The property common to three kinds of paradoxes (logical, semantic, and cultural) is the underlying presence of an exclusive disjunction: even when it is put to a check by the paradox, it is still invoked at the level of implicit discourse. Hence the argumentative strength of paradoxical propositions is derived. Logical paradoxes (insolubilia) always involve two contradictory, mutually exclusive, truths. One truth is always perceived to the detriment of the other, in accordance with a succession which is endlessly (...) repetitive. A check is put on the principle of the excluded middle by the logical paradoxes, because self-reference leads to an endlessly repeating circle, out of which no resolution is conceivable. Logical paradoxes are to be compared with the `objective ambiguity' prevalent in oracles (Gallet, 1990). Semantic paradoxes are contextually-determined occurrences, whose resolution at the metalinguistic level is made possible by the discovery of a middle term. They express a wilful ambiguity, in which the interlocutor is invited to take an active part in the construction of sense, since what must be found is the unexpected sense thanks to which A and not-A can be asserted simultaneously. Cultural paradoxes play about doxa (`common sense') and openly challenge common opinion because of their character as inopinata (`unexpected'). My aim is to show that even cultural paradoxes hide sometimes a flaw of argumentation similar to logical or semantic paradox; they too imply an exclusive disjunction leading to the disappearance of the middle terms. Finally, basing myself on the theory of topoi (Anscombre and Ducrot, 1983), a tentative resolution of the cultural paradoxes will be suggested. (shrink)

Silicon Valley is both object of intense fascination and stark criticism. Academic observers have described it as a unique amalgamation of hippie culture, libertarian thinking, wild experimentation, but also scientific rigor, high-tech precision, and turbo-capitalism – a seemingly improbable, even paradoxical combination. Nevertheless, Silicon Valley continues to be an economic powerhouse and a global innovation hub. The current study explores its socio-cultural and ideological foundations through the lens of an insider perspective to find explanations for its stability and sustained (...) success in light of conflicting components. Based on 15 interviews with Silicon Valley experts from start-ups, tech giants, and academic institutions, the study identifies several paradoxes on the level of ideology and environment, structure(s), and actors. These can be grouped into a binary, oppositional view, indeed describing the Silicon Valley paradox. However, alternative explanations are given, including the conceptualization as a non-dualist phenomenon. (shrink)

Amidst contemporary culture’s obsession with superheroes as the basis of the new mythologies of our day, and numerous religious communities’ ‘sterilized’ version of Jesus, the church has to rediscover the paradoxical life and teachings of Jesus, as narrated in the Gospel of Mark. Within the honour-and-shame-based Mediterranean culture, within which Mark was written, Jesus’ atypical demeanour and his radical teachings on self-sacrifice, coupled with his shameful death, were perplexing. His opponents did not find any proof in his scandalous teachings and (...) inglorious outward appearance to confirm his messianic claims. In terms of the present obsession with superheroes, Jesus was never in a costume in public. He did not take on a temporary public persona in a staged drama en route to the cross. At all times, Jesus was the slave-like Son of God who came to serve and lay down his own life as a ransom for many (Mk 10:45). The crucified Jesus, stripped of all honour and godforsaken, is the paradoxical sign and physical embodiment of the kingdom of God. The risen Jesus is no different. He still is who he is. This largely undiscovered Jesus of Mark’s Gospel must capture the imagination of the church all over again, the kind of imagination that elicits admiration, amazement and life-change. Only when the church begins to embody the kenotic route of Jesus that it will become clear to her and others that she, in fact, possesses paradoxical ‘superpowers’ – the self-sacrificing kind. (shrink)

We examined how the cultural dimension of universalism–particularism influences managers’ attitudes toward relational favoritism. Paradoxically, we found in a survey study that Brazilian and Chinese managers perceived more negative consequences of relational favoritism than did American managers—even though the Brazilians and the Chinese perceived stronger particularistic cultural norms in their countries than Americans did in the United States. We attribute this pattern of results to “cultural reflexivity”—the ability of people from transforming economies to be culturally self-critical during (...) a period of dramatic societal change. This pattern of results also emerged in a scenario study in which we asked these same Brazilian, Chinese, and American participants to assess managerial succession decisions made by a General Manager. We varied the scenarios so that the promoted manager was either a colleague with no pre-existing relation with the GM or a colleague who was a relative, a close friend, from the same town, or from the same school. Consistent with the results of the survey study, we found that perceived cultural norms of particularism were negatively related to perceptions of fairness. In other words, Brazilians and Chinese, even while living in more particularistic cultures, were more harsh in judging relational favoritism. We conclude with a discussion on the implications of these paradoxical relationships. (shrink)

