Although the author's critical view of functionalism has a considerable intuitive pull, his argument based on the color room scenario does not work. Functionalism and other relational views of the mind are capable of providing coherent accounts of conscious experience that meet the challenge set up by the “color room argument.” A simple example of such an account is presented.

Functionalism offers an account of the relations that hold between behavioural functions, information and neural processing, and conscious experience from which one can draw two inferences: for any discriminable difference between qualia there must be an equivalent discriminable difference in function; and for any discriminable functional difference within a behavioural domain associated with qualia, there must be a discriminable difference between qualia. The phenomenon of coloured hearing synaesthesia appears to contradict the second of these inferences. We report data showing (...) that this form of synaesthesia is genuine and probably results from an aberrant projection from cortical language areas to a region specialized for the perception of colour. Since functionalism purports to be a general account of consciousness, one such negative instance, if it can be further sustained empirically, is sufficient to invalidate it. (shrink)

Sydney Shoemaker offers an account of color perception that attempts to do justice, within a functionalist framework, to the commonsense view that colors are properties of ordinary objects, to the existence of qualia, and to the possibility of spectrum inversions. Shoemaker posits phenomenal properties as dispositional properties of colored objects that explain how there can be intersubjective variation in the experience of a particular color. I argue that his account does not in fact allow for the description of (...) a spectrum inversion scenario, and that it cannot sustain a functionalist relationship between an object's color and its phenomenal properties. Functionalists must, however, come to terms with Shoemaker's recognition that intersubjective spectrum shifts are possible. (shrink)

Can psychology explain the qualitative content of experience? A persistent philosophical objection to that discipline is that it cannot. Qualitative states or 'qualia' are argued to have characteristics which cannot be explained in terms of their relationships to other psychological states, stimuli, and behavior. Since psychology is confined to descriptions of such relationships, it seems that psychology cannot explain qualia. A paradigm case of qualia is provided by simultaneous color contrast effects, in which a neutral grey patch is made (...) to look reddish by being enclosed in a green surround. If the qualia based objections are sound, psychology ought not to be able to explain simultaneous color contrast; but psychology at least seems to be able quite successfully to explain those effects. This paper analyzes the logic of psychological explanations of simultaneous color contrast effects, and the import of various qualia based objections to those explanations. I argue that the qualia objections do not demonstrate any explanatory inadequacy in existing psychological explanations of 'looks'. Psychology succeeds in explaining at least some qualia. In a more positive vein, I argue that once the structure of such explanations is sufficiently understood, a place can be found for qualia within the emerging scientific account of color perception. The resulting account can deal with many of the traditional perplexities over qualia. (shrink)

When an object looks red to an observer, the visual experience of the observer has two important features. The experience visually represents the object as having a property—being red. And the experience has a phenomenological character; that is, there is something that it is like to have an experience of seeing an object as red. Let qualia be the properties that give our sensory and perceptual experiences their phenomenological character. This essay takes up two related problem for a nonreductive account (...) of qualia. Some have argued that on such an account there is no room in a physicalist ontology for qualia. Section 1 shows how qualia might fit into a physicalist ontology. The second problem begins with the observation that there is a gap in scientific accounts of color experience; there is no explanation of why the features of the brain that determine our color experiences give those experiences their phenomenological character. Building on the results of Sect. 1, Sect. 2 develops an account of color perception that bridges this gap and shows how qualia give color perception its phenomenological character. To get a grip on the issues involved the paper begins by considering some aspects of a physicalist account of color. (shrink)

In ‘Wittgenstein and Qualia’ Ned Block argues for the existence of inverted spectra and those ineffable things, qualia. The essence of his discussion is a would-be proof, presented through a series of pictures, of the possible existence of an inverted spectrum. His argument appeals to some remarks by Wittgenstein which, Block holds, commit the former to a certain ‘dangerous scenario’ wherein inverted spectra, and consequently qualia live and breath. I hold that a key premise of this proof is incoherent. Furthermore, (...) Block’s dangerous scenario does not follow from Wittgenstein’s innocent one, as Block believes it does, but rather is in conflict with it. (shrink)

