Relativistic models of an expanding universe followed by contraction, or a big bang followed by a big crunch, were first proposed by A. Friedmann in 1922 and nine years later by A. Einstein. In the period ca. 1922–1960, the more speculative idea of a large and possibly infinite number of cycles was discussed by R. Tolman in particular. To some cosmologists, the idea was philosophically appealing because it seemed to justify an eternal yet dynamic universe without an absolute (...) beginning in time. During the 1950s models of this kind, sometimes known as Phoenix models, were investigated by a few cosmologists of whom the most important were A. Dauvillier, W. Bonnor, and H. Zanstra. (shrink)

Cyclic mechanic is intended as a suitable generalization both of quantum mechanics and general relativity apt to unify them. It is founded on a few principles, which can be enumerated approximately as follows: 1. Actual infinity or the universe can be considered as a physical and experimentally verifiable entity. It allows of mechanical motion to exist. 2. A new law of conservation has to be involved to generalize and comprise the separate laws of conservation of classical and relativistic (...) mechanics, and especially that of conservation of energy: This is the conservation of action or information. 3. Time is not a uniformly flowing time in general. It can have some speed, acceleration, more than one dimension, to be discrete. 4. The following principle of cyclicity: The universe returns in any point of it. The return can be only kinematic, i.e. per a unit of energy (or mass), and thermodynamic, i.e. considering the universe as a thermodynamic whole. 5. The kinematic return, which is per a unit of energy (or mass), is the counterpart of conservation of energy, which can be interpreted as the particular case of conservation of action “per a unit of time”. The kinematic return per a unit of energy (or mass) can be interpreted in turn as another particular law of conservation in the framework of conservation of action (or information), namely conservation of wave period (or time). These two counterpart laws of conservation correspond exactly to the particle “half” and to the wave “half” of wave-particle duality. 6. The principle of quantum invariance is introduced. It means that all physical laws have to be invariant to discrete and continuous (smooth) morphisms (motions) or mathematically, to the axiom of choice. The list is not intended to be exhausted or disjunctive, but only to give an introductory idea. (shrink)

Penrose's conformal cyclic cosmology describes the cosmos as a collection of successive universes, the so-called aeons. The beginning and ending of our universe are directly connected to two other, anterior and posterior, universes. Penrose considers but rules out a different interpretation of conformal cyclic cosmology: that the beginning of our universe is connected to its own end in a cosmic loop. The paper argues that the view, aeon monism, should be regarded as a natural interpretation of (...) conformal cyclic cosmology and discusses its implications for the concept of eternal return in light of the most popular metaphysics of time. (shrink)

The existence of White Hole (WH) has been suggested by Schwarzschild solution to the Einstein field equation as a time-reversed Black Hole (BH), besides there has not been observational evidence for their existence yet. Our idea of the “inverse universe”, in which we introduce the time-reversed kinematics as another geometric state, can explain that WH should appear in such a geometry after a matter falls into a BH. In this work, we present a new operation for WH conversion from (...) BH, and by using it the nearly infinity point on the universe, for instance the inside of BH, is geometrically connected to the inside of WH on the inverse universe. Such a conversion is useful to provide the simple solution to the problem of “information loss” in BH. Furthermore, we find another conversion point as the prior geometric state to the Big Bang, and we propose a new cosmology of cyclic universe. (shrink)

The money-pump argument aims to show that cyclic preferences are irrational. The argument can be based on a number of different exploitation schemes that vary in what needs to be assumed about the agent. The Standard Money Pump works for myopic and naive agents, but not for sophisticated agents who use backward induction. The Upfront Money Pump works for sophisticated agents, but not for myopic or naive agents. In this paper, I present a new money pump, the Universal Money (...) Pump, that works for myopic, naive, and sophisticated agents. Moreover, the Universal Money Pump (just like the Upfront Money Pump) also works for minimally sophisticated agents who need not assume that they will choose rationally at nodes that can only be reached by irrational choices. This enables an argument that rational preferences are acyclic, which is based on weaker assumptions about dynamic rationality than existing money-pump arguments. (shrink)

The Chinese view of time and history cannot be defined as either “cyclicality” or “linearity” in the sense of St. Augustine and Hegel. Like the Indo-Hellenic cyclicality, it regards the cyclical movements as universal in both Heaven and human. Nevertheless, it contains neither the conception of Great Year or Mahayuga, nor that of repeated destruction and reconstruction of humankind. It holds that the cyclical movements do not recur as “uniform rotation,” but appear as a chain composed of countless links each (...) of which possesses individuality. It is not the chain itself, but each of its links that cyclically develop. Meanwhile, it agrees with the Judeo-Christian tradition that there is no repetition and reversibility for historical figures and events. However, it does not believe that history has an absolute beginning and end, demonstrating itself as a One-Grand Cycle from human alienation from God to their reconciliation with Him. (shrink)

Globalism is probably the most frequently used term describing our current age. Found in many contexts, it is often a vague concept referring to a host of different figurations of post-industrial society. European expansion, the growth of the global economy, mass immigration and the planetary expansion of international relations are merely some of the phenomena associated with globalism. Yet globalism taken in its most neutral form of global history is not merely a trendy catch-all phrase for the challenges of our (...) age but has its origins in the efforts of the enlightenment—to rewrite the theological universal histories of the Middle Ages. There is a close relationship between the historiography of universal history and the current ideology of globalism. By juxtaposing the two main strands of universal history (the universal history of mankind vs. the cyclical history of individual peoples) to the problem of European identity, I show that the theoretical problems which caused the demise of universal history continue to plague globalism. Such an analysis of the ideological foundations of globalism is central not only to the current debate on the (re-) construction of European history, but also in the discussion on what constitutes European ideas. ☆ This essay is a revised version of a talk held at the Society for the Humanities, Cornell University, in the Fall of 2005. I would like to thank Dominick LaCapra, Leslie Adelson and Davydd Greenwood for the opportunity to give this talk at Cornell. I thank Louis N. Kurs of St. John's College for his stimulating conversation on the matter. (shrink)

An extract from the author's «A Philosophy of Non-being». The Universe is a fluctuation of being originating spontaneously in non-being (i.e., in a non-existing reality). Substance as a whole and cosmic space in the first place are the result of non-being which has lost its state of balance. Fluctuations of being, (i.e., spontaneous transitions from non-existence to existence), are immanent in the nature of unstable non-being. The world of non-being is neither a separate sphere nor a parallel world, but (...) the very bosom of being. Non-being is here, there, and everywhere, it shrouds, penetrates and saturates being. It is substantial. Тhere will inevitably appear conditions for new fluctuations of being. And this will ever be because it is never. And this is everywhere because it is nowhere. Forthe time which non-being lacks is eternity, and the space which it does not possess is infinity. The Universe represents the superposition of cycles with the following phases: non-being - being - non-being, or nothing - something - nothing. Transition from non-being-before-being to being, and further, to non-being-after-being determines the irreversibility of processes and directivity of time from past to future through the present time. The above-mentionedcyclic processes prove to be infinite, continuous, general, and by virtue of their superposition, constantly running; they form the unified world flow of states that differ in quality. Closely related with the processes cyclicity is the law of the being regeneration which expresses the essence of movement caused due to intertransitions of non-being and being. The real world has eternal and continuous origin. It begins always and constantly terminates. And it resumes constantlyand continuously in the process of eternal and infinite regeneration of being. (shrink)

One can often encounter claims that classical (Kolmogorovian) probability theory cannot handle, or even is contradicted by, certain empirical findings or substantive theories. This note joins several previous attempts to explain that these claims are unjustified, illustrating this on the issues of (non)existence of joint distributions, probabilities of ordered events, and additivity of probabilities. The specific focus of this note is on showing that the mistakes underlying these claims can be precluded by labeling all random variables involved contextually. Moreover, contextual (...) labeling also enables a valuable additional way of analyzing probabilistic aspects of empirical situations: determining whether the random variables involved form a contextual system, in the sense generalized from quantum mechanics. Thus, to the extent the Wang-Busemeyer QQ equality for the question order effect holds, the system describing them is noncontextual. The double-slit experiment and its behavioral analogues also turn out to form a noncontextual system, having the same probabilistic format (cyclic system of rank 4) as the one describing spins of two entangled electrons. (shrink)

In his latest book,Roger Penrose deals with three foundational problems of current physics fromhis particularly fresh perspective.He criticizes mainstream string the- ories, standard interpretations of quantum mechanics, and pre-Big Bang cosmolo- gies inasmuch as they aim to solve profound questions while glossing over equally deep issues in our understanding of nature. In this review, I analyze Penrose’s main arguments, emphasizing his presentation of the Second Law conundrum as “the most profound mystery of cosmology”, and discuss his own proposals to overcome (...) the impasse. I especially focus on the capabilities of conformal cyclic cosmology to illuminate the enigma of the extraordinarily low entropy at the Big Bang and review its capacity of success in stipulating a reset for the entropy of the universe. Even though one need not follow Penrose’s tentative answers, which are not immune to serious critiques, much of his view can be shared as a sound starting point in search of “the new physics of the universe.”. (shrink)

