Resumen:La reflexión sobre la exigencia de evitar la guerra y asegurar la paz mundial es hoy, quizá más que nunca, una de las principales tareas de la filosofía política y de la filosofía del derecho. El trabajo aborda la aportación de Virginia Woolf a esta reflexión en varios de sus escritos y, en especial, en su ensayo Tres guineas, considerado uno de los referentes más lúcidos de la genealogía femenina del pensamiento pacifista. El discurso antifascista, antimilitarista y antipatriarcal (...) de Woolf da cuenta de los vínculos existentes entre estas tres raíces profundas del belicismo. Frente a las relaciones de fuerza, el hecho de vivir fuera del imaginario del poder se presenta aquí como oportunidad de acometer tareas civilizatorias imprevisibles. La experiencia y el saber de las mujeres, marginados a lo largo de la historia, pueden ser rescatados subversiva y creativamente para generas prácticas políticas no-violentas y aspirar a una redefinición global de la vida en común.Abstract: Today, one of the main tasks of political philosophy and the philosophy of law is, perhaps, to reflect on the need to avoid war and ensure world peace. This paper discusses the contribution made by Virginia Woolf to this reflection in several of her writings and especially in her essay Three Guineas, which is regarded as one of the most striking examples of pacifist thinking by a female writer. Woolf’s anti-fascist, anti-militarist and anti-patriarchal discourse recognises the links between these three deep roots of warmongering. In the face of struggles for power, the reality of living outside the imaginary of power is presented here as an opportunity to carry out unforeseeable civilizing tasks. Women’s experience and knowledge, which has been marginalised throughout history, can be set free subversively and creatively to generate non-violent political practices and aspire to a global redefinition of coexistence. (shrink)

In Three Guineas, first published in June, 1938 Virginia Woolf set about answering three questions. How should war be prevented? Why does the government not support education for women? Why are women prevented from engaging in professional work? Many at the time saw the matter of how best to prevent war as entirely unconnected with “women’s issues”; Woolf linked together the answers, and connected them too with discussions of such matters as social class, in what has come (...) to be acknowledged as a landmark both of feminist and of anti-war writing. Included in the first and other early editions—and integral to the work—was a series of five photographs of men of high position wearing garments that mark their status . Unlike most editions available today, this facsimile edition includes the illustrations as well as the text of the original. (shrink)

This chapter contains sections titled: “Solid Objects” and Its Interpretations Towards an Alternative Interpretation “Solid Objects” as a reductio ad absurdum of One Kind of Aesthetic Theory Rapture does not Suffice.

This chapter contains sections titled: “Solid Objects” and Its Interpretations Towards an Alternative Interpretation “Solid Objects” as a reductio ad absurdum of One Kind of Aesthetic Theory Rapture does not Suffice.

As a critic, Virginia Woolf has been called a number of disparaging names: "impressionist," "belletrist," "raconteur," "amateur." Here is one academic talking on the subject: "She will survive, not as a critic, but as a literary essayist recording the adventures of a soul among congenial masterpieces. . . . The writers who are most downright, and masculine, and central in their approach to life - Fielding or Balzac - she for the most part left untouched....Her own approach was (...) at once more subterranean and aerial, and invincibly, almost defiantly, feminine." In other words, Virginia Woolf is not a critic; how could she be? She is a woman. From its beginning, criticism has been a man's world. This is to say not only that males have earned their living as critics but, more importantly, that the conventionally accepted ideals of critical method are linked with qualities stereotypically allotted to males: analysis, judgment, objectivity. Virginia Woolf has had a poor reputation as a critic not merely because her sex is female but because her method is "feminine." She writes in a way that is said to be creative, appreciative, and subjective. We will accept this descriptive for the moment but will later enlarge on it, and even our provisional acceptance we mean to turn to a compliment. Barbara Currier Bell has written articles on critical theory and modern poetry and has served as a consultant on women's education at both Vassar and Hampshire Colleges. She is assistant professor of English at Wesleyan University. Carol Ohmann is the author of Ford Madox Ford: From Apprentice to Craftsman and several articles on English and American fiction. She coedited Female Studies IV: Teaching about Women with Elaine Showalter and is chairman of the Department of English at Wesleyan University. She has contributed, with Richard Ohmann, "Reviewers, Critics, and The Catcher in the Rye , and "CRITICAL RESPONSE: Universals and the Historically Particular" .See also: "The Masculine Mode" by Peter Schwenger in Vol. 5, No. 4; "The Robber in the Bedroom: or, The Thief of Love: A Woolfian Grieving in Six Novels and Two Memoirs" by Mark Spilka in Vol. 5, No. 4. (shrink)

A Mystical Philosophy contributes to the contemporary resurgence of interest in Spirituality, but from a new direction. Revealing, in an original and provocative study, the mystical contents of the works of famous atheists Virginia Woolf and Iris Murdoch, Donna Lazenby shows how these thinkers' refusal to construe worldviews on available reductive models brought them to offer radically alternative pictures of life which maintain its mysteriousness, and promote a mystical way of knowing. This book makes a daring claim: (...) that a return to 'pure' experience is sufficient to demonstrate, for the contemporary imagination, the irreducibly mystical contents of everyday life: and, therefore, the enduring appropriateness of theological conversations. Lazenby reveals how these atheist thinkers offer crucial spiritual-intellectual advice for our times: a warning against reductive scientific and philosophical models that impoverish our understanding of our selves and the world, and a powerful endorsement of ways of knowing that give art, and a restored concept of contemplation, their consummative place. (shrink)