Functionalism, in one form or another, is probably at present the most commonly held position concerning the nature of mental states among philosophers. Functionalists all accept the basic thesis that mental kinds are functional kinds, and that what makes a mental item an item of a given mental type is the functional role it plays within a relevantly organized system. This chapter considers arguments meant to show that various forms of functionalism are unable to accommodate or explain some (...) of the real features of qualia, as well as functionalist replies to those arguments. The traditional idea of qualia is closely linked with the classic representational theory of perception. The most influential qualia‐based anti‐functionalist arguments rely on intuitions about certain imaginary cases or thought experiments, especially those involving so‐called “inverted qualia” and “absent qualia”. (shrink)

The debate concerning the reality of qualia has stagnated. The dominant functionalist approach to qualia concentrates largely on the filter-strategy as applied to color experiences. The filter-strategy takes color experiences as material-to-be-functionally-filtered under the assumption that qualia as such cannot be filtered. However, despite the speculative efforts made in this direction, the debate between phenomenalists and representationalists remains unresolved. The main idea of this paper is to show that the lack of success settling “the qualia war” has to (...) be understood as a result of the mischaracterization of colors as a material-to-be-functionally-filtered. (shrink)

It is the purpose of this article to explicate the logical implications of a television analogy for perception, first suggested by John R. Smythies (1956). It aims to show not only that one cannot escape the postulation of qualia that have an evolutionary purpose not accounted for within a strong functionalist theory, but also that it undermines other anti-representationalist arguments as well as some representationalist ones.

OPINION IS DIVIDED as to whether the "qualitative characters" or "qualia" of conscious sensory experiences such as color perceptions and pain sensations genuinely constitute a major obstacle to the success or tenability of contemporary physicalist theories of mind. Do the enormous complexities of human brain activity--conceived more or less as we now conceive it--alone suffice to account for our conscious sensory experiences, and thereby show how the experiences are nothing over and above the brain activities, or must there be (...) some further kind of thing, if we are to account for the existence of our kind of consciousness? This issue, representing perhaps the most profound division of opinion in contemporary philosophy of mind, cannot possibly reach a genuine resolution in the absence of a satisfactory answer to a question which has suffered astonishing neglect in the extensive debate on this issue: What exactly is the qualitative character of a conscious sensory experience? What exactly is it about color perception, for example, that makes it so distinctive in a "qualitative" respect, allegedly making trouble for contemporary theories of mind? (shrink)

How does one know the phenomenal character of one’s own experience? I aim to present and defend a new view of the epistemology of qualia that addresses this issue. My view results from a reworking of Dretske’s displaced perception model. The guiding line is the key Wittgensteinian insight of his Private Language Argument, namely the claim that no inner perception of qualia can justify our corresponding qualia-beliefs. My reworking of the original model starts with the rejection of Dretske’s representationalism, as (...) well as any other metaphysical views about the ultimate nature of qualia. The reworking of the displaced perception model I am proposing is supposed to be compatible with any available meta- physical view on qualia. The second step consists of rejecting the epistemological misgivings of the original model, namely the view that knowing qualia requires “connecting beliefs” along with “meta-representations.” Yet, Dretske’s crucial mistake has been to force knowledge of qualia into the “belief-box.” As a matter of fact, there is only one belief involved in intro- specting qualia, namely the qualia-belief itself. The third final step is this. Assuming the key Wittgensteinian insight, I argue that introspection of qualia is a process that is both epis- temically reliable and automatic. It is reliable because it dispenses with justification of any beliefs whatsoever. Moreover, it is automatic because it also dispenses with reflexive con- necting beliefs. For example, it takes nonconceptual awareness of the color blue as an input and automatically yields the belief that phenomenal blue is the conscious character of my experience of the sky as an output just by employing the concept BLUE. (shrink)

The laws which predict how the perceptual quality of figure-ground can be extracted from the most elementary visual signals were discovered by the Gestaltists, and form an essential part of their movement (see especially Metzger, 1930, and Wertheimer, 1923 translated and re-edited by Lothar Spillmann, 2009 and 2012, respectively). Distinguishing figure from ground is a prerequisite for perception of both form and space (the relative positions, trajectories, and distances of objects in the visual field. The human brain has an astonishing (...) capacity for selecting and combining a few critical visual signals to accurately represent both form and space. (shrink)

Some philosophers have regarded the connection between hues and certain arousal or affective qualities as so intimate as to make them inseparable, and this “necessary concomitance view” has been invoked to defend functionalism against arguments based on inverted spectra. Support for the necessary concomitance view has sometimes been thought to accrue from experiments in psychology. This paper examines three experiments, two of which apparently offer support for the view. It argues that careful consideration of these experiments undermines this appearance (...) of support. General lessons are drawn concerning the problem that individual differences present for functionalism, and the difficulty of supporting strong conclusions about concomitance by using the methods of experimental psychology. (shrink)

This book defends the radical thesis that no physical object has any of the colours we experience it as having.

