The aim of the paper is to reconstruct the theoretical background and practical meaning of the so called war writings which emerged within the phenomenological movement during the First World War. The author exemplifies it by researching the works of two German representatives of this movement, Max Scheler and Kurt Stavenhagen. He focuses on their application of the phenomenological method to the analysis of Russian national identity, and historical as well as cultural foundations of Russian state. The paper’s main thesis (...) is that the politicization and militarization of phenomenology consisted in both “personalization” and “sociologization” of the phenomenological approach to the problem of the state. While interpreting Scheler’s personalism as an exemplification of the approach to the state as a problem of social ontology, the author reconstructs the theoretical conditions of analyzing the Russian imperial state in terms of the “world.” The focus of the paper is particularly on the phenomenology of, as Scheler put it, Russian collective personality and Russian national consciousness or “soul” as well as on the question of legitimacy of Ukrainian resistance against Russian imperialism. (shrink)

First published in 1945, Maurice Merleau-Ponty’s monumental _Phénoménologie de la perception _signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers. _Phenomenology of Perception _stands in the great phenomenological tradition of (...) Husserl, Heidegger, and Sartre. Yet Merleau-Ponty’s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one’s situation and experience within the world. Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty’s discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator’s Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty’s references to now available English translations. Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty_ _by Claude Lefort. Translated by Donald A. Landes. (shrink)

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the _body_ to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. Perhaps above all, Merleau-Ponty's (...) insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

Challenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. Perhaps above all, (...) Merleau-Ponty's insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Since the beginning of its history philosophy deals with the question for the meaning of war. This question, however, was always understood as the question for the causes of war: Why is there war? Where does it come from? The article presupposes that only this question and the attempts to respond to it can shed light onto the interpretation of the historical reality of war, which is finally the only reason to reflect on its causation. The article refers to a (...) set of notions and texts, which belong to a discourse on war unfolding through the centuries of European thinking. These notions are: contradictions, body, justice, nature, right, politics, and morals. Even if this sequence is only one possible sequence of the philosophical reflection on warfare, I consider it to be one of greater importance. We see, how a plurality of causes creates a context, in which we could try to analyze actual events: For it is evident that no war has only one reason. And the article has finally one other intention, namely to show that probably every possible sequence of causes of war will have the same consequence. This con-sequence will be the final destruction of the world, the coming of the ash. (shrink)

Recent critiques have selected textual evidence for casting Hearne as a failed narrator, because he did not live up to the mercantile or imperialist expectations for late 18th-century explorers, or as a biased narrator, because he never fully moves beyond such valuations. But if we categorize phenomenologically Hearne's experiences as a student of the Arctic throughout his four-year journey, there is more textual evidence for reading it as the account of a civilized narrator's conflicted adaptation to an indigenous society as (...) his consciousness is more and more shaped by Arctic nature. Hearne's A Journey from Prince of Wales's Fort in Hudson's Bay, to the Northern Ocean 1769, 1770, 1771, 1772 (1795) is filled with patterns of experience in which Hearne is learning, often slowly and painfully, a culture of place through his body. Hearne is a developing narrator who moves from experiencing the Arctic as an alien, hostile, and unnatural place to responding directly to its actualities, adjusting over time to the demands the land and its people place on him. As Hearne eventually finds a temporary home in Arctic wilderness, his most significant accomplishment as a narrator is to move the locus of culture into it. As the phenomenologist Edward S. Casey puts it, this results in a 'thickening' between the antinomical oppositions of civilization and Arctic. Viewed in light of his own statements in his Preface, the commendation of contemporary reviewers, and the contrasting limitations of pre-Hearne sub-Arctic narratives, Hearne's Journey amounts to a reconfiguration of 18th-century civilized constructs into three roles grounded in Arctic phenomena: as a naturalist, as a traveler across northern terrain, and as a member of a Chipewyan war party. An ur-narrative of land-based Arctic exploration, Hearne's Journey finally demonstrates an integration with the land and the Chipewyans with whom he travels that establishes phenomenological precedents for the reading of all later accounts of land-based Arctic travel. (shrink)

That peace and justice is the solution to the flux and insecurity in the church and in the state cannot be denied. In fact, it is exigent to ask this question thus: can there be peace and justice in the religious institution in the first instance, without religious liberty and of course, civil liberty untwisted? There is no gain-saying the fact that sacred and secular histories have tended to answer this question in a clear and precise illumination. In answering the (...) aforementioned question as a stimulus to conversation and discussion on this topic we have to remind ourselves that this is a question that had been tinkered about and had received rigorous and provoking thoughts in the evolution of mankind. Religious bigotry is a global flux and spike leading to social, ethnic, racist, political and religious wars of which the insecurity in the religious institution and among nation-states are effects. Global insight into what we have called Adamic crisis or flux must begin with appreciation of the historicist and phenomenological trajectory of its essence as well as the ontology and theodicy of its origin. In this essay religious liberty as far as insecurity, injustice and instability in the religious institution and in the state are concerned, is a prime liberty among civil liberties, and as far as religion has become interlaced with social and political generation and development, religious liberty must not be compromised. Key words: Existential phenomenology, religious liberty, security, religion, politics. (shrink)

