This article has two objectives. In the first part, I present a critical overview of the extensive anthropological literature that may be deemed “phenomenological.” Following this critique, which is built up around a classification into four different varieties of phenomenological anthropology, I discuss the relationship between phenomenological anthropology and the ontological turn (OT). Contrary to received wisdom within the anthropological discipline, I suggest that OT has several things in common with the phenomenological project. For the same reason, I argue, it (...) is not accurate to posit OT and phenomenology as opposing or antagonistic projects, as they are often depicted among critics and advocates of OT alike. On the contrary, I go as far as suggesting, OT may be understood as one of the most concerted attempts anthropology has produced to realize a distinctly anthropological version of Husserl’s method of phenomenological bracketing, namely what could be called the ontological epoché. (shrink)

This article examines the relation between two key, but seemingly opposed concepts in Jan Patočka’s thought: epoché and the concrete institutional polis. In doing so it attempts to elucidate the inextricable relation between phenomenology and politics in the work of the Czech philosopher, and illustrate more broadly the possibilities for approaching the political from a phenomenological perspective. The article provides a phenomenological interpretation of “care for the soul” as closely linked to Patočka’s reformulation of the core phenomenological notion of epoché. (...) It argues that in Patočka’s work, the epoché, traditionally conceived as a radical stepping back from the world must be rendered differently, not only as a negative freedom, but as the foundation of positive politics. Thus, the authors argue that there is a thematic and conceptual continuity between Patočka’s phenomenological studies and his political work. (shrink)

In Husserl’s phenomenology, there are two essential moments; one is the Epoché which makes the phenomenology possible, the other is the teleology of science which directs it to its own goal (telos). The former, later appeared in Husserl’s text, does not seem quite consistent with the latter – on the contrary, theseseem so exclusive that a question arises as to whether Husserl could reconcile Epoché with teleology consistently claimed from the beginning of his career. My aim in this paper is (...) to reveal their conflict in Husserl’s phenomenology, confining my argument to the science as teleological activity which had been claimed from Logical Investigations (1900) to his last work Crisis (1936). The plan is as follows; firstly we will confirm that Husserl defined the idea of the science as an activity which tends to one universal science; secondly we will examine that when he innovated the Epoché as the phenomenological method (Ideas 1, 1913), he confined the range of Epoché in such a science; thirdly we will prove that in his last work, this idea of the science remained in the form of “teleology of history”claimed by Husserl to be possible only by the Epoché; finally we will examine the inconsistency between the Epoché and the teleology, making reference to the critique of Jan Patočka. (shrink)

Epochs are constituted by their differentiated repertoires of knowledge and concepts, and also by distinctive metaphors. Metaphors shape the sensibility of an era and define its core ideas and style of thinking. This volume compiles essays from linguistics, literary studies, and philosophy in order to understand the genesis, structure, and function of metaphors typical of an epoch.

schon die Aufklärer lebten „in der Aufklärung“: dieser Epochenbegriff ist nicht rückblickend entstanden, sondern wurde von den Zeitgenossen selbst geprägt. Doch wie ist „Aufklärung“ als tragfähiger historisch-politischer Epochenbegriff zu fassen? Das neue Studienbuch verknüpft Politik-, Sozial- und Wissenschaftsgeschichte mit der ideengeschichtlichen Substanz der Zeit und zeichnet ein innovatives Epochenbild. Frühe Neuzeit vom Ende des Dreißigjährigen Krieges bis zur Französischen Revolution Aufklärung - abgeschlossene Epoche oder offenes politisches Projekt? Erweiterung des Horizonts und Erfahrung der Welt: Bewusstseinswandel am Beginn der Moderne Entstehung (...) der Wissensgesellschaft Veränderungen der historisch-politischen Konstellation: Staatensysteme, Kolonialismus, Diskurse von Macht und Herrschaft Orte, Protagonisten und Denkfiguren der europäischen Aufklärung. (shrink)

