On the basis of both logical and physical arguments, a majority of philosophers and physicists have opted for the Block View of time in which this ‘passage’ is purely subjective. However, the feeling of the ‘passage’ of time has been left principally unaccounted for in the Block View. It is argued that there are two ways by which the (apparent) ‘passage’ of time is perceived by human beings and it is the combination of these perceptions that gives rise to the (...) deep-seated impression on the conscious mind of a ‘dynamic’ nature of time. In postulating the existence of a specific kind of intrinsic structural difference between the two orientations of time within the Block View, a basis for these two perceptions may be provided. (shrink)

This paper investigates the theme of sense and nonsense as it pertains to the phenomenological problem of “flesh.” It raises two sets of questions: 1) What is the relation of flesh to body and body to flesh? It is possible to admit the materiality of the corporeal condition while maintaining the phenomenological privilege of flesh and life? Or must one deny the privilege of flesh in favor of a more moderate “balance” of flesh and body? 2) How does the (...) phenomenality of flesh and body go together with the theological reality of the Incarnation of the Word? How is the passage into theology effected in phenomenology when it is a question of body and flesh? The article objects to Emmanuel Falque’s interpretation of Michel Henry, enters into recent scholarship relating phenomenology and cognitive science, and questions whether incarnation can be adequately described by a phenomenology in which perception is ultimate. (shrink)

The nature of experience has been held to be a major reason for accepting the A-theory of time. I argue, however, that experience does not favour the A-theory over the B-theory; and that even if the A-theory were true it would not be possible to perceive the passage of time. The main argument for this draws on the constraint that a satisfactory theory of perception must explain why phenomenal characters map uniquely onto perceived worldly features. Thus, if passage is (...) perceived, it must be explained what makes one phenomenal character rather than another a perception of passage; and it must also be explained why that phenomenal character is a perception of passage rather than of some other feature of the world. I argue that no such explanation can be given, and consequently that passage cannot be perceived. I conclude that the A-theory is rendered unintelligible, and should therefore be rejected. (shrink)

In this paper I argue that Wittgenstein's aim in the aspect-perception passages is to critically evaluate a specific hypothesis. The target hypothesis in these passages is the Gestalt psychologist Köhler's "isomorphism principle." According to this principle, there are neural correlates of conscious perceptual experience, and these neural correlates determine the content of our perceptual experiences. Wittgenstein's argument against the isomorphism principle comprises two steps. First, he diffuses the substantiveness of the principle by undermining an important assumption that (...) underpins this principle, namely, that there is a unitary concept of seeing. Next, Wittgenstein argues that some forms of aspect-perception involve recognitional capacities, the exercise of which is normatively constrained. The normative nature of aspect-perceiving plays a pivotal role in Wittgenstein's rejection of the isomorphism principle. Aside from the clear exegetical benefits gained from identifying the target hypothesis in the aspect-perception passages as the isomorphism principle, construing the remarks in the way suggested here is also philosophically interesting in its own right: it shows Wittgenstein engaging directly in the mind–body problem, construed as the problem of intentionality. (shrink)

I introduce a perceptual phenomenon so far overlooked in the philosophical literature: ‘visual evanescence’. ‘Evanescent’ objects are those that due to their structured visible appearances have a tendency to vanish or evanesce from sight at certain places and for certain ‘biologically apt’ perceivers. Paradigmatically evanescent objects are those associated with certain forms of animal camouflage. I show that reflection on visual evanescence helps create conceptual room for a treatment of looks statements not explicit in the contemporary literature, one which takes (...) its cue from the relatively neglected philosophy of perception of G.E.M. Anscombe. In sensory contexts in which evanescence is known to have occurred, the use of ‘looks invisible’ seems to be intelligible, a fact that sensationalist and objectivist treatments of the nature of looks, as I call them, cannot obviously accommodate - at least, as I explain, when coupled with what Cora Diamond (1981) describes as a ‘natural’ understanding of nonsense. Focusing on a number of imaginative scenarios in which the statement ‘looks invisible’ is permissible, I oppose these ontological treatments with the grammatical approach I draw from Anscombe and in doing so I uncover a degree of unity across the cases I consider: something can intelligibly be said to ‘look invisible’ if one can see or appears to see the entirety of the region that the ‘invisible’ thing occupies. The region ‘looks empty’ but is full. (shrink)

The Heythrop Journal, Volume 63, Issue 4, Page 520-530, July 2022.

