The European Legacy, Volume 16, Issue 6, Page 799-802, October 2011.

The European Legacy, Volume 16, Issue 5, Page 663-666, August 2011.

Volume 19, Issue 6, June 2019, Page 44-46.

Stone and Dung, Oil and Spit: Jewish Daily Life in the Time of Jesus. By Jodi Magness. Grand Rapids, Mich.: William B. Eerdmans Publishing Co., 2011. Pp. xv + 335, illus. $25.

Resumen: Varios comentaristas han sostenido que la ontología de la concepción hegeliana de “alma bella” se funda en la determinación conocida como “mal infinito”, desarrollada en la Doctrina del Ser. En correlación con lo antedicho, comentaristas como Paha, Hinchman, Solomon y Harris sostienen que Hegel pensaba en el sistema filosófico fichteano al momento de desarrollar su concepción de “alma bella”. Sin embargo, esta hipótesis de lectura adolece de algunas falencias que serán desarrolladas a continuación. En primer lugar, es necesario realizar (...) una breve exposición de la figura del Espíritu conocida como “alma bella”; en segundo lugar, se describirá la determinación denominada “mal infinito”; en tercer lugar, se desarrollarán los problemas que conlleva la mencionada exégesis; en cuarto lugar, se expondrán las objeciones a la inclusión de la filosofía de Fichte como ejemplo de la concepción hegeliana de “alma bella”. Finalmente, se expondrán las conclusiones.: Many scholars have stated that the ontology of the Hegelian notion of “beautiful soul” is grounded in the category known as “bad infinite”, developed in the Doctrine of Being. Regarding this, scholars like Paha, Hinchman, Solomon and Harris state that Hegel was thinking of the Fichtean philosophical system as He developed his own notion of “beautiful soul”. However, this interpretation has some issues, which will be developed below. First, we give a short explanation about the shape of the Spirit known as “beautiful soul”. Second, we describe the category called “bad infinite”. Third, we show the issues related to the interpretation. Fourth, we present the objections to the inclusion of the Fichtean philosophy as an example of the Hegelian notion of “beautiful soul”. Finally, we present the conclusions. (shrink)

Wackenroder is a Romantic author of a metaphysical-religious orientation. For him, the creator of art and its most adequate perceiving subject is God. As for art, he sees it as most tightly connected to religion, for both help the human being to rise from the earthly hassle to the heavenly sphere. The art of all times and nations contains a common essence – the beautiful – which is expressed in a variety of ways. Therefore the human being is capable of (...) learning how to see beauty in any art medium. Wackenroder speaks of two symbolic languages that help the human being grasp heavenly matters: the language of nature and the language of art. Creativity is based on inspiration, which is a divine gift. In creating their art artists must begin with nature and present it in a transformed way. The process of creativity begins in the inner world of the artist, when he or she constructs a future painting in its completeness. The contemplation of a work of art is like prayer. Therefore perception of art requires specific training. Before contact with art, the recipient must initiate in him or herself the ability to perceive the beautiful and sublime. The grasping of a true work of art is inexhaustible. Every act of contemplating an artwork reveals to our soul something new. The process of perception of art is enthusiastic in nature; Wackenroder presents it as a confession of our spirit. In his musical aesthetics the place of honor belongs to the spiritual content of music. In painting Wackenroder most highly esteems the pacifying art of Rafael, the allegorical art of Michelangelo, and the cognitive art of Leonardo Da Vinci. (shrink)

Jean-Jacques Rousseau’s passion for nature is well known. Less known is the fact that Rousseau devoted himself to the study of botany in the last years of his life. This article investigates how the themes of denaturation and monstrosity - classical themes of Rousseau’s thought - appear in his reflections on plants and the vegetal kingdom. After a brief incursion into the second Discourse and Émile, we will focus on the analysis of the so-called Elementary Letters on Botany, sent to (...) Madeleine-Catherine Delessert, and the letters sent to the Duchess of Portland. In the first set of letters we find Rousseau’s views on double flowers and grafting. In the second set of letters, in turn, we find Rousseau’s views on gardens and the cultivation of exotic plants. Since Rousseau’s reflections on denaturation are entirely due to his reading of Buffon, the article also addresses the contributions of this author. We conclude with some reflections on the current state of our teratological tendency, well identified by the authors we discussed throughout the text. (shrink)

Extending the literature on social capital development in the community, this article examines the impact of diverse social interactions on the development of social trust in the workplace, and investigates whether their effects differ in individualistic and collectivistic cultures. Using survey data collected in Canada and China, the authors find that the diversity of one’s social interactions in the community is positively associated with one’s social trust in the workplace, and this relationship is not significantly different between the two cultures. (...) Diversity of one’s social interactions in the workplace is also positively associated with one’s social trust in the workplace, though only in collectivistic cultures. (shrink)

Since 1923 the Sammlung Tusculum has published authoritative editions of Greek and Latin works together with a German translation. The original texts are comprehensively annotated, and feature an introductory chapter. In the new volumes, additional essays delve into specific aspects of the works, illuminating their historical context and reception to the present day. The high academic quality of the new editions together with clearly written essays and annotations make the Sammlung Tusculum essential reading for students who are discovering an ancient (...) author for the first time as well as professional scholars who would like to gain a deeper understanding of specific aspects of a given work. Moreover, the series is ideal for lay readers who would like to engage with antiquity through a reliable German translation. The series contains over 270 titles, available in print and eBook editions, making previously out-of-print titles and rarities available again for the first time. In order to celebrate the 90th anniversary of the series, De Gruyter is proud to present Tusculum Online, an eBook package which contains all titles that appeared between 1923 and 2013 - a fitting tribute to an important part of German publishing history. For more information, please see www.degruyter.com/tusculum. (shrink)