Andrew Abbott's Department and Discipline calls to mind an exchange I once had with an economist—prompted by my characterization of a recent work of urban sociology as part of the “Chicago‐school tradition”—who reminded me that in his profession “Chicago school” was associated with Milton Friedman, free market ideology, and a world made up of rational, self‐interest‐maximizing actors. What I had in mind could hardly be further from that: the highly contextual, neighborhood‐based mode of analysis that became a hallmark of the (...) University of Chicago Department of Sociology from the late 1910s through the 1930s and that explained such phenomena as juvenile delinquency, race relations, poverty, and urban ennui as the products of complex, historically rooted social processes, ecologies, and group interactions.The essays that make up Department and Discipline ask that we rethink “conventional” notions of “Chicago‐school” sociology as a body of work produced by a particular group of faculty and students in a bygone era. Instead, in an engaging, unapologetically polemical, and ultimately prescriptive blend of historical analysis and disciplinary critique, Abbott conceptualizes the Chicago school as a tradition that was invented and reinvented over time, and within the ever‐changing relationship between the department and the broader discipline over the first half of the twentieth century. With this as his central theme, Abbott contemplates the—highly contested—meaning of the Chicago school in historiography and departmental history; the historical transformation of the Chicago‐based American Journal of Sociology from early, shaping influence to a mere organ of an increasingly narrow, professionalized discipline; and the capacity of the discipline to transcend what Abbott believes to be its contemporary state of professional and intellectual exhaustion.Even within sociology, “Chicago school” has had varying connotations over the years. Some associate it with Robert Park and his cyclical, assimilationist vision of race relations; others with the organic, ecological view of urban growth and mobility patterns captured in such still‐ubiquitous concepts as ethnic “succession”; still others with symbolic interactionism, the social psychological study of how people engage with, give meaning to, and ultimately act within the object world around them. More recently there has been talk of a “second Chicago school,” a post–World War II generation of qualitative and interactionist scholars who kept those traditions alive even as the discipline was headed in more quantitative, grand theoretical directions. Complicating matters still further, members of the initial, now‐legendary founding generation did not think of themselves as engaged in a single intellectual project or “school” of thought. Indeed, Abbott tells us that it was not until the 1970s, decades after Chicago lost its dominance in the discipline, that “the loose tangle of maxims and practices that had sustained the department in its glory years” was actually presented as “the Chicago school” .So does it make sense to talk about a or the Chicago school of sociology? Abbott argues that it does, albeit not as something that exists in the ideas, the body of research, or the considerable institutional apparatus that characterized the department during its interwar “glory years.” Rather, it existed in the interactions among a methodologically diverse, often deeply conflicted department faculty, out of which emerged an eclectic tradition of inquiry dedicated to understanding social processes in the context of time and place. Ironically, it took a moment of crisis—a year‐long self‐study in 1951–1952 prompted by administrative pressure and foundation efforts to define sociology as a bona fide science—to bring this vision of the Chicago‐school tradition into full view. By then, the tradition was on the way out: its practitioners retiring or moving elsewhere; its sensibilities displaced by a type of analysis C. Wright Mills would scornfully refer to as abstracted empiricism, dedicated to the construction and manipulation of variables outside of time and place.Though not a book for the uninitiated—Abbott's detailed rendering of behind‐the‐scenes personalities and squabbles requires some knowledge of the department and its landmark works—Department and Discipline makes an important contribution to social science history as well as to the literature on the Chicago school. Informed by extensive archival research, the book is animated by a powerful argument that is likely to resonate with historians, if not with the AJS editors who declined to publish the essay they had commissioned from Abbott for the journal's centenary: that sociology must reconnect with and reinvigorate the tradition of contextual analysis. While intriguing, Abbott's argument that the Chicago “school” exists in departmental processes and faculty relationships is less fully realized—occasional references to the Chicago‐school tradition in its 1920–1930s “heyday” sound awfully like the conventional view. It also makes for a book that gives short shrift to the actual ideas and body of research associated with Chicago sociology—and to their extraordinarily enduring influence among social practitioners and analysts alike. Still, when Abbott does turn to the work, the discussion is, like the rest of the book, original, thought provoking, and rewarding to read. (shrink)

Propounded in relation to a peculiar mode in the view of an oscillating or cyclic universe, the concept of Return of Power, or of ontic recurrence as further increase in ontic Power signifies the determination of the existing entity according to its own selective recurrence as dialectically exceeding a previous status. Based thus upon the assumption that the actual ontological existence of the entity lies in its own potentiated recurrence (for it is maintained that only what is able (...) to return to itself as potentiated signifies actual ontological existence) and that an ontic eternal return can only occur in terms of further Power, this notion embodies the culminating phase within change as an ultimate overcoming of a previous ontic status or situation respecting the category Power as a primary criterion within a constantly increasing Real (as Power, precisely). An ontic selective ultimate event respecting becoming as a general increment of the Real, this concept exceeds both the ontic dispersion in nothingness of the linear time and the identical ontic repeatability of the Eternal Return of the Same, the latter insofar as asserting the perennial return of man's own status of powerlessness, and as rendering accordingly impossible any actual (dialectical) transition to a well-defined superior ontic phase. (shrink)

A large class of the dynamical laws for causal sets described by a classical process of sequential growth yields a cyclic universe, whose cycles of expansion and contraction are punctuated by single ‘‘origin elements’’ of the causal set. We present evidence that the effective dynamics of the immediate future of one of these origin elements, within the context of the sequential growth dynamics, yields an initial period of de Sitter-like exponential expansion, and argue that the resulting picture has (...) many attractive features as a model of the early universe, with the potential to solve some of the standard model puzzles without any fine-tuning. (shrink)

This chapter contains sections titled: * The Fundamental Question * 1 Whatever Begins to Exist Has a Cause * 2 The Universe Began To Exist * 3 The Cause of the Universe * Notes.

Our examination of universal origins and fine-tuning will begin with a discussion of infl ationary scenarios grafted onto Big Bang cosmology and the proof that all infl ationary spacetimes are past-incomplete. After diverting into a lengthy critical examination of the “different physics” offered by quantum cosmologists at the past-boundary of the universe, we will proceed to dissect the inadequacies of infl ationary explanations and string-theoretic constructs in the context of three cosmological models that have received much attention: the Steinhardt-Turok (...) cyclic ekpyrotic model (which does not invoke inflation), the Gasperini-Veneziano pre-Big Bang infl ationary model, and the inflationary string landscape model advanced by Susskind, Polchinski, Bousso, and Linde. We will argue that none of these highly speculative string cosmologies removes the necessity of a beginning to the process of universe generation, and we will emphasize the implications of this fact. Then, since the inflationary “mechanism” only really addresses the fi ne-tuning of the initial conditions of the universe and not the conditions embodied in its finely tuned laws and constants, we will analyze the adequacy of the string multiverse in its three versions (cyclic ekpyrotic, pre-Big Bang, and landscape) for explaining the nomological structure and values of these precisely tuned life-compatible universal parameters. When all is said and done, it will be clear that transcendent intelligent agency is not just the only causally suffi cient and therefore metaphysically sound explanation for universal origins and fine-tuning, but it is also much more parsimonious, elegant, and resonant with meaning than all of the ad hoc machinations of multiverse cosmology. (shrink)

This chapter contains sections titled: Introduction Kant's Universal Natural History: Fuzzy Wavefronts and the Dance of Comets Kant's Nebular Hypothesis: Sun Clouds and Environmental Fate Kant's Dare to Christianity: Joining Leibniz and Newton over Spacetime Kant's Cosmogony: Cyclic Universes and the Phoenix of Nature Conclusion.

We begin with a discussion of the Borde-Guth-Vilenkin past-incompleteness theorem for inflationary universes and discuss its significance for various pre-big-bang inflationary scenarios in string cosmology, including landscape and cyclic ekpyrotic models. We then undertake a general critique of inflationary cosmology in respect of its stated goals and conclude with a critcal discussion of the string-theoretic multiverse as a "solution" to the problem of cosmological fine-tuning.

Starting from the cyclic principle in the process of a society's development, invoking „the end of history" that Hegel mentions, adding the paradoxical principle of Huntington's civilizations, of a unity in diversity, through which we can have a clear and universal image of the conflicts, as actions generated by a cultural-religious interaction, and passing these through the filter of the noble origin of the Occidental civilization, we renew a typology of the inter-societies conflict and we keep the possibility of (...) finding some methods for settling them. (shrink)

The paper presents the idea of cross‐cultural philosophy, which have inspired the organizers of the cyclic global conferences held at the University of Hawai’i at Mānoa, USA, since 193 First, the author discusses some definitions of the comparative method applied in contemporary philosophy and promoted, among others, through the project of the “East‐West Philosophers’ Conference”. Then, she reports the major themes and panel topics raised during the eleventh conference organized in Honolulu, May 25–31, 2016.

The organization of the cyclical open-air festival Night of Culture in Lublin in cooperation with a research group works on two levels. The first is the level of an offer of experiences and reflections for the audience of the Night of Culture. The second is the level of research – social and other – on the design, implementation and effects of the first level. On both levels, a phenomenon plays an important role that can be described from the perspective of (...) cognitive ecology with the term "affordance." A systematic analysis of this can lead to the third level: a meta-analysis of the street festival under discussion. I will not undertake such a complex task in this text, which is partly a review and then a "report", but I will make a brief reconstruction of the conceptual and design work of the Affordances Activity, in which I participated significantly and regularly, as well as will consider the stage of the production of designed objects and their subsequent operation during this year's (2023) edition of the Night of Culture, in which a group of volunteers (students of the Maria Curie-Sklodowska University) played an important role. Remarks of the aforementioned meta-research dimension of the project constitute a wide margin of the article. (shrink)

Alexis de Tocqueville’s political thought is often seen as inconsistent for offering two apparently dissimilar theories of revolution. The first is universal democratisation, understood as a social phenomenon and a grand revolutionary change; the second sees revolution as the logical continuation and radicalisation of the preceding regime. The following question arises: was Tocqueville inconsistent in his principal works? I argue that this was not the case and that the two processes are complementary elements in Tocqueville’s model, which combines the ancient (...) cyclical science of regime change with modern theories of revolutionary progress. What Tocqueville offers is a powerful political theory with considerable predictive power. Tocqueville, I consequently claim, should be viewed as a theorist of revolution rather than as a theorist of democracy per se. (shrink)