In 1968 E.K. Borthwick, with a brilliant conjecture, cleared up a passage from Aristophanes’Peacethat had been considered ‘nonsense’ since antiquity. ‘Bell goldfinch’ (κώδων ἀκαλανθίς) the line seemed to be saying: a jumbled idea at best, gibberish at worst (1078). The scholium reads ad loc.: ταῦτα δὲ πάντα ἐπίτηδες ἀδιανοήτως ἔφρασεν, ‘all this is said as deliberate nonsense’, and later scholars generally follow suit (W.W. Merry, for example, in his 1900 edition ofPeacerefers to the line as ‘magnificent nonsense’). (...) But Borthwick showed that this was not the case: ‘even nonsense expressions in Aristophanes’, he writes, ‘are not haphazard collocations of incongruous words signifying nothing’. What, then, to do with the ancient scholar (and those later ones) who failed to understand the passage, claiming it instead to be ‘nonsense’? (shrink)

I offer an interpretation of Wittgenstein's claim that Russell's theory of judgment fails to show that it's not possible to judge nonsense.

The author is engaged in a research and development project that intends to extend direct perception to spectra that are not now available to humans. This effort might be understood as an attempt to provide an additional sense modality, to magnetic fields, for example. Contemporary understandings of the senses are examined, critiqued and rejected as the basis for further work. Perception is not dependent upon senses as commonly understood, instead, embodied cognition and skill-based theories of perception are (...) used as a guide to enable development. (shrink)

There are currently two readings of Tractatus, the metaphysical and the therapeutic. I argue that neither of these is satisfactory. I develop a third reading, the elucidatory reading. This shares the therapeutic interpretation’s emphasis on the idea that Wittgenstein’s remarks are intended to work on the reader, but instead of seeing these remarks as directed (problematically) at revealing their own nonsensical status, I take the remarks to be aimed at bringing a certain order to the reader’s perception of language. (...) The point of this order, and the only test of it, is that it enables the philosophical problems to disappear. In particular, it dispels philosophical puzzlement concerning the status of logic, the relation between language and the world, and the relation between thought and language. (shrink)

This paper is for the purpose of clarify that perception is a conscious act through Bergson’s theory of images and perception in Matter and Memory. And yet this ‘act’ is not a pure action of consciousness or of sprit, which is transcendental from the reality and composes or recomposes it. That is, our perception is not pure knowledge. A pure conception is unconscious one, which takes place infinitely within the system of matter that is an ‘aggregate of (...) images’ in which all the elements act and react upon one another according to the law of nature. This system is excentric. On the contrary, the consciousness comes into being in themoment when these unlimited actions/reactions are limited and with choice, that is, when the passage from the ‘immediate’ to ‘useful’ in done. Therefore an activity of consciousness is already a practice of life. However, this perception as act reveals at the same time a proper capacity to subject/being, in that it forms a realm of subjectivity and creates its own field of perception, which are not reducible to the movement or nature of matter, so are different system from matter, every moment through memory. (shrink)

Cora Diamond is among the most influential Wittgenstein commentators of recent years. One of her memorable contributions to the literature is her colorful characterization of some of the Tractatus interpretations she disagrees with – she calls them “chickening out” interpretations. “Chickening out” interpretations are ones which acknowledge Wittgenstein’s claim at 6.54 that his propositions are nonsense, but still hold that there is a deep sense in which Wittgenstein’s nonsense shows us something about reality, even if it does not (...) say anything. On Diamond’s view, the idea that there is something shown about reality which cannot be expressed is itself part of what we are meant to discard when we recognize the Tractarian propositions as nonsense. Discarding this idea of showing is part of what it means to “throw away the ladder after [we have] climbed up it” (6.54). But 6.54, the passage in the Tractatus which serves as a focus for Diamond’s austere reading of nonsense, also points out what may be a problem for Diamond.Wittgenstein begins that passage by remarking that his “propositions serve as elucidations”. Can Diamond’s account of nonsense make room for the idea that Tractarian nonsense is elucidatory? I will consider two aspects of Diamond’s reading, and show how they are in tension. To begin, I will discuss her general account of nonsense in more detail. Then, I will look at her account of nonsense as elucidatory, focusing on the concrete examples she uses to explain what it means for nonsense to elucidate. I will argue that her general account of nonsense makes her account of how nonsense elucidates problematic. (shrink)

In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary events (...) unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown. (shrink)

Begins with a presentation and elaboration of Benacerraf's epistemic challenge to realism: how can we gain knowledge of an acausal world of non‐spatio‐temporal abstracts? I then outline a theory of perception based in part on neurological theories of Hebb and developmental evidence from Piaget, and I argue in these terms that we can, in fact, perceive sets of medium‐sized physical objects. This account of perception is elaborated into an account of physical and mathematical intuition, faculties that produce various (...) rudimentary beliefs that underlie the simplest physical and set theoretic assumptions. I conclude by comparing and contrasting this epistemology with some controversial passages from Gödel's writings. (shrink)