Linguistic invention is a key feature of Virginia Woolf's novel The Waves. An exploration of its innovative verbal and syntactic procedures can add to an understanding of Woolf's importance for the philosophical thought of Gilles Deleuze (and his sometime collaborator Félix Guattari). In A Thousand Plateaus, The Waves is used to exemplify an ontology of becoming. However, in their reference to The Waves, Deleuze and Guattari only draw attention to what they term the ‘vibrations, shifting borderlines’ between (...) and across characters in the novel. Given Deleuze's considerations of style, it is perhaps surprising that he never took up this idea in terms of how these movements also take place at the level of language in the novel, as the explorations in this essay of four different linguistic procedures from The Waves show. When Woolf completed writing The Waves, she wrote in her diary that she had ‘netted that fin in the waste of water’. By investigating the multiple, and often discordant, associations of this image of netting a fin, various connections between Woolf's linguistic procedures and Deleuze's philosophy can be configured, particularly in terms of the approach to language put forward in A Thousand Plateaus. Reading Woolf alongside Deleuze in this way reveals how ontology becomes intimately bound up with a problem of language. (shrink)

Wittgenstein's remarks on mathematics have not received the recogni tion they deserve; they have for the most part been either ignored, or dismissed as unworthy of the author of the Tractatus and the I nvestiga tions. This is unfortunate, I believe, and not at all fair, for these remarks are not only enjoyable reading, as even the harshest critics have con ceded, but also a rich and genuine source of insight into the nature of mathematics. It is perhaps the fact (...) that they are more suggestive than systematic which has put so many people off; there is nothing here of formal derivation and very little attempt even at sustained and organized argumentation. The remarks are fragmentary and often obscure, if one does not recognize the point at which they are directed. Nevertheless, there is much here that is good, and even a fairly system atic and coherent account of mathematics. What I have tried to do in the following pages is to reconstruct the system behind the often rather disconnected commentary, and to show that when the theory emerges, most of the harsh criticism which has been directed against these re marks is seen to be without foundation. This is meant to be a sym pathetic account of Wittgenstein's views on mathematics, and I hope that it will at least contribute to a further reading and reassessment of his contributions to the philosophy of mathematics. (shrink)

This paper sets out to re-examine the famous Wax Tablet model in Plato's Theaetetus, in particular the section of it which appeals to the quality of individual souls' wax as an explanation of why some are more liable to make mistakes than others (194c-195a). This section has often been regarded as an ornamental flourish or a humorous appendage to the model's main explanatory business. Yet in their own appropriations both Aristotle and Locke treat the notion of variable wax quality as (...) an important part of the model's utility in dealing with mistake. What, then, is its status for Plato? I shall argue that the section on variable wax quality is there to suggest to the reader a tempting way of misinterpreting the model. This will highlight the distinctive character of the model in its original version, and provide an unusual example of a philosopher describing how not to read one of his own doctrines. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Coloration of Aristotelian Eye-Jelly: A Note on On Dreams 459b–460aRaphael WoolfThe purpose of this paper is to make a small contribution to a recent lively debate concerning Aristotle’s philosophy of mind. This debate has centered on a paper published by Myles Burnyeat,1 which argued that Aristotle’s philosophy of mind, being hopelessly anachronistic, could not serve as the prototype of any contemporary theory: in particular, it could (...) not be seen as proto-functionalist, as Nussbaum and Putnam had proposed.2 The grounds given by Burnyeat for the anachronism of Aristotle’s philosophy of mind focus mainly on Aristotle’s notion of perceptual awareness. According to Burnyeat, perceptual awareness is for Aristotle a primitives3 and essential4 property of the relevant organ of perception. In Burnyeat’s view, Aristotle’s theory denies that there is any further level of analysis that can be undertaken. When an eye comes to perceive an object, the potentiality of the eye for seeing is actualized, but there is nothing further to be said. In particular, there is no physiological change taking place in the eye, in which the psychological change is realized. Thus, when Aristotle says in the De Anima that the eye becomes “in a way coloured”5 when it sees a coloured object, for Burnyeat this means no more [End Page 385] than that it registers awareness of colour,6 not that it becomes literally coloured itself.On this last point, Burnyeat takes issue with the view of Richard Sorabji,7 who maintains that for Aristotle the eye does undergo physiological change when it does some seeing: in particular, if it sees, for example, a red object, then the jelly inside the eye literally becomes coloured red. On this view, Aristotle does indeed have a theory, congenial enough to modern perspectives, whereby each psychological change is realized physiologically.8There are several large questions which my paper does not attempt to address. Firstly, it offers no view on what implications Burnyeat’s position would have, if correct, for the interpretation of Aristotle as a proto-functionalist. Secondly, it does not offer a view on how necessary the correctness of an interpretation such as Sorabji’s is to the case made by the advocates of Aristotle as a proto-functionalist.9 Thirdly, it makes no adjudication between any of the competing parties’ interpretations of Aristotle’s De Anima, his main work on psychology and the chief textual battleground in the debate I have been outlining.This paper’s aim is a much more modest one. It is to draw attention to a short passage in Aristotle’s work On Dreams, which in my view incontrovertibly suggests that Aristotle did believe that the eye becomes literally coloured during perception of a coloured object. I shall therefore be presenting one piece of evidence in favour of Sorabji’s view; but I shall not be arguing that Sorabji’s view is conclusively the right one (which would require consideration of all the relevant evidence), nor drawing any conclusions about the implications of this evidence for interpretations of Aristotle’s philosophy of mind. It is, however, [End Page 386] reasonable to suggest that if Sorabji’s view is right then Burnyeat’s view is in severe difficulties, since its main underpinning—the claim that psychological change has no physiological counterpart in Aristotle’s theory—will have been removed. The evidence I have to present, then, is, albeit indirectly, support for the view that Aristotle’s philosophy of mind is not hopelessly anachronistic, at least in the way that Burnyeat claims.Here is the evidence from On Dreams (459b23–460a26):That the sense-organs rapidly perceive even slight differences is shown by what happens with mirrors. Indeed, anyone who would give his attention to it might look into that subject too and explore the problem. At the same time, it is clear from this case that, just as the organ of sight is affected by, so too it acts upon, its object. For in extremely clean mirrors, when women look into them during their menstrual period, the mirror surface takes on a sort of blood-red cloud. In fact, if the... (shrink)

