Comment on David Papineau's _The Metaphysics of Sensory Experience_.

It is very natural to suppose that conscious sensory experience is essentially representational. However this thought gives rise to any number of philosophical problems and confusions. I shall argue that it is quite mistaken. Conscious phenomena cannot be constructed out of representational materials.

In this paper I want to explore the nature of phenomenal concepts by comparing them with perceptual concepts. Phenomenal concepts have been drawn to the attention of philosophers by recent debates in the philosophy of mind. Most obviously, their existence is demonstrated by Frank Jackson’s thought-experiment about Mary, the expert on the science of colour vision who has never had any colour experiences herself. It is widely agreed that, when Mary does first see something red, she acquires a new concept (...) of red experiences, distinct from any of her previous scientific concepts of such experiences. This new mode of reference is an example of a phenomenal concept. Recent interest in phenomenal concepts is independent of views about the ontological significance of Jackson’s Mary argument. Thus phenomenal concepts are acknowledged both (a) by ontological dualists who take the Mary argument to demonstrate the non-physicality of conscious phenomena and (b) by physicalist monists who insist that Mary’s new concept refers to nothing but a material state that she could always refer to using her old scientific concepts. How then do phenomenal concepts work? Here there is far less consensus. Among those who trade in phenomenal concepts, some take them to be sui generis (Tye, 2003, Chalmers, 2003), while others have variously likened them to recognitional concepts (Loar, 1990), to demonstratives (Horgan 1984, Papineau 1993, Perry 2001), or to quotational terms (Papineau 2002, Balog forthcoming). In my Thinking about Consciousness (2002), I developed a ‘quotational-indexical’ of phenomenal concepts account on roughly the following lines. To have a phenomenal concept of some experience, you must be able introspectively to focus on it when you have it, and to.... (shrink)

I am grateful to Laura Gow for her generous and illuminating comments. I will focus on her queries, as this will allow me to elaborate on some points that were treated rather quickly in the book. Gow challenges me on three points. (1) Does my central argument against representationalism about perception commit me to an overly abstract view of properties? (2) What does my view imply about the representational contents of beliefs prompted by sensory experiences? (3) Do I do sufficient (...) justice to the way sensory experience seems representational? I shall consider these in turn. (shrink)

In the contemporary discussions concerning unconscious perception it is not uncommon to postulate that content and phenomenal character are ‘orthogonal’, i.e., there is no type of content which is essentially conscious, but instead, every representational content can be either conscious or not. Furthermore, this is not merely treated as a thesis justified by theoretical investigations, but as supported by empirical considerations concerning the actual functioning of the human cognition. In this paper, I address unconscious color perception and argue for (...) a negative thesis—that the main experimental paradigms used in studying unconscious color perception do not provide support for the position that conscious and unconscious color representations have the same type of content. More specifically, I claim that there is no significant support for the claim that unconscious vision categorically represents surface colors. (shrink)

Charles Landesman deals with the philosophical problems of perception and with the status of color properties and he comes to the surprising conclusion that nothing at all has any color, that colors do not exist. In making the case for his "color skepticism," Landesman discusses and rejects historically influential accounts of the nature of secondary qualities-such as those of Locke, Reid, Galileo, and Hobbes-as well as the more recent work of Kripke, Grice, and others.Philosophers have debated whether (...) colors are real qualities of bodies, merely dispositional properties, or mental entities caused by the impact of light upon the visual system. The author argues that none of these alternatives can be adequately defended and that they all assume that a correct theory of color must preserve, to some extent, our commonsense beliefs. Instead, Landesman defends a view called color skepticism, that nothing has any color, neither bodies nor appearances. Since this view is based upon an argument that includes certain empirical premises, he distinguishes it from the radical skepticisms about the external world identified with the thought of Descartes and Hume.Color and Consciousness treats an area of philosophy that is currently of great interest to those concerned with the theory of knowledge, metaphysics, the philosophy of mind, and the psychological theory of perception. Author note: Charles Landesman is Professor of Philosophy at Hunter College and at the Graduate School of the City University of New York. (shrink)

The relations among consciousness, brain, behavior, and scientific explanation are explored in the domain of color perception. Current scientific knowledge about color similarity, color composition, dimensional structure, unique colors, and color categories is used to assess Locke.