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I (...) demonstrate that some interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one’s own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person’s capacities. This is problematic because the Zhuangzi does not point to another world – in a two worlds theory – where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one’s perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)

In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary events (...) unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown. (shrink)

This paper considers the place of the capacity for sense perception in Plato's tripartite soul. It argues, against a common recent interpretation, that despite being a capacity of the soul's appetitive part, sense perception is not independent of the soul's rational capacities. On the contrary, the soul's ability to recognize the content that it receives through sense perception depends upon the objects and the activity of its rational capacities. Defending a position of this sort requires one to (...) suppose that despite its partition, the soul, for Plato, is, with respect to the activities of its various parts, substantially unitary. There are however passages in Plato that suggest that the capacities of the non-rational soul parts, in general, and sense perception, in particular, enjoy a certain degree of autonomy and independence from reason such that they, without the input of reason, can form beliefs about, and act on the basis of, their content. These passages have been read as belying this supposition. In this paper, however, I argue that these passages are perfectly consistent with the idea that the content of the non-rational capacities of the soul depends, for its intelligibility, on the soul's rational capacities. (shrink)

I discuss some reservations about the exegetical power of the claim that the Tractatus is “anti-metaphysical.” The “resolute” reading has the virtue of fidelity to important and neglected features of the work, both its anti-metaphysical moves and its account of the nature of the activity of philosophy and its status. However, its proponents underestimate the barriers to maintaining a consistent fidelity to these features of the text. The image of a ladder suggests a mere instrumental means to arrive at a (...) place that can itself be characterized independently of our means of arrival; where we arrive via the process of the TLP is the conclusion of an argument, and so cannot be characterized independently of the argument that got us there. In his commitments about the process of logical analysis “within language,” he strives as much as in his statements about the world to return us to our ordinary ways of talking and making sense of what we say to one another. Given the internal relationship Wittgenstein is at pains to emphasize between language, thought, and reality, he could hardly have philosophical commitments about one of these terms (have a residual metaphysics of language) and isolate this from how he thinks about the others. In a discussion of “Senator, you’re no Jack Kennedy” and “Chairman Mao is rare,” I argue that, pace Conant and Diamond’s claims to the contrary, logical categories are being invoked to explain why one cannot mean what one thinks one means in this phrase, and that Wittgenstein is both more anti-metaphysical in his treatment of these logical categories (in contrast with Frege) than the resolute readers consider him to be, and less successful in his treatment of how logical categories rule our judgments of sense and nonsense than they imply he is. Finally, I question the sharp boundary between logic and psychology and the “claustrophobic” feel that is created by a narrow construal of what one can make sense of in another’s words and person that underwrites their account of nonsense via a conflict between the meaning words can contain and our confused desires. Throughout, I discuss relevant passages of the Investigations that resolute readers treat as a re-expression of the themes of the Tractatus, to contrast the “anti-metaphysical” treatment these themes express in the Tractatus with the less dogmatic treatment they receive in the Investigations. (shrink)

The passage of time seems to be a fundamental aspect of experience. However, most descriptions of the passage of time itself are incompatible with the four-dimensional block universe model of space and time, in which time is extended like space, and all states of affairs exist equally and eternally in this varied tapestry of space and time. The tension between temporal passage and the block universe seems to leave one with the option of either abandoning the block universe in favor (...) of a metaphysics that can accommodate our experience, or holding that this experience of passage is illusory. I argue for a third option: that we have certain dynamic experiences, which lend themselves to the view that time passes, those dynamic experiences can be accounted for within the block universe model without any additional mechanism, and those dynamic experiences are not illusory, but veridical. (shrink)

