This paper examines the tension between creative destruction—an inherent feature of capitalist economies—and the ideal of autonomy. Creative destruction is vital for economic growth, but it undermines the conditions necessary for autonomy by disrupting individuals’ ability to plan their lives. This creates a dilemma: we must either abandon the ideal of autonomy or economic growth. The paper explores potential regulatory strategies to mitigate the impact of disruptive innovation on life plans, but argues these ultimately fail. It (...) then proposes a novel conception of autonomy consistent with capitalist creative destruction. With artificial intelligence poised to initiate unparalleled creative destruction, understanding this dilemma and potential solutions is crucial from an ethical perspective. The paper contends its revised conception of autonomy offers a path forward amidst transformative technological change. (shrink)

This paper argues that the idea of creative destruction enters the social sciences by way of Friedrich Nietzsche. The term itself is first used by German economist Werner Sombart, who openly acknowledges the influence of Nietzsche on his own economic theory. The roots of creative destruction are traced back to Indian philosophy, from where the idea entered the German literary and philosophical tradition. Understanding the origins and evolution of this key concept in evolutionary economics helps clarifying (...) the contrasts between today’s standard mainstream economics and the Schumpeterian and evolutionary alternative. (shrink)

The emergence of COVID-19 has made it ever more onerous for the world economy to rethink the way things are done and to be done. The need and almost compulsory way of services being catered for will never have been made so practically obvious without the influence of a pandemic like COVID-19. The world at some point in time was almost brought to a standstill, with services pertaining to supply-chain deliverables, education / professional development and many more almost brought to (...) a halt. This paper has the platform for critically assessing the pathway SSA economies (SSA) should follow, notably creativity in new technologies, while adopting a stance on ISI approach in order to reduce its reliance on the importation of essential commodities, which seem to have been a worrying concern throughout the crisis of COVID-19. Suggestions for SSA economies to embrace the notion of creative destruction is the focal point in this paper for the realization of growth and development, while at the same time harnessing the power of human integrity to champion competitive innovation. (shrink)

On one thing the whole world seems to agree: Globalization is homogenizing cultures. At least, a lot of countries are acting as if that’s the case. In the name of containing what the Canadian novelist Margaret Atwood calls “the Great Star-Spangled Them,” the Canadian government subsidizes the nation’s film industry and requires radio stations to devote a percentage of their airtime to home-grown music, carving out extra airplay for stars such as Celine Dion and Barenaked Ladies. Ottawa also discouraged Borders, (...) the American book superstore, from entering the Canadian market out of fear that it would not carry enough Canadian literature. The French government spends some US $3 billion annually on culture and employs 12,000 cultural bureaucrats in an effort to preserve its vision of a uniquely French culture. Spain, South Korea and Brazil place binding domestic-content requirements on their cinemas; France and Spain do the same for television. Until recently, India barred the sale of Coca-Cola. (shrink)

In the modern Middle East, the public institutions associated with the internationally recognized states of the region are rarely viewed as trustworthy or reliable. Born in the demise of the Ottoman Empire, midwifed by European imperial powers who paid lip service to the development of the inhabitants, and nurtured in the cold war by superpowers largely indifferent to the well-being of the peoples of the region, the existing states came to be associated with expectations of welfare provision and structures of (...) accountability that privileged external actors over local interests. In the absence of public institutions that responded to and represented local interests, people organized around those still vibrant alternative forms of community that existed – the exchange networks of informal economies or the kinship systems of extended families and the ethnic and religious communities of language, sect and confession – and sometimes they reorganized and reinterpreted these identities to supplement and ultimately supplant the failing states in which they found themselves. (shrink)

Three decades ago, planned obsolescence was a widely discussed ethical issue in marketing classrooms. Planned obsolescence is topical again today because an increasing emphasis on continuous product development promotes shorter durables replacement and disposal cycles with troublesome environmental consequences. This paper offers explanations of why product obsolescence is practiced and why it works. It then examines the ethical responsibilities of product developers and corporate strategists and their differing responses to this problem. Pro-environment product design and marketing practices and innovative government (...) policies may alleviate the problem over time. However, given the current lack of understanding about consumer replacement and disposal behavior, it is questionable as to whether these practices and policies will be sufficiently informed to be effective. Thus, marketing scholars have a significant opportunity to contribute to sustainable durables product development. (shrink)

‘Creative destruction’ is one of the most important analytical tools, taking into consideration both the economic and sociological characteristics of capitalist society. According to Schumpeter, in the long term, evolution gives rise to economic development resulting from batches of innovative solutions, leading to improvements in the standard of living. The innovation activity of firms is based on supply-side factors, hence it is large enterprises that excel in innovation since they strive to achieve a monopoly market position and above-average (...) profits. Schumpeter attempts to combine two elements: the spread of monopolies and the continuation of economic development, both occurring through innovation, which is far more important than price competition. The Schumpeterian ‘creative destruction’ permeates the main aspects of macroeconomic activity, not only in the long term, but also in the area of economic fluctuations, structural changes, or the functioning of markets. As a result, it becomes a factor determining changes in the economic order. The purpose of this paper is to analyse the role of territories in the process of creating and using knowledge and its impact on the economic efficiency of the companies which function within their boundaries. Regional cooperation increases the involvement of business entities in innovation activities, which translates into higher competitiveness of firms. Moreover, the awareness of the necessity of cooperation and use of innovation capital tends to grow. (shrink)

Economic models are founded in the idea of taking individuals' preferences as both known and given. This article explores the evolution of personal preferences, within a context of both entrepreneurial discovery and Objectivist philosophy. It begins by formalizing Ayn Rand's theory of Objectivism applied to human values, and continues by modeling preference changes similar to Schumpeter's theory of creative destruction—a process of self-discovery. Next the role of societal factors is examined in forming shared preference sets. Finally, the article (...) describes how the strength of human preferences is used to narrow choice sets in the presence of greater consumption options. (shrink)

The concept of Tabula Rasa, as a desire for sweeping renewal and creating a potential site for the construction of utopian dreams, is presupposition of Modern Architecture. Starting from the middle of the 19th century to the first half of the 20th century, Iranian urban and architectural history has been integrated with modernization, and western-influenced modernity. The case of Tehran as the Middle Eastern political capital is the main scene for the manifestation of modernity within it’s urban projects that was (...) associated with several changes to the social, political and spatial structure of the city. In this regard, the strategy of Tabula Rasa as a utopian blank slate upon which a new Iran could be conceived “over again” – was the dominant strategy of modernization during First Pahlavi era (1925–1941). This article explores the very concept of constructing a new image of Tehran through the processes of autocratic modernism and orientalist historicism that also influenced the discourse of national identity during First Pahlavi era. (shrink)

