This chapter contains sections titled: Eudaimonia, Ergon, and Espresso The Golden Mean The Bean.

The following is excerpted from Sean Gurd’s translation of Euripides’ Hippolytus published with Uitgeverij this year. Though he was judged “most tragic” in the generation after his death, though more copies and fragments of his plays have survived than of any other tragedian, and though his Orestes became the most widely performed tragedy in Greco-Roman Antiquity, during his lifetime his success was only moderate, and to him his career may have felt more like a failure. He was regularly selected to (...) have his plays performed in the annual festival of Dionysus at Athens. But the plays were performed in a competition, and in the competitions he lost and lost, winning first place only five times in a career that spanned more than forty years. His corpus reads like the remains of a life spent trying to get a few things right and never being quite satisfied: scenes and schematized combinations of elements recur again and again, each time slightly changed. Hippolytus itself is an example: it contains two scenes in which a sick or dying character lies on a couch or a stretcher and is surrounded by silence and grief; he had experimented with such scenes in Alcestis, and would work with them again in Herakles and Orestes. Nor, judging from appearances, was he immune to the desire to score a hit, or to satisfy the audiences and the judges at the competition. Hippolytus is a rewrite of another Hippolytus, performed several years earlier, which scandalized the audience and certainly did not take first place. In that earlier Hippolytus (called by later writers Hippolytus Veiled), Euripides fashioned a Phaedra who was neither ashamed of loving her stepson nor incapable of taking steps to satisfy her desire. The forwardness of her approach to Hippolytus so outraged him that he covered his head with a robe (hence the play’s later title). Euripides liked to write energetic and self-confident women like this. He staged his Medea in 431, just three years before he revised Hippolytus, and in it the jilted title character murders her children in revenge for Jason’s new marriage to a more politically advantageous wife. Another flop: the play came in third of three. Evidently the judges did not like their women showing agency, especially when the consequences were transgressive. “The ornament of women,” wrote another great Athenian a little earlier, “is silence.”i Euripides’ Medea and his first Phaedra had other decorations. So three years after Medea crashed and burned and some time after the first Hippolytus suffered the same fate, he produced another Hippolytus play with a different setting and story. How could this one not have been a reaction to the failure of the first? “Second thoughts are always better,” he has one of his characters say, as though he were offering an apology for his first thoughts on the same story. In this new version, Phaedra is suicidally ashamed of her love, choosing to die rather than have it discovered, and willing to bring down her beloved Hippolytus in the service of the same end. Now it is Phaedra herself who covers her head in shock and horror at her desire. Only an intermediary, a slave of the house and an old crone with her fingers in all sorts of illicit pots, communicates Phaedra’s secret – against orders – and in consequence brings about the demise of two resolutely moral figures. It worked. For his tale of two well-born nobles with an unswerving commitment to moral action, destroyed by the meddling of a slave (and by the hostility of some particularly uncaring divinities), the judges crowned Euripides winner. It was the first time he had won, after almost thirty years of work. *** What Hippolytus wants more than anything else, as he protests with outrage just before leaving Trozen for the last time, is the benefit of due process – oaths, witnesses, an investigation that would reveal who really lusted after whom. Ironic, given that in the first Hippolytus, as far as we can make out, he did get a trial – but too late, and Theseus’ successful processing of Hippolytus failed to prevent his death. I cannot help hearing in the second Hippolytus’ complaints the anger of his authorial semblable who lost year after year by a process of judging that might have seemed brutal to him. Judges took no cognizance of how he worked, how long or hard or why; they just voted, and Euripides lost. But then I hear, in the fate of the first Hippolytus, an even grimmer commentary. Processed or not, we lose. We run aground. At the very least, this might cast a darker shadow on the business of watching or reading a play: in that twilight, things move too fast to make a fair assessment and, in any case, the reasonably high definition of what you see and hear belies the truth of indistinction, the multiplicities just below the surface. Watching is a constrained activity, a form of captivity, but reading is plastic. This translation was begun to supply the script for an audio version of the play, recorded in the spring of 2012, and here and there it sacrifices literalness for sayability and the voices and passions of the actors on that occasion. But it was finished to be read, and engineered to create a reading caught between the poles of specificity and non-specificity that the play itself conjures and relies on at its generative core. Thus two texts: the one clear, perhaps overprecise, respectably modern in its presentation, and the other ancient, a reasonable approximation of the classical reading process, and indistinct in vital ways. Like early modern dramatic texts, the exact provenance and original function of the scripts that have made it down to us are unknown. We do know that the ultimate survival of Hippolytus was thanks to its wide-spread use as a school text. But its relation to the first performance in 428 BCE is a matter only of speculation. Euripides presumably had a fair copy before production began; it was probably modified during rehearsals. The actors may have had copies, too (probably the young men who served in the chorus did not). The chor?gos, a wealthy Athenian who paid for the production, might have been presented with or just made sure to get his hands on a high-quality text, to commemorate the play’s success. Fans might have been able to buy copies. Any one of these sources might have provided the ultimate progenitor of our text. Several of them might have, in fact, if later editors compared and conflated traditions. The plays toured extensively in the Greek-speaking world, and were restaged as repertoire for centuries afterwards. In the process they were subjected to enough modifications by producers and actors that in the later fourth century the Athenian statesman Lycurgus had a law passed prohibiting performances at Athens from deviating from the official “city” text of the tragedies (which he had commissioned). It is unlikely that the city text was the last word; but it marks an important moment in Athens’ role in their dissemination, since after this the major sites of textual curatorship moved overseas, to Alexandria, Pergamum, Rome, Antioch, Constantinople. Any single text of any single play is thus no more than a moment of clarity and stability, crossed and subtended by multiple vectors of change, including that of textual flux (from Euripides’ first drafts to the latest printed text) and that of Euripides’ life work as a writer, in the light of which the Hippolytus is just one attempt to produce something exactly right, to win the prize or finally satisfy himself or prove to himself that all this longing for perfection was a waste of time. I am intrigued by the possibility that a single text might somehow serve as a lens onto this wider zone of indistinction, representing a small region clearly but nonetheless containing a blurred image of the whole, like a Leibnizian monad. After all, no text is a witness: it is, rather, a perception and a performance, and what every Hippolytus must perform is the awkward overlay of singular and plural, social practise and subliminal drive, that structures the tragedy. Modern critical editions can do this by juxtaposing a (relatively) clean and simple text with a textual apparatus reporting variants and theorizing the relationship between textual instantiations. A translation lacks the resolution to catch the fine variations which feed into the construction of an apparatus. But there are other means to hand. Guessing at the exact words of the original text is always just that – guessing – though Hippolytus is less problematic than plays like Iphigenia at Aulis. But we can make a pretty secure guess at what such a text looked like. Texts read by fifth-century readers were fundamentally different from what is presented in the best medieval MSS and printed in modern publications. The texts of Euripides’ time and for many centuries afterwards did not indicate word division with spaces (or by any other means) and were extremely sparing in punctuation, often avoiding it altogether. There was only one “case” of letters – what we call “capitals.” Musical sections were inscribed as though they were prose, without line endings to reflect their rhythm or their rhetorical structure. There was no indication of the speakers within a dramatic text, either. The earliest surviving dramatic texts, which come from over a century after Euripides’ death and a time which was much more elaborate and precise in its textual culture, indicated speaker-change with a little line or paragraphos below the line and a double-point [:] at its end. This convention almost certainly does not date back to Euripides’ own time; it may not even date to Lycurgus. In any case, such indications were understood to be readers’ marks: they did not have the same authority as the text and they were subject to readers’ revisions. At least ideationally, if not in concrete and distinguishable fact, a dramatic text was understood as containing no indication of speaker-change (and certainly none of who was saying what). The reader had to figure that out for him-/herself. The clear, legible, easy texts we are accustomed to reading are the fabrications of medieval and modern reading cultures. The first text, then, presents the translation as the text would have been in the mid-fourth century, perhaps decades after Euripides’ death. The second text processes Hippolytus, makes sense of it and makes it “readable.” That is: too distinct, dangerously so. It gets in your way, conjures fantoms, tries to make you see. Fragments of the Hippolytus Veiled, otherwise almost entirely lost, are juxtaposed with similar passages in the text – not to suggest a reconstruction, but a dialogue and a complex set of reassessments. I have not tried to represent the full variety of textual variants, but I have signalled where, for one reason or another, the text is soft and different editions propose excisions or changes. The two texts must be read together: you, reader, form the bridge between the distinctly seen and the indistinct invisible. You, in the end, will be its mask. *** illsandhateddiseaseswhatcanidoforyouwhatshouldinotdohereisthelightandthebrightairyoursickbedisnowout s idethehouseyoureverywordwastocomeherebutyouwillrushbacktoyourbedroomagainyoufadequicklyyoudelig htinnothingyoudislikewhatyouhaveyoulovewhatyoudontitsbettertobesickthantendthesickthefirstissimpleto the secondattachesheartspainandhandsworkeveryhumanlifeispainfulthereisnoendtotoildarknesshidesbehindclo udswhateverisdearerthanlifeweproveunhappyloversofwhatshineshereforlackofknowledgeofanotherlifethere isnoproofforthingsbeneaththeearthonlystoriessustainus liftmybodystraightenmyheadthebondsofmylimbsareloosenedtakemyhandsandmypalearmsthishatistooheavy formyheadtoweartakeitoffspreadmyhairovermyshoulders couragechilddonttossandturnsoviolentlyyouwillbearyoursicknessmoreeasilywithpeaceandanoblemindallmort alssuffer aiaiiwanttodrinkpurewaterfromadewyspringiwanttoliebackandrestunderthetreesinsomegrassymeadowchildw hycrydontsaythesethingsnearthecrowdhurlingwordsmountedonmadness sendmetothemountainiwillgototheforestwherebeastkillingdogspressthespotteddeergodsilongtoshouttothedo gstoshootthethessalianjavelinpastmyblondhairtoholdthebarbeddartinmyhandwhythisanxietychildwhatdoyouc areabouthuntingwhydoyoulustforflowingspringstheresahillwithwaterjustnexttothetowerwecangetyouadrinkt h ereartemismistressofthesaltlakeandthecoursethunderingwithhorseshoovesiwishiwereonyourplainsbreakings t uds whythrowthesefrenziedwordsaboutjustnowyouweresettingoutforthemountaintohuntandnowyoulongforhorses onthewavelesssand thesethingsneedanoracletotellwhichgodreinsyouinanddrivesyoufromyoursenseschild whathaveidonehowfarhaveibeendrivenfromgoodthoughtsiwascrazyiwascursedbysomepowerpheupheualasn ursecovermyheadagainimashamedofwhativesaidcovermeatearmovesdownfrommyeyeanditembarrassesm eithurtstostraightenourmindanditisterribletobeinsanebesttodiebeforeyoubecomelucidagain illcoveryoubutwhenwilldeathcovermeimoldivelearnedalotmortalsshoulddrinkoffriendshipmoderatelynotfrom th edeepestmarrowofthesoulamindslovecharmsshouldbeeasytoundoorthrustawayortiemoretightlyitisaverydiffic ultweightforonesoultolaborovertwopeopleasiamwrackedbypainforhertoomuchdisciplinecausesmoreharmthan pleasureandwarswithhealthipraisetoomuchlessthannothinginexcessandthewiseagreewithme *** Scene 1 Enter Phaedra and the Nurse; the former is recumbent on a couch while the latter bustles about her with gestures that might be those of a caregiver or a guard. NURSE Ills and hated diseases! What can I do for you? What should I not do? Here is the light, and the bright air; your sick bed is now outside the house. Your every word was to come here, but you will rush back to your bedroom again. You fade quickly. You delight in nothing. You dislike what you have. You love what you don’t. It’s better to be sick than tend the sick – the first is simple. To the second attaches heart’s pain and hand’s work. Every human life is painful. There is no end to toil. Darkness hides behind clouds whatever is dearer than life. We prove unhappy lovers of what shines here for lack of knowledge of another life. There is no proof for things beneath the earth. Only stories sustain us. PHAEDRA Lift my body, straighten my head: the bonds of my limbs are loosened. Take my hands and my pale arms. This hat is too heavy for my head to wear. Take it off, spread my hair over my shoulders. NURSE Courage, child; don’t toss and turn so violently. You will bear your sickness more easily with peace and a noble mind. All mortals suffer. PHAEDRA Aiai. I want to drink pure water from a dewy spring. I want to lie back and rest under the trees in some grassy meadow. NURSE Child, why cry? Don’t say these things near the crowd, hurling words mounted on madness. PHAEDRA Send me to the mountain. I will go to the forest where beast-killing dogs press the spotted deer. Gods! I long to shout to the dogs, to shoot the Thessalian javelin past my blond hair, to hold the barbed dart in my hand. NURSE Why this anxiety, child? What do you care about hunting? Why do you lust for flowing springs? There’s a hill with water just next to the tower; we can get you a drink there. PHAEDRA Artemis, mistress of the salt lake and the course thundering with horse’s hooves: I wish I were on your plains breaking studs! NURSE Why throw these frenzied words about? Just now you were setting out for the mountain to hunt – and now you long for horses on the waveless sand. These things need an oracle to tell which god reins you in and drives you from your senses, child. PHAEDRA What have I done? How far have I been driven from good thoughts? I was crazy, I was cursed by some power. Pheu pheu. Alas. Nurse, cover my head again. I’m ashamed of what I’ve said. Cover me – a tear moves down from my eye and it embarrasses me. It hurts to straighten your mind and it is terrible to be insane. Best to die before you become lucid again. NURSE I’ll cover you. But when will death cover me? I’m old; I’ve learned a lot. Mortals should drink of friendship moderately, not from the deepest marrow of the soul. A mind’s love-charms should be easy to undo, or thrust away, or tie more tightly. It is a very difficult weight for one soul to labor over two people, as I am wracked by pain for her. Too much discipline causes more harm than pleasure and wars with health. I praise “too much” less than “nothing in excess,” and the wise agree with me. ***. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Catharine Macaulay's Republican Enlightenment by Karen GreenAlan CoffeeKaren Green. Catharine Macaulay's Republican Enlightenment. London: Routledge, 2020. Pp. 276. Hardback, $160.00.Though she was once one of the most recognizable and celebrated public intellectuals in Britain and was read avidly in both revolutionary America and France, after her death in 1791, Catharine Macaulay's work fell into almost total obscurity for around two hundred years. This began to change in the (...) 1990s, since which time interest in Macaulay from historians, philosophers, and feminist scholars has gathered pace. In the last decade and a half, no one has likely done more to advance this scholarship than Karen Green, who has published numerous journal articles and book chapters probing deeply into Macaulay's thought and intellectual context, and who helpfully edited The Correspondence of Catharine Macaulay (Oxford: Oxford University Press, 2019), which had not previously been easily available to readers. As one would expect, Green's Catharine Macaulay's Republican Enlightenment builds on this depth of research. For a relatively slim volume, this is the most complete and detailed intellectual biography of Macaulay that I know of, an impressive feat given Macaulay's voluminous output.The aims of the book are twofold: first, to provide a narrative biography following Macaulay's life and the development of her works as they unfolded across her life, and second, to offer an overview and exposition of her ideas in their social and political context (4). These aims are important to bear in mind, since they establish what the book [End Page 158] is able to do and what it stops short of giving us. The volume is organized chronologically, divided into seven main chapters, each representing a short period in Macaulay's life, with an introduction and concluding chapter that considers her legacy, bringing the total chapters to nine. In each of the substantive chapters, Green mixes a biographical account of Macaulay's life with an often detailed analysis of one or more of her main works written during that period, as well as an assessment of how these works both engaged with, and were received within, some of the political and intellectual debates at the time. This is expertly done, with Green drawing on her intimate acquaintance with Macaulay's correspondence with many of the key figures of the period. The book, therefore, would make an excellent companion to anyone reading through the Correspondence as well as for those studying any of Macaulay's historical volumes, treatises, and tracts.An especially strong aspect of Green's book is the way she weaves an ongoing dialogue between Macaulay and several influential figures from her intellectual world across the chapters. One of these is David Hume, who, like Macaulay, had written an ideologically situated—even if both authors claimed impartiality—multivolume History of England. Though Hume's series was completed before Macaulay's had begun, hers can be seen as a philosophical and political rival to his. While the two would only correspond directly once on the subject, Green compares the impact that their respective philosophies have on their resulting political positions. In the 1760s, Green argues, Hume's naturalism, empiricism, and skepticism gave rise to a social conservative politics, whereas Macaulay's theological rationalism provided the basis for her optimistic and radical politics (50). By the 1790s, however, when Macaulay was writing her Letters on Education, Green detects some elements of a Humean philosophy of mind coming to influence Macaulay, albeit likely through David Hartley, particularly concerning the importance of sympathy on our moral psychology, even if there remain important differences between them (180–82). Green also analyzes Macaulay's engagement with Thomas Hobbes in her Loose Remarks and her two formal Observations on writings by Edmund Burke. Of particular value to historians of republicanism is Green's tracing and examination of Macaulay's ongoing intellectual relationship with key political figures, such as John Wilkes in Britain; Benjamin Franklin, Benjamin Rush, John and Abigail Adams, James Otis, Mercy Otis Warren, and George Washington in America; Anne-Robert Jacques Turgot and Jacques-Pierre Brissot de Warville in France, among many others. Though Macaulay's reputation as an influential political writer... (shrink)