La définition du beau en termes de « perception des rapports » obéit-elle à une raison simplement contextuelle – l’expression est à la mode en cette première moitié du XVIIIe siècle – ou répond-elle à une exigence proprement philosophique? Elle doit être resituée dans le contexte du débat entre Rameau et Rousseau sur l’origine du plaisir esthétique dans le domaine musical. Par l’idée de « perception des rapports », Diderot veut maintenir une objectivité du beau tout en prenant (...) en considération son contexte de perception. Contrairement aux apparences, ce thème de la « perception des rapports » n’est pas abandonné lorsque Diderot aborde le plaisir esthétique dans le domaine pictural. Le passage de la musique à la peinture justifie le passage d’une théorie des rapports à la théorie des proportions – ne rendant toutefois pas caduque la définition du beau par le jeune Diderot des années 1740-1750. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Perceptions of Exile in Cicero: The Philosophical Interpretation of a Real ExperienceEmanuele Narducci1Dolor is a keyword in Ciceronian oratory: a direct and explicit token of deep emotional involvement, the term underlines the display, through the performance of the orator, of the psychological and moral suffering which lends credibility to the passion in his words, to his outbursts of indignation and to his appeals to pity. 1 Antonius insists on (...) this point when recalling the tones of dramatic pathos to which he had recourse in his defence of Aquilius: non fuit haec sine meis lacrumis, non sine dolore magno miseratio omniumque deorum et hominum et civium [...]. Si dolor afuisset meus, non modo miserabilis, sed etiam inridenda fuisset oratio mea (De oratore 2.196). Not unlike Antonius, Cicero himself explains his own surpassing skill in delivering moving perorationes: ut viderer excellere non ingenio sed dolore assequebar (Orator 130).From such statements it is quite clear that in the law courts the rhetorical manoeuvre is not unusual whereby the orator, in the most emotionally charged passages, displays to the judges the dolor which inspires his words. 2 In this show of emotions Cicero saw something both [End Page 55] akin to that staged by actors in the theatre and at the same time something very different. The difference, as Antonius once again stresses in De oratore 2.194, lies in the fact that the orator does not play another’s role, but enacts his own part (neque actor sum alienae personae, sed auctor meae). 3The definition of the orator as an auctor personae suae perhaps fits none of Cicero’s speeches better than De domo sua. In this address he speaks not as a patronus to defend another, but to claim his own property and the right to take his place once again and fully at the heights of Roman society after the humiliation of his exile. 4 We can therefore believe what, shortly after delivering the speech, he writes to Atticus about the genuineness of the feelings which dictated his words: secuta est summa contentio de domo. Diximus apud pontifices pridie K. Octobres. Acta res est accurate a nobis, et, si umquam in dicendo fuimus aliquid, aut etiam si numquam alias fuimus, tum profecto dolor reique magnitudo vim quandam nobis dicendi dedit (Ad Atticum 4.2.2).Throughout De domo sua, Cicero makes a show of still bearing in his heart the marks of that same suffering with which in 58 he had faced parting from Rome and his dear ones, and confronted his later wanderings before the long-awaited recall. But what he actually provides us with in this speech is a reinterpretation of his personal experience of exile ably aimed at restoring his auctoritas, his prestige and his overall political image. 5 For this reason the low spirits, dejection, and discouragement which had distinguished the period of his exile (and which are attested in much of his correspondence) undergo a profound transformation. In De domo sua and even earlier in the Post reditum speeches, the decision to abandon Rome without facing the struggle with Clodius is presented not as being determined by anguish and an awareness of his [End Page 56] own political isolation, but as the result of a rationally considered choice, and one based on the certainty that resorting to armed defence would have quickly thrown the city into a state of chaos. Cicero describes his departure in the terms of a sacrifice, of an out and out devotio on behalf of the res publica and all the boni. He drives home the utter untimeliness of a conflict which would have ranged Gabinius and Piso on the side of the improbi and probably given rise to a social upheaval, with the Roman state being handed over to the slaves. This argument, which plays upon an atavistic fear felt by the ruling classes, is often used by Cicero in his attacks on Clodius. 6As we shall see more clearly later, Cicero’s philosophical studies have had a considerable influence on the formation of this rhetoric of the struggle’s abandonment and on its general coloring. But what is the philosophy that can be glimpsed... (shrink)

The project of my dissertation was to advance the metaphysical debate about temporal passage, by relating it to debates about the perceptual experience of time and change. It seems true that we experience temporal passage, even if there is disagreement whether time actually passes, or what temporal passage consists in. This appears to give the defender of dynamic time an advantage in accounting for our experience. I challenge this by arguing that no major account of temporal perception can accommodate (...) experiences of temporal passage such that we could infer passage from them. This shows that static theories of time are at no disadvantage in accounting for the phenomenology of temporality. The conclusion has far reaching consequences: for instance, an important motivation for holding an A-theory of time is precisely the psychological intuition that we experience temporal passage. By undermining that intuition, I undermine the motivation for holding an A-theory. (shrink)

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I (...) demonstrate that some interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one's own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person's capacities. This is problematic because the Zhuangzi does not point to another world–in a two worlds theory–where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one's perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)

Does time seem to pass, even though it doesn’t, really? Many philosophers think the answer is ‘Yes’—at least when ‘time’s passing’ is understood in a particular way. They take time’s passing to be a process by which each time in turn acquires a special status, such as the status of being the only time that exists, or being the only time that is present. This chapter suggests that, on the contrary, all we perceive is temporal succession, one thing after another, (...) a notion to which modern physics is not inhospitable. The contents of perception are best described in terms of ‘before’ and ‘after’, rather than ‘past’, ‘present, and ‘future’. (shrink)

