Ispitujuci ulogu porodice u procesu intergeneracijskog/transgeneracijskog prenosenja traume i secanja, rad pokusava da odgovori na pitanje na koji nacin suocavanje sa neprozivljenom prosloscu utice na zivote potomaka neposrednih pocinilaca i zrtava holokausta, odnosno, na formiranje identiteta tzv. postgeneracije? Sto je vremenska distanca u odnosu na Drugi svetski rat veca, i sto je broj onih sa neposrednim iskustvom i secanjem manji, termini kao sto su pamcenje i sec?anje poceli su da gube svoje ustaljeno znacenje. Kako je istrazivanje pokazalo, i pored odsustva (...) licnog secanja, pripadnici potomaka onih koji su preziveli masivne traumatske dogadjaje subjektivno su duboko povezani sa secanjem prethodne generacije. U skladu sa cinjenicom da samu traumu i secanje nije moguce fizicki preneti na potomke, rad analizira i poredi termine koje je strucna literatura do sada usvojila, kao sto su sekundarna traumatizacija, tercijarna traumatizacija, zatim, eho traume, ali i postpamcenje. Osnovna teza ovog rada jeste da eho secanja, eho traume, suocavanje s prosloscu, ali i istovremena nemogucnost izmirenja s njom, dovode do tzv. krize identiteta postgeneracije holokausta. (shrink)

Forgetting Futures reignites the debate about the crisis of memory and the search to understand the relationship between past and present, remembering and forgetting. In the book Petar Ramadanovic presents an elegant critique of the most significant concepts of memory, from Plato to Nietzsche, as he challenges the prevalent, Aristotelain understanding of memory as mere repeated presentation of the past in the present. Ramadanovic skillfully examines the power of traumatic memory in history. Through an analysis of Cathy Caruth and (...) a ground breaking revisionist interpretation of Toni Morrison's Beloved he shows how the memory of the Holocaust and slavery has shaped American identity. This unique study of memory places trauma, identity, and race under the intellectual microscope resulting in a book of great use for literary and cultural studies scholars, and educated readers seeking to learn more about the relationship between history and memory. (shrink)

In recent decades, memory has become one of the major concepts and a dominant topic in philosophy, sociology, politics, history, science, cultural studies, literary theory, and the discussions of trauma and the Holocaust. In contemporary debates, the concept of memory is often used rather broadly and thus not always unambiguously. For this reason, the clarification of the range of the historical meaning of the concept of memory is a very important and urgent task. This volume shows how the concept of (...) memory has been used and appropriated in different historical circumstances and how it has changed throughout the history of philosophy. In ancient philosophy, memory was considered a repository of sensible and mental impressions and was complemented by recollection-the process of recovering the content of past thoughts and perceptions. Such an understanding of memory led to the development both of mnemotechnics and the attempts to locate memory within the structure of cognitive faculties. In contemporary philosophical and historical debates, memory frequently substitutes for reason by becoming a predominant capacity to which one refers when one wants to explain not only the personal identity but also a historical, political, or social phenomenon. In contemporary interpretation, it is memory, and not reason, that acts in and through human actions and history, which is a critical reaction to the overly rationalized and simplified concept of reason in the Enlightenment. Moreover, in modernity memory has taken on one of the most distinctive features of reason: it is thought of as capable not only of recollecting past events and meanings, but also itself. In this respect, the volume can be also taken as a reflective philosophical attempt by memory to recall itself, its functioning and transformations throughout its own history. (shrink)

Narrative identity is said to consist of a few key reference points—places, events, peoples, ceremonies, rites, ideas, and values—that translate into sites of memory that are representative of a person’s or a community’s past. In this essay I explore the role of traumatic memories in the formation of collective identity, the national or transnational sites of memory that are officialized by the state. I argue that collective traumas need to be counterbalanced by personal memories that can diminish their (...) pain and thus enable people to regain their lost sense of being at home. To demonstrate this claim I discuss the twentieth-century traumas that have affected European identity by and through the life stories of W. G. Sebald’s characters in The Emigrants and Austerlitz, which combines the collective and the personal narrative identity. I conclude that the performative aspect of the past needs to be translated into personal forms of commemoration that surpass the official memory archive, which task requires a comprehensive and sensitive understanding of those traumas at both the individual and collective levels. (shrink)

The paper discusses various aspects of the concept of “cultural memory” coined by Jan Assmann and related both to the problem of determining the categories of culture that became the first objects of philosophical reflection in the era of the Axial Age and to the issues of the modern crisis of the ideology of globalism and multiculturalism. Using the example of some categories of an archaic myth that have not lost their cultural and social relevance at present, the variability (...) of the genesis of philosophy in various civilizations of the epoch of the “Axial Age” is demonstrated - both those in which it arises as an independent form of worldview and those where this process stops at the stage of a highly speculative myth. Special attention is paid to the cultural and social aspects of memory and recollection of the past as forms of spiritual “resistance” to external cultural influences and the preservation of religious and ethnic identity, which is equally relevant both during the genesis of philosophy and in modern post-industrial society during the crisis of globalist ideology and the philosophy of multiculturalism. (shrink)

Memory is everywhere in Blade Runner 2049. From the dead tree that serves as a memorial and a site of remembrance (“Who keeps a dead tree?”), to the ‘flashbulb’ memories individuals hold about the moment of the ‘blackout’, when all the electronic stores of data were irretrievably erased (“everyone remembers where they were at the blackout”). Indeed, the data wiped out in the blackout itself involves a loss of memory (“all our memory bearings from the time, they were all damaged (...) in the blackout”). Memory, and lack of it, permeates place, where from the post-blackout Las Vegas Deckard remembers it as somewhere you could “forget your troubles.” Memory is a commodity, called upon and consumed by the Wallace Corporation, purchased from the memory-maker, Dr Ana Stelline, who constructs and implants “the best memories” in replicants so as to instil in them real human responses. Memory is ubiquitous in Blade Runner 2049, involving humans, replicants, objects, and machines. Even “God,” we are told, “remembered Rachael.” Nowhere, though, is the depiction of memory more important than in the attempt to solve a question of identity. Officer K has a memory of his past. Even though he knows it is an implant, it is a memory he is emotionally attached to, frequently narrating it to Joi, his digital girlfriend. But it is a memory that starts to puzzle and trouble him. When K discovers the remains of a dead replicant, a female NEXUS-7, he uncovers a secret—this replicant was pregnant and died during childbirth, a discovery that could “break the world.” K is charged with hunting down the child and making the problem disappear. Yet as K starts seeking answers to the question of the child’s identity he gets inextricably caught up in the mystery. Is he merely Officer K, or is he Joe, the miracle child of Rachael and Deckard? The answer to this question hinges on K’s memory. But is the memory genuine? Is the memory his? Blade Runner 2049 encourages us to think deeply about the nature of memory, identity, and the relation between them. Indeed, the film does not just serve as a starting point for thinking about philosophical issues related to memory and identity. Rather, as we show in this chapter, the film seems to offer a view on these philosophical issues. Blade Runner 2049 offers us a view of memory as spread out over people, objects, and the environment, and it shows us that memory’s role in questions of identity goes beyond merely accurately recalling one’s past. Identity depends not on memory per se, but partly on what we use memory for. (shrink)

