For Kant, a body fills out space by means of its causal efficacy. The essential properties of matter are hence dependent on underlying forces and it is one task of the Opus postumum (OP) to reconstruct the system of forces. In order to avoid an infinite regress of causal explanations, this system of forces needs to account for a primitive origin of all mechanical moving forces in something that is constitutive of forces, yet radically different - this is the ether (...) that fills all space that constantly moves or vibrates all the parts of the material bodies internally. I argue that we can read Kant’s argument for the existence of the ether through the lens of dispositions: essential properties of matter, such as ponderability, coercibility, cohesibility, and exhaustibility, should be understood as dispositions. These dispositions are ‘physically conditioned,’ as Kant calls it, on the ether. To display their manifest and perceivable properties, the ether acts as the ubiquitous and universal ‘activation stimulus’ of the dispositions that make up material bodies. He causes them to constantly display their manifest properties that make them continuously perceivable and causally efficient. Thereby Kant offers a solution to a problem formulated by Simon Blackburn, namely that purely dispositional matter would lead us into skepticism. (shrink)

In the course of the history of science, some concepts have forged theoretical foundations, constituting paradigms that hold sway for substantial periods of time. Research on the history of explanations of the action of one body on another is a testament to the periodic revival of one theory in particular, namely, the theory of ether. Even after the foundation of modern Physics, the notion of ether has directly and indirectly withstood the test of time. Through a spontaneous physics philosophical analysis, (...) this article will explore how certain aspects of the concept of ether have appeared in different branches of the history of science. (shrink)

In his ‘Theory of Light and Colours’, presented to the Royal Society in November 1801, Thomas Young defended a mechanical explanation of the coloured fringes observed outside of the shadow of an opaque object – the so-called ‘colours by inflection’ – that was based on the hypothesis of an ethereal density gradient surrounding all material bodies. However, two years later, he publicly rejected that hypothesis, without giving much detail of his reasons. Although Geoffrey Cantor has demonstrated the crucial (...) role of mechanical and astronomical arguments in explaining the withdrawal of this fundamental hypothesis long ago, the purpose of this article is to draw deeper attention to a set of experiments performed by David Brewster on the inflection of light, described in a letter he addressed to the Royal Society in January 1802, but was retained by William Herschel, and finally was neither read before the Society, nor published in its Philosophical Transactions. For the hypothesis that will be evaluated here is that these unpublished experiments of Brewster’s were eventually known to Young through the mediation of Herschel, and eventually played a significant role in Young’s rejection of his ether distribution hypothesis. (shrink)

This article discusses the development of John Scottus Eriugena’s teaching on the spiritual body. In his early treatise De praedestinatione, as well as in the Periphyseon, John Scottus understands the spiritual body as ethereal or aerial. This conception tacitly assumes that men and angels are connatural. Moreover, Eriugena’s angelology and demonology compel him to localize Hades in the air—a teaching in which he follows a well-established ancient and Christian tradition. John Scottus is influenced by ideas of Origen and Gregory (...) of Nyssa in maintaining that there are two different kinds of human bodies; the interpretation of the biblical “coatsof skin” as the earthly human body plays an important part in this. According to Eriugena, the soul in a sense creates an earthly body for itself. In later passages from the Periphyseon, he abandons the idea of individual subtle bodies, accepting a complete transformation of body into spirit at the resurrection. However, he remains ambiguous on this point as his position would contradict Christian doctrine. The Periphyseon culminates in a paraphrase of a section from Ambigua ad Iohannem XXXVII. In the light of the latter text, the nature of the eight gradual unifications from the epilogue of the Periphyseon becomes clear. (shrink)

This paper argues that since nonphysical souls lack a position in space, they cannot have the pairing relations that would allow them to interact with physical bodies. For example, if two rifles (A and B) are fired at the same time, and consequently Andy and Buddy are killed, we can only say that rifle A killed Andy while rifle B killed Buddy, rather than the other way around, if there are appropriate spatial relations (such as distance and orientation) that (...) pair Andy’s death to A’s firing, and Buddy’s death to B’s firing. But no such pairing relations are available to nonphysical minds that lack spatial positions altogether. And attributing spatial location to nonphysical souls raises more problems than it solves, such as how to find particular souls at particular locations, how souls taken to be geometric points in space could retain enough structure to have sufficient causal powers to influence bodies, and why spatial entities more robust than points shouldn’t simply be conceived of as exotic physical entities like astral bodies. -/- 1. The Problem -- 2. Descartes and Mental Causation -- 3. Causation and the “Pairing” Problem -- 4. Causation and Space -- 5. Can We Locate Souls in Space? (shrink)

The paper examines the body as a stake in space exploration at the intersection of technology, material practices and utopian imaginaries. Based on an interpretation of the film “Gattaca” in the light of the problem of access to space, the paper opposes two techno-utopian regimes — cosmopolitics and biopolitics. Cosmopolitics assumes an equality of access to space for all beings, while biopolitics links bodily restrictions to the problem of regravitation. Regravitation is the biopolitical practice aimed at preserving the “terrestrial” conditions (...) of the body’s existence. The problem of access to space is exemplified by the debate over the boundary between Earth’s atmosphere and space in the NewSpace movement. A radical step here is taken by space amateurs, defining the stratosphere as “almost space”. In this sense, the amateurs' space techno-utopia turns out to be cosmopolitan — not so much in the sense of space as a political order equal to all beings and entities, but in the sense of a politics of equal access to space beyond Earth. K. E. Tsiolkovsky’s amateur techno-utopia proposes a radical transformation of the body and its liberation from terrestrial gravity. People will become “citizens of the ether” with the help of an extreme environment and gain additional opportunities. (shrink)

This paper sets out to examine the changes which took place in Thomas Young's concepts of the ether between 1799 and 1807. During the earlier part of this period he supposed the ether to consist of mutually repelling subtle particles which are attracted to particles of matter. Hence, he considered that the ether is denser within dense bodies than in rare ones. Furthermore, Young proposed that the ether density does not change abruptly at an interface; instead the denser ether (...) extends beyond the geometrical limit of a body to form an atmosphere around it. As this hypothesis of an atmosphere of dense ether surrounding material bodies will be the central subject of this paper, I shall in future refer to it as the ether distribution hypothesis. (shrink)

This study delves into the creative protest tactics of Belarusian activists in 2011, highlighting their use of “sound bodies” created through clapping to challenge authoritarian constraints. The research posits that these ethereal sound bodies exert significant normative pressure on the regime by challenging the regime’s legitimacy. By analyzing the clapping protests as civil disobedience, this study illustrates the effectiveness of this non-visual form of protest in compelling the authoritarian regime to address the collective call for change. Through (...) this lens, this paper contributes a nuanced understanding of how decentralized protest strategies, particularly those leveraging sound, can serve as potent mechanisms for challenging oppressive governance in a digitally connected global landscape. This essay thus intervenes into the realms of argumentation theory and sound studies. (shrink)

People naturally intuit that an agent's ethereal thoughts can cause its body to move. Per intuitive physics; however, one body can only interact with another. Are people, then, covertly puzzled by the capacity of thoughts to command the body? Experiment 1 first confirms that thoughts (e.g., thinking about a cup) are indeed perceived as ethereal—as less detectible in the body (brain), and more likely to exist in the afterlife relative to matched percepts (e.g., seeing a cup). Experiments 2–5 (...) show that thoughts are considered less likely to cause behavior than percepts (e.g., thinking of a cup vs. seeing one). Furthermore, mind–body causation is more remarkable when its bodily consequences are salient (e.g., moving an arm vs. brain activation). Finally, epistemic causes are remarkable only when they are ascribed to mental‐ (e.g., “thinking”) but not to physical states (“activation”). Together, these results suggest that mind–body interactions elicit a latent dualist dissonance. (shrink)

How should we speak of bodies and souls? In _Coming to Mind_, Lenn E. Goodman and D. Gregory Caramenico pick their way through the minefields of materialist reductionism to present the soul not as the brain’s rival but as its partner. What acts, they argue, is what is real. The soul is not an ethereal wisp but a lively subject, emergent from the body but inadequately described in its terms. Rooted in some of the richest philosophical and intellectual (...) traditions of Western and Eastern philosophy, psychology, literature, and the arts and the latest findings of cognitive psychology and brain science—_Coming to Mind_ is a subtle manifesto of a new humanism and an outstanding contribution to our understanding of the human person. Drawing on new and classical understandings of perception, consciousness, memory, agency, and creativity, Goodman and Caramenico frame a convincing argument for a dynamic and integrated self capable of language, thought, discovery, caring, and love. (shrink)

This paper argues that all apparently special forces characteristically reduce to a few fundamental physical forces which conserve energy and operate throughout nature. Consequently, there are probably no special mental forces originating from souls and acting upon bodies and brains in addition to the basic, energy-conserving physical forces. Moreover, physiological and biochemical research have failed to uncover any evidence of forces over and above the basic physical forces acting on living bodies. It is as if all organic processes (...) can be fully accounted for in terms of normal physical forces—that is, as if there are no souls or ethereal doubles interacting with living bodies. -/- 1. The Argument from Fundamental Forces -- 2. The Argument from Physiology -- 3. Conclusion. (shrink)

