Whether Nietzsche’s genealogical critique of morality is best understood as an internal or as an external critique remains a matter of controversy. On the internalist interpretation (Ridley, Owen, Merrick ), the genealogical enterprise takes as its starting point the perspective being criticized, gradually revealing it to be untenable ‘from within.’ On the externalist interpretation (Leiter, and arguably Geuss, Williams, and Janaway ), this constraint is lifted; the starting point of the critique need not be the perspective being criticized, but may (...) be that of someone who already suspects the latter to be untenable. According to a common objection to ‘external critique’ interpretations, the limited-scope objection, since an external critique to a value-system could only work on an audience whose members were predisposed to abandon that system of values, ‘external critique’ interpretations impose a severe limitation on the transformative potential of Nietzsche’s project. ‘Internal critique’ interpretations, by contrast, can seem hard to reconcile with the polemical character of On the Genealogy of Morality (which lends the book its subtitle, Eine Streitschrift) and with Nietzsche’s frequent remarks to the effect his works were addressing a particular, ‘higher,’ kind of individual. -/- The overarching goal in this paper is to call into question the usefulness of the ‘internal-external’ or ‘immanent-transcendent’ dichotomy for understanding Nietzsche’s genealogical critique. I argue that the apparent usefulness of the distinction between external and internal critiques when approaching Nietzsche’s works rests on the assumption that any critique of values must itself be grounded on values that function as evaluative-critical standards. If the assumption is right, then one of two things, either the values that are deployed as standards coincide with those that are the target of critique, in which case the critique is internal, or they are not (etc.). Thus the assumption is liable to render us forgetful of a third possibility, that of a critical strategy that does not work by deploying (internal or external) values as standards of critical assessment, but by revealing something about the nature of value, and more precisely about the origin of any individual’s commitments to their values. -/- On the view that I defend, one of the crucial steps of Nietzsche’s genealogical method is to bring his reader to realize that any individual’s commitment to their values is expressive of and rooted in their commitment to preserve their way of life. Realizing this does not require that the reader abandon their own values. But it does require that they acknowledge that were they committed to a relevantly different way of life, they would subscribe to different values. And this, in turn, suffices to bring about a transformation in their understanding of and relationship to those commitments through the further realization that it is ultimately always up to them to undertake the project of taking distance from and ‘re-evaluating’ those values. (shrink)

Using the Western tradition of metaphysical and political thought as a backdrop, Critique of Sovereignty (a work in 4 volumes) re-examines the concept of sovereignty in order to better understand why our ethical values and technical capacities often seem so divorced from our lived realities. On the one hand, ostensibly self-enclosed entities like the nation-state and the person are rhetorically bolstered as sites of technical agency and/or moral responsibility. On the other hand, these same entities appear fragile -- if not (...) purely fictional -- in relation to ever ongoing tidal processes such as the migration, diffusion, and conglomeration of bodies, capital, ideas, etc. While some of our institutions might work some of the time, they always seem to work differently than we like to think they do. Accordingly, the forging of more humane institutions might very well entail if not require ways of thinking that strive to undo the self-imagined binds, exceptions, and sureties of thought for the sake of embracing a continuity with all that withers, decays, and falls away. Book I, "Contemporary Theories of Sovereignty," compares the varied interpretations of sovereignty given by a range of 20th-century political theorists (Maritain, Foucault, Derrida, Schmitt, Agamben, Hardt, and Negri) with Jean Bodin's initial outline of the concept, rendered at the outset of modern political thought in the 16th century. The analytic framework of sovereignty encountered in these comparative readings provides an initial point of departure for unfolding a method of critique appropriate to the concept of sovereignty. Sovereignty is an ideal starting point for a critique of the deadlocks between thought and reality for a simple reason: it doesn't actually exist. When it serves as a guide to action, sovereignty may be regarded as a particularly captivating fantasy. The closer it appears, the further it recedes, and, too often, the more vigorously it is pursued. (shrink)

It is the aim of this paper to examine certain aspects of a point of view which has attracted much attention in physical methodology. This is the standpoint known as operationalism. We wish to discuss its significance in the construction and interpretation of physical theories.The essential meaning of operationalism in physics is that physical concepts should be defined in terms of actual physical operations. On this view there is no meaning to a concept unless it represents an operation which can (...) be performed in the laboratory. Thus the term “pressure of a gas” signifies nothing until an operation is described which constitutes the measurement of pressure. When one thinks of pressure one must think. of some actual apparatus, such as, for example, some glass and rubber tubing and some mercury and certain operations performed using these until finally one gets a pointer reading which one calls the pressure of the gas. The same stand is taken with respect to length, time, velocity, acceleration, temperature, etc. (shrink)

The issue of the institution is not addressed systematically anywhere in the literature on Foucault, although it is everywhere to be found in Foucault's writings._ Foucault and the Critique of Institutions_ not only interprets the work of Foucault but also applies it to the question of the institution. Foucault is a master at analyzing the web of social relations that effectively shape the modern individual. While these social relations are smaller and finer than institutions, institutions are, by Foucault's account, saturated (...) with such relations. This study is the first sustained account to follow up the implications of Foucault's provocative theses about power for the analysis of institutions. _Foucault and the Critique of Institutions _offers a set of preliminary essays that raise basic questions about the theoretical character of Foucault's thought and then several groups of other essays that go on to take up the practical issues raised by his work. Joseph Margolis and Jitendra Mohanty address one of the most complex problems posed by Foucault's texts: his status as a philosopher. Mark Poster explores the problem of the "self" in Foucault, while Judith Butler focuses her searching investigation of the self on its gendered nature. Joseph Rouse examines the functioning of the natural sciences within the institutional setting of the university and the academic profession, while Chuck Dyke and Mary Schmelzer present vigorous critiques of the normalizing power of the university. Robert Moore and Mark Yount offer original studies of the implications of Foucault's work for the workplace, labor law, and affirmative action. Finally, John Caputo studies Foucault's famous history of madness and raises the question of the possibility of exercising a "healing" and not merely a "normalizing" power in the mental hospital and the church. (shrink)

Modern formal logic, which is based on Kant’s logical project, interprets logical consequence as formal, which leads to substantive paradoxes that combine any thoughts at all and so to the loss of consequence as such. Beginning with A. Tarski, modern history of logic brings the problem of logical consequence into the realmof search for the relation of consequence, or grounding. In his doctoral dissertation on the nature of logical formality J. MacFarlane claims that the paradoxes of formal theories of logical (...) consequence stem from the loss of grounding by the transcendental system of logic in the post­Kantian logical tradition. Arguably, analysis of logical terminology of consequence in Kant’s seminal works — Critique of Pure Reason, Critique of the Power of Judgment — in comparison with the terminology of earlier works, Prolegomena and lectures on logic attributed to him will clarify the question of the relation oflogical consequence in the formal and non­formal sense. The key concept of consequence in Kant’s terminology is Folgerung, which denotes ‘following’ in logical and non­logical contexts. I have also analysed related concepts: Folge, Abfolge, folglich etc., established dif- ferences between logical terms with similar meaning ‘inference’ (Schluss) and ‘conclusion’ (Konklusion). Finally, I make an attempt to formulate the problem of logical consequence in formal logic through the logical terms Schlussfolge, Folgerung and Konsequenz. On the strength of my analysis I propose to consider Kant’s consequence (Folgerung) to be a concept of transcendental logic that reflects the relation of consequence and grounds formal consequence. (shrink)