In the present chapter I try to determine to what extent the public policies adopted by Romanian governments following the fall of the communist regime contributed to alleviating the most egregious past injustice, the Holocaust. The measures taken for memorializing the Holocaust will be analysed through the lens of a mixed reparatory justice – relational egalitarian account. Employing such a framework entails a focus on symbolic reparations, meant to promote civic trust, social solidarity, and encourage the restoration of social and (...) cultural capital in societies affected by historical injustices. Such symbolic reparations can include public atonement, changing street names, establishing memorials, funding museums, including Holocaust study in the national curriculum, setting national days for the commemoration of the Holocaust, etc. The need for symbolic reparation has become increasingly clearer in the literature on Holocaust memorialization, and the present paper intends to go a step further, by providing researchers with a theoretical approach that can be used to make better sense of the effects of measures taken as part of the process of Holocaust remembrance. In the chapter I also address the issue of determining who the duty-bearers should be. I argue that there could be several indicators for reparatory justice, including in this case compensation programs and the establishment of institutions that would allow dialogue between descendants of the victims and descendants of the perpetrators, a sine qua non condition for restoring social trust in communities marked by violations of human rights, especially of such a scale as the Holocaust. (shrink)

"Forgetting" plays an important role in the lives of individuals and communities. Although a few Holocaust scholars have begun to take forgetting more seriously in relation to the task of remembering—in popular parlance as well as in academic discourse on the Holocaust—forgetting is usually perceived as a negative force. In the decades following 1945, the terms remembering and forgetting have often been used antithetically, with the communities of victims insisting on the duty to remember and a society of perpetrators desiring (...) to forget. Thus, the discourse on Holocaust memory has become entrenched on this issue. This essay counters the swift rejection of forgetting and its labeling as a reprehensible act. It calls attention to two issues: first, it offers a critical argument for different forms of forgetting; second, it concludes with suggestions of how deliberate performative practices of forgetting might benefit communities affected by a genocidal past. Is it possible to conceive of forgetting not as the ugly twin of remembering but as its necessary companion? (shrink)

In this article the author reflects on some of the most recent instances of the hybridization of identities, brought about by movements of migration in the more general context of globalization. New situations triggered by the epoch-making historical developments of the world we live in require us to modify our notion of individual identity, which is no longer seen as a fundamental and self-referential essence of the individual, but rather as the product of a number of relational variables, many (...) of which arise from processes of ethnic amalgamation and cultural blending. In this new historical condition, one that old styles of thought are no longer able to grasp, the notion of memory is paramount. Memory, as Said has indicated, is connected to Vico’s concept of “invention” as “finding again,” that is, as an incessant process of the remembrance and the discovery of stories that are lived, leading to a “re-creation” and reconfiguration of one’s roots. This article, however, does not simply formulate, articulate and discuss the problem, but also raises the question of its genealogy, locating this in Vico’s distinction between the topical and the critical, that is connected with the triad of memory-imagination-ingenuity, and in certain philosophical positions – such as that of Dilthey, which is specifically acknowledged here – that involve an instance of hybridism, interpreted as a relationship between biological-natural and psychological subjectivity on one hand and historical-cultural identity on the other. (shrink)

Ambiguous Memory examines the role of memory in the building of a new national identity in reunified Germany. Contentious debates surrounding contemporary monuments to the Nazi past testify to the ambiguity of German memory and the continued link of Nazism with contemporary German national identity. The book discusses how certain monuments, and the ways Germans have viewed them, contribute to the different ways Germans have dealt with the past, and how they continue to deal with it as one (...) country. Providing a topography of East, West, and unified German memory during the 1980s and the 1990s, this work contributes to a better understanding of contemporary national identity and society. I show how public debate over such issues at Ronald Reagan's visit to Bitburg, the re-narration of Buchenwald as Nazi and Soviet internment camp, the Goldhagen controversy, and the Holocaust Memorial debate in Berlin contribute to the complexities surrounding the way Germans see themselves, their relationship to the past, and their future identity as a nation. The volume traces how the past was used and abused by both the East and the West in the 1980s, and how these approaches merged in the 1990s. (shrink)

This collection of essays aims to investigate the complex issues surrounding contemporary cultural discourses on land and identity – their production, construction, and reconstruction across a range of different texts and materials. The chapters offer disciplinary and trans-disciplinary approaches opening up discussion and new routes for research in a number of interrelated areas such as Countryside vs. City, Diaspora, Landscapes of Memory and Trauma, Migrational Spaces, and Ecology. They represent a number of innovative contemporary responses to how concepts of (...) land intersect and dialogue with notions of identity across and between regions, nations, races, and cultures. Through employing interdisciplinary methods and theories drawn from diverse sources, such as cultural studies, spatial theory, philosophy and literary theory, the chapters chart varied and complex themes of identity formation in relation to spatiality. (shrink)

The present paper examines certain salient features of the his tory-memory-identity relation. The common feature underpinning most contemporary manifestations of the memory craze seems to be an insecurity about identity, an insecurity that generates an excessive pre occupation with 'memory'. In the face of memory's valorization, what should be the attitude of the historian? At the present moment there is a pathetic and sometimes tragic conflict between what 'memory' expresses and confirms, namely, the demands made by subjectivities, and (...) the demand, essential to any scientific discipline, for proof. The paper explores this conflict and argues that neither term can be reduced to the other. It suggests that one needs to conceptualize the field of history as involving inevitable limits to historical knowledge, such that both history and memory are seen as inadequate. In this way one avoids both the arrogance of a would-be definitive history and the 'arrogance of authenticity' that all too often accompanies claims for memory. (shrink)

Post-communist East-Central Europe is witnessing a clash of memories focused on its recent past. Whereas Western memory is constructed around the “politics of regret” and responsibility-assumption vis-à-vis the Holocaust, Eastern memory focuses to a large extent on responsibility-attribution for the trauma of communist rule. These are comparable traumatic experiences, but due to different “cognitive mapping” and different mnemonic social frameworks, Eastern memory has produced a post-mnemonic framework that allows for a creeping justification of interwar Radical Right ideologies; for the transmogrification (...) some of their standard-bearers into anti-communist heroes and martyrs; and the obfuscation World War II history. In some countries, religion and its past representatives are used for the same purpose. (shrink)

