In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 105-115 [Access article in PDF] Intimacy and Monumentality in Chandigarh, North India: Le Corbusier's Capitol Complex and Nek Chand Saini's Rock Garden Sharon Irish School of Architecture University of Illinois, Urbana-Champaign Chandigarh's Le Corbusier: The Struggle for Modernity in Postcolonial India, by Vikramaditya Prakash. Seattle: University of Washington Press, 2002, 179pp., $35.00 cloth. The seventh century poet and philosopher Dharmakirti wrote (...) of the path we each must make: No one behind, no one ahead, The path the ancients cleared has closed. And the other path, everyone's path, easy and wide, goes nowhere. I am alone and find my way.1The image in Figure 1 shows the bottom of a concrete ramp that angles back upon itself as it connects two levels of the government complex in Chandigarh and ends in a grassy hillside that has several dirt paths cutting across it. The concrete ramp begins just to the left of Le Corbusier's Assembly Hall (Figure 2). What I hope is evident from just two images is the contrast between the curving, unplanned path that pedestrians have made as they leave the bottom of the ramp, and the axial, monumental path implicit in the organization of the large concrete plaza in front of the Assembly Hall. One is informal and intimate because of the many footprints that have worn away the grass; the other is formal and monumental in its carefully controlled framing of a sculptural presence. They are two very different paths, offering different rewards as we wander upon them.As Vikramaditya Prakash's book, Chandigarh's Le Corbusier, emphasizes, the Capitol Complex derived from Le Corbusier's personal mythology, transmogrified somewhat by the site, the politics, and the climate. Le Corbusier "considered it the true mission of modern architecture to reestablish the aesthetic and poetic forms necessary for the liberation and deliverance of...modern man."2 Le Corbusier's monumentalism, then, was imposed on Chandigarh's landscape and the inhabitants with the assumption that he knew best what architecture was appropriate for "liberation." While there are many aspects of his designs to appreciate and admire, his buildings only indirectly address the visitor, preferring uncanny to intimate relationships.3 [End Page 105] Click for larger viewFigure 1 The bottom of the ramp leading into a path toward the Trench of Consideration, Capitol Complex, Chandigarh. Photo by the author. Click for larger viewFigure 2 Façade of the Assembly Building, Le Corbusier, 1953-61, Chandigarh. Photo by the author. [End Page 106]For six months in 1999, I lived in Chandigarh within a few blocks of Le Corbusier's government complex and another compelling place, the nearby and unrelated Rock Garden. While the paths at the Government Complex are, for the most part, empty, those in the Rock Garden are not and provide chances for intimate interactions that are only hinted at underneath Le Corbusier's concrete ramp. Poignant informality in Le Corbusier's government sector exists in areas that were never completed according to plan.4 Its predominant monumentality provides a useful contrast to the intimate spaces of the Rock Garden.In the 1950s, two men, Le Corbusier and Nek Chand Saini, began two very different projects within a kilometer of each other in Chandigarh. Le Corbusier's Capitol Complex started in the very highest government circles with Prime Minister Jawaharwal Nehru: the plan was to build a new state capital for a newly divided Punjab in a newly independent India. In architectural history, Chandigarh is well known and well studied due to its planning and design. Nek Chand's Rock Garden (under construction since 1958, and open to the public since 1976) began as an illegal private project by one man to give form to his imagination. This essay is my impressionistic response to these two projects.Monumental buildings often function powerfully as icons or as proud isolated structures. Visited on ceremonial occasions, they can provide visually compelling backdrops to large-scale... (shrink)

This critique of the edition of the anonymous early medieval commentary on Matthew published in CCSL 108F in 2003 explains that there is no evidence for an Irish origin of the work. Furthermore, the apparatus fontium in the edition is largely deceptive. Cette critique de l’édition du commentaire anonyme de Matthieu, daté du haut moyen âge, publié dans le Corpus Christianorum Series Latina , explique qu’il n’y a aucune évidence d’une origine irlandaise de l’œuvre. De plus, l’apparat des sources (...) est largement trompeur. Diese im Jahre 2003 in CCSL 108F veröffentlichte Kritik der Ausgabe des anonymen, frühmittelalterlichen Kommentars des Matthäusevangeliums belegt, dass ein irischer Ursprung dieses Werkes mehr als fraglich ist. Darüber hinaus ist das Quellenregister dieser Ausgabe ziemlich enttäuschend. (shrink)

The word “tragedy,” as Irish critic Shaun Richards points out, “is a term frequently used to describe the contemporary Northern Irish situation. It is applied both by newspaper headline writers trying to express the sense of futility and loss at the brutal extinction of individual lives and by commentators attempting to convey a sense of the country and its history in more general terms.” 1 Since identifying this particular use of the word, it has be- come clear that (...) the Irish are not referring to tragedy in general, but to Greek tragedy in particular. For example, Deaglán de Bréadun writes in The Irish Times: “The whole community knows outright disaster was only narrowly averted at Drumcree last year [1996]. There is also a terrible creeping feeling that Drumcree Three will be upon us soon and that, like a Greek tragedy, this time disaster is inevitable.” 2 Another article the following year, on Sinn Fein’s exclusion from the 1998 Peace Process, reported: “One long-distance peace processor lamented that today’s events were ‘like a Greek tragedy. You can see the end coming but you can’t do any- thing about it.’” This “language of exhausted fatalism” 4 is not unfamiliar to the Irish, and offers an explanation for the more than twenty Irish authors who have translated, produced, or adapted over two dozen Irish versions of Greek tragedies in the last century alone. 5 Irish poets have translated the tragedies of Aeschylus, Sophocles, and Euripides, yet all with a distinctly Irish stamp. Moreover, these Irish-Greek adaptations all, in one way or another, comment upon and question the instability of twentieth-century Ireland – the people, the poets, and the divided country. (shrink)

Women's Power To Be Loud: The Authority of the Discourse and Authority of the Text in Mary Dorcey's Irish Lesbian Poetic Manifesto "Come Quietly or the Neighbours Will Hear" The following article aims to examine Mary Dorcey's poem "Come Quietly or the Neighbours Will Hear," included in the 1991 volume Moving into the Space Cleared by Our Mothers. Apart from being a well-known and critically acclaimed Irish poet and fiction writer, the author of the poem has been, from (...) its beginnings, actively involved in lesbian rights movement. Dorcey's poem "Come Quietly or the Neighbours Will Hear" is to be construed from a perspective of lesbian and feminist discourse, as well as a cultural, sociological and political context in which it was created. While analyzing the poem, the emphasis is being paid to the intertwining of various ideological and subversive assumptions, their competing for importance and asserting authority over one another, in line with, and sometimes, against the grain of the textual framework. In other words, Dorcey's poem introduces a multilayered framework that draws heavily on various sources: the popular culture idiom, religious discourse, the text even employs, in some parts, crime and legal jargon, but, above all, it relies upon sensuous lesbian experience where desire and respect for the other woman opens the emancipating space allowing for redefining of one's personal and textual location. As a result of such a multifarious interaction, unrepresented and unacknowledged Irish women's standpoints may come to the surface and become articulated, disrupting their enforced muteness that the controlling heteronormative discourse has attempted to ensure. In Dorcey's poem, the operating metaphor of women's silence, conceived of, at first, as the need to conceal one's sexual identity in fear of social ostracism and contempt of the "neighbours," is further equated with the noiseless, solitary and violent death of the anonymous woman, the finding of whose body was reported on the news. In both cases, the unwanted Irish women's voices of either agony, during the unregistered by anybody misogynist bloodshed that took place inside the flat, or the forbidden sounds of lesbian sexual excitement, need to be censored and stifled, not to disrupt an idealized image of the well-established family and heteronormative patterns. In the light of the aforementioned parallel, empowered by the shared bodily and emotional closeness with her female lover, and already bitterly aware that silence in discourse is synonymous with textual, or even, actual death, the speaker in "Come Quietly or the Neighbours Will Hear" comes to claim her own agency and makes her voice heard by others and taken into account. (shrink)

