Cosmopolitanism is said by many critics to be arrogant. In emphasizing universal principles and granting no fundamental moral significance to national or other group belonging, it wrongly treats those making non-universalist claims as not authorized to speak, while treating those in non-Western societies as not qualified. This book works to address such objections. It does so in part by engaging the work of B.R. Ambedkar, architect of India's 1950 Constitution and revered champion of the country's Dalits (formerly "untouchables"). Ambedkar (...) cited universal principles of equality and rights in confronting domestic exclusions and the "arrogance" of caste. He sought to advance forms of political humility, or the affirmation of equal standing within political institutions and openness to input and challenge within them. This book examines how an "institutional global citizenship" approach to cosmopolitanism could similarly advance political humility, in supporting the development of input and challenge mechanisms beyond the state. It employs a grounded normative theory method, taking insights for the model from field research among Dalit activists pressing for domestic reforms through the UN human rights regime, and from their critics in the Hindu nationalist Bharatiya Janata Party. Insights also are taken from Turkish protesters challenging a rising domestic authoritarianism, and from UK Independence Party members demanding "Brexit" from the European Union-in part because of possibilities that predominantly Muslim Turkey will join. Overall, it is shown, an appropriately configured institutional cosmopolitanism should orient fundamentally to political humility rather than arrogance, while holding significant potential for advancing global rights protections and more equitable rights specifications. (shrink)