The research is based on a study of short story collections by Israeli writer Ida Fink’s, All the Stories, and French writer Charlotte Delbo’s, Auschwitz and After, to reflect the impact of the Holocaust on autobiographical elements in their work. The authors are representatives of the first generation of Holocaust survivors, which means that the mass systematic genocide during World War II was a personal traumatic experience for them. The works of female writers are studied using the theory of trauma (...) at the genre level. Since autobiography has been considered a documentary genre with its own peculiarities, works about the Holocaust were seen as historical evidence of this event. However, based on the works of Juri Lotman and some principles of Philippe Lejeune’s “autobiographical pact”, we can conclude that autobiography is similar to fiction if it can meet certain aesthetic functions. Under the influence of trauma, the genre of autobiography can be modified in the literary text in such a way that the line between autobiography and fiction is blurred. Ida Fink and Charlotte Delbo write short stories with fictional narrators, but all the situations are certainly the experiences of the writers themselves, who turn to the autofiction and conventions of Philippe Lejeune’s “autobiographical pact” to transfer their memories to literary heroes. The aim of the study is to define the peculiarities of the autobiographical genre, analyze its functions in Holocaust literature, identify poetic elements of autobiography, and prove that there is no canonical form of narration about the Holocaust-Era, as the writers were searching for how to articulate their traumatic experience in experimental forms. (shrink)

Committing the Future to Memory: History, Experience, Trauma by Sarah Clift explores alternatives to the linear temporality of modern historiography through an examination of canonical philosophies of history, memory and identity. Close readings of John Locke and G.W.F. Hegel are set alongside explorations of Walter Benjamin, Hannah Arendt, and Maurice Blanchot, in order to set the book's exploration of philosophical modernity in the context of contemporary interest in finitude, identity and the temporalities of trauma.

Memories and Monsters explores the nature of the monstrous or uncanny, and the way psychological trauma relates to memory and narration. This interdisciplinary book works on the borderland between psychology and philosophy, drawing from scholars in both fields who have helped mould the bourgeoning field of relational psychoanalysis and phenomenological and existential psychology. The editors have sought out contributions to this field that speak to the pressing question: how are we to attend to and contend with our monsters? The authors (...) in this volume examine the ways in which we might best relate to our monsters, and how the legacies of ancient traumas and anxieties continue to affect our current stories, memories and everyday practices. Covering such manifestations of the monstrous as racism, crimes against humanity, trauma as portrayed in music and art, and the Holocaust, this book explores the impact the uncanny has on our individual and collective psyches. By focusing on a very specific theme, and one that excites the imagination, Memories and Monsters stokes the flames of an important current movement in relational psychoanalysis. It will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as professionals in psychology and graduate school students and tutors in the fields of both psychology and philosophy. (shrink)

Grief and its Transcendence: Memory, Identity, Creativity is a landmark contribution that provides fresh insights into the experience and process of mourning. It includes fourteen original essays by pre-eminent psychoanalysts, historians, classicists, theologians, architects, art-historians and artists, that take on the subject of normal, rather than pathological mourning. In particular, it considers the diversity of the mourning process; the bereavement of ordinary vs. extraordinary loss; the contribution of mourning to personal and creative growth; and individual, social, and cultural means (...) of transcending grief. The book is divided into three parts, each including two to four essays followed by one or two critical discussions. Co-editor _Adele Tutter’s_ Prologue outlines the salient themes and tensions that emerge from the volume. Part I juxtaposes the consideration of grief in antiquity with an examination of the contemporary use of memorials to facilitate communal remembrance. Part II offers intimate first-person accounts of mourning from four renowned psychoanalysts that challenge long-held psychoanalytic formulations of mourning. Part III contains deeply personal essays that explore the use of sculpture, photography, and music to withstand, mourn, and transcend loss on individual, cultural and political levels. Drawing on the humanistic wisdom that underlies psychoanalytic thought, co-editor _Léon Wurmser’s_ Epilogue closes the volume. Grief and its Transcendence will be a must for psychoanalysts, psychotherapists, psychiatrists, and scholars within other disciplines who are interested in the topics of grief, bereavement and creativity. (shrink)

In Imagining Europe, Chiara Bottici and Benoît Challand explore the formation of modern European identity. Europe has not always been there, although we have been imagining it for quite some time. Even after the birth of a polity called the European Union, the meaning of Europe remained a very much contested topic. What is Europe? What are its boundaries? Is there a specific European identity or is the EU just the name for a group of institutions? This book (...) answers these questions, showing that in Europe's formation, myth and memory, although distinct, are often merged in a common attempt to construct an identity for its present and its future. In a time when Europe is facing an existential crisis, when its meaning is being questioned, Imagining Europe explores a vital and often unacknowledged aspect of the European project. (shrink)

In this dissertation, I explore the significance of remembering, especially in its communal form, and its relationship to narrative identity by examining the practices that make possible the formation and transmission of a heritage. To explore this issue I use Martin Heidegger and Paul Ricoeur, who have dedicated several of their major works to remembrance and forgetting. In comparing Heidegger and Ricoeur, I suggest that Ricoeur's formulation of the identity of a subject and a community offers an alternative (...) to Heidegger's account. For, if Heidegger's critique of subjectivity offers the possibility of a new relationship to history and community, it nevertheless overlooks the possibility of a humanism that is not tied to a metaphysical account of subjectivity. By contrast, the positive work of remembrance can recover heretofore concealed possibilities through our being faithful to the past, and saving it from the destructive forces of time. To show how the fragility of memory preserves the past against the destructive work of time and brings with it the hope of a better future, I emphasize one specific theme--namely, the debt we owe to the dead, which dissertations the possibility for ethical consideration of an historical community. In this regard, this dissertation pursues two goals. The first task is to elucidate how Heidegger's and Ricoeur's phenomenological projects understand the intimate connection between remembrance and the creation of a community. The second goal of this dissertation is to show how Ricoeur is able to respond to the problems that Heidegger's ontological account of memory raises. The completion of these two tasks will contribute to a phenomenological hermeneutics of memory and forgetting. (shrink)

This chapter focuses on the practice of witnessing from the perspective of a crisis counselor and rape survivor advocate. Weaving together threads of practice and theory, it describes the experience of witnessing others’ trauma, and the asymmetrical process of being an empathic and ethical participant in the recovery of others’ subjectivity. The chapter explores the impact of trauma on a person’s embodied, autonomous, and narrative self, including loss of speech, symptoms recognized in psychiatric literature as PTSD, and anxiety. The (...) author emphasizes the role of narratives both in the recovery of the survivor’s subjectivity and in the preservation of the advocate’s ability to engage in the dialogic and intersubjective process of witnessing. (shrink)