This book presents the first comprehensive reference on noun declensions in Modern Irish. Whereas traditional descriptions of noun inflection are notoriously complex and filled with exceptions and irregularities, this reference guide provides a systematic and straightforward characterization of nominal paradigms, which also captures important generalizations about the inflection of nouns. Andrew Carnie proposes ten declension classes instead of the traditional five and separates off seven major types of plural formation. He provides fully inflected paradigms for 1200 nouns, and a (...) reference list of 10,000 Irish nouns annotated with their new declension class, their plural type and the form of the genitive singular and common case plural. The book also includes parallel information on the inflection of adjectives and prepositions. This unique reference tool will be invaluable not only to language researchers and authors, but to teachers and students of the language, whether they are native speakers or beginners. (shrink)

Objective To determine the public's understanding of and views about a range of ethical issues in relation to death and dying. Design Random, digit-dialling, telephone interview Setting Ireland. Participants 667 adult individuals. Results The general public are unfamiliar with terms associated with end-of-life care. Although most want to be informed if they have a terminal illness, they also value family support in this regard. Most of the respondents believe that competent patients have the right to refuse life-saving treatment. Most also (...) (mistakenly) believe that families, either alone or with physicians, have the authority to make decisions about starting or stopping treatment for incompetent patients. Most Irish people are more concerned about the quality of their dying than death itself. Religious commitment is important to most Irish people, and this impacts on their views about medical treatment and care at the end of life. Conclusions The study paints a picture of a general public that is not very comfortable with or informed about the processes of dying and death. Great sensitivity is required of health professionals who must negotiate the timing and the context of breaking of bad news with patients and families. Educational interventions, public and organisational policies and legislation need to address the uncertainty that surrounds the role of professionals and families in making decisions for dying patients. (shrink)

The current research examines the emergent literature of Critical Data Studies, and particularly aligns with Michael and Lupton’s (2016) manifesto calling for researchers to study the Public Understanding of Big Data. The aim of this paper is to explore Irish stakeholders’ narratives on data sharing in agriculture, and the ways in which their attitudes towards different data sharing governance models reflect their understandings of data, the impact that data hold in their lives and in the farming sector, as well (...) as their preferences for how data should be governed within agriculture. Seven focus groups were held in 2019 with Irish stakeholders from a variety of backgrounds, including agri-researchers, those working in SMEs, and farmers of varying ages and sectors. The primary activities carried out during these focus groups centred upon asking participants to discuss four different data sharing governance models, and to work their way through a set of value cards relating to these models. Focus group results are studied using an inductive, data-driven form of thematic analysis (Braun and Clarke 2006). Five primary themes cross-cut these focus groups: 1) Desire for a data intermediary, 2) Reversing the value chain, 3) Categorisation of data, 4) The common good, and 5) Potential danger in data sharing. These themes are explored in the paper through a detailed discussion of the focus group results, in which the authors track the manifestation of these themes across focus groups, and the ways they sometimes morphed or changed depending upon the participating stakeholder group. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Distance of Irish Modernism: Memory, Narrative, Representation by John GreaneyXiaojing Chen and Hamid FarahmandianThe Distance of Irish Modernism: Memory, Narrative, Representation, John Greaney; 248 pp. London: Blooms-bury Academic, 2022.In his thought-provoking book The Distance of Irish Modernism, John Greaney embarks on a metacritical journey to unravel the paradoxical nature of Irish modernist fictions. The book delves into the enigma of how these works (...) serve as vessels for national and transnational histories while simultaneously presenting themselves as elusive and peculiar in terms of their temporal and geographical settings. Greaney skillfully examines the complexities of Irish modernism in the twenty-first century through close reading, formal analysis, narratology, philosophical accounts of literature, historicist and materialist approaches, and postcolonial and world literature paradigms. The result is a groundbreaking narrative that challenges existing notions of Irish modernism and offers a fresh perspective on the cultural memories they portray.IThe book's introduction, "The Vicinities of Irish Modernism," sets the stage for an engaging exploration of the subject matter. Greaney adeptly frames the paradox inherent in Irish modernist fictions and introduces the central question of how these texts function as mirrors of historical events and realities. By drawing attention to the proximities and distances between modernist aesthetic practices and the history of modernity in Ireland and beyond, the introduction lays the foundation for the subsequent chapters' analysis.In chapter 1, "Samuel Beckett and the Contexts of Modernism," Greaney evaluates the works of the renowned Irish author. Greaney meticulously examines Beckett's literary legacy, probing the contexts that shaped his artistic expression. Through comprehensive scrutiny, Greaney highlights how Beckett's writings transcend conventional boundaries and invite interpretations that go beyond the historical and geographical confines of Ireland. This chapter masterfully [End Page 251] combines textual analysis with an exploration of Beckett's broader contributions to the modernist movement."Brian, Flann, Myles and the Origins of Irish Modernism," the second chapter, delves into the works of one man—but three pivotal figures—in Irish literature: Brian O'Nolan, who wrote under the pen names Flann O'Brien and Myles na gCopaleen. Greaney uncovers the origins of Irish modernism through the lens of this iconic author, shedding light on his creative methodology and his impact on the Irish literary landscape. By situating his works within the broader modernist context, Greaney reveals the ways in which this writer revolutionized Irish literature and paved the way for the future generations of Irish modernists.Chapter 3, "Elizabeth Bowen's Modernist History," focuses on well-known novelist Elizabeth Bowen. Greaney conducts an in-depth analysis of Bowen's modernist approach to historical events, providing an intriguing investigation of how her texts intertwine with the collective memory of Ireland. Bowen's unique style and intricate narratives come under scrutiny, offering readers a profound understanding of her role in shaping Irish modernism and her contribution to the literary canon.Moving forward, "Kate O'Brien's 'Flawed' Modernism" explores the works of another significant figure in Irish literature. Greaney examines the perceived flaws in O'Brien's modernist approach, challenging conventional criticism and reevaluating her contributions to the Irish modernist tradition. By deftly analyzing O'Brien's works, the chapter seeks to reposition her within the context of Irish modernism, enriching the reader's comprehension of this multifaceted literary movement.The subsequent chapter, "John McGahern and the Limits of Irish Modernism," centers on an author whose writings have earned him a prominent place in Irish literature. Greaney investigates the boundaries and constraints of Irish modernism as portrayed in McGahern's oeuvre. By unraveling the complexities of McGahern's narratives, the chapter sheds light on how his works both align with and challenge the conventions of Irish modernism. This nuanced exploration opens up new perspectives on the extent of Irish modernist expression in the literary realm.The epilogue serves as a captivating conclusion, drawing together the threads of the preceding chapters to present a cohesive reflection on the book's core themes. Greaney reinforces the idea that the examination of Irish modernism necessitates a multifaceted approach, one that embraces various critical lenses and paradigms. The epilogue encourages readers to reevaluate their perceptions of Irish modernism, urging them... (shrink)

This article characterizes Florence Nightingale's nursing reform as the cleaning of the Victorian home which she found unheimlich. She laid strong emphasis on an improvement in the hygiene of the house as a significant part of nursing, and, by establishing the nurse as a new occupation, gave the surplus of unmarried women a decent means of escape from the stifling domesticity in which they had been helplessly trapped. Her nursing at once reformed and reinforced the traditional role of woman as (...) a domestic figure, for she created the nurse as a mother figure in charge of the home space. In the Crimean War, Nightingale successfully nursed the idea of England as Home by attending to the dying soldiers at the front. Her crusade to nurse the unhomely space into a home, however, dismissed one uncanny place inside the imperial Home that needed urgent nursing, that is, Ireland, which had been suffering from the Great Famine and its aftermath. Nightingale confronted Irish Sisters of Mercy, who came to the Crimea to save the lives and souls of the Irish soldiers. These Irish nuns not only embodied the memories of the Famine which they had recently relieved, but also threatened Nightingale's single female authority by representing Ireland as a nation through their equally motherly presence. The service of the Irish nuns in the Crimean War was erased from the myth of the Lady with the Lamp. Nightingale could establish herself as an authoritative female subject and assumed the voice of England only by suppressing another female voice which challenged England's competence in Home management. (shrink)

