본고는 『천 개의 고원』의 서문인 「리좀」을 바탕으로 하여, 리좀을 이해하기 위한 핵심개념 중의 하나인 ‘미리우(milieu)’를 ‘리좀적 중도’이자 일종의 ‘철학적 중도’로 규명하는 것을 목적으로 한다.BR글의 구체적인 전개과정은 다음과 같다. 먼저, 텍스트에서 서양 전통 형이상학의 나무-뿌리 형태의 책에 대한 대안으로 제시되고 있는 리좀-수로 형태, ‘책-리좀’의 사유 체계를 검토한다. 다음으로, 리좀적 사유가 어떻게 ‘길’이 되고, 동양적 ‘도(Tao, 道)’와 만나 리좀적 중도가 되며 철학적 중도로 해석될 수 있는지를 밝힌다. 다른 한편으로, 본고는 리좀적 사유가 우리로 하여금 내재적 차이와 타자에 대한 이해를 보다 깊이 하도록 (...) 하며, 또한 공(空)한 다양체의 원리에 따른 실천적 삶의 수행을 돕는 방법으로서의 의의를 가짐을 조명한다. 이 연구는 동양의 중도의 사유를 현시대에 적합하게 풀어내어 철학적으로 실천하는 일에 기여할 수 있을 것으로 기대된다. (shrink)

L’article esquisse une histoire de la notion de milieu en confrontant l’article de Georges Canguilhem, « Le vivant et son milieu » (1946), à celui de Leo Spitzer « Milieu et ambiance » (1942). Alors que Spitzer conteste l’opposition entre un milieu abstrait et un environnement « chaud », Canguilhem entend transformer les éléments d’une compréhension mécaniste du milieu en une idée vitaliste et productive de l’interaction mutuelle entre milieu et organisme. L’article se concentre (...) ensuite sur la perspective littéraire et esthétique de la discussion de la relation entre le vivant et son milieu, à partir de l’Histoire de la littérature anglaise de Taine. Dans deux textes de 1930 et 1931, Canguilhem présente une critique véhémente de Taine et oppose à la compréhension déterministe du milieu un concept esthétique qu’il réinvestit pour les sciences de la vie : le concept de création. En repensant la notion de milieu à travers une « esthétique du milieu », l’article conclut en opposant les critiques de Spitzer et de Canguilhem adressées à la compréhension déterministe du milieu et montre que l’opposition radicale entre détermination et création, que Canguilhem semble établir dans ses premiers textes, est reformulée dans son étude postérieure sur Le normal et le pathologique. La vie est créatrice relativement à son milieu au travers des déplacements vers un nouveau milieu, qui est lui-même, à son tour, vulnérable, précaire et inachevé. Pour penser une telle esthétique du milieu, il faut remodeler la notion d’activité artistique à partir d’un concept du vivant qui se forme dans sa confrontation constante avec son milieu. (shrink)

The impact of social factors upon the philosophical investigations in a broad sense is quite evident. Nevertheless their impact upon epistemology as a branch of philosophy, logic, and history of science as fields of research with noticeable philosophical content is not evident enough. We are keen to claim that this impact exists within some limits, although it is not so overtly evident. Moreover in the case of Marxism it is of a paradoxical nature. Marxism always puts the accent on the (...) role of social and economic factors in the development, development of science included. To a large extent due to Marxism, externalism emerged; the key idea of externalism may be expressed through the statement that social and economic reasons are the main sources of development of science. B.M. Hessen declared and did his best in 1931 to justify this statement through the example of the emergence of classical mechanics. Meanwhile the social milieu of Marxist countries placed a taboo on the externalist approach towards epistemology, the interpretation of logic, and history of science. All these fields of knowledge were evolved in the Marxist era in the USSR and Eastern Europe - despite the spirit of Marxism - within strict internalist boarders. We offer the explanation of this contradiction. (shrink)

