This chapter contains sections titled: Works cited.

This article assesses to what extent the future of democratic liberty depends upon its citizens employing a proper approach to the past, by analyzing Tocqueville’s views of three kinds of historical consciousness—aristocratic, revolutionary, and democratic. It is argued that democracies require certain aristocratic assumptions about historical dynamics to cultivate a historical consciousness that fosters liberty. Key to this is the belief in the human capacity to influence the trajectory of history. Tocqueville’s historical approach, which blends aristocratic and democratic elements, is (...) identified as the most effective method for tempering the fatalistic tendencies of the democratic point of view. Thus, for democracies to maintain liberty, citizens should recognize the dual role of general causes and human agency in directing the course of historical events. Tocqueville’s insights on the effects of historical consciousness on the future of democratic liberty remain particularly relevant today when Western democracies confront internal polarization and external anti-democratic challenges, whether neoliberal, illiberal, populist, or fascist. (shrink)

By the end of World War II, religion appeared to be on the decline throughout the United States and Europe. Recent world events had cast doubt on the relevance of religious belief, and modernizing trends made religious rituals look out of place. It was in this atmosphere that the careers of Scholem, Eliade, and Corbin--the twentieth century's legendary scholars in the respective fields of Judaism, History of Religions, and Islam--converged and ultimately revolutionized how people thought about religion. Between 1949 and (...) 1978, all three lectured to Carl Jung's famous Eranos circle in Ascona, Switzerland, where each in his own way came to identify the symbolism of mystical experience as a central element of his monotheistic tradition. In this, the first book ever to compare the paths taken by these thinkers, Steven Wasserstrom explores how they overturned traditional approaches to studying religion by de-emphasizing law, ritual, and social history and by extolling the role of myth and mysticism. The most controversial aspect of their theory of religion, Wasserstrom argues, is that it minimized the binding character of moral law associated with monotheism.The author focuses on the lectures delivered by Scholem, Eliade, and Corbin to the Eranos participants, but also shows how these scholars generated broader interest in their ideas through radio talks, poetry, novels, short stories, autobiographies, and interviews. He analyzes their conception of religion from a broadly integrated, comparative perspective, sets their distinctive thinking into historical and intellectual context, and interprets the striking success of their approaches. (shrink)

The concept of potential plays a prominent role in the thinking of parents, educators and planners the world over. Although this concept accurately reflects central features of human nature, its current use perpetuates traditional myths of fixity, harmony and value, calculated to cause untold mischief in social and educational practice. First published in 1985, Israel Scheffler's book aims to demythologise the concept of potential. He shows its roots in genuine aspects of human nature, but at the same time frees (...) it from outworn philosophical myths by means of analytical reconstruction - thereby improving both its theoretical and its practical applicability. The book concludes with an interpretation of policy-making in education, and reflections on the ideal education of a policy-maker. It emphasises human symbolism, choice, temporal continuity, and self-determination as indispensible elements of any adequate philosophy of education. _Of Human Potential _will be of interest to a broad range of philosophers, educators and social scientists. (shrink)

Since Jean Paul Gustav Ricoeur's passing away in 2005, there has been a significant international resurgence of interest in his work. Coming to grips with the sheer extent of Ricoeur's publications on a variety of subjects can leave one thoroughly perplexed. This is also true when investigating his views on myth and demythologisation. Numerous of his publications expound from various perspectives his insights on myth and its interpretation. This investigation proposes to bring together Ricoeur's extensive contributions on myth, its (...) interpretation and demythologisation in order to present them in condensed form. This will pave the way for a future follow-up study to compare Ricoeur's perspectives to Bultmann's demythologisation program and consider combining their contributions for theological hermeneutics. (shrink)