_ Source: _Volume 10, Issue 3, pp 413 - 432 This essay provides an extended commentary on Richard Evans’ book _Altered Pasts_ from the perspective of a historian of a much earlier period, the sixteenth and seventeenth centuries. The essay considers much of the literature discussed by Evans, explores the “scope” and “range” of counterfactual arguments, and offers suggestions as to how and when legitimate counterfactual historical thinking itself came into being. The essay also argues that the problems inherent in (...) counterfactual history lie less in the logic of their arguments than in the use that is made of them: specifically that a device useful, heuristically, in evaluating the impact of certain factors on events has been stretched by some historians beyond the weight it will bear. In the final section, the relation between fictional and nonfictional counterfactuals is explored. (shrink)

Nearly two hundred years ago, Mary Wollstonecraft wrote what is considered to be the first major work of feminist political theory: A Vindication of the Rights of Women . Much has been written about this work, and about Wollstonecraft as the intellectual pioneer of feminism, but the actual substance and coherence of her political thought have been virtually ignored. Virginia Sapiro here provides the first full-length treatment of Wollstonecraft's political theory. Drawing on all of Wollstonecraft's works and treating them (...) thematically rather than sequentially, Sapiro shows that Wollstonecraft's ideas about women's rights, feminism, and gender are elements of a broad and fully developed philosophy, one with significant implications for contemporary democratic and liberal theory. The issues raised speak to many current debates in theory, including those surrounding interpretation of the history of feminism, the relationship between liberalism and republicanism in the development of political philosophy, and the debate over the canon. For political scientists, most of whom know little about Wollstonecraft's thought, Sapiro's book is an excellent, nuanced introduction which will cause a reconsideration of her work and her significance both for her time and for today's concerns. For feminist scholars, Sapiro's book offers a rounded and unconventional analysis of Wollstonecraft's thought. Written with considerable charm and verve, this book will be the starting point for understanding this important writer for years to come. (shrink)

Aristotle's Eudemian Ethics has been unjustly neglected in comparison with its more famous counterpart the Nicomachean Ethics. This is in large part due to the fact that until recently no complete translation of the work has been available. But the Eudemian Ethics is a masterpiece in its own right, offering valuable insights into Aristotle's ideas on virtue, happiness and the good life. This volume offers a translation by Brad Inwood and Raphael Woolf that is both fluent and exact, and (...) an introduction in which they help the reader to gain a deeper understanding both of the Eudemian Ethics and of its relation to the Nicomachean Ethics and to Aristotle's ethical thought as a whole. The explanatory notes address Aristotle's many references to other works, people and events. The volume will be of interest to students and scholars of the history of ethics, ancient and moral philosophy, and Aristotle studies. (shrink)

A modern form of narrative, comic books are used to communicate, discuss, and critique issues in business ethics and social issues in management. A description of comic books as a legitimate medium is followed by a discussion of the pedagogical uses of comic books and assessment techniques. The strengths of the pedagogy include crossing cultural barriers, understanding the complexity of individual decision-making and organizational influences, and the universality of dilemmas and values. We provide an initial source for educators on the (...) topics, comic books, plotlines, and other commentary for consideration of use in the classroom from high school to graduate business ethics and social issues in management courses. (shrink)

This 2001 translation makes one of the most important texts in ancient philosophy available to modern readers. Cicero is increasingly being appreciated as an intelligent and well-educated amateur philosopher, and in this work he presents the major ethical theories of his time in a way designed to get the reader philosophically engaged in the important debates. Raphael Woolf's translation does justice to Cicero's argumentative vigour as well as to the philosophical ideas involved, while Julia Annas's introduction and notes (...) provide a clear and accessible explanation of the philosophical context of the work. This edition will appeal to all readers interested in this central text in ancient philosophy and the history of ethics. (shrink)

Drawing on a forthcoming book by Rok Benčin on the concept of world, the article proposes a reading of _Between the Acts_ by Virginia Woolf that focuses on the dialectic of dispersion and unity. The novel presents a multiplicity of dispersed and fragmented transcendental frameworks that tend towards – an attempt that is always doomed to fail, but always begins anew – unification within the ideological apparatuses. In this endless dialectic, literature occupies a singular place, for the fictional (...) structure of these frameworks makes of it a transcendental-abyss, which enables passage from the novel of worlds to the world of the novel. (shrink)

This paper critically compares the philosophy of Günther Anders and the contemporary transhumanists, like Julian Savulescu, Ingmar Persson, or Thomas Douglas. The Andersian concepts of moral blindness, promethean gap, and promethean shame will be discussed in order to understand human beings’ outdatedness; parallel to this, we will also expose the transhumanist analysis on the unfitness of human beings in evolutive and cognitive terms. We will show that much of the transhumanist analysis is a reformulation of the Andersian thesis, now (...) under scientific terminology. Finally, we will approach the transhumanist proposal of moral enhancement, explaining and confronting some critics raised on the grounds of freedom and moral responsibility. (shrink)

The Russo Williamson thesis (RWT) states that a causal claim can be established only if it can be established that there is a difference-making relationship between the cause and the effect, and that there is a mechanism linking the cause and the effect that is responsible for such a difference-making relationship (Russo & Williamson, 2007). The applicability of Russo and Williamson’s idea was hugely debated in relation to biomedical research, and recently it has been applied to the social sciences (Shan (...) & Williamson, 2021). While many philosophers and social scientists have advocated the use of different kinds of evidence for causal discoveries, others have criticised this approach. With this paper, I aim to defend RWT from criticisms and to show its importance in the social sciences. The paper is structured as follows. After a brief introduction, in Sect. 2, I will summarise RWT, and in Sect. 3 I will describe how this approach can be applied to the social sciences. In Sect. 4, I will reconstruct two main criticisms of this thesis proposed in the philosophy of the social sciences literature: namely (i) RWT is not used in the social sciences, (ii) RWT does not work. For each criticism I will provide a defence of RWT. My defence will be based on two general considerations: (i) RWT appears perfectly in line with the research methods used in the social sciences and (ii) RWT can be applied successfully to establish causal claims. In Sect. 5, moreover, I will examine the causal accounts that have motivated such criticisms and I will argue that they should be rejected to endorse RWT and a causal account able to accommodate the current use of mechanistic and difference-making evidence in the social sciences. Section 6 will conclude with a note on the relevance of RWT in both its descriptive and normative form. (shrink)