This book argues that Augustine assimilated the Stoic theory of perception and mental language (lekta/dicibilia), and that this epistemology underlies his accounts of motivation, affectivity, therapy for the passions, and moral progress. Byers elucidates seminal passages which have long puzzled commentators, such as Confessions 8, City of God 9 and 14, Replies to Simplicianus 1, and obscure sections of the later ‘anti-Pelagian’ works. Tracking the Stoic terminology, Byers analyzes Augustine’s engagement with Cicero, Seneca, Ambrose, Jerome, Origen, and Philo (...) of Alexandria, demonstrating that Augustine appropriated Stoicism with greater sophistication than other religious writers. She also shows how he moved beyond the Stoics by enriching Stoic cognitivism with Platonic motivational theory, arguing that Augustine created a coherent synthesis. This newly discovered Augustinian moral psychology has elements that contemporary philosophers and psychologists have identified as important. (shrink)

Elsewhere I have suggested that the B-theory includes a notion of passage, by virtue of including succession. Here, I provide further support for that claim by showing that uncontroversial elements of the B-theory straightforwardly ground a veridical sense of passage. First, I argue that the B-theory predicts that subjects of experience have a sense of passivity with respect to time that they do not have with respect to space, which they are right to have, even according to the B-theory. I (...) then ask what else might be involved in our experience of time as passing that is not yet vindicated by the B-theoretic conception. I examine a recent B-theoretic explanation of our ‘illusory’ sense of passage, by Robin Le Poidevin, and argue that it explains away too much: our perception of succession poses no more of a problem on the B-theory than it does on other theories of time. Finally, I respond to an objection by Oreste Fiocco that a causal account of our sense of passage cannot succeed, because it leaves out the ‘phenomenological novelty’ of each moment. (shrink)

The paper focuses on a discussion about McDowell’s "conceptualist" interpretation of Kant’s theory of experience, as one in which all representational content is identified with conceptual content. Both in Mind and WorldM and in his Woodbridge Lectures, McDowell furthers a reading on which the "picture of visual experiences as conceptual shapings of visual consciousness is already deeply Kantian", supporting it with Kant’s famous claim from the A51/ B75 passage of the Critique of Pure Reason, which can be called a Cooperation (...) Thesis. However, much indicates that McDowell’s reading is, if not altogether false, then at least one-sided. In the "Transcendental Aesthetic", as well as in some of the pre-Critical writings , Kant presented a range of arguments for a subjective, non-discursive character of space and time, i.e. the forms of sensible intuition and pure intuitions themselves, underlying all conceptual cognition, and providing a non-conceptual basis for a special kind of synthetic a priori cognition . This allows us to conclude that he would rather take the side of the contemporary “nonconceptualists”, and could be regarded as their predecessor, to use R. Hanna’s formulation. On this reading of the Kantian theory of empirical cognition, intentionality is independent of and prior to any application of concepts to the objects of experience. (shrink)

We argue that the view that we misperceive time as passing is self-undermining.