This article combines the model of critical spatiality with collective memory and religious imagination in order to create a theoretical basis from which to study biblical texts. The combination of critical spatiality, collective memory and religious imagination amount to remembered space as hermeneutical method. In order to be able to employ remembered space as hermeneutical method, as applied to Psalm 90 in this article, a number of aspects must be considered. These aspects include the different dimensions of space as per (...) spatial theory, the bases of ancient Near Eastern worldview and spatial orientation, as well as the theoretical principles of collective memory.Contribution: After considering all of these aspects, the article argues that remembered space provides a fresh perspective on the interpretation of biblical texts, highlighting the spatial notions, collective memory and imaginative outcomes underlying biblical texts. As a case in point, Psalm 90 employed remembered space through imaginative remembering to reimagine stability, identity and faith in a post-exilic time of crisis, instability and trauma. (shrink)

This study deals specifically with one of the most relevant issues in neuro-ethics, namely the philosophical classification of so-called memory dampening, which refers to the attenuation of traumatic memories with the help of medication. Numerous neuroethical questions emerge from this issue. For example, how is a person’s identity affected by using such drugs? Does one still remain the same person? Would propranolol, for example, as a memory-dampening agent lead to a fundamental change in one’s identity? Are not a (...) person’s negative memories also part of their identity and present personality? These questions are examined from the perspective of the seventeenth-century Islamic philosopher, Mullā Ṣadrā. The goal is to shed light on the neuroethical foundations of memory dampening and personal identity from an Islamic philosophical perspective. (shrink)

Since the official history-writing is a defining aspect for the formation and consolidation of nation-states, it is crucial to explore the attempts to legitimize particular discourses regarding historical atrocities. The selective representations of the past, in this regard, contradict counter-memories and propagate hegemonic patterns of remembrance and/or forgetting of past crimes. This article accordingly addresses how the representations of counter-memories as threats to national security and the silencing of gender-specific experiences and remembrances by sanctioned historical narratives become manifest in the (...) history-making of the Turkish nation-state. By focusing on the Holocaust and the Armenian Genocide as two cases of crimes against humanity, it is intended to discuss the shifting positions and roles that the Turkish state adopts in the remembering and forgetting of historical offences. The article argues that through prioritizing national security and national interests, the securitization of memory reconstructs collective traumas of distinct ethnic and religious groups on the basis of a nation-state’s perceived internal and external threats. It also claims that the competing voices of women and their distinct experiences and patterns of remembrance and forgetting past atrocities are suppressed for the sake of the preservation of national security. By incorporating the issue of gender into the debate on the securitization of memory, this article elucidates the mismatch between positions of femininity and masculinity within the official national historiography of the Turkish state. (shrink)

In recent decades, memory studies in Colombia in relation to the internal armed conflict have become a point of reference for multidisciplinary work with collectives and communities, and are also an important topic on the state agenda. This article explores the remembering subjectivities, narrative marks and cultural trauma that emerge from the experiences and perspectives in a memory work Antiguo Espacio Territorial de Capacitación y Reincorporación (AETCR) de Pondores. In addition, the tensions involved in thinking about cultural trauma from subjects (...) marked by the exercise of armed violence are analyzed. For this purpose, a narrative analysis is developed that integrates thematic recurrences, expression of the experience, features of orality and structure of the story. The methods used to carry out this study include a participatory approach and life stories of reincorporated persons and the surrounding community in the context of the AETCR. The study focuses on the ways in which memory expressed narratively conceives practices such as forgiveness and coexistence as possible experiences, through the experiences and thoughts of the AECTR community. (shrink)

BackgroundIn Italy, the COVID-19 pandemic has caused a collective trauma. Post-traumatic growth has been defined as the subjective experience of positive psychological changes as a result of a traumatic event. PTG can involve changes in five psychological main dimensions: relating to others, new possibilities, personal strength, spiritual change, and appreciation of life. In the context of national emergencies, those PTG dimensions encompassing changes at the social level can play a role in coping strategies that involve a renewed sense of self (...) and one’s social identities, including national identities, and in turn, foster a stronger sense of trust and connection to others.AimTo investigate how each of the five PTG dimensions mediates the association between the salience of national identity and interpersonal trust in a sample of Italian young adults. Trust in national and European institutions were expected to positively predict the strength of the Italian national identity which in turn was expected to be positively associated with interpersonal trust, and the PTG relating to others dimension to mediate this association.MethodThis study involves the secondary analysis of data from a representative sample of 2,000 Italian young adults. Participants completed a web survey during the peak of the COVID-19 crisis in Italy with measures of trust in EU and national institutions, national identity, interpersonal trust, and the PTG Inventory. Structural equation modeling procedures were employed for key hypotheses tests.ResultsTrust in national institutions positively predicted national identity, which in turn was positively associated with interpersonal trust. Evidence of a full mediation effect of the PTG relating to others dimension on the association between national identity and interpersonal trust was found.DiscussionFindings contribute to clarify the psychological responses to collective traumas. In the context of Italy’s COVID-19 crisis, trust in national institutions reinforced Italian national identity, which was in turn associated with greater interpersonal trust, but only when psychological responses to the trauma involved changes in how individuals perceived and related to others, and not merely a focus on the self. Theoretical and practical implications are discussed. (shrink)

In October 2008, one of the largest bank crashes in history struck Iceland, a country of three hundred and thirty five thousand inhab-itants. The aim of the article is to examine two cultural responses to the crash and the crisis that followed. More precisely, the aim is to analyse how the creation of the haunted house in I Remember You, a crash-horror story by crime writer Yrsa Sigurðardóttir, as well as the spectral half-built houses portrayed by visual artist Guðjón (...) Ketilsson refer quite directly, yet spectrally, to the period. The spec-tral themes of the two works give the opportunity to discuss the moment following the crash as a moment of haunting—but who is haunted and by whom? (shrink)

This paper examines the role of community interventions in post-conflict settings. The focus is on peacebuilding through the shaping of collective memories, achieved through the transformation of social ties. By addressing community interventions, this paper opens the black box between interventions by formal institutions (such as peace treaties, trials, or truth commissions) and outcomes. It is based on a study of one specific cross-community initiative in Belfast, Northern Ireland, which – in 2012 – employed a Transitional Justice Grassroots Toolkit. Document (...) analysis is complemented by interviews with participants and organizers to reveal the role of pedagogical practices, mediated by cohort effects, in facilitating cultural transformation through group interactions. This paper suggests how community interventions can change collective memories, cultural trauma, and related identities of the conflict, away from their polarized and polarizing forms, and it explores implications for future peace and social justice. (shrink)

A century after the World War I, studies on the politics of memory and commemoration have grown into a vast and vital academic field. This book approaches the theme "monument and memory" from architectural, literary, philosophical, and theological perspectives. Drawing on diverse sources - from Augustine to Freud, from early photographs to contemporary urban monuments - the book's contributors probe the intersections between memory and trauma, past and present, monuments and memorial practices, religious and secular, remembrance and forgetfulness. (Series: Nordic (...) Studies in Theology / Nordische Studien zur Theologie - Vol. 1) [Subject: Philosophy, Religious Studies, History]. (shrink)