“Beauty is truth, truth beauty, –that is allYe know on earth, and all ye need to know”.Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, (...) Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become. This is one of Plato's best comedies and one of his finest efforts at posing the difference between particular things and universals.Aristotle's Poetics is best known for its definition and analysis of tragedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed "poetry is more philosophical and more significant than history." In this postmodern era when the arts have been separated from ethics, it is worthwhile to consider Aristotle's way of connecting goodness and beauty. (shrink)

Aristotle tells us that contemplation is the most self-sufficient form of virtuous activity: we can contemplate alone, and with minimal resources, while moral virtues like courage require other individuals to be courageous towards, or courageous with. This is hard to square with the rest of his discussion of self-sufficiency in the Ethics: Aristotle doesn't generally seek to minimize the number of resources necessary for a flourishing human life, and seems happy to grant that such a life will be self-sufficient despite (...) requiring a lot of external goods. In this paper I develop an interpretation of self-sufficiency as a form of independence from external contributors to our activity, and argue that this interpretation accounts both for Aristotle's views on contemplation and for the role self-sufficiency plays in his broader account of human happiness. (shrink)

From renowned classicist Edith Hall, ARISTOTLE'S WAY is an examination of one of history's greatest philosophers, showing us how to lead happy, fulfilled, and meaningful lives Aristotle was the first philosopher to inquire into subjective happiness, and he understood its essence better and more clearly than anyone since. According to Aristotle, happiness is not about well-being, but instead a lasting state of contentment, which should be the ultimate goal of human life. We become happy through finding a purpose, realizing (...) our potential, and modifying our behavior to become the best version of ourselves. With these objectives in mind, Aristotle developed a humane program for becoming a happy person, which has stood the test of time, comprising much of what today we associate with the good life: meaning, creativity, and positivity. Most importantly, Aristotle understood happiness as available to the vast majority us, but only, crucially, if we decide to apply ourselves to its creation--and he led by example. As Hall writes, "If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian." In expert yet vibrant modern language, Hall lays out the crux of Aristotle's thinking, mixing affecting autobiographical anecdotes with a deep wealth of classical learning. For Hall, whose own life has been greatly improved by her understanding of Aristotle, this is an intensely personal subject. She distills his ancient wisdom into ten practical and universal lessons to help us confront life's difficult and crucial moments, summarizing a lifetime of the most rarefied and brilliant scholarship. (shrink)

Aristotle is famous for thinking that all our knowledge comes from perception. But it's not immediately clear what this view is meant to entail. It's not clear, for instance, what perception is supposed to contribute to the more advanced forms of knowledge that derive from it. Nor is it clear how we should understand the nature of its contribution—what it might mean to say that these more advanced forms of knowledge are "derived from" or "based on" what we perceive. Aristotle (...) is often thought to have disappointingly little to say on these matters. I argue here that this thought is mistaken: a coherent and philosophically attractive view of perceptual knowledge can be found in the various texts in which Aristotle discusses perception's role in animal life, the cognitive resources on which it does and does not depend, and the relation it bears to practical and theoretical modes of understanding. This book offers a sustained examination of these discussions and their epistemological, psychological, and ethical implications. It defends an interpretation of Aristotle as a moderate sort of empiricist, who thinks that we can develop sophisticated forms of knowledge by broadly perceptual means—and that we therefore share an important part of our cognitive lives with nonrational animals—but also holds that our intellectual powers allow us to surpass these animals in certain ways and thereby develop distinctively human forms of understanding. (shrink)

At least since Foster (2002), scholars interested in Aristotle’s views about environmental ethics have focused primarily upon his teleological account of non-human animals as the basis for an Aristotelian environmental virtue ethics. But although Aristotle’s scientific account of non-human animals can serve as the basis for a form of environmental ethics akin to “nature preservation,” one finds in his account of “household management” (or oikonomikē) a very different sort of environmental ethic, one that looks much more like (...) a form of “nature conservation.” My paper argues that for Aristotle, oikonomikē is indeed both “environmental” and an “ethic.” The first part of my chapter shows that oikonomikē is fundamentally environmental insofar as it concerns what Aristotle in Politics 1.8 calls “property acquisition in accord with nature” or “true wealth” (Pol. 1.8.1256b26–27, 30–31), namely the prudential use of natural resources in a way that recognizes the dependence of ways of life upon different habitats or environments. The second part of my chapter shows that oikonomikē is also an “ethic” insofar as it embeds three different kinds of limit on the use of animate and inanimate natural resources, namely that natural resource use is subordinate to expertise about the happiness of the political community (or what Aristotle calls “politics” [πολιτική]); that natural resource use, as an instrumental good, is limited and governed by the craft or expertise of oikonomikē; and that notions of unlimited commercial “wealth acquisition” (χρηματιστική) are based on ethically problematic ways of life. After showing that Aristotle’s account of oikonomikē is indeed an environmental ethic, the third part of my chapter considers the objection that oikonomikē is a weak environmental ethic insofar as it is exploitatively or axiological anthropocentric. I respond that Aristotle’s account of non-human animal domestication provides conceptual resources for thinking about non-human animals as subordinate members in one’s ecological-political community, especially with respect to his invocation of the craft analogy (in the example of shepherds) and inter-species utility friendships. Although Aristotle has multiple sources relevant for understanding environmental ethics, his account of oikonomikē is both a neglected source and a potentially fruitful one. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Although telos has been important in farm animal ethics for several decades, clearer understanding of it may be gained from the close reading of Aristotle’s primary texts on animals. Aristotle observed and classified animals informally in daily life and through planned evidence gathering and collection development. During this work he theorized his concept of telos, which includes species flourishing and a good life, and drew on extensive and detailed assessments of animal physiology, diet and behaviour. Aristotle believed that animals, (...) like humans, have purpose, and that telos is natural and unchanging. Moreover, he greatly valued the economic, political and defence contributions of farmers to their communities. In his stockperson ethics, animals are ordered to rational human purposes through husbandry, and good practice is established and shared by experience, habituation and training. Aristotle provides a useful and demanding framework for farm animal ethics that goes well beyond negative theories of welfare as freedom from harms. (shrink)