In lieu of an abstract, here is a brief excerpt of the content:Perception of the Self George S. Pappas Differences of detail aside, we may think ofboth Locke and Berkeley as accepting the same view of the mind. They agree that there are minds, and that each mind is a simple, immaterial substance. Sometimes the word 'soul' is used instead of'mind'; but in this context, the different terminology is not consequential. Moreover, Locke and Berkeley employ essentially the same argument (...) for their shared view about minds. More exactly, they use the same argument for the limited thesis that there is something distinct from perceptions and from ideas perceived, and that this somethingis aperceiver, or that which perceives. The argument, given in more detail below, claims that we are aware ofour own minds in, or while we are engaged in, perception. The kind ofawareness is said to be or to involve a reflex act, a concept we associate with Berkeley, though I think it is one he appropriated from Locke. Hume, ofcourse, rejects the view ofLocke and Berkeley. He rejects the very notion of an immaterial mind or soul, finding it to be meaningless. And he rejects as well the limited thesis that there is something which perceives and which is distinct from all perceptions. In this paper I will restrict attention to Hume's arguments for rejecting the limited thesis. 1. Rejection ofthe limited thesis Hume investigates the limited thesis of Locke and Berkeley in the well-known section ofthe Treatise which deals with personal identity (Treatise 1.4.6). Here is how he expresses the view of "some philosophers": Theke are some philosophers, who imagine we are every moment intimately conscious of what we call our SELF; that we feel its existence and continuance in existence; and are certain, beyond the evidence of a demonstration, both of its perfect identity and simplicity. The strongest sensation, the most violent passion, say they, instead of distracting us from this view, only fix it the more intensely, and make us consider their influence on selfeither by their pain or pleasure.1 Thus, Hume represents the argumentofthosehe opposes as containing two premises: Volume XVIII Number 2 275 GEORGE S. PAPPAS (1)In perception, one is aware ofone's self, and aware ofthe simplicity of the self. (2)In being thus aware of the self and its simplicity one gains an idea of a simple self. These premises, in turn, support a double conclusion: (3)There are simple selves (minds). (4)We have an idea of a simple self(mind). Hume does not take the trouble to cite the second premise given here in the passage I have quoted, butitis clear that he has it in mind, since he proceeds directly to a criticism of it. The criticism is quite familiar inform, encapsulatingwhat I call aderivabilityargument. Here is what Hume says: all these positive assertions are contrary to that very experience, which is pleaded for them, nor have we any idea of self, after the manner it is here explain'd. For from what impression cou'd this idea be deriv'd?... It must be some one impression, that givesrise toeveryreal idea. But selfor person is not any one impression, but that to which our severahmpressionsandideas are suppos'd to have areference. Ifany impression gives rise to the idea ofself, that impression must continue invariably the same, thro' the whole course of our lives; since self is suppos'd to exist after that manner. (T 251) He is also sharply critical ofthe first premise. Hume says: when I enter most intimately into what I call myself, I always stumble on some particularperception orother, ofheatorcold, light or shade, love or hatred, pain or pleasure. I never can catch myselfat any time without a perception, and never can observe any thing but the perception. (T 252) So, minimally, Hume's arguments amount to this: (1) is false; hence, we have nogroundforclaiming(3). Similarly, (2) is false, so that we have no ground for claiming (4). Actually, of course, Hume asserts stronger claims, maintaining that (3) and (4) arefalse, and not merely that we lack adequate support forthem. Buttoshowtheirfalsityrequires additional argumentbeyond whatis providedin the above-quoted passages. Here I will not consider those additional arguments, except to note... (shrink)

“Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world’s varied ways of affording itself.” —from _Thought in the Act _Combining philosophy and aesthetics, _Thought in the Act_ is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi “think through” a (...) wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art. Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers’ self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. _Thought in the Act_ enacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics. (shrink)

Investigation of the Percept is a short work that focuses on issues of perception and epistemology. Its author, Dignaga, was one of the most influential figures in the Indian Buddhist epistemological tradition, and his ideas had a profound and wide-ranging impact in India, Tibet, and China. The work inspired more than twenty commentaries throughout East Asia and three in Tibet, the most recent in 2014.This book is the first of its kind in Buddhist studies: a comprehensive history of a (...) text and its commentarial tradition. The volume editors translate the root text and commentary, along with Indian and Tibetan commentaries, providing detailed analyses of the commentarial innovations of each author, as well as critically edited versions of all texts and extant Sanskrit fragments of passages. The team-based approach made it possible to study and translate a corpus of treatises in Sanskrit, Tibetan, and Chinese and to employ the methods of critical philology and cross-cultural philosophy to provide readers with a rich collection of studies and translations, along with detailed philosophical analyses that open up the intriguing implications of Dignaga's thought and demonstrate the diversity of commentarial approaches to his text.This rich text has inspired some of the greatest minds in India and Tibet. It explores some of the key issues of Buddhist epistemology: the relationship between minds and their percepts, the problems of idealism and realism, and error and misperception. (shrink)

The article focuses on an unexamined so far aspect of byzantine philosophy, namely the influence of Arabic philosophy upon byzantine thinkers. Despite the vicinity of Byzantium and Arabic territories, the philosophical interactions were minimal. Scholarios claimed, in a dedicatory epistle to Constantine Paleologus (1405-1453), that he had studied the treatises of Avicenna, Averroes, and other Arab and Persian philosophers. He admitted that Averroes was beyond doubt the best commentator of Aristotle. Scholarios acknowledged that the study of the Arabs contributed immensely (...) to his philosophical education and particularly to the proper understanding of the Aristotelian philosophy (Scholarios, vii.1-6). Scholarios aimed at the enrichment and renewal of Byzantine philosophy. Besides his high esteem for Arabic philosophy, he devoted a large part of his life translating and paraphrasing the Scholastics, especially Aquinas. Despite Scolarios’ claim about his erudition on the Arab and Persian philosophers, a detailed examination of his works proves that in most cases he simply reproduced and incorporated sections from Aquinas’ works, without resorting to the original sources. Scholarios’ references to the Arabs are multiplied in his translations and compendia of Aquinas’ works, but are reduced significantly in his original texts. Frequently Scholarios refrained from mentioning the Arab philosophers, despite the fact that he commented on Aquinas’ passages, which are dedicated to Avicenna or Averroes. On the contrary, Scholarios did not avoid mentioning in detail Aquinas’ Christian or ancient Greek sources. It is obvious that Scholarios did not have a consistent approach towards Arabic philosophy. Most of the times he reproduced loosely Aquinas’ passages, where the latter commented on the Arabs. (shrink)