Paul Ricoeur uncovered the creative aspect of language in his theory of metaphor. The metaphor is a special combination of words that as a clash of distant semantic fields forces the reader to interpret the sentence in a new way and see things in a new light. It is a process in which the imagination plays an important role. Ricoeur compares the metaphor to the Kantian schema which is a procedure to provide an image to a concept. The image (...) helps in the process of assimilating distant elements and thus to achieve a new interpretation. To change perspective the suspension of reference is also needed. The aim of this essay is to analyze the imaginative functions which are operative in the metaphor and look for an answer to the question about the role of the imagination as a productive power as well as a power of internal intuitions. (shrink)

This essay suggests what M. Merleau-Ponty’s conceptions of primordial symbolism and embodied intersubjectivity imply for the problem of the existence and manifestation of dynamically unconscious experiences. First, the paper draws attention to two distinct approaches to the unconscious in the Phenomenology of Perception. One line of argumentation proceeds from the notion of bad faith, which plays a pivotal role in J.-P. Sartre’s critique of psychoanalysis; another line subsumes unconscious thoughts under the neurological notion of body schema. Later, in Lectures (...) on Passivity, Merleau-Ponty combines this expanded notion of body schema with his conception of “promiscuity,” which he illustrates with Freud’s case study of Dora. The paper explains how this new approach to intersubjectivity provides a basis for the manifestation of experiences against which the subject adopts defensive reactions. Finally, it is argued that this position does not equal a straightforward rejection of the notion of pre-reflective cogito and the problem of awareness of unconscious experiences thus remains open. (shrink)

The idea that mythos and logos are incompatible, and that truth is a product of scientific and dialectical thinking, was certainly disproven by later Platonic philosophers. Deploying the works of Hesiod and Homer, Homeric Hymns and other such literature, they considered myth a valuable and significant augment to philosophical discourse. Plato’s denigration of myth gave his followers an incentive to read myth as allegory. The Stoics and first-century philosophers such as Philo, treated allegory as a legitimate interpretive strategy. The Middle (...) Platonists incorporated myth, for example, deifying the Monad and Dyad, as did 2nd century Platonists. Plutarch’s Isis and Osiris, for example, equates Isis and Osiris with form and matter: the god sows in matter logoi from himself. Porphyry’s allegorizing of Plato’s Cave of the Nymphs is another example. Plotinus is a strong influence on how the late Neoplatonists regarded myth. This paper argues that these philosophers’ use of allegory prepared the way for the Neoplatonists treatment of myth as inspired symbolism. Proclus and Syrianus, as reported by Hermias, did something more extreme by using mythology to construct inspired symbolic argument. Mythos becomes another type of logos, a vehicle for representing the invisible world of being, another kind of truth that can even serve a function in anagogic ascent. (shrink)