The Pfizer-BioNTech coronavirus vaccine is 90 percent effective in protecting against COVID-19. It would not have been possible without the tireless effort of Professor Katalin Karikó, a scientific innovator fitting the mold of dynamic inventor Arthur Diamond presents in his book, Openness to Creative Destruction Sustaining Innovative Dynamism. Not only did Professor Karikó persist in her beliefs in the therapeutic potential of synthetic messenger RNA over the course of four decades, but she did so despite the criticisms of (...) other scientists and despite lack of financial backing for large parts of her career. Professor Karikó is a good example of the unconventional picture that Diamond paints of entrepreneurs in a specific version of market capitalism he terms, innovative dynamism. Specifically, she is an example of someone who does not hold prevailing academic theories in too high a regard and instead privileges her tacit knowledge (knowledge gained from years of working with mRNA in the lab) to persist believing in the potential of a therapy that now could quite literally save the world. Most surprisingly, she, like most of the entrepreneurs surveyed in the book, seem not primarily motivated by profit, though the money their projects eventually attract is integral to disseminating their creative ideas to the masses. -/- Are the many examples offered by Diamond that are similar to Professor Karikó’s story evidence against the long-standing suspicion that there is something morally damning in the self-interested motivations of innovative entrepreneurship? Is it the case that others would have inevitably pursued the cure that Karikó pursued, regardless of economic system? In light of COVID-19 and other high-pressure situations, ought we to care how we constrain the innovators who develop solutions? Diamond’s case for the economic system, innovative dynamism, seeks to answer these and other important questions concerning our political and cultural treatment of innovators and entrepreneurs. This review critically assesses his efforts. I make my case by first reviewing the major argumentative structure of the book, then I summarize and evaluate the three major themes Diamond presents in the book: (1) what is innovative dynamism and who are its competitors, (2) what are the major benefits of innovative dynamism, (3) who is the innovative entrepreneur and how do we support him or her? (shrink)

Creativity is a powerful determinant of all economic activity, including competition. But its mirror image may be destructiveness, which cannot be ignored, either in life or in business. In fact, the nature of competition appears to involve synergy between the two. The author has considerable business experience as a Senior Executive of a medium‐sized textile group, and is now Visiting Lecturer in Social Ethics at Heythrop College, University of London, Kensington Square, London W8 5HQ. This paper was first presented at (...) a Seminar on Teaching Business Ethics held at London Business School on Friday, 10 March, 1995. (shrink)

Cultural transformation tends to be described in one of two ways: either with reference to what comes about, is created or emerges in the process of change or with reference to what is destroyed or obscured in that process. Within a performative paradigm, that is, from a perspective which focuses on the manner in which social and cultural reality is constituted or brought about by human activity, theorists have, in recent years, tended to underline the productive aspects of transformation by (...) emphasising the creative thrust of performative processes and events. In so doing, this perspective has tended to overlook the extent to which a certain destructive element may in fact be inherent to such performative processes. Drawing upon a range of historical and contemporary constellations of socio-cultural change and a variety of different types of events and activities, the articles in this volume describe different forms of destruction and their respective role in processes of transformation."--Page 4 of cover. (shrink)

A Christian worldview entreats humans to live in ethical relationship with the natural world; our current ecological crisis makes that call of crucial and immediate importance. If humans, and Christians in particular, are to adequately participate in care for creation, then we must proceed with both ecological and theological knowledge about the natural world. In both scientific and theological analyses, we uncover not only creative processes of growth, but elements of chaos and destruction. The carbon cycle, food webs, (...) and evolution are examples of where the earth’s survival depends upon destructive processes. In parallel fashion, God’s activity in Scripture also entails chaos and destructive activity, such as the flood in Genesis, the wisdom of the Book of Job, and Paul’s reflection on creation in Romans. This article argues that humans, called to be co-creators with God, thus need to integrate destructive activity into our framework of what it means to “cocreate,” thereby participation in creation in a more holistic manner. Far from unleashing unrestricted destruction on the world, such a framework offers ethical guidelines for destroying and creating in ways that support the overall flourishing of the natural world. (shrink)

Creative Class, Creative Economy, and the Wisdom Society as a Solution to their Controversy The paper briefly introduces the notion of creativity, linking the concepts of creative class and the related creative economy that are considered by Florida and his followers as the driving force of the current social and economic development. The concept of creative economy and its quantification in form of the Creative Class Index 3T or the Euro-Creativity Index were submitted to (...) strong critique.The critics overturn some key issues of the concept of creative class with an indication that the creative people give priority in choosing the work from the place; and there is no or almost nil correlation of a perceptual representation of the persons of homosexual orientation and the high-tech growth which confirms the opinion that the assertion about higher creativity of homosexual persons is a myth only. The purpose of the article is the examination of propriety of the concept of creative class and its quantification at one hand, and the rightfulness of their critique at the other. The analysis of the axiology of the concept of creative class is the method of examination. From point of view of axiology probably the most significant characteristic of the creative class is its accompanying destruction of thee social capital of creative people and it substitution of the creative capital. The rise of creative class takes place in parallel with the implosion of values at which basis our Jewish-Christian civilization is established. To this Florida expresses rather vague attitude by a statement that all socio-cultural changes that accompany the rise of the creative class will have no favorable impact on society.Florida labeled creativity as a basic human law, furthermore, he announced the need for a new live style in which the quality of life will increase and people become better men. The concept of creativity as an instrument of urban planning evolved into a left-liberal ideology with elements of social engineering that is the most important finding of the axiological analysis. The second finding is the need to accept the meaning of creativity. By implication of the two findings there arises a proposal for wisdom as a new driving force of social and economic development. The conclusion is the contribution is a requirement for formulation of the concept of wisdom society that is currently likely absent in the academic world, and the statement that if the West will not create the wisdom society, it will lose the raison d'être of its existence. (shrink)