The Lancashire Independent College in Whalley Range, Manchester, was built to train Congregational ministers. As the first of a number of Nonconformist educational institutions in the area, it illustrates Manchester‘s importance as a centre of higher education generally and Nonconformist education in particular. The building was designed by John Gould Irwin in Gothic style, mediated through references to All Souls College in Oxford by Nicholas Hawksmoor, whose architecture also inspired Irwins Theatre Royal in Manchester. The College was later extended by (...) Alfred Waterhouse, reflecting the growing success of the institution, which forged links with Owens College and went on to contribute, with other ministerial training colleges, to the Universitys Faculty of Theology established in 1904. The building illustrates an interesting strand in early nineteenth-century architectural style by a little-known architect, and has an important place in the history of higher education in north-west England. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Eric Doyle OFM: Hidden Architect of the Retrieval of the Franciscan Charism by Brenda AbbottRobert J. Karris, OFMBrenda Abbott, Eric Doyle OFM: Hidden Architect of the Retrieval of the Franciscan Charism. Durham, UK: Franciscan Publishing, 2021. Pp. vii + 388. 16 photos. £15.00. ISBN: 9781915198013.Father Eric Doyle, OFM, a member of the Province of the Immaculate Conception, UK, was born in 1938 and died in 1984. (...) He was highly talented and educated, steeped in the Franciscan tradition, a superb and humorous communicator. He was just right for his time, he was ahead of his time, and he may be just what Franciscans need today in their time as they continue to renew themselves in the spirit of St. Francis and in Franciscan Christology and spirituality.Abbott sets down her goal: "My purpose and goal in publishing this book is that something of the man and his vision will be communicated here, and that a new generation of Franciscan friars and scholars, as well as believers and unbelievers more widely, may be inspired by this vision and become aware of Doyle's enduring and precious legacy" (ii). She accomplishes her goal through an introduction, fifteen chapters which mainly delve into Doyle's Franciscan Christology and spirituality, and a conclusion. Endnotes follow each chapter. The book, which is very well-researched and written, ends with two appendices and a bibliography. Abbot has marvelously achieved her goal.The introduction is followed by: chapter 1, "Early Life: 1938–1970"; chapter 2, "The Friar"; chapter 3, "The Teacher"; chapter 4, "The Shepherd and Evangeliser"; chapter 5, "The Scholar"; chapter 6, "The Mystic"; chapter 7, "The Franciscan Theologian (Part 1)"; chapter 8, "The Franciscan Theologian (Part 2)"; chapter 9, "The Franciscan Theologian (Part 3)"; chapter 10, "The Franciscan Theologian (Part 4)"; chapter 11, "The Ecologist: Our Sister Mother Earth"; chapter 12, "The Ecumenist: Our Brothers and Sisters in Christ"; chapter 13, "The Post–Vatican II Theologian"; chapter 14, "The Prophet: A Franciscan Legacy (Part 1)"; and chapter 15, "The Prophet: A Franciscan Legacy (Part 2)."In the space allotted me, I provide three snapshots of Eric Doyle. First is the assessment of Doyle from an outside source, Bishop Thomas McMahon, who in his eulogy said: "He put profound truths in a very [End Page 249] simple way and conveyed always a sense of the numinous. … [He was] vivid, articulate, deeply learned, intensely human, hugely alive, full of mischief, unsparing of self … a contemporary Francis. His Franciscan spirituality permeated his total thinking" (174). I underscore Bishop Mc-Mahon's emphasis on St. Francis and his spirituality. I see implied here Doyle's teaching about the Absolute Primacy of Christ—that Christ is head of all creation and conqueror of sin and death, and that the reason for Christ's incarnation is not sin but love—demonstrating Doyle's retrieval of the best from the Franciscan tradition.The second snapshot points to two areas where Doyle was ahead of his time. First, he was a TV personality. Abbott dedicates pages 117–23 to Doyle as a wonderful TV presence. From 1971 to 1984 he was on four hundred programs of The Big Question. One reviewer noted: "The length, breadth and width of his discourse … is colossal … This man is an original, a non-pareil; before they made him, they broke the mould" (121). Second, in his book on Francis's Canticle of Brother Sun, first published in 1980, Doyle anticipated many of Pope Francis' teachings in Laudato Si'. As Abbott says: "Foreshadowing much of Pope Francis' encyclical Laudato Si', Doyle demonstrates how belief in the universal brotherhood and sisterhood of creation can help us create a better world" (270).The third snapshot is an indication of how Doyle's legacy continues in print. Doyle's St Francis and the Song of Brotherhood has been reprinted a number of times, most recently in 1997 by Franciscan Institute Publications as St. Francis and the Song of Brotherhood and Sisterhood. It has been translated into five languages: Italian, German, Portuguese, Korean, and Japanese. Under the imprint of Tau Publications is My Heart's Quest: Collected Writings of Eric Doyle, Friar Minor, Theologian, edited by Josef Raischl... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The History of Ideas:Precept and Practice, 1950–2000 and BeyondAnthony GraftonIn the middle years of the twentieth century, the history of ideas rose like a new sign of the zodiac over large areas of American culture and education. In those happy days, Dwight Robbins, the president of a fashionable progressive college, kept "copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that (...) had no name" on the table in his waiting room. True, Robbins did not exist: he was the fictional president of Randall Jarrell's equally fictional Benton, a liberal arts dystopia where "[h]alf of the college was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe."1 But Jarrell's notation of the Journal's status was accurate nonetheless.2The Journal, in the twenty years or so after its foundation, attracted attention from many quarters, some of them unexpected. And it occupied a unique position, between the technical journals of history and philology, [End Page 1] each firmly identified with a discipline, in which professional humanists normally published their results, and the quarterlies, often based not in disciplines but in liberal arts colleges and universities, which cultivated a mixed readership to which they offered fiction and poetry as well as essays. By contrast with both, the JHI fifty years ago ran on a rich mix of technical articles and wide-ranging essays that could easily have attracted the attention of a sophisticated administrator—or at least made a good impression on his coffee table. Bliss was it to be a subscriber in that happy day when the JHI glowed with something of the luster that haloed Representations in the 1980s and Critical Inquiry more recently.3The main reason for the Journal's prominence was that it represented a new field, appealingly located between disciplines as the Journal was between other sorts of periodical. In its postwar heyday, the history of ideas was not a dim subdivision of history, itself a discipline whose luster has worn off with time, but an intellectual seismic zone where the tectonic plates of disciplines converged and rubbed against one another, producing noises of all sorts. In recent years, it has sometimes seemed impossible, even to the best informed observers, that intellectual history, or the history of ideas, ever enjoyed this sort of prestige. A quarter century ago, Robert Darnton surveyed the state of intellectual and cultural history in the United States in an informative and influential essay. Using a language more resonant of the historical President Carter than the fictional President Robbins, Darnton detected "malaise" everywhere he looked. In the fifties, he noted, intellectual historians had seen "their discipline as the queen of the historical sciences. Today she seems humbled." True, desperate cries for help were not yet called for. Historians continued to write histories of ideas, and even to cast them in the technical languages of A.O. Lovejoy or Perry Miller: "one still finds 'unit-ideas' and 'mind' among the trendier terms." The just-published Dictionary of the History of Ideas, moreover, offered a vast selection of Lovejoyan formal analyses, systematically organized, to the reading public.4 [End Page 2]But for the last ten years, Darnton argued, younger scholars, especially graduate students, had been scrambling over the gunwales of the good ship History of Ideas, abandoning the effort to converse abstractly with the mighty dead, and clambering in hordes over the side of a newer vessel, Social History, which boasted a Hogarthian passenger list of heretics, misfits, and military women. At the level of the dissertations written in history departments, social history was outpacing intellectual, by a proportion of three to one. At the level of the scholarly journal, too, social history had forged ahead, though by a smaller margin. In the murkier, but no less significant, world of opinion, finally, the decline of intellectual history appeared clearest. History of ideas no longer occupied the cutting edge in young scholars' mental vision of their discipline.Social history, after all, had captured the minds of a generation—or a large percentage of it—in the 1960s, thanks both to the power of... (shrink)

The cosmological constant is back. Several lines of evidence point to the conclusion that either there is a positive cosmological constant or else the universe is filled with a strange form of matter (“quintessence”) that mimics some of the effects of a positive lambda. This paper investigates the implications of the former possibility. Two senses in which the cosmological constant can be a constant are distinguished: the capital Λ sense in which lambda is a universal constant on a par with (...) the charge of the electron, and the lower case λ sense in which lambda is a humble constant of integration. The latter interpretation has been touted as the means to a solution to various problems in physics. These claims are critically examined with an eye to discerning the implications for philosophy of science and foundations of physics. (shrink)