This book is an exercise in hermeneutics, or interpretation. In it Professor Rasmussen is concerned with an explanation of symbols and the myths in which they occur. Using the methods of phenomenology and taking advantage of the results of earlier interpreters of myths and symbols, particularly Eliade and Ricoeur, he develops and defends a view of symbolic language whose main theses include the following. Symbols and, thus, myths are authentic representations of a unique dimension of human consciousness, which can (...) be articulated only through them. A necessary expression of human experience, they represent man’s attempt to probe the ultimate foundations of meaning. The author illustrates these theses by an examination of symbolic language as it appears primarily in religious, but also in literary, social, and political discourse. The discussion is largely pre-philosophical, in the sense that little attention is given to the central epistemological question: Are the myths in which symbolic language occurs true? To the extent that the author addresses this question, the answer he gives appears to imply a relativistic skepticism. For example, he writes: "Reality is an individual and social construction". From the perspective of philosophy, this is the most important point made in the book; but it needs to be pursued much further than Rasmussen has done. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Belief and Context Determinacy in Interpreting FictionChristine Richards (bio)1Context Determinacy and the Interpretation of FictionThe Pragmatics of ReadingThe basic pragmatic structure of the reading of fiction has been described as a communicative context which has a speaker who performs the speech acts represented by the text and a hearer (addressee) to whom the speech acts are directed [Adams 12]. This model is based on the assumption that the (...) reader and the writer share not only a common language but a common context, which clearly presents problems for readers of fiction, where generic conventions as well as other cultural conventions of writing, such as satire and irony, or the separation of writers and readers by time, have to be contended with. The code model, which assumes that the writer and the reader share a common context, can be represented as shown in figure 1. Click for larger view View full resolutionFigure 1.W = writer, S = speaker, H = hearer, R = reader.However, it has also been argued [Eco, Role of the Reader 40; Eco, Semiotics 69; Richards 262] that no theory of a text is possible without a theory of contexts, since texts are processed and given meaning by a synthesis of propositions in them with those which originate in readers’ supplied contexts; and since the contexts of readers consist, first and foremost, of their background knowledge, beliefs, and culture, which are fundamentally interrelated, interpretation is inevitably determined by extralinguistic as well as linguistic factors. The context model might be represented as shown in figure 2. Click for larger view View full resolutionFigure 2.W = writer, N = narrator, R = reader.[End Page 81]The Extralinguistic ContextA good example of the role played by extralinguistic contexts in the interpretation of a text is to be found in the multiple interpretations of the sentence “The red sun was pasted in the sky like a wafer,” from Stephen Crane’s The Red Badge of Courage [64]. Susan Horton, in her discussion of accounts of this sentence [10–14], shows both how R. W. Stallman interprets Crane’s antiwar fiction as a Christian allegory where the word “wafer” functions as a symbol of the Eucharist [130], and how Marston La France rejects Stallman’s interpretation on the basis that Crane is not a Christian, and certainly not a Catholic [99–100]. La France’s rejection of Stallman’s Christian context for atheism is rooted in his interpretation of the sun as a repeated image in the co-text, which he believes signifies nature’s indifference to death, war and heroism. Here the lexemes “pasted” and “wafer” become images of a seal at the end of a legal document, implying the finality of death in war. Milne Holton interprets the image of the sun as a characteristic of the symbolic imagination of the character Henry Fleming rather than of the writer (Crane) [90–91].Horton documents but does not theorize the determining features of these contexts, but this problem can be tackled by applying Marcello Pagnini’s theory of “the introjection of the referent” [9] to explain how the contextual semes of readers, determined by different cultural systems, are introjected into texts. Following Jurij M. Lotman’s typology of cultural systems [Lotman and Uspenskij], Pagnini cites as relevant systems ethics, ideology, history, philosophy, myth, the law, anthropology, politics, ethnicity, literature, aesthetics, psychology, rhetoric and symbolism [34], which represent fundamentally interrelated complexes of systems that make up societies. If Pagnini’s model is taken with that of Richards [267], which conceives of interpretation as a synthesis of propositional inferences in texts with those drawn from readers’ contexts, these two models provide a methodological basis for explaining how the contexts of Stallman’s and La France’s conflicting interpretations derive from philosophically opposed belief systems within culture—Christianity and atheism. These models also help to explain Holton’s interpretation as one located within a different philosophical context, that of the convention of character analysis in fiction, which during the last few decades has developed into the more theoretically sophisticated field of narratology. It should be stressed, however, that interpretations themselves always take place within historical and interactive frameworks, which are influenced... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 33.2 (2000) 182-186 [Access article in PDF] Book Review Rhetoric and Community: Studies in Unity and Fragmentation Rhetoric and Community: Studies in Unity and Fragmentation. Studies in Rhetoric/Communication. Ed. J. Michael Hogan. Series ed. Thomas W. Benson. Columbia, SC: U of South Carolina P, 1998. Pp. xxxviii + 315. $39.95. Based on papers and critical responses presented at the Fourth Biennial Public Address Conference, which was (...) held at Indiana University in 1994, this collection of fourteen essays by leading rhetoric scholars concentrates on the relationships among rhetoric, community, and fragmentation. Organized into three broad sections entitled "Race, Gender, and Community," "War and Community," and "Artistic and Scientific Community," the book contributes to ongoing conversations about the roles of language, symbolism, differences, metaphors, myths, hegemony, economic class, pluralism, and multiple consciousness in unifying the United States. A preface and a conclusion by J. Michael Hogan, who edited the collection, provides an orientation and summary for this new volume in the University of South Carolina Press series devoted to Studies in Rhetoric/Communication.The preface frames the book's contribution as a response to a belief that "a growing number of social and political commentators fear that the United States has lost all sense of 'community'--that repository of shared purpose, values, and traditions which historically has defined the American character" (xii). Hogan amplifies, "The signs of stress and fragmentation appear everywhere, not just in our national political and cultural dialogue but in all of the various communities that define our social lives--our families, our neighborhoods, our towns and cities, our professions, and our social and cultural associations" (xii). The preface situates the book in this concern about a "lost" unity that once upon a time typified the United States. But this "lost" community is a mythic representation of a past that has never existed in the United States, except possibly in the imaginations of people habituated to dominant roles. Stephen H. Browne's comments about restoration projects in general are germane: "The work of restoration has [End Page 182] never come easy for Americans, not least of all because it presumes a state that never existed and the appeal to which is almost always self-interested" (75).Describing the fourteen contributors as sharing "a common bond," Hogan asserts, "recognizing that communities are largely defined, and rendered healthy or dysfunctional, by the language they use to characterize both themselves and others, all share an abiding concern with how communities are constituted and sustained--or, in some cases, threatened and disrupted--by the words their leaders choose to characterize both themselves and others" (xv). Hogan emphasizes a question that he reiterates with slight changes in the conclusion: "Can feminist or ethnic and racial communities successfully sustain and celebrate their own identities without alienating themselves from the larger community?" (295; similarly, xxiii). But if all members of a community are responsible for unity and fragmentation, if we are unwilling to assign responsibility for fragmentation to subordinated community members, it may be necessary, consciously, to reverse the dynamics of power implicit in Hogan's question, by asking: "Can groups that have had a history of dominating others--both beyond and within the borders--sustain their own identities and still relate productively to the community?" In addition, because the English language is a communal inheritance, it may be revealing to ask, in a reversal of the book's focus on "community," how are notions of individualism sustained in the United States?Roderick P. Hart's introduction, "Community by Negation--An Agenda for Rhetorical Inquiry," focuses on a rhetoric of hate as practiced by both the political right and the political left. Hart inquires "whether it is possible to have community without hate" (xxv). This question is necessary in any serious discussion of rhetoric, fragmentation, and community; yet calculated opportunism and economic exploitation may be misnamed and obfuscated in language depicting a rhetoric of "hate." Indeed, Lu-in Wang, a legal scholar, suggests that these other motives may be more common than animus in so-called "hate crimes." Live interviews with convicted killers... (shrink)