Purpose ‐ The purpose of this paper is to explore the "resource curse" problem as a counter-example of creative performance and innovation by examining reliance on capital and physical resources, showing the gap between expectations and ex-post actual performance that became clearer under conditions of economic turmoil. Design/methodology/approach ‐ The analysis uses logistic regressions with dichotomous response and predictor variables on structured tables of count data, representing firm performance as an outcome of capital resources, physical resources and innovation where (...) appropriate. Findings ‐ Key findings relevant to economic and business practice follow. First, a typical characteristic of successful Vietnamese firms in the transition period is their reliance on either capital resources or physical asset endowments. Second, poor performers exhibit evidence of over-reliance on both capital and physical assets. Third, firms that relied on both types of resources tended to downplay creative performance. Some evidence suggests that firms face more acute problem caused by the law of diminishing returns in troubled times. Fourth, the "innovation factor" has not been tapped as a source of economic growth. Research limitations/implications ‐ This study has some limitations. The size of the survey sample is approximately 150 firms, while the potential sample of > 300 should be possible in the future. When the size increases, the research could be expanded to include further variables that will help investigate more deeply into the related issues and business implications. With regard to the implications of the study, the absence of innovations has made the notion of "resource curse" identical to "destructive creation" implemented by ex-ante resource-rich firms, and worsened the problem of resource misallocation in transition turmoil. The Vietnamese corporate sector's addiction to resources may contribute to economic deterioration, through a downward spiral of lower efficiency leading to consumption of more resources. Practical implications ‐ Insights obtained from this study could save transition economies' resources which have almost always been considered sine qua non before any critical major policymaking, while this is not necessarily true, and in many cases, even counterproductive. Originality/value ‐ Original data set on Vietnam stock market are collected, processed, prepared and used by the authors. Original design by the authors for regression equations with dichotomous predictor variables: dependence on endowed physical assets, reliance on capital resources and significant signs of creative performance/innovations. Original idea of viewing "resource curse" as absence of innovation and due to uncreative "destructive creation" of poor-performing commercial operations by resource-rich firms is used in the paper. We have searched the literature in business research and found that the empirical results have not been previously reported. (shrink)

The paper poses a question why creative processes are more and more often related to technologies and that is clearly visible in institutionalized scientific, cultural and political discourses. It is noteworthy that technologies, creative technologies including, are becoming instrumental mind-based methods, which aim to perform everything more efficiently, more economically and more advantageously. This way creative activity loses its essence and becomes a commodity easily defined in economic categories, and thus it is employed as an effective means (...) used to control, influence and even manipulate the human consciousness. It is likely that modern technologies push everything that is essential to human life to periphery, everything that joins people for shared activities and has intrinsic values. The paper attempts to show that even the so-called “scientific axiology” based on formal social technologies is unable to deal with axiological problems of creative human essence if personal or subject-related intrinsic values are not taken into account. This way it is most likely to happen that such evaluation which emphasizes individual and unique emotional and spiritual human reality tends to be downplayed. This fact corroborates intuitive understanding that technologies employed in creative activities should serve only as a supplementary tool but not become a self-contained tool which overshadows transcendental human creative powers.It points to the conclusion that though the usage of technical terms in contemporary science and art (culture, in general) is hardly avoidable, it should be attempted to return to the initial concept of creativity according to which it is perceived as a spontaneous self-expression. The underlying reason for the idea is that penetration of modern technologies into the domain of artistic creativity destroys the human essence, and turning creativity into a technological process leads to inevitable destruction of a creative process. (shrink)

Life is fundamentally unequal, shaped by the arbitrary circumstances of birth and fate. The chapter critically explores the role of intellectual property (IP) law within the framework of meritocracy, arguing that meritocratic IP can provide effective incentives to fostering creativity, commerce, and innovation, to move up one’s position in society and change the culture in the process. However, meritocratic IP should not be used to justify or perpetuate inequality. IP rights, copyright, patents, trademarks, geographical indications (GIs), cultural heritage rights (CHR), (...) and trade secrets, are analyzed for their meritocratic value and their potential to either exacerbate or mitigate inequality. The digital transformation and the rise of artificial intelligence (AI) present new challenges, where creative destruction may widen income inequality while also lowering resource inequality by increasing access to goods and services. Additionally, the spatial and cultural dimensions of IP, particularly in the context of GIs and CHRs, are examined for how they can entrench existing disparities. The chapter advocates for a recalibration of IP law that better aligns with true meritocratic principles while ensuring that it does not reinforce inequality. It calls for a more flexible and inclusive IP system that respects both the heritage of the past and the innovation of the future, ultimately aiming to create a society where meritocracy drives inclusive progress and shared prosperity rather than entrenched inequities. (shrink)

Free agents can create and destroy value, for how much value is realized may well depend on what such agents choose to do. Not only may such agents create and destroy value, but such creation and destruction seem to involve a dimension of value: I call it creative value. An explication of the twin concepts of creating value and creative value is given, motivated by two desiderata. It is then shown that creative value turns out to (...) be equivalent to what Nozick has dubbed originative value, when his suggestive remarks are given a rigorous, although very natural, interpretation. Thus two highly plausible, but quite different, ways of characterizing creative value converge on a single concept. Furthermore, the account throws considerable light on two further areas of moral theory (namely, moral satisficing and the comparison principle) which turn out, rather unexpectedly, to be linked. (shrink)