Vers 1935, après Être et temps, le concept de « milieu » ( Mitte ) apparaît de deux façons chez le philosophe allemand Martin Heidegger. Sur un plan horizontal, il se trouve, par-delà le « monde ambiant » ( Umwelt ), à l’intersection de l’homme et des dieux, où c’est le poète qui l’incarne à partir du langage ; selon une dimension verticale, il montre un « saut » ( Sprung ) à l’entre-deux du monde et de la terre. (...) En nous appuyant notamment sur la pensée des Beiträge (1936-1940), nous comprenons alors le « milieu » ( Mitte ) comme le centre du Geviert (le Quadriparti) qui permet de localiser « l’être le là » ( Das Da-sein ), à « l’entre-deux » ( Das Zwischen ) du monde et de la terre, mais aussi de l’homme et des dieux. Se faisant, nous sortons de la représentation commune d’une croix ou d’un carré, comme le Geviert semble le dire, pour ouvrir un cercle où la pensée demeure en quête de l’Être. (shrink)

Dans cet article, nous présentons une formulation néo-aristotélicienne de la doctrine du juste milieu. Nous commençons par décrire la formulation classique de la doctrine par Aristote, telle qu'elle est exposée dans l’Éthique à Nicomaque. Nous présentons en outre les éléments fondamentaux qui régissent les matrices de concepts (Franceschi 2002). Nous proposons ensuite une nouvelle formulation de la doctrine du juste milieu, directement dérivée de la structure-même des matrices de concepts. Nous comparons également la présente formulation de la doctrine (...) du juste milieu avec celle d'Aristote, en mettant en évidence les points communs et les différences. Nous proposons aussi une interprétation de la formulation aristotélicienne de la doctrine du juste milieu. Enfin, nous montrons comment la version néo-aristotélicienne de la doctrine du juste milieu permet de répondre à plusieurs objections, et notamment à celles qui ont été classiquement soulevées à l’encontre de sa version aristotélicienne. (shrink)

The Concept of Milieu in Environmental Ethics discusses how we can come together to address current environmental problems at the planetary level, such as climate change, biodiversity loss, transborder pollution and desertification. -/- The book recognises the embedded individual sociocultural and environmental contexts that impact our everyday choices. It asks, in this pluralism of worldviews, how can we build common ground to tackle environmental issues? What is our individual moral responsibility within the larger collaborative challenge? Through philosophical reasoning, this (...) book pragmatically addresses these questions and builds a framework to support sustainable ways of living. At the core of the book, it draws on the concept of milieu (fūdo) inspired by the Japanese philosopher Watsuji Tetsurō, which captures how we act within and perceive our surroundings as a web of culturally, historically and geographically situated meanings and values. It argues that the milieu connects us as individuals with community, past and future history, and the natural world, providing us with common ground for global environmental ethics. -/- This book will be an engaging and interesting read for scholars, researchers and students in environmental ethics, philosophy and sustainability. (shrink)

Le concept d' Umwelt est souvent considéré comme l'équivalent allemand du concept français de « milieu ». En revenant sur l' apparition du concept scientifique d' Umwelt au début du XXe siècle, nous souhaitons mettre en évidence sa genèse polémique et le fait qu'il est, contre toute attente, le résultat d'un rejet du concept de milieu. Pour le géographe F. Ratzel et le biologiste J. von Uexküll, ce concept était en effet indissociable de la théorie de Taine. Beaucoup (...) trop déterministe à leurs yeux, elle renforçait le monisme matérialiste qui se développait alors en Allemagne et auquel ils souhaitaient mettre un terme. (shrink)

Emprunte au domaine de la lumiere et assimile au domaine de la pensee, le diaphane designe pour Aristote, son inventeur, une nature commune a tout milieu dans lequel la vue et la visibilite des choses s'achevent en regard recepteur et en image recue du monde diurne. Car, il ne suffit pas qu'il y ait de la lumiere et du solide pour que le monde puisse etre vu dans ses couleurs et connu sous ses formes et ses especes; il faut (...) aussi qu'il y ait du diaphane, c'est-a-dire un tertium quid qui relie les choses entre elles et ouvre a travers lui la porte de la reception sensible et de l'entendement. Des lors, la notion de diaphane en vient a impregner tacitement toute la representation du monde sous son double aspect sensible et intelligible; il s'opere la une veritable mutation du physique au metaphysique. (shrink)