The present paper investigates and provides an account of the feeling of grief evidenced in certain sectors of the Chilean population after the electoral defeat following the constitutional plebiscite of September 2022 in Chile. How can one experience grief at the rejection of a political referendum? We suggest that the experience of grief is importantly related to a loss of life possibilities and disruptions in one’s practical identity. The outpouring of grief experienced by many Chileans at this political loss (...) can be traced to the importance of the constitutional plebiscite for their identities. The grieving process involves a renegotiation, through memory and future oriented imagination, of past, present, and future aspects of one’s practical identity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Refugees of a Crisis in ReferenceHolocaust Memoir and the Deconstruction of Paul de ManPatrick Lawrence (bio)Since discovery of Paul de Man’s wartime journalism, the debate over perceived ethical deficiencies in the philosophies of postmodernism in general, and deconstruction in particular, has intensified. At times more or less vitriolic or persuasive, this debate has brought about a crisis of scholarship to accompany the crisis of reference that (...) is one of its central points.1 At the horizon of the discussion is the Holocaust and its potential to reform modes of representation. As Jeremy Varon notes in his essay “Probing the Limits of the Politics of Representation”:the premises and insights of a variety of discourses, notably postructuralism [sic], deconstruction, psychoanalysis in its newer versions, metahistory, and postmodern theory in general, have at once been applied to and checked against the Holocaust. Such discourses often approach the Holocaust as a kind of limit case that tests the strengths and weaknesses of their various interpretive strategies.(Varon 84)It seems natural because of its (perhaps incomprehensible) magnitude and significance that the Holocaust should occasion self-testing and soul searching on the part of a variety of discourses, notably those that already inclined to such activities.2 Because of its status as at once radically historical and radically ahistorical (in that its import for history cannot be denied, but that the scope of its horror may transform notions of historicity), the Holocaust calls for a reassessment of all aesthetic, poetic, and theoretical paradigms. In the context of such novel and difficult historicity, the problematization of reference that de Manian deconstruction occasions takes on new and complex implications that need particular attention. This is especially important because, like American deconstruction, artistic representations of the Holocaust also assert a new, problematic relationship with their referent.My intention is not to delve into this debate exhaustively. Rather, I attempt an understanding of the problems of some specific critical-theoretical tenets proposed by Paul de Man as they interact with Holocaust memoirs. Doing so may be a way to understand the larger issue by exploring its expression in a narrow vein: that of literature. Holocaust memoirs as a group have been read as making new claims about their relation to a particular referent—about the inability of fully representing the Holocaust in existing modes—but they also make simultaneous claims about the utter necessity of attempting to do so. It will be helpful to see how this revolution of the relationship of [End Page 17] writing to its referent is perhaps at odds with that other similar revolution, that of deconstruction. I also attempt to put this potential conflict into a frame that may elucidate the reasons for their disconnect, using Lyotard’s well-known attempt at establishing an order of postmodern ethics: The Differend, as well as approaches to trauma and memory suggested by Derrida.My aim here is also not to delve into judgments of guilt or innocence with respect to de Man himself and his activities during World War II. I instead venture into the ways, both positive and negative, but inherently problematic, that his writings come into contact with an event recognized by many as a limit event, one that demands recognition of its historicity, even as it engenders a body of literature that expresses the difficulty of understanding the event itself.There is much in de Man’s writings that forces us to consider the restraints and potential of the means of construction of written texts. Exploring this can lead toward a better understanding of the way that individual texts create and manipulate meaning. To this end, much can be gained from de Manian criticism that makes apparent the contradictory tendency of linguistic constructions to indicate something outside themselves (their referential potential), even while their structures and conventions cast in doubt the reality of this “something.” One makes use of this discourse, not in the hopes of destroying the privilege of referentiality that underlies the structures of testimony, victimization, and trauma, but in the hopes of finding a way for the discourse of memoir (and autobiography) to be reconciled with the discourse of deconstruction in such a way that... (shrink)

Since its establishment in 1979, the Video Archive for Holocaust Testimonies at Yale University has given rise to numerous studies on history, memory and trauma in the wake of the Holocaust. While acknowledging its audiovisual nature, previous accounts have nevertheless failed to consider the significance of this novel archival formation and how it shapes the production and reception of survivors’ testimonies. This article occasions an unlikely encounter between the trauma and testimony discourse as developed by Dori Laub, Shoshana Felman, Lawrence (...) Langer in the context of the Yale archive, and the theory of “technical media” as developed by German media theorist, Friedrich Kittler. It argues that the trauma and testimony discourse has a technological unconscious in the form of videotape technology, which crucially conditions the way trauma is conceived in this discourse. It is only with an audiovisual medium capable of capturing and reproducing evidence of the fleeting unconscious that a discourse concerned with the unarticulated past becomes intelligible. (shrink)

Cinema has long played a crucial role in the way that societies remember and represent themselves. In the last quarter century, film has been an important medium in the public debate around the memory of the Holocaust and of Hiroshima; of the Algerian war for independence and of the Spanish Civil War; of the Allende legacy in Chile, the utopian dreams of 1968, and the aborted project of the German Democratic Republic; in identity formation in Palestine and in the (...) African diaspora. Hedges discusses the role of cinema within a global perspective that spans five continents, and proposes an original typology of cultural memory. In the process, she re-evaluates the contributions of major directors and uncovers hitherto neglected yet important works. The author develops her arguments in an approachable style that will encourage readers to rethink their own memories of films and to reflect on the way that cinema contributes to collective and cultural memory. The book's innovative approach should transform the way that we think of film and its social effects. (shrink)

Eating disorders can be viewed as “embodied acts” that help to cope with internal and external demands that are perceived as overwhelming. The maintenance of EDs affects the entire identity of the person; the lack of a defined; or valid sense of self is expressed in terms of both physical body and personal identity. According to attachment theory, primary relationships characterized by insecurity, traumatic experiences, poor mirroring, and emotional attunement lead to the development of dysfunctional regulatory strategies. Although (...) the literature shows an association between attachment style or states of mind, trauma, behavioral strategies, and various EDs, the debate is still ongoing and the results are still conflicting. Therefore, we believe it is important to examine and treat EDs by understanding which narrative trajectory intercepts distress in relation to narrative and embodied self-concept. Drawing on clinical observation and a narrative review of the literature, we focus on the construction and organization of bodily and narrative identity. Because bodily representations are the primary tools for generating meaning, organizing experience, and shaping social identity from the earliest stages of life, we focus on the role that bodily interactions and sensorimotor and proprioceptive patterns have played in the development of EDs. We consider the role that lack of attunement, insecure attachment, and relational trauma play in mentalizing, affecting self-representation and emotion regulation strategies. The paper also considers a semantic mode of trauma in EDs that involves a top-down pathway through beliefs and narratives about oneself based on lack of amiability, on devaluation, and on humiliation memories. Finally, we would like to highlight the proposal of an integrated model with multiple access model to psychotherapy that takes into account the complexity of ED patients in whom aspects related to dysregulation, body image disintegration, and post-traumatic symptoms are associated with a suffering sense of self and a retraumatizing narrative. (shrink)