The title The Imprisoned Splendour derives from the author's conviction that there is a world of unfolding "spiritual" potentiality interpenetrating the world of matter, and that to understand ourselves, and our relationship to nature and the creatures of the physical world we inhabit, this interpenetration must be philosophically considered. In this book, physicist, Raynor Johnson explores natural science, psychical research and mystical experience. The book is valuable for the serious and casual reader alike or anyone wishing to explore the mystical (...) world of paranormal phenomena. Telepathy, clairvoyance, clairaudience, telekinesis, poltergeist phenomena, phantoms of the living and the dead, trance phenomena, automatic writing, and the evidence for the "etheric body" are all discussed, Johnson the Scientist is clearly a mystic at heart, and this makes for fascinating reading; No stone is left unturned and theological dogma is cast aside. Pre-existence is discussed in depth. Johnson explains, "If the general conception of evolution be regarded as applicable to the soul as well as to the physical world, it is not either improbable or unreasonable that the soul should adventure forth into the physical world in a newly-built body to acquire further experience of the kind which this world can provide. The fact that the soul has done so once was presumably for adequate and compelling reasons, and whatever these are, it is apparent that more might be gained by a series of such incarnations." The imprisoned Splendour is deeply impressive and now considered a classic in psychical research literature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:142 HISTORY OF PHILOSOPHY Das literarische und kiinstlerische Werk. By Rudolf Steiner. Eine bibliographische Uebersicht, 1961. (Dornaeh: 1961. Pp. 277.) This is a complete list of the writings, lectures, and artistic creations of the founder of Anthroposophy, Dr. Rudolf Steiner (1861-1925). It is, in addition, a description of the Temple of Anthroposophy, the "Goetheanum" in Dornach built after the ideas of Steiner, of his "mystery-plays," of his ideas on (...) "eurhythmy," of his designs of furnishings for the "Goetheanum," of his sculptural suggestions, etc. Thus, the booklet encompasses the whole life-work of Steiner and was published in 1961 at the 100th anniversary of his birth. It is prefaced by a biographical sketch based on Steiner's "Autobiography." Rudolf Steiner was the son of a railway employer from Lower Austria. He studied first in technical high schools (Realschule) in the neighborhood of the Austrian capital and then in the Technical University of u In the high school, he was already most impressed by the study of geometry and arithmetic because they seemed to show that there is an independent realm of thought not connected with the world of senses. This conviction led him to a lifelong search for a spiritual world beyond and above the visible world. While this impulse was rather scientific than religious, it led him also into the theosophical movement, then headed by Mrs. Annie Besant in London. But this connection was broken when Mrs. Besant wanted to appoint a young Hindu to be a reincarnation of Christ. This was unacceptable to Steiner and he founded the independent anthroposophical movement in Germany where he spent most of his life writing, teaching, and lecturing. His first writings were commentaries to the work~ of Goethe oa natural sciences. Goethe thus became the "heros eponymus" of Anthroposophy. In 1913, Steiner started to build the Temple of Anthroposophy at Dornaeh (Switzerland) which he called "Goetheanum." This temple, the details of the structure, its style, its furniture were supposed to be symbolical of.the ideas contained in Anthroposophy. In a cycle of lectures entitled "What was the purpose of the Goetheanum?" and "What is the purpose of Anthroposophy?" he states that this aim was the "exaltation of the human cognitive power into imagination, inspiration, and intuition." The results of this exaltation were a somewhat complicated and phantastic mysticism. The Goetheanum, which, for symbolical reasons, was built of wood, burned to the ground in 1922. Starting in 1924, it was replaced by a building in concrete. Steiner did not live to see the reconstructed Temple because he died in 1925. Steiner tried to invent new forms of art in his Goetheanum, new forms of dramatic poetry in his mystery-plays, and new forms of a spiritualized symbolic dance in his "eurhythmy." His life-work is prodigious. Apart from his writings he gave some 6,000 lectures. MAx RIESER New York City Gegenw~rtiges und Vergangenes im Menschengeiste. By Rudolf Steiner. (Dornach: 1962. Pp. 308.) This is a new printing in the framework of the Collected Works of Rudolf Steiner of twelve lectures given during World War I in Berlin in 1916. These lectures are historically interesting since they refer to contemporary publications in Germany and Austria, but they also offer in nuce the main elements of "Anthroposophy" in the form of an anthroposophical anthropology and also of an anthroposophical philosophy of cosmic and human history. The whole is based on the assumption of the existence of a spiritual world paralleling the physical world. This anthropology is aimed at the refutation of the materialistic conceptions based on the natural sciences of that time. Steiner thinks that a man built according to the ideas of the natural sciences would not be a living being but a sort of "homunculus," i.e., an automaton. Apart from the physical body, man has an "ethereal body," an "astral body," and an "Ego." These three entities do not die a physical death. In addition they represent the world of animals, of plants, and of minerals, respectively, incorporated in man. There are also different epochs of human development in which the relationship of the spiritual parts of the human being were not related to each other in the same... (shrink)

The Letter of Resolution Concerning Origen and the Chief of His Opinions, published anonymously in London in 1661, is the chief testimony of the renaissance of Origen in early modern Cambridge. Probably authored by George Rust, the later Bishop of Dromore in Ireland, it is the first defence of Origenism, and delineates a rational theology based upon the unshakable foundation of God’s first attribute, his goodness. Trespassing and falling away from God’s goodness, the souls forfeit their original ethereal (...) class='Hi'>bodies or ‘vehicles’ and come to inhabit lesser ones made of air and earth. Making responsible use of their freedom, however, they may climb up the ontological ladder again. Rust’s rational theodicy with its stress on God’s universal goodness and the pre-existent soul’s free will is a key document of the Cambridge Platonists’ deeply Origenian philosophy of religion. (shrink)

In a brief section at the centre of this book, Jean-François Gauvin troubles the oppositions that so often structure histories of science: “episteme/techne, art/science, matter/ether, body/mind, or...

The great divide of modern thought is whether mind is real or naught. The conceit that either mind is reducible to matter or that mind is utterly ethereal is rooted in a mind-versus-matter dichotomy that can be characterized as the modern error, a fatally flawed fallacy rooted in the philosophy and culture of nominalism. A Peircean semiotic outlook, applied to an understanding of social life, provides a new and full-bodied understanding of semiosis as the bridge between mind and matter, (...) and human biology and culture. I begin by first delineating the false divide and showing Charles Sanders Peirce’s alternative to it, then explore the implications of a semiotic approach to mind as trans-action, then consider the self-transcending nature of the human body-mind. Finally I outline my ecological, biosemiotic account of mind, which reveals that, indeed, mind matters, and in ways that unexpect-edly resemble the forms of animism that characterized the hunting-gathering foragers through whom we anatomically modern humans emerged. (shrink)

... ISBN0199215928 ... -/- Abstract: Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science traditionally has focused on a visual model. This book presents a systematic treatment of sounds and auditory experience. It demonstrates how thinking about audition and appreciating the relationships among multiple sense modalities enriches our understanding of perception. It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception. Against the widely accepted philosophical (...) view that sounds are among the secondary or sensible qualities, and against the scientific view that sounds are waves that propagate through a medium such as air or water, the book argues that sounds are events in which objects or interacting bodies disturb a surrounding medium. This does not imply that sounds propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near their sources. This account captures the way in which sounds essentially are creatures of time and situates sounds in the world. Sounds are not ethereal, mysterious entities. It also provides a powerful account of echoes, interference, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories. Investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. This book concludes by arguing that a surprising class of cross-modal perceptual illusions demonstrates that the perceptual modalities cannot be completely understood in isolation, and that a visuocentric model for theorizing about perception — according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry — ought to be abandoned. -/- . (shrink)

Recently-discovered manuscripts throw new light on Poincaré’s discovery of the Lorentz group, and his ether-based interpretation of the Lorentz transformation. At first, Poincaré postulated longitudinal contraction of bodies in motion with respect to the ether, and ignored time deformation. In April, 1909, he acknowledged temporal deformation due to translation, obtaining thereby a theory of relativity more compatible with those of Einstein and Minkowski.

The paper deals with the first book-length materialist treatise published in Germany in the 1770s, August Wilhelm Hupel’s Anmerkungen und Zweifel über die gewöhnlichen Lehrsätze vom Wesen der menschlichen und der thierischen Seele. Based on a “great chain of being” conception, he maintains that his materialist doctrine provides stronger grounds for belief in the immortality of the soul than those substance dualism has offered. He seeks to defend that the soul is a composite being, i.e. that it is material, but (...) at the same time he argues that the soul is not identical with the body or parts of it, but rather that it exists independently and composed of “subtle”, ether-like matter. Hupel also argues that the soul is immortal. This claim is particularly uncommon since most materialists, not only in Germany, subscribe to some version of mortalism, i.e. the doctrine that the mind either ceases to exist altogether with the death of the body, or that it remains in a death-like state until the resurrection. (shrink)

Although much has been written about the vigorous debates over science and religion in the Victorian era, little attention has been paid to their continuing importance in early twentieth-century Britain. Reconciling Science and Religion provides a comprehensive survey of the interplay between British science and religion from the late nineteenth century to World War II. Peter J. Bowler argues that unlike the United States, where a strong fundamentalist opposition to evolutionism developed in the 1920s (most famously expressed in the Scopes (...) "monkey trial" of 1925), in Britain there was a concerted effort to reconcile science and religion. Intellectually conservative scientists championed the reconciliation and were supported by liberal theologians in the Free Churches and the Church of England, especially the Anglican "Modernists." Popular writers such as Julian Huxley and George Bernard Shaw sought to create a non-Christian religion similar in some respects to the Modernist position. Younger scientists and secularists—including Rationalists such as H. G. Wells and the Marxists—tended to oppose these efforts, as did conservative Christians, who saw the liberal position as a betrayal of the true spirit of their religion. With the increased social tensions of the 1930s, as the churches moved toward a neo-orthodoxy unfriendly to natural theology and biologists adopted the "Modern Synthesis" of genetics and evolutionary theory, the proposed reconciliation fell apart. Because the tensions between science and religion—and efforts at reconciling the two—are still very much with us today, Bowler's book will be important for everyone interested in these issues. Contents: Illustrations Preface Introduction: A Legacy of Conflict? Confrontation, Cooperation, or Coexistence? Victorian Background Science and Religion in the New Century Part One: The Sciences and Religion 1. The Religion of Scientists Changing Patterns of Belief Scientists and Christianity Scientists and Theism Method and Meaning Science and Values 2. Scientists against Superstition Science and Rationalism Religion without Revelation Marxists and Other Radicals Science, Religion, and the History of Science 3. Physics and Cosmology Ether and Spirit The New Physics The Earth and the Universe 4. Evolution and the New Natural Theology Science and Creation Evolution and Progress The Role of Lamarckism Darwinism Revived 5. Matter, Life, and Mind The Origin of Life Vitalism and Organicism Mind and Body Psychology and Religion Part Two: The Churches and Science 6. The Churches in the New Century The Challenge of the New The Churches’ Response 7. The New Theology in the Free Churches Precursors of the New Theology Campbell and the New Theology Modernism in the Free Churches 8. Anglican Modernism Modernism and the New Natural Theology Charles F. D’Arcy E. W. Barnes W. R. Inge Charles Raven 9. The Reaction against Modernism Evangelicals against Evolution Liberal Catholicism The Menace of the New Psychology Science and Modern Life Theology in the Thirties Roman Catholicism Part Three: The Wider Debate 10. Science and Secularism Against Idealism Popular Rationalism The Social Reformers 11. Religion’s Defenders From Idealism to Spiritualism Creative and Emergent Evolution Evolution and the Human Spirit Progress through Struggle The Christian Response Epilogue Biographical Appendix Bibliography Index. (shrink)

This paper is taken from a long section of the _Tattva-cintā-maṇi_ by Gaṅgeśa that is devoted to proving the existence of—to use an inadequate word—“God” in a somewhat minimalist sense. The _īśvara_, the “Lord,” is for Gaṅgeśa, following Nyāya predecessors, a divine agent, a self, responsible for much, not all, of the order in the world. Unseen Force, _adṛṣṭa_, which is in effect _karman_ made by human action, is also a powerful agent as well as things’ intrinsic natures. Moreover, ordinary (...) selves, atoms, ether, and universals are uncreated. But the _īśvara_ brings about just desert in reincarnation in actualizing Unseen Force, and is responsible for a broad swathe of what some see as accidental arrangements as well as the forming of the macro elements from eternal, naturally _dis_joined atoms. Thus the cosmos in its general existence and structure is viewed in Nyāya as the work of the Lord. Gaṅgeśa’s argument runs: Earth and the like [_a_ (_pakṣa_) = earth and the like (_kṣity-ādi_)] have a conscious agent as a cause [S (_sādhya_) = having an agential cause (_sakartṛkatva_) (S_a_)], _since_ they are effects [H (_sādhana_) = being an effect [(_kāryatva_) (H_a_)], like a pot [_b_ (_dṛṣṭānta_) = a pot (H_b_,S_b_)]. And so the _vyāpti_ rule is: [H → S (_vyāpti_)] Whatever is an effect has an agential cause. For earth and the like, it is reasoned that only an omniscient _īśvara_ could be that cause. The argument was a target of Buddhists who pointed to counterexamples such as growing grass. Growing grass exhibits the prover property, being-an-effect, but not the property to be proved, having-an-agential-cause. The long section is dominated by Gaṅgeśa’s rebutting this and other potential defeaters, in particular, the _upādhi_, having-a-living-body (God does not have a living body but all the agential causes with which we are familiar do), along with a counterinference (_sat-pratipakṣa_), I_a_ & (x)(Ix → ¬Sx), where I = not-produced-by-an-agent-with-a-body. (shrink)