In this text, the work of Serbian writer Stanislav Krakov, between the two world wars, the famous, and later, due to ideological divisions, repressed and forgotten figure, is ovserverd through the lens of philosophy of existence and phenomenology. The?philosophical? significance of Krakov?s autobiographical war prose, which in the aesthetic, especially formal-innovative aspect, represented the pinnacle of the genre of that time Serbian literature, is that it can be viewed as a first-class document of phenomenological introspection of a man in (...) situation of mortal combat; and the ragne his prose of his prose is, in some respects, without exaggeration, comparable to war prose of Ernst J?nger. But besides his authentic documentality, Krakov?s writing is characterized by brilliant insights. So, on the one hand, Krakov can be viewed as a thinker of war and corporeality avant lettre, and, on the other hand, the interpretative contextualization of his prose within the aforementioned philosophical tradition helps us to better understand his literature. nema PR Projekat Ministarstva nauke Republike Srbije, br. 179064: Istorija srpske filosofije. (shrink)

Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost a hundred years later. Franz Rosenzweig—a Jewish philosopher, and Martin Heidegger—a philosopher who at one time was studying to become a Catholic priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical heritage. (...) Simon provides a close reading of some of their essential texts—The Star of Redemption for Rosenzweig and Being and Time and The Origin of the Work of Art for Heidegger—in order to draw attention to how their philosophies of art can be understood to provide significant ethical directives. (shrink)

In “The Phenomenology of Spirit” and “Philosophy of Right”, Hegel gives a detailed specification of the theses about the war that were claimed in earlier papers and manuscripts, but his position is not fundamentally changed. In the “The Phenomenology of Spirit” Hegel advocates governments’ need and right to initiate a war from time to time in order to prevent both the isolation and atomization, and let individuals feel the death. As in the past, the war, as Hegel says, (...) has a moment of ethical life. In the “Philosophy of Right” Hegel introduces final deliberations about war that rely on ideas of his earlier paper about natural law even more than in the “The Phenomenology of Spirit”. Hegel emphasizes the ethical role of sacrifice in the war and expresses opinions critical of not an abstract perpetual peace but a concrete philosophical project of Kant. Due to Hegel, Kant’s perpetual peace does not resemble a perpetual deception, since the required union of states is elusive and none except the world spirit in the world history can be a praetor. In line with Heraclitus, Hegel maintains that wars underlie the nature of things. I contribute to the discussions of Hegel scholars if Hegel’s philosophy glorifies a war or not as follows: I substitute the term “glorification” with the term “bellicisme” that suits better to measured, not snobbish and deprived of certain historical implications Hegel’s theses about reasonableness, necessity, the ethicality of war and ethicality of perpetual peace illness. (shrink)

English Editorial of the special Issue on Philosophical Theories of War: Contemporary Challenges and Discussions giving an overview of the latest state of the debate.

Max Scheler’s contribution to the early development of phenomenology is second to only Edmund Husserl’s. What perhaps distinguishes Scheler’s early contribution is his willingness to examine phenomenologically social and political phenomena. Not only did this early trajectory lead him to develop a non-formal value theory, but it also enabled him to engage directly in the political problems of his time. Like many of his contemporary intellectuals, Scheler was an adamantsupporter of German aggression during the onset of World War I, (...) and he wrote many works during this time demonstrating the value and justification of the war. In only a few years’ time, Scheler’s position on the value of war shifted dramatically and he began to defend a position of peace and pacifism. The aim of this paper is twofold: (1) to clarify the early themes and influences in phenomenology that prepared Scheler for his analysis of war and peace; and (2) to illustratehow Scheler’s analysis offers the possibility of concretising the present experience of war and the possibility of peace. (shrink)

The Philosophy of War and Exile argues that our current paradigms for thinking about the ethics of war - just war theory - and the suffering of war - PTSD theory - judge war without a proper understanding of war. By continuing the investigations of J. Glenn Gray into the meaning of how war is experienced by combatants we can find an alternative understanding of not only war, but of peace, culminating in a new theory of responsibility centered around embodiment (...) and mortality rather than praise and blame. This conception of responsibility will in turn allow us to not only ask new questions about torture, unmanned warfare, and the treatment of veterans, but also to ask new questions about what it means for noncombatants to experience as home what combatants experience as exile. (shrink)