Publishing is often characterized by instinctive decision-making with little attempt to apply a scientific methodology to an obvious question: why does one book sell and another not? The thesis of this paper is that, although there are aspects of a book’s publication history that one cannot predict in advance, one can know what these aspects are. A simple syllogism underlies the argument: if human behaviour can be understood through psychology and if book-buying is a form of behaviour, the motivations for (...) book-buying can also be understood through psychology. This approach can be applied historically, through recourse to sales data, to trace the fossils of books published long ago and so discover the type and strength of the motivations that once drove people to buy them. History demonstrates that these motivations, once properly framed, can be understood to be influenced by context. Book-buying motivations also appear cyclically. This leads to a discussion of why it is that one book rather than another may satisfy a motivation and therefore sell better than another. Using the concept of prisms combining to reflect a motivational ‘light’, we see that books exist as constructs of a finite range of elements that cohere in a multiplicative way to enhance or diminish their effectiveness. Evidence is also given for what appears to be a universal ratio that dictates a natural entropy in the effectiveness of these prismatic elements. (shrink)

continent. 1.4 (2011): 286—310. This mad play of writing —Stéphane Mallarmé Somewhere in between mathematics and theory, light and dark, physicality and projection, oscillates the poetry of Alessandro De Francesco. The texts hold no periods or commas, not even a capital letter for reference. Each piece stands as an individual construction, and yet the poetry flows in and out of the frame. Images resurface from one poem to the next, haunting the reader with reincarnations of an object lost in the (...) grass or a representation of a pear in a Dutch still life, embedded in cycles of cinematic close ups and multiple dimensions. As a whole, De Francesco’s oeuvre suggests, to use the title of one of his works, a redefinition —linguistic, epistemological, personal. The poem The End (un’agenda) (The End (an agenda)) opens with a quote by literary theorist Maurice Blanchot, which may be translated as follows: Speaking is not seeing. Speaking frees thought from this optical imperative that in the Western tradition, for thousands of years, has subjugated out approach to things, and induced us to think under the guaranty of light or under the threat of its absence.[1] In writing, De Francesco seeks to redefine our approach to things. His poems, like Blanchot’s writings, speak to both illuminate and to obscure. The reader hangs in an absence of reality within language that necessitates an attempt at interpretation, yet renders such a search ultimately futile. De Francesco draws the anonymous images that appear in this poem from the city of Paris, his current home. The fragmented narrative depicts an inner doubt of realness, calling for a confirmation of a physical existence beyond verbalization and cogitation. Cyclical references to film throw into question the reliability of the reality he creates. The light, sometimes red and safe, other times absent and murky, cannot necessarily be trusted as a guaranteed means of illumination. Blanchot’s distinction between language and visualization, and the relationship of each to reality, though linked specifically to The End (un’agenda) , can be a lens through which to read any of the three works that follow. assente obliqua (absent oblique) is composed of descriptions of six still life paintings, ranging from Dutch masterpieces of the seventeenth century to 1960s minimalism. The actual images of the paintings are absent, and the text is the sole source and object of a virtual reality created around the artwork. “Absent oblique” refers to the light source placed outside of the frame, which both informs and distracts viewing of the scene. Although mere description can be unreliable and unsatisfying in its necessary limitation, the representational act of description is shown as more than just a human want. It is a need, a means by which to grapple with an unsure reality. As the illustrations progress, they descend into abstraction and chaos. The precariously placed plate triggers the movement: the bottle bursts and the objects collapse into the movement of a tracking film camera. corpo estraneo in moto ascensionale (foreign body in ascending motion) is prose poetry in action. Its objective tone of description is skewed by the subjectivity of the narrative as horrific images are relayed in fragmented but matter-of-fact manner. A “foreign body” is both a mass of cancerous cells, and a corporeal description, and the poem takes the reader on a journey back and forth between the two, destination unclear. Beyond a questioning of the real, corpo estraneo in moto ascensionale is an examination of the possible. De Francesco’s poetry becomes a camera obscura through which to observe the constant flux of light and dark that blurs our reality. His work is colored by the idea of apo koinou , a Greek term meaning “from the common” that involves a construction of two clauses with a shared word or phrase. Through such melting of meaning, De Francesco creates a fluid ambiguity that is nonetheless grounded in bodily concepts. In assente obliqua , the reader is confronted with a description of a still life that rapidly transforms into a more chilling scene: the membrane of the mushroom in the basket emerges behind the white cloth a body could hide itself that asks for help In the realm of pure description, there is a mushroom that peeks out from behind a white cloth in a basket. Behind the white cloth, too, there could be a body, hiding, asking for help. Such an elision elicits disorienting mistrust in temporality, but also expands the planar possibilities of syntactical meaning. A white cloth is not merely a construct in still life painting, but veil that both shields and reveals potential mysteries. It is a proposed alternative to a traditional Western binary of subjectivity and objectivity. The apo koinou construction is rare in modern English, having slipped out of use after its resurgence in Old English poetry. De Francesco reintroduces this blur of object and subject relations into a modern light. He draws inspiration from a device used by Gruppo 63 founder and avant-garde poet Antonio Porta tended toward repetition of phrases in third person perspective. In Italian, it is perfectly grammatically correct to omit the subject, including only a verb conjugation. Gender, even humanity unknown, the subject dissolves into the action, thus giving to the poetry the power to change the reader’s perception of who or what is actually acting. To further push the relative boundaries of experience, De Francesco expands his written poetry into what he calls “reading environments.” In these sound experiments, De Francesco’s voice reading his poetry is manipulated by real time digital voice processing. The written is transformed to the spoken, and then injected with currents of electric sound. “At each activation of word in the darkness,” (from The End (un’agenda) ) language is permutated into a nonphysical yet all-encompassing being. In these projects, realized all over Europe, De Francesco continues his examination of the word’s potency beyond the page and into an “n-dimensional space,” where the lines between nature and affect are intertwined. To publish excerpts of De Francesco’s oeuvre is to show screen shots of full-length film, to read pull quotes from a philosophy treatise. In these poems, there are questions, not to be answered, but to be questioned again. The words will oscillate in and out of the square construction found in his poems, out of the borders of the page, out of the rectangle of the laptop screen. NOTES (1) Blanchot, Maurice. The Infinite Conversation . Trans. Susan Hanson. Minneapolis: University of Minnesota Press, 1993. 27. EDITORS' NOTE The .pdf above contains about twenty pages of translation and the original Italian poetry. Below we provide only a brief account. The End (an agenda) Parler, ce n’est pas voir. Parler libère la pensée de cette exigence optique qui, dans la tradition occidentale, soumet depuis des millénaires notre approche des choses et nous invite à penser sous la garantie de la lumière ou sous la menace de l’absence de lumière. —Maurice Blanchot in this n-dimensional space i could spy on myself from the cracks while going back and forth from the summer to the wardrobe from the night to the parking lot but something filters in through the half-closed shutters becomes an event enunciation we stay without explanation like parallel curves on the back of a solid growing older she enters the garden always repeats certain phrases the elevator to be redone the neighbor’s music the steps the pavement furls like the leaves of a fern when touched she is framed from behind while she moves rocking she covers distances slowly a bag overflows from the wardrobe something stirs inside but then the suitcase comes open not even by my hand it’s the objects that are starting to filter out the little red haired monster watches idling the appointments written on one of your agendas two years old still seem urgent each letter holds itself upright on the page with flourishes and arabesques each angle has its own geography i’m trying to describe the path the fingers trace on the carpet the zipper takes the opposite route we are suspended on the stairs above the water in the center is the summer seen from above the darkness of the city passes from one headlight to the next the surfaces of our arms cohere and are shiny underneath the blinking of a sign each pore is an open expanse the body dreams the hair gives form to the possible some daring swimmers were throwing themselves into the seine they swam upstream up to the first quay look there could exist behind the screen a room where even when the lamp is out and the curtains drawn even when the suitcase wasn’t closed everything seemed red everything calm construction of a four-dimensional tetrahedron by R. Courant – H. Robbins, What is Mathematics? Oxford University Press, 1941  . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Time and History in Alois Riegl's Theory of PerceptionMichael GubserIn an early essay, the Austrian art historian Alois Riegl (1858–1905), a pioneer of the modern discipline of art history, linked the creation of the zodiac images in calendar art to the designation of constellations in the heavens.1 Ancient calendar artists observed the motion of stars across the night sky and attempted to map them into recognizable patterns representing specific (...) temporal periods. Their efforts inscribed the cyclical temporality of the heavens into the images of the ancient calendar. This inherent temporality came to characterize all art forms in Riegl's work; his choice of calendar art as his earliest research topic heralded a career-long interest in the connection between temporality and artistic form. Art objects, he believed, were temporal as well as spatial. Just as the light from constellations reflected a deep history, artworks illuminated the passage of time by visually re-presenting the perceptual world of past eras.Riegl's work has garnered attention in recent decades among art historians and non–art historians alike. This interest is due in part to the renewed concern for disciplinary origins that art history, like other fields, has experienced in the wake of poststructuralist critiques. Scholars outside of art history have taken note of his work because of its broad scope and relevance for the study of historiography and perception; Riegl's work provides models for linking the analysis of specific artworks with a history of perception, exploring the relationship between monuments and memory, and analyzing the nature of visual modernity. Interest in Riegl also stems from his acknowledged impact on such preeminent philosophers and historical theorists as Erwin Panofsky, Paul Feyerabend, Gilles Deleuze, Fèlix Guattari, and above all Walter [End Page 451] Benjamin.2 Figures as varied as Georg Lukács, Karl Mannheim, Walter Gropius, and Mikhail Bakhtin have cited his work favorably.3 Riegl is perhaps best known for his attempts to dismantle the hierarchy of high and low art, his attack on the preeminence of classical aesthetic ideals, and his effort to construct a universal history of style. The combination of these commitments led him to consider European and non-European craft genres that fell outside conventional definitions of art. In books such as Problems of Style, Late Roman Art Industry, and The Group Portraiture of Holland, Riegl examined the high arts, decorative arts, and manufactured artifacts alike, gleaning insights into the structure of an era's perception from close descriptive analyses of its artwork.4 In Problems of Style, Riegl traced the development of ancient vegetal decorative motifs toward their fulfillment in the naturalized tendrils and acanthus leaves of Greek ornament. A single, universal development encompassed seemingly distinct motivic forms, and creative innovation was driven by an inner formal logic. Similarly, Late Roman Art Industry, the [End Page 452] epoch-making work that Walter Benjamin described as a revolution in art historical method,5 traced the gradual development of space as an object of artistic concern in the late Roman Empire. In this volume, Riegl explored his controversial notion of the Kunstwollen, or artistic will, which asserted art's autonomy on the basis of a formal creative volition internal to artworks.6 Finally, The Group Portraiture of Holland documented the emergence and decline of a "typically Hollandish painting" emphasizing space and attention.7Riegl scholars have frequently attempted to situate his art history within a variety of philosophical traditions, an effort complicated by Riegl's limited citation of sources. Several scholars have linked Riegl's historical vision with the embattled tradition of Hegelian philosophy. Riegl's teleology; his stress on the unified, internal, and purposive development of art; his notion of art as mind overcoming material; and even his emphasis on the role of the viewer in art all have a distinctly Hegelian resonance. Wolfgang Kemp fits Riegl squarely within a late-nineteenth-century Hegelian revival,8 Michael Podro incorporates him within a Hegelian critical tradition of art history that spanned the nineteenth and early twentieth centuries,9 and Michael Ann Holly posits a clear trajectory, linking Kant and Hegel with Riegl and Panofsky.10Others, however, just as firmly reject this... (shrink)