One of the world's pre-eminent Max Weber scholars here presents a comprehensive analysis of Weber's ambiguous stance toward modernity considered from a normative, theoretical, and historical point of view. The book is in two parts. Part I scrutinises Weber's world view. On the basis of his thinking about the meaning and inter-relationships of science, politics, and ethics in the modern era, Weber is seen as the embodiment of a social scientist and political thinker who exposes himself to intellectual risks and (...) existential tensions while resisting final solutions. It includes a masterly analysis of Weber's two famous speeches 'Science as a Vocation' and 'Politics as a Vocation'. Part II considers Weber's unfinished project on the sociology of religion. Piecing together planned and partially completed works on Islam and Western Christianity, Schluchter locates them in the history and theory of Weber's overall work. This reconstruction of Weber's work on religion emphasises its interplay between religion, economy, politics, and law. (shrink)

The most fundamental communication paradox is that of the society communicating with itself. Culture's paradox is that in establishing itself as a culture, society has to create an impossible distance to itself in order to be able to remain within itself. Thus, society finds its bearings by putting itself into perspective, by giving itself a project which naturally takes its starting point in the culture but which always considers what is outside society itself. It is not necessary to (...) be aware of the paradox in order to be able to work with it. Still it is paradoxical that the very society which declares itself ready to work with itself is not capable of doing so. (shrink)

Cultural competence has become a ubiquitous and unquestioned aspect of professional formation in medicine. It has been linked to efforts to eliminate race-based health disparities and to train more compassionate and sensitive providers. In this article, I question whether the field of cultural competence lives up to its promise. I argue that it does not because it fails to grapple with the ways that race and racism work in U.S. society today. Unless we change our theoretical apparatus for (...) dealing with diversity to one that more critically engages with the complexities of race, I suggest that unequal treatment and entrenched health disparities will remain. If the field of cultural competence incorporates the lessons of critical race scholarship, however, it would not only need to transform its theoretical foundation, it would also need to change its name. (shrink)

The two main domains of high culture - the arts and the sciences - seem to be completely different, simply unrelated. Is there any sense then in talking about culture in the singular as a unity? A positive answer to this question presupposes that there is a single conceptual scheme, in terms of which it is possible to articulate both the underlying similarities and the basic differences between these domains. This article argues that - at least in respect of ‘classical’ (...) modernity - there is such a framework: the normatively conceived Author-Work-Recipient relation. It allows the disclosure of the paradoxical unity of culture: its two main realms are constituted as polar opposites and thus as strictly complementary. Through such an organization, culture could fulfil an affirmative, compensatory role. At the same time however, it also allowed culture to acquire the character of social critique, a function realized through the antagonistically opposed projects of Enlightenment and Romanticism - projects whose illusions are now evident. (shrink)

The two main domains of high culture - the arts and the sciences - seem to be completely different, simply unrelated. Is there any sense then in talking about culture in the singular as a unity? A positive answer to this question presupposes that there is a single conceptual scheme, in terms of which it is possible to articulate both the underlying similarities and the basic differences between these domains. This article argues that - at least in respect of ‘classical’ (...) modernity - there is such a framework: the normatively conceived Author-Work-Recipient relation. It allows the disclosure of the paradoxical unity of culture: its two main realms are constituted as polar opposites and thus as strictly complementary. Through such an organization, culture could fulfil an affirmative, compensatory role. At the same time however, it also allowed culture to acquire the character of social critique, a function realized through the antagonistically opposed projects of Enlightenment and Romanticism - projects whose illusions are now evident. (shrink)

