasickness,??? she noted, before discussing her own shipboard illness. She followed similar cues as she blended elements of autobiography, the social sketch, nature writing, and political and social commentary. Across 250 ???sprightly??? pages, readers were offered a familiar melange of humorous portraits, detailed descriptions of ???foreign??? institutions, and extensive commentary on local customs and social mores. (shrink)

Solitary Travelers takes its place alongside other revisionary works that assess the contribution of women writers to nineteenth‐century fields of study and disciplines of learning identified as male and associated with science. Lila Harper foregrounds the role of travel narratives in her analysis, arguing that they facilitated access to a scientific vocation for women writers and, indeed, that some women gravitated to travel writing “in a common quest for the professional recognition which seemed to be promised within a territory (...) marked ‘natural philosophy,’ ‘natural history,’ and, finally, ‘science’” . In an interesting and well‐written introduction to her subject, Harper demonstrates her sensitivity to basic historical issues of what constituted “science” in nineteenth‐century England and makes appropriate distinctions not just between the amateur and the professional but also between science as practice, hobby, vocation, and mode of observation.Harper is interested specifically in natural history travel narratives, her introduction tells us, and she chooses for her subjects Mary Wollstonecraft, Harriet Martineau, Isabella Bird Bishop, and Mary Kingsley. In separate chapters studying each of these key figures, she uses biographical data to undergird her analyses of the rhetorical strategies that each woman invoked in her travel writing. Her thorough examination of Wollstonecraft's Short Residence in Sweden adds much‐needed dimension to a writer known mainly for her Vindication of the Rights of Man and Vindication of the Rights of Woman . Locating within Wollstonecraft's text evidence of her interest in the Scandanavian landscape and wilderness, Harper stresses her close observation of the natural world and her apparent commitment to natural history. The subsequent attention in this chapter to Wollstonecraft's relationship with Gilbert Imiay, however necessary it may be to understanding her motivations for travel and need for authority, short‐circuits the analysis of Wollstonecraft's contributions to natural history at the turn of the century.Harper's chapter on Harriet Martineau examines her “ability to shape travel writing into an investigative tool for scientific observation while substantiating her influence on others and her intellectual stature” and to this end is geared also to basic issues of rhetorical strategy and authoritative voice, particularly as they surface in Society in America , Retrospect of Western Travel , and Eastern Life, Present and Past . Martineau is arguably the most written about of the women studied in Solitary Travelers, and consequently much of the material and perspective that Harper presents will be familiar to her readers.The chapter on Isabella Bird Bishop takes note of a crucial shift in the audience of this famous traveler, who began by writing for ladies' magazines but eventually addressed an audience of geographers, explorers, and members of colonial government. Harper sees Isabella Bird Bishop and Mary Kingsley, her final subject, as driven by the ambition to gain access into “the scientific community” , but her analysis is nevertheless far more focused on the content of their respective travel books than on any more tangible activity linked to professionalized science. Harper finds in Kingsley's prose, as in that of her other subjects, evidence of her manipulation of “a feminine discourse” and a corollary concern with “masculine scientific discourse” ; more provocative to my mind is her claim that Kingsley adopted the role of “martyr … both for scientific endeavors and for the future of developing colonial Africa” .This book's chief virtue is its readability. With each of her subjects, Harper provides a comprehensive and yet relatively succinct overview of the ways they used travel to undertake work construed, however loosely, as “science.” Although she claims that Kingsley's travel writing represents the culmination of a tradition of “women's naturalist travel writing,” I found myself somewhat suspicious of the term and yearning for more nuanced investigations of generalized categories such as “masculine scientific discourse.” Although each of the women Harper studies undertook travel writing and incorporated descriptions of the natural environments she encountered into her accounts, does it necessarily follow that they were working within, even helping to construct, a tradition of “naturalist travel writing”? Kingsley would probably have been the only one of these four to identify herself as a naturalist. The introduction to Solitary Travelers seems to promise a study of women using travel to work in natural history, but the book itself looks far more broadly at the rhetoric of authority and the appeal of “science” to these women. (shrink)

Exploring the 'roads less travelled', MacDonald continues his monumental essay in the history of ideas. The history of heterodox ideas about the concept of mind takes the reader from the earliest records about human nature in Ancient Egypt, the Ancient Near East, and the Zoroastrian religion, through the secret teachings in the Hermetic and Gnostic scriptures, and into the transformation of ideas about the mind, soul and spirit in the late antique and early medieval epochs. These transitions include (...) discussion of the influence of Central Asian shamanism, Manichean ideas about the soul in light and darkness, and Neoplatonic theurgy, 'working-on-god-within'. Sections on the medieval period are concerned with the rediscovery of magical practices and occult doctrines from Roger Bacon to Francis Bacon, the adaptation of Neoplatonic and esoteric ideas in the medieval Christian mystics, and the survival of these ideas mixed with natural science in the works of von Helmont, Leibniz and Goethe. The book concludes with an investigation of the many forms of dualism in accounts of the human mind and soul, and the concept of dual-life which underpins our aspiration to understand how humans could have an immortal nature like the gods. (shrink)

The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulation of the relations between literature, aesthetics, and colonialism in the (...) period. (shrink)

The aim of this article is to interrogate the use of US rural landscape in the 2020 film Nomadland and its account of contemporary precarity and poverty in the United States. I argue that while the film is ostensibly invested in locating alternative modes of living in the face of neo-liberal marginalization, it ultimately reaffirms neo-liberalism’s core tenet, individualism, through its fascination with what Kenneth Olwig calls the ‘scenic’ landscape. This approach to landscape understands nature as an unchanging ‘stage’ on (...) which a nation’s history is played out and thus ultimately naturalizes nationalism. Thereby, the film reaffirms the myth of the ‘wide open spaces’ of American landscape which has historically been instrumental in the displacement of people excluded from US national identity on the basis of class and race. This can be contrasted with a more interactive, more inclusive approach to landscape which understands landscape as the result of interaction between a community and its environment. Recent US films such as Leave No Trace (2018) identify precisely such an interactive understanding as a basis for potential resistance against the forces of neo-liberalism which perpetuate precarity. (shrink)

The object of this note is to draw attention to a piece of evidence about the history of the Greek theatre which appears to have gone unnoticed, yet may be of some importance. Aelian in his Historia animalium 11.19 reports the fate of Pantacles the Lacedaemonian, who refused to allow some actors on their way to Cythera to pass through Sparta. Later, when performing official duties as ephor, he was torn to pieces by dogs.

A single question marks our departure, a question that, while apparently straightforward, has assumed so many shapes and disguises that it would not be unjust to claim it has infected all of Western history. In its current manifestation, however, we will take our cue from Plato in phrasing it thus: What is a Sophist? When Plato first formulated the question in these terms, he well understood that its self-evident simplicity could be deceptive and that its effects might proliferate uncontrollably. (...) As Jacques Derrida comments, "The question of what the Sophists really were is an enormous question" (Olson 17). In Plato's case, attempting to "hunt down" the Sophist led from a disturbing journey through the world of images to an unsettling encounter with the existence of nonbeing. (shrink)