It is argued that an unheralded moment marking the beginnings of relativity theory occurred in 1889, when G. F. FitzGerald, no doubt with the puzzling 1887 Michelson-Morley experiment fresh in mind, wrote to Heaviside about the possible effects of motion on inter-molecular forces in bodies. Emphasis is placed on the difference between FitzGerald's and Lorentz's independent justifications of the shape distortion effect involved. Finally, the importance of the their `constructive' approach to kinematics---stripped of any commitment to the physicality of (...) the ether--- will be defended, in the spirit of Pauli, Swann and Bell. (shrink)

The aim of this paper is to make a step towards a complete description of Special Relativity genesis and acceptance, bringing some light on the intertheoretic relations between Special Relativity and other physical theories of the day. I’ll try to demonstrate that Special Relativity and the Early Quantum Theory were created within the same programme of statistical mechanics, thermodynamics and Maxwellian electrodynamics reconciliation, i.e. elimination of the contradictions between the consequences of this theories. The approach proposed enables to explain why (...) classical mechanics and classical electrodynamics were “refuted” almost simultaneously or, in terms more suitable for the present discussion, why did the quantum and the relativistic revolutions both took place at the beginning of the 20-th century. I ‘ll argue that the quantum and the relativistic revolutions were simultaneous since they had common origin - the clash between the fundamental theories of the second half of the 19-th century that constituted the “body” of Classical Physics. The revolution’ s most dramatic turning point was Einstein’s 1905 light quantum paper, that laid the foundations of the Old Quantum Theory and influenced the fate of special theory of relativity too. Hence, the following two main interrelated theses are defended.(1)Einstein’s special relativity 1905 paper can be considered as a subprogramme of a general research programme that had its pivot in the quantum; (2) One of the reasons of Einstein’s victory over Lorentz consists in the following: special relativity theory superseded Lorentz’s theory when the general programme imposed itself, and, in so doing, made the ether concept untenable. -/- Key words: A.Einstein; H.Lorentz; I.Yu.Kobzarev; context of discovery; context of justification . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Medical Ethics in a Time of De-CommunizationRobert Baker (bio)Ethics is often treated as a matter of ethereal principles abstracted from the particulars of time and place. A natural correlate of this approach is the attempt to measure actual codes of ethics in terms of basic principles. Such an exercise can be illuminating, but it can also obscure the circumstances that make a particular codification of morality a meaningful (...) response to specific historic circumstances. This is particularly true of the codes of medical ethics beginning to emerge from the post-Communist societies of Eastern Europe, which are, perhaps, best understood as artifacts of an era, rather than as expressions of abstract principles.The era in question is post-Communist. It is an era informed by a reaction to decades of Communism, which, of course, was more than an economic system or even an ideology; it was a form of life that permeated every aspect of civil society—advertising, art, literature, music. Medicine was not exempt. I recall entering an oncology ward in East Berlin and finding the patients seated around a large table making posters. Wondering whether this was a form of art therapy, I asked the head nurse what the patients were doing. She replied: it is "Party time—the portion of each week every citizen donates to the people and the Party." I looked again at the posters and saw that they honored Karl Marx on the 100th anniversary of his death: "1883-1983, The Struggle Goes On." The Party, the struggle, the people, were everywhere, and they penetrated and informed daily life even for terminal patients on a cancer ward.The interweaving of Communist practices into the warp and woof of daily life has profound implications for the post-Communist era. It means that East Europeans cannot simply rebuild; they must unweave Communist thought patterns—what might be called the ideostructure of Communism—from the fabric of their lives through a deliberate process of deCommunization. What remains after de-Communization depends upon [End Page 363] the historical relationship each country had with Communism. In Russia, removing Communist ideostructure sets the conceptual calendar back to 1918. For the Czechs, the calendar advances to the 1930s, leaving them with thought patterns that are Western, industrial, and democratic. In the rest of Eastern Europe the conceptual clock also tends to turn back to the 1930s, but at that time the conceptual frameworks were nationalist, anti-Western, and frequently fascist, or even Nazi.In Poland the situation is different. World War II opened with the Nazi invasion of the country—which Hitler (later joined by Stalin) subsequently occupied. After the war, the Soviet army controlled the country, which became a captive player in the Soviet sphere of influence (aptly denominated, "the Warsaw Pact"). Poland's pre-Communist thought patterns are nationalist, West-leaning, accepting of parliamentary structures, but also of authoritarian government. They are also Catholic.Catholicism to Poles is not merely a religion, it is a posture of opposition to their German (Nazi, antichristian) and Russian (Orthodox or atheist) occupiers. I toured Polish hospitals several times during the Communist period —always accompanied by one or more "tour guides." (Westerners were not allowed to roam Communist countries unescorted.) Almost all of my guides wore little pins adorned with the face of Lenin (not the hammer and sickle—a symbol of Soviet occupation). Most doctors and nurses, however, adorned themselves with Catholic icons—typically a crucifix. Their conspicuously displayed crosses symbolized less their embrace of Catholicism than their rejection of Communism. Catholicism, in the Polish context, was thus an affirmation of individual and national independence.De-Communizing Polish Medical Ethics: The Abortion ControversyIn Poland, de-Communization was initiated through a series of negotiations between Lech Walensa's Solidarity and the Communist Government. The Polish Code of Medical Ethics is an indirect consequence of these negotiations, which stipulated the dissolution of Communist medical organizations. They were to be replaced by a Polish Medical Chamber—a type of quasi-governmental body, common in Eastern Europe, which combines the functions of a governmental licensing agency with those of a national medical association. Medical chambers also set standards of professional conduct and (unlike... (shrink)

Examino Acerca del cielo (De caelo) I 2 con el fin de mostrar allí la presencia de la demostración científica. Este desarrollo pretende aportar nueva evidencia en favor de la no discrepancia entre teoría y praxis científica en Aristóteles (Barnes, 1969) y de relativizar la interpretación de que el método real y únicamente usado es la dialéctica (cuyo antecedente se remonta a Owen, 1980). Además, siguiendo la propuesta hermenéutica de Gotthelf (1987) y Detel (1993 y 1997), mostraré de qué modo (...) se utiliza la demostración científica en la prueba de la existencia del cuerpo simple o éter. Ofreceré también una reconstrucción de las pruebas mediante la elaboración de un esquema que abarque el conjunto de las deducciones. Estos últimos desarrollos constituyen el aporte más novedoso del presente artículo. I examine On the Heavens (DC) 12 in order to show there the presence of scientific demonstration. This development tries to contribute new evidence in favor of the not discrepancy between theory and scientific practice in Aristotle (Barnes, 1969) and to make the interpretation that method real and solely used is dialectic relative (whose precedent goes back to Owen, 1980). In addition, following the hermeneutic proposal of Gotthelf (1987) and Detel (1993 and 1997), I will show how scientific demonstration is used in the proof of simple body (ether) existence. I will offer also a reconstruction of the proof by means of the elaboration of a scheme that includes the set of deductions. The latter developments constitute the most new contribution of the present paper. (shrink)

All activities which are taking place in the Cosmos also exist in a human body in subtle micro-scale. Plexuses centers in a human body are the most mysterious kinds of energies. The six-center plexus system is the path of the Kundalini shakti, the primordial cosmic energy of a person. Each plexus has its own propensities (vibrating words/dimensions/vritti) and an acoustic root. These plexuses control some cluster of words of sounds and corresponding physical organs in human body. The 50 main propensities (...) of the human’s unit mind are expressed through the vibration-expression of these plexuses. These vibrations cause hormones to secrete from the corresponding glands of the human’s body. These plexuses can play very important roles in curing the diseases. According to the Theory of Nikola Tesla’s 369, there are all together 1 to 9 digital root numbers exist. All other higher or lower numbers are the combination of those digital root numbers. This statement seems quite true when we compare it with Theory of Absolutivity. If 3, 6, 9 numbers are arranged together it makes a letter Ohm (AUM) which represents actually a Sagun Bramh/Nikola Tesla’s 369 triangle which is a part of NirgunBramh having higher dimensions. Number zero is the NirgunBramh (having all the qualities but in dormant form) which does not possess any quality in action. Number 3, 6, 9 forming as an equilateral triangle of static, mutative and sentient forces representing the Black-hole which is a part of Sagun Bramh projecting Himself as a Visible World through Big-bang along with forming five basic elements such as Ethereal, Areal, Fire, Liquid and Solid. According to the biological science, life emerged in this planet from matter about four billion years ago in the form of DNA that carried the software for the development of billion of species on the way to its final destination in humans. These facts also fully support the above hypothesis of universe formations. (shrink)

What were the true reasons of the second scientific revolution? – To answer the question, the epistemic model is applied, according to which radical breakthroughs in science were not due to the fanciful excogitation of new ideas ‘ex nihilo’, but rather to the tedious, long-term and troublesome processes of the mutual lapping, reconciliation, interpenetration and intertwinement of ‘old’ research traditions preceding such breaks. It is contended that Einstein's 'annus mirabilis' constituted an acme of the second scientific revolution. To fathom in (...) what felicitous ways Einstein's 1905 writings hang together one is bound to pay special tribute to his longed strive for unity evinced in incessant attempts to coordinate the profound research traditions of classical physics. Though Einstein's efforts sprung out of Max Planck's pioneering attempts to comprehend electromagnetic phenomena through the lenses of conceptual structures of statistical thermodynamics . It was Planck, who clearly realized the cross-contradiction between 'the physics of material bodies’ and ‘the physics of the ether' and outlined the sketch of its withdrawal: the paradigms 'must be modified to remain compatible'. And it was Planck who took the first step in modifying the physics of the ether and contending that 'not only matter itself but also the effects radiated from matter' possess discontinuous properties, which can be characterized by a new natural constant: the elementary quantum of action. Einstein's part consisted in that he took the second step in modifying the second component of the encounter – the physics of material bodies. Einstein’s foolhardy light quanta hypothesis and distinctive special theory of relativity turn out to be mere milestones of the unwinding of Maxwellian electrodynamics and statistical thermodynamics reconcilement research program. The notorious conception of luminiferous ether was a substantial obstacle for Einstein’s wayward statistical thermodynamics in which the pivotal lead was played by flagrant light quanta paper. Einstein was aware that his enticing light quanta hypothesis was too audacious to be taken literally and he laid out his version of 'electrodynamics of moving bodies' in a markedly Machian/ Duhemian, phenomenological way. As a result of the revision of the second scientific revolution key episode, the arguments are exhibited in favor of the necessity to modify the history of the genesis of general relativity; correspondingly, the process of unification of electromagnetic and weak interactions that took place in the second half of the XX-th century is scrutinized. Eventually, the encounter and interpenetration of the two dominating research traditions of modern physics – that of general relativity and quantum field theory – is elicited. (shrink)

In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence (...) that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression. (shrink)

To what extent does dance contribute to an ideal of beauty that can enrich human quality of life? To what extent are standards of beauty predicated on an ideal human body that has no disability? In this chapter, we show how conceptions of proportionality, perfection, and ethereality from the Ancient Greeks through the 19th century can still be seen today in some kinds of dance, particularly in ballet. Disability studies and disability-inclusive dance companies, however, have started to change this. The (...) disabled person can be beautiful, we will show, in dance and in life, under a disability aesthetics that follows Edmund Burke (1730-1797) and that suggests an alternative standard of beauty, which we call “beauty-in-experience,” where beauty is perceived in the qualitative experience of abled and disabled dancers moving together in dance. (shrink)