Seit wenigen Jahren erfreuen sich in den Lebenswissenschaften mehrere Theorien eines immer weitergehenden Einflusses, die unter Etikettierungen wie Systembiologie, Netzwerktheorie oder Signalomics nur scheinbar unabhängige Herangehensweisen an komplexe Zusammenhänge darstellen. Navigation ist der übergreifende Gedanke, der so unterschiedliche Gebiete wie Regelungstheorie, Entscheidungstheorie und Systemwissenschaft verbindet. Navigation als Lage- und Kursbestimmung nebst den zugehörigen Signalverarbeitungsprozessen und Steuerkommandos ist die Grundlage dessen, was lebende Organismen von der blo§en Ansammlung materieller Ingredienzien unterscheidet – von der molekularen Ebene bis zum Sozialverhalten. Denn stets stellen (...) sich Prozesse des Lebens als solche des Suchens, Kommunizierens, Disponierens und Vervollkommnens dar, ob es sich nun um die Regulation der Sauerstoffspannung im Blut oder die Organisation eines Ameisenvolkes handelt. Navigationsaufgaben sind damit schließlich auch Fragestellungen ärztlicher Entscheidungsfindung, die sich in einem komplexen Raum aus individuellen, sozialen und ethischen Anforderungen entfalten. (shrink)

Notre article reprend la distinction du milieu et de l’ambiance qu’avait étudiée en son temps Leo Spitzer. Il vise à accentuer la différence entre une conception objectiviste de l’environnement et une conception qui laisse place à la résonance affective de ce qui nous entoure. L’ambiance est un milieu rendu sensible par sa présence affective et influente. Pour ce faire, notre travail questionne le concept de « médiance » d’Augustin Berque qui prétend réformer le concept trop physicaliste et déterministe (...) de milieu et en montre néanmoins les limites, en plaidant pour une médialité ambiancielle qui se serait définitivement détachée des références à la structure sujet-objet et à l’idée d’un conditionnement psycho-physique du milieu. (shrink)

Pierre Teilhard de Chardin's spiritual masterpiece, The Divine Milieu, in a newly-revised translation by Siôn Cowell, is addressed to those who have lost faith in conventional religion but who still have a sense of the divine at the heart of the cosmos. "The heavens declare the glory of God," sings the Psalmist. Teilhard would agree. "We are surrounded," he says, "by a certain sort of pessimist who tells us continually that our world is foundering in atheism. But should we (...) not say rather that what it is suffering from is unsatisfied theism?" He sees a universe in movement where progress is the spiritualisation of matter and its opposite is the materialisation of spirit. Teilhard opts for progress. The Divine Milieu is both the divine centre and the divine circle, the divine heart and the divine sphere. The Divine Milieu is an essay on the notion of grace. It is written for those who listen primarily to the voices of the Earth: its purpose is to provide a link to traditional Christianity (as expressed in Baptism, Cross and Eucharist) in order to demonstrate that the fears prevalent in contemporary world society as it abuses its very foundation - Mother Earth - may be better understood by the Gospel path. Teilhard's primary purpose is to show a way forward which he sees as the "Christian religious ideal". (shrink)

On examine dans cet article trois voies de l’élaboration de la question du monde : la voie historiographique empruntée par Heidegger dans la dissertation de 1929 Vom Wesen des Grundes, que l’on compare avec celle suivie par Watsuji dans le dernier chapitre de Fûdo pour le concept de « milieu humain » ; la voie historiographique suivie par Watsuji dans l’Introduction de l’ Éthique pour le concept de monde ( seken ) ; la voie comparative suivie par Heidegger dans (...) le cours de 1929-1930 Die Grundbegriffe der Metaphysik, dont on indique qu’elle déploie un problème philosophique – celui de la transposition ( Ersetzung ) – qui permet d’éclairer certaines difficultés du texte de Watsuji. (shrink)