In recent decades, several authors have claimed that an epoch-making change in the development of science is taking place. A closer examination of this claim shows that these authors take different – and problematic – concepts of an epochal break as their points of departure. In order to facilitate an evaluation of the current development of science, I would like to propose a concept of an epochal change according to which it is not necessarily a discontinuous process that typically begins (...) in a subarea of the sciences, has far-reaching consequences for the entire system of the sciences, and can be observed by contemporaries as early as during its initial phase. Taking this concept as my point of departure, I discuss various candidates for the status of an epochal transformation in the recent development of the sciences. Although there are sound reasons to doubt that an epochal break is currently taking place, one must concede that the sciences are probably in a profound transformation, which could unfold in various directions, perhaps even leading to epoch-making new characterizations of the sciences. (shrink)

Depuis son commencement chez Platon et Aristote, la philosophie se définit comme phénoménologie : comme un logos se portant lui-même à l'apparaître dans un pur intuitionner. Selon les derniers traits de sa philosophie dans la phénoménologie spéculative de Hegel et dans la phénoménologie transcendantale de Husserl, se signalent sa réduction au phénomène Esprit et la thèse originaire de l'Ego à travers une « relève » et une « époché » qui, elles, ne semblent pas davantage réductibles. À la lecture d'un (...) poème de Paul Celan – Parenthèse ouverte, parenthèse fermée –, il devient clair que la poésie trouve la manière de conduire encore le résidu transcendantal et spéculatif de la phénoménalité, de l' aisthesis et de la thesis à ses plus extrêmes limites, de dépasser celles-ci, d'exposer le résidu dans une aphénoménalité absolue et de parler avec ce reste dépourvu d'apparence et de parole. (shrink)

In this contribution, I will focus on Chogyam Trungpa's presentation of the basic practice of samatha-vipassana sitting meditation, assuming that his description is almost scientifically meticulous, similarly to Husserl's phenomenological descriptions, and allows the latter to be endowed with concrete richness and practical operability. Meditation is an activity that develops attentional qualities which are extremely accurate, i.e. both very well-defined and remarkably embodied. I will first detail the different forms of attention inherent to meditation, then show how they surprisingly echo (...) some of the gestures specific to the phenomenological Husserlian reduction. In other words, I will adopt a circular method of random comings and goings between the two, in order to gradually create, in the reader's mind, echoes and resonances between practices that reveal experiential relationships between them. (shrink)

This paper aims to investigate the relationship between the phenomenological epoché and the phenomenological problem of the relationship between the consciousness and the world. Initially, the article examines the first implication of the exercise of epoché : the idea of "loss of the world." Then examines the second implication of this exercise: the idea of "recovery of the world" in the transcendental consciousness. Finally, the article elucidates the specificity of phenomenological idealism of Husserl. The widespread exercise of the epoché does (...) not imply a denial of the existence of the world. The task of this idealism is elucidate the phenomenological sense of this world that is formed intentionally in the transcendental subjectivity. (shrink)

The Anthropocene is a radical reconceptualisation of the relationship between humanity and nature. It posits that we have entered a new geological epoch in which the human species is now the dominant Earth-shaping force, and it is rapidly gaining traction in both the natural and social sciences. This article critically explores the scientific representation of the concept and argues that the Anthropocene is less a scientific concept than the ideational underpinning for a particular worldview. It is paradigm dressed as epoch. (...) In particular, it normalises a certain portion of humanity as the ‘human’ of the Anthropocene, reinserting ‘man’ into nature only to re-elevate ‘him’ above it. This move promotes instrumental reason. It implies that humanity and its planet are in an exceptional state, explicitly invoking the idea of planetary management and legitimising major interventions into the workings of the earth, such as geoen-gineering. I conclude that the scientific origins of the term have diminished its radical potential, and ask whether the concept's radical core can be retrieved. (shrink)