In this paper I offer an anti-Humean critique to Williamson and Russo’s approach to medical mechanisms. I focus on one of the specific claims made by Williamson and Russo, namely the claim that micro-structural ‘mechanisms’ provide evidence for the stability across populations of causal relationships ascertained at the (macro-) level of (test) populations. This claim is grounded in the epistemic account of causality developed by Williamson, an account which—while not relying exclusively on mechanistic evidence for justifying causal judgements—appeals nevertheless to (...) mechanisms, and rejects their anti-Humean interpretation in terms of capacities, powers, potencies, etc. By using (and expanding on) Cartwright’s basic critique against Humean mechanisms, I suggest that, in order to move beyond the level of plausibility, Williamson and Russo’s position is in need of a clarification as to the occurent reading of the components, functioning and interferences of mechanisms. Relatedly, as concerns Williamson’s epistemic account of causation, I argue that this account is in need of a more straightforward answer as to what truth-makers its causal claims should have. (shrink)

The Complaint Model is an interpretation of Scanlon’s contractualism which holds that (1) an individual can reasonably reject a distribution of well-being when her complaint against that distribution is larger than any other person’s complaint against any other distribution. The Complaint Model further holds that (2) the size of an individual’s complaint against a distribution is a function of (2a) her absolute level of well-being under that distribution, with the size of her complaint increasing as her absolute level of well-being (...) decreases, and (2b) the size of her loss in well-being under that distribution relative to the level of well-being she could have enjoyed under the distribution most favourable to her, with the size of her complaint increasing as her loss increases. In this paper, I argue that the Complaint Model should be rejected, because the way in which it takes individuals’ losses into account leads to strongly counterintuitive results. In particular, I show that the Complaint Model may sacrifice the well-being associated with the least-well-off, secondleast-well-off, etc. positions for the sake of minimizing the largest complaint. I also argue that revisions to element (1) to allow for the aggregation of complaints must either leave the Complaint Model vulnerable to this objection or lead it to collapse into prioritarianism. The failure of the Complaint Model may lead us to search for an alternative way of taking losses into account. I conclude by arguing that the attractiveness of the Anonymous Pareto principle poses a challenge to any such alternative. (shrink)

Nous ne livrons pas ici un travail sur mais avec Miguel Abensour. Plutôt qu'une présentation de son oeuvre, il s'agit de l'investir pour entrer en sympathie avec le mouvement même de sa pensée. Deux tâches s'imposent à l'interprète : systématiser Abensour et le prolonger. D'abord, bien que d'une grande cohérence, les idées d'Abensour ne font jamais l'objet d'une présentation unifiée et synthétique. Elles sont au contraire disséminées dans des dizaines d'articles n'ayant à première vue pas grand chose en commun. Sa (...) pensée est difficile à restituer car il ne s'agit pas d'un système philosophique. Abensour passe toujours par les textes des autres (Arendt, Lefort, Clastres, Saint-Just, etc.) pour construire le sien. Pour y voir plus clair dans une pensée de son propre aveu extrêmement complexe, il nous faut donc opérer une reconstruction systématique. Mais cette systématisation ne risque-t-elle pas de briser l'élan émancipateur qui se dégage à la lecture des textes de l'auteur? Car l'on sait l'attention méticuleuse qu'Abensour accorde à l'écriture philosophique : ne jamais clore les débats, ne fournir aucune réponse toute faite ni aucune solution, bref, entretenir une inquiétude susceptible de conduire le lecteur à penser par lui-même. La reconstruction systématique de cette pensée permettrait d'en saisir plus clairement les tenants et les aboutissants mais aurait pour défaut majeur de trahir Abensour en apportant des réponses là où l'auteur prenait soin de préserver une écriture placée sous le signe de l'incertitude? Pas nécessairement, car les éclaircissements et les "réponses" que nous apporterons visent moins à résoudre les énigmes qu'à les relancer, en déplaçant les termes, en les agençant autrement. Nos "réponses" ne mettront pas fin à la réflexion car l'étonnement philosophique sera préservé, réorienté et non refermé. Chaque solution entraînera une nouvelle question. De la sorte, nous resterons fidèles à Abensour, qui n'est pas l'avocat de l'absence de solution mais de l'absence de solution définitive qui viendrait clore la réflexion une fois pour toutes. (shrink)

In the “Critique of Pure Reason” and subsequent “Prolegomena to Any Future Metaphysics...”, “Metaphysical Principles of Natural Science”, “Opus Postumum” Kant develops one of the modes of his transcendentalism, the metaphysics of possible experience, whose task is to study the transcendental conditions for the possibility of our (cognition), which, according to Kant, has a priori character. P. Strawson calls this mode of metaphysics ‘ descriptive metaphysics ’ and connects it with the analyzing the ‘conceptual structure’ of our thinking about the (...) world. The contemporary realistic trend (primarily within the framework of the analytical philosophical tradition) in the interpretation of Kant’s transcendental philosophy is associated with the modern theory of “two aspects” (80s of the 20th century), which replaced the classical theory of “two objects/worlds” (compare also with the opposition “ theory of appearance vs. theory of appearances ”). Within the framework of this theory, the Kantian ‘appearance’ receives an objectified status, it is not our mental representation, but corresponds (as its signs) to really existing things, or Kantian ‘objects of experience’. The article traces the formation of the historical and conceptual background of the ‘ metaphysics of experience ’ (H. Paton's original expression). Historically, the metaphysics of experience inherits the neo-Kantian approach to interpreting Kant's transcendentalism as a ‘theory of experience’ (H. Cohen, E. Cassirer), then it develops in logical positivism/empiricism (H. Reichenbach, R. Carnap; further in post-posivivism: the theory of I. Lakatos and T. Kuhn), analytical philosophy of science (W. Sellars, G. Buchdal, H. Putnam), and at present the metaphysics of experience is developing in a number of contemporary works of an analytical orientation (P. Strawson, K. Ameriks, L. Allais and etc.). (shrink)

Pramāṇavādins are antirealists on the problem of universals by virtue of the fact that they deny the existence of real universals. Dignāga, therefore, offered apoha theory to explain how the denotation of objects is possible without postulating real universals. According to Apohavāda, a word, for instance “cow”, denotes a cow not by referring to a real universal “cowness,” but by excluding it from those which are non-cows, such as horses. In recent years, there is a discussion about what the genuine (...) cause of exclusion in Dignāga’s apoha theory is. One line of interpretation suggests that, in the case of the word “cow,” the cause of exclusion is _sāsnādidarśana_ (perception of dewlap, etc.). On the other hand, some scholars maintain that it should be _adṛṣṭ__i_ (non-observation) or _adarśanamātra_ (mere non-observation) instead of _sāsnādidarśana_. The present paper consists of two parts. The first part will be an elaboration on the philosophical implications of the abovementioned philological inquiry. I will show that if the cause of exclusion is _sāsnādidarśana_, then Dignāga should be considered as a conceptualist about universals and a foundationalist about human cognitions. On the contrary, if it is _adṛṣṭ__i_, then Dignāga should be characterized as a nominalist as well as an antifoundationalist. In the second part, l will explore what the cause of exclusion is through a Mādhyamika critic of Dignāga, namely Bhāviveka. I will demonstrate that the critique of apoha theory launched by Bhāviveka indicates that Dignāga does not regard _sāsnādidarśana_ as the cause of excluding non-cows. (shrink)