ZusammenfassungIm 18. Jahrhundert kommt ein historisch neuer Typus des Festes auf: das Bundesfest als Gründungsakt. Im Zuge der Dekorporierung wird das Fest zum Medium bürgerlicher Assoziation, die allmählich auf das Politische ausgreift. Im Kontext der Verzeitlichung im 18. Jahrhundert entbindet sich das Fest seiner vormaligen Funktion zyklischer Zeitreproduktion und bildet eine futurisch-utopische Form aus. Dabei avanciert der Eid, der entinstitutionalisiert wird und als universales Kohäsionsritual Verbreitung findet, zum zentralen Element einer Dramaturgie feierlicher Kommunion, in der das Fest als epochaler ›Übergangsritus‹ (...) den Zeitenumbruch zu imaginieren und zu forcieren sucht. Von der Ebene bürgerlicher Sozialbeziehungen steigt dieser neue Festtypus mit der Französischen Revolution auf die Ebene politischer Repräsentation auf.In the 18th century a new type of feasts evolve: the covenant festival as a founding act. As the corporative society dissolves, the bourgeoisie uses festivals as an instrument of social cohesion. Those associations gradually promote a political claim. Since modern society develops linear and progressive time patterns, the festivals lose the task of cyclically reproducing time. Instead, the new utopian festivals seek to imagine and to push the turn towards a new age. They therefore fulfill the function of modern ›rites of passage‹. Being detached from institutions and becoming a ritual of universal social cohesion, the oath becomes the crucial element of the festivals’ dramaturgy seeking social fusion. From the social sphere, the bourgeois covenant festivals rise to the level of political representation in the French Revolution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Book Reviews,Shapes oS Philosophical History. By Frank E. Manuel. (Stanford: Stanford University Press, 1965.Pp. 166.$1.95.) Based upon his seven Camp Lectures of 1962 at Stanford, Professor Manuel has issued this taut and recondite volume describing the forms philosophical history has taken in the West. He has performed a difficult task well, giving much scholarly substance to his theme that two archetypal shapes of speculative history-writing have dominated Western thought, (...) one an Augustinian teleological.unitary-procursus view, the other a Polybian, cyclical, Ixionlike, Stoic model. The first is broadly defined as "movement either to a fixed end, or to an indefinite end that defines itself in the course of the progression, history as novelty-creating and always variant"; the second as "circularity, eternal recurrence, return to the beginning of things, sheer reiteration or similar recapitulation." Comte and modem progressists are at the end of the first line, Nietzsehe and Spengler and other cylicists at the end of the second. However, broadly again, amalgamations of the two types are possible, syncretistic variants have often taken shape, and, Protean-hke, both lend themselves to almost infinite interpretive patterns. These typologies are psychological more than logical polarities, both emotional and intellectual alternatives, so they often stand for and serve contradictory purposes. Yet historians tend to betray their preference for one of these opposed conceptions, according to Manuel, as they "select an identity for historic man." Deliberately refraining from taking sides on the issue (thus implicitly casting some doubt on his contention that historians and others "inevitably betray their preference for one of these opposing conceptions"), Manuel addresses himself to the task of illuminating the polarity, exhibiting the multiplicity of its forms through time and focusing upon crucial moments of the debate in the West. Of these exhibits--early Christians vs. pagans, Augustine vs. Joachim, the virtual triumph of cyclicism in the Renaissance (albeit with a split developed between negative and positive, pessimist and optimist cyclicists), the ambivalence of the eighteenth-century Germans on the issue (particularly Kant and Herder), the triumphant optimism of the French perfectibilists, the vacillation of the German academists--Manuel's examination of the French and German writers stands out, although the range of his knowledge and first-hand inspection of archival sources from Augustine's time to Toynbee's demonstrates an admirable scholarship. Of the eighteenth-century Germans, Manuel well illustrates their ambivalent and paradoxical side. Herder, for example, nominally an opponent, debating against "abderite" cyclical theory and apparently concluding in favor of it; Goethe wondering whether the world "will become one great hospital in which we behave toward one another like benign male nurses" if Herder's more optimistic notions triumph; old Kant in his special language rejecting all then current models of world history (moral terrorism, abderitism and eudaemonism ) and opting for what Manuel calls a "mechanism... akin to the cunning of reason" to institute a just civil constitution and estabhsh perpetual peace, yet not really persuaded that his sanguine view of moral progress would prevail. As for the later Germans in and out of the Academy (particularly Hegel, Fichte, Schelling, HSlderlin and Hamann) while youthful enthusiasts of progress (everyone knows the story of the young Hegel and his friends planting the tree of liberty saluting the French revolution), their conceptions of history became more and more Platonic, more and more nostalgic and parochial. On the other hand Manuel's account of the eighteenth and nineteenth-century French relates their boundless energy and dedication to progressist conceptions, a development he holds as quite isolated and isolable from the German movement. Without doubt the French had the most imagination and the most confidence in developing philosophical history to an almost dizzying optimistic pitch. Manuel demonstrates a line from Voltaire through Turgot, Condorcet, Saint-Simon, Fourier and the Saint-Simonians to Auguste Comte, each building on the others in time, each theorizing "man's steady conquest of the external world, beginning in a period when he was still the member of a feeble and isolated band, and culminating in his present high estate." "The Golden Age of the human species is not behind us, it is before [171] 172 HISTORY OF PHILOSOPHY us," Saint-Simon... (shrink)

In recent decades, there has been astonishing growth in scientific theorizing about multiverses. Once considered outré or absurd, multiple universe theories appear to be gaining considerable scientific respectability. There are, of course, many such theories, including (i) Everett’s (1957) many worlds interpretation of quantum mechanics, defended by Deutsch (1997) and others; (ii) Linde’s (1986) eternal inflation view, which suggests that universes form like bubbles in a chaotically inflating sea; (iii) Smolin’s (1997) fecund universe theory, which proposes that universes (...) are generated through black holes; (iv) the cyclic model, recently defended using string/M theory by Steinhardt and Turok (2007), which holds that distinct universes are formed in a never-ending sequence of Big Bangs and Big Crunches; and (v) Tegmark’s (2007) “Level IV” multiverse, which contains many universes governed by distinct mathematical and scientific laws. While not all of these preclude each other, the details and implications of each one are hotly contested. In one area within the philosophy of religion (the debate concerning the “fine-tuning” argument), scientific multiverse theories are widely held to be hostile to theism. This is because such theories appear to account for the relevant data – the biophilic parameters of the universe we inhabit – without appeal to an intelligent designer. Yet, in recent years, several philosophers and one physicist have offered reasons for thinking that if theism is true, the actual world comprises (or probably comprises) many universes. I first set out some requirements – both scientific and otherwise – for such a theory. I then survey some problems such theories are held to face, and some prospects they are thought to have. Finally, I examine arguments both for and against the claim that multiverse theories can help theists respond to the problem of evil. I conclude that such theories advantage neither the theist or the atheist in the debate about evil: they merely require reframing arguments from evil. (shrink)

The concept of time is an integral part of any religious and philosophical system. It creates a universal cognitive strategy: seeing the world in its change and development, finding temporary relationships and order in everything. In Iranian mythology, where the cult of time was highly developed, time was personified by the higher deity Zurvan, who initially was imagined as an endless time, eternity, existing at the beginning of the universe, and then, in the latter part of the "Avesta" takes (...) an image of the final, natural, world time, who forecasts not only its beginning, but the end, death. Zurvan Akarana in Zoroastrianism - is unlimited Time or Eternity; one of the two primary forces that are mentioned in "Avesta" and "Yasna". Zurvan - is the Сreator who did not make a creation. He is only the foundation, the idea that gives impulse, like an explosion. It is similar to the concept of "dharma" in the Indian tradition, the "Logos" of Heraclites, the law by which the universe exists. Helps to the time, the main essence of space is the duration, the matter has the opportunity to come into effect. Late Avesta makes a distinction between endless time and time, which has a long duration, but finite. Later theologians interpreted endless time as eternity of being, and a long time was regarded as the duration of the world, which was created and will have an end. These ideas can be correlated with ideas that later we can find in Christianity, that person has a freedom of choice, and even later - in Islam, that person's fate is determined in advance. But Zoroastrianism is talking about the same thing, the fate of this material world in which evil is present is determined in advance, but in the world of Ahura Mazda person has the right to choose and there will get whatever deserves. The unconditional departure from mythological beliefs is also the idea of the linearity of time that we meet in Zoroastrianism and which later gets its continuation in Christianity. But in Zoroastrianism time is endless, and therefore is reversible and linear, and therefore simultaneously is irreversible. (shrink)

This essay endeavours to follow my reading of the argument in Bernard Lonergan’s quite brief discussion of the above topic, to be found in Macroeconomic Dynamics: An Essay in Circulation Analysis, Collected Works of Bernard Lonergan 15 (Toronto: Toronto University Press, 1999), as §28 (pages 156-162). Apart from minor changes in notation, etc., and some greater detail in the use of mathematical arguments, there is little that is novel in what is offered. It merely reflects what I found helpful, and (...) the augmentations I needed, in my own attempts to grasp Lonergan’s arguments. The essential point made by Lonergan is that the cyclical variations in the ratio under discussion are treated as signals of what is happening in the economy. It is because these in practice are often misinterpreted (primarily because of misleading underlying theory rather than as a result of malevolent greed) that the ongoing ‘pure cycle’ becomes corrupted into the boom and bust of the ‘trade cycle’. (shrink)