This article deals with “epoch” and “epoché”, each of which plays a central role in Heribert Boeder’s thought. Because it understands itself as the building of rational wholes, or logoi, his thought - but also that which it builds - is termed the “logotectonic”. The first part of the article situates the logotectonic epoché in the phenomenological tradition, particularly with respect to its key manifestations in Husserl and Heidegger, while also setting it off from that tradition. It is shown to (...) be not a method of access to consciousness, to say nothing of a withholding of Being, but rather a fundamental reticence on the part of the inquirer with respect to what has been thought. It is an exclusion of one’s idiosyncrasies in order to approach what has been thought in and on its own terms. It is this new epoché, and it atone, that gives access to the epoch in Boeder’s sense. Each of three epochs of philosophy is governed by a unique principle, which is given voice in the wisdom proper to that epoch atone and to which philosophy responds (either negatively or positively). The character of this response is the basis of Boeder’s claim that the history of philosophy is the “crisis of principles.” The principle of a given epoch determines the tasks to be accomplished by the philosophy of that epoch. Once the full range of tasks is completed, the epoch is concluded, making way for a new principle and thus a new epoch. The succession of epochs comes to an end, however - in Hegel. In view of this end, the article then takes up the subsequent “periods” of thought: modernity and submodernity; it seeks to show briefly how neither constitutes an epoch, but also how the end of submodernity coincides with the opening up of the possibility of rescuing wisdom from its oblivion and granting it a present that makes dwelling possible once again. This is precisely task that moves the logotect and, by extension, the logotectonic. (shrink)

Some clarification is attempted for concepts of what is often loosely called “phenomenological reduction” in general and its most important species for the cultural disciplines.

This essay interprets the epoché of ancient scepticism as the perpetual conversion of the love of one into the love of two. The process of one becoming two is represented in Plato’s Symposium by Diotima’s description of the second rung of ‘the ladder,’ by which one ascends to the highest form of philosophical devotion (Pl. Sym. 209e-210e). Diotima’s ladder offers a vision of philosophy as a total conversion of both the lover and the object of love (or philosopher and object (...) of knowledge). I suggest that scepticism, however, is found in the frustration of Platonic ascension, which results in a partial conversion. Because the process of conversion (from the love of one to the love of One) remains suspended midway, the sceptic’s transformation is erotic—this is to say, driven by a desire that is characterised by a split (which may be identified between subject and object, between incompatible objects of desire or knowledge, or within the subject herself). (shrink)

The eclipse predictor (or Saros dial) of the Antikythera mechanism provides a wealth of astronomical information and offers practically the only possibility for a close astronomical dating of the mechanism. We apply a series of constraints, in a sort of sieve of Eratosthenes, to sequentially eliminate possibilities for the epoch date. We find that the solar eclipse of month 13 of the Saros dial almost certainly belongs to solar Saros series 44. And the eclipse predictor would work best if the (...) full Moon of month 1 of the Saros dial corresponds to May 12, 205 BCE, with the exeligmos dial set at 0. We also examine some possibilities for the theory that underlies the eclipse times on the Saros dial and find that a Babylonian-style arithmetical scheme employing an equation of center and daily velocities would match the inscribed times of day quite well. Indeed, an arithmetic scheme for the eclipse times matches the evidence somewhat better than does a trigonometric model. (shrink)

Written nearly fifty years ago, at a time when the world was still wrestling with the concepts of Marx and Lenin, 'The Illusion of the Epoch' is the perfect resource for understanding the roots of Marxism-Leninism and its implications for philosophy, modern political thought, economics, and history. As Professor Tim Fuller has written, this "is not an intemperate book, but rather an effort at a sustained, scholarly argument against Marxian views." Far from demonising his subject, Acton scrupulously notes where Marx's (...) account of historical and economic events and processes is essentially accurate. However, Acton also points out that Marx is generally right about things that were already widely known and accepted in his own time and indeed had been long understood in the nineteenth century. On the other hand, Acton shows that in many cases Marx either is simply wrong or has stated his views so as to render his theories immune to disproof. Acton also explains why the embodiment of Marxist-Leninist theory in an actual social order would require coercive support if it were not, sooner or later, to collapse of its own contradictions. (shrink)

Examines the German poet Hölderlin’s philosophical insights into tragedy.

" -- F. Bradford Wallack The twentieth century has seen the greatest innovations in philosophical cosmology since Newton and Descartes, and Alfred North Whitehead was the first and greatest of the philosophers to work out these innovations ...