With the help of syncretiсs as a new philosophical logic, the philosophy of carriers, the theory of similarity and the theory of Infinite Hierarchical Nesting of Matter, the problems of modern physics are analyzed. We consider the classical and relativistic mechanics, the special and general theories of relativity, the theory of electromagnetic and gravitational fields, of weak and strong interactions. The goal is axiomatization of these theories, building models of elementary particles and of their interactions with each other. The main (...) obtained results are: description of the electrokinetic theory of the origin of magnetic fields in cosmic bodies; calculation of metric in the uniformly accelerated reference frame; the axiomatic construction of electrodynamics, Lorentz invariant (LITG) and covariant theories of gravitation (CTG); comparing CTG with the general theory of relativity and with the results of gravitational experiments. Among other results – the analysis of the properties of ether as the medium responsible for transfer of electromagnetic and gravitational waves, and derivation of the formula for entropy in a tensor form. For students and researchers, as well as for those interested in physical and philosophical problems. (shrink)

Sept. 27 issue - Every evening our eyes tell us that the sun sets, while we know that, in fact, the Earth is turning us away from it. Astronomy taught us centuries ago that common sense is not a reliable guide to reality. Today it is neuroscience that is forcing us to readjust our intuitions. People naturally believe in the Ghost in the Machine: that we have bodies made of matter and spirits made of an ethereal something. Yes, (...) people acknowledge that the brain is involved in mental life. But they still think of it as a pocket PC for the soul, managing information at the behest of a ghostly user. (shrink)

What are some metaphysical fundamentals which constitute the reality? This question has occupied philosophers for a long time. The western tradition once dealt with conceptions of earth, air, water, fire, ether whereas the eastern tradition has studied notions like yin-yang(陰陽), taiji(太極), lichi(理氣). The question is now being researched under the name of physicalism or naturalism, and yet what is not yet clarified is the relationship between electromagnetic force as the fundamental of the physical and consciousness as the fundamental of the (...) mental. What is puzzling is that most philosophers insist on the overcoming of the traditional dualism while they tend to accept the distinction between electromagnetic force and consciousness. If they decide that the metaphysical paradigm of the duality is plausible then they should first present the grammar of functions of those concepts like individual, identity, causation. If they can see that the prospect of that traditional metaphysical paradigms are not hopeful, then they better start to look for an alternative metaphysical picture where the world can be understood more holistically. There have been alternative paradigms such as metaphysics of process and integration. It’s time to take a look at one of these. This paper tries to interpret the latter. -/- The notion of integration(誠) has been the subject studied for a long time as a teaching of Zhongyong, one of the key Confucian texts. Many has taken the word “誠” of Zhongyong to mean sincerity or faithfulness. Certainly there are anthropological or ethical dimension to the meaning of the word. But the whole text seems to direct a reader to see how the world is, the metaphysical dimension of the world. I will interpret the major thrust of Zhongyong to say that integration is a metaphysical fundamental. If one is to accept the evolution thesis of the body of human being then she is also to concede the evolution thesis of the mind of human being. If one is positive toward the evolutionary theory of the human mind then she is more likely open-minded toward the powers of the mind of physical things. This may allow to proceed to a thesis that integration is an information consciousness(chapter 1). Suppose that physical things of the world are integrational. Then the integration is not to be given from the outside but from within. Then when things are integrational they become integrators. Integrators are bound to possess some sort of power. I will discuss the thesis that integration is a dispositional power(chapter 2). If all things are bundles of informations then information is ubiquitous(chapter 3) and things may be passive in certain contexts but are active toward their informations, processing them in their own ways. If these three hypotheses are reasonable then my thesis of integration as a metaphysical fundamental would be plausible. (shrink)

Perceptual and other consciousness is left out of or is not adequately characterized in naturalist accounts, including eliminative materialism and neural functionalism. We need a radically new start. Phenomenologically, if you are perceptually conscious, then a world—a changing totality of things—must somehow exist. Partly because with consciousness nothing is hidden and all can be reported without inference, perceptual consciousness itself is literally to be understood as things existing spatio-temporally. This account of consciousness as existence does not reduce it to mental (...) worlds and satisfies our conviction of the reality of consciousness—mainly we do not think of it as ethereal or gossamer. The account also explains fundamental subjectivity, as the naturalist accounts cannot, and passes a test having to do with the mind-body problem. It is a near-naturalism. The account can be defended against objections about brains in vats, chairs in minds, and leaving out consciousness. (shrink)

Distortion of Scientific Terms by Supposed Modernizing Translations: The Example ‘orbis’ (sphere)/‘orbita’ (orbit). The use of modern terminology and thinking hinders to understand historic astronomical and physical texts and often misleads the reader, because between celestial physics from Aristotle and Ptolemy to Copernic on the one side and since Kepler and Newton on the other side a fundamental change of paradigm had taken place. The former started from the assumption that planets are indirectly moved by large equally rotating etherical spheres (...) combined with each other to form every kind of unequally apparent planetary motion as a resultant, whereas the later started from Kepler's idea that every motion of a planet is directly caused by two forces moulding his (naturally unequal) ‘orbit’. ‘orbita’ was Kepler's new specific term for the way of the planet coined in late 1604; in contrast, the Latin term of the elder paradigm has been ‘orbis’ (‘sphere’), on the one hand as concentric ‘orbis totalis’ of a planet (or the fixed stars), on the other hand as non‐concentric ‘orbes particulares’ (of the eccenters and epicycles) within the space of an ‘orbis totalis’. These terms were interpreted and translated in accordance with modern dynamic (as the supposed ‘true’) thinking as if they were ‘orbits’ (German: ‘Bahn’). But you cannot bring the two paradigms into line. As a result, the texts of seemingly ‘modern’ translations become incomprehensible, absurd and wrong. The study shows this on thinking (1st) about Aristotelian physics of former times using terms and ideas of modern dynamics, and on thinking (2nd) about the former explanation of apparent motions of heavenly bodies using these dynamics and ignoring the different special Aristotelian and Ptolemaic physics of ‘orbes’ (spheres). (shrink)