It seems that the first two decades of the twenty first century demonstrate political mythology to be still functioning in the political life of the West. In this context, it is interesting to view the recent publications of Hans Blumenberg’s Nachlass: Präfiguration and Rigorismus der Wahrheit, as they reveal unpredicted complications for the interpretation of his philosophy of myth as well as of his political stances. They also evoke some more general questions concerning the role of myth in (...) our contemporary political life. The aim of this article is to present the paradoxes connected with the posthumously published Blumenberg critique of Hannah Arendt and to situate it in the wider context of twentieth century political thought, specifically the work of Sorel, Schmitt, Rosenberg and Cassirer. It is also to point to more general ethical and political ambiguities connected with the problem of political mythology in the present. (shrink)

As Malinowsky states, myth is closely related to rite, presenting the social and moral values that rite asserts in each cyclical repetition. Rite marks the threshold between the sacred and profane, allowing access to myth as an art form, as a narrative expression both of the sacred – in the extension of meaning Emile Durkheim introduced with the term ‘collective consciousness’ – and of the ‘collective unconscious’ as Jung defined it. If it is true that the rite of passage to (...) the adult world, the initiation rite, is one of the most archaic rites in aiming to protect society against the risk of cultural innovation inherent in the younger generations, then it is legitimate to ask what our new myths are regarding education. When technology accelerates the mechanisms eroding collective memory, which rites renew educational myths in everyday practice? When technology dematerializes the devices on which rite and its inherent techniques of control are based, what new forms does mythological narration assume? What roles do new media play in creating a direct channel between the collective consciousness and individual experience, between the nervous system and our environment, enveloping individuals in the telematic embrace Roy Ascott described in 2003, and which not only explains the concept of the Global Village that Marshall McLuhan introduced in 1966, but also delineates the space – time of students in contemporary learning processes? Reading the contemporary educational system through the lens of myth and rite, where new technologies play a central role, allows us to follow a path that traces the progressive impact of media on cognitive processes from the initial emergence of the concept ‘collective consciousness’ onwards, and that offers one of the most interesting interpretations of the ‘open school’ experience in Derrick de Kerkhove’s concept of ‘connective intelligence’ (analysed in my Ph.D. thesis). But myth also allows us to observe those cracks, breaks and discontinuities that mark the places in which contemporary knowledge is created, which is why we find Nietzsche (who dedicated much of his work to myth), Michel Foucault and Ivan Illich at the centre of International Debate on Education for the last decade due to their critical approach to institutions. (shrink)

Ricoeur’s philosophical project can be broadly termed as a philosophical anthropology. Within this context, a main role is given to the issue of imagination through the resources of phenomenology, hermeneutics, and reflexive philosophy. The issue of picture, however, remains quite unknown and has not been much questioned; it might even be undermined by being reduced to the context of reproductive imagination as opposed to that of productive imagination within Ricoeur’s anthropology, and due to the emphasis on the linguistic relationship (...) to sense or meaning. Yet, instead of opposing the plane of picture to the plane of sense or meaning, an articulated connection between those two planes should be sought. The issue of symbolism opened by Ricoeur in his Philosophie de la volonté provides the starting point for our investigation. From that early hermeneutics on to La mémoire, l’histoire, l’oubli, via De l’interprétation. Essai sur Freud, La Métaphore vive, and Temps et récit, one could also consider that picture makes us think. But the issue of symbolism cannot be distinguished from that of imagination. One also has to link two paths of Ricoeur’s philosophy through the issue of symbolism, one that is orientated in the path of hermeneutics – the progression to the standpoint set by Du texte à l’action –, another that links the project of a philosophical anthropology to the fields of art and aesthetics. The research is thus structured around four parts. A first part is focused on the articulated connection between Ricoeur’s philosophy of imagination and philosophical aesthetics by addressing the hermeneutical prospect as the condition for the effectiveness of this connection. Extending this hermeneutical stance, a second part seeks to establish a bond between Ricoeur’s notion of a critical hermeneutics and the issue of picture. A third part, concurrent with the context of a critical hermeneutics, aims to consider imagination as mediating the plane of art and the plane of experience by referring to Ricoeur’s reading of analytic philosophy and, more specifically, analytic philosophy of art. Relying on the previous parts, a fourth part finally addresses the field of film, articulating ontological, narrative, and social layers to a philosophical hermeneutics. (shrink)

Recent years saw the rise of an interest in the roles and significance of thought experiments in different areas of human thinking. Heisenberg's gamma ray microscope is no doubt one of the most famous examples of a thought experiment in physics. Nevertheless, this particular thought experiment has not received much detailed attention in the philosophical literature on thought experiments up to date, maybe because of its often claimed inadequacies. In this paper, I try to do two things: to provide an (...) interesting interpretation of the roles played by Heisenberg's gamma ray microscope in interpreting quantum mechanics – partly based on Thomas Kuhn’s views on the function of thought experiments – and to contribute to the ongoing discussions on the roles and significance of thought experiments in physics. (shrink)