The concept of humans as relational individuals living in a milieu can provide some solutions to various obstacles of theorization that are standing in the way of an ethics of sustainability. The idea of a milieu was developed by Tetsuro Watsuji as a web of signification and symbols. It refers to the environment as lived by a subjective relational human being and not as artificially objectified. The milieu can neither be separated from its temporal—or historical—dimension as it (...) is directly related to the “now” of perceptions and actions in the world. In other words, elements of the natural milieu can be said to have a constitutive value as they contribute to our well-being by helping us make sense of our life and our world. In their temporal and relational dimensions, Watsuji’s notions of the milieu and human being are thus directly related to the notion of sustainability. This concept offers some convincing solutions to overcoming the problem of temporal distance, by shifting the center of argumentation from unknown, passive, and biologically dependent not-yet- born people to the transmission of a meaningful historical milieu. The turning point here is that if what matters is the survival of ideal and material projects that people live for, then future generations have tremendous power over them, as the actions of those future people will determine the success or failure of the projects started by present generations. (shrink)

El siguiente artículo explora los estudios sobre biopolítica que realiza Michel Foucault referidos al espacio en base al concepto de milieu (medio). El arte liberal de gobernar no se ejerce solo sobre la población, sino también sobre el territorio donde circula y se relaciona aquella multiplicidad viva. La práctica biopolítica configura, por lo tanto, un medio en base a dispositivos de seguridad para la población puesto que esta, como especie viva, está rodeada de un entorno vital que la afecta. (...) Este artículo aborda las técnicas y transformaciones del medio desde el liberalismo clásico hasta el neoliberalismo del siglo XX. (shrink)

En référence à la mésologie ( Umweltlehre ) de Jakob von Uexküll (1864-1944), à la logique du lemme de Yamauchi Tokuryû (1890-1982) et à la « science naturelle » ( shizengaku 自然学) d’Imanishi Kinji (1902-1992), on examine ici le rapport entre hasard, contingence et nécessité dans l’évolution des espèces.

Jean-Luc Nancy is a prolific thinker, not only because of an abundant body of work—more than a hundred titles—but also and above all because his thought, in the form of an opening, encourages and invites us to think what he himself has not put into question. So it is with the category of “milieu”. This category, of which Georges Canguilhem in his time marked the contemporaneity, is more relevant today than ever. It enables us to think differently about our (...) world, and about what makes the world our world. Who makes the “we,” when we think through the “milieu”? How can we think from the relationship first and not from a primordial subject? How, therefore, can we think of another subjectivity, beyond the reflexive subjectivity of the human? This study aims to show the conditions in which Nancy’s work can contribute in a powerful way to a thought of being-together from an ecosophical point of view. (shrink)

In the past decade, the Norwegian government has emphasized user participation as an important goal in the care of mentally ill patients, through governmental strategic plans. At the same time, the governmental documents request normalization of psychiatric patients, including the re‐socialization of psychiatric patients back into society outside the psychiatric hospital. Milieu therapy is a therapeutic tool to ensure user participation and re‐socialization. Based on an ethnographic study in a long‐term psychiatric ward in a psychiatric hospital, we identified how (...) staff tried to implement user participation in their milieu‐oriented therapy work. We have identified three major tensions and challenges in implementing user participation in milieu‐therapeutic work. First, it is difficult to implement individual‐based user participation and at the same time take collective house rules and codes of conduct into consideration. Second, user participation proved a difficulty when patients’ viewpoints challenged staff judgements on proper conduct and goals for which patients might aim. Third, user participation becomes a challenge when trying to establish relationships based on equality when using milieu therapy in a biomedical hierarchical hospital structure. These tensions and challenges are seen in light of paradoxical political frames and demands on one side, and milieu therapy as a complex tradition anchored in different ideologies on the other. (shrink)

An overview of 20 years of environmental philosophy in the Netherlands.