How does one know the phenomenal character of one’s own experience? I aim to present and defend a new view of the epistemology of qualia that addresses this issue. My view results from a reworking of Dretske’s displaced perception model. The guiding line is the key Wittgensteinian insight of his Private Language Argument, namely the claim that no inner perception of qualia can justify our corresponding qualia beliefs. My reworking of the original model starts with the rejection of Dretske’s representationalism, (...) as well as any other metaphysical views about the ultimate nature of qualia. The reworking of the displaced perception model I am proposing is supposed to be compatible with any available metaphysical view on qualia. The second step consists of rejecting the epistemological misgivings of the original model, namely the view that knowing qualia requires “connecting beliefs” along with “meta-representations.” Yet, Dretske’s crucial mistake has been to force knowledge of qualia into the “belief-box.” As a matter of fact, there is only one belief involved in introspecting qualia, namely the qualia-belief itself. The third final step is this. Assuming the key Wittgensteinian insight, I argue that introspection of qualia is a process that is both epis- temically reliable and automatic. It is reliable because it dispenses with justification of any beliefs whatsoever. Moreover, it is automatic because it also dispenses with reflexive connecting beliefs. For example, it takes nonconceptual awareness of the color blue as an input and automatically yields the belief that phenomenal blue is the conscious character of my experience of the sky as an output just by employing the concept BLUE. (shrink)

And supposing there were a machine, so constructed as to think, feel, and have perception, it might be conceived as increased in size, while keeping the same proportions, so that one might go into it as into a mill. That being so, we should, on examining its interior, find only parts which work on one another, and never anything by which to explain a perception.Gottlieb Leibniz, The Mondadology, Section 17Functionalism, as it is currently understood, is the view that each type (...) of mental state is identical with a state that is a causal consequent of certain kinds of inputs and other mental states and which, in turn, causally brings about certain kinds of outputs and other mental states. (shrink)

Representation and content in some (actual) theories of perception -- Representation in perception and cognition : task analysis, psychological functions, and rule instantiation -- Perception as unconscious inference -- Representation and constraints : the inverse problem and the structure of visual space -- On perceptual constancy -- Getting objects for free (or not) : the philosophy and psychology of object perception -- Color perception and neural encoding : does metameric matching entail a loss of information? -- Objectivity and subjectivity (...) revisited : color as a psychobiological property -- Sense data and the mind body problem -- The reality of qualia -- The sensory core and the medieval foundations of early modern perceptual theory -- Postscript (2008) on Ibn al-Haytham's (Alhacen's) theory of vision -- Attention in early scientific psychology -- Psychology, philosophy, and cognitive science : reflections on the history and philosophy of experimental psychology -- What can the mind tell us about the brain? : psychology, neurophysiology, and constraint -- Introspective evidence in psychology. (shrink)

In this paper, I present the enactive theory of color that implies a form of color relationism. I argue that this view constitutes a better alternative to color subjectivism and color objectivism. I liken the enactive view to Husserl’s phenomenology of perception, arguing that both deconstruct the clear duality of subject and object, which is at the basis of the other theories of color, in order to claim the co-constitution of subject and object in the (...) process of experience. I also extend the enactive and phenomenological account of color to the more general topic of the epistemological and ontological status of sensory qualities (qualia), outlining the fields of enactive phenomenology and enactive ontology. (shrink)

What is color? What is color vision? Most philosophers answer by reference to humans: to human color qualia, or to the environmental properties or "quality spaces" perceived by humans. It is argued, with reference to empirical findings concerning comparative color vision and the evolution of color vision, that all such attempts are mistaken. An adequate definition of color vision must eschew reference to its outputs in the human cognition and refer only to inputs: (...) class='Hi'>color vision consists in the use of wavelength discrimination in the construction of visual representations. A color quality is one that is generated from such processing. (shrink)