When Ann Banfield argued in The Phantom Table1 that the debate about modernism should take into account its revolutionary conception of the objects of sensation, and turned to Bertrand Russell’s 1914 theory of knowledge to do so, she challenged on the one hand the critics’ near ignorance of the Cambridge Apostles’ influence on Bloomsbury, and on the other, the “assumption of contemporary understanding of modernism—that the only philosophy of relevance to twentieth-century art and literature is continental.”2 Following her example, (...) daunting as it may be, I will challenge this last assumption and argue that the philosophy of relevance to the understanding of Woolf’s work is not necessarily continental but British.My .. (shrink)

This book does not demand continuous reading; but at whatever place one opens it, one will find matter for reflection. The most useful books are those of which readers themselves compose half; they extend the thoughts of which the germ is presented to them; they correct what seems defective to them, and they fortify by their reflections what seems to them weak. It is only really by enlightened people that this book can be read; the ordinary man is not made (...) for such knowledge; philosophy will never be his lot. Those who say that there are truths which must be hidden from the people, need not be alarmed; the people do not read; they work six days of the week, and on the seventh go to the inn. In a word, philosophical works are made only for philosophers, and every honest man must try to be a philosopher, without pluming himself on being one. This alphabet is extracted from the most estimable works which are not commonly within the reach of the many; and if the author does not always mention the sources of his information, as being well enough known to the learned, he must not be suspected of wishing to take the credit for other people's work, because he himself preserves anonymity。. (shrink)

This paper deals with the mystical experiences in Virginia Woolf’s artistic creation. Woolf denies any form of modernism that cannot transcend reality. There are moments, where reality is never what it is but a vision — a perspective — whose meaning is beyond the graspable. Reality, thus, becomes un-reality — a halo, and the artist becomes a contemplator — a devotee to such visionary manifestation. Virginia Woolf does not make an exception to this rule. She (...) is par excellence a mystic. The artistic design of her novels, mainly, To the Lighthouse, is of transcendental dimension. Both, Mrs Ramsay’s and Lily Briscoe’s perceptions of life are beyond the palpable: their selves merge within a process of sublimation comparable to that of mysticism. In other words, art (mainly fiction) becomes a process of change from the factual to the transmutable. (shrink)

The specter of Mr. Pechter’s complaints haunted me as I wrote “When Eve Reads Milton,” as those friends who helped me to write by continually banishing it can attest. This ghost seemed somehow familiar, a shadow of Milton’s bogey or an echo of that angel in the house who still stalks the precincts of academia. Indeed, if Mr. Pechter did not exist, I confess that I could have invented him, although the specter of my imagining was rather more daunting, with (...) his perfect command of my arguments, urbane bearing, and formidable learning. Never mind. The materialization of this specter in any form elicits some important issues that my article itself could not address; so I must thank Mr. Pechter for the trouble of his reply.The difficulty that I find in answering him, however, is that he responds to my arguments by ignoring them, substituting for them certain inventions of his own. While I could cheerfully join Mr. Pechter in dismissing much of what he says I say, I’m afraid the credit for it goes to him. The best refutation I can offer is the original essay, but it would be a waste of time to reiterate that here. Nor does it make sense, given the extent to which his representation of my essay differs from the essay itself, to refute him point by point. Instead, I will attempt to describe what I think is the crux of our dispute and to propose a way of reconciling our positions.Our disagreement arises, it seems to me, from the fact that, although he and I look at Paradise Lost from two quite different perspectives, Mr. Pechter is able to recognize only one. Since he does not grant that women’s position and history in patriarchal culture place us at a vantage point which differs in some fundamental ways from that of readers like himself, who identify strongly with that culture, he cannot grasp—indeed, cannot even read—my arguments. It is not surprising, then, that such scattered impressions as he does pick up should seem to him not merely different from himself but, as he repeatedly says, “very strange.” Mr. Pechter has an interesting way of coping with difference, however; even as he professes to find the essay very strange, he goes to great lengths to claim that in fact I am saying nothing new. My argument, he says, has been anticipated by Milton criticism and indeed by Milton’s own Protestant resistance to orthodox authority. This position, so he thinks, already incorporates all imaginable differences, all possible inner voices, in itself. By these lights, there is no need and no use for a feminist critique of Miltonic authority, for it can only perform—unoriginally, unnecessarily, indeed, redundantly—another repetition of the poem and its critical history. Christine Froula is associate professor of English at Yale University. Her most recent book is “To Write Paradise”: Style and Error in Pound’s Cantos; she is currently working on a book about literary authority in James Joyce and Virginia Woolf. “When Eve Reads Milton: Undoing the Canonical Economy,” her previous contribution to Critical Inquiry, appeared in the December 1983 issue. (shrink)

This article analyses the accusation of nihilism that F. H. Jacobi made against Fichte in a letter of mars. 1799, imputation that lays on the personal conception ofJacobi about the reason as a negative capacity which only can destroy its objects. The letter in question implicates two different types of nihilism: a)The cosmological one, accepted by Fichte and named acosmism by him. It is only a reformulation of the sensible world from practical principIes, but doesn't suppose an annihilation or scorn (...) of this world. Qn the contrary, the religious view, for example, shows the world as a manifestation of godlite and, hased on moral exigencies, doesn~t admit the existence of death. Of course, the immortality isn't for a particular soul but for the order of moral actions (= God). b) The radical one, which doesn't exist in Fichte and lays on a bad interpretation of bis intellectual intuition assumed from a point of view next to Schelling. (shrink)