Irish traditional music is a complex system of interconnections and relationships. For example, the same tune title can refer to many different tunes, and the same tune can have many different titles. Developing a system whereby a tune can be presented with all its variants and relations, along with its source recordings, has been the work of many scholars in the field. It is only with the advent of Linked Data technologies that a solution to this issue can be (...) truly envisaged. One element of this solution is the creation of authority files presented as SKOS thesauri, such as the ITMA Subject Thesaurus. Best-practice in thesauri creation was followed to create the IST. Existing literature on the subject was surveyed for terms and phrases that could be included. The terms were organised within 21 facets, each facet being a discrete unit describing some element of the tradition. This research builds on ITMA’s existing Linked Data offerings. It provides a road-map for the creation of other thesauri and is a foundation stone for ITMA on which future developments in Linked Data can be built. (shrink)

Irish literature after Yeats and Joyce, from the 1920s onwards, includes texts that have been the subject of much contention. For a start, how should Irish literature be defined: as works which have been written in Irish or as works written in English by the Irish? It is a period in which ideas of Ireland--of people, community, and nation--have been both created and reflected, and in which conceptions of a distinct Irish identity have been articulated, (...) defended, and challenged; a period which has its origins in a time of intense political turmoil. Corcoran focuses his chapters on various themes such as "the Big House," and the rural and the provincial and offers discussions of authors ranging from Kinsella and Beckett to William Trevor, Seamus Heaney, and Mary Lavin, to provide a lucid and far-reaching introduction to modern Irish writing. (shrink)

ABSTRACT This article explores the extent to which the traditional Catholic philosophies of Thomas Aquinas influence the Irish political imagination in the nineteenth century. It looks first to Pope Leo XIII, one of the leading proponents of restoring Thomism into mainstream Catholic political thought, and the author of the influential encyclical Rerum Novarum (1891). The article examines how the Irish Land War during the 1880s influenced the development and audience of the encyclical. Finally, it analyses how the Thomistic (...) principles which served as the foundations of Rerum Novarum were used by the lower-class Irish Catholic laity to legitimize incidences of protest and resistance which were considered morally illicit by the Catholic Church. In doing so, the article demonstrates how Catholicism and Thomistic philosophy influenced the way in which Irish Catholics perceived their relationship with the state and their rights as citizens. (shrink)

This book explores the emergence of the modern higher education sector in the independent Irish state. The author traces its origins from the traditional universities, technical schools and teacher training colleges at the start of the twentieth century, cataloguing its development into the complex, multi-layered and diverse system of the early twenty-first century. Focusing on the socio-political and cultural contexts which shaped the evolution of higher education, the author analyses the interplay between the state, academic institutions and other key (...) institutional actors - notably churches, cultural organizations, employers, trade unions and supranational bodies. This study explores policy, structural and institutional change in Irish higher education, suggesting that the emergence of the modern higher education system in Ireland was influenced by ideologies and trends which owed much to a wider European and international context. The book considers how the exercise of power at local, national and international level impinged on the mission, purpose and values of higher education and on the creation and expansion of a distinctive higher education system. The author also explores a transformation in public and political understandings of the role of higher education, charting the gradual evolution from traditionalist conceptions of the academy as a repository for cultural and religious value formation, to the re-positioning of higher education as a vital factor in the knowledge based economy. This comprehensive volume will appeal to students and scholars of the Irish education system, educators and practitioners in the field, and those interested in higher education in Ireland more generally. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 453-471 [Access article in PDF] Liberty, Authority, and Trust in Burke's Idea of Empire Richard Bourke When Edmund Burke first embarked upon a parliamentary career, British political life was in the process of adapting to a series of critical reorientations in both the dynamics of party affiliation and the direction of imperial policy. During the period of the Seven Years' War, (...) a reconstituted militia became a focus for patriotic enthusiasm, uniting national sentiment against France and effectively eradicating the remnants of Jacobite rhetoric and aspiration. Traditional opposition between Tory and Whig became irrelevant, while Court and Country jointly came to the support of the Pitt-Newcastle ministry. However, in due course the Old Corps disintegrated as George III succeeded to the throne with the promise of an end to factional strife and the beginning of a patriotic alliance in government. But while competing ideologies and interests on the domestic political scene were undergoing comprehensive realignment, the pursuit of a blue-water policy in tandem with strategic continental campaigns brought Britain's struggle against France into North America, the Caribbean, and India. Trade continued to expand into Asia and West Africa, but the principles of commercial advantage were continually brought into open conflict with the exigencies of war. The division of power in Europe became embroiled in a substantial redivision of empire, and by 1763 British territorial expansion had reached its zenith.When Burke was appointed private secretary to the Marquis of Rockingham, with the national debt standing at an all time high and the demands of imperial defense unlikely to diminish, the politics of empire called for urgent attention from all sections of the political establishment. In particular the Rockinghamites, adopting a posture of aloofness from venality and petty interest, were obliged to advance policies for imperial government on the solid basis of political principle. 1 Coming into parliament as a member for Wendover in the wake of [End Page 453] Grenville's Stamp Act, at a time when the East India Company was assuming control of the revenue in Bengal, Burke set about formulating a doctrine of imperial sovereignty which would be serviceable to the party either in power or in opposition and which would be adequate to the complex reality of detached and extensive empire. The immediate reception of that inquiry, both in Britain and on the Continent, into the fraught world of post-Revolutionary political debate has had the long-term effect of distorting the order of emphasis in terms of which his career as a whole ought properly to be understood.The vigorous elaboration, in opposition to the Jacobin experiment in France, of the conditions under which moderate government could be exercised within the context of an absolute sovereignty was expressed in terms which had originally been invoked as part of a sustained attempt to reconcile civility with empire. As we shall see, that attempt involved a process of delicate coordination by means of which the interests of freedom would be brought into harmony with the demands of public power. In that sense the effort to make liberty and authority mutually responsible can be said to constitute the core ambition of Burke's political rhetoric. In this context responsibility defines the optimally beneficial relation between government and people on the one hand and national sovereignty and the extended empire on the other. This article outlines the practical and theoretical exploration of those relations within the frame of Burke's intervention in the world of eighteenth-century political discourse.Burke was of course well placed in 1765 to evolve a theory of imperial government that was at once ideologically compelling and politically viable. In his capacity as secretary to William Gerard Hamilton in the early 1760s he had already examined the corruption of legitimate empire as represented by the introduction of penal legislation into Ireland after 1694. The Tracts Relating to Popery Laws set out to convict the Irish Parliament in Dublin of flagrant misrule. A subordinate legislature within the empire is charged with having employed... (shrink)

Irish philosopher George Bishop Berkeley was one of the greatest philosophers of the early modern period. Along with David Hume and John Locke he is considered one of the fathers of British Empiricism. Berkeley is a clear, concise, and sympathetic introduction to George Berkeley’s philosophy, and a thorough review of his most important texts. Daniel E. Flage explores his works on vision, metaphysics, morality, and economics in an attempt to develop a philosophically plausible interpretation of Berkeley’s oeuvre as whole. (...) Many scholars blur the rejection of material substance with the claim that only minds and things dependent upon minds exist. However Flage shows how, by distinguishing idealism from immaterialism and arguing that Berkeley’s account of what there is is dependent upon what is known, a careful and plausible philosophy emerges. The author sets out the implications of this valuable insight for Berkeley’s moral and economic works, showing how they are a natural outgrowth of his metaphysics, casting new light on the appreciation of these and other lesser-known areas of Berkeley’s thought. Daniel E. Flage’s Berkeley presents the student and general reader with a clear and eminently readable introduction to Berkeley’s works which also challenges standard interpretations of Berkeley’s philosophy. (shrink)

Irish-Australian philosopher William Lyons is the author of the short films The Examination and The Letter. These are cinematographic manifestations of the author’s enterprise in communicating philosophical ideas beyond the formal conventions of professional philosophy. The present entry consists of an endearing and informative letter that Lyons enclosed with the films when he sent them to the editors of Empedocles: European Journal for the Philosophy of Communication upon their request. It is reproduced here verbatim as a preamble to the (...) discussion about them that follows in this same issue. (shrink)