After the WHS inscription of the Historic Centre of Macau in 2005, the relationship between citizens of Macau and their heritage is not distanced. Most of these monuments remain functional for religious and social purposes and are actively engaged in public commercial activities such as the annual Macau Light Festival. Several historic houses have been transformed into either a permanent library or a museum where people can experience various events. With such frequent interaction, these monuments are more than just heritage (...) to locals; they are the venues where people’s daily lives are attached. However, this familiarity will cause a paradox in preservation since losing the distance might mean being unable to deliver the message of protection. It would be difficult to find a balance between preservation and reuse of heritage. This paper will use the Historic Centre of Macau as a case study to discuss the types of adaptive reuse in Macau and propose potential risks of these approaches. (shrink)

It is commonly believed that philosophica l comparison depends on having some common measure or standard between and above the compared parts. The paper is to show that the foregoing common belief is incorrect and therewith to inquire into the possibility of cross-cultural philosophical comparison. First, the ‘comparison paradox’ will be expounded. It is a theoretical difficulty for the philosophical tendency represented by Plato’s theory of Ideas to justify comparative activities. Further, the connection of the comparative paradox (...) with the obstacles met by cross-cultural philosophical comparisons will be demonstrated. It will be shown that to attribute the difficulty of cross-cultural comparisons to incommensurability of traditions is irrelevant and misleading. It is to be argued that the original possibility of comparison depends on the ‘comparative situation’, i.e., the mechanism of meaning-production that functions in a non-universalistic and anonymous way. A philosophical paradigm does facilitate the attendance of such a situation, but it is also possible for the situation to emerge between paradigms in a gamesome way. Accordingly, the genuine comparison at issue will not originate primarily and merely on the level of concepts and propositions, but can only be achieved through inter-paradigmatic conditions, where we have the sharp awareness of a paradigm’s boundary from which we can attempt to achieve situational communication with another paradigm. In light of this, the perspective of a philosophical comparison differs not only from the traditional or universalistic one, but also from Gadamer’s hermeneutics, such as the doctrine of ‘fusion of horizons’. The new perspective finds an illustration in Heidegger’s relations with Daoism. (shrink)

In this paper I argue that a basic problem in philosophical discussions of culture is what I call the “integration problem”: the need to provide an account of how distinctive considerations of culture can be integrated within practical deliberation in general. I then show how the failure to resolve this problem generates three paradoxes, which I call the “cosmopolitan paradox,” the “inclusion paradox,” and the “representation paradox.” I argue that these paradoxes arise from a common source, the (...) attempt to separate out determinations of worth from demands of recognition, and both from socially contested deliberative practices. I conclude by suggesting that resolving these paradoxes probably requires not a theoretical solution but the achievement of a fully inclusive, cosmopolitan culture. (shrink)

Since their enslavement in the U. S. Black Americans have longitudinally suffered some of the most heinous crimes against humanity. Yet, despite cultural policies intended to discriminate against, marginalise, oppress, and subjugate them, Black folx have unfailingly demonstrated remarkable creative resilience. This conceptual article explores three research questions: (1) in what ways have exclusionary U. S. cultural policies discouraged Black Americans’ cultural engagement, (2) how have Black Americans responded to exclusionary cultural policies in the U. S. (...) and (3) what longitudinal impacts might exclusionary cultural policies have on Black Americans’ creative and expressive lives, and the U. S. creative sector? This article used Critical Race Theory (CRT) and interpretive policy analysis to identify the ways in which racism has and continues to shape Black Americans’ creative and expressive lives. I conclude this article by making the case for a research agenda that comprehensively investigates Black Americans’ cultural engagement as well as other historically and continuously oppressed groups. (shrink)

The purpose of this paper is to critically examine the endangered status of the concept of citizenship. The methodology employed consists of textual analysis and philosophical argumentation. The main findings of the paper are: The boundary of the meaning of citizenship keeps changing. Citizenship constitutes one of the most worrisome sources of conflict in modern states. There is no objectively correct interpretation of citizenship, both in its historical and contemporary understanding.The conclusion drawn from the findings is that various factors, especially (...) the multicultural character of most contemporary societies, are impinging on the possibility of developing a theory of citizenship that is universally applicable and globally acceptable. (shrink)

Openness implies bottom-up empowerment and top-down transparency. The Paradox of Openness analyses the tensions encountered when openness is applied to the quest for democracy and markets, freedom and truth, compliance and transparency, and consensus and dissent in progressive Nordic societies.