Ce livre commence avec un problème de nomination de ce que l'on appelle économie et avec la disparition du terme chrématistique. Il pose l'hypothèse qu'il s'agit d'un problème métaphysique d'interprétation du réel et du monde. Le livre continue avec l'hypothèse étrange qui consiste à dire que la disparition du terme chrématistique est en lien avec la transformation substantielle et radicale du terme poièsis. Il pose alors la thèse qu'il y a une source fondamentale pour penser le problème de l'agir et (...) de l'opérativité et pour interpréter ce que l'on nomme une économie de l'œuvre. Enfin ce livre indique des manières de lire l'œuvre moderne et contemporaine en supposant qu'il y a eu, à cet endroit, un irrémédiable tournant : c'est ce que nous appelons critique de la poièsis. Ce livre pourra être lu de trois manières différentes et conjointes : comme un traité métaphysique de l'opérativité et de la disqualification des agir, comme un traité esthétique pour la lecture moderne du concept de poièsis (autrement dit de l'œuvre et de ses crises) et enfin comme un traité de philosophie politique en vue de faire face à ce qui tient de notre extrême et scandaleux contemporain. (shrink)

This dissertation is an attempt at harmonizing hermeneutics. In particular, what I term the normative and descriptive approaches are explored and brought together. A normative approach is one concerned with providing the correct method for gaining knowledge of the meaning of a text. Beardsley's normative method of relying on the "text itself" is considered and rejected. Hirsch's normative method of relying on authorial intention is considered, criticized, and used as a springboard to my own normative method of urinterpretation. Propaedeutic to (...) the articulation of urinterpretation is an answer to the question: What is an author? After a survey of theories of authorship, I propose my own author construct--the urauthor. In constructing the urauthor we go back as far as possible to the model of the original. In urinterpretation we seek authorial intention on the basis of the urauthor. It is argued that through this method we secure the meaning of a text. ;Descriptive hermeneutics is concerned with describing the phenomenon of interpretive understanding. It eschews questions of epistemological method, which are at the center of a normative approach, in favor of an ontology of interpretive understanding. Gadamer's Truth and Method is the most complete philosophical account of descriptive hermeneutics to date, and accordingly our attention to descriptive hermeneutics is largely a critique of Gadamer's work. It is argued that both normative and descriptive hermeneutics can and should coexist, but to facilitate scholarship each should be explored separately. ;Interpretation and criticism are also harmonized. Interpretation is understood as the project of seeking the meaning of a text. The meaning of a text, it is argued, is discovered by seeking authorial meaning through the urauthor. Criticism is understood as the project of seeking the significance of a text. The significance of a text, it is argued, is its meaning-as-related-to: to me, to you, to our time, etc. The harmonization of interpretation and criticism is briefly explored in typical philosophical, literary, theological, and legal texts. (shrink)

Cohen’s hostility to Rawls’ justification of the Difference Principle by social facts spawned Cohen’s general thesis that ultimate principles of justice and morality are fact-insensitive, but explain how any fact-sensitive principle is grounded in facts. The problem with this thesis, however, is that when facts F ground principle P, reformulating this relation as the "fact-insensitive" conditional “If F, then P” is trivial and thus explanatorily impotent. Explanatory, hence justificatory, force derives either from subsumption under more general principles, or precisely exhibiting (...) value in light of relevant (actual or hypothetical) facts. In examples where no subsumption occurs, actual facts trivially become hypothetical facts in "fact-insensitive" conditionals, an empty formalism. Indeed, Rawls’ grounding of principles of justice in “conditions of life” can easily be reformulated as a conditional principle “sensitive” only to hypothetical such conditions, and thus formally fact-insensitive in Cohen's sense, for all Cohen’s ire against Rawls’s grounding.Moreover, any plausible “ultimate fact-insensitive principle” must be intricately qualified, which tacit ceteris paribus clauses mask. Each qualification implies prioritisation of one principle over another in conceivable circumstances, and wherever the now qualified principle is given scope, that too implies prioritisation over competing principles in typical circumstances. Any principle is thus sensitive to conceivable circumstances of application, as recognised by more sophisticated intuitionisms. Non-trivial ultimate principles – luck egalitarianism, act utilitarianism, etc. - require defense, which inevitably involves showing how they best interpret and respond to facts about human needs, goals, and capacities in predictable circumstances. Finally, the substantive debate between Rawls and Cohen about which facts are relevant to the DP is only obscured by the doctrine of fact-insensitivity. (shrink)

This dissertation is devoted to dual-process theories, widely discussed in the recent literature in cognitive science. The author argues for a significantly modified version of the account suggested by Samuels (2009), replacing the distinction between ‘Systems’ with a distinction between ‘Types of processes,’ which allows a critique of both the (only) modularist accounts and the accounts describing a deep difference between two systems each having their specificities (functional, phenomenological and neurological). In the account of dual-process theories developed here, the distinction (...) between ‘Types of processes’ is considered, a priori, only as a heuristic distinction allowing to better understand the mind and to explain some of its properties. The main idea defended in this dissertation is that cognitive processes should be distinguished by their position in a multidimensional conceptual space allowing researchers to consider all of the characteristics and peculiarities attributed to a process, which is preferable to accounts forcing the process into either ‘System’ or either ‘Type’ identified in the most influential approaches (cf. Evans, 2008). Once this research program is in place, it will become possible to revise the concepts used and the categories defined to ground anew some of the notions we find in the literature (‘module,’ ‘System 1 / 2,’ etc.). The argument is made in three steps: -/- 1) The first chapter aims at a clarification of the notion of ‘module’ commonly used in cognitive science. Against the accounts aiming at a weakening of the notion in order to classify all of the mind’s processes as modular, the author – following most notably Faucher and Poirier (2009) and Samuels (2006) – casts doubt on how this notion is used by many influential authors, particularly in evolutionary psychology (e.g. Barrett, Carruthers, Cosmides, Tooby). -/- 2) The objective of the second chapter is to present, examine and criticize many dual-process theories and to suggest that no theory currently discussed is adequate to describe the architecture of mind. The accounts, especially influent or representative, suggested by Stanovich (1999; 2004; 2009), by Evans (2008; 2009), by Lieberman (2007; 2009) and by Carruthers (2006; 2009), are examined. -/- 3) In the third chapter, the author criticizes the framework developed by Samuels (2009) before developing his own account of dual-process theories and discussing some of its advantages. (shrink)

Criticism in philosophy goes in accordance with general skeptical scientific attitude toward results of a research. The latter are to be achieved, presupposed, given as data and become to be verified or falsified, questioned by critique, analyzing etc. Criticism is improved mean to avoid persuasion and relativism, but (as selected sample versions of philosophical criticism will illustrate, in particular critical legacy of I. Kant, H. Putnam and L. Wittgenstein, especially via resolute interpretation of his views by J. Conant) all three (...) methodological attitudes are mutually correlated, sometimes even viciously. Relativism appears to be less vicious, because it could be treated as performative: relativism is relative. Attention to performativity of relativism can provide for its contextual validity and relativity. (shrink)

Since its inception in 1994, scriptural reasoning has been practiced by academics and religious laypeople on an international scale. Scriptural reasoning is an activity or practice where Jews, Christians, and Muslims read and study together short passages from their traditionally sacred texts. In this book, Jacob L. Goodson describes this activity by giving a tour through modern philosophy and showing how certain arguments, ideas, and theories from modern philosophers help make sense of this inter-religious practice. According to Goodson, one of (...) the most interesting aspects of the practice of scriptural reasoning concerns how its driven by a tension between pragmatism and semiotics—what he calls purposefulness (pragmatism) vs. playfulness (semiotics) throughout the book. Can inter-religious practices only be playful, in terms of an academic “leisure activity”? Or do inter-religious practices need to strive toward a greater end or even a higher purpose, such as peace-making among the Abrahamic faiths or inter-religious friendships? In each individual chapter, Goodson explores this tension within the practice of scriptural reasoning. Utilizing Immanuel Kant’s deontology, Goodson concludes by demonstrating how the practice of scriptural reasoning might work if only two rules are in place while participating in it. (shrink)