Irish philosopher George Bishop Berkeley was one of the greatest philosophers of the early modern period. Along with David Hume and John Locke he is considered one of the fathers of British Empiricism. Berkeley is a clear, concise, and sympathetic introduction to George Berkeley’s philosophy, and a thorough review of his most important texts. Daniel E. Flage explores his works on vision, metaphysics, morality, and economics in an attempt to develop a philosophically plausible interpretation of Berkeley’s oeuvre as whole. (...) Many scholars blur the rejection of material substance with the claim that only minds and things dependent upon minds exist . However Flage shows how, by distinguishing idealism from immaterialism and arguing that Berkeley’s account of what there is is dependent upon what is known , a careful and plausible philosophy emerges. The author sets out the implications of this valuable insight for Berkeley’s moral and economic works, showing how they are a natural outgrowth of his metaphysics, casting new light on the appreciation of these and other lesser-known areas of Berkeley’s thought. Daniel E. Flage’s Berkeley presents the student and general reader with a clear and eminently readable introduction to Berkeley’s works which also challenges standard interpretations of Berkeley’s philosophy. (shrink)

In this paper the authors deals with the relation between the Irish Franciscan Hugh McCaghwell’s commentary on Scotus’s De anima (1639) and Suárez’s (1621). It is shown that the latter provided a model and a reference text for McCaghwell who reproduces the philosopher’s thought within his commentary. Moreover, the explicit and implicit quotations of Suárez are taken into account: far from admitting his debt, McCaghwell criticizes the philosopher when he does not seem to follow the Scotist path. The commentary’s (...) sections analysed are those concerning the Scotist account of abstraction and the cognition of material substances. (shrink)

Although most natural law ethical theories recognize moral absolutes, there is not much agreement even among natural law theorists about how to identify them. The author argues that in order to understand and determine the morality (or immorality) of a human action, it must be considered in relation to the organized system of human practices within which it is performed. Such an approach, he argues, is to be found in the natural law theory of Thomas Aquinas, especially once it is (...) recognized that the logical structure of Aquinas's ethical theory is basically that of an Aristotelian science. In order to depict this structure and to explain how it bears upon the analysis of action, the author investigates a number of issues that have attracted the attention of Thomistic and Aristotelian scholarship. He examines the nature of practical reason, its relationship with theoretical reason, the derivation of lower from higher ethical principles, the incommensurability of human goods, the relationship between will and intellect, and the principle of double effect. The book will be useful to students and scholars interested in ethics, especially from an Aristotelian and/or Thomistic perspective. One appendix reproduces the Leonine text of the De malo (question 6), with facing English translation. Another appendix provides facing Latin text and English translation of the Summa Theologiae I-II (question 94, article 2). ABOUT THE AUTHOR: Kevin L. Flannery, S.J., author of many works on the history of logic--particularly Aristotelian logic--is dean of the faculty of philosophy and professor of the history of ancient philosophy at the Pontifical Gregorian University in Rome. PRAISE FOR THE BOOK: ""I know of no more careful and detailed study of Thomas's principle that the realms of theoretical and practical rationality are parallel. This principle is indeed central to an understanding of Thomas Aquinas's ethical thought, and Father Flannery examines its ramifications most perspicaciously. His book constitutes a valuable and important addition to the Thomistic literature. Father Flannery's writing is lucid, if not always extremely engaging, and his arguments are well supported by references to, and quotations from, the Aristotelian and Thomistic texts upon which they are based.""--The Medieval Review ""It would be hard to overstate the importance of this book at the present juncture of Thomistic studies.""--Ralph McInerny, University of Notre Dame ""... of interest and of great value mostly to specialists in Aquinas's ethics or moral theory more generally. Flannery presents complex matters clearly, and his explanations of the logical presuppositions of Aquinas's moral thought are always illuminating.""--Jean Porter, Theological Studies ""This is a significant work that belongs on the bookshelf of any serious student of Aquinas.... An important contribution to Thomistic studies.""--Irish Theological Quarterly ""This scholastic text will particularly appeal to thinkers interested in Aristotelian mathematics and logic and their practical integration into Thomistic natural law ethics. However, all natural law scholars must address the questions of context and method raised by Flannery's insights and his careful, precise textual analyses."" -- Beverly Whelton, Review of Metaphysics. (shrink)

William Molyneux's friendship with John Locke helped make Locke's ideas well known in early eighteenth-century Dublin. TheEssay Concerning Human Understandingwas placed on the curriculum of Trinity College in 1692, soon after its publication. Yet there has been very little discussion of whether Irish women from this period read or knew Locke's work, or engaged more generally in contemporary philosophical debate. This essay focuses on the work of Laetitia Pilkington (1709–1750) and Mary Barber (1685–1755), two of the Dublin women writers (...) of the so-called ‘Triumfeminate’, a literary and intellectual circle connected to Jonathan Swift which met and discussed ideas at the home of Patrick Delaney. Pilkington and Barber were particularly influenced by Locke's ideas on obstetrics and childhood in hisSome Thoughts Concerning Educationand especially by his discussion of memory in theEssay Concerning Human Understanding. Both authors engage playfully and imaginatively with Locke's theories, especially in a domestic context. Not all philosophical debates took place in the public male spaces of school, coffee house and university. This essay attempts to recreate the contexts in which intellectually curious women of the ‘middling sort’ encountered and engaged with philosophical ideas, especially those of Locke, and how these shaped their writing. (shrink)

The city of Cork experienced a political odyssey between Easter 1916 and the end of 1918. Wartime policies conceived in London manifested themselves unexpectedly in Cork--The Defence of the Realm Act was used to repress political speech; deficit spending generated massive inflation; mandatory arbitration encouraged workers to join trade unions; food rationing panicked a country scarred by the Potato Famine; and military conscription generated virtual rebellion. As a result, the Cork public increasingly turned against the war. The book examines the (...) political situation in Cork prior to the Easter Rising; local reactions to the rebellion; the rapid creation of the Republican mass movement; the dramatic decline of the Irish Party; the explosion of anti-authority street rioting; the mobilization of women in the independence struggle; disturbances against venereal disease treatments and visiting American sailors; the emergence of radical trade unionism; agitation over the retention of local food supplies; the nationalist mobilization during the Conscription Crisis; and Sinn Féin's triumph in the 1918 General Election. (shrink)

Voltaire, the pen name of François-Marie Arouet (1694-1778), was one of the most influential leaders of the French Enlightenment. His defense of individual freedom of conscience and his criticisms of religious fanaticism and oppressive orthodoxy had a telling effect on Western history, inspiring several leading founders of America's new laws. This is the first English translation of many of his key texts from his famous pamphlet war for tolerance, written from 1750 to 1768, originally published under pseudonyms to avoid imprisonment (...) and to educate the average citizen. Included are "The Sermon of Rabbi Akib" (a searing attack on anti-Semitism), "Prayer to God" (from the famous Treatise on Tolerance), the hugely popular "Catechism of the Honest Man," "The Dinner at Count Boulainvillier's," and other witty, sometimes acerbic pieces that point out the errors in the Bible, the corruption of the clergy, and the religiously-inspired persecutions, both of his day and across the ages. Many of these pamphlets were burned in a losing battle by the authorities. With a lengthy introduction and copious notes by the editor and translator, plus an appendix including first-hand accounts of the battle by noted mathematician and French revolutionary Condorcet, Frederick the Great, Irish writer Oliver Goldsmith, and others, this excellent compilation will be a welcome addition to the libraries of anyone with an interest in human rights and freedom of thought. (shrink)

