The article starts from Gilles Deleuze’s assumption of film being a philosophy in its own right and applies it to the horror genre. It reads Stanley Cavell’s concept of genre, Timothy Jay Walker’s work on the Horror of the Other (1) and Eugene Thacker’s understanding of philosophical horror (2). It researches horror film as philosophically relevant access to nothingness (3) and shifts to the operations of assigning places to nothingness according to its respective place of access (...) (off screen, on screen, behind the screen/behind the camera) (4). It then gives short analyses of Midsommar (5), Hereditary (6), Tarantula (7), and The Conjuring (8). In Tarantula, the screen functions as a shield against the agent of nothingness residing behind it. Once surmounted from behind by nothingness, the screen is finally purged. In Hereditary and Midsommar, nothingness is always already here, in full light, constantly transforming everything into nothing. In The Conjuring, the morphings and vectorial movements have nothingness evaporate from the screen to what lies behind it, namely (digital) picture technology. The screen turns into a membrane between nothingness and its condition, technology. As a consequence, we have to switch from philosophical horror to technological horror as access to nothingness (9). (shrink)

Customary interpretations state that Tractarian thoughts are pictures, and, a fortiori, facts. I argue that important difficulties are unavoidable if we assume this standard view, and I propose a reading of the concept taking advantage of an analogy that Wittgenstein introduces, namely, the analogy between thoughts and projective geometry. I claim that thoughts should be understood neither as pictures nor as facts, but as acts of geometric projection in logical space. The interpretation I propose thus removes the root of (...) the identified difficulties. Moreover, it allows important clarification concerning some central aspects of the Tractarian theory of representation, and it yields a unifying elucidation regarding Wittgenstein’s remarks on the solipsistic thesis. (shrink)

Quantum geometry on a discrete set means a directed graph with a weight associated to each arrow defining the quantum metric. However, these ‘lattice spacing’ weights do not have to be independent of the direction of the arrow. We use this greater freedom to give a quantum geometric interpretation of discrete Markov processes with transition probabilities as arrow weights, namely taking the diffusion form ∂+f = f for the graph Laplacian Δθ, potential functions q, p built from the probabilities, (...) and finite difference ∂+ in the time direction. Motivated by this new point of view, we introduce a ‘discrete Schrödinger process’ as ∂+ψ = ıψ for the Laplacian associated to a bimodule connection such that the discrete evolution is unitary. We solve this explicitly for the 2-state graph, finding a 1-parameter family of such connections and an induced ‘generalised Markov process’ for f = |ψ|2 in which there is an additional source current built from ψ. We also mention our recent work on the quantum geometry of logic in ‘digital’ form over the field F2 = {0, 1}, including de Morgan duality and its possible generalisations. (shrink)

All physical theories, from classical Newtonian mechanics to relativistic quantum field theory, entail propositions concerning the geometric structure of spacetime. To give an example, the general theory of relativity entails that spacetime is curved, smooth, and four-dimensional. In this dissertation, I take the structural commitments of our theories seriously and ask: how is such structure instantiated in the physical world? Mathematically, a property like 'being curved' is perfectly well-defined insofar as we know what it means for a mathematical space to (...) be curved. But what could it mean to say that the physical world is curved? Call this the problem of physical geometry. The problem of physical geometry is a plea for foundations--a request for fundamental truth conditions for physical-geometric propositions. My chief claim is that only a substantival theory of spacetime--a theory according to which spacetime is an entity in its own right, existing over and above the material content of the world--can supply the necessary truth conditions. (shrink)

In Mathematiklehrbüchern und mathematischen Spezialabhandlungen tauchen bis heute immer wieder Themen und Thesen der Schopenhauerschen Elementargeometrie auf. Da Schopenhauers Geometrie bzw. Philosophie der Geometrie in ihrer Figuren- und damit Anschauungsbezogenheit im 19. und frühen 20. Jahrhundert exemplarisch galt, folgt die hier skizzenhaft dargestellte zweihundertjährige Rezeptionsgeschichte auch der von den mathematischen Paradigmen abhängenden Bewertung anschauungsbezogener Geometrien.

The notion of linguistic geometry is defined in this book. It is pertinent to keep in the record that linguistic geometry differs from classical geometry. Many basic or fundamental concepts and notions of classical geometry are not true or extendable in the case of linguistic geometry. Hence, for simple illustration, facts like two distinct points in classical geometry always define a line passing through them; this is generally not true in linguistic geometry. Suppose (...) we have two linguistic points as tall and light we cannot connect them, or technically, there is no line between them. However, let's take, for instance, two linguistic points, tall and very short, associated with the linguistic variable height of a person. We have a directed line joining from the linguistic point very short to the linguistic point tall. In this case, it is important to note that the direction is essential when the linguistic variable is a person's height. The other way line, from tall to very short, has no meaning. So in linguistic geometry, in general, we may not have a linguistic line; granted, we have a line, but we may not have it in both directions; the line may be directed. The linguistic distance is very far. So, the linguistic line directed or otherwise exists if and only if they are comparable. Hence the very concept of extending the line infinitely does not exist. Likewise, we cannot say as in classical geometry; three noncollinear points determine the plane in linguistic geometry. Further, we do not have the notion of the linguistic area of well-defined figures like a triangle, quadrilateral or any polygon as in the case of classical geometry. The best part of linguistic geometry is that we can define the new notion of linguistic social information geometric networks analogous to social information networks. This will be a boon to non-mathematics researchers in socio-sciences in other fields where natural languages can replace mathematics. (shrink)