I examine Nietzsche's concept of a nihilism of strength\nand the relationship in which it stands to the kind of\nvital self-assertion that he admired in archaic\naristocracies. What is new in Nietzsche's nihilism of\nstrength is a self-awareness that was lacking in the past\nand that would enable a fully autonomous human being to\nrecognize the "being" he imposes on "becoming" as the\nexpression of his own will to power. I show that this idea\nleads to serious incoherencies in Nietzsche's account of\nthis new kind of strength and (...) undermines any possible\nauthority that such volitional enactments might have for\nother people. (shrink)

While the story of Stanislav Petrov – the Soviet Lieutenant Colonel who likely saved the world from nuclear holocaust in 1983 – is often trotted out to advocate for the view that human beings ought to be kept “in the loop” of automated weapons’ responses, I argue that the episode in fact belies this reading. By attending more closely to the features of this event – to Petrov’s professional background, to his familiarity with the warning system, and to his decisions (...) to defy his protocol – it becomes clear that Petrov was not seamlessly working “in his loop,” but reassessing it entirely. I claim that this exhibits a paradox intrinsic to all automated loops: namely, that their optimum function in fact rests on unforeseen human interventions that cannot be reliably codified ex ante, that is, that good judgment cannot simply be “programmed into” their protocols. This dependence, moreover, reveals automation’s ineluctable need for virtue ethics – not in the usual sense (whereby ethics deliberates about, say, possible damages and loss of life), but in the sense that ethical judgment, rightly understood, entails the reassessment of all of the conditions surrounding a decision, including whether a protocol should be followed at all. (shrink)

In his 1938 essay “Does Human Nature Change?” John Dewey advances the position that human nature both does and does not change.1 This initially perplexing answer to the question that is the subject of his essay reflects a methodological principle that Dewey employs in his argumentation throughout Experience and Education.2 According to the principle articulated in that book, when one is theorizing, one ought not to fall prey to the human tendency “to think in terms of extreme opposites.”3 Doing so (...) can lead one to a mistaken understanding of the matter about which one is theorizing, which can in turn have pernicious practical consequences. Instead, when theorizing, one ought to depart from rigid “either-or” .. (shrink)