Within the Irish government there is a discussion regarding the possibility of limiting the legal protection afforded to the confessional secret. This paper addresses the question of whether this suggestion, if it were to be implemented by the legislature, would be compatible with the right to religious freedom under Article 9 of the European Convention on Human Rights (ECHR). This text will also highlight the role of the confessional secret in canon law and the protection of it under German (...) law. Catholic priests, should this plan that is currently under discussion be implemented, were obliged to disclose the knowledge gained in confession to law enforcement authorities. The canonical consequence of such a breach of the confessional secret would be excommunication. In such cases priests therefore would only have the choice between breaking the law (which would probably also be punishable under criminal law) and excommunication, with all the resulting disadvantages. In this paper, the canonical law rules regarding confession are presented before the provisions relating to the confessional secret in § 53 para. 1 No. 1 of the Code of Criminal Procedure, § 383 para. 1 No. 4 of the Code of Civil Procedure and § 139 para. 2 of the Criminal Code are discussed. Specifically, the question is raised as to whether a duty of priests to co-operate with the law enforcement authorities may be established by law. Here in particular the protection of the confessional secret under the protection of freedom of religion under Article 9 of the European Convention on Human Rights will be discussed. It has to be noted however that the protection afforded by Article 9 of the European Convention on Human Rights extends far less than the scope of § 53 para. 1 No. 1 of the Code of Criminal Procedure, § 129 para. 2 of the Criminal Code and § 383 para. 1 No. 4 of the Code of Civil Procedure, as Art. 9 ECHR only protects the confessional secret as far as it is required from a religious point of view, but not a general pastoral secret. The article then includes a discussion on the limitations of Article 9 ECHR. Limitations of Article 9(1) ECHR on religious freedom under Article 9(2) ECHR are only permitted if they are prescribed by law and necessary in a democratic society for the protection of public order, health, morals or the rights of others. This is discussed against the background of the legislative goal of more effective law enforcement. As a result, a limitation of the protection of confessional secret through normal (sub-constitutional, domestic) laws, despite the understandable goal of more effective law enforcement, is not compatible with Article 9 of the ECHR. (shrink)

In James Joyce and the Matter of Paris, Catherine Flynn recovers the paradigmatic city of European urban modernity as the foundational context of Joyce's imaginative consciousness. Beginning with Joyce's underexamined first exile in 1902–03, she shows the significance for his writing of the time he spent in Paris and of a range of French authors whose works inflected his experience of that city. In response to the pressures of Parisian consumer capitalism, Joyce drew on French literature to conceive a somatic (...) aesthetic, in which the philosophically disparaged senses of taste, touch, and smell as well as the porous, digestive body resist capitalism's efforts to manage and instrumentalize desire. This book resituates the most canonical of Irish modernists in a European avant-garde context while revealing important links between Anglophone modernism and critical theory. (shrink)

On 18–19 May 2018, a symposium was held in the Research Institute of Irish and Scottish Studies at the University of Aberdeen to commemorate the tenth anniversary of the death of Ronald W. Hepburn (1927–2008). The speakers at this event discussed Hepburn’s oeuvre from several perspectives. For this book, the collection of the revised versions of their talks has been supplemented by the papers of other scholars who were unable to attend the symposium itself. Thus this volume contains contributions (...) from eighteen notable scholars of different disciplines, ranging from contemporary aesthetics and art theory through to philosophical approaches to religion, education and social anthropology. It also includes a bibliography of Hepburn’s writings. The essays were first published in two special issues of the Journal of Scottish Thought, vols. 10–11 (2018–2019). -/- Ronald William Hepburn was born in Aberdeen on 16 March 1927. He went to Aberdeen Grammar School, then he graduated with an M.A. in Philosophy (1951) and obtained his doctorate from the University of Aberdeen (1955). His tutor at Aberdeen was Donald MacKinnon (1913– 1994), a Scottish philosopher and theologian, the author of A Study in Ethical Theory (1957) and The Problem of Metaphysics (1974). Hepburn taught as Lecturer at the Department of Moral Philosophy at Aberdeen (1956–60), and he was also Visiting Associate Professor of Philosophy at New York University (1959–60). He returned from the United States as Professor of Philosophy at Nottingham University. In 1964, he was appointed as a Chair in Philosophy at the University of Edinburgh and between 1965 and 1968 he was also Stanton Lecturer in the Philosophy of Religion at the University of Cambridge. From 1975 until his retirement in 1996, he held the Professorship of Moral Philosophy at Edinburgh. He died in Edinburgh on 23 December 2008. His philosophical interests ranged from theology and the philosophy of religion through moral philosophy and the philosophy of education to art theory and aesthetics. Notably, Hepburn is widely regarded as the founder of modern environmental and everyday aesthetics as a result of the influence of papers in the 1960s which pioneered a new approach to the aesthetics of the natural world. (shrink)

One large exception to this generalisation is John Scottus Eriugena, who wrote original philosophical works, and also produced some translations of philosophical works. "Eriugena" is his rendering into Greek of "Scottus", which at that time meant Irish: John the Irishman. He was born in Ireland about AD 810, lived and wrote in France from about 840; he was one of the Irish and English clergy attracted to France by the Carolingian renaissance. He mastered Greek; knowledge of Greek was (...) rare in western Europe before the Renaissance of the fourteenth century, but at most times during the middle ages there were some Latin-speaking Europeans who also knew Greek. He translated from Greek into Latin the works of Dionysios the Areopagite: the Mystical Theology , the Divine Names and the Celestial Hierarchy. Dionysios the Areopagite is mentioned in the bible, in Acts 17:34; he was one of the few converts Paul made when he visited Athens. In France it was believed that this Dionysios had travelled to Gaul to preach Christianity, and that he had founded the Abbey of St. Denys in Paris. His writings were held in great respect. Unfortunately they are not authentic. Modern scholars refer to their author as pseudo-Dionysios ("pseudo" meaning "false"), or as Dionysios the pseudo-Areopagite: perhaps his name was Dionysios, but he was not the "Areopagite" mentioned in the bible. His writings are a Christianised version of Proclus and are therefore yet another channel of neo-Platonic influence on medieval Latin thought. John's own philosophical writings, which are also in the neo-Platonic style, did not have much influence on later medieval thinkers. For an account of them see E. Gilson, History of Christian Philosophy in the Middle Ages. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ossian and the Invention of Textual HistoryKristine Louise HaugenIt is now controversial to call James Macpherson a forger or the poems of Ossian a hoax. 1 Encouraged by Derick Thomson’s 1952 demonstration that Macpherson’s Ossian indeed echoes authentic Gaelic verse, 2 a group of critics has undertaken to “rehabilitate” Macpherson, not least through a new critical edition of Ossian’s poems and related texts. 3 The edition makes it easier (...) than before to encounter Ossian directly:Morna, thou fairest of women, daughter of Cormac-Carbre? [sic] why in the circle of stones, in the cave of the rock, alone? The stream murmureth hoarsely. The blast groaneth in the aged tree. The lake is troubled before thee.... But thou art like snow on the heath. Thy hair like a thin cloud of gold on the top of Cromleach.... Thy arms, as two white pillars in the hall of Fingal. 4The authentic source of this passage seems to be the eighteenth-century commonplace that the savage and uneducated delight in figurative language, especially similes and metaphors—a commonplace enunciated often in the writings [End Page 309] of Hugh Blair, a literary critic deeply interested in Macpherson’s Ossianic productions. 5 As Harold Weinbrot and others suggest, the Ossian poems were celebrated largely because they confirmed readers’ most picturesque preconceptions about the “infancy of mankind.” 6There was room for disagreement. Many influential litterati were convinced of the poems’ antiquity, among them Goethe, Herder, Cesarotti, and a host of Scottish intellectuals. 7 But there were also detractors, mainly English—for example, Dr. Johnson and Edward Gibbon—although David Hume soon joined the skeptics, and the Scotsman Malcolm Laing issued the most crushing attack in the exchange several decades after Ossian’s first appearance in 1760. 8 The Ossian poems served a potent mixture of scholarly and political concerns, of which some were new but some were venerable. With a subtle but important shift in balance, the same mixture underlay the willingness of the most prominent eighteenth-century critics to discredit problematic texts and textual myths, even at the cost of an apparent reduction in historical knowledge. 9 For all parties Macpherson’s Ossian invited not only aesthetic delectation, but sustained thought about the relationship between early poetry and history and the value of early texts for reconstructing the past. [End Page 310]The question of British origins had preoccupied seventeenth-century antiquaries for a number of reasons, including Polydore Vergil’s unflattering Anglica Historia (first published 1546). 10 In the campaign to establish respectable national roots the Celtic druids had quickly become a kind of favorite example; they were presented early and often as heroes of British culture. The druids and their associates the bards had been described in their French setting by classical authors; William Camden, John Selden, and others transferred them easily to Celtic Britain. It was then straightforward to suggest further that the British Celts were the first discoverers of writing and philosophy, or at least discoverers concurrent with the ancient Hebrews, or both, this theory having been elaborated for the French Celts through Annius of Viterbo’s historical forgeries of 1498 and Annius’s French partisans. 11In fact this theory placed England at a disadvantage as Scotland, Ireland, and Wales had the more convincing joint claim to Celtic ancestry. Individual claims for Scotland and Ireland were frequently heard as well. The text most relevant to Ossian was the deist John Toland’s 1726 history of the druids, in which Toland both satirized the eighteenth-century clergy and argued that the ancient Celts of France and Scotland were colonists from Ireland—the original home of druidism, learning, and Toland. 12 In Toland’s version the theory made much of certain unpublished Irish manuscripts, supposedly dating from Cicero’s day and written in the “native” Irish alphabet. St. Patrick had burned hundreds of druidical religious books when he arrived in Ireland—proof that the Celts had a written language—but the bardic histories, couched in rugged verse, had escaped the evangelist’s flames. 13 Clearly, any respectable reply would need to draw on ancient manuscripts too.Even for readers unfamiliar with Toland, Macpherson’s texts... (shrink)