This chapter, which describes the spatiality of conscious phenomena, such as colours and sounds, addresses James Gibson’s ecological approach to confirm and develop further the Husserlian phenomenological view of colours and sounds. The ecological approach to perception could be regarded as an attempt to undertake empirical research corresponding to the phenomenological insight of perception. In this context, in addition to the Husserlian concept of “adumbration” and the Gibsonian concept of “ecological optics,” the differentiation of various modes of colour appearances, which (...) David Katz explicated, is focused on, developed and applied further to the phenomena of sounds. On the basis of these discussions, the multi-dimensional character of colours and sounds are explicated, and traditional views on colours and sounds, which neglect this character, are criticized. The concept of multi-dimensionality discovers the remarkable diversity of the world of colours and sounds, which demonstrate the diversity and multiple dimensionality of the field of consciousness. (shrink)

The goal of the present paper is to defend against a certain line of attack the view that conscious experience of color is no more fine-grained that the repertoire of non- demonstrative concepts that a perceiver is able to bring to bear in perception. The line of attack in question is an alleged empirical argument - the Diachronic Indistinguishability Argument - based on pairs of colors so similar that they can be discriminated when simultaneously presented but not when presented (...) across a memory delay. My aim here is to show that this argument fails. (shrink)

According to unconscious perception hypothesis (UP), mental states of the same fundamental kind as ordinary conscious seeing can occur unconsciously. The proponents of UP often support it with empirical evidence for a more specific hypothesis, according to which colours can be seen unconsciously (UPC). However, UPC is a general claim that admits of many interpretations. The main aim of this paper is to determine which of them is the most plausible. To this end, I investigate how adopting various conceptions of (...) colour and perceptual phenomenal character affects UPC’s resilience to objections. This brings me to the conclusion that the most plausible reading of UPC is the one according to which the phenomenal character of colour perception (i) is constituted by colours qua primitive mind-independent qualities of the environment and (ii) is not essentially tied to consciousness. My conclusion not only identifies the most plausible interpretation of UPC, but also highlights and supports an unorthodox version of the relational theory of perception, which is a perfectly viable yet so far overlooked stance in the debate about unconscious perception. (shrink)

In spatial sequence synaesthesia ordinal stimuli are perceived as arranged in peripersonal space. Using fMRI, we examined the neural bases of SSS and colour synaesthesia for spoken words in a late-blind synaesthete, JF. He reported days of the week and months of the year as both coloured and spatially ordered in peripersonal space; parts of the days and festivities of the year were spatially ordered but uncoloured. Words that denote time-units and triggered no concurrents were used in a control condition. (...) Both conditions inducing SSS activated the occipito-parietal, infero-frontal and insular cortex. The colour area hOC4v was engaged when the synaesthetic experience included colour. These results confirm the continued recruitment of visual colour cortex in this late-blind synaesthetes. Synaesthesia also involved activation in inferior frontal cortex, which may be related to spatial memory and detection, and in the insula, which might contribute to audiovisual integration related to the processing of inducers and concurrents. (shrink)

Grapheme-color synesthetes experience color, not physically present, when viewing symbols. Synesthetes cannot remember learning these associations. Must synesthetic percepts be formed during a sensitive period? Can they form later and be consistent? What determines their nature? We tested grapheme-color synesthete, MC2, before, during and after she studied Hindi abroad. We investigated whether novel graphemes elicited synesthetic percepts, changed with familiarity, and/or benefited from phonemic information. MC2 reported color percepts to novel Devanagari and Hebrew graphemes. MC2 monitored (...) these percepts over 6 months in a Hindi-speaking environment. MC2 and synesthete DN, reported synesthetic percepts for Armenian graphemes, or Cyrillic graphemes + phonemes over time. Synesthetes, not controls, reported color percepts for novel graphemes that gained consistency over time. Phonemic information did not enhance consistency. Thus, synesthetes can form and consolidate percepts to novel graphemes as adults. These percepts may depend on pre-existing grapheme-color relationships but they can flexibly shift with familiarity. (shrink)

Rationalizing the perceptual effects of spectral stimuli has been a major challenge in vision science for at least the last 200 years. Here we review evidence that this otherwise puzzling body of phenomenology is generated by an empirical strategy of perception in which the color an observer sees is entirely determined by the probability distribution of the possible sources of the stimulus. The rationale for this strategy in color vision, as in other visual perceptual domains, is the inherent (...) ambiguity of the real-world origins of any spectral stimulus. (shrink)