This article considers revolution as a political clash and revolutionism as an aesthetic position, which is a topic inspired by the philosophical, social, and aesthetic experience of the twentieth century. This topic has been considered on the eve of the 100-year anniversary of the October Revolution. The author proceeds from the claim that one of the theatrical geniuses, Vsevolod E. Meyerhold, was, above all, a man of politics, while the other, Yevgeny B. Vakhtangov, was first and foremost a man of (...) art. The revolutionary pathos of Vakhtangov’s work is paradoxically actualized through the concept of myth and compassion as an alternative to cruelty and destruction. The personality of Meyerhold is described within the context of the revolutionary scene and in the unique mode of revolutionary nature and action. The experience of these theatrical geniuses in all their personal contradictions and artistic difference shows that it is possible to live during a time of revolution, but it is impossible to live in a constant state of revolution. Only creativity, as a source of hope and harmony, is an alternative to chaos and destruction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the most basic category (...) in Whitehead's metaphysics in Process and Reality, "The Category of the Ultimate." The term "processive cosmos" echoes the full title of Whitehead's magnum opus: Process and Reality: An Essay in Cosmology. For Whitehead's metaphysics is both a philosophy of process and a philosophical cosmology. Thus, as the term "ethics" implies, Henning's book "presents a Whiteheadian ethic" (p. 8), an ethics grounded in Whitehead's metaphysics. This ethics is grounded particularly in Whitehead's axiology of aesthetic value (hence the term "beauty"), and it includes an environmental ethics (hence the linkage of the terms "morality" and "nature"). The inclusion of environmental ethics is central to the book's aim:If we are to have any hope of reversing the potentially catastrophic destruction and consumption of our natural environment, we must devise an ethical theory grounded in an axiology that acknowledges that every individual—from the most insignificant flicker of existence at the opposite end of the universe to complex individuals such as ourselves—has value not only for itself, but for others, and for the whole of reality.(p. 2)"The aim of this project, then, is," according to Henning's own summary, "to develop and defend a holistic, organic ethical theory grounded firmly in Whitehead's aesthetico-metaphysics of process" (p. 3).Indeed, Henning's project is worthwhile. Traditional ethical theory should be enlarged to include environmental ethics. Insofar as an ethics can be grounded on a metaphysics, it is important to explore how an ethics can be grounded on Whitehead's metaphysics. Since Whitehead's metaphysics is a philosophical cosmology, it is especially suitable as a grounding for an environmental ethics. Accordingly, in reading Henning's book, process philosophers should encounter many interesting ideas. [End Page 450]Nonetheless, the book has some significant flaws. First, there is a problem of audience. In addition to process philosophers, Henning wants his book to be accessible to philosophers who are not conversant with Whitehead's metaphysics, as the following passage evidences:Anyone seeking to develop a moral philosophy based on Whitehead's work faces many challenges. One obvious reason for the relative lack of attention given to Whitehead's work by mainstream environmental and moral philosophers is the density and abstruseness of the texts themselves. Coupled with the generally unfavorable view of metaphysical speculation among most contemporary ethicists, this has led many to admire Whitehead's work from afar. Given this, a secondary, though not unimportant, goal of this project is to show the value of Whitehead's complex process metaphysics for moral and environmental philosophy by presenting it in language that strives for clarity and seeks to do justice to the richness and nuances of his thought.(p. 8)Unfortunately, in the judgment of this reviewer, this secondary goal is not accomplished. The first chapter of Henning's book ("From Mechanism to Organism") contains an exposition of Whitehead's metaphysics (pp. 27–37). But this exposition is far too brief. Whitehead's technical terms are not explained sufficiently, and quotations from his writings are used too frequently. In subsequent chapters, an understanding of his metaphysics is presupposed. For example, the second chapter ("An Ecstatic Axiology") defends "an alternative to the classical interpretation of Whitehead's metaphysics" (p. 42), namely, "the ecstatic interpretation" (p. 51). (The classical interpretation is exemplified by Ivor Leclerc and William Christian, and the alternative interpretation by Jorge Nobo and Judith Jones.) Specialists in Whitehead should find this second chapter accessible, but nonspecialists are likely to find it unenlightening. Before attempting to read Henning's interesting book, I would encourage mainstream environmental and moral philosophers to study Whitehead's metaphysics from other sources.Acceptance of Henning's aim of developing an ethics grounded in Whitehead's metaphysics is impeded by "the... (shrink)

The article presents a theoretical analysis of the extramural polemic between Slavoj Žižek and Evald Ilyenkov, undertaken in the context of the search for the foundational underpinnings of the two philosophers’ perspectives on the limit-logical definitions of being. It shows how this apparently “abstract” search grows out of the socio-historical circumstances of the thinkers’ lives, which are inscribed in the dramatic conditions of existence of the political events of the twentieth century. The active life-political position of the follower of Marx’s (...) ideas, figuratively expressed in the text by Lenin’s term “tactics of social democracy” (Lenin 1962), is justified by one or another cognitive position: the unified attitude “not to explain but to transform the world” breaks down into various “tactics” precisely in the attempt to solve the problem of radical negativity (as Žižek formulates it). This is expressed in the division of Marxism into “Western” and “Eastern”. This article analyzes the legitimacy of such a division and shows the conditions for a disintegration of the divide. The relation of Ilyenkov and Žižek to Hegel’s works turns out to be the key to understanding this division, and consequently to the essential difference in socio-political attitudes and “tactics”, of which they are creative representatives. The analysis leads to the formulation of the “germ cell” of disagreement between Ilyenkov and Žižek—the problem of the universal—which unfolds in the difference between the thinkers’ positions on certain theoretical points. The limitation of Ilyenkov’s position, established under the fire of Žižek’s criticism, is removed, according to the author, by the development of a new category of “fractality”, which acts as a counterpart to the main dialectical category of “totality” and provides a concrete (in the Hegelian sense) solution to the problem of radical negativity in the spirit of the classical philosophical tradition. (shrink)

Dynamics concerns the process of change in variable conditions through time at any level of analysis. Various important issues or topics in stakeholder theory and practice involve consideration of change over time and thus unavoidably involve dynamics. While dynamics has received explicit recognition in stakeholder literature, dynamic analysis remains partly tacit and suffused through the literature. One reason is that dynamics remains difficult to model even in economics. This article provides a basic orientation to stakeholder dynamics as a key conceptual (...) and methodological issue for stakeholder thinking. This article identifies current literature concerning stakeholder dynamics and evaluates future directions in dynamic reasoning that would help build stakeholder theory and improve practice of stakeholder management. Notions of competition, influence strategies, change in stakeholder networks, mindsets, salience or values, learning, creative destruction, long-term sustainability, stakeholder reciprocity, sustainable development, and value creation all embed change and thus time dynamics. Static complexity and heterogeneity across units-of-analysis are not the same as dynamics but do also change over time. Dynamics concerns how change process influences consequences (later in time) in relationship to antecedents (earlier in time). Management copes with change process, as much as with complexity and variation in antecedents and consequences. (shrink)