The paper is guided by three goals. First, it shows that the methodological standpoint of classical Husserlian phenomenology provides us with reliable tools to resist the grand narratives that proliferate during times of war. Second, it demonstrates that phenomenology provides much-needed methodological support for hermeneutically-oriented reflections on war. Third, it shows how the gruesome reality of World War One introduced a practical turn in Husserl’s phenomenology by forcing Husserl to rethink the relation between phenomenology and metaphysics. (...) Tracing the development of phenomenological metaphysics in Husserl’s Fichte lectures, Kaizo articles and private correspondence, the paper shows that, in response to war, Husserl deliberately chose not to engage in straightforward reflections on war, but instead to write about the prospects of peace. Reflections on cultural renewal necessitated him to rethink phenomenology as practical philosophy. The entanglement of praxis and theoria in Husserlian phenomenology relies upon the establishment of a metaphysically-grounded conceptual bond that ties reason to love and faith, which in its own turn suggests that a human being is not merely animal rationale, but also animal amans and animal religiosum. Ultimately, the possibility of cultural renewal relies upon a metaphysical broadening of Husserl’s conception of philosophy as rigorous sciences. (shrink)

Jean Hyppolite produced the first French translation of Hegel's Phenomenology of Spirit. His major works--the translation, his commentary, and Logique et existence --coincided with an upsurge of interest in Hegel following World War II. Yet Hyppolite's influence was as much due to his role as a teacher as it was to his translation or commentary: Foucault and Deleuze were introduced to Hegel in Hyppolite's classes, and Derrida studied under him. More than fifty years after its original publication, Hyppolite's analysis (...) of Hegel continues to offer fresh insights to the reader. (shrink)

An alternative to objectifying approaches to understanding Post-traumatic Stress Disorder grounded in hermeneutic phenomenology is presented. Nurses who provided care for soldiers injured in the Iraq and Afghanistan wars, and sixty-seven wounded male servicemen in the rehabilitation phase of their recovery were interviewed. PTSD is the one major psychiatric diagnosis where social causation is established, yet PTSD is predominantly viewed in terms of the usual neuro-physiological causal models with traumatic social events viewed as pathogens with dose related effects. Biologic (...) models of causation are applied reductively to both predisposing personal vulnerabilities and strengths that prevent PTSD, such as resiliency. However, framing PTSD as an objective disease state separates it from narrative historical details of the trauma. Personal stories and cultural meanings of the traumatic events are seen as epiphenomenal, unrelated to the understanding of, and ultimately, the therapeutic treatment of PTSD. Most wounded service members described classic symptoms of PTSD: flashbacks, insomnia, anxiety etc. All experienced disturbance in their sense of time and place. Rather than see the occurrence of these symptoms as decontextualized mechanistic reverberations of war, we consider how these symptoms meaningfully reflect actual war experiences and sense of displacement experienced by service members. (shrink)

Abstract:Whatever the technology, whatever the age, geophonic, biophonic, and anthro-pophonic soundscapes are a wholesale part of the sensory experience of warfare, and this essay considers how representations of sound in the Iliad attempt to capture through attunement to aural sensory perception the extreme phenomenological experiences of warfare for individuals, communities, landscapes, and nations. Much attention has been given to the visual imagery in the Iliad, some attention to the acoustic poetics of the Iliad, but very little to representations of sound (...) as they relate to both the physical environment and the phenomenological experience of war. I argue here that representations of geophonic and biophonic sound in the Iliad frequently serve to contrast both anthrophony and the devastational impact of anthropogenic agency, and that this impact extends to the environmental. (shrink)

In my paper, I develop a phenomenological and pragmatist reflection on the fragility of liberal democracy’s moral foundations in times of war. Following Judith Shklar’s conception of the “liberalism of fear”, the legitimacy of the liberal-democratic order is seen as grounded in experiences of suffering caused by political violence. It is also assumed that the liberalism of fear delivers an adequate conception of the normative foundations of the European project. With the help of phenomenologists such as Edmund Husserl, Maurice Merleau-Ponty (...) and Michel Henry, the paper ants to philosophically deepen the liberalism of fear by outlining a theory of “pathic evidence” as a normative foundation and the concept of a common “flesh of the political” as a shared moral sensitivity that sets boundaries to political conflict as well as the political imaginary, excluding what I call the production of “monumental meaning”. It then examines the question which political conditions are needed for this evidence to become a shared, communal criteria of ethical thought, and considers inner and outer challenges to the transmission and reproduction of this evidence in time, drawing especially on John Dewey’s ideas of democratic communication and social intelligence. In the current war, the following problem appears as crucial for the “soul” of European democracies which are confronted with the need to respond to Russia’s attack: How can a political morality grounded in pathic evidence be sustained, once it is challenged by an aggressor who, out of cultural and political reasons, shows a higher level of toleration towards violence? Besides aggression from an external foe, there are also temporal dynamics that further the loss of the inhibiting force of pathic evidence from the inside. As it shall be argued, boredom can be such a factor. The paper concludes by drawing conclusions for the current war in Ukraine. (shrink)