Susan Hurley has attacked the ''Duplication Assumption'', the assumption thatcreatures with exactly the same internal states could function exactly alike inenvironments that are systematically distorted. She argues that the dynamicalinterdependence of action and perception is highly problematic for the DuplicationAssumption when it involves spatial states and capacities, whereas no such problemsarise when it involves color states and capacities. I will try to establish that theDuplication Assumption makes even less sense for lightness than for some ofthe spatial cases. This is (...) due not only to motor factors, but to the basic physicalasymmetry between black and white. I then argue that the case can be extendedfrom lightness perception to hue perception. Overall, the aims of this paper are:(1) to extend Susan Hurley''s critique of the Duplication Assumption; (2) to argueagainst highly constrained versions of Inverted Spectrum arguments; (3) to proposea broader conception of the vehicle for color perception. (shrink)

This paper resolves a paradox concerning colour constancy. On the one hand, our intuitive, pre-theoretical concept holds that colour constancy involves invariance in the perceived colours of surfaces under changes in illumination. On the other, there is a robust scientific consensus that colour constancy can persist in cerebral achromatopsia, a profound impairment in the ability to perceive colours. The first stage of the solution advocates pluralism about our colour constancy capacities. The second details the close relationship between colour constancy and (...) contrast. The third argues that achromatopsics retain a basic type of colour constancy associated with invariants in contrast processing. The fourth suggests that one person-level, conscious upshot of such processing is the visual awareness of chromatic contrasts ‘at’ the edges of surfaces, implicating the ‘colour for form’ perceptual function. This primitive type of constancy sheds new light on our most basic perceptual capacities, which mark the lower borders of representational mind. (shrink)

Rationalizing the perceptual effects of spectral stimuli has been a major challenge in vision science for at least the last 200 years. Here we review evidence that this otherwise puzzling body of phenomenology is generated by an empirical strategy of perception in which the color an observer sees is entirely determined by the probability distribution of the possible sources of the stimulus. The rationale for this strategy in color vision, as in other visual perceptual domains, is the inherent (...) ambiguity of the real-world origins of any spectral stimulus. (shrink)

Colour has been shown to facilitate the recognition of scene images, but only when these images contain natural scenes, for which colour is ‘diagnostic’. Here we investigate whether colour can also facilitate memory for scene images, and whether this would hold for natural scenes in particular. In the first experiment participants first studied a set of colour and greyscale natural and man-made scene images. Next, the same images were presented, randomly mixed with a different set. Participants were asked to indicate (...) whether they had seen the images during the study phase. Surprisingly, performance was better for greyscale than for coloured images, and this difference is due to the higher false alarm rate for both natural and man-made coloured scenes. We hypothesized that this increase in false alarm rate was due to a shift from scrutinizing details of the image to recognition of the gist of the image. A second experiment, utilizing images without a nameable gist, confirmed this hypothesis as participants now performed equally on greyscale and coloured images. In the final experiment we specifically targeted the more detail-based perception and recognition for greyscale images versus the more gist-based perception and recognition for coloured images with a change detection paradigm. The results show that changes to images are detected faster when image-pairs were presented in greyscale than in colour. This counterintuitive result held for both natural and man-made scenes and thus corroborates the shift from more detailed processing of images in greyscale to more gist-based processing of coloured images. (shrink)

This article was written as a commentary on a target article by Peter W. Ross entitled "The Location Problem for Color Subjectivism" [Consciousness and Cognition 10(1), 42-58 (2001)], and is published together with it, and with other commentaries and Ross's reply. If you or your library have the necessary subscription you can get PDF versions of the target article, all the commentaries, and Ross's reply to the commentaries here. However, I do not think that it is by any means (...) essential for you to have read Ross's piece in order to understand this one. Ross defends a view called "color physicalism" or color realism that holds (simplifying somewhat) that colors are real physical properties (in typical cases, spectral reflectances of object surfaces). This is in opposition to what is probably a more widely held "subjectivist" view of color, holding that color qualities really exist only in the mind. In my commentary I suggest that a realist view of qualitative properties, such as Ross's, together with a direct, active view of perception, and a concept of "extended mind" (Clark & Chalmers, 1998) may provide the materials for a real solution to the notorious hard problem of consciousness. I sketch this solution in outline. - N.J.T.T. (shrink)