Recent scholarship on the philosophy of time in pre-Qin Daoist thought has not yet produced a thorough examination of dao’s relationship to time. This essay resolves this omission through a systematic study of the concept heng 恒 in pre-Qin Daoist literature. While principally expressing the ‘constancy’ of dao, heng also significantly presupposes dao’s ability to change. This change is characterized in the texts as a cyclical movement of ‘return’ and identified with the universe’s circular metanarrative of generation and reintegration. (...) The essay turns to examine pre-Qin Daoist literature’s use of primal wu 無 metaphors to describe dao. It concludes that they present dao as undifferentiated infinitude, liberating dao as heng from the tense structure of past-present-future that divides life in time. These metaphors further associate the movement of dao with the flow of time, reformulating time’s relentless ever-greater advancement into an endless cycle of creative transformation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aristotle’s Rhetoric: An Art of CharacterJohn T. KirbyEugene Garver. Aristotle’s Rhetoric: An Art of Character. Chicago and London: The University of Chicago Press, 1995. xii + 344 pp. Cloth, $53.95; paper, $18.95.The history of Aristotle’s Rhetoric has been one of cyclical obscurity and rediscovery. Arguably the single greatest work of rhetorical theory ever penned, in any time or culture, its popularity and influence seem to wax and wane (...) repeatedly. Why this should be is not clear, but it is undeniable that even when it has not disappeared completely, its stock (so to speak) among theorists and practitioners of discourse has fluctuated.We are in a bull market for rhetorical studies generally, and these days Aristotle’s work (despite some dissenters who demonize him as the epitome of an oppressive ideology) is pretty much blue-chip. Even so, it is not every day that one encounters a book devoted entirely to the Rhetoric, and even less frequently is that book self-consciously written “philosophically.” In fact, in this century, the only other title in English that could be said to fit this description is Father William Grimaldi’s Studies in the Philosophy of Aristotle’s Rhetoric (Wiesbaden 1972), a book concerned with very different kinds of issues, for example, the unity (or otherwise) of the treatise overall, and its methodological relationship to the rest of the Aristotelian corpus. In a sense, then, Garver is quite justified in his claim that this is the first book-length treatment of Aristotle’s Rhetoric in this century (3). Moreover, it is a philosophical treatment in the sense that it endeavors to orient the Rhetoric (as its subtitle suggests) to issues of ethics, and because it considers the treatise as a work of political theory. Garver proposes that to call Aristotle’s treatise philosophical “is to insist, first of all, that the Rhetoric be read as a piece of philosophic inquiry, and judged by philosophic standards” (3, emphasis added): it is this aspect above all that distinguishes Garver’s approach from those, say, of the teacher of composition, who will be interested most in how the Rhetoric can best be used to teach principles of effective writing; of the historian of rhetoric, who will be interested in the vicissitudes of the Aristotelian system vis-à-vis those of competing schemata (such as, e.g., stasis theory); or of the classical philologist, into whose especial bailiwick fall such problems as those of Quellenforschung and Textgeschichte. Hence Garver’s explicit inattention to historicism in this work (“It contains virtually no examination [End Page 651] of the Rhetoric’s historical context,” 7). Which is not to say that Garver is ignorant of, or uninterested in, history: on the contrary, he reminds us that “The good practical use of reason has a history. The Greek word for the power of practical thinking is phronêsis; its Latin translation was prudentia” (5). And those who are familiar with Garver’s earlier work will know that he is the author of Machiavelli and the History of Prudence (Madison 1987). It is evident, then, that the study under review here is indeed (in a larger sense) a work of historical contextualization: another page in the history of phronêsis, as Aristotle used that term.Aristotle’s Rhetoric: An Art of Character is one of the most thoughtful studies of that brilliant and difficult treatise to emerge in a long time. Garver takes Aristotle seriously, posing pungent questions and answering them in original and interesting ways. His style is clean and occasionally arresting (“To us, Aristotle might look naive. To Aristotle, we would look not sophisticated but unnatural,” 10). And, in the course of the book, there emerges a portrait of the Rhetoric that quite confirms its philosophic nature—not, however, as a work of disembodied theôria, but one “designed... to present legislators with an understanding of the civic art of rhetoric” (245). While Garver feels that the treatise ‘is not very useful to practitioners of the art’ (245), Aristotle’s project is also described as a ‘civic, practical art of rhetoric’ (18). This brief statement requires a good deal of unpacking, because, on... (shrink)

The article deals with the problem of the cyclical nature of socio-historical development. Cyclicity is positioned as a universal feature of social development, making it possible to use the “lessons of history” in forecasting the future. Particular attention is paid to analyzing the causes of chronic disruptions in Russia’s modernization. The specificity of the Russian history cyclical nature is seen in the action of the institutional matrix, which unites authoritarianism and the suppression of private property into a monolithic whole.