Aristotle's Nicomachean Ethics had a profound influence on generations of later philosophers, not only in the ancient era but also in the medieval period and beyond. In this book, Anthony Celano explores how medieval authors recast Aristotle's Ethics according to their own moral ideals. He argues that the moral standard for the Ethics is a human one, which is based upon the ethical tradition and the best practices of a given society. In the Middle Ages, this human (...) standard was replaced by one that is universally applicable, since its foundation is eternal immutable divine law. Celano resolves the conflicting accounts of happiness in Aristotle's Nicomachean Ethics, demonstrates the importance of the virtue of phronesis, and shows how the medieval view of moral reasoning alters Aristotle's concept of moral wisdom. (shrink)

It has long been recognized that anyone seriously interested in Aristotle's moral philosophy will need to take full account of the Eudemian Ethics, a work still gravely neglected in favor of the better-known Nicomachean Ethics. The relation between the two continues to be the subject oflively scholarly debate. This volume contains a translation of three of the eight books of the Eudemian Ethics--those that are likely to be of most interest to philosophers today--together with a philosophical commentary on (...) these books from a contemporary point of view. Intended to serve the needsof readers of Aristotle without a knowledge of Greek, this book's aim in translation has been to give as accurate an idea as possible of Aristotle's text; but for the benefit of those who are able to read the original, there are notes on the Greek text used for problematic passages. (shrink)

This paper begins with a vignette of Juan Carlos, an immigrant to America who works to support his family, attends classes at a community college, and cares for his ill daughter. It argues that an Aristotelian virtue ethicist could condone a safe, legal, and virtuous use of cognitive enhancements in Juan Carlos’s case. The argument is that if an enhancement can lead him closer to eudaimonia, then it is morally permissible to use it. The paper closes by demonstrating how common (...) objections to cognitive enhancement fail to undermine Juan Carlos’s justifiable use of the technology. The particularities of his case make it morally acceptable for him to use enhancements in certain situations. The paper, thus, constructs a limited, positive case for the virtuous use of pharmaceutical cognitive enhancements. (shrink)

There have been many images of experiment. The contemplative narratives of Aristotle served to illustrate hypotheses and arguments. There was no expectation that they be performed. Even in Galileo's dialogues, the distinction between real experiments and imaginary ones is not sharp (see galileo). During the seventeenth century, performance and public description became essential to the probative power of experiment. These made its methods and procedures transparent, allowing any reader of the narrative to be a virtual witness of an active demonstration (...) (Shapin and Schaffer 1985, pp. 22–79). Thus, by the end of the scientific revolution, illustrative narratives were distinguished from public accounts of experiment as the disciplined, systematic study of phenomena. Eventually this made the efficacy of thought experiments problematic (see Kuhn 1977, pp. 241–2, and thought experiments). As a source of experience of realms previously beyond the reach of the senses, real‐world experiment contributed to the rise of objective scientific knowledge. Harvey, Galileo, Hooks, Boyle, Newton, and other proponents of experimental natural philosophy established an important new mode of argumentation. (shrink)

Books V and VI of Aristotle's Politics constitute a manual on practical politics. In the fifth book Aristotle examines the causes of faction and constitutional change and suggests remedies for political instability. In the sixth book he offers practical advice to the statesman who wishes to establish, preserve, or reform a democracy or an oligarchy. He discusses many political issues, theoretical and practical, which are still widely debated today--revolution and reform, democracy and tyranny, freedom and equality. David Keyt presents (...) a clear and accurate new translation of these books, together with a commentary which, though primarily philosophical, also supplies a key to Aristotle's many historical references. It is intended to guide readers towards a proper understanding of this classic text in the history of political thought, and does not assumes knowledge of Greek or of ancient history and politics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Confronting Aristotle's EthicsDavid DepewConfronting Aristotle's Ethics by Eugene Garver Chicago: University of Chicago Press, 2006. Pp. ix + 290. $49.00, cloth.Readers of this journal are likely to be familiar with Eugene Garver's 1994 Aristotle's Rhetoric: An Art of Character. The main claim advanced in that important book is that for Aristotle rhetoric is an art because it has internal norms and ends. From this, it (...) follows that although any red-blooded rhetor probably does aim at winning a case, advancing a political career, getting rich, and other external goals, what is artful in rhetorical craft (technikos), and hence expressive of the distinctive human capacity for human rationality, is timely argumentation that binds premises to actionable conclusions through displays of good character and apt emotional response. This ordered combination of ethos, pathos, and logos recruits, or if you will interpellates, an audience that is uniquely capable of judging cases, proposals, and performances reasonably. In this way Aristotle defends rhetoric as a genuine art—an intellectual virtue—against Plato's Gorgias.To arrive at this conclusion Garver draws more widely on other parts of the Aristotelian corpus than rhetorical scholars normally do. In particular, he contrasts external with internal ends by using Aristotle's metaphysical distinction between movements, processes, or behaviors (kineseis), of which the world is chock-full, and actualizations or realizations (energeiai) of capacities, which are more rare. Because rhetorical art, qua artful, is an actualization, Garver infers that it is a "practical art" and so brushes up closely against ethical-political praxis. [End Page 184]How closely? To be sure, they are not identical. Praxis actualizes our rational capacities by issuing in deeds done for their own sake rather than in an ordered series of acts whose intelligibility and worth are, in the end, measured by their outcomes or products, as in arts (poiesis) (46). For this reason a rhetor or a doctor can display artfulness by consciously misbehaving as well as by doing his or her job well, whereas willful misbehavior on the part of a moral agent automatically disbars him or her from possessing practical wisdom (phronesis) at all (46; see Nicomachean Ethics [NE] 1140b22–25). Accordingly, even though moral virtues and technical skills are both acquired by slowly internalizing norms that at first aim only at external ends (29) and are both matched to their distinctive ends through their internal rational norms, Aristotle makes it abundantly clear that "the arts, including rhetoric, do not bring the soul into a good condition" (10). They are not the wellspring or protector of the intrinsically good actions that are constituents of happiness. that role is assigned to moral virtues such as prudence, courage, liberality, and, when these are practiced in relation to others, justice and friendship.Confronting Aristotle's Ethics begins by reviewing the above account of rhetorical art in Garver's earlier book. Precisely because that account posits a greater affinity between ethical virtue and craft knowledge than most contemporary analyses of Aristotle's Nicomachean Ethics, Garver feels a need to spell out more carefully than usual why Aristotle thinks that the arts, even at their best, cannot yield the intrinsically good acts that the moral virtues do and why for Aristotle the habitual performance of just such acts is constitutive of happiness (eudaimonia). To answer these questions is the aim of the book.Garver reports that satisfactory answers are surprisingly rare even in otherwise sophisticated contemporary Aristotelian studies (5–7). Now and again he points to one reason why this might be so. Since at least the eighteenth century, Aristotle's ethical theory has been commended by sloughing off its original political integument. Even Hannah Arendt, a devotee of Aristotle's conception of the public life if ever there was one, says that public figures must leave happiness to the private lives of little people. this depoliticization of ethics has allowed contemporary commentators to evade Aristotle's burden of proof. As good readers of Aristotle they may try to distance themselves from people who think that there might be an art of happiness by which one can technically realize one's desires. (Your local Barnes and Noble will... (shrink)

This book provides a balanced and accessible introduction to Aristotle's Nicomachean Ethics. It carefully and comprehensively follows the thread of Aristotle’s argument and sheds light on topics that all too often receive little attention or are entirely ignored in the existing textbooks (such as self-control, legislative science and the legislator, the life of the money-maker, craft-knowledge, comprehension, and beastliness). Its objective is not only to offer an academically reliable presentation of Aristotle’s Ethics but to also defend Aristotle’s main tenets—or, (...) at least, to present them in their most defensible form. It places the Nicomachean Ethics within the study of ethics generally; students are invited to understand Aristotle’s claims in the light of, or in contrast to, other ethical theories or their own intuitions about ethical matters. It follows the reader of the Nicomachean Ethics in action, registering questions, expectations and progress within an insightful exegesis of Aristotle's philosophical argument. It is replete with pedagogical tools including examples from our concrete everyday experience, paintings, films, and literature, end of chapter summaries, internet resources, suggestions for further reading, study questions, and essay questions. (shrink)