Most philosophers appear to have ignored the distinction between the broad concept of Virtual Machine Functionalism (VMF) described in Sloman&Chrisley (2003) and the better known version of functionalism referred to there as Atomic State Functionalism (ASF), which is often given as an explanation of what Functionalism is, e.g. in Block (1995). -/- One of the main differences is that ASF encourages talk of supervenience of states and properties, whereas VMF requires supervenience of machines that are arbitrarily (...) complex networks of causally interacting (virtual, but real) processes, possibly operating on different time-scales, examples of which include many different procesess usually running concurrently on a modern computer performing various tasks concerned with handling interfaces to physical devices, managing the file system, dealing with security, providing tools, entertainments, and games, and possibly processing research data. Another example of VMF would be the kind of functionalism involved in a large collection of possibly changing socio-economic structures and processes interacting in a complex community, and yet another is illustrated by the kind of virtual machinery involved in the many levels of visual processing of information about spatial structures, processes, and relationships (including percepts of moving shadows, reflections, highlights, optical-flow patterns and changing affordances) as you walk through a crowded car-park on a sunny day: generating a whole zoo of interacting qualia. (Forget solitary red patches, or experiences thereof.) -/- Perhaps VMF should be re-labelled "Virtual MachinERY Functionalism" because the word 'machinery' more readily suggests something complex with interacting parts. VMF is concerned with virtual machines that are made up of interacting concurrently active (but not necessarily synchronised) chunks of virtual machinery which not only interact with one another and with their physical substrates (which may be partly shared, and also frequently modified by garbage collection, metabolism, or whatever) but can also concurrently interact with and refer to various things in the immediate and remote environment (via sensory/motor channels, and possible future technologies also). I.e. virtual machinery can include mechanisms that create and manipulate semantic content, not only syntactic structures or bit patterns as digital virtual machines do. -/- Please note: Click on the title above or the link below to read the paper. I prefer to keep all my papers freely accessible on my web site so that I can correct mistakes and add improvements. -/- http://www.cs.bham.ac.uk/research/projects/cogaff/misc/vm-functionalism.html -/- This is now part of the Meta-Morphogenesis project: http://www.cs.bham.ac.uk/research/projects/cogaff/misc/meta-morphogenesis.html. (shrink)

Computational neuroscience attributes coloured areas and other perceptual qualia to calculations that are realizable in multiple cellular forms. This faces serious issues in explaining how the various qualia arise and how they bind to form overall perceptions. Qualia may instead be neuroelectrical. Growing evidence indicates that perceptions correlate with neuroelectrical activity spotted by locally activated EEGs, the different qualia correlate with the different electrochemistries of unique detector cells, a unified neural-electromagnetic field binds this activity to form overall perceptions, and this (...) field interacts with sensory circuits to help attentively guide perception. The coloured areas in images may thus be seated in the electrochemistry of unique cells, while constancy mechanisms and other multiply realizable computations just help refine these images behind the scenes. This theory is ultimately testable. (shrink)

Synaesthesia is a condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces photisms, i.e. mental percepts of colours. R is a 20 year old colour blind subject who, in addition to the relatively common grapheme-colour synaesthesia, presents a rarely reported cross modal perception in which a variety of visual stimuli elicit aura-like percepts of colour. In R, photisms seem to be closely related to the affective valence of stimuli and (...) typically bring out a consistent pattern of emotional responses. The present case study suggests that colours might be an intrinsic category of the human brain. We developed an empirical methodology that allowed us to study the subject's otherwise inaccessible phenomenological experience. First, we found that R shows a Stroop effect elicited by photisms despite the fact that he does not show a regular Stroop with real colours. Secondly, by manipulating the colour context we confirmed that colours can alter R's emotional evaluation of the stimuli. Furthermore, we demonstrated that R's auras may actually lead to a partially inverted emotional spectrum where certain stimuli bring out emotional reactions opposite to the normal ones. These findings can only be accounted for by considering R's subjective colour experience or qualia. Therefore the present paper defends the view that qualia are a useful scientific concept that can be approached and studied by experimental methods. (shrink)