Readers of the Phenomenology face an abundance of different philosophical presuppositions, research strategies and hermeneutic efforts.To enable better orientation within the interpretative landscape, this volume summarizes, contextualizes and critically comments on contemporary Phenomenology scholarship.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.1 (2001) 145-146 [Access article in PDF] Nicholas Jolley. Locke. His Philosophical Thought. Oxford: Oxford University Press, 1999. Pp. 233. $55.00, cloth; $19.95, paper. One of the main aims of this lean and clearly set out book is "to argue for the fundamental unity of Locke's thought" in the Essay concerning Human Understanding. Thus while it deals with many of the usual 'central (...) themes' (ideas, knowledge, freedom, personal identity, etc.), this Locke is more ambitious than are other general surveys of the Essay. Another, related aim of the book is to defend Locke against charges of inconsistency. Here, it is successful in many instances. But even as sympathetic a reader as Jolley has to admit several times that there are in Locke's text "elements of inconsistency," positions that are "hard to reconcile" with each other, and "tensions" if not contradictions.For the most part Jolley's exposition follows the structure of the Essay, beginning with "the origin and nature of ideas," going through the various topics from Book II, then moving to themes in Book III ("Classification and Language") and ending with an account of Book IV ("Knowledge and Faith"). He proceeds by giving brief expositions of Locke's arguments on the issues at hand, sometimes reflecting on alternative readings, and considering objections to, and defences of Locke. There is some discussion of other major seventeenth-century philosophers, and there are—fairly general—references to the corpuscular philosophy and to Aristotelianism. But on the whole, Jolley does not burden his account with much historical context, focusing instead on individual "issues" and arguments concerning Locke's own text.Yet, sometimes Jolley's discussion of Locke's arguments leaves the reader with statements that require considerable elaboration. For example, in his treatment of Reid's critique of Locke's account of personal identity (according to which Locke's theory is inconsistent with the transitivity of identity), he ends his discussion by simply stating that "it is not obviously foolish to question whether the transitivity relation holds for identity over time" (121). Foolish or not, what is obvious is that more needs to be said to make this suggestion plausible, both in itself and as part of a reading of Locke.At other times Jolley's expositions are not as clear as they might be and remain unconvincing. Thus, in defending Michael Ayers's much debated view that all Lockean ideas are of the nature of mental images, he concedes that it is difficult to accommodate Locke's ideas of reflection (i.e., ideas of mental operations) to this reading. Yet he defends it, saying that Locke interprets the imagist programme "with some latitude." But if ideas of reflection are excluded, it would seem rather difficult to persist with the claim that Locke "is indeed an imagist." This relates to another issue that is much discussed in Locke scholarship: the notion of what Locke calls "substratum" or "pure substance in general." As Jolley reports, Michael Ayers has argued that 'substratum' does not stand for a bare particular but must be understood in the light of Locke's doctrine of real essence: real essence and substance are not to be equated but they pick out the same thing. Thus, according to Ayers, when Locke draws attention to our ignorance of both substance and real essence, he is not preaching agnosticism at two distinct metaphysical levels. Jolley rejects this reading. But while he points out, rightly in my view, that substratum concerns our thinking about objects, in places he appears to accept that the notion is a metaphysical one, for he holds (against Ayers) [End Page 145] that the distinction between substratum and real essence does concern different metaphysical levels (73). Locke himself is clear enough about the status of the "notion of pure substance in general." When he introduces it (II.xxiii.2), he does so as part of his account of how complex ideas of substances are formed: the notion is part of our ideas of particular kinds of substances. Now this notion cannot be derived... (shrink)

The text of Martin Heidegger’s 1927–28 university lecture course on Emmanuel Kant’s Critique of Pure Reason presents a close interpretive reading of the first two parts of this masterpiece of modern philosophy. In this course, Heidegger continues the task he enunciated in Being and Time as the problem of dismatling the history of ontology, using temporality as a clue. Within this context the relation between philosophy, ontology, and fundamental ontology is shown to be rooted in the genesis of the modern (...) mathematical sciences. Heidegger demonstrates that objectification of beings as beings is inseparable from knowledge a priori, the central problem of Kant’s Critique. He concludes that objectification rests on the productive power of imagination, a process that involves temporality, which is the basic constitution of humans as beings. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:George M. Wilson EDWARD SAID ON CONTRAPUNTAL READING Edward Said's rich and powerful new book, Culture and Imperialism,1 offers, as one strand of its multifaceted discussion, methodological reflections on the reading and interpretation of works of narrative fiction. More specifically, Said delineates and defends what he calls a "contrapuntal" reading (or analysis) ofthe texts in question. I am sympathetic to much ofwhat Said aims to accomplish in tiiis endeavor, (...) but I am also puzzled about some key aspects of his proposal. I will begin by presenting a brief sketch of my understanding of what a contrapuntal reading involves, and I will tiien explain some of the doubts and puzzlement I feel. Unfortunately, there is much that Said says about even diis limited topic that I will have to by-pass, but I hope to say enough to initiate some helpful discussion of the issues. I should note that aldiough the topic of "contrapuntal reading" recurs with significant emphasis throughout his book, Said's direct explication of the enterprise is scattered across several chapters, and the relevant remarks tend to be, in each instance, fairly brief. Given this state of affairs, I have tried to extract a reasonably unified account from a wide range of passages, and I hope to have done so as sympadietically and accurately as possible. Nevertheless, die fact remains that what follows is my reconstruction of the view diat Said adumbrates. Contrapuntal readings are meant to interweave, mutually qualify, and above all, superimpose die legitimate claims ofinternal or intrinsic readings of a work, on the one hand, and the claims ofvarious forms of external critique, on the odier. Such readings rest upon the fact that any literary fiction refers to or depicts a complex of materials that have been drawn from the actual world, e.g., actual people, places, institutions, and practices. These items are taken up and variously deployed Philosophy and Literature, © 1994, 18: 265-273 266Philosophy and Literature within the wider imaginative project of the work. It is crucial to this deployment tiiat the intended audience can be expected to bring to the text a set of background "attitudes" concerning die relevant real world materials, and tiiat diese beliefs, concerns, ideological presuppositions, etc., are elaborated widiin die work's embedded patterns. Thus, die text is anchored in what Said calls "a structure of reference and attitude," and diis structure constitutes die base from which a contrapuntal reading chiefly proceeds. Reading contrapuntally, interpreters move back and forth between an internal and external standpoint on the work's imaginative project, with special attention to the structure of reference and attitudes it contains. From an internal standpoint, interpretation aims at explanation of the work's narrational, rhetorical, and linguistic strategies, an explanation that respects the strategies and die density of the textual elements tiiey implicate. It is important that the internal standpoint articulate die work's vision as compellingly as possible, not only because diis has an obvious interest of its own, but because the persuasiveness ofcommentary from an external standpoint depends upon giving full credit to the sophistication of the text. (We will return to diis point shortly.) An external standpoint examines the problematic seductiveness of die work's capacity to guide its audience's responses and seeks to define die limited degrees of freedom widiin whatever complexity it establishes. By reminding us of information about the structure of reference that die work ignores, distorts, or minimizes and by reminding us that the structure of invoked attitudes has plausible alternatives that the work has effectively excluded, die external standpoint situates the text critically within a wider field of imaginative possibilities. As Said formulates the point, we read from an external perspective "... with an effort to draw out, extend, give emphasis and voice to what is silent or marginally present or ideologically represented" in die work" (CUfI, p. 66). In elaborating the account above, I have spoken of "intrinsic readings " of narrative fictions, and it will help to fill in my sketch if I specify the fairly standard conception I have in mind. Said does not address diis as a separate topic, but I believe that die following remarks are fully compatible with what he seems... (shrink)