continent. 1.1 (2011): 22-25. The Author gratefully acknowledges the financial support of CAPES (Coordenação de Aperfeiçoamento do Ensino Superior), Brazil. From the multifarious subdivisions of semiotics, be they naturalistic or culturalistic, the realm of semiotics of value is a ?eld that is getting more and more attention these days. Our entire political and economic systems are based upon structures of symbolic representation that many times seem not only to embody monetary value but also to determine it. The connection between monetary (...) and linguistic exchanges is self-evident: the former requires the latter and develops in direct relation to it. Creative experimentation and design of digital systems of value exchange are blossoming on the web. Dr. Gilson Schwartz, an economist turned media theorist and professor at the University of São Paulo, adopted the concept of Iconomics, originally created by Michael Kaplan, an author concerned with the linguistics of economic value. Empowering local communities and unlocking new levels of value creation and representation via digital technologies are the main goals of Dr. Schwartz’s projects, aiming at the re-designing of our relationship to the economic value of imagination and the social control of property. Schwartz is Assistant Professor at the School of Communication and Arts of the University of São Paulo, a former Chief Economist at BankBoston, Brazil and Advisor to the President of the National Social and Economic Development Bank (BNDES). FURTHER READING: Kaplan, Michael. “Iconomics: The Rhetoric of Speculation.” Public Culture . 15.3 (2003): 477-493. Renata Lemos-Morais: You have recently produced and directed a short documentary about Creative Currencies in Latin America. Could you tell us a bit about its process and its findings? Gilson Schwartz: The “Creative Currencies” project is a work-in-progress platform which unfolds as an action research agenda connected both to the production of audiovisual content and the development of social currency software. The initiative dates back to 2003 when I led an experimental project supported by the Presidency of Brazil. At that time, we issued paper currency in a small, touristic village in the Northeast Region which stimulated local cultural projects. But it was only in 2009 that the Central Bank of Brazil acknowledged “social currencies” as a legitimate economic agenda, calling for more debate at the I Financial Inclusion Forum. This year, the monetary authorities organized a second forum that also opened the room to discussions on mobile payment systems and new perspectives on poverty alleviation via State subsidies. The Ministry of Culture funded the “Creative Currencies” project in 2009-2010 and our next stage in this discovery process is to be supported by the National Social and Economic Development Bank (BNDES). In short, there is genuine interest among public officials in different areas and public funding for social currencies is on the rise in Brazil. However, after all these years we are still at a very early stage of research and practice. Some of the most successful initiatives (such as Banco Palmas) actually evolved out of local monetary creation to become correspondent banking operations for commercial banks and other financial groups. After eight years of price stability and social inclusion, Brazil stands out as a major opportunity for social experimentation, even the Grameen Bank is now entering the Brazilian market and many NGOs are geared towards different forms of entrepreneurialism in the base of the pyramid, riding solidarity economic models, microfinance and microcredit for local development. It is yet to be seen, however, whether these developments are just one more stage of “bankarization”, that is to say, an extension of regular banking services or actually a new form of social and symbolic self-determination at the local level. So far, the Central Bank of Brazil is open to new forms of credit and local finance as long as they are strictly territorial and very close to barter among the poor. In other words, whether the process of monetary creation could be made to fit an open source paradigm is yet to be seen. Community banking and social currencies might as well end up as just another channel for access to and use of banking services. The “Creative Currencies” project aims at promoting the discussion of more fundamental issues, such as the limits of central banking, the prospects for local financial development and the possibility of creating and managing financial icons as cultural assets. The purpose of this project is to produce short documentaries that will bear testimony to this evolving regulatory framework while inducing more discussion about the fundamental iconomic issues concealed in the process of money and wealth creation. RLM: What new potential is there in applying digital technologies to currency creation? GS: Globalization is a result of the virtualization of money, that is, the overcoming of illusions such as the “gold standard”. Money is an icon created by institutions, not on supposedly natural or material foundations but out of political and financial interests. The “dollar standard” is an outstanding evidence of this phenomenon and Kaplan´s paper, the first to use the expression “iconomics”, insists on the rhetoric and semiotic effects associated to a supposedly scientific model of money creation and management. This is a fundamental change that was perceived and discussed much before the digitalization of the world by unorthodox economists such as John Maynard Keynes since the early 20th century. The digitalization of global financial flows accelerated this immateriality and the creation of the Euro was yet another evidence of the political foundations of currencies. The banking establishment, however, is keen on the idea that scientific formulae hold the key to sound money creation. Keynesianism has been repeatedly associated to “inflationism” while the supposedly sound monetary policies of the Orthodoxy serve well the political and financial interests of a technocratic elite. Corporate media also serve this fictitious depiction of the monetary process despite the cyclical bust of monetary rules and financial regulations. The internet, however, has created numerous opportunities for the disintermediation in industries such as film, music and commodities. There is no reason to doubt that the financial industry can also be transformed by Peer-to-Peer (P2P) infrastructures. Money is media as well. Credit is but confidence. Once people realize that the distributed computing power of networks can also be the platform to weave new monetary and credit operations, there is room for grassroots emancipation out of the established owners of monetary institutions. So far, however, there has been a privatization of monetary management and there is not a clear path or model for the emergent (P2P) property democratization that is inherent to the internet. Digital assets, however, clearly have an inherent potential to escape central control and proprietary regulatory frameworks. RLM: How are social networks transforming the ways in which we exchange value? Do you believe that online influence and reputation might be translated into a new kind of currency? GS: The foundation for social currencies as envisaged by solidarity economics is the territory. Authorities are willing to concede local monetary creation as long as it is restricted to poor neighborhoods, as a proxy to barter. In this relevant but limited context, reputation, personal knowledge and informal ties form the matrix of local or “proximity” finance which are expected to keep credit and leverage to a sustainable level. Anything beyond that should and would lead to an integration of local finance into the established banking system. However, inasmuch as the internet promotes virtual territories and reputation is now subject to all sorts of digital manipulation and stardom becomes an everyday cultural process among teenagers and elders alike, the territorial “foundation” is substituted for more complex patterns of solidarity, cooperation and exchange that reach beyond the physical territory and even the “human.” Digital assets embody knowledge, technology, cultural and educational values that are exchanged at a global scale beyond the control of democratic States (Chinese-like intervention is the exception, not the rule). Hacktivism is unstoppable and so is monetary hacktivism. Especially in the Third World, mobile communications fast became conveyors of money transfers and other appropriation strategies. Banking and telecom sectors already battle for the control of these emerging markets and, as a matter of fact, have so far contributed to the containment of these processes. Governments serve these moguls and have usually adopted a wait-and-see attitude. If open source hardware and grassroots social movements combine to challenge these proprietary battles, then social networks may evolve into new forms of social capital and thus form the ground on which to design and implement social currencies. The global financial crisis, as well as the dollar demise, are an event of such a proportion that social networks may open the path for emancipator subjects to seize the opportunity. RLM: What are some of the social experiments that you think are revolutionizing the way in which value is exchanged? GS: There is a broad evolution of economic systems towards the valuation of intangible assets such as knowledge, reputation and sustainability. There are many examples of local as well as global events that call the traditional systems of exchange into question, from carbon credits to educational bonuses, digital barter frameworks and locally based solidarity and fair trade networks. These emerging examples, no matter how different in nature or scale, represent a challenge to the traditional value creation schemes and theories which are based on use and exchange value, supply and demand. This is not to say that utility and labour or scarcity are to be totally dismissed, but there is now an emerging perception that value is also a function of behavioral codes, symbolic patterns and the energy of institutional frameworks. The plasticity of digital platforms is relevant insofar as intellectual property becomes the central source of value creation. But when you discuss the property rights of public goods such as the environment or basic social rights (of minorities or localities), then a new paradigm seems to emerge. RLM: Are gaming and online storytelling digital practices that might have an impact on the way new currencies are created and developed? GS: “Play money” has been one of the early and most intriguing phenomena associated to the diffusion of virtual worlds. These virtual currencies have also been prone to “boom and bust” dynamics, speculation and pure theft (Second Life scams were common and led to “intervention” by the owners of the game). Storytelling is a major source of value, that is, the value of attention and the markets for audience. There are plenty of private monies created and managed by corporate entertainment groups, telecom operators (via mobile virtual network operators) and marketing frameworks. The casino economy, as already depicted by Keynes and other unorthodox economists, is always storytelling about future states of the world, confidence building and leverage of animal spirits. The novelty of current events is not the fictitious nature of any form of capital, but the potential for digital democratization of controls over the imaginary nature of value creation. But this is just a potential, a possibility, a figment that more often than not is appropriated by centralized and opaque private powers. The game industry is a testbed for new connections between storytelling and money creation. RLM: Monetary value was originally connected to the scarcity of precious metals, such as gold. Our entire monetary system seems therefore to function according to a logic of scarcity. Do you believe it is possible to reverse this logic into a logic of abundance? GS: The gold standard was a fiction itself, the “scarcity” is always produced by institutions that regulate confidence and access to credit. The key issue is not to fabricate abundance, but to question the institutions which produce scarcity out of any standard, gold or whatever. Central banks are at the service of private banks in the creation and management of scarcity. RLM: The promise that nanotechnology holds for our future is one of radical abundance (or so say transhumanists). The possibility of creating any kind of material substance through nanoengineering seems each day more feasible. What would this possibility entail in terms of systems of value exchange? GS: Nanotechnology, environmental concerns and grassroots appropriation of distributed knowledge are the frontiers of a new horizon of energy creation and management. Social groups in charge of managing scarcity for the sake of wealth and power concentration must be held accountable for the destruction of our future. Once this key political conundrum is accounted for, new systems of value exchange and even a non-mercantile society will come into existence. Revolutionary theorists such as Marx envisaged transformation via the extreme clash of contradictions between capital and labour. This approach has never led to a change in the systemic logic of scarcity for the sake of social control. We are once again facing the threshold of large scale societal change, but the outcome of the current crisis should come from our imagination, not from yet another paradox of abundance and scarcity. As long as we remain attached to the materiality of value, the illusion of freedom will but reinforce the massive manipulation of necessity. RLM: What do you think is the role of crowdfunding in this context? GS: Crowdsourcing as well as crowdfunding are examples of the peer to peer opportunities that come along with distributed computer power. However, the power structure behind wealth and scarcity creation may or may not be changed by crowd management. But it should not be taken at face value, so to speak. The stock market of course is an early form of crowdfunding without calling into question the proprietary framework of the companies offering their investment projects to the market. Any market is a form of crowdsourcing, that is to say, of distributed forms of supply and demand matchmaking. The wealth of networks, however, depends on the contractual ecosystem, the institutional framework, the channeling of social imagination, not on the purely quantitative distribution of bids and offers. I see economics as supply, demand and code. Once you have access to the code, once openness becomes part of the game, then there is a chance of crowd behavior becoming collective intelligence and sustainable imagination. RLM: Is the development of digital currencies headed towards a pluralistic ecology in which many micro currency systems co-exist, or is it penetrating the mainstream monetary system? If it is affecting the mainstream financial system, what would be its effect in the long-term? GS: The same issue is at stake both at local and global levels. The global system is, as a matter of fact, an unstable ecosystem of “micro currencies” whereas the dollar has so far exerted an overwhelming influence. Local currencies and private monies coexist with national currencies only to the extent that the Central Bank admits, for instance, that grassroots monetary emissions remain territorial and strictly connected to poverty. However, the question of how new developments in digital technologies and nanotechnologies might alter not only our current monetary systems but also our understanding of value in itself, is still an open question. (shrink)

The singularity theorems of the 1960s showed that Lemaître’s initial symmetry assumptions were not essential for deriving a big-bang origin for a vast multitude of relativistic universe models. Yet the actual universe accords remarkably closely with models of Lemaître’s type. This is a mystery closely related to the form taken by the 2nd law of thermodynamics and is not explained by currently conventional inflationary cosmology. Conformal cyclic cosmology provides another perspective on these issues, one consequence being the (...) necessary initial presence of a dominant scalar material that interacts only gravitationally, but which must ultimately slowly decay away in a novel but perhaps detectable way. According to CCC, our current universe picture provides but one aeon of an unending succession of expanding aeons each having an initial big bang which is the conformal continuation of the remote exponential expansion of its previous aeon. The observational status of CCC is briefly discussed. (shrink)

Extant attempts to incorporate _intensionality_ into the grammar either systematically over-generate, or systematically under-generate. In this paper, building on Keshet (Linguist and Philos 33(4):251–283, 2011), we aim to reconcile a scopal account of _de re_ with the possibility of _de re_ readings out of scope islands. By adapting compositional techniques for dealing with exceptionally scoping indefinites (Charlow, in On the semantics of exceptional scope, PhD thesis, Rutgers University, 2014; The scope of alternatives: indefiniteness and islands. Linguist and Philos 43(4):427–472, 2020), (...) we develop an intensional grammar in which exceptional _de re_ is achieved via _cyclic scope_. World-sensitive expressions are converted into scope-takers via a constrained inventory of type-flexible operators. Type flexibility _explains_ the possibility of apparently island-violating _de re_ by predicting the possibility of cyclic scope-taking. We argue that the resulting theory—which we dub the _flexible scope theory_—is sufficiently expressive to address the under-generation issues of current accounts, while still capturing constraints on _de re_ in an explanatory fashion. (shrink)

Thomas Eisele explores the premise that the Socratic method of inquiry need not teach only negative lessons. Instead, Eisele contends, the Socratic method is cyclical: we start negatively by recognizing our illusions, but end positively through a process of recollection performed in response to our disillusionment, which ultimately leads to renewal. Thus, a positive lesson about our resources as philosophical investigators, as students and teachers, becomes available to participants in Socrates' robust conversational inquiry. __Bitter Knowledge __includes Eisele's detailed readings of (...) Socrates' teaching techniques in three fundamental Platonic dialogues, _Protagoras, Meno_, and _Theaetetus_, as well as his engagement with contemporary authorities such as Gregory Vlastos, Martha Nussbaum, and Stanley Cavell. Written in a highly engaging and accessible style, this book will appeal to students and scholars in philosophy, classics, law, rhetoric, and education. "This book is original, fresh, and of very high quality, opening up these Platonic texts, central to Western culture, in new ways. In addition, it establishes a method that others can use and apply to the other dialogues. It would be a wonderful text to assign in courses in philosophy, basic humanities, education, and law." --_James Boyd White, University of Michigan_ "Through his thoughtful and incisive readings of Plato, Thomas Eisele puts Socrates in a new light. In Eisele's hands, Socrates offers us a method not simply for philosophy but for the challenges of life and mind. This superb book builds on the great readings of Plato, adding to the richness of our understanding of the enigmatic figure of Socrates. These are profound readings of Plato." --_Dennis Patterson, Rutgers University School of Law_ "Eisele's book is much more than an erudite, seductive, and imaginative exploration of three central Platonic dialogues. It is also a fine general treatment of philosophy, discussing the kind of finality or closure to which philosophical questions are susceptible and the appropriate stance of the inquirer. It considers the pedagogy of philosophy and law brilliantly." --_Thomas Morawetz, University of Connecticut School of Law_. (shrink)