Grounded in newer French socio-political philosophy, this text deals with the paradoxical situation in which the interpretation of society as well as the relation between the individual and the social remains ambiguous even though autonomy and interrogation of the social emerges: Autonomy remains trapped between transcendence and immanence. Modernity is when society claims to know that it has to produce its own myths. Traditional societies did not relate to their myths as if they were their own products. Nevertheless, as soon (...) as the traditional religious points of reference are disclosed and disappear, the community gives itself new points of reference in order to put the social at a distance. Thus the social creates a distance to itself and a mirror for itself in order to perceive itself and work upon itself. The article explores the questions of why this is so and the difference between heteronomous and autonomous autotranscendence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedThe Ambitions of Curiosity: Understanding the World in Ancient Greece and China. By G.E.R. Lloyd. Cambridge: Cambridge University Press, 2002. Pp. xvi + 175. Price not given.The Art of the Han Essay: Wang Fu's Ch'ien-Fu Lun. By Anne Behnke Kinney. Tempe: Center for Asian Studies, Arizona State University, 1990. Pp. xi + 154. Paper $10.00.The Autobiography of Jamgön Kongtrul: A Gem of Many Colors. By Jamgön Kongtrul Lodrön (...) Thayé and translated by Richard Barron (Chökyi Nyima). Ithaca, New York: Snow Lion Publications, 2003. Pp. xxii + 549. Price not given.Awesome Nightfall: The Life, Times, and Poetry of Saigyō. By William R. LaFleur. Boston: Wisdom Publications, 2003. Pp. xiii + 173. Paper $14.95.Becoming the Compassion Buddha: Tantric Mahamudra for Everyday Life. By Lama Thubten Yeshe, edited by Robina Courtin, and foreword by Geshe Lhundub Sopa. Boston: Wisdom Publications, 2003. Pp. xi + 194. Paper $14.95.Between Two Worlds East and West: An Autobiography. By J. N. Mohanty. New Delhi: Oxford University Press, 2002. Pp. ix + 134. Hardcover RS 525.00.The Chinese Face of Jesus Christ. Edited by Roman Malek, S.V.D. Sankt Augustin, Germany: Institut Monumenta Serica and China-Zentrum; and Nettetal, Germany: Steyler Verlag, 2002. Pp. 391. EUR 40.00.Chinese Medicine in Contemporary China: Plurality and Synthesis. By Volker Scheid. Durham and London: Duke University Press, 2002. Pp. xiv + 407. Hardcover $69.95. Paper $23.95.Confucian Feminist: Memoirs of Zeng Baosun (1893-1978). Translated and adapted by Thomas L. Kennedy. Philadelphia: American Philosophical Society, 2002. Pp. xxi + 170. Price not given.Consciousness Studies: Cross-Cultural Perspectives. By K. Ramakrishna Rao. Jefferson (North Carolina) and London: McFarland and Company, 2002. Pp. 367. Hardcover $65.00.Constituting Communities: Theravāda Buddhism and the Religious Cultures of South and Southeast Asia. Edited by John Clifford Holt, Jacob N. Kinnard, and Jonathan S. Walters. Albany: State University of New York Press, 2003. Pp. viii + 224. Hardcover $65.50. Paper $21.95.Developments in Indian Philosophy from Eighteenth Century Onwards: Classical and Western. By Daya Krishna. Volume X Part 1 of History of Science, Philosophy and Culture in Indian Civilization, edited by D. P. Chattopadhyaya. New [End Page 110] Delhi: Centre for Studies in Civilizations, 2001. Pp. xxiii + 417. Hardcover RS 1200.East and West: Identità e dialogo interculturale. By Giangiorgio Pasqualotto. Venezia: Marsilo Editori, 2003. Pp. 210. EUR 16.00.Effortless Action: Wu-wei as Conceptual Metaphor and Spiritual Ideal in Early China. By Edward Slingerland. New York: Oxford University Press, 2003. Pp. xii + 352. Price not given.Encountering Kā lī: In the Margins, at the Center, in the West. Edited by Rachel Fell McDermott and Jeffrey J. Kripal. Berkeley and Los Angeles: University of California Press, 2003. Pp. xviii + 321. Hardcover $55.00, £37.95. Paper $21.95, £15.95.Encyclopedia of Chinese Philosophy. Edited by Antonio S. Cua. New York and London: Routledge, 2003. Pp. xx + 1020. Hardcover $150.00.Essays on Indian Philosophy. By J. N. Mohanty and edited by Purushottama Bilimoria. New Delhi: Oxford University Press, 2002. Pp. xxxvii + 347. Paper RS 525.00.Faith, Humor, and Paradox. By Ignacio L. Götz. Westport, Connecticut: Praeger Publishers, 2002. Pp. 136. Hardcover $61.95.Four Illusions: Candrakīrti's Advice for Travelers on the Bodhisattva Path. Translated by Karen C. Lang. New York: Oxford University Press, 2003. Pp. xv + 240. Price not given.The Great Awakening: A Buddhist Social Theory. By David R. Loy. Boston: Wisdom Publications, 2003. Pp. 223. Paper $16.95.The Hidden History of The Tibetan Book of the Dead. By Bryan J. Cuevas. New York: Oxford University Press, 2003. Pp. xi + 328. Price not given.Huang Di nei jing su wen: Nature, Knowledge, Imagery in an Ancient Chinese Medical Text. By Paul U. Unschuld. Berkeley and Los Angeles: University of California Press, 2003. Pp. xii + 520. Hardcover $75.00, £52.00.In Dewey's Wake: Unfinished Work of Pragmatic Reconstruction. Edited by William J. Gavin. Albany: State University of New York Press, 2003. Pp. vi + 249. Hardcover $71.50. Paper $23.95.Knowledge and Freedom in Indian Philosophy. By Tara Chatterjea. Lanham, Maryland: Lexington Books, 2002. Pp. xvi + 159. Hardcover... (shrink)

We discuss the structure of Buddhist theory, showing that it is a kind of moral phenomenology directed to the elimination of egoism through the elimination of a sense of self. We then ask whether being raised in a Buddhist culture in which the values of selflessness and the sense of non-self are so deeply embedded transforms one’s sense of who one is, one’s ethical attitudes and one’s attitude towards death, and in particular whether those transformations are consistent with the predictions (...) that Buddhist texts themselves make. We discover that the effects are often significant, but not always expected. (shrink)