In his excellent book *The Metaphysics of Sensory Experience* (2021), David Papineau argues against standard theories of sensory experience: the sense datum view, representationalism, naïve realism, and so on. The only view left standing is his own “qualitative view”. On Papineau’s physicalist version, all experiences are nothing but neural states, and the only features essentially involved in experience are intrinsic neural properties (29-30, 95-97). In my book *Perception* (2021), I developed an argument from spatial experience against this kind of view (...) (also Pautz 2010, 2017). Here I elaborate on that argument in the light of Papineau’s discussion. (shrink)

Colour has been shown to facilitate the recognition of scene images, but only when these images contain natural scenes, for which colour is ‘diagnostic’. Here we investigate whether colour can also facilitate memory for scene images, and whether this would hold for natural scenes in particular. In the first experiment participants first studied a set of colour and greyscale natural and man-made scene images. Next, the same images were presented, randomly mixed with a different set. Participants were asked to indicate (...) whether they had seen the images during the study phase. Surprisingly, performance was better for greyscale than for coloured images, and this difference is due to the higher false alarm rate for both natural and man-made coloured scenes. We hypothesized that this increase in false alarm rate was due to a shift from scrutinizing details of the image to recognition of the gist of the image. A second experiment, utilizing images without a nameable gist, confirmed this hypothesis as participants now performed equally on greyscale and coloured images. In the final experiment we specifically targeted the more detail-based perception and recognition for greyscale images versus the more gist-based perception and recognition for coloured images with a change detection paradigm. The results show that changes to images are detected faster when image-pairs were presented in greyscale than in colour. This counterintuitive result held for both natural and man-made scenes and thus corroborates the shift from more detailed processing of images in greyscale to more gist-based processing of coloured images. (shrink)

OPINION IS DIVIDED as to whether the "qualitative characters" or "qualia" of conscious sensory experiences such as color perceptions and pain sensations genuinely constitute a major obstacle to the success or tenability of contemporary physicalist theories of mind. Do the enormous complexities of human brain activity--conceived more or less as we now conceive it--alone suffice to account for our conscious sensory experiences, and thereby show how the experiences are nothing over and above the brain activities, or must there be (...) some further kind of thing, if we are to account for the existence of our kind of consciousness? This issue, representing perhaps the most profound division of opinion in contemporary philosophy of mind, cannot possibly reach a genuine resolution in the absence of a satisfactory answer to a question which has suffered astonishing neglect in the extensive debate on this issue: What exactly is the qualitative character of a conscious sensory experience? What exactly is it about color perception, for example, that makes it so distinctive in a "qualitative" respect, allegedly making trouble for contemporary theories of mind? (shrink)

Phenomenal intentionality is a view about the representational content of conscious experiences that grounds the content of experiences in their phenomenal character. The view is motivated by evidence from introspection, as well as theoretical considerations and intuitions. This paper discusses one potential problem with the view. The view has difficulty accounting for the intentionality of color experiences. Versions of the view either fail to count things as part of the content of color experience that should be counted, resulting (...) in verdicts that some color experiences are inaccurate which should not be, or they admit properties as part of their contents that ought not to be admitted, resulting in color experiences being considered to be accurate when they ought not to be considered so. This is a problem because color predicates are usefully employed in sciences such as biology, cognitive science, and engineering. They are used in generalizations that take the form of laws governing the presence and behavior of properties. Scientific practice relies on the assumption that the laws governing how entities behave employ terms that refer to actual properties that entities really have. We should therefore assume that there is some consistent set of properties to which our color terms refer. (shrink)

It seems a compelling idea that experience of colour plays some role in our having concepts of the various colours, but in trying to explain the role experience plays the first thing we have to describe is what sort of colour experience matters here. I will argue that the kind of experience that matters is conscious attention to the colours of objects as an aspect of them on which direct intervention is selectively possible. As I will explain this idea, it (...) is a matter of being able to use experience to inform linguistic or conceptual thought about what would happen were there to be various interventions on an object. Against this background, I will review Locke’s fundamental argument that since we can change the colour of an almond by pounding it, there must be an error embodied in our ordinary concepts of colour: there is no such thing as intervening directly on the colour of an object. The analysis I present brings out the force of Locke’s argument. But I will propose a vindication of our commonsense conception of colour as an aspect of objects on which direct intervention is selectively possible. (shrink)