Karl Ameriks here collects his most important essays to provide a uniquely detailed and up-to-date analysis of Kant's main arguments in all three major areas of his work: theoretical philosophy (Critique of Pure Reason), practical philosophy (Critique of Practical Reason), and aesthetics (Critique of Judgment). Guiding the volume is Ameriks's belief that one cannot properly understand any one of these Critiques except in the context of the other two. The essays can be read individually, but read together they offer a (...) comprehensive guide to the main themes of the most influential of all modern philosophical systems. (shrink)

Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is necessary, moreover, for human (...) beings to gain knowledge of nature in its empirical character as it is, not as we might assume it to be. Her wide-ranging and original study will be valuable for readers in all areas of Kant's philosophy. (shrink)

continent. 1.2 (2011): 125-128. What is the nature of sound? What is the nature of volume? William James, in attempting to address these simple questions wrote, “ The voluminousness of the feeling seems to bear very little relation to the size of the ocean that yields it . The ear and eye are comparatively minute organs, yet they give us feelings of great volume” (203-­4, itals. original). This subtle extensivity of sensation finds its peer in the subtle yet significant influence (...) of habituated action upon our lives. This expansive quality of habit­making is what Craig Dongoski's bodies of work enable us to appreciate. Nearly ten years ago Dongoski had a habit of turning on his audio recorder every day at three o'clock for three minutes. No matter what the setting, what the activity, Dongoski recorded the ambient sounds in his environment at that moment. As it happened, one day he was teaching a drawing class and he recorded the sounds of their pencils scratching across their respective surfaces. This was a critical moment for him. Later he would place a contact mic onto a drawing surface and record the sound of his signature. Signatures change over time, they respond to the conditions in which they are performed. Signatures speak volumes about the author, but a practice of attunement is required for the volume to be audible. To hear all that a signature can tell about its author, the listener must tune into the frequency at which this information is being broadcast. Dongoski's drawings and video works draw­out the peculiar artifact that habit makes of living: habits establish a tempo of living and it seems that one's habitus is the signature of habitual living. I sat down with Craig in an attempt to sound­out some of the depths of thought in his practice. What follows is selected from our conversation. Paul Boshears (PB): Clearly your work is dealing with time: from the painstaking action of rendering the drawing to the free­form approach of launching a microphone into a body of water and waiting to see what's recorded. Craig Dongoski (CD): Are we talking about the films or the drawings? PB: Well, it's a bit of both in my mind. I know the drawings on first glance seem to be these flows of lines without concern but I realize that there is this painstaking action involved. CD: I'm interested in time because I'm interested in forms outside of control, outside of politics, and outside of economics. I think that art, when it's alive, does go beyond those. I'm interested in duality and paradox—a stream of contradiction, I suppose. For instance, scale and size. There is a tendency to think that these are the same thing. But really you can have something small that has a lot of scale—look at Goya's drawings, Los Caprichos , they're very small but they have a lot of scale. Likewise things that are spontaneous don't necessarily mean that they take only two or three seconds to do. This latter distinction is what I'm most interested in. Having that appearance of spontaneity. The image has rhythm, you can latch onto it; but the reality is that it took many hours—and many months in some cases—to arrive at. And this is in keeping with geological time. I like to insert this series of thoughts into my work sometimes as an attempt to make some of this stuff comprehensible. There are all these distractions inundating us throughout our days now. Time gets tweaked by all these technologies that we interact with daily. There's more than just digital time or the mechanical time of your watch. There's biological time, that time in which you're growing. PB: I'm reminded of McLuhan here: he made his career by making that strong claim that the humans of today are not the same humans of three generations ago because technology has fundamentally changed us. Are we not the same human beings as a hundred years ago? CD: I mean, I don't think we're the same human beings that we were when he was around! It's my understanding that before painting a flower, monks would meditate for hours on that flower and then they would complete the painting of that flower in less than a minute. That's what I want to point out about our world today, we have all this information, but how much of it are we metabolizing? PB: Is there a message you're looking for? Or that you're trying to share? CD: These drawings set­up the circumstances for me to continue them forever. I'm only about six years into it, but with more time, things can unfold. You know? If you take this cup of coffee and vow to restrict your work to only this material and medium for seven years—you'll make interesting work. The problem is that most people can't hold on to things or they give up or they get distracted. They don't trust that anything is possible; anything is potential material. Staying with this cup of coffee example, we can get enveloped in the history of the recycling logo, or the process for harvesting coffee and so on. The same is true for my work as it has lead me into places like graphical music scores. I had, of course, known about John Cage's notations and I'd always been interested in sound itself, but this drawing practice made it feasible to explore the intersections in a meaningful way. I think that if you trust your instincts and your curiosities and your abilities, then the bus drives itself. Look at Roman Opalka, he's kind of the patron saint of time painting. The claim is that no one can count to a billion in a lifetime so he's set­out to paint to seven sevens (7,777,777). He began with white numbers on a black field but over the years he has gradually reduced the black field to ever­lightening grays. His plan is to paint these seven sevens on what ostensibly will be white on white. PB: It occurs to me that I've never thought of the actual, literal, meaning of “microphone” in relation to “microscope.” The mic has made everything loud, the world's not allowed to be quiet anymore. Maybe we should call them “macrophones” since telephone's already taken... CD: Well, a microscope is a lens. What got me interested in sound was that a microphone acts like a lens. There are wide angle lenses, or a lens that gets your eye up close to something far away, or at a tiny level. The same is true of the microphone. You can use a parabolic mic to hear what the coach is saying on a sports field or a mic that picks­up the sound from the entire cathedral. There's this whole gamut... I'm kind of playing with the words here. I'm into the minuteness of the sound, but I'm interested in the minuteness of the mark itself. PB: I guess it's a Deluezean, generative, statement, then? It's not a metaphor, it's an actual thing with which we can work. CD : That's right. PB: While doing some background work on you I found myself at interesting places on the internet. For example, Konstantin Raudive and a brief jog into Electronic Voice Phenomena (EVP); perhaps this was just synchronicity. But, it's a happy coincidence nonetheless because the them of this issue of continent. is “the moraine” and one of the nuances of this term is “what remains.” Is there a metaphysical or epistemological problem that you're sorting­out here? CD: Think about fossils: fossils are the first recording device, you know? It's the first, natural, recording device. It's in this way that I think my works are fossilized time. Artifacts of that process. Van Gogh is a strong source for me in this regard: it's not what he's painting it's how. You're seeing his nervous system at work. The what is so incidental, the chairs, the flowers, etc. It's funny: when I first started doing this, before I started drawing voices, I was doing these things in cemeteries. I was doing automatic drawings. And when I took this experiment to its maximum I was taking hydrophones and burying them in abandoned graves. I was thinking about the mic rig as the south coordinate and I'd use a shortwave radio as the north coordinate. Usually it was just white noise, but on the east and west I'd station a writer and a drawer. So I'd have these things going on simultaneously and I'd be mixing them at the same time. PB: How'd it come out? CD: Well, just like you'd expect. It was a lot of white noise. But I think that Raudive was on to something. Burroughs used to say something similar when he'd talk about being in a foreign country where he didn't know the language and then he'd start to hear things. At the base, what I'm doing is pattern recognition. I do have a writing component to the drawings. I haven't exploited it in a while but... I use a vocoder, which was developed to encrypt spy signals during one of the World Wars. The mechanism takes two channels, one being the spy's signal combined with noise and then the other channel is a sine wave so that the intended recipient can pick out the words. So I did something like this with Beowulf. I tried combining the spoken word with other television and radio sources, but that didn't work because a book on tape is usually read in a very steady clip and the result was too garbled. So the second try, instead of drawing I was writing, trying to articulate the sounds that I could hear in this garbled transmission of Beowulf. You start to think you hear something, so you start to write what you think you're hearing. But what you're hearing is just being triggered by this articulating action. When the sound of the drawing lines up with the sound of the word you get something. But it's not ever what you're really hearing. You start writing and you're trying to keep up with what you think you're hearing and it is truly, in the most true sense of the phrase, automatic writing. You can contrive and go into a “spirit trance” or whatever, but... PB: It's uninteresting to you? CD: Well, it's unbelievable. It's just listening to sounds and following along. The magic is out there, there are no tricks or anything. You do this exercise with twenty people and you will get twenty totally different writings. But, you're creating the sound and you're creating the writing as an interpretation. That's the thing with EVP, it's homophonic translation. PB: Do you trust a straight line? I know you start with these meticulous lines at the beginning of the drawings but they do change over time. CD: I'm trying to show that there are these imperfections in structures and that over the reiterations of these structures these imperfections become amplified. But you can see them in tree formation as well. The rings alter their shape as the trees grow. PB: Is that your transmission then? You're not just receiving these sounds but you're broadcasting this message as well? CD: Things exist because of their opposites. These drawings are really about nothing. It's the first body of work I've had where people project so much of stuff onto the works. So there you go, things existing because of their opposites. It's kind of like with Mike Kelley: the work was about a critique of commodity culture and commodifying emotions. Using toys this was a critique of production. But then suddenly people were saying it was about abuse and the abuse that Mike Kelley had suffered. And it wasn't but he heard that and said, “I'll go with it,” and so he did. I think that's the nature of communication: I send this but you receive that instead and this makes me think about what I sent in a different way. (shrink)