To ask about the future of Husserlian Phenomenology at this time is actually quite a natural gesture – caught up, as it is, in the anxiety wrought by the difficulties that come with the beginning of a new millennium and the malaise of the postmodern. Though, it must be borne in mind that it is a gesture that simultaneously puts the sense of ‘naturalness’ into question. It answers to a conscientious zeitgeist that seeks to catch itself in mid-act (between breaths) (...) – as an attitudinal re-orientation, break, or moment of suspense – in order to find its bearings and to re-discover its responsibility as a rigorous philosophical praxis. And, as it does so, the history of the movement of phenomenology exemplifies nothing other than the constant re-iteration of this turn to momentarily step outside its history (or, at least, a naïve, un-reflective attitude to it) in order to re-turn to itself with greater clarity and precision. This is the epoché at the heart of phenomenology as it unfolds in time. Thus, in order to re-gather itself and to re-establish the sense / significance of its time / history so as to forge ahead, phenomenology must perpetually return to its beginnings. This is, arguably, the essence of the meaning of phenomenology as an ‘infinite task.’ This infinite task is none other than an infinite re-iteration of phenomenological questions that always remain open to further analysis. Such is the thought of a ‘phenomenology of phenomenology,’ which traces itself throughout Husserl's work.1 1 To ask about the future of Husserlian phenomenology already problematizes the idea of a ‘terminus.’ If this elicits panic and alarm in certain philosophic and scientific domains then this is only the effect of an orientation that has not grasped the meaning of epoché. It is a question of a change in consciousness itself – a transformation of the manner of waiting-towards the not-yet.. (shrink)

The following essay argues that the Husserlian idea of the epoché could be expanded to cover all aspects of practical life. The first part summarizes the extensive debate developed on this issue in English speaking Phenomenology in the 1970s, one that focused on the relation between the notions of epoché and reduction. In fact, the notion of reduction seems to run counter to the idea of expanding the epoché, insofar as it confines the latter within the narrow horizon of a (...) transcendental subjectivism. But Husserl himself cherished the ambition to return to the world. The second part emphasizes that reduction is an act that operates in the practical world in order to introduce a new type of action. According to the author, the phenomenon of ritual can be considered a sort of action in abeyance, i.e. action free from the burden of natural life. Thus the notion of “relief” could prove the most appropriate for introducing a phenomenological theory of rituals as rules without meanings. The third part deals with the relation between Husserl and the Japanese journal “Kaizō,” which asked him for some contributions. The upshot of this proposal was a certain misunderstanding between the Husserlian emphasis upon the idea of new and the perspective of Japanese culture, that tends to overcome the opposition between innovation and repetition through the juxtaposition of the new and the old. (shrink)

I SHOULD LIKE TO EXAMINE THE PLAUSIBILITY AND CONSEQUENCES of a particular view of the nature of metaphysics, especially in its relation to immediate human experience which it is designed to illuminate. In order to make the consideration concrete I shall apply this interpretation to a familiar controversy about the nature of time. One view, accepted by Whiteheadian process philosophers, is that time is actually episodic, atomic, epochal. The contrasting view, that of Henri Bergson among others, is that time is (...) continuous, even though it embodies temporal qualitative variations. (shrink)

When we look back upon people in past societies, such as slaveholders and colonialists, we judge their actions to have been morally atrocious. Yet we should give some thought to how the future will judge us. Here I argue that future people are likely to regard our behavior as no better than that of the past. If these future people are to be believed, then we are morally hopeless; we have little chance of working out the moral truth for ourselves. (...) I argue that we ought to resist this conclusion, and that our best means for doing so it to reject moral objectivity and accept instead a form of time-linked moral relativism. (shrink)

This paper argues that the parallel that Husserl draws in The Crisis between the phenomenological epoché and religious conversions is not just a rhetorical device but involves a crucial methodological idea. By pointing to the depth-dimension of living consciousness and its possibilities of transformation, the parallel sheds light upon the ultimate task of the phenomenological- transcendental reduction. To argue for this this claim, the paper first explicates the two principal epoch.