This article is a contribution to the fifth part of the Common Knowledge symposium on forms of quietism. Responding to a sense that prior installments of the symposium had overlooked the phenomenology of quietism, of patient suffering, the essay details the daily life of Mary Rowlandson's captivity during King Philip's War in the 17th century and, in particular, her strategies for surviving the breakdown of every basic taxonomy that had until then structured her life in Puritan New England. Refusing (...) either suicide or rebellion and thus reduced to maintaining “bare life,” Rowlandson demonstrated by her resilience that quietist strategies can result in kinds of triumph. (shrink)

Summary In his series of lectures, Le pouvoir psychiatrique, Michel Foucault employs concepts from the military field of knowledge in order to analyse the founding scenes of psychiatry. I focus on three issues connected to Foucault's use of these military terms. Firstly, I examine why Foucault was reluctant to use concepts from sociology and psychology in Le pouvoir psychiatrique and how this affects the notions that he had formulated in his earlier work, Histoire de la folie. Secondly, I show how (...) he challenges traditional understandings of the founding scenes of psychiatry by using concepts from a different field of knowledge. In doing this, he creates metaphors, and this is something that he himself had previously been critical of doing. Thirdly, I reflect upon the fact that Foucault's creative use of concepts from different disciplines and examples from different historical times can be related to episodes in his own life; I argue why it is important to supplement a structural analysis with linguistic, phenomenological and hermeneutical ones. (shrink)

This is a philosophical rumination on Shawn Loht’s important extension of “film as philosophy” into a Heideggerian phenomenological account of the philosophical response that cinema can engender. After considering the importance of these kinds of approaches, I turn to Loht’s phenomenological engagement with Terrence Malick’s early masterpiece, Days of Heaven (1978). After sympathetically reviewing his “interpretation”, I expand upon its delineation of “earth and world” to include the “fallenness” of the world as well as the possibility of a metanōetic awakening (...) to the vocation of “mud doctor”, that is, to heal the rift between earth and world, a rift made more exigent by world war, economic exploitation, and the ecological catastrophe of the Anthropocene. (shrink)

The author draws attention to the fact that the new millennium has not lived up to the high expectations that the ideological project of «tolerant universalism» and «multicultural liberalism», with its focus on consensus, solidarity, respect for the Other, and emphasis on universal liberal values, could become the ideology of global progress in the 21st century. Instead, misunderstandings, wars, conflicts, and violence have not disappeared from the world stage. On the contrary, there is an observable «budding» of new and new (...) conflicts and wars. Conflict, like evil in general, has deep roots in both historical and psychological experience, as well as in the very ontology of humanity. Therefore, the issue is not about eliminating conflict but about qualitatively changing the direction of conscious human efforts – whether individual, collective, or socially organized. The author argues that, if restraint and tolerance are not cultivated, mutual destruction remains the alternative. We enter the modern world (which is not unified, but globalized) through the intersubjective space, through dialogical truths, and so on. This requires the establishment of new forms of worldview, new approaches to examining phenomena in nature, society, and the human being. Clearly, today there is a preference for research ideas and principles related to the synergistic approach, self-organization, self-creation, and self-reproduction, both at the level of the macrocosm and the microcosm. Philosophically, these ideas resonate with existentialist and phenomenological narratives and philosophies. The author currently points to the presence of such approaches in the thought of domestic philosophers. (shrink)

In the Algerian War of Independence, women famously used both traditional and modern clothing as part of their revolutionary efforts against French colonialism. This paper uncovers some of the principal lessons of this historical episode through a phenomenological exploration of agency, religion, and political transformation. Part I draws primarily on the philosophical insights of Martin Heidegger and Maurice Merleau-Ponty alongside the memoirs of Zohra Drif, a young woman member of the Algerian Front de Libération Nationale, in order to explore the (...) worldly and habitual nature of human agency in contrast to the Enlightenment stress on individual rationality and autonomy. Part II turns to John Russon’s phenomenological interpretation of religion in order to argue for the ineluctable significance of religion on human existence, in contrast to the modern tendency to oppose religious tradition and secular modernity. Part III analyzes the dynamics of intercultural communication, and argues for the political power of phenomenology as a critical enterprise that enables more just and emancipatory visions of collective human life and political transformation to come to the fore. (shrink)

War ethics might sound as impossible combination of words – how justify what seems to be unjustifiable? War is prima facie unjustifiable. However, wars are a fact of human reality, and those among us who are unfortunate to live in times of war – in a way it is all of us – would know that the reality is not just a possibility, that prima facie designation does not help in answering what must be done, that unjustifiability does not imply (...) impossibility. We must understand to be able to explain, and to explain to have a valid evaluation, especially when what is happening is important and with far-reaching consequences. Wars are such phenomena. We live amid such phenomena, and we need to understand not only their tragic and often cataclysmic nature, but also their meaning, their structure and logic of their functioning. We should understand that war is not something that happens only to others, nor that it is the matter of the past. In the present volume we have thirty-three essays examining war from many angles, sometimes from the opposite standpoints, exploring some of the most intriguing issues of warfare in times characterized by radical changes in the world in turmoil. The contributions in present volume give an overview of the world’s thinking about war. The volume is certainly incomplete and unfinished, but it gives a lot of thought-provoking incentives to think about the most important aspects of warfare and its broad phenomenology. (shrink)