In a promising working note to the Visible and Invisible, Merleau-Ponty proposes that we understand Being according to topological space – relations of proximity, distance, and envelopment – and move away from an image of Being based on homogeneous, inert Euclidean space. With reference to treatments of cross-sensory perception, color-blindness, and the concept of quale or qualia, I seek to rehearse this shift from Euclidean to topological Being by illustrating how modern science confines color itself to a Euclidean (...) model of color space. I discuss “being as Object” in Merleau-Ponty’s later work before showing how color, and indeed all perception, is reduced to being as Object in the form of “quale”. Next, I address discussions in Merleau-Ponty’s work and contemporary research to illustrate how synesthesia and so-called color-blindness are rendered abnormal by this objectified being of color. Merleau-Ponty’s reading of synesthesia follows directly from his rejection of quale, and his use of color perception serves as a rejection of solipsism. With appeal to his proposed topological model of Being, I conclude by recognizing the problematic nature of synesthesia and color-blindness as being ontological, not psychological.Dans une note de travail, à mon sens décisive, du Visible et l’Invisible, Merleau-Ponty propose que l’on comprenne l’Être à partir de l’espace topologique – relations de proximité, distance et enveloppement – allant à l’encontre d’une l’image de l’Être fondée sur un espace euclidien homogène et inerte. En faisant référence aux traitements de la perception synesthésique, au daltonisme et au concept de quale ou qualia, j’essayerai de décrire ce passage de l’Être euclidien à l’Être topologique en montrant que la science moderne finit par confiner la couleur dans un modèle euclidien d’espace-couleur. J’examinerai « l’Être-objet » dans les derniers écrits de Merleau-Ponty avant de montrer comment la couleur, et plus en général la perception, est réduite à être comme un Objet dans la forme d’un « quale ». Ensuite, en examinant les analyses merleau-pontiennes et les recherches contemporaines, je montrerai comment la synesthésie et le daltonisme sont donc considérés comme anormaux à partir de cette objectivation de la couleur. La lecture que Merleau-Ponty donne de la synesthésie est la conséquence directe de son refus du quale, et l’utilisation qu’il fait de la perception des couleurs sert comme un refus du solipsisme. En faisant appel au modèle topologique de l’Être qu’il propose, je conclurai en constatant que la nature problématique de la synesthésie et du daltonisme est ontologique et non pas psychologique.In una nota di lavoro al Visibile e l’invisibile, Merleau-Ponty propone di comprendere l’Essere a partire da uno spazio topologico – secondo le relazioni di prossimità, distanza e avvolgimento – e abbandona l’immagine di un Essere fondato su uno spazio omogeneo, inerte, euclideo. Facendo riferimento ai trattamenti per le percezioni sinestetiche, al daltonismo e al concetto di quale o qualia, si cercherà di provare questo passaggio da un Essere euclideo a uno topologico, illustrando quanto la scienza moderna tenda a ridurre il concetto stesso di colore a un modello euclideo di spazio-colore. Si esaminerà l’“Essere-oggetto” degli ultimi lavori di Merleau-Ponty, mostrando come il colore, e in realtà la percezione tout court, vengano ridotti a oggetto nella forma di “quale”. Infine, si esaminerà l’opera merleau-pontiana e la ricerca contemporanea al fine di illustrare quanto la sinestesia e il daltonismo siano resi anormali da questa oggettivazione dell’essere del colore. L’interpretazione merleau-pontiana della sinestesia deriva proprio dal suo rifiuto del quale, e il suo uso della percezione del colore funge da rifiuto del solipsismo. Ricorrendo al modello topologico di Essere elaborato da Merleau-Ponty, si conclude riconoscendo che il problema della sinestesia e del daltonismo è, a tutti gli effetti, ontologico e non psicologico. (shrink)

The study of color expanded rapidly in the 20th century. With this expansion came fragmentation, as philosophers, physicists, physiologists, psychologists, and others explored the subject in vastly different ways. There are at least two ways in which the study of color became contentious. The first was with regard to the definitional question: what is color? The second was with the location question: are colors inside the head or out in the world? In this chapter, we summarize the (...) most prominent answers that color scientists and philosophers gave to the definitional and location questions in the 20th century. We identify some of the different points at which their work intersected, as well as the most prominent schisms between them. One overarching theme of the chapter is the surprising proliferation of different views on color. Whereas some assume that progress in science must take the form of convergence, the 20th century history of color exhibited a marked divergence in views. This chapter leaves it an open question whether an ultimate unification of views is possible, or whether the only thing that ties together the study of “color” is the shared inheritance of a word. (shrink)

How should we characterize the nature of perceptual experience? Some theorists claim that colour experiences, to take an example of perceptual experiences, have both intentional properties and properties called 'colour qualia', namely, mental qualitative properties which are what it is like to be conscious of colour. Since proponents of colour qualia hold that these mental properties cannot be explained in terms of causal relations, this position is in opposition to a functionalist characterization of colour experience.