Persistent public distrust of food additives is often explained in terms of safety and health issues. The broad variety of ethical, aesthetic, and cultural concerns tends to be structurally ignored by food engineers and occasionally even by consumers themselves. The public controversy of food additives—commonly known as “E-numbers”—in the Netherlands is a case in point. Two discursive mechanisms prevent these concerns from becoming legitimate public issues: irrationalization and privatization. But these consumer concerns may not be as unreasonable as they (...) seem, and they may even turn out to be not that private. As long as ethical, aesthetic and cultural concerns are not recognized by food engineers as legitimate issues, the controversy of food additives is not likely to find closure. Moreover, this lack of recognition blocks the opportunity for meaningful dialogue and trust building between food technology developers, policy makers, citizens and consumers. (shrink)

Jennifer Johnston’s fiction presents the conditions of Irish culture and society by exploring the separations between interior and exterior realms and past and present temporalities persisting within the insulating privacy of the familial home space. In _The Christmas Tree_ (1981), the home is both haven and prison for Johnston’s heroine. In this paper, I argue that the home—which assumes the form of the individual body and the familial home—is paradoxical. The protagonist leaves 1950s Ireland because of the country’s rigid gender (...) roles in order to pursue an autonomous life as a writer in England, but she is unable to publish her writing within the confines of the patriarchal publishing world. The home of her body becomes paradoxical when she becomes a single mother as an avenue for creativity but is then diagnosed with terminal cancer. She returns to her father’s home to die, which she re-orders and reclaims through the disorder of the uncanny—represented by her non-conformity and illness brought into the patriarchal home. By writing her life story and creating a brief, alternative maternal relationship with her young caretaker, the protagonist confronts her own ambivalence toward her parents, who also represent aspects of oppressive heteronormative gender expectations. (shrink)

The purpose of this paper is to provide a constructive criticism of Corporate Social Responsibility (CSR) standards. After pointing out a number of benefits and limitations in the effectiveness of CSR standards, both from a theoretical point of view and in the light of empirical evidence, we formulate and discuss a Paradox of CSR standards: despite being well-intended, CSR standards can favor the emergence of a thoughtless, blind and blinkered mindset which is counterproductive of their aim of enhancing the (...) social responsibility of the organization. We analyze three problems that might underlie the Paradox—namely the problem of deceptive measurements; the problem of responsibility erosion and the problem of blinkered culture. We apply the philosophical tradition of American Pragmatism to reflect on these issues in relation to different types of existing standards, and conclude by suggesting a number of considerations that could help both CSR standards developers and users to address the Paradox. (shrink)

Gene-Culture Coevolution (GCC) theory is an intriguing new entry in the quest to understand human culture. Nonetheless, it has received relatively little philosophical attention. One notable exception is Kim Sterelny’s (2006) critique which raises three primary objections against the GCC account. Most importantly, he argues that GCC theory, as it stands, is unable to resolve “the paradox of cultural accumulation” (151); that while social learning should generally be prohibitively expensive for the pupils, it nonetheless occurs as the principle (...) means of disseminating novel information through a culture. Sterelny holds that this is best explained by supplementing the GCC models with strong cultural group selection pressures. I argue that this is not needed. To show this I elaborate upon Joseph Henrich and Francisco Gil-White’s (2001) information goods theory, developing it in terms of the market pressures that one would expect to find in an information economy. I indicate how such pressures contribute to an individual-level explanation of cultural accumulation that answers Sterelny’s concerns. (shrink)