An exceptional collection of letters, postcards, original writings, and photographs The First World War witnessed an unprecedented mobilization of philosophers and their families: as soldiers at the front; as public figures on the home front; as nurses in field hospitals; as mothers and wives; as sons and fathers. In Germany, the war irrupted in the midst of the rapid growth of Edmund Husserl's phenomenological movement – widely considered one of the most significant philosophical movements in twentieth century thought. Philosophers at (...) the Frontoffers a documentary history of phenomenology in the First World War. Through an exceptional collection of primary source materials (letters, postcards, original writings, photographs) from the Husserl Archives in Leuven, the Bayerische Staatsbibliothek, and the Archives of the University of Göttingen, the complex narratives of how the war affected the lives and thought of central figures in the phenomenological movement are charted. Key figures such as Edmund Husserl, his sons Wolfgang and Gerhart, Max Scheler, Edith Stein, Adolf Reinach, Martin Heidegger, and others are included in this collection of materials. The volume includes reproductions of original material, as well as German transcription of all texts and their English translation. (shrink)

It is over forty years since Merleau-Ponty published his first major work, Le structure de comportement (‘The Structure of Behaviour’) (1942) and a quarter of a century since he died. He belongs, therefore, with Sartre and Marcel, to the first post-War generation of French philosophers. Like his friend Sartre's, his philosophy may be regarded as dated, passé, of no interest or relevance to truly contemporary thought. In philosophical terms forty years are nothing; in terms of trends, fashions and novelties they (...) are an eternity. But perhaps the work of Merleau-Ponty has not dated because it was never in vogue. He did not write plays and novels, or take part in political demonstrations, though he was involved in politics, or win a Nobel prize and refuse to receive it. He was very much a philosopher's philosopher, eminent in his field, well known in academic circles in France but hardly a household name. In this country he is hardly known even in philosophical circles, except by name. More is the pity, since his philosophical approach and manner of philosophizing have much in common with certain modes of British philosophizing, as I hope to show. (shrink)

Herbert Marcuse is one of the most influential thinkers of our time. Born in Berlin, Marcuse studied philosophy with Husserl and Heidegger at the Universities of Freiburg and Berlin. Marcuse's critical social theory ingeniously fuses phenomenology, Freudian thought and Marxist theory; and provides a solid ground for his reputation as the most crucial figure inspiring the social activism and New Left politics of the 1960s and 1970s. The largely unpublished work collected in this volume makes clear the continuing relevance (...) of Marcuse's thought to contemporary issues. The texts published here, dealing with concerns during the period 1942-1951, exhibit penetrating critiques of technology and analyses of the ways that modern technology produces novel forms of society and culture with new modes of social control. The material collected in _Technology, War and Facism_ provides exemplary attempts to link theory with practice, to develop ideas that can be used to grasp and transform existing social reality. _Technology, War and Fascism_ is the first of six volumes of Herbert Marcuse's Collected Papers to be edited by Douglas Kellner. Each volume is a collection of previously un-published or uncollected essays, unfinished manuscripts and letters by one of the greatest thinkers of our time. (shrink)

The analysis explores the main arguments of Noam Chomsky’s short book,Media Controlthat also reprints the monograph “The Journalist from Mars: How the ‘War on Terror’ Should Be Reported.” The problematic is Aristotelian rhetoric and Enlightenment rationality (justice) in civic discourse (Lógos) as compared to the thematic of dialogic reasonableness (Eulógos). Chomsky’s assumption of, and critique of, “old rhetoric” [Aristotle’srhētorikḗ] is followed by a discussion of Chiam Perelman’s “new rhetoric” [presocraticpoiētikḗ/epideiktikos / gērys] and his “incarnate adherence” (givingvoiceto) concept of the Universal (...) Audience as a function of Epideictic argumentation. This is also a critique of Stephen Toulman’s neo-Aristotelian model of rhetorical “warrant” and its connection to Charles S. Peirce’s normative semiotic of the “argument cycle.” Heidegger’s and Lakoff’s concept of discourse framing is associated with Michel Foucault’s rhetoric concept of an ethic of social discourse for the common good (parrhesia) in the age of Umberto Eco’s hyperreality media that displays Baudrillard’s simulacra, such as Donald Trump. (shrink)