David Milner and Melvyn Goodale’s dissociation hypothesis is commonly taken to state that there are two functionally specialized cortical streams of visual processing originating in striate (V1) cortex: a dorsal, action-related “unconscious” stream and a ventral, perception-related “conscious” stream. As Milner and Goodale acknowledge, findings from blindsight studies suggest a more sophisticated picture that replaces the distinction between unconscious vision for action and conscious vision for perception with a tripartite division between unconscious vision for action, conscious vision for perception, and (...) unconscious vision for perception. The combination excluded by the tripartite division is the possibility of conscious vision for action. But are there good grounds for concluding that there is no conscious vision for action? There is now overwhelming evidence that illusions and perceived size can have a significant effect on action (Bruno & Franz, 2009; Dassonville & Bala, 2004; Franz & Gegenfurtner, 2008; McIntosh & Lashley, 2008). There is also suggestive evidence that any sophisticated visual behavior requires collaboration between the two visual streams at every stage of the process (Schenk & McIntosh, 2010). I nonetheless want to make a case for the tripartite division between unconscious vision for action, conscious vision for perception, and unconscious vision for perception. My aim here is not to refute the evidence showing that conscious vision can affect action but rather to argue (a) that we cannot gain cognitive access to action-guiding dorsal stream representations, and (b) that these representations do not correlate with phenomenal consciousness. This vindicates the semi-conservative view that the dissociation hypothesis is best understood as a tripartite division. (shrink)

In this paper I argue that there are problems with the foundations of the current version of physicalism about color. In some sources laying the foundations of physicalism, types of surface reflectance corresponding to (veridical) color perceptions are characterized by making reference to properties of the observer. This means that these surface attributes are not objective (i.e. observer-independent). This problem casts doubt on the possibility of identifying colors with types of surface reflectance. If this identification cannot be maintained, (...) that in turn threatens representationalist theories of phenomenal consciousness: there remains no objective, observer-independent property that color experiences represent - hence no representational content, in terms of semantic externalism, can be attributed to color experiences. I offer an alternative account of color and conclude that further empirical study is required to do justice to the basic claims of color physicalism. (shrink)

David Papineau develops a new argument against representationalism, centering on the idea that sensory experiences are essentially representational on this view. He defends his own “qualitative view” according to which sensory experiences are only contingently representational. I discuss his main argument against essentialist representationalism and then provide two challenges for his positive account. First, Papineau's theory faces a dilemma when it comes to explaining the contents of our perceptual beliefs in situations where the conscious character of sensory experience comes apart (...) from what it represents. Second, we may need to abandon the idea that sensory experiences are assessable for veridicality. (shrink)

Colour variation is the fact that what colour physical objects look to have depends on viewing conditions and a perceiver’s visual system. Both Colour Relationalists and Colour Eliminativists regard their analyses of colour variation as central to the justification for their respective views. Yet the analyses are decidedly different. Colour Relationalists assert that most instances of colour variation are veridical and infer from this that colours are relational properties of objects that are partly determined by perceivers. By contrast, Colour Eliminativists (...) assert that colour variation is too unsystematic to ground the claim that many or most instances of colour variation are veridical. From this they infer that objects don’t have colours. I argue that the Eliminativist analysis is superior. On my view, the Relationalist account of veridical colour experience reduces to the assertion that objects have colour simply because they cause perceivers to have colour experiences of them. In this context, I argue, the resulting conception of veridicality is vacuous. More directly, the foundational idea of Eliminativism is the opposite claim: the fact that objects cause perceivers to have colour experiences of them is on its own not sufficient to justify or ground the claim that objects have colour. The Relationalist, I argue, has failed to justify anything stronger than this. In this debate we should thus side with the Eliminativist: objects do not possess colour; they merely cause us to undergo colour experiences. (shrink)

The question of whether blindsight is a form of unconscious perception continues to spark fierce debate in philosophy and psychology. One side of the debate holds that while the visual information categorized in blindsight is not access-conscious, it is nonetheless a form of perception, albeit a form of unconscious perception. The opposition, by contrast, holds that blindsight is just a form of degraded conscious perception that makes the categorized information harder to access because it is degraded. In this chapter, we (...) address the opposition’s arguments for thinking that blindsight is a form of degraded conscious vision and then argue that the residual awareness found in blindsight is a form of non-perceptual awareness. To back this claim, we examine the residual visual abilities to detect and discriminate colour found in some blindsight patients and show that residual consciousness in blindsight is indirect and lacks the phenomenal character characteristic of conscious vision. (shrink)