The graphic novel Asterios Polyp uses the story of Asterios, a laughable “paper architect,” who has never produced a building, to tackle the challenging topics of the abstract and the concrete, the universal and the particular. Asterios goes on a journey conforming with the Hero’s Journey or Monomyth, but he arrives not at the rarified or transcendent, but the humble and concrete. Plato saw the sensible world of particulars as populated by imperfect imitations, and imitative art (like graphic (...) novels) as even further removed from truth, Asterios Polyp cleverly uses pictures, their colors, lines, and other properties to illustrate its claims and vindicate and celebrate the particular, though not at the expense of the universal. We learn with Asterios that to live a good life and find peace in the world, we must integrate the abstract and the concrete, the universal and particular. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Bonaventure's Commentary on the Gospel of John, written between 1254 and 1257, provides the reader with an analysis of each verse of the Johannine text, usually in the classic questio mode common to Scholasticism beginning with exposition, question/objection and followed by a fuller exposition contained in the rebuttal. In this respect, it seeks to explain the Gospel according to contemporary Scholastic exegetical norms, relying heavily on Patristic and Medieval (...) predecessors who are liberally quoted. It is one of many biblical commentaries written by Bonaventure and, in a superficial way, functioned as an academic exercise expected of a Master at the University of Paris. It is also a "working document" aimed at the conversion of the reader and intended as an aid to preaching, and this is accomplished through an exposition of Christological doctrine.Bonaventure was also a member, later General Minister, of the Order of Friars Minor and, as such, the Commentary on John combines the Scholastic and Franciscan worlds in which Bonaventure lived in a complementary way as the exposition of Christology is applied to the praxis of conversion and Bonaventure reveals an itinerarium, both Scholastic and Franciscan, within the over-arching, and equally compatible, Christological context of the Fourth Gospel. The juxtaposition of the Scholastic and Franciscan worlds could also be problematic. The problem, if indeed it really is a problem and not simply an invitation to an ever-enriched understanding, is exacerbated when considering Bonaventure as an interpreter of Francis or a master in his own right of the exposition of the Franciscan way. There is nothing new in this. Bonaventure was controversial in his own time and remains so today. Consideration of Bonaventure as an interpreter of the Franciscan vita presupposes an important question: Is it possible to translate the intuitive vision of the founder into the formal academic language of the Scholastics? The answer to the question, though crucial, remains the subject of debate. It must be acknowledged that a vast chasm exists between the rustic world-view of Francis of Assisi and the sophisticated Parisian milieu of Bonaventure. This was apparent from the inception of the Franciscan project, and was keenly felt in Bonaventure's own time. Certainly it is safe to say that Bonaventure's intent is to synthesize, perhaps also to reconcile, the often polarized dialectic present in the relationship of the Franciscan movement of grassroots, intuitive spirituality and the formalized theology of Paris. The Commentary is well suited to this task. Beginning with the Christological suppositions that form the basis of both the Franciscan vita and the core of Scholastic theology, one finds the itinerarium of conversion described by the Fourth Gospel itself quite capable of providing a framework within which the Scholastic and Franciscan concerns can meet, mingle and – hopefully – enrich one another.The Gospel of John is also, fundamentally, aimed at the conversion of the reader and this is described as a process comprised of three stages: one sees Jesus, but it is by no means certain what exactly is being perceived. He is the carpenter from Nazareth, a miracle worker and, by his own testimony, the "One sent from heaven." Two separate roads lie before the observer – to perceive the divine esse in the carpenter from Nazareth, or to refute that supposition and name Jesus a charlatan. The course of the Fourth Gospel follows parallel accounts of various characters as they traverse each of these roads. For those on the path of conversion, the second stage is summed up in "believing." This is not construed, either in the Gospel or by Bonaventure, as blind faith. Rather it is an informed process of understanding as the believer comes to grasp who Jesus is and, in doing so, what he came to do. In this respect, the Johannine formula matches the Scholastic endeavor, which aimed at the reclamation of pre-lapsarian knowledge and, in Bonaventure's usage, is found.. (shrink)

Published in 1908, C.S. Peirce’s ‘A Neglected Argument for the Reality of God’ is one of his most difficult articles. Presenting a peculiar entanglement of scientific method and theology, it sketches a ‘humble’ argument for the reality—and not the existence—of God for Musers, that is, those who pursue the activity he calls ‘Musement’. In Musement, Peirce claims, we can achieve a kind of perception of the intertwinement of the three universes of experience: of feeling, of brute fact, and of (...) reason. He also somehow relates each universe to a distinct phase of inquiry, which is described by the use of induction, deduction, and abduction or retroduction. The way that he develops his claims allows him to outline God as an abductive vague hypothesis to explain how those three universes make up a single whole. The hypothesis being vague means that the principle of contradiction does not hold for it. In this presentation, we aim at throwing some light at these points, focusing on the concept of Musement and what is understood as the vagueness of the hypothesis. (shrink)