Books have their origins in conversations and seek to extend and expand those conversations over time and with different audiences. The conversations that have culminated in this book were initially stimulated through a research project at The Hastings Center on the role of religious voices in the professional fields of bioethical inquiry. Those professional conversations have continued throughout my academic career as a member of various institutional ethics committees, organizational ethics task forces, and in local, state, and national public policy (...) settings. The professional context of bioethics conversations can sometimes miss the richness of conversations that occur in the classroom and with various communities, including family members, friends, and religious and civic communities. These conversations provide an experiential depth, a groundedness in the lives and stories of persons, which augments and corrects the professionalized perspectives. I have been particularly fortunate and appreciative of opportunities to bridge the academic and professional with the personalized and communal through conversations about the ethical commitments and moral culture cultivated by The Church of Jesus Christ of Latter-day Saints (LDS or Mormon). I was invited to develop an overview essay on "Bioethics in Mormonism" for the professional reference work, Encyclopedia of Bioethics (3rd ed., 2004), and some years later received my first invitation to make a presentation on "LDS Ethics" in an academic setting at the University of Virginia. This book is the outgrowth of these many conversations and seeks to advance my communal bridging. My aim in this book is to begin bridging these various intersections between the LDS religious community and its moral culture, the professional fields of bioethics, and practical decision-making. This work seeks to be a catalyst for expanding discourse within the interdisciplinary field of Mormon studies to include ethics and bioethics. Ethics has not been a well-developed area in Mormon studies, in contrast to studies in LDS history, theology, or literature. To remedy this oversight, I present a substantive interpretation of the sources, theological background, and moral principles of LDS ethics. The historical narratives and conceptual intertwining I offer of both bioethics and of LDS moral culture is intended to complement and expand the realm of Mormon studies. A further objective is to create opportunities for reciprocal dialogues between the bioethics community and LDS scholarship. This conversation has yet to occur within academic disciplines, professional communities, or in public policy deliberations. My exposition, analysis, and critiques will intertwine and contextualize LDS moral values and health care practices within the ethical inquiry undertaken in the broader professional scholarship of bioethics. My arguments will disclose some points of common ground as well as areas of divergence towards the end of establishing the LDS faith tradition as a community of moral discourse for the bioethics field and the healing professions (medicine, nursing, pharmacy, etc.) it informs. My claim is that given its emerging cultural prominence, LDS ethical scholarship should engage in bioethical literacy and bioethics should be LDS-literate. I am also engaged in an effort to initiate more reflective dialogues regarding LDS ethics and moral culture among LDS scholars, LDS health care professionals, and the interested general LDS reader. The focus of the book on the interrelationship of religion, ethics, medicine, and health care should present for these various audiences new opportunities for mindful reflection and creative scholarship on the ethical implications of faith commitments, the responsibilities of the healing professions, and religious dimensions of public policy and public bioethics. A religious community that is formed through narratives and practices of covenantal commitments of love of neighbor needs to have a robust discourse about its ethical character. I have understood my scholarship in biomedical ethics and in religious ethics through a linking metaphor of my moral culture, of medicine, and the law, of bearing witness. The witness offers moral realities, moral truths about the way things are, vocalizes and embodies moral experience, and prophetically critiques the hypocrisies of the powerful and their oppression of the vulnerable by offering a new story, a re-storying, of tradition and conventional practice. (shrink)

[Holbrook's] is one of the keenest and deepest critical minds in the field of Islamic literature. She provides for the reader (scholar and lay persona alike) fascinating insights into the genre, poetic functions, mystical allegory, narrative technique, audience response, etc. Many of her analyses are scintillating.... The Holbrook volume is a landmark in Ottoman literary scholarship. --MESA Bulletin... a major contribution to Ottoman and Turkish literary study--I frankly am at a loss to describe how major.... Dr. Holbrook's book will make (...) its own category and subsequent publication in the field will be judged in relation to it. --Walter G. Andrews, professor of Near Eastern Languages and Civilization, University of Washington When the Ottoman Turkish Empire was divided into modern states after World War I, in Turkey a change of alphabet and radical linguistic reform aimed to free modern Turkish literature from intellectual ties to the East. Holbrook recuperates Ottoman debates on the existential status of language and social value of art with a poetics of Beauty and Love, the philosophical fairy tale in verse by Seyh Galib. Where does language come from? How does a poet conceive imagery? What rights to interpretive authority does Muslim law accord the individual when God's word is law? Holbrook's lively analysis ranges an intertext of genres in Arabic and Persian as well as Turkish. The romance of separated lovers is a paradigm of journeys that lead beyond discourse. A poet's quest for originality reveals an archaeology of modernism. Holbrook traces the revolutionary polemic and Orientalist philology that de-aestheticized Ottoman poetry, bringing the critique of Orientalismto bear upon the Ottoman center Orientalism suppressed. (shrink)