Nelson Maldonado-Torres argues that European modernity has become inextricable from the experience of the warrior and conqueror. In _Against War_, he develops a powerful critique of modernity, and he offers a critical response combining ethics, political theory, and ideas rooted in Christian and Jewish thought. Maldonado-Torres focuses on the perspectives of those who inhabit the underside of western modernity, particularly Jewish, black, and Latin American theorists. He analyzes the works of the Jewish Lithuanian-French philosopher and religious thinker Emmanuel Levinas, the (...) Martiniquean psychiatrist and political thinker Frantz Fanon, and the Catholic Argentinean-Mexican philosopher, historian, and theologian Enrique Dussel. Considering Levinas’s critique of French liberalism and Nazi racial politics, and the links between them, Maldonado-Torres identifies a “master morality” of dominion and control at the heart of western modernity. This master morality constitutes the center of a warring paradigm that inspires and legitimizes racial policies, imperial projects, and wars of invasion. Maldonado-Torres refines the description of modernity’s war paradigm and the Levinasian critique through Fanon’s phenomenology of the colonized and racial self and the politics of decolonization, which he reinterprets in light of the Levinasian conception of ethics. Drawing on Dussel’s genealogy of the modern imperial and warring self, Maldonado-Torres theorizes race as the naturalization of war’s death ethic. He offers decolonial ethics and politics as an antidote to modernity’s master morality and the paradigm of war. _Against War_ advances the de-colonial turn, showing how theory and ethics cannot be conceived without politics, and how they all need to be oriented by the imperative of decolonization in the modern/colonial and postmodern world. (shrink)

How can the relative inability of social theory to shed light on the horrors of the late twentieth century be reconciled with the fact that both history and social science earlier devoted themselves to arriving at an understanding of war and violence in the modern world? An answer is provided in five steps. First, the disciplinary evolution of the social science disciplines tends to make them oblivious of important parts of their own heritage and opens up a chasm between the (...) social and the historical sciences. Second, the contribution of military experiences to the formation of the policy orientation of modern social sciences renders them less rather than more capable of reflecting upon war as a societal and historical phenomenon. Third, rational choice theory and historical sociology are relatively unable to arrive at an understanding of the cultural constitution of modernity and share a naturalistic conception of war and violence. Fourth, at least five features of war in the late twentieth century transcend the experiences of modernity. Fifth, in order to grasp these features conceptually, social theory has to acknowledge different varieties of modernity seriously, to elaborate a historical phenomenology of the experiences of war and violence, and to arrive at an actionbased explanation of wars in their societal and historical context. (shrink)

This article contextualises Hegel's writings on international order, especially those concerning war and imperialism. The recurring theme is the tragic nature of the struggles for recognition which are instantiated by these phenomena. Section one examines Hegel's analysis of the Holy Roman Empire in the context of French incursions into German territories, as that analysis was developed in his early essay on ‘The German Constitution’ . The significance of his distinction between the political and civil spheres is explored, with particular attention (...) being paid to its implications for Hegel's theory of nationalism. The second section examines Hegel's development of the latter theory in The Phenomenology of Spirit , stressing the tragic interpenetration of ‘culture’ and intersubjective recognition. A recurring theme here is the influence of this theory on Hegel's interpretation of Napoleon's World-Historic mission, as that was revealed in his contemporaneous letters. Section three traces the tragic dynamic underlying the discussion of war between civilised states in The Philosophy of Right . Section four examines three other types of imperial action in Hegel's mature writings, particularly The Philosophy of History . These are relations between civilised states and culturally developed yet politically immature societies; colonial expansion motivated by capitalist under-consumption; and conflict between civilised states and barbarous peoples. It is concluded that it is misleading to claim that Hegel glorified conflict and war, and that he did not see domination by ‘civilised states’ as the ‘final stage’ of World History. (shrink)

The goal of this article is to break down the dimensions of consciousness, attempt to reverse engineer their evolutionary function, and make sense of the origins of consciousness by breaking off those dimensions that are more likely to have arisen later. A Darwinian approach will allow us to revise the philosopher’s concept of consciousness away from a single “thing,” an all-or-nothing quality, and towards a concept of phenomenological complexity that arose out of simple valenced states. Finally, I will offer support (...) for an evaluation-first view of consciousness by drawing on recent work in experimental philosophy of mind. (shrink)

Ernst Jünger is known for his war writings, but is largely ignored by contemporary phenomenologists. In this essay, I explore his e Adventurous Heart which has recently been made available in English. is work consists of a set of fragments which, when related, disclose a coherent ow of philosophical thinking. Speci cally, I show that, beneath a highly poetic and obscure prose, Jünger posits how subjective experience and poetry allow individuals to realize truth. I relate parts of Jünger’s insights to (...) contributions by Husserl, Heidegger and Merleau-Ponty, arguing that Jünger o ers a unique and valuable contribution to the phenomenological discipline. (shrink)

After being severely injured by a mine explosion in Afghanistan, former British soldier, Harry Parker, wrote about his experiences in his debut novel, Anatomy of a Soldier. Narrated by objects, this ‘novel’ is an innovative and important literary intervention. In this extended review article, I explore the phenomenological and sociological insights of this work. I begin by making two related hermeneutic claims: Firstly, I argue that this work should be understood phenomenologically, exposing how the Self is coextensive with its material (...) world. Secondly, I confront the generic ambiguity of the text and suggest that it should be read as (phenomenologically) autobiographical. Building on this phenomenological interpretation, I then explore three sociological implications of this object narrative method, namely, about motivation, agency, and intersubjectivity: Parker’s narrating objects, I argue, unveil a phenomenologically constituted and temporally elongated form of agency. Overall, I show that this ‘novel’ offers significant insights into experience, behaviour, and Self, both in the context of war and more broadly. (shrink)