This piece, included in the drift special issue of continent. , was created as one step in a thread of inquiry. While each of the contributions to drift stand on their own, the project was an attempt to follow a line of theoretical inquiry as it passed through time and the postal service(s) from October 2012 until May 2013. This issue hosts two threads: between space & place and between intention & attention . The editors recommend that to experience the (...) drifiting thought that attention be paid to the contributions as they entered into conversation one after another. This particular piece is from the BETWEEN INTENTION & ATTENTION thread: Jeremy Fernando, Sitting in the Dock of the bay, watching... * R.H. Jackson, Reading Eyes * Gina Rae Foster, Nyctoleptic Nomadism: The Drift/Swerve of Knowing * Bronwyn Lay, Driftwood * Patricia Reed, Sentences on Drifitng * David Prater, drift: a way * * * * * Australia, Summer, 2012. …. essential humanity exists, and runs its course, within a system whose first principle is the preservation of balance. And arching over it all, is the logos of The Dreaming. How shall we state this when we fully understand it I do not know, but I should think we are more likely to ennoble it than not. Equilibrium ennobled is abidingness.” 1 On return to birthplace I write. Caught between jetlag and surprise, a relentless sun cracks my skin. Upright words fall under cockatoo roars. The attempt to settle, to be attentive, is shaken. Some kind of Dreaming surrounds and elements intrude without consent. Homeless at home. Exhausted, I fight sleep’s hard currents. Their victory would confuse the body clock, so the in-between wins. Half-there — half-awake — here in this place — I am driftwood. Driftwood: wood floating in or washed ashore by a body of water. A severed limb set adrift from the birthing body. Tossed from home it’s cast into processes of wind, water, sand, bacteria, decay and movement. Driftwood is orphaned members at the mercy and agency of weather, currents, submersion, and being thrown into dry world. Driftwood — singular plural. White man got no dreaming. Him go ‘nother way. White man, him go different Him got road belong himself. 2 photo: Bronwyn Lay The old man comes from the northern rivers. A while ago, he could no longer pay attention to wage slavery, so retreated north to be with dead redgum that lay abandoned in dry riverbeds. Derived from driftwood peoples tossed here by the sea, he followed the fragile river veins of his birth. He walked along water bodies and through country’s lungs. Some kind of displaced ancestral song compelled his leathered hands to pick up centuries old driftwood from flood plains. It emerged from under muddy creeks, was flung up by salt soaked coves, pushed underground by cracks in the claypan and lay embedded in mud and salinized soil. Smoothed and grooved in equal measure, the branches were marked by an organic alphabet that preceded him. As he held the wood, he touched decomposing circles that started with a blast and never ceased writing into abandoned flesh. When the ute was full the old man returned home having been away with the stuff that ‘growed him up’. His shed filled with red sawdust and the sound of tools at labour. His hands sculptured driftwood. History carved into itinerant skin. I sit opposite the old man. His body no longer holds the repetition of carpentry. He can no longer gift driftwood its detail. Outside redgum bits lie scattered around the fence line and beside the dam. He crouches over an unreliable computer researching the massacres of indigenous peoples that occurred along the same river veins that ‘growed him up’ long ago. Staring into the remnants of frontier resistance that he and I inherit, his eyes nurture fire. He discovers severed limbs and the slicing of tribes. In the ashes of sentences he sifts the lies that smoulder into our histories. In the 30’s the anthropologist Stanner said that due to certain factors — lack of change and isolation — the ideal and real come very close together in indigenous Dreaming. They are a people who were able to defeat history. 3 “If the Ideal and the Real drift too far away from one another (as they did at the end of the middle ages and seem increasingly to do this century) men face some difficult options. They have to change their way of life, or their philosophy, or both, or live unhappily somewhere in-between.” 4 Stanner says Indigenous Dreaming is blackfella thinking. 5 Dreamtime is not ethereal, not utopic, or otherworldly. It’s fused with the real and it’s not mine. I might never understand, but it’s the substance of my home. This here place ‘growed me up’. Is driftwood the unhappy in-between? Is it a radical itinerant written upon by currents? Where are we? The settler restless? photo: Alison Pouliot I return to the bush late one night, tired from high talk in city cafes, to find the old man at his computer. He’s either researching his white farming ancestors, or tracing unrecorded massacres of blackfellas. I laugh, “You know Dad, if you were indigenous you might go out by the dam and sing up your ancestors rather than try find them on a screen.” He peers over his glasses. His stare delivers an ancestral scold. He’s white man. Of course he archives. This is our way. One may see that, like all men, he is a metaphysician in being able to transcend himself. With the metaphysician goes a mood and spirit, which I can only call a mood or spirit of assent, neither despair nor resignation, optimism not pessimism, quietism nor indifference. The mood, and the outlook beneath it, make him hopelessly out of place in a world in which the renaissance has triumphed only to be perverted, and in which the products of secular humanism, rationalism and science challenge their own hopes, indeed their beginnings.” 6 The clinamen sometimes comes abstract — the rarefied swerve of possibility. But in the place we gather &mdash where this text has landed — in the heart of settler colony denial — the clinamen reminds of familiar violence and goes maximum. The earth’s swerve. Topography’s tip. Physics gone violent. Here, drift is initiated by the tear of flesh, scurvy voyages, frontier blood and the deracination from belonging. Here, war precedes drift. We all got tossed. Here. Pay attention. The country has its own gaze. ‘Lest we forget’. The seasonal turn on aborescent substances starts with a fall, an upwards rupture, a drop, a cut, a storm, a violence, a loss, forced migration, refugees, agricultural imperialism, settler wheat and poisoned rations. Pay attention to aftermath debris. Don’t drift too far from the real. History hasn’t settled into the water. It still tosses limbs back and forth. Surrounded by the backdrop of Dreaming country the old man archives and dreams. Both ways of settling into the real. But lest we forget, time, in this place, has no textual tick — tock. Our bodies know this, even though we persist with shipwreck illusions. It’s difficult being here. Here. Pay inattention. I walk through eucalyptus, over dried out clay pans and under kookaburras. It’s been two years in-between. This time country speaks strong underfoot. Forget books, forget texts, forget other lands and times, beginning and end. Be here. All falls raw. Leaves drop and refuse to compost. Bark untethers quick. Light denudes worlds. The heated horizon melts monoliths. It’s enough to make Cartesians shiver. Awake. Refuse the temptation to run. Have enough courage to drift into here. Love with a gum tree. Stand with her whole and dissolving. She moves light between our limbs, tossing them to wind. She — the original romance — is the dream that dares touch flesh and reaches over nightmares with elemental desire. I gaze and lose me. There’s no distance. The land that ‘growed me up’ speaks with symbiotic breath. There’s no division, no separation, no other. The gum is plastic arborescence. You be my body for me, always were. …..but I wake to driftwood histories and recall slaughters. Drifted, wicked fellow citizen — the other is someone else’s blind sleep. Betrayal maintains the other as mine. Archives reveal this place doesn’t belong to me. Body articulates that it became here. Gumtree cares not………her arms take me in anyway. “Like all men he is a philosopher in being able to use his power of abstract reason. His genius, his metier, and in some sense — his fate is that because of endowment and circumstance this power has channelled itself mainly into one activity, making sense out of social relations among men living together.” 7 The old man excavates seven generations of settler ancestors. They’re an ordinary lot with written-upon skin. He records genocides that occurred alongside his peoples fertility. Bodies rise from riverbeds like sovereign sacrifices. It hurts. It disrupts. He labours at the past with gestures that might go unnoticed in a country suffocated by rich amnesia. Inside walls, he seems attentive to historical details. Outside he seems inattentive to time, lost to us and embedded in a family of active matter — the bush. His driftwood skin appears around my eyes - grooves of experience, the rush of cruel sun, the push of blind winds, and the love of everything. The sovereign’s reluctant children are thrown here by, with and through blood, but country gets in and sculpts us here. photo: Chris Corrigan “But his abstractions do not put him at war with himself.” 8 The kangaroo family appears at dusk. When the sun is soft I follow the old man into the back paddock. Children skip behind us. In-between generations, I step into the old man’s driftwood leanings. My feet find traces of his understanding – the archivist that reads trees. Here, on home dirt, inattention and attention collapse as we wander into where we are. The roo family gaze at us. Through the grass the old man’s wooden finger articulates kin’s details. He points to the head male, the mother holding a joey in pouch and the young warriors side by side. My children, quieter than ever, meet the laser - eyed silence of another family. In half-light Dad, me, and the kids mirror the kangaroo constellation and stand gentle together. At the bushblock’s limit we encounter ancestral desires. White peoples are subject to driftwood histories. We’re severed limbs attempting to fuse here now, with what was, only to discover our skin becomes racked and embedded with the weather. Into the shelter and fissures of this difficult and ambiguous inheritance, I fall into dream light until balance saturates. Light breaks when the kangaroos move. They bounce someplace else without effort or impact. We turn and tread through the dark towards home. It’s time to sleep. Driftwood skin covers the country. Dreaming is still. photo: Bronwyn Lay NOTES W.E.H. Stanner, The Dreaming and Other Essays , (Melbourne: Black Inc. Agenda, 2009), 72. Ibid., 56. Stanner is recalling one intelligent old man who said to him, “with a cadence almost as though he had been speaking in verse.” Ibid., 60. Ibid., 69. Ibid., 58. Ibid., 67. Ibid., 68. Ibid., 59.  . 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George Francis FitzGerald is well known to have proposed in 1889, three years before Lorentz, the (physical) contraction of bodies moving in the hypothetical ether, as an “explanation” the null result of the Michelson and Morley experiment. Less known is his proposal of an ether-drift experiment based on an electrostatic system. A simple charged condenser suspended by a wire would be subject to a torque due to the earth’s motion. The experiment was done by his pupil Trouton, with Noble, (...) with null result. It was an important independent confirmation of the relativity principle, but it was substantially forgotten. It came back, under the form of a paradox, in the second half of the past century, usefully triggering an in-depth discussion on the electromagnetic energy and momentum flow in stationary systems, in which intuitively one thinks momentum should be zero, but it is not. The solution of the Trouton–Noble paradox, and similar ones, has led to a better understanding of the interplay between electromagnetic field and matter and to develop relevant examples for the university courses. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Marsilio Ficino’s Critique of the Lucretian AlternativeJames G. SnyderIntroductionMarsilio Ficino is perhaps most widely remembered by historians of philosophy today as a fifteenth-century Platonist and Hermeticist who advocated the soul’s flight from the sordid world of matter and body. Ficino’s major contributions to philosophy include his Latin translations of Plato and Plotinus, as well as his voluminous and encyclopedic Platonic Theology, where he argues that the immortal soul occupies (...) a privileged midpoint between God and inchoate prime matter. It therefore comes as a surprise to learn that Ficino, for a time in his early twenties, was drawn to the Roman poet Lucretius, who believed that most people are plagued by the superstitions of religiously-minded fable mongers. During this time Ficino composed a short commentary on Lucretius’ didactic Epicurean poem, On the Nature of Things. In 1417 one of the last surviving manuscript copies of this poem was found in a German monastery by the humanist Poggio Bracciolini after several centuries of dormancy.1 Also, in an early treatise on pleasure, Ficino [End Page 165] argues that the Epicurean emphasis on pleasure as the removal of pain is superior to the crass and vulgar hedonism of Aristippus.2 In time, however, Ficino developed into the Platonist that historians of philosophy are more familiar with today. He turned his back on Lucretius, destroyed his commentary on him, and he became a rigid opponent of those philosophers who, as Plato describes them in his Sophist, “insist that only what offers tangible contact is, since they define being as the same as body.”3Despite the fact that Ficino ultimately rejected Lucretius, and in a letter to the poet Angelo Poliziano claimed to have “followed the divine Plato from my youth,” it appears that he was never able to successfully put the Epicurean poet completely out of his mind.4 The specter of Lucretius—that is, the specter of a potent and fully-articulated materialism and what it entails—casts a long shadow across the eighteen books of Ficino’s Platonic Theology. This work, which was printed in 1482 and remains his most extensive philosophical treatise, gives the impression that Ficino considered Lucretius a relevant and un-eliminated alternative to his own mature philosophical vision. The Lucretian alternative, as it will here be called, aspires to show that anything that exists is a composite of matter and void alone, and that there is no need to countenance the existence of some ghostly third constituent, such as soul, in order to explain adequately the phenomena of nature or consciousness.5 Ficino’s Platonic Theology argues for a profoundly different metaphysical picture of the nature of things. There Ficino wanted to demonstrate the essential immortality of the soul, and to further clarify the best way that it can, as he puts it, “cast off the bonds of our terrestrial chains” so that it may “fly unhindered to the ethereal abode.”6 However, in order for Ficino to accomplish this, he first had to show that the Lucretian alternative is not a living hypothesis, but a dead one. Refuting Lucretius, therefore, is central to the polemical aims and aspirations of this [End Page 166] work, and it is to this end that Ficino addresses several chapters to refuting the materialism of the “vulgar” and “impious” Epicurean poet and philosopher. The Lucretian alternative also explains in part why Ficino discusses, sometimes at great length, the nature of matter and body, especially in the early books of his Platonic Theology. The core argument that Ficino brings against the Lucretian alternative is that its materialist ontology is at best incomplete, and that something else—some ghostly incorporeal principle— is in fact necessary in order to adequately explain the nature of things.Both the Renaissance recovery of On the Nature of Things, and the subsequent role that it played in the advancement of early modern philosophy and science, are familiar to historians of philosophy today.7 Ficino’s fifteenth-century critique of Lucretius, however, is not. Nearly half a century ago Paul Oskar Kristeller noted that in the 1450s Ficino came under the influence of Lucretius, and he further speculated that “a trace... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Mobility, Portability, and PlacelessnessJoseph Kupfer (bio)Introduction: A Danger of Electronically Mediated ExperienceA few months ago I was sitting in a Chicago airport, waiting to make my connecting flight. Everywhere I looked, people were talking on cell phones, but the man across from me had gone one better. He had a cell phone and a laptop computer. He was talking on a conference call with two people who were at (...) two different locations as they edited a document that appeared on his laptop. It was a contract that they would soon e-mail to yet a fourth individual for her agreement. In the midst of the conferring, the man across from me broke from the contract to look up something on an Internet Web site. He was able to access data that was needed for the contract work. There is no doubt something astonishing and wondrous about four people hooked up, converging on a document that exists—well, where? Nowhere yet, except in that fanciful ether called cyberspace. Although we need to describe this dimension in familiar language, we realize that the term is just a metaphor. There is no space in cyberspace and no time either for that matter.The portability of information, documentation, and communication enabled the man in the airport to work with people in different places to edit a contract that they would then electronically send to a fourth person. The portability facilitated the individual's mobility since he did not have to be in a particular location to create the document and discuss it with others. The man could have been anywhere. He just happened to be in an airport. But the fact that he, and presumably his colleagues as well, could have been in a car or a park, at home or in a restaurant, rendered the actual place in which he worked—the airport—irrelevant. He did not have to pay attention to his physical environment and probably did not wish to. He was absorbed in his electronically fabricated environment comprised of information, voices, and documents. [End Page 38]As such activity becomes more commonplace, this man and the rest of us become detached from our physical surroundings. When these environments become irrelevant to what we are doing, they will lose meaning for us and we will cease to inhabit them in any meaningful way. Anywhere is nowhere. Obviously, the electronic age of cyberspace provides enormous benefits, and I do not wish to minimize its advantages or seem overly pessimistic. Rather, I wish to call attention to what we risk losing in the hope that awareness of what is at stake can forestall the loss. Just as over-reliance on air travel can undermine our sense of movement through space and the aesthetic of such movement, so too can over-reliance on virtual, electronic connections erode our connection to actual physical places. The more electronically mediated activity replaces place, the more we become dis-placed.In what follows I sketch three dimensions of loss that accompany this exciting new electronic connectedness. With loss of place, with placelessness, we are deprived of the aesthetic experiences particular places provide. Second, we lose touch—with our bodies and other people. Last, we lose a sense of place altogether. Our entire way of being in the world may undergo such a radical change that we foreclose important aspects of our humanity and with it corresponding aesthetic appreciations.Electronic Displacement, Traditional Distance Communication, and Previous Revolutions in MobilitySeveral years ago I wrote about the loss of distinctive places as a result of homogeneity in architecture. The sameness of design in restaurants, motels, sport stadiums, homes, and malls yielded a loss of regionality and locality in our built environment. But these were the result of changes within a pervasive dimension of life—architecture or the built environment. Even if the restaurant, motel, or mall looked the same as others, we nevertheless were functioning within a recognizable spatio-temporal frame. We were aware of it as such and even took some comfort in the familiarity. Americans especially liked the idea of no surprises: the Holiday Inn in Topeka, Kansas, looked and felt and smelled the same as... (shrink)

The subject of the article is the question of the nature of heavenly bodies in St Thomas Aquinas\' approach. The Dominican thinker, using Aristotle\'s cosmology, tries to present his understanding of the Stagirite\'s theory concerning natural indestructibility of heavenly bodies, which he treats as relatively perfect beings built of ether and indestructible in the world of nature, although they are contingent and created by God. The issue proves the Angelic Doctor\'s independence and self-reliance; studying the universe he not (...) only used Aristotle\'s cosmology but he verified it with theological knowledge basing his considerations on the ancient and medieval commentators of the Greek philosopher. In St Thomas\' studies his conviction about relative formal and material perfection of metaphysical components of heavenly bodies is of significant importance. The conception of indestructibility of heavenly bodies also presents methodological assumptions of the metaphysics developed by the Dominican thinker who made the rules of Aristotle\'s philosophy relative. (shrink)

What is life, and where does it come from? The question is very old, but it reemerged in the seventeenth century with the crisis of the Aristotelian-Galenic paradigm. Matter was now stripped of any impulse and capacity for self-organization; therefore, it was necessary to find something that would take into account the strength and information that it seemed to hold, especially in what were considered vital phenomena. Georg Ernst Stahl and Friedrich Hoffmann, both professors in Halle and responsible for two (...) of the most famous medical systems of the first half of the eighteenth century, offered solutions to the problem that only appear to be very different. The first invoked the soul as an ideal place of production of the energy that allowed the human body to fight the putrefactive forces in the natural world; the second referred to the concept of ether, to which he attributed modes of action basically similar to those that tradition attributed to vegetative and sensitive souls. This paper highlights the positions of the two physicians, setting them in the climate of the revisitation of ancient certainties that characterized natural philosophy in the seventeenth and eighteenth centuries. (shrink)

In this article I argue that the heart of Aristotle’s philosophy was his doctrine of pneuma, which connected his psychology, biology, cosmology and theology, and which was central to his (lost and extant) works and should be taken into account, even where it is less explicitly discussed. Pneuma is not a sixth elementary physical body. It is the manifestation of the divine ether but always mixed with the other four elements within the sublunary sphere.