Plato’s theory of mimesis is expressed clearly and mainly in Plato’s Republic where he refers to his philosophy of Ideas in his definition of art, by arguing that all arts are imitative in nature. Reality according to him lies with the Idea, and the Form one confronts in this tangible world is a copy of that universal everlasting Idea. He poses that a carpenter’s chair is the result of the idea of chair in his mind, the created chair is (...) once removed from reality and since a painter’s chair is imitation of a carpenter’s chair, it is twice removed from reality. Thus, the artist deals in illusion. Plato thus rejected imitative art on the foundation that it is a copy or imitation of the unreal. We may ask; if the Carpenter makes a chair, what does he imitate? And if he imitates reality, can we call him an artist of a kind? This article therefore argues following Plato’s analogy that carpentry is an art of a kind and a carpenter is capable of knowing reality as against the notion that only philosophers are suitable for such a task. (shrink)

Pierre Thévenaz was Swiss. At the time of his death he was Professor of Philosophy at the University of Lausanne. Earlier he had taught philosophyat the Ecole Polytechnique Fédérale in Zurich, and at the University of Neuchâtel. A large part of his writings are contained in L'Homme et Sa Raison , De Husserl à Merleau-Ponty , La Condition de ia Raison Philosophique . A collection of his articles has been translated into English by James Edie and published under the title. (...) What is Phenomenology? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Maurice Blondel on the Practice of Supernatural ReligionAnne M. CarpenterIntroductionMaurice Blondel attended daily Mass to the very end of his life.1 This essay is, in a way, a meditation on this fact. But it is more nearly a confrontation with Blondel's philosophical argument in defense of human action's capacity for affirming the infinite, for "containing" the infinite in its affirmation of the infinite, an affirmation achieved in action's finitude. (...) That is, this is an essay on Blondel's argument for a supernatural religion that can be literally practiced. Much like Blondel's larger philosophical works, this essay spends its time exploring the coordinating ground of supernatural religion, which is the natural world split open in two directions: in its very existence, which is a supposition of what absolutely outstrips its power; in its very action, which in ecstasy takes the shape of a desire for a reversal that it cannot offer itself. So the natural world presupposes the supernatural and desires the supernatural while remaining, of its own power, natural. Blondel makes a theoretical distinction in the universe that, concretely, is a natural–supernatural one committed to a single destiny. This theory and this concreteness cohere in order to make the literal practice of religion both possible and necessary, terms that this essay explains. [End Page 1305]Action: The Problem of Theory and PracticeBlondel's later writing in the 1930s expands on an important paradox that appears in the very early L'Action (1893). That paradox has to do with a distinction between theory—that is, the world of ideas and reflection—and practice, by which Blondel means the concrete world of human action, a world that for Blondel is an expansive range or "body" of action. It is true, after all, that an idea is not a deed. And yet no deed is without its idea, without the mediatory power of the act of consciousness, nor without the mediation of this consciousness's rationality—a further synthesizing act within consciousness—even when the deed contradicts reason. "Hence," says Blondel, "it is because we find in our acts a kind of creative sovereignty that we have a consciousness of ourselves and reason; it is because we are reasonable and conscious of ourselves that we judge ourselves capable of voluntary initiative."2 The paradox, at one angle, is this leap or gap, this difference nevertheless sustained by a mediation, where ideas and deeds are non-identical yet inseparable. At another angle, it is a paradox that a "science of practice" has to straddle, since it studies (as science) what it is not: concrete action (practice). Blondel, whether young or of his latter days, is after the possibility of such a science. He is also after the bond between reasoning and acting. In this section, I also seek that bond, and I make use of Blondel's early and later works together to give a sense not of Blondel's development, but of the Gestalt of his life's work with respect to the bond between thought and action.3The bond first requires the rejection of monism. Though Blondel's stance toward theologies of his day tends to be more well-known among theologians, and therefore filtered through questions of nature and grace and carried through to a rejection of a two-tiered conception of the universe, still, his nearer interlocutors are often monists: modern philosophers and the modern sciences, and their strange compatriots in history, the spiritual movements of the fin de siècle, involving spiritualisms of various kinds, recollected in our popular imagination today in visions of crystal balls and séance tables. The positivism of the modern sciences and of modern (French) philosophy poses a totally self-contained "nature" that can be explained [End Page 1306] without religion, in a form of what English speakers might call "secularism," but which is more accurately filtered through French Republican desires for laïcité.4 While Blondel was writing, there were not only these political and scientific and philosophical trends, but also the semi-pantheistic, variously agnostic religious movements that dominated privileged circles in Europe at the time. These are a kind of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Fall of Troy in Early Greek Poetry and ArtT. H. CarpenterMichael J. Anderson. The Fall of Troy in Early Greek Poetry and Art. Oxford: Clarendon Press, 1997. xii 1 283 pp. 21 figs. Cloth, $75. (Oxford Classical Monographs)The Fall of Troy in Early Greek Poetry and Art presents three extended essays on aspects of the Ilioupersis. The first, based on the Iliad, the Odyssey, and surviving fragments (...) of the lost epics, is an analysis of correlations between events from the fall of Troy and the body of epic material, correlations which can be signaled by narrative continuity, structural and compositional continuity (a neoanalytic tool), and/or allusion. The second essay focuses on three tragedies (Aischylos’ Agamemnon and Euripides’ Andromache and Troades) in an attempt to see “how the tragedians further developed the mythic network constructed by the epic poets” (106). The third essay is a study of composite images of the Ilioupersis in Greek art, with a particular focus on Attic painted vases. Anderson’s underlying thesis is that elements of the Ilioupersis exert “a centripetal gravitational force” within the body of interconnected stories that comprise the epic cycle with “its grip extending deep into episodes at both ends of the saga and beyond” (102).The originality of the work, as well as the strengths and weakness of the approach in part 1, is illustrated by Anderson’s discussion of the tale of the wooden horse and the abduction of Helen as correlative episodes. Noting that both in Proklos’ summary of the Kypria and in the Iliad (5.59–64) reference is made to the building of ships for Paris’ voyage to Sparta, Anderson argues that “in conception, manufacture, and deployment, the horse is a precise narrative parallel to [those] ships” (20). The underlying narrative link is the “simple complementarity between beginning and end” (25). The building of the ships engenders conflict, the building of the horse brings the conflict to a close; both function as tools to capture Helen. This narrative link, he argues, is supported by a complex series of analogies. Both building processes (horse and ships) are undertaken for the specific occasions, both are inspired by goddesses, both have architects who earn fame from the projects, and both are accompanied by mixed tones of celebration and doom. Furthermore, since no mention of the building of the “thousand ships” of the Achaian fleet survives, “the building of Paris’ ships stands alone in the remains of the Trojan cycle as the most significant building project of its kind” (22). The horse, Anderson claims, is “a kind of ship in disguise”—both are large wooden structures designed to carry men—and the poets “sculpted the horse to resemble the ships and vice versa.” [End Page 453]Attractive as this correlation is, much of its strength hangs on the assumption that the building of Paris’ ships was treated in some considerable detail in the lost works of the epic cycle. Anderson argues that the ships “might easily have provided material for a substantial slice of poetry” (21) and that the launching of Paris’ ships “probably received a fair share of attention from the poets” (21), but “might easily” and “probably” make a weak base for such a powerful hypothesis. While I admire the ingenuity of the argument, as an archaeologist I crave more solid evidence to support it.Perhaps the greatest danger of such a study, focusing as it does on the relationship between myth and myth, comes from the lack of any external reference that might allow the writer to check, on occasion, the validity of perceived thematic or structural parallels. How does he determine when the links he sees are expressions of his own brilliance—like the creation of a new poem—and when they are links that the poets intended or contemporary Greeks might have perceived, which is presumably a goal of a scholarly work such as this? Anderson is aware of some of these dangers—early on he notes the risk of losing any “immediate social relevance” (10)—but he has difficulty guarding against them.He devotes fully one-third of the book to the study of images. Certainly no discussion... (shrink)