ExcerptIn its conceptualization, research, and nuanced analyses, this book goes far beyond being merely yet another monographic contribution to the extensive literature on postwar Germany and Jewish Holocaust survivors. Focusing on the “interactions, encounters, and confrontations” (5) among Jewish survivors and refugees, defeated Germans, and occupying forces, Atina Grossmann provides a gender-oriented social history replete with contradictions, struggling memories and narratives, and “overlapping and fluid identities.” In doing so, she explicitly challenges what she perceives as an “undifferentiated” history distorted by (...) the inception of the Cold War and a predominant “Zionist-inspired narrative” (5) as well as by those studies emphasizing…. (shrink)

Abstract:Photographic representation promises the possibility of an identical reappearance, which has often been labeled as a window to the past moment, as if one were just looking through the image surface to the moment itself. But the represented past present is actually always already different in every present in which it is presented.In the story of Butades’s daughter, in which a young woman traces the shadow of her lover, who will soon march off to war, the drawing will only become (...) visible once the person throwing the shadow has left his place. Thereby, the present in which the shadow had been traced becomes the past of the presently visible, traced shadow on the wall.The same applies to photographs, as by its technical condition, a photograph appears always in the future of the recorded moment. In both, the tracing of the shadow and the recording of a photographic image, the image develops what I want to call a post-visibility in reference to the present of the traced moment.Post-visibility is what photography has in common with a constructed historical remembrance. History is written retrospectively. In the present one can only anticipate what will be considered important in future retrospection. As Emil Angehrn observes, that which becomes history is not predetermined by the past and its present-day testimonials and residues, but is ultimately entrusted to the writing of history.As a particular field of historical commemoration I compare specifically the remembrance constituted by German war memorials before WWII, when the memorialization became more anonymous, with photographic memory. The essential difference between photographs and historical remembrance is that the photograph is necessarily recorded in the moment of a present perception in expectation of an event, its course unknown on recording, while historical narratives tell the story from its end. (shrink)

“Hallo, hier ist Jeff ” / “Hello, this is Jeff ” — the typical words, distinctively articulated, the hint of a question mark, when Jeff called you, usually with a splendid idea for a “nice little symposium”, some conference, an invitation to give a lecture, to participate in a colloquium, to contribute an article. During the decades I have known him, never once has there been less than complete commitment to semiotics, an ongoing fascination that never slackened, paired with an (...) outlook, principally in regard to politics, going far beyond the confines of a scholarly field. It was an inclusive vision of the world that was typical of him, albeit a Weltanschauung guided by unequivocal conceptions and based on ample reflection. Even so, Jeff had no misgivings about assumptions divergent from his own although these were deeply held: rather, that plurality seemed to energize him even more, and the resulting expression of his views would, as a rule, get highly animated and intense. His engagement had to be strong: semiotics has hardly ever been a popular discipline (discounting a brief voguish celebrity in France,chiefly caused by a deficient and reductive reception of Barthes). Indeed semiotics was (and still is) widely considered to be a pretentious undesirability, maybe particularly in Jeff’s native Austria (where he organized all the same a very substantial number of subsidized colloquies). It was, I think, not least the tenacity resulting from an inauspicious situation which made Jeff such a fighter. No doubt, he had to be ─ his outstanding services to semiotics in general, that’s to say in large measure on the international scene, by no means a setting mastered easily, give ample proof. And prodigal too was the incredible amount of publications to his credit, pouring forth in rapid succession, throughout the years. The loss we had to suffer this year will be felt for a long time; at least there are the memories of unparalleled engagement and the testimony of a stupendous oeuvre. And for some among us there are even quite private remembrances to cherish: in my case, for instance, an extended visit of Jeff’s ─ not so long ago at our place in south-western France ─ together with his companion and collaborator Gloria Withalm. (shrink)

At the heart of the Israeli-Palestinian conflict rages a struggle between two foundational tragedies: the Jewish Holocaust and the Palestinian Nakba. The contending ways in which both events are commemorated is a known feature of the conflict. Less known are marginal attempts to jointly deliberate on them. This article draws on such attempts to theorize a postnational conception of memory. Deliberating on the Holocaust and the Nakba, it argues, challenges the way nationalism structures ‘our’ and ‘their’ relationship to the past. (...) While nationalism seeks the congruence of memory and territory, postnationalism challenges this congruence. Doing so entails extending the communicative bounds of memory beyond national members, disrupting the territorialization of memory along national lines, and critically revising national narratives in light of a cosmopolitan memory. The article explores these three dimensions and offers a typology that differentiates the way nationalism and postnationalism mediate our relationship to the past. (shrink)

ABSTRACTThis essay reviews the recent book by Carolyn Dean that seeks to elucidate the ways in which complaints about a “surfeit of memory” and the privileging of Jewish victimization during the Holocaust as unique and as the emblem of radical evil in our times has shaped discussions of victims in general, creating an environment in which groups vie for victim status as a means of validating their grievances and making claims for justice. The hostility to such claims has, Dean argues, (...) created antivictim discourses that end up generating aversion toward victims, primarily by denying the validity of their claims to suffering and, in the case of Jews, projecting them as “perpetrators” in their neglect of the suffering of others. At the same time, Dean argues, the demand that victims narrate their suffering in the aesthetically constrained style of “minimalism” equally undermines the legitimacy of victims' memories by demanding that they be presented in an already mastered form, thereby erasing the very trauma that, in principle, such narratives seek to represent.At stake in the debates concerning Holocaust memorial consciousness and its proper modes of representation, this article suggests, are larger historiographical and ethical issues about how to integrate the horrors of the past and the traumatic experience of terror into the normal protocols of historical writing, which rely on distance, objectivity, and interpretive critique as governing procedures. To incorporate terror into historical representation will mean acknowledging and accepting as historiographically legitimate the differing status of analytically recuperated “facts” and victim testimony and finding a way to theorize the reality of “voices” from the past without assuming the necessary “truth” of what they convey. (shrink)