_Religion, War and the Crisis of Modernity: A Special Issue Dedicated to the Philosophy of Jan Patočka_ _The New Yearbook for Phenomenology and Phenomenological Philosophy_ provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Ivan Chvatík, Nicolas de Warren, James Dodd, Eddo Evink, Ludger Hagedorn, Jean-Luc Marion, Claire Perryman-Holt, Marcia Sá Cavalcante Schuback, Michael Staudigl, Christian (...) Sternad, and Ľubica Učník. (shrink)

The article presents a comparison of the interpretations of Edmund Husserl’s early philosophy, created in different local contexts: ones by Polish researchers (Kazimir Tvardovsky, Jan Luka sevich, Vladyslav Tatarkevych, Roman Ingarden, Aleksander Rozenblum-Augustowski) in the period 1895-1945, and Ukrainian philosopher Volodymyr Yurynets. This comparison takes place against the background of considering the differences in the conditions of the development of philosophy in pre-war and interwar Poland and the USSR. The author demonstrates the similarity of the readings of Husserl’s phenomenology (...) by Polish researchers and Yurynets and proves that the similarity between them is not only in the thematic focus of criticism of phenomenological philosophy, but also in its validity and level. In addition, the author offers an approach to the study of Yurynets’ figure and work, based on considering him primarily as a representative of Western intellectual culture. In particular, the possibility of considering Yurynets ‘ objections to Husserl’s project of phenomenological philosophy not as determined by ideological dictates, but as symptomatic of the European intellectual culture of the beginning of the 20th century is substantiated. Both Yurynets and the Polish phenomenological movement criticize phenomenology for its lack of coherence, and it is about both the internal coherence of phenomenological philosophy and its coherence with contemporary sciences. Particular attention is paid to the role of Yurynets in the history of Ukrainian studies of phenomenological philosophy in the context of the discussion about the origins of phenomenological studies in Ukraine.The author considers the investigations of the phenomenological movement in Poland to be fruitful for modern studies of phenomenological philosophy in Ukraine - a phenomenon that had a significant impact on the development of a wide range of humanitarian disciplines in Europe in the 20th-21st centuries and which has direct intersections and common personalities with Ukrainian philosophy. The same seems promising for other European local traditions. (shrink)

The complexity and fluidity of emotions in the epic of Mahābhārata present before us an interesting case for delving into the phenomenology of emotions. In the rationalist tradition of Kant, emotions are considered as an impediment to moral discernment. The rationalist account of emotions considers it as an animal instinct which needs to be controlled through the exercise of Reason. The paper problematizes the rationalist interpretation of emotions mainly on two counts. First, it ignores the evaluative content of the (...) emotions and considers it as a non-cognitive element. Second, it also overlooks the productive role of various emotions like guilt, shame, remorse in moral deliberation. The paper critically analyzes the episode of Yudhiṣṭhira’s grief in Śānti Parva and argues that the grief of Yudhiṣṭhira cannot be explained as personal loss. Rather, Yudhiṣṭhira’s grief should be understood as a case of moral conflict where a moral agent finds it difficult to justify his moral choices. Yudhiṣṭhira’s analysis of the futility of war and the condemnation of violence should be understood as the evaluative perspective offered by his emotions. The phenomenological analysis of Yudhiṣṭhira’s grief allows us to understand the significance of emotions in constituting the moral perspective on any conflicting situation. Hence, emotions cannot be relegated to the domain of irrationality rather they become the site where the truth unveils itself. (shrink)

What is religion? What does the concept of religion mean? Today, the word ‘religion’ appears everywhere; a seemingly all pervasive notion associated with a vast array of phenomena, including: war, terrorism, politics, science fiction, morality, and of course, with delusion and irrationality. However, what religion is, or what it means, remains a highly contested matter. It will be the aim of this paper to offer an interpretation of the meaning of the concept of religion by using just one of many (...) philosophical ways of approaching religion, namely; phenomenology as ontology. The paper will focus upon the remaining fragments of three Pre-Socratic philosophers; Anaximander, Heraclitus, and Parmenides, seeking in these fragments the basic conceptual subject matter for an interpretation of the meaning of religion. I will argue that these fragments reveal that the meaning of religion is a relation between being-human and what gets called the arche (or ground of being). Further, I will argue that this relation can be conceptually determined as a quest for ground: the ground of the human sense of being and of grounding thinking, meaning, truth, and purpose… Ultimately, I will argue in this paper that there are two essential characteristics of the meaning of religion as this relation to ground(ing). First, insofar as religion belongs to humans in our being; the meaning of religion may be characterized as the directed-ness of being-human towards meaning and purpose. Additionally, as with all relationships, the relationship that constitutes religion has a ‘towards which’ – or – if you will, a being that is related to. Thus, the second essential characteristic of religion will be disclosed as the arche; that which is the ground of being and as such, that which is otherwise than being. (shrink)