Geometry, etymologically the “science of measuring the Earth”, is a mathematical formalization of space. Just as formal concepts of number may be rooted in an evolutionary ancient system for perceiving numerical quantity, the fathers of geometry may have been inspired by their perception of space. Is the spatial content of formal Euclidean geometry universally present in the way humans perceive space, or is Euclidean geometry a mental construction, specific to those who have received appropriate instruction? The (...) spatial content of the formal theories of geometry may depart from spatial perception for two reasons: first, because in geometry, only some of the features of spatial figures are theoretically relevant; and second, because some geometric concepts go beyond any possible perceptual experience. Focusing in turn on these two aspects of geometry, we will present several lines of research on US adults and children from the age of three years, and participants from an Amazonian culture, the Mundurucu. Almost all the aspects of geometry tested proved to be shared between these two cultures. Nevertheless, some aspects involve a process of mental construction where explicit instruction seem to play a role in the US, but that can still take place in the absence of instruction in geometry. (shrink)

The paper presents the diagrammatic calculus CL, which combines features of tree, Euler-type, Venn-type diagrams and squares of opposition. In its basic form, `CL' (= Cubus Logicus) organizes terms in the form of a square or cube. By applying the arrows of the square of opposition to CL, judgments and inferences can be displayed. Thus CL offers on the one hand an intuitive method to display ontologies and on the other hand a diagrammatic tool to check inferences. The paper focuses (...) mainly on the adaptation of the square of opposition in CL and offers an algebraic notation, which corresponds to the diagrammatic representation. (shrink)

This high-level study discusses Newtonian principles and 19th-century views on electrodynamics and the aether. Additional topics include Einstein's electrodynamics of moving bodies, Minkowski spacetime, gravitational geometry, time and causality, and other subjects. Highlights include a rich exposition of the elements of the special and general theories of relativity.

Peg Rawes examines a "minor tradition" of aesthetic geometries in ontological philosophy. Developed through Kant’s aesthetic subject she explores a trajectory of geometric thinking and geometric figurations--reflective subjects, folds, passages, plenums, envelopes and horizons--in ancient Greek, post-Cartesian and twentieth-century Continental philosophies, through which productive understandings of space and embodies subjectivities are constructed. Six chapters, explore the construction of these aesthetic geometric methods and figures in a series of "geometric" texts by Kant, Plato, Proclus, Spinoza, Leibniz, Bergson, Husserl and Deleuze. In (...) each text, geometry is expressed as a uniquely embodies aesthetic activity because each respective geometric method and figure is imbued with aesthetic sensibility and geometric sense (rather than as disembodies scientific methods). An ontology of aesthetic geometric methods and figures is therefore traced from Kant’s Critical writings, back to Plato and Proclus Greek philosophy, Spinoza and Leibniz’s post-Cartesian philosophies, and forwards to Bergson’s "duration" and Husserl’s "horizons" towards Deleuze’s philosophy of sense. (shrink)

Geometry and Chronometry in Philosophical Perspective was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In this volume Professor Grünbaum substantially extends and comments upon his essay "Geometry, Chronometry, and Empiricism," which was first published in Volume III of the Minnesota Studies in the Philosophy of Science. Commenting on the essay when it first appeared J. J. C. (...) Smart wrote in Mind (England): "In my opinion Adolf Grünbaum's paper ... supersedes nearly all that has been written on the logical status of physical geometry and chronometry." The full text of the essay is given here with the author's extension of it and his discussion of some of the critical comment it has evoked, particularly, a critique published by Hilary Putnam. Adolph Grünbaum is Andrew Mellon Professor of Philosophy at the University of Pittsburgh and the current president of the Philosophy of Science Association. (shrink)

Finsler geometry on the tangent bundle appears to be applicable to relativistic field theory, particularly, unified field theories. The physical motivation for Finsler structure is conveniently developed by the use of “gauge” transformations on the tangent space. In this context a remarkable correspondence of metrics, connections, and curvatures to, respectively, gauge potentials, fields, and energy-momentum emerges. Specific relativistic electromagnetic metrics such as Randers, Beil, and Weyl can be compared.