A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment, that are distinct from properties identified by the physical sciences. This view stands in contrast to the long-standing and wide-spread view amongst philosophers and scientists that colours don't really exist - or at any rate, that if they do exist, then they are radically different from the way that they appear. It is argued that a naive realist theory of colour best (...) explains how colours appear to perceiving subjects, and that this view is not undermined either by reflecting on variations in colour perception between perceivers and across perceptual conditions, or by our modern scientific understanding of the world. A Naive Realist Theory of Colour also illustrates how our understanding of what colours are has far-reaching implications for wider questions about the nature of perceptual experience, the relationship between mind and world, the problem of consciousness, the apparent tension between common sense and scientific representations of the world, and even the very nature and possibility of philosophical inquiry. (shrink)

According to color subjectivism, colors are mental properties, processes, or events of visual experiences of color. I first lay out an argument for subjectivism founded on claims from visual science and show that it also relies on a philosophical assumption. I then argue that subjectivism is untenable because this view cannot provide a plausible account of color perception. I describe three versions of subjectivism, each of which combines subjectivism with a theory of perception, namely sense datum theory, (...) adverbialism, and the virtual color proposal, and argue that each version faces serious objections. Considering these three theories of perception to be exhaustive of those available to the subjectivist, I conclude that subjectivism is untenable and that the scientifically motivated argument for this view is unsound. I then offer the diagnosis that the philosophical assumption on which this argument relies is mistaken. (shrink)

"The Location Problem for Color Subjectivism" response to commentators.

I disagree with Ross about the location of colors: They are in the brain, not in the external world. It is difficult to deny that there are colors in our conscious visual experience, and if we take the causal theory of perception seriously, we cannot identify these colors with the beginning of the causal chain in perception (external objects in the distal stimulus field), but we must search for them at the end of the causal chain (in the brain). Several (...) lines of compelling evidence from cognitive neuroscience (e.g., synesthesia, dreaming, and achromatopsia) demonstrate unambiguously that color is in the brain. Furthermore, it seems that Ross has failed to consider one substantial version of subjectivism in his article. This monistic approach to color and consciousness appears to be the least implausible alternative when we try to understand what colors are and where they reside. (shrink)

This article considers distinct ways of understanding the world, referred to in psychology as Functions of Consciousness or as Cognitive Modes, having as the scope of interest epistemology and natural sciences. Inspired by C.G. Jung's Simile of the Spectrum, we consider three basic cognitive modes associated to: (R) embodied instinct, experience, and action; (G) reality perception and learning; and (B) concept abstraction, rational thinking, and language. RGB stand for the primary colors: red, green, and blue. Accordingly, a conceptual map between (...) cognitive modes and primary and secondary colors is built based on the physics and physiology of color perception and epistemological characteristics of the aforementioned cognitive modes, leading to logical relations structured as an Hexagon of Opposition. Finally, this model of cognitive modes is applied to the analysis and interpretation of some important episodes in the historical development of physics and technology. (shrink)

Back when researchers thought about the various forms that color vision could take, the focus was primarily on the retinal mechanisms. Since that time, research on human color vision has shifted from an interest in retinal mechanisms to cortical color processing. This has allowed color research to provide insight into questions that are not limited to early vision but extend to cognition. Direct cortical connections from higher-level areas to lower-level areas have been found throughout the brain. (...) One of the classic questions in cognitive science is whether perception is influenced, and if so to what extent, by cognition and whether a clear distinction can be drawn between perception and cognition. Since perception is seen as providing justification for our beliefs about properties in the external world, these questions also have metaphysical and epistemological significance. The aim of this paper is to highlight some of the areas where research on color perception can shed new light on questions in the cognitive sciences. A further aim of the paper is to raise some questions about color research that are in dire need of further reflection and investigation. (shrink)

Color subjectivism is the view that color properties are mental properties of our visual sensations, perhaps identical with properties of neural states, and that nothing except visual sensations and other mental states exhibits color properties. Color phys- icalism, by contrast, holds that colors are exclusively properties of visible physical objects and processes.