There is little doubt that we perceive the world as tensed—that is, as consisting of a past, present and future each with a different ontological status—and transient—that is, as involving a passage of time. We also have the ability to execute precisely timed behaviors that appear to depend upon making correct temporal judgments about which changes are truly present and which are not. A common claim made by scientists and philosophers is that our experiences of entities enduring through transient changes (...) are illusory and that our apparently accurately timed behaviors do not reflect dynamical time. We argue that our experiences of objects enduring through transient changes need not be thought of as illusory even if time is not dynamic at the fundamental level of reality. For, the dynamic properties we experience objects as having need not be fundamental properties. They could be weakly emergent from static, temporal properties. Temporal properties, on this view, are similar to ordinary properties like that of being solid, which are correctly experienced as properties of medium-sized material bodies even though they are not instantiated at the fundamental level of reality. (shrink)

This paper discusses the role of innate concepts derived from Intellect in Plotinus’ account of cognition of the sensible realm. Several passages have been claimed as evidence for such innateness, but an analysis of them shows that they do not support this claim. It is tentatively suggested that, nevertheless, some very general concepts such as difference, sameness and being are integral to the faculty of sense and play a crucial role in concept formation. It is further argued that reasoning (...) about the sensible realm takes place to a large extent without the involvement of the higher realms of Plotinus’ hierarchy of being. Clearly, however, for value concepts such as those of goodness, justice and beauty human beings are dependent upon an illumination from Intellect. (shrink)

The present study examined whether cinematographic editing density affects viewers’ perception of time. As a second aim, based on embodied models that conceive time perception as strictly connected to the movement, we tested the hypothesis that the editing density of moving images also affects viewers’ eye movements and that these later mediate the effect of editing density on viewers’ temporal judgments. Seventy participants watched nine video clips edited by manipulating the number of cuts (slow‐ and fast‐paced editing against (...) a master shot, unedited condition). For each editing density, multiple video clips were created, representing three different kinds of routine actions. The participants’ eye movements were recorded while watching the video, and the participants were asked to report duration judgments and subjective passage of time judgments after watching each clip. The results showed that participants subjectively perceived that time flew more while watching fast‐paced edited videos than slow‐paced or unedited videos; by contrast, concerning duration judgments, participants overestimated the duration of fast‐paced videos compared to the master‐shot videos. Both the slow‐ and the fast‐paced editing generated shorter fixations than the master shot, and the fast‐paced editing led to shorter fixations than the slow‐paced editing. Finally, compared to the unedited condition, editing led to an overestimation of durations through increased eye mobility. These findings suggest that the editing density of moving images by increasing the number of cuts effectively altered viewers’ experience of time and add further evidence to prior research showing that performed eye movement is associated with temporal judgments. (shrink)

Interpreters of Locke’s Essay are divided over whether to attribute to him a Representational Theory of Perception (RTP). Those who object to an RTP interpretation cite (among other things) Locke’s Book IV account of sensitive knowledge, contending that the account is incompatible with RTP. The aim of this paper is to rebut this kind of objection – to defend an RTP reading of the relevant Book IV passages. Specifically, I address four influential assumptions (about sensitive knowledge) cited by (...) opponents of an RTP interpretation and argue that in each case the assumption is false. (shrink)

Women in North America have many childbirth options. However, they must make these choices within a complex culture of birthing discourse characterized by competing knowledges and claims regarding the “ideal birth” as medicalized, natural, or woman centered. We interviewed 21 childless women and 22 new mothers to explore their perceptions of choice and birthing. The women’s interviews indicated that their birthing choices are reflective of tensions embedded in normative femininity; conflicting ideas relating to purity, dignity, and the messiness of birth; (...) and contradictions about women’s bodies as heteronormative sites of pleasure and sexuality on one hand and of asexual, selfless sources of maternal nurturance on the other. Finally, the women’s views reflected understandings of moral and normative constructs about selflessness as a core attribute of femininity and motherhood, particularly in terms of enduring pain as the “proper” means of accomplishing the rite of passage to motherhood. Although all the women described tensions between femininity and motherhood, childless women were more likely than mothers to be worried about achieving ideal, heteronormative sexuality and femininity. Likewise, women who have not yet had children and women who have experienced unplanned C-sections were more likely than those who experienced vaginal births to express that C-section births fail to fully accomplish women’s rite of passage to motherhood. (shrink)