Self-serving leadership is a form of unethical leadership behavior that has destructive effect on its targets and the overall organization. Adopting a social cognition perspective, this study expands our knowledge of its adverse effect and the way to mitigate the effect. Integrating two sub-theories of social cognition, we propose a theoretical model wherein self-serving leadership hinders team creativity through psychological safety as well as knowledge hiding, with task interdependence acting as a contextual condition. Results from a sample of 107 R&D (...) teams revealed that self-serving leadership not only reduced team psychological safety, but also induced team knowledge hiding, both of which ultimately affected team creativity. The presence of high task interdependence buffered the destructive effect of self-serving leadership on team creativity via team psychological safety as well as the indirect effect via knowledge hiding. (shrink)

Free will skepticism maintains that what we do, and the way we are, is ultimately the result of factors beyond our control and because of this we are never morally responsible for our actions in the basic desert sense—the sense that would make us truly deserving of praise and blame. In recent years, a number of contemporary philosophers have advanced and defended versions of free will skepticism, including Derk Pereboom (2001, 2014), Galen Strawson (2010), Neil Levy (2011), Bruce Waller (2011, (...) 2015), and myself (Caruso 2012, 2013, forthcoming). Critics, however, often complain that adopting such views would have dire consequences for ourselves, society, morality, meaning, and the law. They fear, for instance, that relinquishing belief in free will and basic desert moral responsibility would leave us unable to adequately deal with criminal behavior, increase anti-social conduct, and undermine meaning in life. -/- In response, free will skeptics argue that life without free will and basic desert moral responsibility would not be as destructive as many people believe (see, e.g., Pereboom 2001, 2014; Waller 2011, 2015; Caruso 2016, forthcoming). According to optimistic skeptics, prospects of finding meaning in life or of sustaining good interpersonal relationships, for instance, would not be threatened. And although retributivism and severe punishment, such as the death penalty, would be ruled out, incapacitation and rehabilitation programs would still be justified (see Pereboom 2001, 2013, 2014; Levy 2012; Caruso 2016; Pereboom and Caruso, forthcoming). In this paper, I attempt to extend this general optimism about the practical implications of free will skepticism to the question of creativity. -/- In Section I, I spell out the question of creativity and explain why it’s relevant to the problem of free will. In Section II, I identify three different conceptions of creativity and explain the practical concerns critics have with free will skepticism. In Section III, I distinguish between three different conceptions of moral responsibility and argue that at least two of them are consistent with free will skepticism. I further contend that forward-looking accounts of moral responsibility, which are perfectly consistent with free will skepticism, can justify calling agents to account for immoral behavior as well as providing encouragement for creative activities since these are important for moral and creative formation and development. I conclude in Section IV by arguing that relinquishing belief in free will and basic desert would not mean the death of creativity or our sense of achievement since important and realistic conceptions of both remain in place. (shrink)

Gerard Manley Hopkins is best remembered for his celebratory 'nature sonnets'— 'Pied Beauty', 'God's Grandeur', and 'The Windhover'. Less than a year before his death, however, Hopkins drew on ideas associated with the ancient Greek thinker Heraclitus of Ephesus to express a darker view of nature. In 'That Nature is a Heraclitean Fire and of the Comfort of the Resurrection’ Hopkins offers a vision of nature and human existence marked by dissolution and destruction. But the poet rejects that apocalyptic (...) vision in favor of the Christian promise of salvation: ‘in a flash, at a trumpet crash/ I am all at once what Christ is…’ In articulating his dark vision of nature Hopkins followed Heraclitus’ fragment B 30: ‘this cosmos…a fire.’ However, Heraclitus’ cosmos ‘always was, is, and will be, an ever-living fire, kindled in measures and extinguished in measures.’ It was not, therefore, the one-way descent to destruction Hopkins described. (shrink)

Although many writers and scholars struggle to cross the threshold between literary expressive culture and activism, poet Rita Wong has fostered and bridged both collaborative artistic and direct-action social justice work. Wong’s collaborations with Dorothy Christian, Larissa Lai, Cindy Mochizuki, and Fred Wah illuminate the promise of creative practice in confronting racial capitalism and climate destruction. This essay draws from the social movement theory of prefigurative politics, routed through abolition feminism and Indigenous place-based epistemology, to account for ethical (...) consistencies between Wong’s poetics, collaborative artistic practice, and direct-action interventions. Prefigurative politics conveys “the embodiment, within the ongoing political practice of a movement, of those forms of social relations, decision-making, culture, and human experience that are the ultimate goal” (Boggs, 1977, p. 100). Wong’s work focuses on “Reckoning” at the pivot point of climate destruction: she writes, “our common survival depends on our collective ability to address the environmental devastation that has accelerated in this century, a devastation that will not end unless we learn to live by values that manifest and respect Indigenous relationships to the land and waters” (Wong, 2012, p. 535). Her scholarship and collaborative poetic engagements have attended to “Repairing” with words, performance, bodily engagement, and crafting a paradigm shift in alliance with human and nonhuman others, thinking with and through water. And Wong “Reworlds” through experimental and imaginative building of new relations, telling new stories. In keeping with prefigurative social movement practice, she and her collaborators act as if that new world has already arrived. (shrink)

Far from the harmony of the Greek statues, the Renaissance proportions in which is reflected metaphysical beauty, the clarity of Realism and the tranquility of Impressionism, the art of the 20th century is turning to new expressive possibilities and new, often incomprehensible, perhaps even meaningless, forms of communication. One of the most provoking artistic expressions is auto‑destructive art that appears in the 60s of the last century. The creator of the concept and author of the manifesto on auto‑destructive art, Gustav (...) Metzger (1926–2017) successfully combined his own political and ethical preoccupations with his work and showed a great degree of engagement with current issues of society and its (re) humanization. Auto‑destructive artistic expression should not be interpreted as a negation of painting, but rather as a creative process that carries a strong social and ethical message. (shrink)

Publication date: 16 April 2018 Source: Author: Svitlana Serdiuk, Dmytro Volkov This article highlights the results of the research on psychological features of eschatological expectations of young people with different levels of creative thinking. Our study shows that 26 % of respondents believe that the End of the World will not arrive. Twenty-four per cent of respondents are skeptical about the likelihood of the Apocalypse, but they admit its possibility. Thirty-seven per cent of respondents believe that the End of (...) Time will not come soon and the remaining 13% expect the Apocalypse very soon. Some respondents indicate that growth in the rate of prophecies connected with the End of the World in recent years suggests that humanity itself seeks it, while 9 % of respondents state the religious point of view in their works. Also 9 % of respondents believe that there will be no destruction of civilization or destruction of the planet but there will be a mental transition to another level of being. The existence of correlation between creative thinking and eschatological expectations was also empirically established in our study, especially in the group of respondents with a high level of verbal creativity. There is no correlation between the index of non-verbal creativity, personal religiosity and eschatological expectations in the sample. These results confirm that our study is relevant and offers great prospects for further scientific research. (shrink)