I will treat feminist ethical theory as a distinct type of theory. Although some feminists are skeptical about the need for theory as distinct from cultivating practices of being morally perceptive and sensitive, many others argue for the theory they see as needed. Feminist ethical theory usually includes, but is not limited to, the concerns that have been developed under the heading of ‘the ethics of care’ or ‘care ethics’. Care ethics are usually contrasted with ethics of justice, such as (...) Kantian and utilitarian moral theories. Instead of being a theory primarily focused on right action, an ethic of care seeks moral evaluations of relations between persons, and reinterprets both personal and political relations in light of the value of care. I will show how feminist ethical theory differs from virtue theory as well as from Kantian and utilitarian theories. (shrink)

Intellectuals such as William James and Aldous Huxley have thought it possible to develop a technique to apply to this world the mystical-type insights gained during drug-enabled experiences. Particularly, Huxley claimed that the visionary experience triggered by psychedelics could help us rethink our relationship with technology and promote a much-needed cultural change. In this article, we explore this hypothesis. To do so, we build a philosophical framework based on Günther Anders's philosophy of technique, presenting human beings as morally blind (...) when facing technological development. Mystical experiences are then proposed as a means to improve our moral faculties—and psychedelic drugs as tools to enable them. We finally explore the empirical feasibility of such a hypothesis by thoroughly reviewing the recent scientific literature on the nature of the psychedelic experience, concluding that the long-term effects in the personality domain openness and in nature relatedness point to the emergence of a morally improved agent, thus providing substance to an application of mysticism. (shrink)

Feminism is sometimes equated with demands for equal rights for women. Mary Wollstonecraft in the eighteenth century argued, against Rousseau, that women should be accorded the same rights and freedoms based on rational principles that were being demanded for men. In the nineteenth century, John Stuart Mill and Harriet Taylor Mill, rejecting prevailing views of the time, called for an end to the subjection of women through an extension to women of equal rights and equal opportunities. Women, they argued, should (...) have the same rights as men to own property, to vote, to receive education, and to enter any profession. In the twentieth century, women's movements often focused their attention on winning for women the right to vote, achieved in the United States in 1920, in England in 1918 and 1928, in France in 1946, and in Switzerland only in 1971. The second wave of the women's movement in the United States, starting in the late 1960s, placed strong emphasis on achieving an Equal Rights Amendment to the US Constitution (the amendment failed to be ratified by the required number of states), and on ending discrimination against women in all its forms. Arguments for welfare rights, valid independently of feminism, were seen as particularly important to women: how could a person enjoy rights to freedom or equal protection of the laws without assurance of the means to stay alive and to feed her children? Either employment and child care must be available, or persons must have access by right to the basic necessities of life. Negative freedoms from discriminatory interferences are insufficient; positive enablements to be free and equal agents must also be assured by rights. (shrink)

Clinical Ethics Committees (CECs), as distinct from Research Ethics Committees, were originally established with the aim of supporting healthcare professionals in managing controversial clinical ethical issues. However, it is still unclear whether they manage to accomplish this task and what is their impact on clinical practice. This systematic review aims to collect available assessments of CECs’ performance as reported in literature, in order to evaluate CECs’ effectiveness. We retrieved all literature published up to November 2019 in six databases (PubMed, Ovid (...) MEDLINE, Scopus, Philosopher’s Index, Embase and Web of Science), following PRISMA guidelines. We included only articles specifically addressing CECs and providing any form of CECs performance assessment. Twenty-nine articles were included. Ethics consultation was the most evaluated of CECs’ functions. We did not find standardized tools for measuring CECs’ efficacy, but 33% of studies considered “user satisfaction” as an indicator, with 94% of them reporting an average positive perception of CECs’ impact. Changes in patient treatment and a decrease of moral distress in health personnel were reported as additional outcomes of ethics consultation. The highly diverse ways by which CECs carry out their activities make CECs’ evaluation difficult. The adoption of shared criteria would be desirable to provide a reliable answer to the question about their effectiveness. Nonetheless, in general both users and providers consider CECs as helpful, relevant to their work, able to improve the quality of care. Their main function is ethics consultation, while less attention seems to be devoted to bioethics education and policy formation. (shrink)