In this paper, I examine several key issues relating to the definition of knowledge as perception in the first part of Plato's Theaetetus. I begin by explaining the workings of the ‘secret doctrine’ of perception, which is introduced in order to support the idea that perception is incorrigible, and then turn to examine the two refutations of the definition of knowledge as perception which appear at the end of the first part of the Theaetetus. I shall (...) present and explain distinct lines of interpretation pertaining to these passages and explore the consequences they attempt to draw regarding Plato's views on the perceptual world, the nature of perception and how these bear on his conception of knowledge. (shrink)

This chapter evaluates the use of rabbinic literature in the study of the history of Christianity in Roman Palestine. It explains that this issue goes back to medieval Jewish-Christian controversy and intertwines with the whole history of the reception of the Talmud in Europe and the western world. It suggests that the view that Christians are most often envisaged in the rabbinic references to minim is consistent with the likelihood that Christianity is envisaged in a number of rabbinic and targumic (...) passages which do not mention minim. (shrink)

A number of recent studies have examined the effects of phonological variation on the perception of speech. These studies show that both the lexical representations of words and the mechanisms of lexical access are organized so that natural, systematic variation is tolerated by the perceptual system, while a general intolerance of random deviation is maintained. Lexical abstraction distinguishes between phonetic features that form the invariant core of a word and those that are susceptible to variation. Phonological inference relies on (...) the context of surface changes to retrieve the underlying phonological form. In this article we present a model of these processes in speech perception, based on connectionist learning techniques. A simple recurrent network was trained on the mapping from the variant surface form of speech to the underlying form. Once trained, the network exhibited features of both abstraction and inference in its processing of normal speech, and predicted that similar behavior will be found in the perception of nonsense words. This prediction was confirmed in subsequent research (Gaskell & Marslen-Wilson, 1994). (shrink)

This paper investigates the mathematical representation of time in physics. In existing theories time is represented by the real numbers, hence their formal proper- ties represent properties of time: these are surveyed. The central question of the paper is whether the existing representation of time is adequate, or whether it can or should be supplemented: especially, do we need a physics incorporating some kind of ‘dynamical passage’ of time? The paper argues that the existing mathematical framework is resistant to such (...) changes, and might have to be rejected by anyone seeking a physics of passage. Then it rebuts two common arguments for incorporating passage into physics, especially the claim that it is an element of experience. Finally the paper investigates whether, as has been claimed, ‘causal set theory’ provides a physics of passage. (shrink)

Dans cet article, nous nous proposons d?établir une analyse comparative entre l?approche de la notion de schéma corporel dans la Phénoménologie de la perception 1 et dans les Cours de Sorbonne , réalisés entre 1949 et 1952, et dédiés, surtout, à la psychologie de l?enfant. Dans la Phénoménologie de la perception , Merleau-Ponty critique le caractère associationiste qui a marqué l?émergence de la notion de schéma corporel dans la neuropsychiatrie au passage du xix e au xx e siècle. (...) Pour le philosophe, le sens vraiment fructueux de ce dispositif repose dans son caractère intentionnel. Merleau-Ponty opère une désubstantialisation de la notion concernée. De représentation ou de no­yau cognitif organisateur de notre expérience corporelle, elle passe à fonction pré-cognitive, expression de la perméabilité des parties de notre corps les unes en relation aux autres, et, également, de la perméabilité du corps au monde et à autrui. Après la Phénoménologie de la perception , cette perméa­bilité sera pensée de plus en plus dans les termes d?une « proximité vertigi­neuse » entre nous et les objets, entre nous et autrui. Le passage, que réalise Merleau-Ponty, de l?idée d?incarnation à la conception de chair commence à être conçu dans la période entre 1945 et 1952, et se nourrit de discussions concernant la corporéité à l?intérieur, principalement, de la psychologie de l?enfant et de la psychanalyse, ainsi. (shrink)

What does it mean to say that music perception is nonconceptual? As the passages from Meyer and Budd illustrate, one frequently encounters claims of this kind: it is often suggested that there is a level of perceptual contact with, or understanding or enjoyment of, music—one in which listeners typically engage—that does not require conceptualization. But just what does a claim of this sort amount to, and what arguments may be adduced for it? And is all musical hearing nonconceptual, (...) or are there ways of enjoying fugues and sonatas that do involve conceptualizing cadences and contrapuntal devices? If the latter, how are we to conceive of the relationship between conceptual and nonconceptual ways of hearing? (shrink)