A dual referent approach to colour theory maintains that colour names have two intended, equally legitimate referents. For example, one might argue that ‘red’ refers both to red appearances or qualia, and also to the way red objects reflect light, the spectral surface reflectance properties of red things. I argue that normal cases of perceptual relativity can be used to support a dual referent approach, yielding an understanding of colour whose natural extension includes abnormal cases of perceptual relativity. This contrasts (...) with Peacocke’s multi-referent view, according to which such abnormal cases force us to introduce a wholly distinct kind of colour experience. I also argue that the two uses of colour names, arising from their two referents, have different extensions, even in normal perceptual circumstances, a consequence which conflicts with the heart of Rosenthal’s dual referent view. (shrink)

Visual percepts frequently appear chromatically rich, yet their paucity in reportable information has led to widely accepted minimalist models of vision. The discrepancy may be resolved by positing that the richness of natural scenes is reflected in phenomenal consciousness but not in detail in the phenomenal judgments upon which reports about qualia are based. Conceptual awareness (including phenomenal judgments) arises from neural mechanisms that categorize objects, and also from mechanisms that conceptually characterize textural properties of pre-categorically segmented regions in the (...) visual field. Experimental evidence suggests that complex images instigate the generation of so-called ensemble phenomenal judgments. These involve concepts that categorize global attributes of segmented areas but carry no information pertaining to details. It is then argued that there are cogent reasons for believing that phenomenal percepts (i.e. qualia) arising from chromatically complex stimuli cohere in this ensemble sense with both the stimulus and with the resulting ensemble phenomenal judgments. Thus, spatially detailed retinal images are deemed to yield correspondingly detailed phenomenal experiences that are in turn conceptually apprehended via a relatively small number of ensemble phenomenal judgments. Lastly, it is suggested that the bridge locus for chromatically rich phenomenal experiences is most plausibly located early in the cortical visual pathway. (shrink)

Synaesthesia is a condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces photisms, i.e. mental percepts of colours. R is a 20 year old colour blind subject who, in addition to the relatively common grapheme-colour synaesthesia, presents a rarely reported cross modal perception in which a variety of visual stimuli elicit aura-like percepts of colour. In R, photisms seem to be closely related to the affective valence of stimuli and (...) typically bring out a consistent pattern of emotional responses. The present case study suggests that colours might be an intrinsic category of the human brain. We developed an empirical methodology that allowed us to study the subject's otherwise inaccessible phenomenological experience. First, we found that R shows a Stroop effect (delayed response due to interference) elicited by photisms despite the fact that he does not show a regular Stroop with real colours. Secondly, by manipulating the colour context we confirmed that colours can alter R's emotional evaluation of the stimuli. Furthermore, we demonstrated that R's auras may actually lead to a partially inverted emotional spectrum where certain stimuli bring out emotional reactions opposite to the normal ones. These findings can only be accounted for by considering R's subjective colour experience or qualia. Therefore the present paper defends the view that qualia are a useful scientific concept that can be approached and studied by experimental methods. (shrink)

The possibility that what looks red to me may look green to you has traditionally been known as "spectrum inversion." This possibility is thought to create difficulties for any attempt to define mental states in terms of behavioral dispositions or functional roles. If spectrum inversion is possible, then it seems that two perceptual states may have identical functional antecedents and effects yet differ in their qualitative content. In that case the qualitative character of the states could not be functionally defined.

Synaesthesia is a condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces photisms, i.e. mental percepts of colours. R is a 20 year old colour blind subject who, in addition to the relatively common grapheme-colour synaesthesia, presents a rarely reported cross modal perception in which a variety of visual stimuli elicit aura-like percepts of colour. In R, photisms seem to be closely related to the affective valence of stimuli and (...) typically bring out a consistent pattern of emotional responses. The present case study suggests that colours might be an intrinsic category of the human brain. We developed an empirical methodology that allowed us to study the subject's otherwise inaccessible phenomenological experience. First, we found that R shows a Stroop effect elicited by photisms despite the fact that he does not show a regular Stroop with real colours. Secondly, by manipulating the colour context we confirmed that colours can alter R's emotional evaluation of the stimuli. Furthermore, we demonstrated that R's auras may actually lead to a partially inverted emotional spectrum where certain stimuli bring out emotional reactions opposite to the normal ones. These findings can only be accounted for by considering R's subjective colour experience or qualia. Therefore the present paper defends the view that qualia are a useful scientific concept that can be approached and studied by experimental methods. (shrink)