What is it that we human beings are? What is it that we do? The reduction of these questions to biology doesn't do justice to how we think and act, nor do traditional philosophical approaches satisfy our intuitions. Fortunately, it's not in our nature to give up. While minds and bodies, subjects and objects, do play a role, to focus here is to miss the mark. Underlying each of these is something more fundamentally human. Martin Heidegger thinks of this as (...) being, Virginia Woolf thinks of this as a purple triangle. Together, Heidegger and Woolf may succeed in unveiling the disguises which we, perhaps unwittingly, have imposed on our own being-in-the-world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Transformed Lives: Making Sense of Atonement Today by Cynthia S. W. CrysdaleVirginia W. LandgrafTransformed Lives: Making Sense of Atonement Today Cynthia S. W. Crysdale new york: seabury books, 2016. 192 pp. $16.00Cynthia Crysdale aims to show how atonement can have meaning for modern and postmodern Christians who reject the idea that God wills Jesus's violent death. She starts with stories of people who were estranged from God but (...) have been given grace to love God anew. Their subsequent lives are not perfect and involve multiple deaths of the old self and resurrections into the new. Yet there is a reconciliation not present beforehand: not a change in God, who has always loved us, but a change in us. Crysdale seeks to navigate between two undesirable positions: a penal substitutionary doctrine of the atonement, which she thinks posits a violent God, or a rejection of the idea of atonement altogether. She sees atonement as not only moral influence showing an example but a relationship that involves our whole being.Crysdale then presents a historical overview to show that this understanding of atonement is a plausible interpretation of scripture and tradition. Biblical sacrifices were not intended to propitiate an angry deity but to expiate human sin. New Testament writers who saw Jesus's death on the cross in continuity with these sacrifices were not implying that God was punishing Jesus. Jesus's statements about giving his life as a ransom prophesied the subversion of patron–client power relations rather than predicting a transaction whereby Jesus would pay for sin. Subsequent writers who saw Jesus as gaining victory over the devil saw God and Jesus as united against the powers and Jesus as attaining justice by love. Even Anselm, sometimes blamed for the penal substitutionary view, intended to avoid the idea of the crucifixion as God's punishment of Jesus. In the honor code of the time, either satisfaction or punishment was required. Therefore, Jesus's act of making satisfaction is precisely not punishment. Crysdale sees subsequent conflations of satisfaction and punishment as distorting Anselm's original intent and implying that God requires violent punishment of sin. [End Page 208]Crysdale then takes readers on a tour of changes in scientific, historical, and epistemological consciousness in the modern era to ask how theology might be done today. Drawing on Bernard Lonergan, she describes multiple dimensions of conversion that are all instances of grace when they occur. She then interprets the incarnation as indicating God's offer of friendship with humanity and Jesus's death and resurrection as indicating the transformation of power and oppression. Believing that an abstract atonement over the heads of human beings does not exist, she concludes with further stories of lives transformed by an encounter with God, including Martin Luther King Jr. and Dorothy Day.This book is suitable for educated lay adults, advanced undergraduates, or introductory seminary courses. Protestant audiences may find it typically Catholic, even though Crysdale is an Anglican, because it emphasizes changed lives rather than God's act of justification prior to any change in us. Theologically, it does not deal with every possible objection to its thesis. Those concerned with cultures of impunity, where malevolent lawlessness gets its way, may think that rejecting any sense of punishment of sin in the crucifixion throws the baby out with the bathwater. Recently, Fleming Rutledge (in The Crucifixion), drawing on Karl Barth, has made a point of retaining punishment as one meaning of the atonement even while emphasizing that God's wrath is always in the service of God's love. Transformed Lives does not have the last word on the atonement and would not claim to, since Crysdale wants to invite readers to do theology befitting their changing context. However, readers at many levels will benefit from its accessible treatment of its topic and invitation to reflection that befits a loving, reconciling, evil-opposing God.Virginia W. LandgrafAmerican Theological Library AssociationCopyright © 2018 Society of Christian Ethics... (shrink)

This paper proposes an original account, based on the capabilities approach, that explains which kinds of attachment to natural resources are sufficiently morally weighty to give rise to special resource rights. The paper provides a critique of current attachment theories, which fail to provide a clear way to differentiate between what is a preference and what is a legitimate attachment, and thereby justify overreaching resource rights. It then examines Armstrong’s welfarist account of natural resources justice, and argues that the capabilities (...) approach can be used to specify the relevant dimensions of well-being, as elements of human flourishing. A capabilities-based account is appealing because it is more limited in scope than existing attachment theories, and able to make finer distinctions regarding the scope and content of individuals’ rights claims. Attachment claims are legitimate when the valuable basic capabilities held by individuals depend on their relationship to specific natural resources. By using capabilities as a mediating concept, we can detect more precisely when attachment claims are normatively significant and can ground special resource rights. (shrink)

BackgroundVulnerability is a key concept in traditional and contemporary bioethics. In the philosophical literature, vulnerability is understood not only to be an ontological condition of humanity, but also to be a consequence of contingent factors. Within bioethics debates, vulnerable populations are defined in relation to compromised capacity to consent, increased susceptibility to harm, and/or exploitation. Although vulnerability has historically been associated with older adults, to date, no comprehensive or systematic work exists on the meaning of their vulnerability. To fill this (...) gap, we analysed the literature on aged care for the meaning, foundations, and uses of vulnerability as an ethical concept.MethodsUsing PRISMA guidelines, we conducted a systematic review of argument-based ethics literature in four major databases: PubMed, Embase®, Web of Science™, and Philosopher’s Index. These covered biomedical, philosophy, bioethical, and anthropological literature. Titles, abstracts, and full texts of identified papers were screened for relevance. The snowball technique and citation tracking were used to identify relevant publications. Data analysis and synthesis followed the preparatory steps of the coding process detailed in the QUAGOL methodology.ResultsThirty-eight publications met our criteria and were included. Publication dates ranged from 1984 to 2020, with 17 publications appearing between 2015 and 2020. Publications originated from all five major continents, as indicated by the affiliation of the first author. Our analyses revealed that the concept of vulnerability could be distinguished in terms of basic human and situational vulnerability. Six dimensions of older adults’ vulnerability were identified: physical; psychological; relational/interpersonal; moral; sociocultural, political, and economic; and existential/spiritual. This analysis suggested three ways to relate to older adults’ vulnerability: understanding older adults’ vulnerability, taking care of vulnerable older adults, and intervening through socio-political-economic measures.ConclusionsThe way in which vulnerability was conceptualised in the included publications overlaps with distinctions used within contemporary bioethics literature. Dimensions of aged care vulnerability map onto defining features of humans, giving weight to the claim that vulnerability represents an inherent characteristic of humans. Vulnerability is mostly a value-laden concept, endowed with positive and negative connotations. Most publications focused on and promoted aged care, strengthening the idea that care is a defining practice of being human. (shrink)

According to Bertrand Russell, philosophy should “teach how to live without certainty, and yet without being paralyzed by hesitation.” Recent natural and human-made disasters have confronted business leaders to act decisively without certainty in circumstances with profound implications for ethical well-being. This article introduces a Special Topic Forum on Extreme Operating Environments, defined as times of great uncertainty and/or crisis which challenge human capabilities, organizational operations, and social institutions.