This article argues that language without the body does not `mean' at all; corporeality provides language with meaning under socio-cultural constraints. Traditional ways of interpretation have been dominated by the transference of linguistic interpretation to the non-linguistic. At the same time, traditional linguistically focused interpretation is heavily laden with orthodox value systems. This makes the body a secondary phenomenon. In many art forms, however, the body is primary and yet transient. This requires a reversal of traditional approaches. Recent liminal performances (...) have attempted to offer a non-verbal critique of both that linguistic dominance and such value orthodoxy. Unless the immediacy of the body, including corporeal readings (visual, tactile, haptic, olfactory, gustatory, kinetic, proximic, etc.) is made the focus of interpretation, such recent experimental genres as Viennese Actionism, Tanztheater, digitized music, high-definition television and its filmic consequences, cannot be appreciated. However, I suggest it would be a mistake to read their presentations of the immediacy of the body as an escape from representation altogether. Rather, what we are dealing with here is a radical transvaluation of corporeality. The article questions some recent theories from this perspective, using selected excerpts from liminal performances to illustrate this critique. (shrink)

In this final lecture, I used instructions coming from the outside as well as rhetorical philosophy up to the achievements of the United States in the way, cited the following as high as 20 U.S. I think that the achievements in philosophy, this 20 achievements are as follows: 1. Re- definition of hermeneutics, resulting in a "philosophical hermeneutics" . understand the concern of the moment rather than the ability to explain the object. 3 allows us to explain thus an awareness (...) event. 4 to become a historical understanding of events . 5 from the hermeneutic methodology In order to understand the events into ontology. 6 to understand a sight change and self-understanding of the event. 7 principles of change as history, literature and art. 8 offers a new aesthetic and poetics. 9 provides a way to deal with representational and abstract art of art. 10 and then regardless of the art real management problem. 11 reaffirmed the non-scientific literature and hermeneutics in true sense. 12 In order to read the classical works of the original to provide a new treatment. 13 new associate with the traditional relationship. 14 the art of interpretation be linked to a reading process. 15 In order to have affected the critical nursing science, history, sociology, etc. methods. 16 criticism of the limitations of the natural scientific thinking. 17 critique of modernity . 18 provides a large amount of pull on the Park map , Hegel and Heidegger books. 19 He described the dialogue by way of consultations In order to understand the contribution. 20. Tree up hermeneutics of tradition and openness to other cultures of the ancient model. With this eight p.m. description of achievements, but also showing a structure of these nine days the future of speech. In this final lecture I take an approach from the outside and ask what Gadamer has achieved in philosophy, then list twenty of what I see as his philosophical accomplishments. These achievements are as follows: 1. Redefines hermeneutics, creating a "philosophical hermeneutics." 2. Focuses on the moment of uptake instead of the object of interpretation. 3. Makes us aware of interpretation as an event. 4. Makes the event of understanding an historical event. 5. Changes hermeneutics from a methodology to an ontology of the event of understanding. 6. Makes understanding an event of transformation of horizon and self-understanding. 7. Transforms history, literature and art as disciplines. 8. Offers a new aesthetics and a new poetics. 9. Offers a view of art that is able to deal with representation and nonrepresentational art. 10. Reintroduces the question of truth in art. 11. Revalidates literature and humanities as true in a nonscientific sense. 12. Offers a new rationale for reading the classics. 13. Forges a new relationship to tradition . 14. Relates interpretation of art to the reading process. 15. Offers a critique of method that has influenced nursing, history, sociology, etc. 16. Offers a critique of the limits of scientific thinking. 17. Offers a critique of modernity. 18. Offers major books on Plato, Hegel, and Heidegger. 19. In describing dialogue in understanding, he contributes to understanding negotiation. 20. Sets an example of hermeneutical openness to tradition, antiquity, and other cultures. The framework of these lectures during these nine day is presented through accounting for the twenty achievements. (shrink)

Donald Davidson's account of interpretation purports to be a priori , though I argue that the empirical facts about interpretation, theory of mind, and autism must be considered when examining the merits of Davidson's view. Developmental psychologists have made plausible claims about the existence of some people with autism who use language but who are unable to interpret the minds of others. This empirical claim undermines Davidson's theoretical claims that all speakers must be interpreters of other speakers and that one (...) need not be a speaker in order to be a thinker. The falsity of these theses has consequences for other parts of Davidson's world-view; for example, it undermines his argument against animal thought. (shrink)

Interpretation becomes important when direct understanding is either lacking or inadequate. Observational understanding is geared to the world conceived on the model of nature outside of us and is directed by the goals of the natural sciences. Reflective understanding by contrast conceives the world as a sphere in which we participate and is more in line with how the human sciences, which include all the humanities and some of the more critically oriented social sciences, approach their subject matter. This chapter (...) aligns observational understanding with the intellectual faculty of Verstand and reflective understanding with the power of Verstehen. To attain critical hermeneutics, we must be able to account for both kinds of understanding by considering them as part of a more full‐fledged theory of judgment. We can initiate this by developing what Kant has to say about a range of judgments and prejudgments whereby we orient ourselves to the world. (shrink)

Interpreted Logical Forms are objects composed of a syntactic structure annotated with the semantic values of each node of the structure. We criticize the view that ILFs are the objects of propositional attitude verbs such as believe, as this is developed by Larson and Ludlow. Our critique arises from a tension in the way that sen-.

The collection of Edmund Husserl's sketches on time-consciousness from the years 1893-1917, edited by Rudolf Boehm and published as Volume X in the Husserliana series, affords significant new material for the study of the evolution of Husserl's thought. Specifically, the sketches suggest that in the course of analyzing the consciousness of temporal objects Husserl became convinced that a distinction must be drawn between an ultimate or absolute flow of consciousness and the immanent temporal objects or contents -- sense-data, appearances of (...) external things, acts of wishing, judging, etc. -- constituted or known within that flow. Further, the texts indicate that the emergence of the absolute dimension was connected with the development during this period of two distinct interpretations of the constitution of time-consciousness. Husserl apparently worked out the first of these during the years 1901-1907, and only towards the end of this period did the notion of an absolute consciousness, absent in earlier texts, make its appearance. And no sooner did it emerge than Husserl undertook a critique of his first interpretation which ultimately culminated in its rejection. In the new position which then appeared, around 1909, the absolute flow of time-constituting consciousness, and its distinction from temporal objects both immanent and transcendent, was unequivocally affirmed. We propose now to discuss this evolution and the emergence and nature of the absolute flow of consciousness. -/- . (shrink)

In this paper, I take Philip Rossi’s robust interpretation of critique as an interpretive guide for thinking generally about how to interpret Kant’s texts. I reflect first upon what might appear to be a minor technical issue: how best to translate the term Fähigheit when Kant utilizes it in reference to the human experience of pleasure and displeasure. Reflection upon this technical issue will, however, end up being a case study in how important it is when we are interpreting Kant’s (...) texts to have Rossi’s focus on human finitude in the background. The terrain for these reflections on human finitude will be the realm of feelings of pleasure and displeasure. And the result will be that, counter to recent interpreters, like Elizondo, who have suggested that Kant could welcome a thoroughly active conception of rational feeling, we must instead, as guided by Kant’s commitment to human finitude, remember that every feeling for Kant—even the most rational of feelings, like the moral feeling of respect, or the pleasure he notes that we take in the proper functioning of one’s virtuous rational self—must be understood within the purview and constraints of the finite and sensibly-affected human being. I hope, then, that this brief reflection can be taken as one small piece of that larger story Rossi so aptly describes in his book, the story which answers the question of “What is critique?” in a way that insists upon but also simultaneously celebrates the centrality of finitude in human existence. (shrink)