By comparison with the Irish mission to Northumbria, the mission of Augustine to Kent can seem unexciting. One modern historian has even had occasion to ask “whether Augustine was quite the unimpressive figure which is usually depicted.” This impression is created even though, or perhaps because, the mission of Augustine is among the best-evidenced acts of evangelization in the early Middle Ages. Given the involvement of Gregory the Great and the direct interest of Bede, as well as the more (...) tangential interest of the anonymous author of the Life of Gregory the Great, written at Streoneshealh in Northumbria, it is not surprising that the story of Augustine's mission should be among the best known in Anglo-Saxon history. Nevertheless, there are difficulties in the traditional narrative, as has long been recognized. Despite the vindication of certain aspects of Bede's account, his overall interpretation of the mission still gives cause for concern. At the same time the letters of Gregory the Great continue to provide the opportunity to reassess the context in which the mission must be understood. Further, certain aspects of Gregory's theology allow an insight into Augustine's approach to mission, and may ultimately explain why he can appear so much less interesting than his Irish counterparts. It is, therefore, worth considering these issues yet again. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Questions of Evidence: An Anonymous Tract Attributed to John TolandRhoda RappaportIn 1695 there was published in London a tract with the unprepossessing title, Two Essays sent in a Letter from Oxford, to a Nobleman in London, by “L. P. Master of Arts.” Because the larger part of this work attacks John Woodward’s theory of the earth, published earlier that year, historians of geology have long been familiar with the (...) Two Essays, even if none has managed to identify L. P. In 1975 Giancarlo Carabelli offered evidence for a conjectural attribution of the Two Essays to John Toland (1670–1722), the famous deist who established his notoriety the next year with his Christianity Not Mysterious (1696). 1 Carabelli’s cautious attribution would require no comment, were it not for the fact that what began as conjecture has evolved into a strong probability and even into an established fact—all this without any notable addition to Carabelli’s evidence. It is surely time to look more closely at that evidence.Carabelli first presents the main points of the Two Essays: a rejection of Woodward’s supernaturalism, a preference for natural causes to explain even the origins of the earth, and a reduction of the Bible to the level of ancient myth and legend. We have here a pronounced free-thinker and materialist, and Toland’s later writings make him a plausible candidate as author. (Whether this interpretation of the Two Essays is accurate will be discussed later in this study.) Carabelli then provides three pieces of evidence, without discussion or evaluation. The next paragraphs rehearse that evidence, with commentary. [End Page 339]The Rumor in OxfordAccording to Edward Lhwyd (or Lhuyd), Keeper of the Ashmolean Museum, Oxford rumor had it that Toland was L. P. Lhwyd denied the rumor, chiefly because L. P. seemed to have had the aid of “some good naturalist”—this did not fit Lhwyd’s notion of Toland’s temperament. 2 In truth, although Lhwyd did not yet know it, L. P. did indeed get such aid from Tancred Robinson, F.R.S., but Robinson declined to identify L. P. 3 Thus far Carabelli.A rumor is no secure basis for attribution, especially when it is contradicted by someone who knew Toland reasonably well. In the small community of Oxford, Lhwyd quickly knew about Toland even before meeting him, because the two had common antiquarian interests. Toland had gone to Oxford with the intention of compiling an Irish dictionary, and fragmentary evidence shows that the two then met to discuss their Celtic researches. 4 A distinguished naturalist, Lhwyd also was consulted by Toland on matters of natural history—at least, the surviving text on this issue shows Toland asking one question of a trivial sort. Lhwyd then comments that Toland is “not conversant in these studies” but yet has ideas about them. 5 As the latter phrase indicates, Lhwyd learned much about the temper and opinions of Toland. He knew that Toland was “railing in coffee houses” about matters religious and political, but he did not associate religious radicalism with the Two Essays. Instead, Lhwyd assessed Toland’s fitness to deal with Woodward entirely in terms of temperament and personality: Toland was a man “of excellent parts, but as litle [sic] a share as may be of modesty or conscience; and one of the best scolds I ever met with.” In the same letter Lhwyd assessed Woodward as Toland’s presumed equal in stubbornness and egotism. 6In saying that L. P. must have had the advice of “some good naturalist,” Lhwyd seems to imply that Toland was too ignorant (of natural history) and too intemperate to profit from or perhaps even to seek advice. [End Page 340] Despite these doubts, is it not possible that Toland could have acquired sufficient knowledge of natural history, in a period of about four months (between the publication of Woodward’s book and that of the Two Essays), to display the expertise shown by L. P.? Any British virtuoso could surely have done so, and the Two Essays actually include a good little bibliography of suitable publications that would provide a working knowledge of the latest ideas... (shrink)

Terry Eagleton is the foremost Marxist cultural theorist of our time. In the first book-length study of this highly influential figure, David Alderson provides detailed discussions of Eagleton's Marxism and his engagements with postmodernism, as well as an evaluation of his interventions in Irish Studies. Each of the chapters in this important intervention in current theoretical debates offers accessible contextualization of the key issues and provides detailed analyses of Eagleton's literary criticism. Alderson shows that the complex relations between nature, (...) culture and ideology, body, subjectivity and authority are at the heart of Eagleton's ethical and political concerns. He goes on to demonstrate that these relations inform the theorist's critical examinations of such literary works as Wuthering Heights and The Merchant of Venice, and his treatment of W.B. Yeats and Oscar Wilde. (shrink)

A contribution to the Common Knowledge symposium on xenophilia, this article examines the travelogue of Mirza Abu Taleb ibn Muhammed Isfahani, the Muslim Indo-Persian scholar, poet, and Lucknow nobleman who sympathized with the Irish during his travels to England and Ireland in 1799–1802. Translated from Persian to English by an Irish scholar working for the British East India Company, Charles Stewart, and published in London in two editions, The Travels of Mirza Abu Taleb Khan records the author's love (...) for the Irish and theirs for him. This mutual xenophilia, the article argues, is politically motivated by Abu Taleb's strong, but mostly tacit, reservations about the English, his imperial patrons. He realigns the relationship between metropole and colony by casting Ireland as the bridgehead of a glorious Islamic-Persianate culture that spread westward, a transcultural fantasy that takes two forms. First, the unconditional hospitality Abu Taleb experiences among his Irish and Anglo-Irish hosts leads him to imagine a linguistic-ethnic kinship between ancient Celts and Persians, recalled in the similarities he sees between a subimperial capital, Dublin, and an Indian Mughal city, Lucknow. Second, in his detailed account of a patriotic performance that he attended in Dublin of the British siege of Seringapatam in 1799, he identifies with the skeptical audience who, he assumes, are self-conscious about this propagandistic medium. (shrink)