In his essay “Goddesses of the Twenty‐first Century,” R. Buckminster Fuller's use of woman and goddess as metaphor suggests a fruitful source of images illuminating synergetic principles. Using five images, clustered as odyvessel‐matrix, the article suggests an epistemology and a heuristic for connecting the personal‐physical and the universal‐metaphysical. These images are (1) the Egyptian goddess Nut, (2) the Greek earth goddesses, (3) Neolithic Maltese goddess temples, (4) the double spiral, and (5) the Apollo Mission's Earth photographs. These images are intended (...) as transformational synergetic/ecofeminist figures to replace images of deprivation, alienation, and destruction with images of abundance, intimacy, and co‐creation. (shrink)

The article considers the meaning of freedom in the context of the revolution, its interpretation by social philosophers of the second half of the 20th century (H.Arendt, H.Marcuse, E.Fromm, Y.Habermas and other scientists). It is emphasized that the struggle for freedom can be one of the factors of the beginning of revolutionary events, at the same time, revolutionary events can cause a new round of the struggle for freedom. Investigating the genesis of the concept of “revolution”, it is noted that (...) in the political aspect, the origins of the revolution lie in the plane of “civil disorder” of the ancient polis. At the initial stage, there was an understanding of the revolution as a restoration, an attempt to find the absolute in the past, and a fear of founding something completely new. Based on the comparative characteristics of the French and American revolutions, it is noted that initially they were perceived by their participants primarily as an uprising against tyranny and oppression, as a return to the old just order. The revolutionary goals of the American and French revolutions were identical – freedom from domination. But unlike the French, the American revolution focused not on liberation, but on the establishment of a new republic, a new type of government. Thus, the French revolution was the revolution of the liberators, and the American revolution was the revolution of the founders. A key difference between the French and American revolutions was the assessment of freedom as the main goal of the revolution: the French revolution rose against a limited monarchy, the American revolution against an absolute one. The American Revolution was aimed at the formation of new institutions, a system of checks and balances, and the division of power into separate branches of government. The French Revolution almost immediately lost the public political space, personal “political freedom” was replaced by the “unified will of the people”, and the destruction of the old system did not lead to the proper formation of the new one. Despite the obvious success of the American revolution, it was the French revolution with all its problems and pitfalls that became the prototype of almost all revolutions of the 19th and 20th centuries. (shrink)

The importance of applying game theory to the evolution of information in the presence of noise has recently become widely recognized. This Special Issue addresses the theme of spontaneously emergent order in both classical and quantum systems subject to external noise, and includes papers directly related to game theory or the development of supporting techniques. In the following editorial overview we examine the broader context of the subject, including the tension between the destructive and creative aspects of noise, and (...) foreshadow the significance of some of the subsequent papers in the volume. (shrink)

The importance of applying game theory to the evolution of information in the presence of noise has recently become widely recognized. This Special Issue addresses the theme of spontaneously emergent order in both classical and quantum systems subject to external noise, and includes papers directly related to game theory or the development of supporting techniques. In the following editorial overview we examine the broader context of the subject, including the tension between the destructive and creative aspects of noise, and (...) foreshadow the significance of some of the subsequent papers in the volume. (shrink)

The disruption -- Capital assembled -- Capital goes to work -- Capital goes to market -- Capital evolves -- The geography of it all -- Creative destruction on the land -- What is to be done? And who is going to do it?

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the most basic category (...) in Whitehead's metaphysics in Process and Reality, "The Category of the Ultimate." The term "processive cosmos" echoes the full title of Whitehead's magnum opus: Process and Reality: An Essay in Cosmology. For Whitehead's metaphysics is both a philosophy of process and a philosophical cosmology. Thus, as the term "ethics" implies, Henning's book "presents a Whiteheadian ethic" (p. 8), an ethics grounded in Whitehead's metaphysics. This ethics is grounded particularly in Whitehead's axiology of aesthetic value (hence the term "beauty"), and it includes an environmental ethics (hence the linkage of the terms "morality" and "nature"). The inclusion of environmental ethics is central to the book's aim:If we are to have any hope of reversing the potentially catastrophic destruction and consumption of our natural environment, we must devise an ethical theory grounded in an axiology that acknowledges that every individual—from the most insignificant flicker of existence at the opposite end of the universe to complex individuals such as ourselves—has value not only for itself, but for others, and for the whole of reality.(p. 2)"The aim of this project, then, is," according to Henning's own summary, "to develop and defend a holistic, organic ethical theory grounded firmly in Whitehead's aesthetico-metaphysics of process" (p. 3).Indeed, Henning's project is worthwhile. Traditional ethical theory should be enlarged to include environmental ethics. Insofar as an ethics can be grounded on a metaphysics, it is important to explore how an ethics can be grounded on Whitehead's metaphysics. Since Whitehead's metaphysics is a philosophical cosmology, it is especially suitable as a grounding for an environmental ethics. Accordingly, in reading Henning's book, process philosophers should encounter many interesting ideas. [End Page 450]Nonetheless, the book has some significant flaws. First, there is a problem of audience. In addition to process philosophers, Henning wants his book to be accessible to philosophers who are not conversant with Whitehead's metaphysics, as the following passage evidences:Anyone seeking to develop a moral philosophy based on Whitehead's work faces many challenges. One obvious reason for the relative lack of attention given to Whitehead's work by mainstream environmental and moral philosophers is the density and abstruseness of the texts themselves. Coupled with the generally unfavorable view of metaphysical speculation among most contemporary ethicists, this has led many to admire Whitehead's work from afar. Given this, a secondary, though not unimportant, goal of this project is to show the value of Whitehead's complex process metaphysics for moral and environmental philosophy by presenting it in language that strives for clarity and seeks to do justice to the richness and nuances of his thought.(p. 8)Unfortunately, in the judgment of this reviewer, this secondary goal is not accomplished. The first chapter of Henning's book ("From Mechanism to Organism") contains an exposition of Whitehead's metaphysics (pp. 27–37). But this exposition is far too brief. Whitehead's technical terms are not explained sufficiently, and quotations from his writings are used too frequently. In subsequent chapters, an understanding of his metaphysics is presupposed. For example, the second chapter ("An Ecstatic Axiology") defends "an alternative to the classical interpretation of Whitehead's metaphysics" (p. 42), namely, "the ecstatic interpretation" (p. 51). (The classical interpretation is exemplified by Ivor Leclerc and William Christian, and the alternative interpretation by Jorge Nobo and Judith Jones.) Specialists in Whitehead should find this second chapter accessible, but nonspecialists are likely to find it unenlightening. Before attempting to read Henning's interesting book, I would encourage mainstream environmental and moral philosophers to study Whitehead's metaphysics from other sources.Acceptance of Henning's aim of developing an ethics grounded in Whitehead's metaphysics is impeded by "the... (shrink)