This essay examines contemporary liberal theory in light of the 12 cartoons of the Prophet Muhammad, first published in the Danish newspaper Jyllands-Posten. The objective is both to show the limits of liberal theory, in particular with regard to constituents who do not share liberalism's view of acceptable harm, and to discuss how these limits give us reason to supplement liberal theory with other recourses from critical theory and phenomenology. The essay warns against a bifurcation of law and harm, (...) and instead argues for a pluralization of the possible links between them. To this end, the essay foregrounds what T.M. Scanlon dubs a certain ‘creative instability’, which works to energize liberalism's practice of free speech. The essay tracks this possibility in relation to the plurality and energy intrinsic to the 12 Jyllands-Posten cartoons, and suggests that liberal theory can learn from thinkers such as Merleau-Ponty and Deleuze who focus on the variable impacts and framings of free speech. The upshot is a self-critical theory of free expression, one that links harmful speech to the affirmation of mutual contestation, social equality and respect for difference. (shrink)

From the concrete experience of war, Michael S. Yandell constructs a phenomenology of “negative revelation” in which false or distorted claims of goodness and justice disintegrate and become meaningless, adding depth to the term moral injury.

Empiricism had dominated scientific activities for about three centuries but beginning with the 20th Century a new philosophy, phenomenology, began to develop and certain scientists who conducted research with humans began to turn to phenomenology as the basis for their scientific work rather than empiricism. What was known as the Utrecht School in Holland just after World War II, psychologists at Duquesne University during mid-twentieth century, pedagogists in Canada at about the same time and nurses later in the (...) twentieth century all began to base their research on phenomenological philosophical principles rather than on empiricism. Certain philosophers criticized the approach of these scientists and offered their own praxis based directly on phenomenological philosophy. However, one of the members of the Duquesne University’s group strongly criticized the evaluation of his approach by the philosophers and demonstrated the significant errors of their criticism. The psychologist then clarified his scientific phenomenological approach toward psychological phenomena and emphasized the role of the phenomenological epoche’ and reduction for Husserlian scientific phenomenology. (shrink)

From the 19th century to the present, philosophy has grappled with the domination of received form over ongoing experience and has proposed a return to the concrete in order to ally itself with social and intellectual liberation. My recent book, Groundwork of Phe-nomenological Marxism, identi????ies three historical phases of this task. The ????irst, associated with Karl Marx, takes political economy as its object and projects the liberation of labour. The second, asso-ciated with Edmund Husserl, takes mathematical physics as its ob-ject (...) and projects the liberation of philosophy and the human sci-ences from objectivism. The third takes ecology as its object and projects its central role in the rehabilitation of experienced nature from its objectivistic reduction to a resource—whose latest critical phase consists in the contemporary war between planetary tech-nology and place-based Indigeneity. Depuis le XIXe siècle jusqu’à nos jours, la philosophie s’est battue contre la domination de la forme reçue sur l’expérience en cours et a proposé un retour au concret pour s’allier à la libération sociale et intellectuelle. Mon dernier livre, Les Fondements du marxisme phénoménologique, identi????ie trois phases historiques de cette tâche. La première, associée à Karl Marx, prend l’économie poli-tique pour objet et projette la libération du travail. La seconde, as-sociée à Edmund Husserl, prend pour objet la physique mathéma-tique et projette la libération de la philosophie et des sciences hu-maines de l’objectivisme. La troisième prend l’écologie comme objet et projette son rôle central dans la réhabilitation de la nature vécue depuis sa réduction objectiviste à une ressource – dont la dernière phase critique consiste en la guerre contemporaine entre la techno-logie planétaire et l’indigénéité territoriale. (shrink)

The diaries that detail Ernst Jünger’s time in occupied Paris can be as frustrating as they are captivating. Their tone is often both elegiac and detached, at once keenly aware of and distant from the suffering occurring all around their author. This ambiguity becomes particularly apparent in the contrast between the remarkable everyday encounters the diaries describe and their broader cosmic and world-historical ruminations. In this paper, I want to suggest that this tension can be read as a response to (...) the imperatives through which totalising thought shapes how subjects operating under its confines relate to time itself. This dynamic, which can already be found in Jünger’s own earlier work, is dramatized in the way that the diaries construct the alternative temporal perspective of the witness. The witness here is one who survives outside of, and yet also remains caught between, two temporal imaginaries characteristic of modernity: Totalising historicization – the sweeping narrative of progress that demands the sacrifice of the present individual and individual present – and mechanised temporality, that is, instrumentalised clock time. (shrink)