Every culture and civilization develops, over time, a plot and many sub-plots that motivate and direct individual and social behavior. To make people conscious of these plots ought to be the function of education. Instead, schools continue to fit individuals into the ongoing traditional plot. Metaphorically, the school serves as central casting to sort the young into key players (the stars), supporting cast, walk-ons and, for most, extras. This is a very limited and limiting function. What is needed is for (...) schools to reconsider the nature of the plot. How does the plot support the actors? How does the plot deny the cast—stars, supporting actors and actresses, walk-ons, and extras—fulfilment, meaning, joy, or Maslowian actualization? How can the plot be rethought to accommodate the interests of all legitimate players? (shrink)