Pour la sémantique moderne, le sens d'un texte n'est plus seulement accessible à l'intuition : il peut se décrire rationnellement. L'analyse reconnaît d'abord dans chaque mot des composants élémentaires propres à la langue, que le contexte et la situation de communication convoquent ou virtualisent. Paradoxalement, cette microsémantique permet aussi de fonder la sémantique textuelle. Si bien qu'en deçà comme au-delà de la prétendue limite de la phrase se met à l'œuvre une théorie descriptive unifiée. De manière cohérente, elle permet de (...) rendre compte de questions éparses léguées par les traditions de la logique, de la rhétorique, de l'exégèse ou de la critique littéraire : métaphore, double sens, hypallage, tautologie, contradiction, thème et topos, etc. Toutefois le sens du texte n'est pas donné, mais construit par des stratégies de lecture. Aussi cette recherche s'ouvre-t-elle sur une théorie de l'interprétation, qui va de l'assignation du sens lexical à la construction des grandes unités textuelles. Elle ne cherche pas à énoncer le sens, mais à évaluer la plausibilité de divers parcours interprétatifs. Ce traité propose aussi des outils descriptifs aux linguistes, spécialistes de la littérature, historiens, psychologues, enseignants, bref à tous ceux qui ont affaire au texte, cette dimension majeure des langues. (shrink)

Regular reference is made, within the discourse around the South African Truth and Reconciliation Commission, to the fact that ubuntu, an indigenous world view, played a role in the process. This paper tries to show that despite these references, important analysts of the TRC had insufficiently accounted for this worldview in their critical readings of the Commission's work and therefore found aspects of the process incoherent and/or morally and legally confused. I am not arguing that the TRC was not a (...) deeply flawed process, but want to establish how powerfully this indigenous world view brought a coherency that not only enabled the TRC to do its work without incidences of revenge, but imbued politically and legally trapped concepts with new possibilities. The pervasiveness of this world view within eg. the second round of TRC testimonies is noticeable and show how often the critique on the TRC fails to take this dominant role into account and how many, seemingly contradictory or confusing, positions become coherent when regarded within this worldview. This view of interconnectedness, consistently expressed throughout the life of the commission, has wide implications for the interpretation of healing, the asking of amnesty, the rehabilitation of perpetrators, the interdependence of forgiveness and reconciliation in the process of achieving full personhood within a healed society. In the footsteps of Richard Bell, this paper locates this world view within a particular framework formulated as ubuntu by Desmond Tutu, as communitarianism by Kwame Gyekye, as ethnophilosophy by Paulin Hountondji etc. The paper also tries to understand how this interconnected moral self is formed and who the community could or should be that influences this moral self. South African Journal of Philosophy Vol. 27 2008: pp. 353-366. (shrink)

Contrary to Favrholdt's opinion, a book that "contains many mistakes" may nevertheless be a good book; it may even be a masterpiece. Thus, although Favrholdt's Interpretation contains many mistakes, it is nevertheless a good book. Unlike most commentaries on the Tractatus, Favrholdt makes a concerted effort to come to grips with the work as a whole. He tries to show that the thesis of extensionality is fundamental, and that the rest of the Tractatus is a working out of the consequences (...) of that thesis. Several of his interpretations are highly questionable, and he has a tendency to give up too easily on some crucial points. But he does give us an original and highly provocative treatment.—A. E. J. (shrink)

_ Source: _Volume 47, Issue 1, pp 60 - 84 This article takes up Heidegger’s commentary on Rimbaud’s _Lettres du voyant_ as the starting point for an exploration of the question of rhythm in Heidegger’s thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger’s work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli’s (...) critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger’s proper thinking through a re-interpretation of the _Fug_—a word he used to translate the Greek word δίκη and words derived from it: joint, structure, submission, etc. (shrink)

Immanuel Kant’s Critique of Pure Reason (1781) remains a landmark work of philosophy and one that most students will encounter at some point in their studies. At nearly seven hundred pages of detailed and complex argument it is a demanding and intimidating read. James O’Shea’s introduction to the Critique seeks to make it less so. Aimed primarily at students coming to the book for the first time, it provides step-by-step analysis in clear, unambiguous prose. The conceptual problems Kant sought to (...) resolve are outlined and his conclusions concerning the nature of human knowledge and the possibility of metaphysics, and the arguments for those conclusions, are explored. Key concepts are explained throughout and the reader is provided with an unrivalled route map through the many and varied parts of the text. In addition, O’Shea’s careful and insightful analysis offers much for more seasoned readers of Kant and his interpretation provides a significant contribution to recent work. -/- “Exhibiting both care and liveliness, the text provides what it set out to offer, namely a readable and philosophically stimulating discussion of a difficult but seminal work. The discussion is genuinely approachable and clear without diminishing the difficulty of the problems it addresses. It provides students with a very helpful basis for understanding Kant’s book.” Graham Bird, Emeritus Professor of Philosophy, University of Manchester. (shrink)

I take a pragmatic approach to what interpreters do when they interpret and argue that critical pluralists have focused almost exclusively on one aspect of interpretation: the fact that it is an event taking place in a historical and cultural milieu that influences the many ways interpreters approach a given text. However, there is also in interpretation a pragmatic aspect: the fact that it is an act performed by individuals who, through the utterance of their statements, implicitly make claims, for (...) example, regarding the truth of their interpretation. In the first part I explain what critical pluralists overlook and the consequences of such oversight. In the second part I indicate how the validity of interpretation can be assessed. (shrink)

The article examines the development of Paul Tillich’s understanding of Protestantism. Beginning with his 1913 ‘Systematic Theology’, the shifts in his theory of Protestantism, first developed after the First World War and then at the end of the 1920s, are reconstructed. It is demonstrated that, from the outset, Tillich extended the traditional soteriological interpretation of Protestantism into a universal-cosmological theory. Protestantism means not only critique, but also formation.

In this study, Levin explores Plato's engagement with the Greek literary tradition in his treatment of key linguistic issues. This investigation, conjoined with a new interpretation of the Republic's familiar critique of poets, supports the view that Plato's work represents a valuable precedent for contemporary reflections on ways in which philosophy might benefit from appeals to literature.

In this paper, perhaps the first of its kind, an attempt is made to elucidate and examine the Vedantic theory of soul constructed on the basis of the experience of dreamless sleep which, being radically and qualitatively different from waking and dreaming states, is considered by the Vedantins as a state of temporarily purified individual soul (atman), a state of pure substantial consciousness. They take the experience of dreamless sleep as a model experience of the soul's final liberation from the (...) body and its internal as well as external faculties. The ultimate liberation, according to the Vedantins, is a state of total identification of the individual soul with the Universal Soul (Brahman), the summum bonum of every Vedantin. The paper also includes a critique of the Vedantic soul theory by the Buddhists who vehemently deny any autonomous and substantial soul whose essence is unchangingly permanent, pure consciousness and self-illuminating knowledge. The soul is instead interpreted by the Buddhists as a product of the functioning of a person's psycho-physical organism and a mere subject of knowing, thinking, desiring, etc. The analysis further shows that the Vedanta, especially the Advaita Vedanta, metaphysics of soul is inadequate in many respects and mainly based on a priori and scriptural arguments and emotive appeals, whereas the Buddhists deny any kind of autonomous and permanent agent of knowing, thinking and desiring by successfully reducing substantial consciousness to mere acts of knowing. (shrink)