Right now my conscious experience is directed at part of the world. It takes in some aspects of things around me and not others. Some bits of the world occupy my attention, other worldly goings on condition or colour the character of my current perceptual experience. I experience buildings in view through the window, the clothes in the corner of the room, the colour of the walls, the plate with breads, the coffee mugs, the smell of fresh laundry, the muffled (...) sounds of someone in the kitchen, the sounds from the street: a sequence of things that in turn capture my attention moment to moment. And all the while thoughts occur to me, modulating my conscious awareness. I have no doubt that the world and my place in it, together with my recent past history, explains the particular form my consciousness takes right now. But what shape does that explanation take? Things out there beyond the boundaries of my skin enter into the conscious events I undergo. The inner is in this way shaped and determined by those outer things that impress themselves on the mind. What is it, though, for consciousness of this kind to go on at all? (shrink)

In “The Location Problem for Color Subjectivism,” Peter Ross argues against what he calls subjectivism — the view that “colors are not describable in physical terms, ... [but are] mental processes or events of visual states” (2),¹ and in favor of physicalism — a view according to which colors are “physical properties of physical objects, such as reflectance properties” (10). He rejects an argument that has been offered in support of subjectivism, and argues that, since no form of subjectivism (...) is able to account for our perception of color, we are better off adopting physicalism. (shrink)

Using a metacontrast masking paradigm, prior studies have shown that a target’s color information and form information, can be processed without awareness and that unconscious color processing occurs at early, wavelength-dependent levels in the cortical information processing hierarchy. Here we used a combination of paracontrast and metacontrast masking techniques to explore unconscious color and form priming effects produced by blue, green, and neutral stimuli. We found that color priming in normal observers is significantly reduced when an (...) additional paracontrast mask precedes the target at optimal masking SOAs. However, no reduction of form-priming effects was obtained at similar optimal paracontrast SOAs. We conclude that unconscious color priming depends on an early, wavelength- or stimulus-dependent response of color neurons located at early cortical levels whereas unconscious form priming occurs at later levels. (shrink)

Visual percepts frequently appear chromatically rich, yet their paucity in reportable information has led to widely accepted minimalist models of vision. The discrepancy may be resolved by positing that the richness of natural scenes is reflected in phenomenal consciousness but not in detail in the phenomenal judgments upon which reports about qualia are based. Conceptual awareness (including phenomenal judgments) arises from neural mechanisms that categorize objects, and also from mechanisms that conceptually characterize textural properties of pre-categorically segmented regions in the (...) visual field. Experimental evidence suggests that complex images instigate the generation of so-called ensemble phenomenal judgments. These involve concepts that categorize global attributes of segmented areas but carry no information pertaining to details. It is then argued that there are cogent reasons for believing that phenomenal percepts (i.e. qualia) arising from chromatically complex stimuli cohere in this ensemble sense with both the stimulus and with the resulting ensemble phenomenal judgments. Thus, spatially detailed retinal images are deemed to yield correspondingly detailed phenomenal experiences that are in turn conceptually apprehended via a relatively small number of ensemble phenomenal judgments. Lastly, it is suggested that the bridge locus for chromatically rich phenomenal experiences is most plausibly located early in the cortical visual pathway. (shrink)

This article considers distinct ways of understanding the world, referred to in psychology as functions of consciousness or as cognitive modes, having as the scope of interest epistemology and natural sciences. Inspired by C.G. Jung’s simile of the spectrum, we consider three basic cognitive modes associated to: (R) embodied instinct, experience, and action; (G) reality perception and learning; and (B) concept abstraction, rational thinking, and language. RGB stand for the primary colors: red, green, and blue. Accordingly, a conceptual map between (...) cognitive modes and primary and secondary colors is built based on the physics and physiology of color perception and epistemological characteristics of the aforementioned cognitive modes, leading to logical relations structured as an hexagon of opposition. Finally, this model of cognitive modes is applied to the analysis and interpretation of some important episodes in the historical development of physics and technology. (shrink)

Review of David Papineau, "The metaphysics of sensory experience" (Oxford: Oxford University Press, 2021).