The picture which one naturally presents of the situation is that which would arise before an observer placed outside the earth, who could watch the light wave starting from the central mirror and pursuing the distant mirror, catching up with it at some distance beyond the point at which it was when the light wave started. In this case the observer is able to locate the points at which the parts of the apparatus were at different moments and to measure (...) the distances between. We could simulate this situation on the earth by assuming an enclosed square car, from some point in which two balls were shot out in directions at right angles to each other to the walls of the car, bounding back to the point at which they started. We will assume that the balls move with uniform velocity going and coming, and we will assume that the car is moving. An observer outside the car who marked the point on the rail directly over the starting point and the points reached by the balls when they struck the sides of the car, and then measured the distances which the balls travelled, would find that the ball which travelled with the car covered a greater distance than that traversed by the ball which went at right angles to the direction of the train, and yet the balls would return to the starting point at the same moment, provided they travelled over both their paths at the same velocity during their entire trajects, i.e., the same velocity measured within the car. The observer would be at no difficulty to explain this, for he would see that the velocity in the direction of its motion of the car had to be added to that of balls within the car. That is not the case of the light wave. The velocity of a moving shining body is not added to that of the light wave. The wave motion being set up in ether travels with its own uniform velocity of approximately 300,000 kilometers a second. The light waves then, from the standpoint of the observer outside the earth, traverse through the stagnant ether different distances at a uniform velocity and yet the ether waves exhibit on their return none of the evidence which they should exhibit in the interferometer. (shrink)

People exhibit conflicting intuitions concerning the mind/body links. Here, I explore a novel explanation for these inconsistencies: Dualism is a violable constraint that interacts with Essentialism. Two experiments probe these interactions. In Experiment 1, participants evaluated the emergence of psychological traits in either a replica of one's body, or in the afterlife—after the body's demise. In line with Dualism, epistemic (i.e., disembodied) traits (e.g., knowing the contrast between good/bad) were considered more likely to emerge (relative to sensorimotor/affective traits) only in (...) the afterlife. However, so were innate traits (in line with Essentialism). To further gauge Essentialism, Experiment 2 presented the same traits to innateness judgments. Here, sensorimotor/affective (i.e., embodied) traits were considered more likely to be innate, suggesting that innateness intuitions are informed by embodiment. Moreover, innateness judgments (in Experiment 2) and embodiment intuitions (in Experiment 1) correlated. These results suggest that Dualism tacitly constrains reasoning about one's innate origins and its persistence after death. But since Dualism is “soft” and interacts with Essentialism, supernatural intuitions are chimeric, not purely ethereal. (shrink)

In psychoanalytic theory, the notion of the person inevitably evokes the notion of subjectivity. Not that the former can be reduced to the latter; but if psychoanalytic theory is anything more a certain type of therapeutic practice, it is indeed a theory of the subject or a theory of the subjective relation. We should perhaps begin by specifying that the subjective relation must be understood as a complex whole: an intrapsychic relation, that is, a relation between the various instances that (...) make up the subject, and at the same time an inter subjective relation, that is, a relation between (at least) two subjects. These two aspects are both inseparable and conflictual. They are inseparable because the self cannot exist, cannot construct itself without the other (whether this be a parental other or a peer). They are conflictual for at least two reasons. On the one hand, because the intrapsychic relation is by definition an arena of conflict: the conflict that opposes the Ego to the contradictory but equally tyrannical demands of the Id - which translates its attachment to the body and testifies to its inherent drives - and of the Superego, which represents its rootedness in the social and cultural sphere. And on the other hand, because this subject, which is thus divided within itself, must undergo the trial of bringing its desire face to face with the desire of the others with whom it is destined to live. The psychoanalytic theory of the subject is therefore the theory of a doubly heterogeneous relation: there is the heterogeneity of the components of the self, which go, once again, from their anchorage in somatic drives to the most ethereal expressions of the ideal; and there is the heterogeneity of the relation between this self and the self of the other. Moreover, this double heterogeneity is not limited to the matter of components: after all, these, one might think, would ideally be open to reabsorption into the homogeneity of the individual. On the contrary, this heterogeneity gives rise to a double rationality or double logic. Psychic causality - to borrow André Green's expression - is also driven by the conflict that opposes what in psychoanalysis are known as the primary processes, which Freud has described in chapter 7 of the Traumdeutung and which govern the formation and organization of the dream images, to the secondary processes, which are those processes that govern our daytime thoughts. Psychic causality is formed by the struggle for hegemony between these two logics, each of which is itself acted upon by an antagonism between what Freud, at the end of his life, called Eros and Thanatos, the urge for Life and the drive toward death or destruction. (shrink)

The expression “human enhancement” could be placed in the ontological, cognitive, and symbolic dimension in which we conceive and experience the faculty, that is constitutive of human beings, of giving name and thus consistence to things, relations and phenomena in general. It is necessary to point out that this symbolic dimension of emerging technologies has been obstinately and jealously anthropocentric, at least in the modern Western world. In this contribution, I aim to develop a philosophical account of post-human enhancement that (...) allows us to conceive a future society of humanoids – humans, hybrids, artificial beings – who are free and equal. This expression – “post-human enhancement” – is to be understood as referring to symbols and phenomena different from those associated with “trans-human”. Post-human is to be interpreted here as material, not anthropocentric but rather interspeciesist, osmotic and relational, horizon of effective sharing of experiences, dangers and challenges. In contrast, trans-human is meant to refer to the transcending of humans into the pure ether of an ‘ideal’, immaterial network made up only of software, and lacking of relations with any material beings in the ecosystem or cosmos. On my account, reframing the debate about human enhancement means to guarantee widest possible conditions of non-hegemonic or expansive conscious contextuality of legislative and decisional systems. I focus rather on the social circumstance whereby we see ourselves as subjects that already co-inhabit multiform social identities, in changeable and hybrid bodies and identitary images, in potential or latent conditions of moral and political asymmetry. These conditions, I hold, are therefore to be preventively identified and neutralized. (shrink)

Did Aristotle consider the properties of the elements to be teleologically explicable? According to some commentators, he did not, but considered these to operate according to material, moving, or mechanical causes. According to others, he did, and this is evidence of his commitment to an “overall” or “global” teleology. Both of the positions are wrong. Aristotle did consider each of the elements teleologically explicable, but he considered the beneficiaries of their properties and motions to be the elements themselves. This is (...) relatively clear in the case of ether, the element that composes the heavenly bodies: it has a simple motion in a circle, which is a manifestation of the intelligence of the extra-terrestrial bodies. But the other elements are included in a cycle of transmutation that guarantees their perpetual existence. This is a benefit to them according to the axiom: it is better to exist than not exist. Thus, rainfall is a necessary and cyclical process, but it is also somehow benefits the elements that are transformed in the process, for in so doing they complete cycles that resemble or imitate the eternal cycles of the heavenly bodies. (shrink)