This new edition of Aristotle's Nicomachean Ethics is an accurate, readable and accessible translation of one of the world's greatest ethical works. Based on lectures Aristotle gave in Athens in the fourth century BCE, Nicomachean Ethics is one of the most significant works in moral philosophy, and has profoundly influenced the whole course of subsequent philosophical endeavour. It offers seminal, practically oriented discussions of many central ethical issues, including the role of luck in human well-being, moral education, responsibility, courage, (...) justice, moral weakness, friendship and pleasure, with an emphasis on the exercise of virtue as the key to human happiness. This second edition offers an updated editor's introduction and suggestions for further reading, and incorporates the line numbers as well as the page numbers of the Greek text. With its emphasis on accuracy and readability, it will enable readers without Greek to come as close as possible to Aristotle's work. (shrink)

Republicans are divided on the question of whether domination is best understood in terms of capacities to act intentionally or of certain structural aspects of society. I offer a model combining each aspect derived from Frederick Douglass’s philosophy. Douglass referred to slavery in both interpersonal terms (to individuals) and structural (to the community), focussing on the unique and pervasive role played by social prejudice which distorts public reason thereby disabling the functioning of republican institutions. While Douglass’s insights constitute a (...) significant contribution to neo-republican theory in their own right, they also offer a slave’s perspective on the central republican concept of domination and shows how historic African American writers made innovative theoretical contributions to republicanism. Both of these have long been overlooked by republican scholars to the philosophical detriment of the tradition. (shrink)

An influential strand of neo-Aristotelianism, represented by writers such as Philippa Foot, holds that moral virtue is a form of natural goodness in human beings, analogous to deep roots in oak trees or keen vision in hawks. Critics, however, have argued that such a view cannot get off the ground, because the neo-Aristotelian account of natural normativity is untenable in light of a Darwinian account of living things. This criticism has been developed most fully by William Fitzpatrick in (...) his book Teleology and the Norms of Nature . In this paper, I defend the neo-Aristotelian account of natural normativity, focusing on Fitzpatrick's arguments. I argue that a natural goodness view is not impugned by an evolutionary account. Nor can neo-Aristotelian life form judgments be replaced by an evolutionary view of living things. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book of Aristotle's Metaphysics, together with two related chapters from the eleventh book. Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle sets out what he takes to be the main problems of metaphysics or 'first philosophy' and assesses possible solutions to them; he takes his starting-point from the work of earlier philosophers, especially Plato and some of the Presocratics. These texts serve as (...) a useful introduction both to Aristotle's own work on metaphysics and to classical metaphysics in general; they are also a good example of Aristotle's dialectical method, which reasons not from known truths but from reputable opinions. (shrink)

J. L. Schellenberg claims that the weakness of evidence for God’s existence is not merely a sign that God is hidden, “it is a revelation that God does not exist.” In Divine Hiddenness : New Essays, Michael J. Murray provides a “soul-making” defense of God’s hiddenness, arguing that if God were not hidden, then some of us would lose what many theists deem a good thing: the ability to develop morally significant characters. In this paper, I argue that Murray’s (...) soul-making defense not only fails to defend God’s hiddenness, it produces an argument for the nonexistence of God. (shrink)

In this chapter, Rob Lovering provides some possible answers to the question of whether God—understood as an omniscient, omnipotent, omnibenevolent, spiritual, personal deity who created the universe—knows what it’s like to undergo a positive, psychoactive, drug-induced experience; or, as he puts it for short, whether God knows what it’s like to get high. For either God knows what it’s like to get high or he does not and, in any case, interesting metaphysical, epistemological, and value theoretical questions arise. Lovering concludes (...) that, collectively, the possible answers he provides to the question of whether God knows what it’s like to get high generate an intriguing (and paradoxical) conclusion: It is hard to see how God could know what it’s like to get high, but it is also hard to see how he could not know what it’s like to get high. (shrink)

Shame is one of the more painful consequences of loving someone; my beloved’s doing something immoral can cause me to be ashamed of her. The guiding thought behind this paper is that explaining this phenomenon can tell us something about what it means to love. The phenomenon of beloved-induced shame has been largely neglected by philosophers working on shame, most of whom conceive of shame as being a reflexive attitude. Bennett Helm has recently suggested that in order to account (...) for beloved-induced shame, we should deny the reflexivity of shame. After arguing that Helm’s account is inadequate, I proceed to develop an account of beloved-induced shame that rightly preserves its reflexivity. A familiar feature of love is that it involves an evaluative dependence; when I love someone, my well-being depends upon her life’s going well. I argue that loving someone also involves a persistent tendency to believe that her life is going well, in the sense that she is a good person, that she is not prone to wickedness. Lovers are inclined, more strongly than they otherwise would be, to give their beloveds the moral benefit of the doubt. These two features of loving—an evaluative dependence and a persistent tendency to believe in the beloved’s moral goodness—provide the conditions for a lover to experience shame when he discovers that his beloved has morally transgressed. (shrink)

To the extent we are curious about the virtue of justice as a virtue of character, we may start with Aristotle’s conception, but a fresh look at justice can, potentially, open avenues of thought in more than one direction. The fruits of interaction between Aristotelian and Kantian thought have been manifest in a wide variety of ways in recent years, and this essay aspires to rethink the virtue of justice in this light. It aims to offer a first cut at (...) a conception of a virtue of justice that draws on both traditions. Its Aristotelian provenance provides the general understanding of virtue employed, and accepts Aristotle’s general picture of virtue and its centrality to the good life and to happiness. The Kantian (and contractualist) part of the union provides content for justice as a distinctive virtue of character. (shrink)

I want to take up some of the most familiar texts in Aristotle, and I want to approach them in what I think is an Aristotelian fashion, but the conclusions I will reach are not, I think, the familiar ones. I will begin, in Section 1, with Aristotle’s conception of phusis—of nature—and lead from here into a discussion of the nature of life, which will lead us to the themes of soul and body. I will find the principle of desire (...) to be the core of phusis, and I will produce from this analysis a doctrine of self-moving wholes which actively organize relations of opposite bodies according to a desire for self-maintenance. I will then move, in Section 2, to Aristotle’s discussion of epagoge—induction—in the last chapter of the Posterior Analytics and argue for the empirical and conceptual accuracy of his account of the development of cognitive capacities. I will conclude by showing how the logical relations which characterize a situation of knowing as described in the Posterior Analytics are precisely the relations which we will already have seen to characterize a situation of life in Section 1. This will allow us to draw the conclusion, in Section 3, that knowing is a kind of bringing to life of a situation and I will discuss the situation which best exemplifies this, and also how we should try to understand the significance of this. In general, I think that recent moves in philosophy have allowed us to appreciate for the first time the significance of Aristotle’s philosophy, and this account of Aristotle’s animative epistemology should tie in nicely with modern discussions about emergence, interpretation, and other themes. I begin, then, with the basic story of what there is in the world. (shrink)

This book comprises essays centered on Aristotle’s objectivist conception of eudaimonia, especially the roles played in it by activities of theoretical and practical intellect and the quality of our relationships with one another. Common objections to grounding this conception in the “proper function” of a human being are answered by appeal to the role played by Aristotle’s teleologically driven essentialism. His struggle to reconcile living in accordance with distinctively human virtues with the ideal of living a “divine” contemplative life is (...) explored, along with puzzles about how to reconcile his conception of eudaimonia as the ultimate end of human action with the parallel requirements that virtuous agents choose to engage in virtuous action “for itself” and that friends love their friends “for themselves.” Readings of Aristotle’s “eudaimonism” as a form of rational egoism are challenged by appeal to an original account of the ideal friend as an “other self,” one that stresses appreciation of the friend’s character “for itself” (apart from any relationships in which it happens to stand to the agent’s own needs and/or tastes) but acknowledges the role played by pleasure in “character friendship.” The friend’s good is not, as on “colonizing ego” readings, part of the agent’s own. Rather, the ideal friend recognizes the value her friend’s activity has for him and she take pleasure in his activity as such. This explains why even the maximally self-sufficient (and so most godlike) agent, who needs nothing from a friend, will nevertheless want to have at least one. (shrink)