The aim of the study is to clarify the aesthetic concept of color perception from the phenomenological reasoning of Edmund Husserl. Today, the orientation diagram of the field of phenomenological research is formed in various zones: from theological to naturalistic. In which of these zones the structures of the phenomenological analysis of color are located is not an easy question. The coloristic region is constituted according to the degree of consciousness, including aesthetic consciousness. It is extremely difficult to (...) meet with the phenomenon of color, if only because its obviousness is fulfilled only by the fervor of the contemplative consciousness with its aesthetic pathos, a consciousness that distinguishes between, as it were, the reality of transcendent color and the aesthetic "continent of givens". We are talking, as Husserl would say, about the halo of consciousness, referring to the essence of perception performed in the mode of turning to the beauty of color. For the first time, approaches to the study of such a complex phenomenological topic as the description of a coloristic attitude, the eidetics of color experiences in Husserl's philosophy are outlined, the significance of its development for the comprehension of aesthetic and artistic consciousness is revealed. The main conclusions of the study are related to the philosophical interpretation of the idea of color as included in phenomenology in the experience of philosophical surprise, which turns into the acquisition of the essence of "phenomenological color" in general, and in aesthetics it is directly correlated with the appearance of its structures on the horizon of the harmonic synthesis of acts of perceptual performance in the imagination, "primordial giving visions" of color, with the creation of a picture coloristic impressions as cognitive emotions, reduced pure color perception, with an understanding of how art makes the very conditions of color visibility obvious, how its artistic synthesis is made, in the structure of which correlation analysis can see an analogue of a priori empiricism – this fundamental characteristic of purely Husserl synthesis and method revealed in domestic studies. (shrink)

I argue against a class of philosophical views of color perception, especially insofar as such views posit the existence of color sensations. I argue against the need to posit such nonconceptual mental intermediaries between the stimulus and the eventual conceptualized perceptual judgment. Central to my arguments are considerations of certain color illusions. Such illusions are best explained by reference to high-level, conceptualized knowledge concerning, for example, object identity, likely lighting conditions, and material composition of the distal stimulus. (...) Such explanations obviate the need to appeal to nonconceputal mental links in the causal chains eventuating in conceptualized color discriminations. (shrink)

What is the nature of consciousness? How is consciousness related to brain processes? This volume collects thirteen new papers on these topics: twelve by leading and respected philosophers and one by a leading color-vision scientist. All focus on consciousness in the "phenomenal" sense: on what it's like to have an experience. Consciousness has long been regarded as the biggest stumbling block for physicalism, the view that the mind is physical. The controversy has gained focus over the last few decades, (...) and phenomenal knowledge and phenomenal concepts--knowledge of consciousness and the associated concepts--have come to play increasingly prominent roles in this debate. Consider Frank Jackson's famous case of Mary, the super-scientist who learns all the physical information while confined in a black-and-white room. According to Jackson, if physicalism is true, then Mary's physical knowledge should allow her to deduce what it's like to see in color. Yet it seems intuitively clear that she learns something when she leaves the room. But then how can consciousness be physical? Arguably, whether this sort of reasoning is sound depends on how phenomenal concepts and phenomenal knowledge are construed. For example, some argue that the Mary case reveals something about phenomenal concepts but has no implications for the nature of consciousness itself. Are responses along these lines adequate? Or does the problem arise again at the level of phenomenal concepts? The papers in this volume engage with the latest developments in this debate. The authors' perspectives range widely. For example, Daniel Dennett argues that anti-physicalist arguments such as the knowledge argument are simply confused; David Papineau grants that such arguments at least reveal important features of phenomenal concepts; and David Chalmers defends the anti-physicalist arguments, arguing that the "phenomenal concept strategy" cannot succeed. (shrink)

What is the relationship between consciousness and our brain? Are they one and the same? Who are we really? The Consciousness Network presents a novel account of one of the greatest scientific challenges of the 21st century: understanding the connection between brain and mind. The book explores remarkable cases of patients who demonstrate how our impression of reality is created by the brain. Age-old questions about dreams, colour perception, phantom sensations and hallucinations are illuminated by surprising discoveries from the latest (...) brain research. How does consciousness differ from memory, emotions and behaviour? How did it develop during the evolution of life on earth, and does it serve a purpose? Does the brain leave room for free will? In this unique blend of philosophy, history, psychology and neuroscience, Cyriel Pennartz breaks new ground by presenting an original theory of brain and mind, substantiated by brain research in patients and healthy people. This theory, inspired by the 17th century philosopher Spinoza, goes significantly deeper than current thinking based on computer models or artificial intelligence. The Consciousness Network is essential reading for students working at the interface of neuroscience, cognitive psychology, philosophy of mind and cognitive science, as well as anyone interested in consciousness and the brain. (shrink)