On a tenté, à partir des Stances du milieu par excellence, de ressaisir le sens de la vacuité selon Nāgārjuna : cela supposait que l’on suspendît les croyances fondant l’attachement de l’ego à un « soi-même » tout autant qu’aux « choses ». Par là, on entrevoyait l’idée d’un milieu absolu, par lequel les phénomènes, vides de « nature propre », seraient interconnectés sans être assujettis aux formes conventionnelles de l’espace et du temps.

Some critical philosophers of race have argued that whiteness can be understood as a technology of affect and that white supremacy is comprised partly of unconscious habits that result in racialized perception. In an effort to deepen our understanding of the affective and bodily dimensions of white supremacy and the ways in which affective habits are socially produced, I look to insights from situated affectivity. Theorists in this field maintain that affective experience is not simply a matter of felt inner (...) states, but rather socially and environmentally embedded and fundamentally relational. Jan Slaby presents the concept of an ‘affective arrangement’ as a way to approach affectivity in terms of relational dynamics unfolding within a particular setting. Applying this concept to the societal level, Paul Schuetze introduces the notion of ‘affective milieu.’ I argue that these notions of ‘affective arrangement’ and ‘affective milieu,’ together with an organicist account of habit, can help to illuminate the workings of white supremacy in the United States. My proposed account highlights the extent to which white supremacy is an affective, bodily phenomenon and how racist habits are formed over the course of learning and ongoing affective engagement, in the context of various social settings. Crucially, these affective habits are fully bound up with habits of appraisal, interpretation, and judgment, and therefore inseparable from how subjects come to see and understand their world. (shrink)

Dans son Traité 29, « Sur la vision », Plotin aborde à ce propos une difficulté consistant à savoir quelle part y joue le « milieu » séparant l’objet senti de l’organe. Cette question occupe les quatre premiers chapitres du traité : afin d’y préciser le rôle du milieu dans la perception visuelle, Plotin en admet provi­soirement la nécessité, dressant au premier chapitre la liste des possibilités théo­riques envisageables à partir de cette hypothèse de travail. Afin de mieux (...) voir les étapes et les enjeux de cette argumentation dense, elliptique et à peine effleurée par les études sur la question, je l’analyse ici à la lumière de textes antérieurs por­tant sur les modalités de la sensation comme telle et sur le problème, plus géné­ral, de la transmission d’une affection à travers un milieu donné. Ces questions, abordées avant Plotin dans des cadres divers et à partir de problématiques va­riant d’un auteur à l’autre (Platon, Aristote et ses successeurs dans le Lycée, Chrysippe de Soles, Plutarque de Chéronée, Pline l’Ancien, Galien de Pergame), ont été retravaillées par Alexandre d’Aphrodise à propos d’un thème précis, pour donner lieu à un modèle original de transmission dont j’aimerais montrer qu’il est d’un apport décisif dans le Traité 29, puisqu’il donne à Plotin l’instru­ment indispensable pour, en l’approfondissant afin de mieux le dépasser, élabo­rer par là sa propre théorie de la vision, solidaire d’un processus de désaffection du milieu perceptif amorcé avant lui. (shrink)

This article approaches the challenges of the distribution of responsibility for climate change on a local level using the framework of the milieu. It suggests that the framework of the milieu, inspired by Japanese and cross-cultural environmental philosophy, provides pathways to address the four challenges of climate change (global dispersion, fragmentation of agency, institutional inadequacy, temporal delay). The framework of the milieu clarifies the interrelations between the individual, the community, and the local milieu and is open (...) to a conservative view of human communities and an inclusive view of multispecies communities. On this basis, an account of individual responsibility that is anchored in the local milieu and includes a responsibility to collaborate across milieus is developed. It consists of a forward-looking responsibility that balances a degree of contributory responsibility for one’s imprints on the milieu with a degree of capacity-responsibility that varies regarding the individual’s knowledge and powers, and the acceptability of practices within the local milieu. (shrink)

Examines Boethius's life in Italy at the time of Theoderic the Ostrogoth. It presents his background and intellectual milieu, along with the four main traditions on which he draws: Greek Neoplatonism, Latin philosophical writing, Greek Christian literature and the Latin church fathers. In addition, the chapter briefly discusses Boethius’ treatises on Music and Arithmetic.