ABSTRACT:In this updated and revised version of his 2008 Society for Business Ethics presidential address, Richard Nielsen documents the characteristics and extent of the 2007–2009 economic crisis and analyzes how the ethics issues of the economic crisis are structurally related to a relatively new form of capitalism, high-leverage finance capitalism. Four types of high-leverage finance capitalism are considered: hedge funds; private equity-leveraged buyouts; high-leverage, subprime mortgage banking; and high-leverage banking. The structurally related problems with the four types of high-leverage finance (...) capitalism converged in something of a perfect economic storm. Explanations for the crisis are offered in the context of the type of the high-leverage finance capitalism system that permitted and facilitated the economic crisis. Ethics issues and potential reforms are considered that may be able to mitigate the destructive effects of what Schumpeter referred to as the “creative destructive” effects of evolutionary forms of capitalism while realizing the Aristotelian economic ideal of creating wealth in such a way as to make us better people and the world a better place. (shrink)

La 4e de couverture indique : "Il faut revenir sur le concept de destruction créatrice formulé en 1942 par Joseph Schumpeter. Ce concept a eu une postérité extraordinaire. Aujourd'hui encore il fait office d'évidence pour les élites économiques et politiques de la mondialisation. Mais, à bien y réfléchir, il s'agit d'une ineptie. Comment a-t-on pu penser, durant plusieurs décennies, qu'une opération de destruction pouvait être créatrice? C'est cette fausse évidence qui explique la myopie écologique et anthropologiquéconomie mondialisée au (...) début du XXIe siècle. Il est indispensable d'enterrer définitivement l'illusion de la destruction créatrice. Mais pour cela il faut d'abord identifier toutes les sources de la culture occidentale auxquelles ce mythe vient s'abreuver. Mettre à jour les tenants et aboutissants de ce concept, pour en désamorcer la puissance ravageuse, est sans doute la première étape nécessaire à la reconstruction d'un projet de civilisation réellement soutenable sur le long terme.". (shrink)

Longing is a universal human experience, born of the inevitable gulf between dream and reality, what we need and what we have. While the experience of longing may arise from loss or the awareness of a void in one’s life, it may also become a powerful engine of spiritual growth, prompting one to draw closer to the hidden yet present “Other.” Across the range of Jewish teachings, longing takes center stage in one’s spiritual life. From the Bible through current frontiers (...) in Jewish belief and practice, God is both known and unknown, immediate and remote, present and in constant eclipse. This book captures the sense of longing in Jewish tradition by creating a dialogue between the author’s own struggles with an estranged father and a wide range of traditional and contemporary sources. Focusing on the story of the Hebrew prophet Elisha, the book takes the reader through a journey of abandonment, creative destruction, and ultimately repair and healing, engaging with currents in biblical theology, rabbinic thought, Kabbalah, and contemporary Jewish philosophy. Written in a familiar yet probing style, this book is an accessible introduction to Jewish thought and spirituality as well as a thoughtful companion for more experienced students. (shrink)

ABSTRACT The financial crisis is, in part, an embarrassment for economic theory. Economists tended to think that severe business cycles had been conquered; that free markets require no regulations to constrain self‐interest; and that large, established companies could be trusted to monitor their own behavior so as to preserve their reputational capital. These three beliefs have proved to be inaccurate. On the other hand, economists justifiably believe that as a process of creative destruction, capitalism requires institutions that allow (...) for innovation and the reallocation of resources toward firms that have successfully innovated. This suggests that we should not condemn wholesale even the financial innovations that played a role in the crisis, which have been remarkably productive and will continue to be, given the right regulations. Nor should economists hesitate to say that political reactions to the crisis that hamper such innovation and reallocation may do far more harm than good. (shrink)