Ten years after the assault on the World Trade Center, the National September 11 Memorial and Museum was opened to the public. Built amidst the busy financial corridors of Lower Manhattan, the memorial was designed to provide a tranquil space for honoring those who perished in the terror attacks. Yet reading the 9/11 Memorial in terms of public remembrance fails to account for either the ontopolitical impact of the attacks as an event that continues to unfold or the contingent relationship (...) of the monument to modes of narratizing 9/11 trauma. To counter the recuperation of the 9/11 Memorial within nationalist security discourses, this essay employs an object-oriented framework to evaluate how 9/11 texts, political symbols, and memorial components operate as things-in-themselves, retaining individual agency apart from human motivations. Theorizing the signifer of “9/11” as a fiction productive of homogenized affect, I argue that the 9/11-signifier stabilizes the equilibrium of the state by suppressing the agency of objects that propose ways of relating to 9/11 that challenge the “hyperrelational” logic of United States security constructs, whereby all objects are said to be interconnected through a conflation of the marketplace, Constitution, and God. In preserving the material displacement of objects from familiar spatiotemporal locations, however, I contend that the 9/11 Memorial deterritorializes becoming from human subjectivity to withdrawn objectal being, in turn creating space for an uncanny affirmation of difference. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:CALL FOR PROPOSALS TRAUMA AND HEALING 12TH EAST-WEST PHILOSOPHER’S CONFERENCE MAY 24-31, 2024 The 12th East-West Philosopher’s Conference will explore the many dimensions of trauma and healing. While trauma can be physical, it can also be psychological, social, political, economic, and cultural—encompassing the immediate effects of global pandemics, the ongoing impacts of ethnic and gender bias, the intergenerational legacies of colonization and geopolitical strife, and the planetary ramifications of (...) anthropogenic climate disruption. Ours is an era in which differences of histories, cultures, and identities are engaged as sources of insight, but also one of retrenchment—a period of relational appreciation, but also one of schism. The global scientific community’s response to the COVID-19 pandemic was a stunning example of human potential for empathetic collaboration in the face of global personal and public health trauma. Yet, the economic trauma of the pandemic has resulted in crumbling international alliances, deepening trade wars, and an unfortunate collective reinvestment in zero-sum endgame framings of geopolitics against which there is no vaccination and through which the terms of healing have become delinked from the restoration of global wholeness. These traumas do not stop shaping our lives when the immediate danger comes to an end. Traumatic pain remains stored in the memories of peoples and individuals, it populates their imagination and shapes horizons of possibility. Thus a philosophical exploration of trauma and healing is not only diagnostic of current problems but also a form of genealogy. We invite participants to reflect upon the relational complexity of both trauma and healing, critically and historically engaging concrete occurrences of trauma while also drawing out theoretical insights regarding healing that strengthens and empowers and resists the forms of personal and social amnesia that make the repetition of trauma so tragically common. Of special interest are panels and papers that explore the trauma and healing at all scales from the interpersonal, to the relational traumas experienced by nations at war and cultures in conflict, thus addressing the interplay of the private and public spheres, of ethics and economics, of the human and the natural sciences, and among disciplines, classes, genders, and generations. Panel and paper proposals are encouraged that explore trauma and healing during the ongoing COVID-19 pandemic, the trauma of refugees, displaced and colonized peoples, trauma and healing in personal relationships, climate change as a form of trauma to the planet and its people, trauma and healing related to issues of gender and sexuality, and how philosophers of all traditions, ancient and modern, cross-culturally deal with trauma and healing. KEYNOTE PRESENTERS: Jin Y. Park, Chair of Philosophy and Religion at American University, Washington DC, “Translating Violence.” Ato Quayson, Jean G. and Morris M. Doyle Professor of Interdisciplinary Studies at Stanford University, CA, “The Ethnography of the Private Sphere: Trauma, Domesticity, and Healing in the Work of Toni Morrison.” We invite proposals for individual papers and panels. Please submit a 250-300 word abstract to the Conference organizers via: ewpc2024@gmail.com. Submission Timeline: November 1, 2023 Notifications of acceptance for abstracts and panel proposals received by November 1 will be sent out by December 15, 2023. We have established an early submission timeline to facilitate faculty applying to their own institutions for travel funding. Abstracts received after November 1, 2023, will be vetted as received, taking into consideration the late submission. The absolute deadline for abstract submissions is March 15, 2024. After this, we will not be able to accommodate additional proposals. Final Papers Due: April 15, 2024 CONFERENCE REGISTRATION AND LOGISTICS: Hosted in keeping with the Hawaiian Islands’ spirit of aloha, breakfast and lunch will be provided for all registered presenters, as well as an opening reception and final dinner. The Conference does not provide lodging or travel support, but economical lodgings of various kinds are readily available in Honolulu. ABOUT THE EAST-WEST PHILOSOPHER’S CONFERENCE: The East-West Philosophers’ Conference series is the premier forum for convening philosophers from across the academy who are committed to cross-cultural inquiry. The Conference is the oldest continuous international gathering in Hawai‘i and has been a model of productive collaboration between the University of Hawai‘i at... (shrink)

Viewed through the prism of gender, race and generational change, memories of the Holocaust acquire a dynamic and a salience that differ substantially from one group to the next. This article examines the role of gender in sustaining and reconfiguring such memories in Germany; it argues that female victims and perpetrators are moving towards common ground in processing Second World War experiences as they anticipate their own deaths. Ranging from active collaborators to bold resistance fighters, some women proved both deeply (...) reflective, others almost oblivious to the horrors occurring around them, as revealed by (auto)biographical texts. ‘Women under the Nazis’ were not a subordinate, uninformed mass, easily exploited by a megalomaniacal patriarchal establishment; still, their many roles were rated as ‘insignificant’ in configuring the master narrative. The unequal treatment accorded women in the 1940s still shapes the unequal slave-labor compensation accorded women half a century later. This raises new questions about the need to re-establish communication between the generations for the purpose of transmitting lessons of world-historical magnitude linked to the Holocaust. (shrink)

This article aims to rethink the trauma of the 1947 Partition of British India through the figure of the border. It is at the border that we can see how the present is as much constituted by the concentration of new realities that call for shifting frameworks of understanding as it is by past events that continue to haunt memory. It undertakes this task through a close reading of the trope of borders in Saadat Hasan Manto’s 1953 short story, ‘Toba (...) Tek Singh’. Partition fiction serves as a fruitful ground for developing new approaches to that history because, in part, literature is uniquely situated between representation and theory, between what a text represents and how it represents. In Manto’s story, the border is embodied in its central protagonist, Bishan Singh, who experiences an ontological struggle between being and belonging that exceeds the particular historical, geographical, and national context of the Partition. I suggest that the division of British India signaled a unique rupture within the subcontinent in which the creation of borders became the defining traumatic event of that history. This article thus moves away from the familiar nationalist rhetoric that has otherwise dominated conversations about the 1947 Partition of British India. It focuses instead on the geographical border as a conceptual figure that is at once spatially and corporeally oriented to a collective identity that exceeds nationalist frameworks of reference. (shrink)