Should we consider irony as a good thing for democratic life? As it is portrayed in the classical texts through which we know Socrates, eirōneia appears as a humble manifestation of self-consciousn...

Previous research indicates that students in engineering self-report cheating in college at higher rates than those in most other disciplines. Prior work also suggests that participation in one deviant behavior is a reasonable predictor of future deviant behavior. This combination of factors leads to a situation where engineering students who frequently participate in academic dishonesty are more likely to make unethical decisions in professional practice. To investigate this scenario, we propose the hypotheses that (1) there are similarities in the decision-making (...) processes used by engineering students when considering whether or not to participate in academic and professional dishonesty, and (2) prior academic dishonesty by engineering students is an indicator of future decisions to act dishonestly. Our sample consisted of undergraduate engineering students from two technically-oriented private universities. As a group, the sample reported working full-time an average of six months per year as professionals in addition to attending classes during the remaining six months. This combination of both academic and professional experience provides a sample of students who are experienced in both settings. Responses to open-ended questions on an exploratory survey indicate that students identify common themes in describing both temptations to cheat or to violate workplace policies and factors which caused them to hesitate in acting unethically, thus supporting our first hypothesis and laying the foundation for future surveys having forced-choice responses. As indicated by the responses to forced-choice questions for the engineering students surveyed, there is a relationship between self-reported rates of cheating in high school and decisions to cheat in college and to violate workplace policies; supporting our second hypothesis. Thus, this exploratory study demonstrates connections between decision-making about both academic and professional dishonesty. If better understood, these connections could lead to practical approaches for encouraging ethical behavior in the academic setting, which might then influence future ethical decision-making in workplace settings. (shrink)

I discuss the philosophical significance of Kant's great cosmological work of 1755, the Universal Natural History. I discuss how Kant's interest in Newtonian universal forces led him to affirm a peculiar version of the physical influx theory. I argue that Kant's speculations about life on other planets are highly significant because they point to a key feature of Kant's theory of physical influx, namely that "the nimble motions of the body" stand as necessary conditions of the possibility of knowledge. This (...) work directs us to an important topic that has received little scholarly interest: the relation between the body and knowledge in Kant's philosophical writings. (shrink)

In the Philebus, Plato reinterprets the traditional Olympian pantheon in terms of a nationalistic account of the cosmos which grounds the alternative to hedonism which Socrates defends. From the metaphysics of the Philebus, we can grasp 'Zeus' as a formal characteristic of the cosmos, required by any teleological account, and internal to the intelligible order of the universe, rather than standing outside of it. The universe is at once rationally ordered and good in virtue of the relation of reason to (...) goodness itself. Notwithstanding the rationalistic bias of Plato's theology, the 'good' is prior to and responsible for the divine. (shrink)