The subject of this essay is the modern theology of work. Contrary to neoplatonism that condemned matter as unworthy of spiritual investment, theology of work states that matter is an ontological material that deserves further processing. Therefore, if modernity is to be understood as the beginning of the materialistic philosophy of immanence, early modern theological transformations have deeply contributed to this. Namely, the appreciation of matter as a realistically existing material to work through, the not yet ready and not fully (...) shaped element of creation justifying the creatio continua in the human version, has certainly inaugurated a turn towards temporality, far less random than Max Weber thought. In Weber’s classic approach, Puritan theology played the role of a catalyst for modernity, creating the concept of “intra-world asceticism”. It stood for work conceived as Beruf which, in line with the Lutheran concept, means “profession and vocation”. However, the author points to another – no more ascetic – theological genealogy of the modern idea of work, whose sources lie in the vision of the delayed apocalypse or, in other words, creative destruction. This extraordinary theology of work has its roots in the nominalism of Duns Scotus, the Kabbalah of Isaac Luria, then transformed into the Christian Kabbalah, Goethe’s Faust and particularly in Hegel’s dialectical concept of work performed by the destructive and yet suppressed negativity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Metaphysics of Causality and NoveltyStephen BickhamI find myself in agreement with most of the points of Crosby's position that there are new things and new events in the world. Like him, I hold that determinists are mistaken, and I believe that time flows one way only. I appreciate Crosby's amendment of Whitehead's category of the ultimate from creativity to creativity/destructiveness or, translating Spinoza's term, nature naturing. And finally (...) I applaud his clever, and I think successful, argument that the production of novelty, rather than being incompatible with causal action, is, indeed, a requirement for any such process. Most of the meat of philosophy, however, lies not in agreements but in their contraries. While I do have significant disagreements with Crosby, I want to state at the beginning that these deal with issues in Philosophy that I find among the most perplexing, and so I hope I can expound them with at least a modicum of clarity.The major, underlying concern I have with Crosby's argument centers not on the concept of novelty nor on whether such occurs, but on the concept of causality. It is in relation to causality that Crosby attempts to prove his case on the existence of novelty. He maintains that not only is novelty not opposed to causality, but novelty itself is a necessary condition for causality to exist at all. Very importantly, I believe he proves his point. However, if causality is a totally confused notion, then, in my opinion, proving that novelty is necessary for causality to exist proves much less than Crosby intends. If I am correct, Crosby's argument is vitiated to a good extent because of its connection with causality at all.To see how this plays out, we can look at the simplest statement of this principle, "Everything that exists must have a cause." But note that this tries to make causality clear by invoking the frustrating and paradoxical notion of "thing." What is a thing, which is supposed to require a cause for its existence? [End Page 64] I present a piece of sandstone. Is it a thing? Here is a grain of sand on the surface of the piece. Is it a thing? The sandstone was taken from a ledge. Is the ledge a thing? The ledge is part of a deposit. Is the deposit of sandstone a thing? What happens to the causality principle if we try to eliminate (not an easy thing) this suspect category of thing (or something)?Maybe it is every event that must have a cause. But this gets us no closer to freedom from metaphysical quicksand. The first definition in my dictionary of event is, "Something that happens"(emphasis mine). And if we consider the notion of event on its own ground, so to speak, we run up against the following questions, among others: How much time is necessary for an event? Is a hiccup an event? A hiccup in the middle of a concert? Was the Chicago Fire an event? The battle of Antietam? The Civil War? The settling of the West? The Industrial Revolution?I am not concerned here with what is usually regarded as the essential puzzling issue of causality, that is, the nature of the causal relation. I am only struggling, and vainly I fear, with the preliminary issue of what the things are that are said to require causes. And I'm pessimistic that we will get very far in the task of specifying with precision just what these things—or occurrences or processes or fundamental entities or whatever—are.Perhaps another approach, a different angle, might be utilized. Must it not be that there is a fundamental truth or insight, or at least a strong, legitimate motive for holding that every thing (or event, etc.) must have a cause? This is a position held by virtually everyone at the level of common sense, and by the great majority, even, of skeptically minded philosophers. Rather than trying either to stipulate what the entities involved in causality are or wrestle with the issue of what the causal relationship itself is, let's try to understand why... (shrink)

In contemporary poetry, devices serving the purpose of creative destruction are increasingly coming into use. Usually not considered as proper to art making, these tools create by dismantling what is already there rather than generating something entirely new from nothing. Such methods of text deletion are at stake in so-called »erasure poetry«. Erasure poetry designates a mode of poetic production, in which an existing text is edited with a black felt marker or painted over with other suitable office (...) supplies according to a set of given parameters. This essay explores what happens when texts are no longer written but crossed out. Examples from a variety of contexts of use illustrate both the wide spectrum of the phenomenon and different functions of erasure. As a collective practice the technique may be therapeutic or simply helpful in coping with life. However, as an artistic strategy, erasure is currently deployed in many poetry collections and artists’ books that question common ways of engaging with literature as well as certain practices of power. Here, erasure emerges as an aesthetic strategy that can in fact reveal contents that have been concealed, negated, or threatened with oblivion. Both in terms of production and of reception, the decisive aesthetic feature in such cases is a break with conventional modes of representation. This break manifests itself in the ways the remaining words or letters are arranged on the page and put into relation to the empty space that surrounds them: Word placement and white space management are the two central operations of post-avant-garde literature and its page design. (shrink)

This article reads Carlyle as a reader of Goethe to recover why he proclaimed Goethe as the `benignant spiritual revolutionist' of modernity and `first of the moderns'. As Goethe's first major English translator, Thomas Carlyle was also arguably the first to grasp the nature and purpose of Goethe's project to interpret modernity as a revolutionary epoch involving changes in consciousness, culture and material development. For Carlyle, Goethe's Faust presents modern consciousness and culture from the side of elegy - as the (...) search by an old man for eternal youth and an infinite world without constraints involving tragic loss. Wilhelm Meisters Lehrjahre, by contrast, presents the same processes from the side of romantic quest, that is, from the perspective of a youth growing into adulthood, as looking into the future with infinite hope. Finally in Wilhelm Meisters Wanderjahre, Carlyle discerns that the radical form of this novel as a discontinuous narrative that embodies movement, change and incompletion enables Goethe to represent the social conditions of moderns as a spiritual challenge and historic achievement. Carlyle's critical perspicacity is evident not least in his choice of Goethe's works to translate as much as his own essays on Goethe's place in modern European letters. In his close reading of Goethe, Carlyle captures the symbolic form of modernity as incorporating three levels of revolutionary transformation of individual consciousness, of culture and of modernity as mythic condition consisting of tragic development, creative destruction and perpetual movement and change. Moderns then are challenged to become authors of their own texts and lives. Carlyle contrasts Goethe's achievement against other primary candidates for the title of modern spiritual revolutionist in ironically Goethean terms: Napoleon (Prometheus), Byron (Faust and Young Werther) and Voltaire (Mephistopheles). Thereafter, the older Carlyle puts aside his critical readings of Goethe to become his own Goethean authority on the modern condition, most notably in his most famous books, Sartor Resartus, The French Revolution, Chartism, On Heroes, and Past and Present. By reading Carlyle as a reader of Goethe we can begin to discern that Carlyle was not only an historian, biographer and political commentator of his own place and times but a critical theorist seeking to interpret the modern epoch, with and beyond Goethe. (shrink)

HeartMath is a contemporary, scientific, coherent model of heart intelligence. The aim of this paper is to review this coherence model with special reference to its implications for artificial intelligence and robotics. Various conceptual issues, implications and challenges for AI and robotics are discussed. In view of seemingly infinite human capacity for creative, destructive and incoherent behaviour, it is highly recommended that designers and operators be persons of heart intelligence, optimal moral integrity, vision and mission. This implies that AI (...) and robotic design and production should be continuously optimized through vigilant and appropriate human and material quality control procedures. Evidence is provided for some value and effectiveness of the HeartMath coherence model in this context. (shrink)