The objective of this article is to consider whether the Commentator of the Derveni Papyrus can contribute to our understanding of the double divine will to reject and accept the name of Zeus. After examining some inconsistencies that the traditional readings raise, the authoress appeals to the Derveni Papyrus in order to offer an alternative diachronic interpretation. On this reading, the unique wise one, in the first place, does not wish to be called by the name of Zeus because this (...) name ascribes birth and diversification to it, while it is, as such, eternal and simple. On the other hand, as it cyclically becomes multiple, it is also willing to be identified with Zeus, the God who, according to the Papyrus, swallowed his Grandfather�s phallus along with Mind, got pregnant of everything and re-created the universe. This account fits with Heraclitus� doctrine that there is no creation of the world but some kind of derivation of it from the one, and vice-versa. (shrink)

The question of time and history, took on tremendous urgency in Bonaventure's day. Bonaventure found himself enmeshed in debates about time and history both in the university and in the Franciscan order. Bonaventure believed that creation necessarily involves having a beginning in time, i.e., having being at some point after not having being. Time is thus necessarily lineal, not cyclical. So as Bonaventure considers the question in the light of philosophy he concludes that creation has a beginning in time, and (...) in the light of scripture he concludes that it will have an end. (shrink)

European autobiography of the sixteenth and seventeenth centuries was fed particularly by the religious exploration of the self and the desire to tell about and place oneself within the web of one's family. Jewish autobiography has behind it these same impulses, though it is more likely to be an expansion of ethical teachings appended to a will than an elaboration from an account book. It also differs from Christian autobiography in lacking a definitive conversion. Rather the life is imbued with (...) a cyclical sense of sin, of God's power and punishment, and of the unpredictable: the individual's life is a recapitulation of the history of the Jewish people. Leon Modena's Life of Judah is a combination of confession, lament, and self-celebration. It bears comparison to Girolamo Cardano's Book of My Life, for both men express pride in their fame and many books, despair about their sons, and admit to the vice of gambling. Cardano's glory and complaints delimited a secular sphere within the Christian universe of meaning, while Modena's were still closely tied to God's tangled relations with His chosen people. Further, the realm of the "secret" was defined differently by Christian and Jew. Christian writers usually assumed the inside/outside contrast to apply especially to the individual and that secrecy was bad but inevitable in a society of preferment. For Jewish writers the inside went beyond the individual and his or her family to the wider Jewish community. In that protected space and in the safe language of Hebrew, a range of situations and feelings could be explored with considerable frankness, the inner/outer contrast leading to surprising self-discovery. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 121.2 (2000) 324-328 [Access article in PDF] Michael C. J. Putnam. Virgil's Epic Designs: Ekphrasis in the Aeneid. New Haven and London: Yale University Press, 1998. xii 1 257 pp. Cloth, $35. This is a book about ekphrasis, about the Aeneid, about ancient Greek and Latin literature, about poetry and poetics, and about the ways in which literature can affect the way we live our (...) lives. But most of all, it is a tremendous book on the Aeneid.The six chapters focus on notable points of ekphrasis: Dido's Murals, the Cloak of Cloanthus, Daedalus' Sculptures, Silvia's Stag, the Shield of Aeneas, and the Baldric of Pallas. The dominant figure characterizing ekphrasis in the Aeneid is synecdoche: that is, ekphrasis, Putnam shows us, serves as a mise en abîme in the Aeneid, in which the circularity of ekphrasis both interrupts and comments on the narrative linearity of epic (97, 204, passim). Ekphrasis and epic complement and analogize one another, and therein Virgil is teaching us about major themes of the Aeneid. The most abstract of these themes can perhaps be paraphrased as follows: epic poetry is linear, historical, teleological, and temporal; ekphrasis, something of a lyric mode within epic, is circular, repetitious, and atemporal. The linearity of history becomes a falsifying teleology, a deceptive myth of progress. This is counterbalanced by the ekphrases; their circularity, both in form and content, points to the circular, cyclical nature of history--there is, in the end, no progress (see, e.g., 31, 42, 46, 61, 154-55, 209).Most of what I think is important about ekphrasis is in this book; moreover, much that I had never considered before now seems obvious, after reading it. I cannot, however, summarize the book, and what follows is an exhortation, rather than an outline. The force of Putnam's analysis does not lend itself well to summary, even his own--it would be a mistake to read merely his introduction and conclusion. Reading Putnam I am reminded of William Blake's Assumption of Total Significance, as named and brought to us again by the linguist Háj Ross: this is the assumption that any and every aspect of a text (or other work of art) has the potential to be of the utmost importance. Putnam proves this by his own practice, tracing threads of meaning and resonance from the specific details of the language of the text, with interpretation both bold and securely grounded. In doing so, he shows and recommends a fruitful, almost Emersonian, faith in the individual passage as a microcosm (as synecdoche, as a mise en abîme), a faith borne out in spades by his analysis. At times, some readers will not accept his interpretations, but this is not a problem. Putnam invites [End Page 324] us to go with him on a slow, careful walk through the Aeneid; if we do not see what he sees, that is fine; but he tells us carefully, forcefully, and with great clarity why he himself sees it. Those who are rapid readers may thus not understand the significance of this book and may likely give it short shrift: the best of it cannot be skimmed. But then such rapid readers are very unlikely to understand or care about poetry, especially Virgilian poetry. The details of Virgil's language and the detail of Putnam's discussion are what will, in William Carlos Williams's phrase, "startle us anew."It is most useful, then, to give a sample, but it is not easy to choose. To my mind, the most compelling chapter is that on Daedalus. The association of Virgil and Daedalus is powerfully illustrated; Putnam argues that in Daedalus Virgil is giving us his own "spiritual and psychic" biography as an artist. Neither artist can idealize, neither can bring to completeness, neither can accept the tempting comfort of beauty, the "veneer of charm over terrible truths," and neither can help but see "nature's final pyrrhic triumph over art" (e.g., 84, 91, 94, 95). I quote an... (shrink)

The theory of Yin and Yang and the Five Movements is based on the concept of cyclical time. This ancient cosmological model postulates that when expansive energy reaches its apex, mutual life-saving relations prevail over mutually conflictual societal relations, and that this cycle repeats. This cosmic change model was first presented in ancient Korea and China, by Hado-Nakseo, via numerological configurations and symbols. The Hado diagram was drawn by a Korean thinker, Bok-hui (?-BC3413), also known as Great Empeor Fuzi or (...) Fu-hsi in Chinese mythology. Confucius once recognized him as the father of I Ching (Book of Changes). The Eastern cosmology was further developed by King Wen and the Duke of Zhou and compiled by Confucius (BC551?-BC 479) during the Spring and Autumn Period and the Warring States Period. Nakseo diagram was first discovered by the famous King Wu of China, who founded the Xia dynasty. In contrast to the harmonious mathematical matrix of Hado, Nakseo symbolizes the conflictual and dynamic expansion of the universe. In the Nakseo world, masculine energy is structurally greater than feminine energy, continuously breeding disequilibrium and conflict. The Yin and Yang model suggests that everything in the universe exists as a combination of opposing dynamics. At any given time, one of the two dynamics grows while the other declines. When Yang energy is at its peak, Yin energy is at its nadir; then, a reversal occurs; and envetually the whole cycle repeats. It would thus be logical to express that when conflictual energy has reached its apex harmonious energy begins to wax. It can be argued that since the state of disequilibrium within the universe represented by Nakseo cannot indefinitely sustain its dynamic of expansion, harmonious international relationships eventually come to pervade the world. This argument represents a unique applicationof the concept of Yin and Yang logic to international arms race and arms control. This cyclical dynamics can explain the long-term process of arms build-up followed by eventually by nuclear standoff and subsequent nuclear arms control regimes as NPT, CTBT, MTCR, SALT, START, PSI and etc. One can boldly claim that Yin and Yang logic offers a clue to creating a theory of structural peace by discovering a constructivist element in the model. The esoteric matrixes of ancient Korea and China thus provide humanity with an new vision for nuclear disarmament and a sustainable peace. (shrink)

The purpose of this study is a philosophical analysis of the phenomenon of social responsibility and the peculiarities of the process of its transformation, which took place in the context of globalization. The objective of the study is to determine the nature of the impact of the globalization process on the transformation of the institution of responsibility. In the course of the research, systematic, formal-logical and historical methods of scientific cognition were used. A civilizational approach was also applied, in which (...) the analysis of the object and subject of research was carried out taking into account civilizational features. As a result of the research, we came to the conclusion that globalization in its modern form is a process of modernization within the whole of humanity. Currently, in the vast majority of the most economically and technologically developed countries of the planet, there is such a negative phenomenon as negative demographic dynamics. In turn, this phenomenon is accompanied by a deep crisis of the institution of the family, and with it a massive departure from traditional norms and values. In such conditions, such an important institution and instrument regulating public relations as the institute of social responsibility inevitably undergoes a serious transformation. In the course of this process, there is a transition to the so-called modern society, the fundamental difference of which from the traditional one is that it is focused on the innovative component of culture, which in fact means the ever-increasing predominance of innovative elements over traditional ones, the secular nature of public life, development, which has a progressive, and not cyclical, the formation of democratic institutions, the mass nature of education, the dominance of the universal over the local, etc. All these innovative elements of culture, taken both separately and in combination, have a decisive influence on the entire Worldview of people, including their perception of justice and responsibility. (shrink)