As we approach the end of the twentieth century, the ways in which knowledge--scientific, social, and cultural--is produced are undergoing fundamental changes. In The New Production of Knowledge, a distinguished group of authors analyze these changes as marking the transition from established institutions, disciplines, practices, and policies to a new mode of knowledge production. Identifying such elements as reflexivity, transdisciplinarity, and heterogeneity within this new mode, the authors consider their impact and interplay with the role of knowledge in social relations. (...) While the knowledge produced by research and development in science and technology is accorded central focus, the authors also outline the changing dimensions of social scientific and humanities knowledge and the relations between the production of knowledge and its dissemination through education. Placing science policy and scientific knowledge within the broader context of contemporary society, this book will be essential reading for all those concerned with the changing nature of knowledge, with the social study of science, with educational systems, and with the correlation between research and development and social, economic, and technological development. "Thought-provoking in its identification of issues that are global in scope; for policy makers in higher education, government, or the commercial sector." --Choice "By their insightful identification of the recent social transformation of knowledge production, the authors have been able to assert new imperatives for policy institutions. The lessons of the book are deep." --Alexis Jacquemin, Universite Catholique de Louvain and Advisor, Foreign Studies Unit, European Commission "Should we celebrate the emergence of a 'post-academic' mode of postmodern knowledge production of the post-industrial society of the 21st Century? Or should we turn away from it with increasing fear and loathing as we also uncover its contradictions. A generation of enthusiasts and/or critics will be indebted to the team of authors for exposing so forcefully the intimate connections between all the cognitive, educational, organizational, and commercial changes that are together revolutionizing the sciences, the technologies, and the humanities. This book will surely spark off a vigorous and fruitful debate about the meaning and purpose of knowledge in our culture." --Professor John Ziman, (Wendy, Janey at Ltd. is going to provide affiliation. Contact if you don't hear from her.) "Jointly authored by a team of distinguished scholars spanning a number of disciplines, The New Production of Knowledge maps the changes in the mode of knowledge production and the global impact of such transformations. . . . The authors succeed . . . at sketching out, in very large strokes, the emerging trends in knowledge production and their implications for future society. The macro focus of the book is a welcome change from the micro obsession of most sociologists of science, who have pretty much deconstructed institutions and even scientific knowledge out of existence." --Contemporary Sociology "This book is a timely contribution to current discussion on the breakdown of and need to renegotiate the social contract between science and society that Vannevar Bush and likeminded architects of science policy constructed immediately after World War II. It goes far beyond the usual scattering of fragmentary insights into changing institutional landscapes, cognitive structures, or quality control mechanisms of present day science, and their linkages with society at large. Tapping a wide variety of sources, the authors provide a coherent picture of important new characteristics that, taken altogether, fundamentally challenge our traditional notions of what academic research is all about. This well-founded analysis of the social redistribution of knowledge and its associated power patterns helps articulate what otherwise tends to remain an--albeit widespread--intuition. Unless they adapt to the new situation, universities in the future will find the centers of gravity of knowledge production moving even further beyond their ken. Knowledge of the social and cognitive dynamics of science in research is much needed as a basis of science and technology policymaking. The New Production of Knowledge does a lot to fill this gap. Another unique feature is its discussion of the humanities, which are usually left out in works coming out of the social studies of science." --Aant Elzinga, University od Goteborg. (shrink)

The article traces the changes that occurred in the teaching of theoretical medicine at the University of Paris in the seventeenth and early eighteenth centuries, as the Faculty came under the influence of new medical ideas and discoveries. As a result it is essentially a study in the history of the transmission of ideas; the article illustrates how quickly and in what form these new ideas and discoveries became part of the common medical inheritance of one region of Europe. At (...) Paris, it is shown, the Faculty of Medicine was completely under the influence of the theories of Galen and Hippocrates at the beginning of the period, and rival ideas were greeted with hostility for much of the seventeenth century. By the early eighteenth century, however, the Faculty was completely abreast of contemporary developments and no longer wedded to a particular ‘school’. This change, it is emphasised, was associated with and closely influenced by, the growth of a more humble and discerning attitude among the Faculty's doctors with regards to the limits and the objectivity of their medical knowledge. The article is largely based on a hitherto unused source: the collection of abstracts of theses sustained in the period, to be found in the present-day Bibliothèque de la Faculté de Médecine at Paris. (shrink)

A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be seen by an unseen observer—later seized upon by Michel Foucault as the apotheosis of the neoliberal control society. In this volume in the Untimely Meditation (...) series, Christian Welzbacher offers a new interpretation of Bentham, arguing that his “radical foolery” (paraphrasing Goethe's characterization of Bentham) actually embodied a social ethics that was new for its time and demands proper historical contextualization rather than retroactive analysis from the vantage point of late capitalism. Welzbacher provides just such an analysis, offering an account of the two great utilitarian projects that occupied Bentham all his life: the Panopticon and the Auto-Icon. Welzbacher rescues the Panopticon from the misapprehensions of Foucault, Orwell, and Lacan, arguing that Bentham saw the Panopticon as a pedagogical instrument incorporating the tenets of reason; construction and function, plan and influence, architecture and politics are brought into alignment. Bentham extolled the discovery in words that could easily be ascribed to Le Corbusier, Bruno Taut, or any other modernist architect. The Auto-Icon expressed Bentham's theories that the dead should benefit later generations; these theories were effectively sealed when Bentham decided to have his body preserved and put on display. (It can be seen today in a cabinet at University College London.) He also donated his inner organs to science—a practice outlawed at the time—and posthumously stage-managed his own ceremonial autopsy. Welzbacher reveals a Bentham who raised questions that feel familiar and current, invoking topoi that would come to define the modern era and that reverberate to this day. (shrink)