This book discusses and analyses the contribution of mind-independent individual literary pure possibilities in exploring and understanding actual reality. The relationship between literary imagination, literary possibilities, and actual reality poses a major philosophical problem in the field of metaphysics of literature. In a detailed analysis of some literary masterpieces (by Proust, Kafka, Tolstoy, Dostoyevsky, Thomas Mann, Virginia Woolf, and William Faulkner), I attempt to demonstrate that actual reality actualizes or “imitates” literary pure possibilities. Hence, such masterpieces should be (...) treated not as romans a clef but, instead, as paradigm-cases on whose basis we grasp and understand actual reality. (shrink)

This book brings together a group of scholars from around the world who view psychology as the science of human ways of being. Being refers to the process of existing - through construction of the human world - here, rather than to an ontological state. This collection includes work that has the goal to establish the newly developed area of cultural psychology as the science of specifically human ways of existence. It comes as a next step after the "behaviorist turn" (...) that has dominated psychology over most of the 20th century, and like its successor in the form of "cognitivism", kept psychology away from addressing issues of specifically human ways of relating with their worlds. Such linking takes place through intentional human actions: through the creation of complex tools for living, entertainment, and work. Human beings construct tools to make other tools. Human beings invent religious systems, notions of economic rationality and legal systems; they enter into aesthetic enjoyment of various aspects of life in art, music, and literature; they have the capability of inventing national identities that can be summoned to legitimate one's killing of one's neighbors, or being killed oneself. The contributions to this volume focus on the central goal of demonstrating that psychology as a science needs to start from the phenomena of higher psychological functions, and then look at how their lower counterparts are re-organized from above. That kind of investigation is inevitably interdisciplinary - it links psychology with anthropology, philosophy, sociology, history, and developmental biology. Various contributions to this volume are based on the work of Lev Vygotsky, George Herbert Mead, Henri Bergson, and on traditions of Ganzheitspsychologie and Gestalt psychology. Psychology as the Science of Human Being is a valuable resource to psychologists, sociologists, philosophers, biologists, and anthropologists alike. (shrink)

Feminism was born in controversy and it continues to flourish in controversy. The distinguished contributors to this volume provide an array of perspectives on issues including: universal values, justice and care, a feminist philosophy of science, and the relationship of biology to social theory.

'A good essay must draw its curtain round us, but it must be a curtain that shuts us in, not out.' According to Virginia Woolf, the goal of the essay 'is simply that it should give pleasure...It should lay us under a spell with its first word, and we should only wake, refreshed, with its last.' One of the best practitioners of the art she analysed so rewardingly, Woolf displayed her essay-writing skills across a wide range of (...) subjects, with all the craftsmanship, substance, and rich allure of her novels. This selection brings together thirty of her best essays, including the famous 'Mr Bennett and Mrs Brown', a clarion call for modern fiction. She discusses the arts of writing and of reading, and the particular role and reputation of women writers. She writes movingly about her father and the art of biography, and of the London scene in the early decades of the twentieth century. Overall, these pieces are as indispensable to an understanding of this great writer as they are enchanting in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Rather than using literary texts to evidence an analytic argument, within this piece we read Julia McNair Wright's (US, 1840?1902), Sidonie-Gabrielle Colette's (France, 1873?1954), and Willa Cather's (US, 1873?1947) texts through theoretical lenses that expose their educational meaning and value and that create conversation among them concerning girls? and women's educations. While we do not claim that one can generalize these women's works and lessons to every life, we contend that these women and the literary products they created offer girls (...) and women powerful lessons about resistance, subversion, and nurturing one's intellect, lessons that in some ways transcend class and race in particular. First, we define and explain Bruner's concept of the more using Rosenblatt, Gallagher, and Gardner's theories and findings to illuminate his concept. Next, we identify and examine three themes that emerge across these authors? texts?subverting through the everyday, becoming one's own steward, and moving from survival to self-actualization. Establishing these themes first in Wright's texts, we then use them to frame Colette's and Cather's fiction and support these themes by focusing on one lesson that emerges from each author's work(s). Finally, we ask what one might learn about educating girls and women from these texts and others whose educative meaning and value remain hidden. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Downcast Eyes: The Denigration of Vision in Twentieth-Century French ThoughtVirginia A. La CharitéDowncast Eyes: The Denigration of Vision in Twentieth-Century French Thought, by Martin Jay; xi & 632 pp. Berkeley: University of California Press, 1993, $35.00.The book jacket flyleaf for Martin Jay’s Downcast Eyes proclaims in exuberant and laudatory terms that this study has a double agenda: one is to show that vision is by no means the (...) dominant sense in ordering Western culture and the other is to posit instead a “plurality of ‘scopic regimes, particularly in the climate of postmodernism. Indeed, antiocularcentrism provides the unifying thread of Jay’s work, which reviews the theory of vision from Plato to Bergson in the first three chapters and concentrates on “the culture of modernity” in chapters four through eight; the ninth chapter interestingly and curiously places Derrida and feminist criticism side by side under the aegis of “phallogocularcentrism” and presents Derrida and Irigaray if not as the high points of modernism, then at least as the center of the poststructuralist discourse, which argues for the elevation of the word over the eye and so offers downcast eyes as the new logo for what is now identified as postmodernism. Jay’s last chapter addresses postmodernism as a foreclosure on visual practice or the ocularcentric. The short seven-page conclusion attempts to place a positive note on the author’s admitted denigration of the notion of visuality in modern French intellectual thought and culture by calling for a plural or multiple—“polyscopic”—visual experience. Hence, Jay concludes that his notion of downcast eyes or disillusionment is “no solution” (p. 592) to the problem. Certainly, Broodthaer’s “L’Oeil” on the jacket cover does not present [End Page 162] downcast eyes but rather the very feminine alluring eye of a seductress. In this sense, the real message of Jay’s work is reader, beware! His provocative title and even more provocative subtitle initiate from the outset a critique of one of the long-held and cherished myths about the dominance and prominence of the visual sense in Western culture, especially in modern French thought. It is the unsettling of the comfortableness of this notion which Jay’s work successfully undertakes.The study is well-organized and lucidly written. It forcefully argues the author’s case. Unfortunately, there is no bibliography. The omission of a bibliography undercuts the project and casts scholarly suspicion on the entire venture. In all truth, the inclusion of a bibliography would dramatically call attention to serious lacunae in the scholarship. The French thinkers presented and analyzed, such as Bataille, Barthes, Sartre, Foucault, Derrida, Irigaray, and Lyotard, have been studied in depth—at times brilliantly—but Jay ignores this rich corpus of critical material. In particular, his treatment of important French poets such as Rimbaud, the surrealists, Ponge, and others is so skewed in order to reinforce his denigration of the dominant role of vision in twentieth-century French writing that the reader in the field of French studies questions the quality of the basic research undertaken for the project and the author’s skill at reading with understanding and sensitivity hermetic material in the original French. Once these questions are raised, the very nature of Jay’s study itself becomes suspect.As the reader progresses through the volume, it seems that most of Jay’s analyses of the primary texts are based on English translations and are in fact limited to those works available in translation. While this may not be the actual case, the lack of a bibliography reinforces such a suspicion and contributes to the steady erosion of the credibility of the study. Even worse, it poses a troubling if not invidious question: who is the audience for Downcast Eyes? Surely, the audience is not humanists who specialize in twentieth-century French studies. If the intended audience is one of scholars and their students in cultural history and the social sciences with little grounding in contemporary French intellectual thought as manifested in its literature and literary criticism, this audience needs to begin its reading with Jay’s conclusion which is a masterfully subtle denigration of his own work on... (shrink)