Following the seemingly endless debate over managed care liability, I cannot suppress thoughts of Yeats’s poem, “The Second Coming.” It is not the wellknown phrase, “Things fall apart; the centre cannot hold,” that comes to mind; although that could describe the feeling of a health-care system unraveling. The poem’s depiction of lost innocence — “The best lack all conviction, while the worst/Are full of passionate intensity” — does not allude to the legislature, the industry, the public, or the medical or (...) legal profession. What resonates is the poem’s evocation of humanity’s cyclical history of expectation and disappointment, with ideas as grand as justice and occupations as pedestrian as managed care. Writing in 1919, Yeats described the end of an era with images of war’s destructive forces. The poem expresses a universal desire for some miraculous rebirth or resolution of all problems: “Surely some revelation is at hand.” But instead, the brutish Sphinx-like creature emerges, possibly the Antichrist. New gods displace old gods in the cycle of civilization, and man must muddle on. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Cycle of Violence and Feminist Constructions of Selfhood Jennifer L. Rike University ofDetroit Mercy Violence is the heart and secret soul ofthe sacred" (Girard 1977, 31). René Girard reaches this shocking conclusion by tracing the dynamics ofthe generation ofviolence in history, and the ingenious ways in which humanity has learned to funnel violence into ritual sacrifice to avoid apocalypse. His argument pivots upon his understanding ofhumanity as inherently (...) flawed, as fated to conflict in the struggle to survive. Ifthe sacred mechanism of ritual sacrifice is not deployed, violence takes on a power and personality all its own: "If left unappeased, violence will accumulate until it overflows its confines and floods the surrounding area. The role ofsacrifice is to stem this rising tide... and redirect violence into 'proper' channels" (10). Girard's theory about the violent origins ofthe sacred institutions of ritual sacrifice, law, and myth highlights perhaps the chief paradox of religion: it has been used to promote as much as to oppose violence. Today, as feminists explore how women in particular have been the objects ofsuch violence, they too have turned to Girard to understand this paradox, and yet most have ended up criticizing Girard for falsely universalizing typically Eurocentric and androcentric conceptions of humanity, violence, and religion (Shea, Kirk-Duggan, Nowak 24-6).' While they may be right on certain points, it is also possible that the rush offeminist scholars to charge 1 Nancy Jay has also criticized Girard for androcentrism, in particular because "he still grounds all community and culture on male control of male violence" (130). 22Jennifer L. Rike Girard with androcentrism reflects their own refusals to confront how the dark face of violence appears in women as well as in men. Rather than evaluating specific feminist criticisms ofGirard in this regard, I propose a more global approach—to delineate in greater detail how feminist constructions of selfhood need to be informed by Girard's theory of the violent origins ofthe sacred in order for feminism to achieve its own goals. In Girard's view, the ritual ofsacrifice and the law are generated out ofthe socio-psychological mechanisms ofacquisitive mimesis and scapegoating as the sacred's way of controlling violence. In ways he leaves largely implicit, these mechanisms reflect the devastating cyclical effects of violence upon its victims. Girard stops short of reflecting on the roles gender plays in the cyclical processes of violence, and yet, as my subsequent analyses shall demonstrate, there can be little doubt that women participate in these processes in ways both like and unlike men. Women have been scapegoated throughout history, but not all women end up as victims ofviolence and the rituals constructed to appease it. Nor do many women remain simply victims of the tides of violence: many repeat the cycle of victimization and themselves become perpetrators. Moreover, some escape the cycle ofviolence by a variety ofmeans whose patterns are well worth scrutinizing. My point is that women's modes of participation in the processes through which violence makes and remakes itself are far more complex than has been recognized, and merit our full attention. From the perspective of feminist constructions of selfhood, the question then becomes, how does gender affect one's experience of acquisitive mimesis and scapegoating, victimage and perpetration? To claim that only women are victims and only men—and the women they have co-opted—are perpetrators may be politically correct, but that claim ignores some hard but ultimately helpful truths about what women must do to bring about the changes necessary for revolutionizing our society by transforming its violent ways into peaceful ones. My plan, then, is to suggest how Girard might be used to advance the theory and praxis of feminism further by delving into the psychological mechanisms underlying acquisitive mimesis and scapegoating. I shall argue that using object relations theory to understand the ways in which violence splits the human psyche complements Girard's conception of acquisitive mimesis and scapegoating to disclose the complete dynamics ofthe cycle ofviolence. Such understanding is essential to feminist reconstructions of selfhood, because it makes the defeat of sexism and violence possible by exposing them at their roots. Feminist Constructions ofSelfhood23 My project has four steps... (shrink)

Religious naturalists say all divine or sacred things are natural. A unifying framework is presented for religious naturalism. Nature has five religiously significant levels of organization. These are nature as a whole, the universe, solar system, earth, and body. Each level involves power, cyclicality, complexity, and evolution. These levels take their religious contents from the Zygon group, the World Pantheist Movement, the New Atheists, the New Stoics, and the Burners. Religious naturalists have also taken ideas from the Wicca, the (...) Green Sisters, and the Evolutionary Christians. Rituals can be performed at each level. Linkages between all complex things and the cycles of nature entail a positive soteriology. No gods are involved in this religious naturalism. (shrink)

In the period 4800-3600 BC. in the eastern part of the Trypillia area arose "giant settlements" or "megasites" / "mega-settlements" with thousands of buildings. In the central parts of these living conglomerates, scientists found special buildings that were recognized as sanctuaries, sacred complexes or temples. In the late period of the Trypillia culture they disappeared. These religious buildings were built with a focus visible processes of celestial bodies and the laws of cyclic rotation of the Earth in space, and (...) included in their internal filling usually cruciform altars, ritual utensils, troughs with graters for the preparation of ritual bread and numerous other ceremonial and religious artifacts. There were also unique finds, such as gold jewelry and a perforated clay disk with tockins to it from the space of the Nebelivka Temple. The interior and exterior walls of the Trypillia sacral centers were painted with natural colors with a predominance of red. The wood carving for decoration of elements of a skeleton of a construction was investigated also. The first Temples on the European continent show that even at that time there was a cult of architecture. In general, it is clear that such Trypillia objects of religious worship carried encoded astronomical information in symbolic form. The building itself was oriented with regard to worldsides and designed relative to visible celestial bodies. This indicates that the people of Trypillia had a fairly clear worldview, which allowed them to reach the level of understanding the structure and mechanisms of many natural cyclical processes on Earth. Trypillia cosmology united the celestial and terrestrial spheres, and the Temple was the point of contact of the earth with the visible Universe. In his work, the author traces the existing analogies in the structure of construction of Trypillia and sacred complexes of the ancient Middle East and biblical ideas about the Tabernacle and the House of the Lord in the ancient Jews, given the fact, that the Trypillia temple building is known from 4,000 years BC. and several thousand years older than the Middle Eastern counterparts. There are also significant parallels in the construction of temples in the context of Indo-European religious heritage. It is noted that the Temple was not only a metaphysical reflection of the annual cycle with a focus on the points of the equinoxes and solstices, but also had a higher religious function, which consisted in the combination of the terrestrial sphere with the celestial, the connection of man with the mystery of the cosmos. (shrink)

A few remarkable examples of alternative cosmological theories are shown, ranging from a compilation of variations on the Standard Model (inhomogeneous universe, Cold Big Bang, varying physical constants or gravity law, zero-active mass, Milne cosmology, cyclical models), through the more distant quasi-steady-state cosmology, plasma cosmology, or universe models as a hypersphere such as the Dynamic Universe, to the most exotic cases including static models with non-cosmological redshifts of galaxies. -/- Most cosmologists do not usually work within the (...) framework of alternative cosmologies very different from the standard one because they feel that these are not at present as competitive as the standard model. It is true that they are not so developed, but that is because cosmologists do not work on them. This vicious circle is to a great extent due to a sociological phenomenon known as the "snowball effect", in which resources are distributed to the most successful theory at a given time; the effect acts as a potential in a field that attracts cosmologists, causing funds, research positions, prestige, telescope time, publication in top journals, citations, conferences, and other resources to be dedicated almost exclusively to standard cosmology. (shrink)

Chronic diseases are the main disease burden worldwide, leading to premature deaths and poor individual and population health outcomes. Although modern medicine has made significant progress in developing effective treatments, only around 50% of people follow long-term treatment recommendations in high-income countries and presumably even less in low-income and middle-income countries.1 Health outcomes for chronic diseases follow a social gradient across socioeconomic groups, suggesting that the 50% adherence rate distributes unequally across social groups, affecting those who live in disadvantage the (...) most despite universal health coverage.2 Bioethicists have largely ignored inequalities that arise from differences in adherence to long-term treatments and the importance of the ethical dimension of chronicity for clinical practice. As I discuss in detail elsewhere, the concept of ‘chronic disease’ lacks a successful and agreed definition, failing to be structured in a traditional way and allowing for a disjunctive group of diseases to fall under the concept.3 Still, the main element that helps distinguish ‘chronic diseases’ from all other diseases is their long duration, so the noun chronicity can help demarcate and identify the nature of ‘chronic disease’. Drawing on conceptual analysis and phenomenological research on illness that highlight the tension between the cyclical and static elements of chronic disease, I have argued that chronicity has a phenomenological sense beyond its …. (shrink)

The article explores the unique, its essence and role in the development of types of rationality. The unique is explained as unrepeatable, which does not fit into the actual implemented reversibility, repeatability and cyclicality. This is a universal property that is inherent in the individual education and is expressed in the individual and unique elements, properties and relations. The purpose of the research is to reveal the unique as a scientific concept, apply it to the rationale for the processes of (...) changing types of rationality. The connection of the unique with a single, natural, indefinite, negation is revealed. Negation is presented as a form of thinking of a cognizing subject for the realities of scientific knowledge. Analysis of recent research and publications, initiated the solution of the problem of unique : use of the articles by authors G. Bashlyar, P. Burak, P. А. Vodopyanov, A. I. Zelenkov, V. H. Voronkova, O. P. Punchenko, I. Prigogine, I. Stengers, V. S. Stepin, L. P. Turkin and others. Research Methodology: general logical and theoretical research methods are used, representing their procedural adaptation to the solution of the problem. Unique in science is determined by the subject through its critical understanding of innovation, value context and essential for a given level of development of science. It is divided by type, depending on the scientific problems to be solved. Scientific novelty – unique is presented as a form of rationality movement, the moment of development of knowledge, it is also a test of knowledge for innovation, scientific character, clarification and their correlation. The types of rationality – classical, non-classical and post-non-classical – are identified and the role of the unique in their development and changes is clarified. Results of the research : on the analysis of the development of the natural sciences, it was proved that the change of types of rationality is associated with the growth of the innovative spirit of these sciences. Conclusions – the innovative potential constantly consisted in the damage to the stability of the old methodological principles that could not be adapted to the new discoveries. In classical rationality, unique principles were: unambiguity, clarity, obviousness; in non-classical – relativity, complexity, chance, complementarity; in the post-non-classical determining principles are steel: nonlinearity, chaos, self-organization, open systems, and more. The change of types of rationality gradually turned the unique from exceptions for natural science into its subject. (shrink)