In this paper I offer an explanation of the ineffability (linguistic inexpressibility) of sensory experiences. My explanation is put in terms of computational functionalism and standard externalist theories of representational content. As I will argue, many or most sensory experiences are representational states without constituent structure. This property determines both the representational function these states can serve and the information that can be extracted from them when they are processed. Sensory experiences can indicate the presence of certain external states (...) of affairs but they cannot convey any more information about them than that. So, format- or code-conversion mechanisms that link different systems of representation (linguistic and perceptual) to each other will fail to extract any relevant information from sensory experiences that could be coded in language. They only way to establish specific roles for sensory experiences in communication and the organization of behavior is to attach to them, by associative links, words, or other behavioral responses. If a sensory experience has no linguistic label associated to it in a particular subject, then no linguistic description can token, or activate, that state in the subject. In other words, no linguistic description can cause a subject to undergo an unlabeled perceptual state. On the contrary, complex, or syntactically structured perceptual states can be built up, on the basis of descriptions, by mechanisms of constructive imagination (conceived here as one sort of format conversion). It is this difference between complex and unstructured representational states that gives us an understanding of the phenomenon we call the ineffability of qualia. (shrink)

RÉSUMÉLes qualia n'existent pas. La différence phénoménologique entre voir et imaginer, c'est que les propositions auxquelles l'expérient commence à croire dans le premier cas sont uniquement considérées dans le second. Nous pouvons savoir «quel effet cela fait d’être une chauve-souris» en sachant que leur faculté d’écholocation les informe non-inférentiellement des formes, grandeurs, et distances directionnelles des surfaces à proximité. Toutefois, les termes désignant les qualités secondes (comme les couleurs) sont les noms des propriétés-types qu'ils désignent, et dérivent causalement d'un «baptême» (...) verbal; les expérients ne peuvent donc connaître le caractère des expériences de couleur sans étudier la physiologie du cerveau. (shrink)

The paper is a critical comment on D. Hoffman. The Scrambling Theorem: A simple proof of the logical possibility of spectrum inversion. Consciousness and Cognition, 2006, 15, 31–45.

Zoltan Jakab has presented an interesting conceptual analysis of the ineffability of qualia in a functionalist and classical cognitivist framework. But he does not want to commit himself to a certain metaphysical thesis on the ontology of consciousness or qualia. We believe that his strategy has yielded a number of highly relevant and interesting insights, but still suffers from some minor inconsistencies and a certain lack of phenomenological and empirical plausibility. This may be due to some background assumptions relating to (...) the theory of mental representation employed. Jakab. (shrink)

In view of the excellent arguments that have been put forth recently in favour of qualia, internal sensory presentations, it would strike an impartial observer - one could imagine a future historian of philosophy - as extremely odd why so many philosophers who are opposed to qualia, that is, sensory experiences internal to the brain, have largely ignored those arguments in their own. There has been a fashionable assumption that any theory of perception which espouses qualia has long since been (...) overcome by a number of 'formidable' objections, in particular, the Homunculus/Infinite Regress Objection, the Solipsism Objection, Austin's Illusion/Delusion Objection, the Ludicrousness-of-Colours-in-the-Brain Objection, the Indirect-Realist-has-to-assume-Direct-Realism Objection, the Impossibility-of-Comparing-Internal-with-External Objection, the Impossibility of Intrinsic Experience, and several more minor varieties of these. It is uncanny how they continue to be repeated, indeed, with a kind of automatism, evidenced by the fact that none of those who repeat them appear to have taken note of the answers to the objections. Indeed, they only appear to refer to those philosophers with whom they agree: it has long been insisted upon in the study of rhetoric that one of the weakest things to do in an argument is to ignore the main points made by one's opponent: [it is] the wisest plan _to state Objections in their full force_ ; at least, wherever there does exist a satisfactory answer to them; otherwise, those who hear them stated more strongly than by the uncandid advocate who had undertaken to repel them, will naturally enough conclude that they are unanswerable. It is but a momentary and ineffective triumph that can be obtained by man. (shrink)

The isomorphism constraint places plausible limits on the use of third-person evidence to explain color experience but poses no difficulty for functionalists; they themselves argue for just such limits. Palmer's absent qualia claim is supported by neither the Color Machine nor Color Room examples. The nature of color experience depends on relations external to the color space, as well as internal to it.