The city has featured as a central image in utopian thought. In planning the foundation of the new and ideal city there is a close interconnection between ideas about urban form and the vision of the moral good. The spatial structure of the ideal city in these visions is a framing device that embodies and articulates not only political philosophy but is itself an articulation of moral and cosmological systems. This paper analyses three different utopian moments in three different historical (...) epochs – Tommaso Campanella’s City of the Sun (1602), the Choson dynasty foundation of the city of Seoul (1395) and the modernist utopian urbanism of the controversial Le Corbusier (1887–1965). In this analysis attention is drawn to the cosmological and moral visions articulated in these three ‘images of the city’ (Lynch). The opposition between rationalistic/mechanistic and religious/traditional urban design can prove to be an oversimplification that obscures the complex interrelations between the moral geometry and the natural alignments of the ideal urban form. (shrink)

To prove this, we fix P(x) to be any polynomial of degree ≥ 1 with a positive and negative value. We define a critical interval to be any nonempty open interval on which P is strictly monotone and where P is not strictly monotone on any larger open interval. Here an open interval may not have endpoints in F, and may be infinite on the left or right or both sides. Obviously, the critical intervals are pairwise disjoint.

This paper examines the discrepancy between the attitudes of many historians of mathematics to sixteenth-century geometry and those of museum curators and others interested in practical mathematics and in instruments. It argues for the need to treat past mathematical practice, not in relation to timeless criteria of mathematical worth, but according to the agenda of the period. Three examples of geometrical activity are used to illustrate this, and two particular contexts are presented in which mathematical practice localised in the (...) sixteenth century takes on a special historical significance. (shrink)

The total irrelevance of absolute space to scientific observation and experiment led him early to a most radical conclusion: experience cannot teach us anything about the true structure of space; consequently, the choice of a geometry for the ...

I use recent work on Kant and diagrammatic reasoning to develop a reconsideration of central aspects of Kant’s philosophy of geometry and its relation to spatial intuition. In particular, I reconsider in this light the relations between geometrical concepts and their schemata, and the relationship between pure and empirical intuition. I argue that diagrammatic interpretations of Kant’s theory of geometrical intuition can, at best, capture only part of what Kant’s conception involves and that, for example, they cannot explain why (...) Kant takes geometrical constructions in the style of Euclid to provide us with an a priori framework for physical space. I attempt, along the way, to shed new light on the relationship between Kant’s theory of space and the debate between Newton and Leibniz to which he was reacting, and also on the role of geometry and spatial intuition in the transcendental deduction of the categories. (shrink)

We review and contrast three ways to make up a formal Euclidean geometry which one might call constructive, in a computational sense. The starting point is the first-order geometry created by Tarski.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

A timely collection of advanced, original material in the area of statistical methodology motivated by geometric problems, dedicated to the influential work of Kanti V. Mardia This volume celebrates Kanti V. Mardia's long and influential career in statistics. A common theme unifying much of Mardia’s work is the importance of geometry in statistics, and to highlight the areas emphasized in his research this book brings together 16 contributions from high-profile researchers in the field. Geometry Driven Statistics covers a (...) wide range of application areas including directional data, shape analysis, spatial data, climate science, fingerprints, image analysis, computer vision and bioinformatics. The book will appeal to statisticians and others with an interest in data motivated by geometric considerations. Summarizing the state of the art, examining some new developments and presenting a vision for the future, Geometry Driven Statistics will enable the reader to broaden knowledge of important research areas in statistics and gain a new appreciation of the work and influence of Kanti V. Mardia. (shrink)

According to Kepler and Descartes, the geometry of the triangle formed by the two eyes when focused on a single point affords perception of the distance to that point. Kepler characterized the processes involved as associative learning. Descartes described the processes as a “ natural geometry.” Many interpreters have Descartes holding that perceivers calculate the distance to the focal point using angle-side-angle, calculations that are reduced to unnoticed mental habits in adult vision. This article offers a purely psychophysiological (...) interpretation of Descartes’s natural geometry. In his account of perceived limb position from the Treatise on Man, he envisioned a central brain state that controls ocular convergence and thereby co-varies with the distance from observer to object. A psychophysiological law relates the visual perception of distance to this brain state. Descartes also invokes more traditional theories of distance and size perception based on unnoticed judgments, yielding a hybrid account. (shrink)

나는 이 글에서 기하학에 관한 프레게의 견해를 재구성한다. 이를 바탕으로 다음 세 논제를 입증하고자 한다. (1) 프레게의 수학철학은 산수의 논리학으로의 환원과 더불어 비직관적 기하학 이론의 유클리드 기하학으로의 환원 두 종류의 인식론적 환원 프로그램을 포함한다. (2) 유클리드 이론으로의 환원 방식은 두 종류가 있는데, 하나는 사영기하학 및 공간량 이론의 경우처럼 그 이론의 인식적 본성을 보존하기 위해 논리적 추상화 원리에 의존하는 환원이다. 그리고 (3) 다른 하나의 환원 방안은 이론들 사이의 구조적 동형성에 근거하는 환원으로서, 「기하학의 기초 II」(1906)에서 그가 제안한 참인 사고 내용들 사이의 상호 (...) 독립성 논증 방안은 비유클리드 기하학을 논리적 구조의 동형성에 의존해서 유클리드 기하학으로 환원하는 방안을 일반화한 것이다. (shrink)