This paper shows the relevance of findings from studying the logic of self-referential statements to Cultural studies, Black Cultural Studies in particular. Results following from the incompleteness of the systems in which these statements are quantified help to clear up a paradox stemming from current Afropessimist discourse.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:After the Future. The Paradoxes of Postmodernism and Contemporary Russian CultureDmitry KhaninAfter the Future. The Paradoxes of Postmodernism and Contemporary Russian Culture, by Mikhail Epstein; translated with an introduction by Anessa Miller-Pogacar; xvi & 394 pp. Amherst: University of Massachusetts Press, 1995, $55.00 cloth, $19.95 paper.Mikhail Epstein, a renowned Soviet critic—his books in Russian include Paradoxes of the New (1988) and Faith and Image: The Religious Subconscious in (...) [End Page 508] Twentieth Century Russian Culture (1994)—emigrated to the U.S. in 1988. After the Future is the first collection of his major essays (written from 1986 to 1991) in English translation. It begins with the article “New Currents in Russian Poetry: Conceptualism, Metarealism, and Presentism,” which first introduced to the Soviet reader a group of postmodernist poets, just coming out (with the advent of glasnost) from the literary underground. Other articles (“Avant-Garde Art and Religion,” “After the Future: On the New Consciousness in Literature”), though first published in Russian literary journals, were shipped to Russia from “the other shore” (to use Alexander Herzen’s description of emigre writers’ whereabouts vis-à-vis their homeland). The latest studies (“Relativistic Patterns in Totalitarian Thinking: The Linguistic Games of Soviet Ideology,” “The Origins and Meaning of Russian Postmodernism”) were not only sent from the other shore but apparently produced for the other shore. Instead of analyzing the recent Russian literary crop and emerging aesthetic sensibilities, Epstein focuses on Russian historic experience in its entirety, which he somewhat didactically clarifies for the foreign reader.Despite its shifting perspectives, After the Future features a distinctive approach toward Russian postmodernism, its bona fide subject matter. Following Jean Baudrillard, Epstein defines postmodernism as simulation (“the production of reality as a series of plausible copies”) that engenders some new hyperreality and in so doing supplants “reality itself, which then becomes irrecoverable” (p. 189). The originality of Epstein’s position lies, however, in his claim that Russia as a historic and cultural entity is a postmodernist phenomenon in its own right that simulates and masterminds reality. Epstein’s claim that postmodernism is ingrained in Russian tradition is pitted specifically against those who doubt that Russia is ready to enjoy its own postmodernist bash since (contrary to the West) it never went through prior modernist phases. To prove that Russia foreshadowed postmodernism, Epstein draws on a number of historic illustrations. He cites the forceful adoption of Christianity under Prince Vladimir in 988, Peter the Great’s building of Petersburg in the “Finnish swamp” and Prince Potemkin’s infamous make-up villages as examples of the Russian tendency to forfeit the status quo for the sake of trumped-up, ersatz realities.However, Epstein’s arguments to the effect that Russia, and not the West, is the birthplace of postmodernism are not very convincing since (in accordance with his own premise) other countries can claim such a dubious distinction as well. (“Russia is the motherland of elephants”—the Russians joke about claims by zealous patriots that all great discoveries were known in their country before they appeared elsewhere.) Elsewhere, the building of the Chinese wall and the ensuing Chinese policies of isolationism, draconian enclosures of peasant land in England that led to a speedy transition to capitalism, drastic economic and social reforms after the French Revolution, and the racist policies of the Third Reich were just as arbitrary, and yet transformative of prior realities, as any of [End Page 509] Russia’s most foolhardy experiments. Ironically, Epstein’s claim that Russia is the motherland of postmodernism harks back to the turn-of-the-century controversy as to whether it is pertinent to apply Marxist theory to rustic Russia. Lenin argued that Russia can claim Marxism as its own because all of its long-suffering history was an anticipation of Marxism and leading toward it. Epstein analogously contends that there is a special, indigenous Russian route to postmodernism, a statement that evokes similar pronouncements ingrained in Russian philosophical tradition: Epstein’s thesis that Russia is “irreal” reminds one of Peter Chaadaev’s contention that Russia does not have a history; his idea that Russia is on the threshold of a cultural synthesis with the... (shrink)

Artificial Culture" is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by (...) human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve. Building on the rich foundational work on the figures of the cyborg and posthuman, this book situates the artificial in similar terms, but from a nevertheless distinctly different viewpoint. After examining ideas of the artificial as deployed in film, novels and other digital contexts, this study concludes that we are now part of an artificial culture entailing a matrix which, rather than separating minds and bodies, or humanity and the digital, reinforces the symbiotic connection between identities, bodies, and technologies. "--Provided by publisher. (shrink)