Palmer (1999) and the commentators examine whether qualia are produced by the relational processes of functionalism. This is an exploration of how qualia are produced. The wealth of data provided by the target article and the commentaries also provide information about what qualia are. The present commentary further explores this topic.

Color has been studied for centuries, but has never been completely understood. Digital technology has recently sparked a burgeoning interdisciplinary interest in color. The fact that color is a quality of perception rather than a physical quality brings up a host of interesting questions of interest to both artists and scholars. This volume--the ninth in the Vancouver Studies in Cognitive Science series--brings together chapters by psychologists, philosophers, computer scientists, and artists to explore the nature of human (...) class='Hi'>color perception with the aim to further our understanding of color by encouraging interdisciplinary interaction. (shrink)

To the familiar idea of an undetectable spectrum inversion some have added the idea of inverted earth. This new combination of ideas is even harder to make coherent, particularly as it applies to a supposed inversion of black and white counteracted by an environmental switch of these. Black and white exhibit asymmetries in their connections with illumination, shadow and visibility, which rule out their being reversed. And since the most saturated yellow is light and the most saturated blue dark, yellow (...) and blue could not be reversed unless light and dark could be. The difficulties suggest some more general morals for how to think of the role of 'qualia' in colour perception. (shrink)

Trichromacy may result from an adaptation to the regularities in terrestrial illumination. However, we suggest that a complete characterization of the challenges faced by colour perception must include changes in surface surround and illuminant changes due to inter-reflections between surfaces in cluttered scenes. Furthermore, our trichromatic system may have evolved to allow the detection of brownish-reddish edibles against greenish backgrounds. [Shepard].

Synesthesia is a condition in which features that ordinarily are processed by distinct perceptual or cognitive streams are bound together in a single stream, yielding an aberrant perceptual, image‐like or thought‐like experience. One of the most common forms of synesthesia is grapheme‐color synesthesia. It is divided into two distinct forms: Projector synesthesia, which tends to be perception‐like, and associator synesthesia, which tends to be more like imagery or thought. There has been an ongoing debate in philosophy about whether synesthesia (...) can provide any insight into the philosophical question of the nature of perception. I argue here that at least some forms of projector synesthesia provide a challenge for reductive representationalism, the view that the phenomenal properties of perceptual experience is exhausted by an externalist, representational content. I conclude by arguing that a rejection of representationalism does not saddle us with a peculiar qualia view. (shrink)

Rationalizing the perceptual effects of spectral stimuli has been a major challenge in vision science for at least the last 200 years. Here we review evidence that this otherwise puzzling body of phenomenology is generated by an empirical strategy of perception in which the color an observer sees is entirely determined by the probability distribution of the possible sources of the stimulus. The rationale for this strategy in color vision, as in other visual perceptual domains, is the inherent (...) ambiguity of the real-world origins of any spectral stimulus. (shrink)

Many current neurophysiological, psychophysical, and psychological approaches to vision rest on the idea that when we see, the brain produces an internal representation of the world. The activation of this internal representation is assumed to give rise to the experience of seeing. The problem with this kind of approach is that it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness. An alternative proposal is made here. We propose that seeing is a way of (...) acting. It is a particular way of exploring the environment. Activity in internal representations does not generate the experience of seeing. The out- side world serves as its own, external, representation. The experience of seeing occurs when the organism masters what we call the gov- erning laws of sensorimotor contingency. The advantage of this approach is that it provides a natural and principled way of accounting for visual consciousness, and for the differences in the perceived quality of sensory experience in the different sensory modalities. Sev- eral lines of empirical evidence are brought forward in support of the theory, in particular: evidence from experiments in sensorimotor adaptation, visual “filling in,” visual stability despite eye movements, change blindness, sensory substitution, and color perception. (shrink)

In the contemporary discussions concerning unconscious perception it is not uncommon to postulate that content and phenomenal character are ‘orthogonal’, i.e., there is no type of content which is essentially conscious, but instead, every representational content can be either conscious or not. Furthermore, this is not merely treated as a thesis justified by theoretical investigations, but as supported by empirical considerations concerning the actual functioning of the human cognition. In this paper, I address unconscious color perception and argue for (...) a negative thesis—that the main experimental paradigms used in studying unconscious color perception do not provide support for the position that conscious and unconscious color representations have the same type of content. More specifically, I claim that there is no significant support for the claim that unconscious vision categorically represents surface colors. (shrink)

Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Ren Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.