Since 2008 I have been closely following the conceptual/performance/video work of Daniel Peltz. Gently rendered through media installation, ethnographic, and performance strategies, Peltz’s work reverently and warmly engages the inner workings of social systems, leaving elegant rips and tears in any given socio/cultural quilt. He engages readymades (of social and media constructions) and uses what are identified as interruptionist/interventionist strategies to disrupt parts of an existing social system, thus allowing for something other to emerge. Like the stereoscope that requires two (...) identical images to create an illusion of a three-dimensional image, Peltz sometimes visualizes two separate elements to create an object or moment that requires space and depth to focus on its varied layers. They say your brain has to process and make meaningful sense out of all that visual information before it can accept the illusion. I say your brain has to do a similar thing when looking and seeing the divine, magical, and faithful (social) art making of Daniel Peltz. Daniel Peltz is Associate Professor of Film/Animation/Video at RISD. He divides his time between Rhode Island and Sweden and is currently at work on an exhibition at Botkyrka Konsthall, Stockholm opening February 2013 and a new project to be included in the IASKA: Spaced Biennial (Australia) in 2014. This interview took place on Skype and is part one of a two-part interview. Feliz Lucia Molina: Are you in Providence, RI? Daniel Peltz: I’m at my house in Providence. I’ve been back for six days teaching winter session at RISD and doing this workshop series—these investors’ drum circles with a group of wealth managers. a client of the firm, 2013, photo Shirin Adhami FLM: The wealth managers were all drumming together? DP: They were all drumming in response to the performance of their retirement portfolios. FLM: Is this part of the “Unrealized Gain/Loss” piece? DP: Yes, it’s part of a show I’m working on in Sweden. I can show you because it was just today. I’ll show you some of this. Lets see—share screen [click, click, click]. This is the room. I’ve been using the camera system that’s already installed in the conference rooms to record them. So the video is being recorded directly by the wealth management office’s tech staff. These are the people I worked with in the last workshop. This conference table is less wondrous. They’ve been learning to drum in response to their retirement portfolios. I started by bringing in my little bit of wealth for them to propose a management strategy, I came to the follow-up meeting with a counter proposal, which was this workshop. So they agreed to do this series of workshops instead of managing my wealth. FLM: Does everybody in the room manage your wealth? That’s kind of a lot of people. DP: That woman in the back there and Craig —they handle new client business. So when you come there with your wealth, they sit down with you and suggest to you how they would manage it. They’re very nice, responsible people. FLM: And where is this? DP: This is in Providence and the one I was showing you is in Waltham, where I was today. Then I’m going to Newport for the last one on Friday. So I will have done four of them. This is the group in Waltham that I just played with today. I played directly with the two groups in Providence and I’m working with an ethnomusicologist at Brown, Asha Tamarisa, who is facilitating the last two. She’s helped develop the workshop in terms of figuring out how to train a group to do this and thinking about the compositional challenges of working in response to retirement portfolio data. FLM: Screensharing helps me to figure out tiny bits here and there about the project. DP: I might even be able to play you a little of the audio I’ve also been working with a group of professional percussionists on what will become a quarterly public investors’ drum circle event. Their stuff was really nice, but I want you to hear what we sounded like in the workshops. They’ve all been recorded by the a/v system in the offices. We use a simple structure where the drummer investors interpret the sensation of gain or loss as embellishments to a base heartbeat rhythm. The group holds the heartbeat and, as each person experiences gain or loss, they embellish that rhythm. "Screensharing helps me to figure out tiny bits here and there about the project" FLM: Is the process all very spontaneous? DP: Its actually quite structured. We produce a custom stock ticker that shows the performance of their collective portfolios. In advance of the workshop each participant submits assets in their retirement portfolio. Then we make a stock ticker that shows the real-time performance of their assets so that they can respond to almost live data. FLM: Are they reading the stock ticker projected up on the screen in the room? Do people drum in correspondence to the visual live data of the performance of their assets? DP: Exactly. They’re looking at the stock ticker as opposed to each other, so it’s a slightly shifted drum circle. They’re looking at the ticker but they’re listening to each other—that’s what we’re practicing. For example, NVO—the price is 172.08 but it’s down -1.16 and as that moves across the screen, the person who’s retirement is invested in that asset starts to embellish when that arrow first appears, based on their experience of loss. They stop when it exits the screen and return to the heartbeat. You could have one ticker for each retirement portfolio, but the way the workshop is constructed is that we just isolate one asset from each person’s portfolio so that everyone in the group is represented in a single ticker. So they’re drumming and looking at the ticker, but they’re hearing each other experience gain and loss. We’ve removed direct visual engagement from the social structure of a drum circle but the oral engagement is still there. FLM: So they had their own sound interpretation of gain and loss? DP: Yeah and that part is quite spontaneous as you were saying. In some of the preparatory exercises we’ve been working to give the participants more strategies for interpreting the sensations of gain and loss. We’re trying to develop their capacity to embellish a heartbeat or base rhythm but I’m not invested in having a melodious result. I’m quite curious about what this kind of structure will result in without any desire for a particular result. FLM: For context, can you talk about the project you did a couple years ago in Bali, “Unrealized Gain/Loss” in relation to this current wealth management project? DP: The workshops I’ve been doing use a similar strategy to the other components in this project. It started in Indonesia on my sabbatical and I was really trying to understand where I was physically and where I was being on sabbatical—this kind of strange jubilee structure where every seventh year you’re supposed to renew your self. And it was around the time of the global financial crisis. I was on sabbatical for the global financial crisis. I remember watching my father, in particular, respond to the financial crisis by monitoring his retirement portfolio and trying to make sense of it. I realized on a visit to their home that he checked his retirement portfolio every single day and I was really struck by that because in some way our parents are mysteries to us as children, especially their moods. We know how important their moods are but we don’t know what governs them. And somehow it was like I’d figured it out, it’s the performance of the DOW! So I think there was something in that. Then I was in Indonesia and I had been drawn there by an interest in their highly ritualized Hindu culture, where so much of life is driven by a ceremonial calendar. I was interested in Bali as this predominantly Hindu pocket within a predominantly Islamic country and life there being organized by this ritual calendar functioning as a kind of resistance to the dominant global religion of free-market capitalism. So I started to explore that correlation between the ways in which this culture that I was living in was sort of “living for the afterlife” and this idea within certain segments of American society of “living for the afterwork life”. The idea that your wellbeing in the “afterwork life” is tied to forces that are unseen and largely beyond your control has strong similarities to many religious understandings of the universe. So I started to explore that and the crafts and materials that were around me were primarily Batik and percussion. Percussion is a huge part of daily life in Bali. These gamelan troupes were everywhere. And I also happened to be there for Nyepi, the day of silence, which is preceded by a very elaborate procession and construction of demonic statues. These were the things that were around me and I started studying Batik with one of the Batik artists there and also started a conversation with two master Batik artists, one who is American and her Indonesian husband. I developed these patterns that were based on symbols from the performance of my retirement portfolio and worked with the batik artists to produce two sarongs. d. peltz - 2012 In producing the designs, I treated the performance of my retirement portfolio since my arrival at RISD [7 years] as a significant interval and then I looked at the ways in which decisions are made within retirement portfolios as having an extension outwards from the individual assets that underlie the retirement portfolio, which are kind of like the base elements of the retirement world. Then there’s the allocation of your assets, which is a global way of understanding an individual according to typologies, which are often referred to in terms of risk—this notion of a ‘risk profile’. What type of ‘person’ you are is determined by your attitude towards risk, or potentiality, and I found that to be a really fascinating way of understanding the universe. I remember looking at the tabs in my retirement portfolio and finding this one for viewing ‘Unrealized Gain/Loss’ and that’s often how I work—is just going through the Cambridge Parking Code, for example, and finding this section of the code that was called ‘Crossing Non-Signalized Locations’ and just feeling “I can’t do any better than that,” you know? That’s what I was talking about in terms of ready-mades that exist in the social sphere. So I found that tab, actually, a long time ago, and I pulled it out of a journal when I was there [in Bali] working on these pieces and I wound up making these two sarongs and later on a series of porcelain vessels for holding one’s unrealized gains and losses. At the time, I knew that I wanted a performance to come out of them, but I wasn’t sure what it was. I was inspired very much by this sort of thing: Pulls out a TIAA-CREF brochure with a man in a suit seated at a table. This guy is probably an actor, and [the brochure] says “TIAA-Cref announces “Individual counseling sessions at the Rhode Island School of Design. Individual counseling sessions at no additional cost to you. You can discuss your personal financial situation with an experienced TIAA consultant on a confidential basis. We are available to help you discuss how to achieve your financial goals by investing in financial solutions such as mutual funds, brokerage, life insurance, and annuities...etc....What retirement benefits best fits your situation?” Often I encounter this and I think O.K., this is one way to prepare for the after-work life and it seems inadequate to me. But, I also find it really inspiring. I really like the visual language of it. I kind of want to be that man. I’d like to see if I could maybe buy his clothes. FLM: What it is about the man on the brochure that interests you? DP: He’s offering personalized objective advice and a detailed evaluation of everything you need to know and do. Who wouldn’t want that? But he’s also something of a contemporary priest or priestess, mediating between the unseen all-powerful universe of global capitalism and the common worker. So I started off developing Unrealized Gain/Loss directly from the charts that represent the performance of my retirement portfolio. Then I came home and I wanted to use those. I had this word in my journal “unrealized gain/loss vessel.” I had this notion of vessels that would contain unrealized gains and losses. That felt really important to me that they would have somewhere to go. I had been thinking a lot about altars and making offerings—that somehow this really fickle, massive, difficult-to-comprehend-universe of the financial world—that somehow it might be nice if you could making an offering to it. [In Bali] they made such beautiful elaborate offerings. So I studied offering making as well with one of the women there and she taught me some of the standard forms created by folding leaves and the significance of the floral arrangements. I started working in clay and then moved to porcelain and I made these unrealized gain/loss vessels. I made a few of them, they have holes on either side that you can’t get your fingers in. But something can go in there and something can go out of there. It’s a nice size for putting on an altar. Then I got this commission from Artists in Context who was interested in my doing something for this project “Artists Perspectives for the Nation” project. I proposed initiating these investors’ drum circles as a new public performance form. I’m interested in bringing together those two symbols—the symbol of the djembe and the drum circle. unrealized gain/loss vessel - d.peltz - 2012 FLM: I can imagine the public digital stock ticker performing like a soft fleeting stream of information, a kind of (meaningless) illusory comfort blanket. DP: In some way you have to understand its relevance outside of the obvious, right? Because the obvious is illogical. Nobody is actually using that data to day trade, for example. People aren’t sitting there with their computers watching the market data in Times Square or setting up an outdoor office and being like “OK it’s up 3 points or it’s up 1.56, trade! Ok now buy, Ok now sell!” That would be a kind of a nice performance, actually. But actual day traders would want more up to date data than that. To understand what that data is doing is really important. And that’s something I’ve realized—that I’m interested in a particular kind of data visualization, which is not about what data can tell people, but what data can tell people who are visualizing it. For example, in the Cambridge Project “Crossing Non-Signalized Locations” I was interested in the 10,000 excuses archive of data recording five years worth of excuses for why people thought they shouldn’t have received their parking ticket. I was not interested in making that excuse wall so that the public could see and understand this data. Inevitably the data will be seen by others but I was really interested in what the action of visualizing the data told those who were visualizing it. The parking attendants themselves were writing those excuses on the wall—I was interested in what that kind action of writing the excuses on the wall told them about the data. Similarly, I’m interested in designing a way to allow people to pass this data from the unseen universe of the market, through their own bodies, which happens through the merging of the drum and the stock ticker. I’m interested in those two also as symbols; the drum as this symbol of the earth, the body and a pagan counterculture, and the stock ticker referring to the ethereal world of global markets—bringing those two together and making them dependent. I’m often drawn to conceptual propositions that I become invested in testing in a sincere way—at first they often they sound humorous to others, but I have to remember that there is humor in them. I don’t sit around and laugh about these things. I stop finding them funny at all. I’m interested in the proposition that we could know something about the after-work life by drumming in response to our retirement portfolio. So then I become really interested in how to craft that into a viable performance form for myself and others. FLM: The aspect of using sound in “Unrealized Gain/Loss” as a way of embodying the information to the asset holder is really intriguing—using sound as a means of embodying the asset data. Was sound a medium that made sense to use immediately or were you considering other means of attempting to embody it? DP: Well I do use other mediums within the project like textile, ceramic, and batik patterns. I was first drawn to the history of Batik patterns as a socio-economic stratification system and the vessels as a way of embodying or manifesting this data of unrealized gain and loss. My first approach was to work with meditation actually—a meditation workshop with my colleagues. I was going to offer this “Unrealized Gain/Loss” workshop where you would explore the sensations of gain and loss by adapting the way yogi-nidra brings you into contact with your physical surroundings and stretches your perception. FLM: At Naropa University there are/were business & compassion workshops—a sort of mash-up of business and compassion and how compassion could be incorporated into a business model. This process and engagement of “embodying data” also has to do with “Participatory Democracy and the Future of Karaoke” you created at the DNC in Denver in 2008. DP: That kind of appropriation and instrumentalization of spiritual practice could be disturbing and thus compelling as a strategy. For various reasons, I’ve come to be drawn to both the form of a quarterly public performance and the established performance form of a drum circle. Its something I’ve seen myself do before, that is to mess up a really good functional social system like a drum circle or karaoke. I remember I was developing language for the karaoke project and started calling it “Participatory Democracy and the Future of Karaoke” and one of my assistants on the project, who’s an incredible artist, said, “but don’t you think the future of karaoke is guitar hero?” and I realized that maybe he thought I was trying to improve the form. I’m just trying to get people to have this shifted embodied experience, I need to craft the performance context so that they can do that. In the case of the karaoke project, for example, what did I need in order to be able to do this [a person to stand up in front of a bar and deliver a karaoke speech]? I realized that the body is very vulnerable so I built a podium so that the speaker can feel secure enough to do this, otherwise you couldn’t get to this state achieved by passing these speeches through the body. Then I was, like, well you need to be able to practice the lyrics because you don’t know all the “songs” by heart, which became an insert to the massive track books carried by most karaoke VJs. And then sometimes the crowd in the bar isn’t there with me, so I needed to extract the voice of the crowd cheering from the original venue and I needed the local audience to cheer if they wanted to. I’m interested in both where the form succeeds and fails. In particular, one of the most interesting things is this auditory gap between the space where you are, the reduced scale of applause in your own little bar, and this grand scale of applause at the convention center where the speech was originally delivered. FLM: How did the concept of “Participatory Democracy Karaoke” come about and why did you use karaoke as a means of engaging what was happening at the DNC in 2008? DP: I was looking at a lot of different readymade media infrastructures within the city at the time. I was interested in the emergency broadcast systems and I developed a proposal to repurpose that system and karaoke became an important symbol because it was this populist form that was already engaged in exploring the sensation of celebrity but also visualizing the gap between ourselves and those with more power and influence. So it had this readymade capacity to play with power and celebrity and I felt like the Obama presidential campaign, the first one in particular, had some very curious overlaps with this culture of celebrity. Obama of course rose to power partly based on his oratory abilities and I was interested in how karaoke as a vehicle was so adept at offering people all that was left of authentic expression in a political speech. Managing a politician and constructing their identity is such a developed practice that it becomes, kind of automatically, a metaphor for the way that our own identities are constructed. Of course the Obama campaign was very hip and savvy and deploying this notion of grassroots. It was really pioneering in its use of social media and this deployment of notions of populism. I was interested at that time in the capacity of karaoke to track speech patterns, precise tempos of anyone’s delivery, and that to me was a way of thinking about what might be left of the authentic self. I was interested in karaoke’s capacity to extract that authentic component and offer it to others. So not just to stand up and be them, but to [literally] pass their speech patterns through your own body. A long time ago, it started to strike me as odd that one would make media at all. It struck me as a kind of un-contemporary way of going about making art in an age of media overflow. That logic extended into my thinking on delivery devices and installation as well. Why would one buy a screen or even set one up when there are so many out there? And the way in which these media displays function in karaoke bars and bars in general is very interesting to me. I’m drawn to this passive consumption of media where your primary social interaction is with the bartender or a few other individuals but these screens are around you and your attention is shifting back and forth between these spaces. So much political rhetoric is spoken to a half-listening audience. I was interested in what was happening in the slippage and that karaoke was a kind of slippage amplifier. So if you put people in a bar and they are delivering a Kucinich speech and Kucinich comes up on a screen then your getting a sound bite of Kucinich and an image of Kucinich and your friend is talking to you— FLM: A kind of magic takes place in that incongruency between sound and image and the karaoke participant who’s relaying the speech-text at the same time. DP: Exactly and there’s some kind of truth in that experience of reality. FLM: Yeah, there’s something uncanny about seeing the body close-up like that as though it can’t lie to you in that moment or context. It’s a weird moment of luminous clarity. The work you’ve done and all of what you’re saying about karaoke is so very interesting to me. Growing up, my dad and uncles sang karaoke a lot (and still do) and being first-generation Filipino American is a different cultural subtext entirely. I’m also seeing it from the position of witnessing family members who are carriers of these stories and songs. And seeing them cherish these Tony Bennett, Frank Sinatra, Elvis Presley songs so much, I also see how their bodies are literal vessels of popular music that signifies something greater—it signifies their cultural and socioeconomic place in the world. The way that they cherish these American 1950s and 1960s pop songs is similar to having a certain kind of reverence for their spiritual faith or Catholicism. It’s a similar kind of care, focus, and attention exerted in karaoke and Catholicism—that these two structures and systems give something to focus on. Setsuko, Seiji and Hitoshi in Obama, Japan as Obama in Indiana — d. peltz — 2008 DP: Sure there something about the relationship we have to our candidate or the way we go about choosing a candidate, which is very similar to a deity or idol. I learned a lot about karaoke culture through this project. I’d never done karaoke. I’d never been interested in it as a form and then I travelled to Japan as part of the project when I made “Setsuko, Seiji and Hitoshi in Obama, Japan as Barack Obama in Indiana” and it was quite fascinating because my image of karaoke had always been this very public forum in a karaoke bar and then I discovered there’s this whole other world of karaoke where people even go on their own, they go and rent a room or cubicle and sing, or they go on a date—just the two of them go and sit in a room and do karaoke together. FLM: I’m interested in issues that take place within or as a result of specific karaoke culture(s). In the Philippines within the last several years there’s been occurring the “My Way Killings” phenomenon. Apparently baklas or gay men are employed by karaoke establishments to help “smooth over conflicts over karaoke singing”—these social forms of conduct, or lack thereof that arise out of the infrastructures of this social sport. In this one rural part of the Philippines there’s a village karaoke machine that the whole village shares—the Aeta indigenous people have an appointed “keeper” of the karaoke machine. I also see karaoke as a proxy to the confessional box in Catholicism where one goes to pour out their sins (minus the penance and redemption). The karaoke machine enables one to literally sing out whatever’s going on internally, but through highly saturated popular song lyrics. While karaoke is a public and social sport, it can also be a private one. Karaoke is a means of communion with each other. DP: Right, this preference for this kind of mediated communication. In Japan I was trying to organize people to work on this project and I was talking about throwing a party and they were like, well, we have to rent a karaoke machine because what else are we going to do? And I think its kind of serving that function of surrogacy—emotional surrogacy. FLM: And karaoke tools can be read as ritual tools—the magic mic that holds everything. There’s got to be some overlap at some point—between religious ceremony and devotion to the karaoke machine. DP: The way I designed the piece was so that it could slip right on top of the ready-made karaoke infrastructure. There was a flat-packed podium and it was made of a single sheet of plywood with no fasteners that slotted into itself. Those were sent out to a network of karaoke bars that I invited to become “karaoke convention centers.” The local VJs downloaded our custom-made, speech-extracted tracks that were designed to play on their existing equipment. In this sense the piece is a permanent installation. If you go to Denver today, some of the VJs still have the tracks in their library of offerings, the Ramones and Romney. It was this notion of re-purposing readymade infrastructure to create a distributable populist form. Obama was coming and the convention was in the Pepsi Center and 30,000 people were coming including 10,000 journalists. The impetus behind the larger art project that commissioned international artists to make works in Denver, was that local people weren’t going to have much access to this convention. It was like an invasion, the city was being descended upon, but if you lived a block away from the site, you had the same access as people in Zimbabwe&mash;30 second media bits excerpted from the speeches. So it seemed to me that the fundamental gesture was how do I take that signal, which was travelling out of the convention center, and create a local interruption? FLM: Is that what you mean by ‘intervention’? The term is frequently used to help describe your work. DP: It depends on the day. Around that karaoke project I had a conversation with Krzysztof Wodiczko and he was proposing that maybe rather than intervention, we should consider the word interruption. Because intervention is kind of an overused term in the field of art and it has militaristic and therapeutic associations outside of the art context. Fundamentally, the idea of intervening speaks to the readymade social world as your primary material. So it’s basically suggesting a kind of subtractive process, which gets back to this question: what is the role of the contemporary media artist in a world that’s so saturated with media? You can’t work additively in a saturated field. If you want to make a visible mark you have to work subtractively. That’s what intervention is about to me, just another way of saying “to work subtractively.” FLM: So the interventions or interruptions aren’t necessarily adding or subtracting, but are they putting orange cones there? What are they doing exactly? DP: I think you’re right about that, they’re not really subtracting. They’re adding to the scope of possibility. I’ve been thinking (with this exhibition I’m mounting next month) about the work as explorations and expansions of social possibility. Maybe it’s more insertion. I started calling the pieces ‘insertions’ that I was making in Rejmyre—a small town in Sweden where I’ve been working for six years now. My favorite site to install there is the tourist bureau. I started calling the video pieces that I made for the tourist bureau, video insertions. This idea that you’re inserting something into the readymade media infrastructure of the world resonates with me. Insertion leverages a context, creating a possibility that the inserted object might be naturalized in the process — that someone can encounter my video in Rejmyre as tourist information. And then all of a sudden tourist information can include some American guy prostrating through town and it can include really bad relationship advice. Maybe insertion is a better word. tourist information – d. peltz 2009-present  . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.2 (2000) 263-283 [Access article in PDF] Contesting Metaphors and the Discourse of Consciousness in William James Jill M. Kress Ah, not to be cut off,not by such slight partitionto be excluded from the stars' measure.What is inwardness?What if not sky intensified,flung through with birds and deepwith winds of homecoming? --Rainer Maria Rilke William James's lifelong attention to questions about human mental experience (...) elucidates the development of the concept of consciousness through its realization in fields as disparate as natural science, radical empiricism, and religious mysticism. 1 Over the course of a career that both establishes and traverses disciplinary boundaries, James's work embodies tensions between scientific explanations for mental phenomena and the inescapability of metaphysical arguments. Jamesian psychology thus alternates between materialist and spiritualist assumptions of scientists and philosophers at the turn of the century, joining their compulsive investigations into the nature of consciousness. 2 Most readers [End Page 263] of James puzzle over the theoretical contradictions within his work, debating central philosophical dilemmas concerning the status of the conscious self. Perhaps the most paradoxical aspect of James's theories, his response to dualism, emerges as he attempts to negotiate ethereal explanations for consciousness with bodily processes. 3 The mind-body problem disrupts James's more delicately balanced theories, a disruption registered explicitly through the metaphors in his texts.Reading The Principles of Psychology (1890) alongside "Does 'Consciousness' Exist" (1904), this essay demonstrates how figurative language directs James's study of consciousness. I argue that metaphor does more than describe consciousness; metaphor constructs James's arguments, governs his conflicting theories of mind through a series of rhetorical configurations and provokes the continual reconstruction of his ideas of human subjectivity. Furthermore, while it is impossible for James to explain and to study consciousness without metaphor, he experiences great anxiety about using language, figurative or otherwise, to represent his object of study. The language becomes more powerful than his intentions or designs and, indeed, raises implications that James cannot control. James possesses a heightened awareness of what he crafts with words; he also, perhaps more penetratingly, acknowledges the inadequacy of any linguistic system to realize concepts thoroughly. 4 Struggling over appropriate "names" and "terms" for consciousness, James presupposes some clearly delineated concept around which we might wrap a verbal expression; yet he also seems painfully aware that every new metaphor launches an entirely new theory. Fluid and unpredictable, consciousness becomes like language itself, yielding its power precisely because it can be so many things at once. The ultimate principle of Jamesian consciousness seems to be its creative capacity; still, once James admits that the problem of consciousness is a problem of language, his carefully constructed designs begin to unravel. Though consciousness will be translated into James's notion of "pure experience" by the time he writes the radical empiricism [End Page 264] essays, James remains simultaneously committed to his figures (especially of the "stream of consciousness") and ambivalent about the account of consciousness that they provide. James helps create the modern self with its enhanced individuality, though his metaphors at once direct us inward to a centered, private self and propel us outward to find consciousness materializing in the fluxional cycle of the natural world.In presenting his initial theory of the stream of our thoughts, James argues for its coherence. His most famous metaphor of the "stream" of consciousness appears to saturate the varied material of the mind, its water washing over and through any distinctions or separations which the mind might present: Consciousness, then, does not appear to itself chopped up in bits. Such words as "chain" or "train" do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows. A "river" or a "stream" are the metaphors by which it is most naturally described. In talking of it hereafter, let us call it the stream of thought, of consciousness, or of subjective life. 5James's desire to find words that are more "natural... (shrink)

This is in no sense an attack on the theory of relativity but, instead, an attempt to clarify some points about its epistemology and ontology. It is quite probable that the queries I have had in mind are products of the past. But I observe enough uncertainty in writings here and there to justify a brief discussion.Discarding both ether and Newtonian Space either as entities or as frames for light, we have left the problem of relating the behavior of light (...) to physical bodies, such as the proverbial rods. (shrink)