Science has made a mighty advance since it originated in ancient Greece more than 2500 years ago. Yet we still live in Plato's cave today; we think everything around us moves continuously, but continuous motion is merely a shadow of real motion. This book will lead you to walk out the cave along a logical and comprehensible road. After passing Zeno's arrow, Newton's inertia, Einstein's light, and Schrodinger's cat, you will reach the real world, where every thing in the (...) universe, whether it is an atom or a ball or even a star, ceaselessly jumps in a random and discontinuous way. In a famous metaphor, God does play dice with the universe. Discovering motion is not continuous but discontinuous and random is like finding the Earth is not at rest but moving. The new discovery may finally solve Zeno's paradoxes and the quantum puzzle, and it will lead to a profound shift in our world view. (shrink)

Thomas Hobbes in Leviathan presented a paradigm of the social contract that has proven foundational in Western political thought. A proper understanding of the philosopher’s thought is thus of paramount importance. I argue that today’s case for a religiously tolerant Hobbes has missed an important part of the historical record. I first consider an obscure but important document, the second edition of the Humble Proposals. It demonstrates that leading members of a seventeenth century Christian denomination, the Independents, considered a (...) state-enforced confession of faith. Independents are generally seen as tolerant, and one of the arguments for Hobbesian toleration is that Hobbes endorsed them. But the second edition of the Humble Proposals aligns with the possibility in Hobbes that the civil sovereign will impose part III of Leviathan on the Universities and treat its contents as a legally required confession of faith – one that may be necessary for security, and the avoidance of civil war. Hobbes’s endorsement of Independency alone cannot be used to argue that his work leads to religious toleration. The evidence I present reinforces an earlier assessment and alongside other evidence points to the return of the intolerant Hobbes. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Eleventh General Meeting of the International Thomas Merton SocietyNazareth College, Rochester, New York, USA, 11–14 June 2009Christine BochenThe Eleventh General Meeting of the International Thomas Merton Society was held 11–14 June 2009 at Nazareth College, Rochester, New York. The theme, “Bearing Witness to the Light: Merton’s Challenge to a Fragmented World,” invited presenters and participants to explore ways in which Thomas Merton serves as a model of creative (...) interreligious dialogue and witnesses to its importance in building a world in which the dignity of every person is respected and nurtured.General session speakers explored Buddhist, Christian, Muslim, and Hindu dimensions of Merton’s life and writings. They included Judith Simmer-Brown; James Connor, OCSO; Herbert Mason; and Rachel Fell McDermott. In addition to Judith Simmer-Brown’s presentation, “Profile of a Trappist Yogi: A Tibetan Buddhist Perspective,” and Rachel Fell McDermott’s presentation, “Why Zen Buddhism and Not Hinduism? The Asias of Thomas Merton’s Voyage East,” concurrent sessions focused on Merton and Buddhism, Merton and Zen Buddhism, and Merton and Thich Nhat Hanh.An exhibit of Merton’s photographs, “A Hidden Wholeness: The Zen Photography of Thomas Merton,” on loan from the Thomas Merton Center and Archives at Bellarmine University in Louisville, Kentucky, was on display during the meeting and through the summer in the Nazareth College library. [End Page 195]Christine BochenNazareth CollegeCopyright © 2010 University of Hawai‘i Press... (shrink)

Of silence, paradoxically, one can only speak. By virtue of the alliance that unites reason and language, the capacity to name and to address indeed obeys a certain desire to restrain excessive communication. Laughter, tears and silence are part of the expressive world: however, they attest to the impossible pitfall of words in the socializing function that we accord them. Of extreme sociality, of meaning that exceeds the bearable, the suitability and the commerce of ideas, the only thing that rises (...) to the surface of the perceptible is that emotional logic whose significations shatter every criterion of certitude and of truth on the real. Confronted with three forms of experience of the unspeakable, we ordinarily allow ourselves to lend credit to the spontaneity of the first two (laughter and tears), while the symbolic dimension of silence seems to derive from an invisible orchestration, from a rather simple calculation or from a more elaborate strategy. This difference in nature is essential, and no one would dream of equating what “can” not be said with what “should” not be said. Silence exists as a sort of constraint, interiorized at various levels of the personality, and thereby more social than psychological. Even the involuntary silence of the unknowing person can be codified: as a disciplined avowal or the politeness of the humble who neither tolerates nor imagines any escape from his embarrassment. If speech is born in the abandon of a burst of expressivity, in hilarity or in sobs, it expires in a law, no less severe than the one which endows phrases with semantic coherence. Such a rule thus manifests a universal character socially more affirmed than the multiple syntaxes that organize each linguistic patrimony. That muteness can also be subject to a particular form of apprenticeship shows how each process of socialization determines the price of the communicable and assigns a value to the unformulated. Without pretending to offer a strict typology of this phenomenon, I will distinguish five classes that are capable of comprising its collective aspects. (shrink)