The article examines the figure of the spy—alongside themes related to espionage—as employed in two books by the Northern Irish writer Ciaran Carson : the volume of poems For All We Know and the novel Exchange Place. Carson’s oeuvre is permeated with the Troubles and he has been hailed one of key writers to convey the experience of living in a modern surveillance state. His depiction of Belfast thematizes questions of terrorism, the insecurity and anxiety it causes in everyday (...) life, as well as the unceasing games of appearances and the different ways of verifying or revising identities. In Carson’s later work, however, these aspects acquire greater philosophical depth as the author uses the themes of doubles, spies, and makeshift identities to discuss writing itself, the construction of subjectivity, and the dialogic relationship with the other. Taking a cue from Paul Ricoeur’s and Julia Kristeva’s conceptions of “oneself as another,” the article examines how Carson’s spy-figures can be read as metaphors for processes of self-discovery and identity-formation, tied to the notion of “self-othering.” Carson employs the figure of the spy—who juggles identities by “donning” different clothes or languages—to scrutinize how one ventures into the dangerous territory of writing, translation and love, as well as to reconsider notions of originality and self-mastery. Ultimately, Carson conceptualizes literature as specially marked by deceptions and metamorphoses, defining in these terms the human condition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:From Parnassus to EdenChristopher McDonoughFor Rebekah SmithIn these pages some seven years ago, Robert Renehan (1992) discussed the passage from book 19 of the Odyssey in which the young Odysseus’ cousins sing a healing incantation over his wound in the wilderness of Mount Parnassus. 1 Renehan was specifically interested in bringing to light the Old Irish comparanda, so as to display the Indo-European roots of this particular form (...) of magical healing; he was clear in stating, nonetheless, that such practices are found in many other parts of the world. To encounter this custom, however, it is not necessary to study ancient Ireland or Greece, as I discovered by surprise in class one day.When lecturing on the Odyssey in the past, I have always enjoyed lingering over this particular scene, presenting to students Erich Auerbach’s ideas on mimesis as well as more general folkloric material. 2 In addition to the Irish evidence adduced by Renehan, I have usually mentioned anecdotes about the brauchers (wizards) of the Pennsylvania Dutch, some of whom could still blood by chanting—even over the telephone (see Dorson 1964, 115). Thus it was, in the fall of 1995, that I was giving a guest lecture on book 19 for a classical mythology class at the University of North Carolina at Greensboro. I had just finished reciting some of the stories above, when a student raised his hand to ask, “Is that anything like talking out fire?” Before I could respond, another student also spoke up. “I was thinking that, too,” she said.A few others were nodding their heads in recognition, though the majority of the class looked perplexed. I certainly was, since I had no idea what they were talking about. The first student explained that he [End Page 297] was from Eden, North Carolina, a Piedmont town near the Virginia border; that, in this area, there were old women who could talk out fire; that, if a person had been burned, such a woman could be hired to speak to the fire and convince it to leave the body; that his own grandmother was such a woman; and that he himself as a child had had a burn talked out of his hand, which hand—the very hand he had raised!—he now raised again as dramatic testimony of the treatment. A few other students said that they too were familiar with the custom, though none had quite so intimate a familiarity as he.In the days that followed I did a little research on the topic, fearing that I may have been hoodwinked by some true son of crafty Autolykos. But his story checked out: the phenomenon of “talking the fire out of a burn” is well attested in North Carolina and throughout the South. 3 While folklorists have collected many accounts of this type of healing, perhaps the most vivid description is given by Southern writer Harry Crews. In A Childhood: The Biography of a Place (1978 = 1993, 17–170), a memoir of his upbringing in Depression-era rural Georgia, the author relates that, while playing as a boy, he had fallen into a cast-iron tub filled with boiling water for skinning hogs; over two-thirds of his body was scalded and, he recalls, the skin of his left hand came off “like a wet glove.” His family was too remote and too poor for a hospital trip, and had to rely on some makeshift arrangements set up by the local doctor. Shortly thereafter, however, they were visited by a rough character named Hollis Toomey, known throughout the area for his ability to talk out fire. Crews recounts what happened next:Hollis Toomey’s voice was low like the quiet rasping of a file on metal. I couldn’t hear most of what he had to say, but that was all right because I stopped burning before he ever started talking. He talked to the fire like an old and respected adversary, but one he had beaten consistently and had come to beat again. I don’t remember him once looking at my face while he explained: “Fire, this boy is mine. This bed is mine... (shrink)

European philosophy from the late seventeenth century through most of the eighteenth is broadly conceived as the "Enlightenment," a period of empricist reaction to the great seventeeth century Rationalists. This volume begins with Herbert of Cherbury and the Cambridge Platonists and with Newton and the early English Enlightenment. Locke is a key figure, as a result of his importance both in the development of British and Irish philosophy and because of his seminal influence in the Enlightenment as a whole. (...) British Philosophy and the Age of the Enlightenment includes discussion of the Scott Enlightenment and its influence on the German Aufklaring , and consequently on Kant. The French Enlightenment, which in turn affected the late radical Enlightenment, especially Bentham, is also considered here. This survey brings together clear, authorative chapters from leading experts and provides a scholarly introduction to this period in the history of philosophy. It includes a glossary of technical terms and a chronological table of important political, philosophical, scientific and other cultural events. (shrink)

One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as (...) Yeats, MacNeice, Joyce and Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history. (shrink)

Of recent time, there has been a proliferation of concerns with ethical leadership within corporate business not least because of the numerous scandals at Enron, Worldcom, Parmalat, and two major Irish banks – Allied Irish Bank (AIB) and National Irish Bank (NIB). These have not only threatened the position of many senior corporate managers but also the financial survival of some of the companies over which they preside. Some authors have attributed these scandals to the pre-eminence of (...) a focus on increasing shareholder value in Western business schools and/or to their failure to inculcate ethical standards. In this paper, we challenge these accounts and the aetiological view of knowledge from which they derive but are grateful for the consensus that they convey regarding the importance of business ethics. The paper focuses on different approaches to ethical leadership concluding with a view that some hybrid of MacIntyre’s virtue ethics and Levinas’s ethics of responsibility may serve as an inspiration for both educators and practitioners. (shrink)

The paper analyzes the collection of the Northern Irish poet Frank Ormsby entitled A Northern Spring published in 1986. On the basis of selected poems, the author of this paper aims to examine the poet’s reflections about World War II, the lives of the soldiers, and the things that remain after a military combat, which are both physical and illusive. The poems included in the volume present the author’s reflections upon the senselessness of war and dying, short lives of (...) the soldiers, the awareness of their own meaninglessness in comparison to the broader picture, and the contradictory and desperate need to be remembered nevertheless. They also show what is left of the soldiers and the war, as well as how life goes on, with or without them. (shrink)

This article aimed to highlight the reasons for a criticism by the Irish writer Clive Staples Lewis towards the direction of youth education in Europe, notably in the United Kingdom, in the 20th century. His criticism gained as his main thesis what the writer called “the abolition of man”, resulting from an educational system that promotes an alleged rationality that prevented the development of an intermediate element in the human being between the cerebral and the visceral. For Lewis, that (...) intermediate element is the emotions that, well trained, endow the intellect with capacities to deal with the mere animal organism. For this purpose, our starting point in this work was outlined by the cut of a broader work, which consists of an exhibition that, in general, highlights some guidelines that point to the composition of a Philosophy of Education in C. S. Lewis. We seek to collect, initially, the elements of a philosophical anthropology, collected directly, by an interpretative procedure, from the vast work of the author in question, particularly The Abolition of Man, Pure and Simple Christianity, The Weight of Glory, Christian Reflections, The Four Loves, Letters from a Devil to His Apprentice, God in the Dock, Ethics to Live Better, Christian Reflections, among others. In addition to these texts used as a direct source, we also take the work of Gabrielle Greggersen, entitled The Philosophical Anthropology of C. S. Lewis, where the author makes an interpretive incursion into the author’s fictional literature texts, as well as the works biographies of Alister MacGrath, Conversing with Lewis and The Life of C. S. Lewis, in which the Irish philosopher’s life and work are richly detailed. Keywords: C. S. Lewis. Philosophy. Education. Philosophy of education. Philosophical anthropology. (shrink)