In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own, she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas, however, Woolf argues that women's historical exclusion offers them the chance to form (...) a political and cultural identity which could challenge the drive towards fascism and war. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.

This book revisits, and sheds fresh light on, some key texts and debates in ancient philosophy. Its twin targets are 'Old Chestnuts' – well-known passages in the works of ancient philosophers about which one might have thought everything there is to say has already been said – and 'Sacred Cows' – views about what ancient philosophers thought, on issues of philosophical importance, that have attained the status of near-unquestioned orthodoxy. Thirteen leading scholars respond to these challenges by offering new (...) perspectives on familiar material and challenging some prevailing orthodoxies. On authors ranging from the Presocratics to Plotinus, the book represents a snapshot of contemporary scholarship in ancient philosophy, and a vigorous and illuminating affirmation of its continuing interest and power. The volume is dedicated to Professor M. M. McCabe, an inspiring scholar and teacher, colleague and friend to both the editors and the contributors. (shrink)

Cicero's philosophical works introduced Latin audiences to the ideas of the Stoics, Epicureans and other schools and figures of the post-Aristotelian period, thus influencing the transmission of those ideas through later history. While Cicero's value as documentary evidence for the Hellenistic schools is unquestioned, Cicero: The Philosophy of a Roman Sceptic explores his writings as works of philosophy that do more than simply synthesize the thought of others, but instead offer a unique viewpoint of their own. In this (...) volume Raphael Woolf describes and evaluates Cicero's philosophical achievements, paying particular attention to his relation to those philosophers he draws upon in his works, his Romanizing of Greek philosophy, and his own sceptical and dialectical outlook. The volume aims, using the best tools of philosophical, philological and historical analysis, to do Cicero justice as a distinctive philosophical voice. Situating Cicero's work in its historical and political context, this volume provides a detailed analysis of the thought of one of the finest orators and writers of the Roman period. Written in an accessible and engaging style, Cicero: The Philosophy of a Roman Sceptic is a key resource for those interested in Cicero's role in shaping Classical philosophy. (shrink)

This article investigates the rise of the feminine creative voice in the age of modernism through the lens of Virginia Woolf’s fictional and nonfictional writings. Her invaluable insights into the long history of women’s subjugation, as well as the fortunes of her contemporaries, provide a framework for an examination of how women established their position as capable members of society in the changing modern milieu. This essay examines Woolf’s novel To the Lighthouse, and her polemical essay A (...) Room of One’s Own, with a view to demonstrating modern women’s path to creating their artistic identity. Drawing on Paul Ricoeur’s notion of narrative identity, I investigate women’s unique way of (re)gaining their confidence and articulating their own voice during the process of self-formation. Following Woolf’s lead, I consider their double status: as both an object of fascination in works of literature and a source of oppression in real life. I also use Hans-Georg Gadamer’s philosophy of historically effected consciousness (Wirkungsgeschichtes Bewusstsein) to reveal the productive interpretative distance that can help us unravel the complexities of the historical and contingent nature of the development of the female artistic genius. An interrogation of women’s imaginative self-manifestations opens the way to the discovery of crucial truths that pertain to the hermeneutics of female creativity. (shrink)

This thesis is a sceptical investigation into the notion that the metaphorical wave-particle binary of Virginia Woolf's To the Lighthouse is related to quantum physics. Indeed, the field of literature and science has employed conceptual similarities as the main means of connecting quantum concepts to novels, however, this has led to a host of scholarly difficulties, prompting the need for a re-examination of analogical linkages. Woolf is the model candidate for such a re-examination, given her historical and (...) philosophical proximity with the developments of quantum mechanics. To the Lighthouse, in particular, was written between 1925 and 1927: precisely when quantum physicists were attempting to resolve the wave-particle duality, leading to Niels Bohr's complementarity. This parallel has been noted by researchers as relevant to the novel, as it too displays a general binary that can be read as wave-particle-like, which the author also attempts to resolve along similar philosophical lines. Nevertheless, other than proximity and similarity, there are no reasons to affirm that the science is related to the novel; hence, it is an ideal case study to examine in order to ascertain the value of conceptual similarities in literature and science. To do so, To the Lighthouse's binary and its resolution are interpreted in a thesis-long close reading, in order to compare aspects of it firstly to Woolf's personal thought, and secondly to various non-quantum intellectual contexts that preceded and surrounded her. In doing so, it becomes clear not only that invoking quantum physics serves no clear purpose in better understanding the novel, but also that the notion of resolving wave- particle-like binaries was a widespread philosophical procedure at the turn of the century, decades before Bohr's concept. This negative conclusion interrogates what the scholarly value of interpreting similarities is, though a hypothetical solution can be found in conceptual metaphor theory. (shrink)