Starting from the observation of the seriousness and recurrence of the “European crises” for more than fifteen years, this article proposes to study one of their main causes: the “midstream” that characterizes the contemporary political and institutional situation of Europe, in particular of the European Union, the eurozone and the Schengen area, that is, the unsustainable tension between, on the one hand, the irreducibly contradictory diversity of the member states of these institutions at this intermediate stage of their integration, and, (...) on the other hand, the necessity, for the overcoming of the crises, of the accomplishment of their integration into a European political unity. The main thesis of the article is that only such a unification could overcome the current crises, provided that it is open to the rest of the world, on the internal mode of hospitality and external mode of contribution to the unification of the world itself. (shrink)

Informed consent enjoys an unassailable position in both clinical and research situations as a safeguard of patients’ rights. Keeping the patient involved in the decision making process is easier when there is direct communication with the individual. The Pakistani milieu offers challenges to this process because crucial decision making is often done by family members or is left entirely up to the attending physician. There seems to be a general acceptance of this shifting of focus from the individual to (...) other players. This also raises certain ethical dilemmas for physicians who may feel uncomfortable with communication which excludes the patient or in accepting a paternalistic primary decision making role. The objective of this informal qualitative study was to ascertain physicians’ perceptions regarding the process of information delivery to the patient in the Pakistani context and the various influences acting upon it. (shrink)

Un’analisi del film di Ejzenštejn La corazzata Potëmkin – e in particolare della scena della lamentazione funebre del popolo di Odessa attorno al corpo del marinaio Vakulinčuk – offre l’occasione di riflettere intorno a una dialettica fondamentale che si instaura nella teoria e nella pratica filmica del regista russo: la dialettica fra montaggio ritmico e montaggio tonale, fra immagine-taglio (obraz-obrez) e immagine-atmosfera (obraz-sreda). Sreda significa «milieu» in tutti i sensi del termine: ciò che costituisce l’elemento materiale, seppur diafano, del (...) visibile (il medium, quindi); ciò che instaura un campo (Feld) percettivo; ciò che disegna l’ambiance nella quale abitiamo (la nostra Umwelt, o mondo-ambiente), cioè lo spazio emozionale (Stimmung) che ci sollecita dinnanzi a un’immagine. Nel caso particolare analizzato, alla lamentazione funebre dei piangenti attorno al cadavere del marinaio, che viene dettagliata dal montaggio ritmico dell’obraz-obrez, risponde quel che Ejzenštejn chiamava il «lamento delle nebbie» nel porto di Odessa: tramite un montaggio tonale, l’obraz-sreda del paesaggio si fa «risonatore psichico» che consuona e amplifica il lutto degli esseri umani, istituendo con questo una peculiare «somiglianza». L’istituzione di tale somiglianza consente a Ejzenštejn di mettere al contempo in discussione (in sintonia con le riflessioni sviluppate negli anni Venti da teorici formalisti quali Šklovskij, Ėjchenbaum, Kazanskij, Piotrovskij) la presunta specificità del medium filmico, a tutto vantaggio di un’interazione fra differenti paradigmi mediali – pittoricità, musicalità, poeticità – che si illuminano a vicenda, mostrandosi come altrettante articolazioni del ritmo. (shrink)

This essay tells the story of early French ethology—“the science dealing with the habits of living beings and their relations, both with each other and with the cosmic environment.” The driving force behind this “ethological movement” was the biologist Alfred Giard (1846–1908). The essay discusses how the ethological viewpoint of Giard and his pupils developed in a period in which the current disciplines of field biology were not yet crystallized. It also shows how concepts and research interests could travel within (...) Giard's network from one working context to another, even from one discipline to another. By studying this traveling process, the essay reveals that, unlike the modern ethology of Konrad Lorenz and Niko Tinbergen, Giard's ethology was not a discipline at all but, rather, a scientific attitude. This scientific attitude triggered a reappraisal of fieldwork, but at the same time Giard's ethology was never limited to the field alone. It also found its way to the laboratory, the museum, and the zoo. -/- . (shrink)