Aristotle's Nicomachean Ethics is devoted to the topic of human happiness. Yet, although Aristotle's conception of happiness is central to his whole philosophical project, there is much controversy surrounding it. Hope May offers a new interpretation of Aristotle's account of happiness - one which incorporates Aristotle's views about the biological development of human beings. May argues that the relationship amongst the moral virtues, the intellectual virtues, and happiness, is best understood through the lens of (...) developmentalism. On this view, happiness emerges from the cultivation of a number of virtues that are developmentally related. May goes on to show how contemporary scholarship in psychology, ethical theory and legal philosophy signals a return to Aristotelian ethics. Specifically, May shows how a theory of motivation known as Self-Determination Theory and recent research on goal attainment have deep affinities to Aristotle's ethical theory. May argues that this recent work can ground a contemporary virtue theory that acknowledges the centrality of autonomy in a way that captures the fundamental tenets of Aristotle's ethics. (shrink)

Although they were never to meet and corresponded only briefly, Catharine Macaulay and Mary Wollstonecraft shared a mutual admiration and a strong intellectual bond. Macaulay’s work had a profound and lasting effect on Wollstonecraft, and she developed and expanded on many of Macaulay’s ideas. While she often took these in a different direction, there remains a great synergy between their ideas to the extent that we can understand Wollstonecraft’s own feminist arguments by approaching them through the frameworks and ideas that (...) Macaulay provided. These included the principles of classical republicanism, particularly in its understanding of the values of freedom, equality and virtue, and an understanding of reason as grounded in immutable principles that apply equally to both sexes. On the question of women’s freedom and social equality with men, I argue that though Macaulay sets up the problem in far richer and more detailed philosophical terms, in the end it is Wollstonecraft that has the more compelling account of its far-reaching social implications and of how this might be addressed. (shrink)

Aristotle’s Motivation for Matter Why does Aristotle make matter so central to his account of the natural world, making it a principle of nature and one of the four causes? Although there is considerable interest in how Aristotle conceives of matter, scholars rarely investigate why he thinks of it as fundamental to the natural world. Some simply ask why Aristotle thinks there must be matter. Other interpreters do not even agree that we should ask this question; they claim that (...) Aristotle does not give reasons for needing matter because matter is an everyday notion we need not motivate. I think that in Physics I Aristotle gives us good reasons – perhaps even compelling ones – for thinking that matter is necessary for any understanding of the natural world. We, as interpreters, can use these reasons to understand what matter is for Aristotle, making progress where scholars have offered many incompatible interpretations. The first chapter of the dissertation presents my basic account of why Aristotle needs matter and what it is. I argue that Aristotle makes matter central to his natural philosophy because it is needed in order to understand change. Specifically, in order for there to be change, there must be something whose very nature is to undergo change. This is what matter is for Aristotle: the thing whose very nature is to undergo change. Since matter is picked out by its role in change, the very same thing will be matter and other things, based on what other roles it has. Just as the same person can be a doctor and a builder, so the same person can be a doctor and matter. This chapter also highlights the strength of my account by arguing against a rival interpretation of Aristotle’s motivation for matter, according to which matter is needed so that something persists through change. The second chapter argues for my interpretation through a close reading of Aristotle’s Physics I. (shrink)

Previous research suggests that there are important gender disparities in the experience of leisure, but the issue of how mothers and fathers experience free time emotionally remains overlooked. The present study addressed this lacuna using the Experience Sampling Method and survey data from the 500 Family Study. Results showed that mothers and fathers spent the same amount of time on leisure activities. However, mothers had slightly less pure free time than fathers and were more likely to combine leisure with unpaid (...) work or spend time in leisure with children. Multilevel analyses showed that pure free time was associated with increased positive affect and engagement and decreased negative affect and stress, as was the combination of free time with unpaid work and personal care. These trends did not differ by gender. Adult leisure and free time with children were also beneficial to parents’ well-being. However, the relationship between free time with children and positive affect was stronger among fathers, whereas the association between adult leisure and engagement was stronger among mothers. These results suggest that mothers may feel more anxious about being criticized by others when engaging in leisure with their children, whereas spending time with adults alone may free them from the pressures of “good mothering.”. (shrink)

This excellent book concludes Garver’s trilogy of interpretations of Aristotle’s practical philosophy. The unifying intention of the trilogy is captured by the word ‘confronting’ in the title of the second volume: to provide an interpretation of Aristotle’s practical philosophy, but also to argue that Aristotle offers compelling practical solutions to contemporary moral and political problems.The trilogy articulates the structure of ethical and political philosophy, and the relation between them. Garver argues that moral philosophy is concerned with how an individual lives (...) the best human life. Moral philosophy answers this question with a deductive structure of normative reasoning: (1) the ethical philosopher .. (shrink)

Aristotle’s Parva naturalia continues the investigation begun in the De anima. The De anima defines the soul and treats its main powers, nutrition, sense perception, intellection, and locomotion. The Parva naturalia — On sense and sensible objects, On memory and recollection, On sleep, On dreams, On divination in sleep, On motion of animals (De motu animalium ), On length and shortness of life, and On youth and old age and respiration — attends more to bodily involvement with soul. While each (...) work offers fascinating and challenging insights, there has never been as extensive a commentary covering them together. A reason is that the works have often been viewed as incidental and even inconsistent. The De motu animalium has not typically been included, when viewed as an isolated work on animal locomotion. This commentary argues that the treatises, considered together and with the De motu among them, display a tight sequence manifesting an artful, yet easily overlooked, design. We reveal many techniques of Aristotle’s writing that have received little consideration previously. Our commentary contributes to a unified and comprehensive account of Aristotle’s overall project regarding the soul and its connections with the body. (shrink)

In spite of its everyday connotations, the term independence as republicans understand it is not a celebration of individualism or self-reliance but embodies an acknowledgement of the importance of personal and social relationships in people’s lives. It reflects our connectedness rather than separateness and is in this regard a relational ideal. Properly understood, independence is a useful concept in addressing a fundamental problem in social philosophy that has preoccupied theorists of relational autonomy, namely how to reconcile the idea of individual (...) human agency with the inevitable and necessary influence of other people, both directly and indirectly. I derive my account from the work of Mary Wollstonecraft and Catharine Macaulay, whose contributions have remained largely overlooked by current republican theorists. I have three purposes in this chapter. First, I set out the relational character of independence. Secondly, I outline a republican approach to the problem of structural social threats to agency. Finally, I hope to establish the basis for a fruitful dialogue between republicans and relational autonomy theorists on the requirements and dynamics of individual agency and freedom in oppressive social situations. I identify three distinctive features of the internal logic of freedom as independence that give it a relational character: it always locates the person within a community; there is a mediating role played by the notion of arbitrariness in connecting individual and collective perspectives; a causal relationship exists linking each person’s freedom as independence such that that the dependence of one class of persons jeopardizes the independence of the whole community. (shrink)

Gregor Moder’s Hegel and Spinoza: Substance and Negativity is a lively entry into current debates concerning Hegel, Spinoza, and their relation. Hegel and Spinoza are two of the most influential philosophers of the modern era, and the traditions of thought they inaugurated have been in continuous dialogue and conflict ever since Hegel first criticized Spinoza. Notably, eighteenth- and nineteenth-century German Idealists aimed to overcome the determinism of Spinoza’s system by securing a place for the freedom of the subject within it, (...) and twentieth-century French materialists such as Althusser and Deleuze rallied behind Spinoza as the ultimate champion of anti-Hegelian materialism. This conflict, or mutual rejection, lives on today in recent discussions about materialism. Contemporary thinkers either make a Hegelian case for the productiveness of concepts of the negative, nothingness, and death, or in a way that is inspired by Spinoza they abolish the concepts of the subject and negation and argue for pure affirmation and the vitalistic production of differences. Hegel and Spinoza traces the historical roots of these alternatives and shows how contemporary discussions between Heideggerians and Althusserians, Lacanians and Deleuzians are a variation of the disagreement between Hegel and Spinoza. Throughout, Moder persuasively demonstrates that the best way to read Hegel and Spinoza is not in opposition or contrast but together: as Hegel and Spinoza. (shrink)