We are concerned here with two towers. One is a Norman keep in the Galway barony of Kiltartan, some twenty miles from the western seacoast. The second, one of a chain constructed by the British to withstand a Napoleonic invasion, stands facing eastwards towards the Irish sea at the village of Sandycove, a few miles south of Dublin. Yeats's tower at Ballylee—Ballylee Castle as it was grandly termed—and the Martello tower in which Joyce lived in for a few weeks (...) in 1904, the setting upon which Ulysses opens, take on central and symbolic roles in the art of each man and enter also those shorthands of symbols by which we, in our turn, hold the two writers in our imagination. I propose to consider the very different manner in which each man came to accept his identity as an Irish writer. And this in its turn involves some consideration of what for convenience we may term the "matter of Ireland," the body of oral and written Irish literature, and the accumulated symbolic powers of the word "Ireland" itself. If I place their two towers, Ballylee and Martello, as twin emblems at our entrance way, it will at last appear, I trust, that I do so for substantial rather than decorative purposes. Thomas Flanagan, chairman of the Department of English at the University of California at Berkeley, is the author of The Irish Novelists, 1800-1850 and many studies of contemporary literature. (shrink)

Resumen: En la historia de la recepción de Samuel Beckett en los países de habla no inglesa, la primera traducción de Comment c’est al castellano, realizada por José Emilio Pacheco en 1966, aparece como un hito aislado y deslumbrante. Esta traducción a partir del texto original en francés, hecha por el poeta mexicano cuando tenía 27 años, no tuvo una repercusión notable en su momento, a pesar de la audacia de la empresa y de la brillantez de la traducción. Sin (...) embargo, a raíz de la trayectoria de Pacheco como crítico, traductor y poeta de primera magnitud, se considera necesario hacer una evaluación en profundidad de este texto único. El objetivo de este artículo es el de analizar la versión de Pacheco del texto beckettiano por medio de un acercamiento al contexto histórico y a los elementos propios de su bagaje cultural que el poeta aporta a la elaboración de su traducción. Se trata, en definitiva, de explicar cómo se lee a Beckett en español por medio de Pacheco.: The first translation into Spanish of Samuel Beckett’s Comment c’est, by José Emilio Pacheco, Cómo es, stands out as a dazzling and unprecedented landmark in the history of the reception of the Irish author in non-English-speaking countries. In his translation the 27-year-old Mexican poet took the French original version as his main source but, despite its daring quality and the brilliance of the text rendered into Spanish, it had little impact in the cultural atmosphere of its day. In light of Pacheco’s standing in the world of letters as a first-rank critic, translator and poet, it is deemed necessary a reassessment of this unique text. The aim of this article is to analyze Pacheco’s translation of Samuel Beckett’s novel; for this purpose, the historical context and the personal elements that the poet incorporated from his personal background into his version of Comment c’est will be studied in detail. All in all, the final objective of this research is to explain how Beckett is read in Spanish through Pacheco’s version. (shrink)

In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.

Perhaps in the world’s destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.In recent years, few novelists have gone to chart the abyss of human violence and unflinchingly returned its gaze to shape our vision of apocalypse as has the Irish American author Cormac McCarthy. Writing in thorough obscurity for almost 25 years, he is today considered (...) not only one of America’s greatest living writers but also the heir apparent to the grand literary tradition associated with Melville and Faulkner. Born a decade after René Girard, McCarthy is also a writer whose novels—which... (shrink)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections (...) in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Ethics Of George Eliot's Works 3 John Crombie Brown W. Blackwood, 1880 Literary Criticism; European; English, Irish, Scottish, Welsh; Literary Criticism / European / English, Irish, Scottish, Welsh; Literary Criticism / Women Authors. (shrink)

Robert Denis Collison Black was internationally recognized as the authority on Jevons, and in particular on the centrally important elements of Benthamite Utilitarianism in Jevons' thought. Jevons' Theory Political Economy was, Black argued, a Benthamite exercise, not a systematic treatise on value and distribution. This in turn explained why Jevons' theory of production was essentially classical, and why he had no theory of aggregate distribution. Black's work on Jevons also threw light on the professionalization of economics. Black was the well-merited (...) recipient of many honours. In 1974 he was elected both a Fellow of the British Academy and a Member of the Royal Irish Academy. He became an Honorary Fellow of Trinity College, Dublin in 1982; President of the Statistical and Social Inquiry Society of Ireland over the years 1983 to 1986; acted as President of Section F of the British Association in 1984–5; was elected a Distinguished Fellow of the History of Economics Society in 1987; and in 1988, Queen's University bestowed upon him an Hon. D.Sc. Econ. (shrink)

Flowing from his model for a contemporary theological anthropology as embodied sensing, the author focuses on the corporeal-linguistic turn in the 21st century and explores how his use of bodymapping, as an applied aspect of theological anthropology within the context of narrative therapy, intersects with the work of the neuro-scientist, Antonio Damasio on consciousness, and specifically his research on how the brain constantly maps the body in the brain. The author also explores the notion of sensing in the latest book (...) of the Irish philosopher Richard Kearney and based on this, expands his model for theological anthropology to the embodied sensing of meaning. (shrink)

Although the advent of the Kingdom of God in Jesus contains as an intrinsic quality the opportunity for repentance as often as required, the Church of the first five-hundred years shows serious difficulties with the opportunity of conversion after a relapse in sinning after baptism. The Church allowed only one chance of repentance. Requirement for the reconciliation were a public confession and the acceptance of severe penances, especially after committing the mortal sin of apostasy, fornication or murder. As severe as (...) this paenitentia canonica appears, its entire conception especially in the eastern part of the Church, the Oriental Church, is a remedial one: sin represents an ailment of the soul, the one, who received the confession, is called upon to meet the confessing person as a spiritual physician or soul-friend. Penance does not mean punishment, but healing like a salutary remedy. Nevertheless, the lack of privacy led to the unwanted practice of postponing repentance and even baptism on the deathbed. An alternative procedure of repentance arose from the sixth century onwards in the Irish Church as well as the Continental Church under the influence of Irish missionaries and the South-West-British and later the English Church. In treatises about repentance, called penitentials, ecclesiastical authorities of the sixth to the eight centuries wrote down regulations, how to deal with the different capital sins and minor trespasses committed by monks, clerics and laypeople. Church-representatives like Finnian, Columbanus, the anonymous author of the Ambrosianum, Cummean and Theodore developed a new conception of repentance that protected privacy and guaranteed a discrete, an affordable as well as a predictable penance, the paenitentia privata. They not only connected to the therapeutic aspect of repentance in the Oriental Church by adopting basic ideas of Basil of Caesarea and John Cassian, they also established an astonishing network in using their mutual interrelations. Here the earlier penitentials served as source for the later ones. But it is remarkable that the authors in no way appeared as simple copyists, but also as creative revisers, who took regard of the pastoral necessities of the entrusted flock. They appeared as engaged in the goal to improve their ecclesiastical as well as their civil life-circumstances to make it possible that the penitents of the different ecclesiastical estates could perform their conversion and become reconciled in a dignified way. The aim of the authors was to enable the confessors to do the healing dialogue qualitatively in a high standard; quantity was not their goal. The penitents should feel themselves healed, not punished. (shrink)

Although this analysis tackles the immense question of political terrorism, it nevertheless has limited ambitions. It treats only that part of terrorist movements whose primary object is the destruction of modern liberal democracy and its institutions. It analyzes only the Italian Red Brigades and the German Fractional Red Army, not Irish, Basque, Corsican, or Palestinian terrorism. Actually, the destruction of physical objects or the murder of human beings which characterizes this political practice generally takes as its goal and justification (...) those political or national rights which have until now been denied by the authority against which the attack is directly or indirectly aimed. (shrink)

Why is a college or university called an alma mater? This essay looks to Newman for an answer, first by pointing out his love for Trinity College, Oxford, his undergraduate alma mater. The author, sharing his experience of Louvain as his alma mater, emphasizes that an alma mater is not a theoretical concept, but a matter of real apprehension. This essay then examines two sources where Newman discussed the Catholic University of Ireland as an alma mater: his inaugural university sermon, (...) where he insisted that the university must be a mother to its students; and his first annual report to the Irish bishops, where he emphasized that the students’ resident life must provide a sense of community and a love for their alma mater. In sum, if a university is truly to be a “nourishing mother,” she must provide her students not only with an intellectual education, but also with moral discipline. (shrink)