Despite the fact that business people and business students often cast doubt on the relevance of universal moral principles in business, the rejection of relativism is a precondition for business ethics to get off the ground. This paper proposes an educational strategy to overcome the philosophical confusions about relativism in which business people and students are often trapped. First, the paper provides some conceptual distinctions and clarifications related to moral relativism, particularism, and virtue ethics. More particularly, it revisits arguments demonstrating (...) that virtues in business are not in contradiction with the relevance of universal principles, despite the fact that virtue ethics is often identified with particular relationships and contexts. It goes on to show how students and managers, but also researchers, often mix up radically different conceptions of moral relativism. It is also argued that this confusion is in part created by the cross-cultural management literature in which the methodological stance of the value-freedom of the social sciences is, in a perplexingly mistaken way, transformed into a rejection of all normative discussion and a plea for relativism. The remainder of the paper presents some tools that may be helpful in steering people toward less simplistic views about moral relativism and virtue ethics. It further argues that it is equally important to spell out that moral universalism can be understood in a humble way, without implying either arrogant ethnocentrism or omniscience, as part of an ongoing debate that progresses gradually. (shrink)

Ian Barbour has distinguished eight theologies of God's role in nature, together with corresponding models of divine activity. This essay examines these ideas in the light of a theology of the cross. Three of Barbour's approaches—the neo‐Thomist, the kenotic, and the existentialist—are able to provide different aspects of a theology of divine action that is consistent with belief that God's definitive revelation takes place in the Crucifixion and Resurrection of Jesus of Nazareth. These approaches encourage attention to a part (...) of traditional doctrines of Providence, the idea that God acts by “cooperation” with natural processes. The kenotic character of divine involvement in the world means that the regularities of the basic interactions of physics are maintained. The idea of cooperation can be extrapolated into the past, to give some insight into ways of understanding God's activity in originating the universe. (shrink)

Humans are powerful and clever, and also more ignorant than they know. As a result, they too often fail to acknowledge or even recognize their limitations, and are more arrogant than humble regarding their capabilities. Education that explicitly recognizes and addresses the context of science and technology, their inherent values and ethical implications and concerns, and their problematic as well as beneficial impacts can potentially rescue the human species from itself.

This article explores the relations between the idea of deep incarnation and scientific ideas of an informational universe, in which mass, energy, and information belong together. It is argued that the cosmic Christologies developed in the vein of Cappadocian theology (fourth century) and the Franciscan theologian Bonaventure (thirteenth century) can be interpreted as precursors of an informational worldview by consistently blending “formative” and “material” aspects of creativity. Reversely, contemporary sciences of information can enlarge the scope of the contemporary view of (...) deep incarnation. I propose three hypotheses for showing how and why. First, mass, energy, and information have an equal causal importance for explaining reality. Second, just as transformation presupposes communication, so communication presupposes information. Third, contemporary science can elucidate seminal concerns of the idea of deep incarnation, insofar as informational structures pave the way for information capture, communication, and transformation. At the level of organismic life, new features of embodied cognition and emotion come up, important for understanding the organismic depth of the concrete incarnation in Jesus of Nazareth. (shrink)

Of all the species that live on this planet, as far as we know, man is the only one capable of awareness; observing the sky, understanding its beauty, and asking questions about the meaning of life and that of death, on the beginning and the end, both about the Universe and man himself. The questions range in all directions: why is there something instead of nothing? Who is the architect of reality, and why does it appear to us as (...) it does, rather than in some other way? What's the point of all this? Where does life originate, and what are the origins of the Universe that encompasses it? This book aims to introduce and address the questions that are often asked and answer with the knowledge that science provides us. Where does all the matter we are made of come from and what constitutes the Universe? Is it true that there is matter and energy whose existence can be intuited only indirectly, as the existence of the wind is deduced from leaves' motion? Einstein was right in his revolutionary description of reality, on nature of space and time, inextricable units in their apparent dichotomy. Does each observer truly observe a 'different' time from another observer? Can we move back and forth in the time? How space and time are modified by astronomical objects such as black holes, and what is the nature of the latter? Will time and the Universe end and how did they originate? The Universe is incredibly vast, housing hundreds of billions of galaxies within the observable Universe alone. Beyond what we can observe, there may exist an unimaginably vast expanse that extends infinitely and beyond our imagination. Our Universe, enormous as it may be, is not the only one. That's all predicted by certain cosmological and physical theories. Is life unique to Earth, or does the Universe harbor other forms of life that remain undiscovered to us? Finally, we are confronted with the most intriguing and elusive question of all: was all of this deliberately planned by some higher power, or is it merely a result of natural processes? Each of these questions touch on a fundamental aspect of our perception of the Universe and our quest to comprehend humanity's place in the cosmos. (shrink)