For many, striving to attain first place in an athletic competition is explicable. Less explicable is striving to attain first place in a virtue (aretē) competition. Yet this latter dynamic appears in Aristotle’s Nicomachean Ethics. There is 4.3’s magnanimity, the crown of the virtues, which seemingly manifests itself in outdoing one’s peers in virtue. Such one-upmanship also seems operant with 9.8’s praiseworthy self-lover, who seeks to get as much of the fine (to kalon) as possible for herself. Contrary to many (...) interpreters, this paper argues that praiseworthy self-love and magnanimity involve one-upmanship. The relevant exemplars are not simply striving to be the best that they can be in respect to virtue (in virtuous activity), but to be better than others. The paper argues that Aristotle’s axiology, which sets activity (energeia) above state (hexis) and potentiality (dunamis), engenders one-upmanship. For only the level of activity substantially differentiates individuals, settling for inferiority is obviously objectionable, and equal achievement for Aristotle is not static but involves matching and surpassing the achievements of others. The paper concludes that modern discomfort with these dynamics is due to an axiology Nietzsche attributes to Christianity, one that bases human value fundamentally on non-differentiating potentiality. (shrink)

Few will deny that Aristotle’s Nicomachean Ethics is the best-known work on moral philosophy. It is a well-trodden field for the commentator. Indeed one occasionally has the feeling that it is the very proliferation of commentary that makes further guidance necessary and justifies a new commentator. But one hastens to add that the author of the present volume does very much more than simply sort out the differences between the interpretations offered by his predecessors in the field. That not (...) unimportant task he does very skilfully. But his main preoccupation is ‘to give an account of Aristotle’s main ethical doctrines, and to justify interpretations by the detailed scrutiny of particular passages, often very familiar passages’. He goes on to remark that in the study of Aristotle familiarity can be an obstacle to understanding. (shrink)

The author sees his scholarly book as a contribution to the “remarkable resurgence of interest in Aristotle’s moral and political philosophy.” Despite the difficulty of integrating the various parts of the Nicomachean Ethics into a harmonious doctrine, Tessitore defends the cogency of the text. In five chapters he deals with several of the main topics studied by Aristotle. The Ethics is addressed to morally serious persons. The second chapter discusses the virtues treated in books 2–7. Special attention is paid to (...) equity and prudence. Tessitore sees book 7 as a new beginning, namely, the study of human behavior from the point of view of opposites. Human beings sometimes act in ways they know to be wrong. Tessitore speaks of a “continuous war between right principle and pleasure,” but Aristotle would say that the really virtuous person is no longer attracted by the lower pleasures. So when the author writes that book 7 is disconcerting: “the activity of God is wholly given over to pleasure”, we answer that it all depends on the sort of pleasure we are speaking about. Chapter 4 deals with friendship, which holds society together and is an important element of human happiness. Human activity is increased when one shares one’s life and experiences with others. Tessitore explains in which sense right self-love is the proper basis for friendship and social life. He considers books 8 and 9 an introduction to the best way of life. Book 10 brings a new description of pleasure which is now said to perfect or complete activity. Contemplation is presented as the supreme form of happiness, a conclusion which is “oddly out of step with the rest of Aristotle’s study”. Tessitore explains this: in the previous books of his treatise, Aristotle has kept this argument in the background, but he now shows that ethical excellence must somehow come together with philosophical contemplation. (shrink)

In this paper, I present a case study on a recent attempt at implementing what I refer to as the “Pro-lifer’s Asymmetrical Punishment View” (PAPV), the view that people should be legally punished for performing abortions whereas women should not be so punished for procuring abortions. While doing so, I argue that the endeavor, which took place in the state of Alabama, is incoherent relative to the conjunction of its purported underlying moral rationale and the Alabama criminal code. I then (...) present what I take to be possible explanations for, practical implications of, and solutions to the attempt and its incoherence. Given that other endeavors to implement PAPV are currently in the works and are so with similar underlying moral rationales and within similar criminal codes, what I present and argue here is not limited to Alabama’s attempt at doing so. (shrink)

This book elaborates a moral realism of phenomenological inspiration by introducing the idea that moral experience, primordially, constitutes a perceptual grasp of actions and of their solid traces in the world. The main thesis is that, before any reference to values or to criteria about good and evil—that is, before any reference to specific ethical outlooks—one should explain the very materiality of what necessarily constitutes the ‘moral world’. These claims are substantiated by means of a text- centered interpretation of (...) Aristotle’s _Nicomachean Ethics_ in dialogue with contemporary moral realism. The book concludes with a critique of Heidegger’s, Gadamer’s and Arendt’s approaches to Aristotle’s ethics. (shrink)

This work is an attempt to decipher the therapeutic essence of the Hellenic theater through the prism of "catharsis", starting with the Athenian orgy, when theatrical performances turned into a tool for collective healing. The article deals with the theoretical views of Aristotle, in whose aesthetics catharsis has become the main concept that testifies to the healing abilities of the Greek theater to purify and harmonize the personality. The author shows how these ideas can be used in modern theatrical art, (...) helping to identify and eliminate the mental problems of today's audience. Dramatic "catharsis", named and analyzed in the theoretical system of Aristotle, in turn, became a theoretical generalization of the healing abilities of the Greek theater. The scientific novelty of this work lies in the fact that the study of the essence and form of healing in the Greek theater can be used as a theoretical basis for the development of modern drama therapy. The work uses an interdisciplinary approach, a cultural-historical method and the principle of comparative analysis in the 70-80s. In the twentieth century, drama therapy began to be explored as a separate discipline that awakened creativity and imagination, contributed to the reunification of people with their inner world, removed the burden of difficult experiences, changed behavior and life circumstances, thus revealing the healing abilities of theatrical "catharsis". The rise of modern theater therapy reflects a new direction in the development of psychotherapy and theater, as well as a return to the ancient traditions of healing and artistic creativity and the development of fresh ideas and new creative ideas based on them. (shrink)

This new translation of _On Coming to Be and Passing Away _and_ Meteorology 1 and 4_ fits seamlessly with the other volumes in the New Hackett Aristotle Series, enabling Anglophone readers to study these works in a way previously not possible. The Introduction describes the book that lies ahead, explaining what it is about, what it is trying to do, how it goes about doing it, and what sort of audience it presupposes. Sequentially numbered, cross-referenced endnotes provide the information most (...) needed at each juncture, while a detailed Index indicates the places where focused discussion of key notions occurs. (shrink)