This paper explores how the "environmental turn" for the last 25 years has been shaping remembrance of the destruction of Europe's Jewish populations. I argue that climate change is not just one more catastrophe to pass into the broad analogical field of the Holocaust. In fact, international Holocaust consciousness and understandings of what we now call the Anthropocene have long been intertwined and mutually constitutive. The paper starts in the 1990s with acclaimed writers Anne Michaels and W.G. Sebald, who sought (...) to recast the Holocaust's significance to modernity against a long backdrop of geologic time. Their memorial fiction, which grounds the history of the Holocaust in the eroding landscapes of Europe, reflects a growing and urgent global concern for the vulnerability of the environment and a sense of man's responsibility for preserving human and biological life. The paper then moves through more contemporary examples of the sublimation of Holocaust memory in discourse about global warming—evident in terms like "climate change denial" and calls to "bear witness" to mass extinction events. For better or worse, journalists and scholars who write about environmental activism frequently call on memory of World War II and genocide in order to redefine what constitutes "grievable life." Example authors include historian Timothy Snyder, who has predicted that climate change may lead to new genocidal wars over Lebensraum ; scientist James Lovelock, who has urged nation states to consider how to limit the coming influx of climate refugees; theorist Bruno Latour, who has argued, via Nazi philosopher Carl Schmitt, that we must "name our enemies" in the new climate wars; and essayist Ari Brostoff who has attempted to think climate catastrophe through Walter Benjamin's meditations on the angel of history. The implicit question in all of their work is this: What histories and philosophical traditions can help us redefine humanity's entangled relationship to nature in order to take political responsibility for saving life on Earth? In other words, the Anthropocene requires "a usable past"—but what will that usable past be? (shrink)

This article deals with the analysis of concepts of national identity and ethnicity as the "cluster of ideas" and/or concepts which have similar constitutive elements. This article intends to analyze the relationship between these concepts and the concept of memory culture. Finally, the author is attempting to discuss the concept of memory culture as the segment of cultural identity. U okviru ovog ogleda autorica predlaze utvrdjivanje zajednickih konstitutivnih elemenata pojmova nacionalni identitet i etnicitet, kao i promisljanje odnosa navedenih (...) pojmova i pojma kultura secanja. Ovi pojmovi se mogu analizirati kao " grozdovi ideja " i/ili skupine pojmova koji poseduju izvesne specificne konstitutivne elemente. U ogledu se predlaze razmatranje kulture secanja kao segmenta kulturnog identiteta. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Archive TraumaHerman Rapaport (bio)Jacques Derrida. Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: U of Chicago P, 1996. Trans. of Mal d’archive. Paris: Galilée, 1995.The occasion for Archive Fever (Mal d’archive) was a conference held at the Freud archives in England and the society that it serves. Throughout his lecture, Derrida returns to a number of problematics that he had considered earlier in his career with respect to (...) writing, in particular, issues raised in The Post Card that concern the destiny of the letter as legacy. No doubt the post cards, such as Derrida had considered them, were already a fascicle or archive of some sort, a sheaf of papers burning with some kind of fever or madness. So, for example, on September 7, 1977, one of the envois, as if cut to ribbons, reads in part as follows. And yet— No literature, yes, but still. Our delinquency, mylove, we are the worst criminals and the first victims. I would like not to kill anyone, and everything that I send you goes through meurtrières [murderesses; fortification openings for weapons]. As for the children, the last ones I might touch, the holocaust has already begun.We have never yet seen each other. Only written.[67–68]What exactly has Derrida archived here? Toward the back of the fascicle of cards Derrida will admit “that I will die without having understood anything” [247]. One wonders. Is this inevitable failure to understand constitutive of archive fever?Let’s start again. There is misunderstanding in the archive. It’s inevitable. And moreover, we have archives—we preserve archives—because there is something in them that defies understanding but that we want to grasp. In the archive that is Derrida’s fascicle of missives, the matter that defies understanding is as conspicuous as it is feverish. There is, for example, a rampant death wish that cannot decide whether to act or be acted upon, hence the wish not to kill and yet the wish to shoot something through the meurtrière. This, by way of verbal association, links up with the sending of something by way of a murderess. And then, the fragment of yet another fantasy, the holocaust of children and their being touched—by way of the murderesses? the malicious missives or orders that the subject has passed on to them? the kindness of the one who fantasizes and nostalgically holds on to them before the end? Obviously, one could speculate at length; indeed, we are supposed to speculate at length. Then the final scrap, “We have never yet seen each other. Only written.” Does this refer to the desk murderer and his accomplice? Or something more benign?Consider The Post Card to be the displaced main act of Archive Fever. As such The Post Card may well be Archive Fever’s phantom limb, something essential that has been cut off and that haunts the text. What sets Archive Fever apart, however, is that whereas the envois of The Post Card were, in essence, staged as a private correspondence inhospitable to onlookers, the Freud archives are being thought through from the [End Page 68] perspective of a public institution or apparatus that houses and is hospitable to that which it capitalizes upon, namely, the memory of something that would otherwise be lost. Still, as Derrida reminds us, perhaps with Archive Fever’s phantom limb in mind, archives occur at that moment when there is a structural breakdown in memory. This contrasts rather sharply with Michel Foucault’s view in The Archaeology of Knowledge that archives are, in essence, the textual systematization of their own enunciability and that, as such, they are predicated upon mnemonic reliability. Derrida’s archive, in contrast, is mnemonically unreliable insofar as it is somewhat feverish, hallucinatory, fragmentary, and, as in the case of The Post Card, somewhat sick (“as for the children... the holocaust has already begun”). In short, where there is regularity and efficiency in Foucault’s archive, there is trauma in Derrida’s.This trauma in the archive is what, I think, Derrida is referring to when he speaks of there being a mal d’archive. After all... (shrink)

The questions raised by Māori identity are not static, but complex and changing over time. The ethnicity known as “Māori” came into existence in colonial New Zealand as a new, pan-tribal identity concept, in response to the trauma of invasion and dispossession by large numbers of mainly British settlers. Ideas of Māori identity have changed over the course of succeeding generations in response to wider social and economic changes. While inter-ethnic marriages and other sexual liaisons have been (...) common throughout the Māori-Pākehā relationship, the nature of such unions, and the identity choices available to their descendants, have varied according to era and social locus. In colonial families, the memory of a Māori ancestor was often deliberately suppressed, and children were encouraged to deny that part of their history and “become” European New Zealanders: a classic form of what we call “trans-ethnicity.” From a Māori perspective, the relationship with Pākehā has been marked by a series of losses: loss of land, language, social cohesion, even loss of knowledge of whakapapa. This article explores this last form of loss, which leads to “suppressed” Māori identities, and possible effects of attempting to recover such lost Māori identity rights. (shrink)