During his period of exile in Scandinavia, Bertolt Brecht wrote “I don’t think the traditional form of theatre means anything any longer. Its significance is purely historic; it can illuminate the way in which earlier ages regarded human relationships […] [but] a modern spectator can’t learn anything from them”. To create a modern theatre fit for a modern audience, Brecht holds that not only would the content of plays have to change, but the experience of theatrical spectatorship itself. To fully (...) capture how Brecht’s work differs from that of previous playwrights, a close analysis of spectatorial experience and perception is required. In this paper, I compare the aesthetic techniques used in Brecht’s epic theatre to the genetic phenomenology of Edmund Husserl. Reading Brecht’s Verfremdungseffekt through a Husserlian lens, I argue that Brecht mobilizes phenomenological methodology in order to suspend the audience’s preconceived notions of theatre and to cultivate self-conscious, critically aware, and socially motivated spectatorship. Just as Husserl describes phenomenology as a presuppositionless science, so too does Brecht offer epic theatre as a way to free “[…] socially-conditioned phenomena from the stamp of familiarity”. (shrink)

Dan Zahavi has questioned whether the use of a transcendental phenomenological epoché is essential for phenomenological psychology. He criticizes the views of Amedeo Giorgi by asserting that Husserl did not view the transcendental reduction as needed for an entrance into phenomenological psychology and that, if one thinks so, phenomenological psychology would be in danger of being absorbed within transcendental phenomenology. Thirdly, rather than envisioning transcendental phenomenology as a purification for phenomenological psychology, Zahavi recommends a dialogue between transcendental phenomenologists and psychologists. (...) However, the two disciplines are closer for Husserl who also conceives phenomenological psychology as a self-standing science, and Giorgi is not as rigid on the necessity of transcendental phenomenology for phenomenological psychology. Alfred Schutz, following Husserl’s “Nachwort,” develops his own distinctive phenomenological psychology that appreciates disciplinary convergences and respects boundaries, while also articulating a wider understanding of epoché as an anthropological fact operative beyond the limits of transcendental phenomenology. (shrink)

Through a commentary of the letter sent by Husserl to the 8th International Congress of Philosophy in 1934, the essay intends to clarify the concept of “responsibility” as a “universal form” thanks to which the rational human being orients his acts according to a consciously ethical direction. By focusing on the dynamics that characterize the relationship between Logos and Ethos, is then pointed up Husserl’s aim to build a gnoseology that can’t be solved in an abstract intellectualism as it embodies (...) always a constructive criticism of the present and its aberrations. The appeal contained in the letter of 1934 for an epoché of every historical tradition becomes therefore the premise for an overcoming of past conceptual forms in order to reach the “implicit” concealed into every historical event and whose grasp and interpretation is possible only to the eidetic view of the phenomenologist. (shrink)

Does the philosophy of history have a future? In 1949 Karl Jaspers, echoing Hegel, still identified history as the “great question” in philosophy; but in 1966 Karl Löwith observed that the philosophy of history had been reduced to little more than “epochal consciousness.” During the 1970s analytical philosophers endorsed the critical-speculative distinction of C. D. Broad and the question of universal history was effectively bracketed. Post-structuralists and feminists during the 70s and 80s endorsed the observation of Michel Foucault that history (...) is “the Western myth” and, more recently in 1989, Francis Fukuyama proclaimed the “end of history.” In this essay I explore some of the developments contributing to the marginalization of the philosophy of history during the latter half of the twentieth century. Following this, I offer some comments regarding the persistence of the question of universal history. (shrink)

The text outlines some of the main theoretical-methodological procedures in Edmund Husserl's transcendental phenomenology. The first part offers a brief introduction to Husserl's general philosophical project. In the second part, the question of the phenomenological epoché is considered, as a first, negative procedure of the phenomenological reduction. A comparison is also made between the practice of epoché by Husserl and Descartes’ methodical doubt. The third part turns to the different types of reductions and examines the relationship between them.

There are close affinities between James' theory of time as discussed in A Pluralistic Universe and the so-called epochal theory of time offered by Alfred North Whitehead. In this paper I examine James' theory and compare it with the views of Henri Bergson.