V tretji knjigi Politike, ene najpomembnejših in vplivnejših politično-filozofskih razprav sploh, se Aristoteles ukvarja z nekaterimi temeljnimi pojmi svojega političnega raziskovanja, npr. z opredelitvijo državljanstva, upravljanjem mesta kot celote, različnimi vrstami ustave, razlikovanjem med krepostjo dobrega človeka in vrlino dobrega državljana ter z razmerjem med političnimi skupnostmi, krepostjo in pravičnostjo. Zlasti prvo in drugo poglavje proučujeta pomen izraza 'državljan', upoštevajoč različne oblike državljanove prisotnosti pri oblasti in odločitvah. Analiza pokaže, da mora dober državljan biti sposoben bodisi vladati bodisi biti vladan, (...) isto pa pričakujemo tudi od dobrega človeka. In the third book of Politics, one of the most important and influential treatises on political philosophy ever written, Aristotle deals with some basic concepts of his political investigations, such as the definition of citizenship, the government of a city as a whole and the different types of regimes, the distinction between the virtue of a good man and the virtue of a good citizen, as well as the relation between political communities, virtue and justice. Particularly the first and second chapter examine the meaning of the word ‘citizen’, considering different kinds of citizen’s commitment to power and general decisions. The analysis shows that the good citizen will need to know both how to rule and to be ruled, and the good person is expected to have this very same capacity as well. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book of Aristotle's Metaphysics, together with two related chapters from the eleventh book. Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle setsout what he takes to be the main problems of metaphysics or 'first philosophy' and assesses possible solutions to them; he takes his starting-point from the work of earlier philosophers, especially Plato and some of the Presocratics. These texts serve as a (...) useful introduction both to Aristotle's ownwork on metaphysics and to classical metaphysics in general; they are also a good example of Aristotle's dialectical method, which reasons not from known truths but from reputable opinions. (shrink)

Joe Sachs has followed up his brilliant translation of Aristotle's Physics with a new translation of Metaphysics. Sachs's translations bring distinguished new light onto Aristotle's works, which are foundational to history of science. Sachs translates Aristotle with an authenticity that was lost when Aristotle was translated into Latin and abstract Latin words came to stand for concepts Aristotle expressed with phrases in everyday Greek language. When the works began being translated into English, those abstract Latin words or their (...) cognates were used, thus suggesting a level of jargon and abstraction, and in some cases misleading interpretation, which was not Aristotle's language or style. These important new translations open up Aristotle's original thought to readers. (shrink)

Aristotle conceives of ethical theory as a field distinct from the theoretical sciences. Its methodology must match its subject matter—good action—and must respect the fact that in this field many generalizations hold only for the most part. We study ethics in order to improve our lives, and therefore its principal concern is the nature of human well-being. Aristotle follows Socrates and Plato in taking the virtues to be central to a well-lived life. Like Plato, he regards the ethical virtues (...) (justice, courage, temperance and so on) as complex rational, emotional and social skills. But he rejects Plato's idea that a training in the sciences and metaphysics is a necessary prerequisite for a full understanding of our good. What we need, in order to live well, is a proper appreciation of the way in which such goods as friendship, pleasure, virtue, honor and wealth fit together as a whole. In order to apply that general understanding to particular cases, we must acquire, through proper upbringing and habits, the ability to see, on each occasion, which course of action is best supported by reasons. Therefore practical wisdom, as he conceives it, cannot be acquired solely by learning general rules. We must also acquire, through practice, those deliberative, emotional, and social skills that enable us to put our general understanding of well-being into practice in ways that are suitable to each occasion. (shrink)

This good-humoured book offers an antidote to the pretentious clap-trap that is written about wine today and a profound apology for the drink on which..

Recent empirical work suggests that intuitions may be less reliable than previously assumed. However, given the ubiquity of intuition in philosophical reasoning, it is tempting to give intuitions some evidential weight. This chapter develops an account called ‘moderate intuitionism’, a view whereby intuitions are generally reliable, but nonetheless capable of substantial degrees of error. Believing that the general reliability of intuition emerges from the nature of language, the chapter develops an outline for a disposition-based metasemantic theory which can ground (...) the link between intuition and truth: terms refer to whatever a speaker would be disposed to apply them to when in possession of all relevant information. Well-constructed thought experiments can elicit intuitions and generally reflect the semantic facts but this account can also explain why intuitions occasionally err — i.e. when a thought experiment fails to specify information that would influence the speaker’s dispositions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:680 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER 1995 cal advance over the criticisms of the Parmenidesas to say how the Theaetetusshould be called an "Eleatic" dialogue. The Sophist then reintroduces form, but in its epistemological aspect alone. Extensive use is made of the method of division, presented in the commentary as a rigorous method for precise definition, yet the Sophistfails to distinguish sophistry from philosophy. Two reasons (...) are given. The final division locates sophistry under the productive, rather than the acquisitive arts. (The commentary indicates no surprise at sophistry being categorized as an art at all.) Moreover, the method of division makes no use of value, the real distinguishing feature of the two types of art, although Dorter argues that allusion is made to value through references to the Republic'stheory of soul. The Statesman fills in the missing feature by introducing measurement against the standard of the mean as opposed to relative measurement, finally reintegrating both features that Dorter considers salient aspects of Platonic forms: universality (sameness) from the Sophistand now value (the mean) in the Statesman. The commentary finds that the use of division in the Statesman, where it is not strictly dichotomous, evidences a "decline from the rigor and precision of the divisions in the Sophist"(l 8 l), despite the rejection of division by strict halving in the Phaedrusand in Aristotle. Lack of rigor is not, however, a reproach in Dorter's mind. This is a theme he first develops in commenting on the Parmenides. The methods of division and hypothesis "converge in the form of the good" (227). But where Plato would give "content to the Idea of the good, he eschews any formal methodology whatever, and resorts to the ambiguous world of myth" (242). Ultimately, on this view, assertions about the forms, and responses to many of the Parmenides' criticisms rest on analogy (3off.). Since analogy is identified with a breakdown of"rigor, analogy implies not a theory of proper proportions, but the use of poetic metaphor. The explanatory power of the theory of forms comes up short, which is not a fault of the specific theory of forms, but a fault in the nature of all theory. That rigor must inevitably be.jettisoned is a conclusion taken perhaps too much to heart in a commentary that voices the compelling view that these dialogues are masterpieces in metaphysics. DAVID AMBUEL Mary Washington College David J. Furlr and Alexander Nehemas, editors. Aristotle's "Rhetoric": Philosophical Essays. Proceedings of the Twelfth Symposium Aristotelicum. Princeton, NJ: Princeton University Press, 1994. Pp. xv + 322. Cloth, $45.oo. The Symposium Aristotelicum is a group of Aristotelian scholars who meet every three years, and publish a record of their proceedings. In 199~ they turned their attention to the Rhetoric.This, then, is a series of essays by Aristotelian scholars--more precisely, by scholars of ancient philosophy, since a couple are really specialists on Plato--looking at the Rhetoric. Few are identified as specialists on the Rhetoric itself, and none on the history of rhetoric or on classical oratory. People in those other groups would have very different, but of course not necessarily better, things to say about the Rhetoric. BOOK REVIEWS 68~ Nehemas states the conception of the project in his Introduction: "The essays presented in the 199o symposium and collected here.., address specific texts on the Rhetoric itself, but all of them also connect the Rhetoric with Aristotle's logical, methodological, ethical/political, and poetic views and treatises. A further central concern is, of course, the issue whether Aristotle does or does not respond to Plato's challenge against rhetoric successfully... " (xiii). As I will show, that "of course" is very problematic. The collection is divided into four sections. "The Arguments of Rhetoric" starts with M. F. Burnyeat's "Enthymeme: Aristotle on the Logic of Persuasion," which sets itself the task of determining whether, when Aristotle defines the enthymeme as a sullogismos tis, he means to call rhetorical argument a kind of syliogizing or "a sullogismos of a kind," and along the way offers an account of how Aristotle came later to be read as thinking of the enthymeme as a syllogism with a suppressed premise... (shrink)

Scholars of classical philosophy have long disputed whether Aristotle was a dialectical thinker. Most agree that Aristotle contrasts dialectical reasoning with demonstrative reasoning, where the former reasons from generally accepted opinions and the latter reasons from the true and primary. Starting with a grasp on truth, demonstration never relinquishes it. Starting with opinion, how could dialectical reasoning ever reach truth, much less the truth about first principles? Is dialectic then an exercise that reiterates the prejudices of one's times and at (...) best allows one to persuade others by appealing to these prejudices, or is it the royal road to first principles and philosophical wisdom? In From Puzzles to Principles? May Sim gathers experts to argue both these positions and offer a variety of interpretive possibilities. The contributors' thoughtful reflections on the nature and limits of dialectic should play a crucial role in Aristotelian scholarship. (shrink)