The symmetries of a physical theory are often associated with two things: conservation laws and representational redundancies. But how can a physical theory's symmetries give rise to interesting conservation laws, if symmetries are transformations that correspond to no genuine physical difference? In this article, I argue for a disambiguation in the notion of symmetry. The central distinction is between what I call "analytic" and "synthetic" symmetries, so called because of an analogy with analytic and synthetic propositions. "Analytic" symmetries are the (...) turning of idle wheels in a theory's formalism, and correspond to no physical change; "synthetic" symmetries cover all the rest. I argue that analytic symmetries are distinguished because they act as fixed points or constraints in any interpretation of a theory, and as such are akin to Poincaré's conventions or Reichenbach's 'axioms of co-ordination', or 'relativized constitutive a priori principles'. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Myth, Song, and Music Education:The Case of Tolkien's The Lord of the Rings and Swann's The Road Goes Ever OnEstelle R. Jorgensen (bio)In this article I explore how myth and song intersect in J. R. R. Tolkien's The Lord of the Rings trilogy—The Fellowship of the Ring, The Two Towers, and The Return of the King—and Donald Swann's song cycle setting of Tolkien texts, The Road Goes Ever On.1 (...) In so doing I am drawn back to Tolkien's The Hobbit, the novel from which The Lord of the Rings grew,2 and in the way of myth, I go back to the beginning to see what is there. After sketching some important themes in The Hobbit and The Lord of the Rings, and commenting as I go on Swann's musical setting of Tolkien's poems,3 I note several implications for music education.Why this particular tale? There are several reasons for my interest. Penned as a novel a half century ago, it was reborn at the turn of the twenty-first century in a widely circulated and highly acclaimed film trilogy. Its pagan and northern European roots are likewise intriguing, pointing back to a distant and imagined past. This extended historical tale can be seen as an epic journey in the genre of The Iliad and Beowulf.4 Such stories of other times were often sung as well as spoken, and Albert Lord describes the process whereby the telling and retelling of stories would be accommodated to the needs and interests of listeners, all of whom could be presumed to more or less know the story and identify with its characters.5 In a mass-mediated and technologically driven society in which attention is often focused on the present, evocations of the past fill a human need to know, individually and collectively, the story of how we came to be here. They prompt important philosophical questions such as those regarding the nature of good and [End Page 1] evil, ways to live a happy life, the role of supernatural events in human existence, and our responsibility to technology and the environment. And when studied in the context of a song cycle, we may better understand how myth and song intersect and be able to better reflect on what can be learned from this intersection for music education and its place in general education.Swann's song cycle evokes the cyclical journeys undertaken by Bilbo and Frodo, beginning with a party at home and ending triumphantly at home, although their pilgrimages generate yet others as ends become new beginnings. There is no end to this story; its beginning culminates yet others chronicled in The Hobbit and The Silmarillion, and its end commences another tale yet to be told. The rings in Tolkien's novel are figurative of these cycles: three rings for the elves, seven rings for the dwarves, and nine for mortal men. Bilbo's ring chronicled in The Hobbit is unveiled in The Lord of the Rings as the strategically most powerful one. Numerology, or the ancient study of numbers and their mythic significance, serves as a frame for the dense narrative that follows in Tolkien's texts. Swann sets a song cycle comprised of six songs, offering yet another number (whether intentional or not) in counterpoint to Tolkien's.The HobbitWithin this narrative are to be found various mythic qualities: a pilgrim on a quest, the band of travelers bound together in friendship by a common objective, the climactic but eventually successful journey, the struggle between good and evil, the crucial role of elemental natural forces and the interventions by powerful supernatural persons and forces in shaping events, the blurring of the natural and supernatural worlds, the inevitable tests that must be overcome in order to achieve the journey's objectives, the frailties of character demonstrated by the protagonist and his fellows, and the transformative quality of the journey on all those who undertake it.6 The action is set at a particular time and in a particular place with its own languages and kinds of writing (including runes or archaic angular writing that... (shrink)

One may indeed wonder why it is that after so many years arguing about the role of textuality, metaphor, and discourse in the transmission of meaning and truth from one tradition to the next, thinkers such as Paul Ricoeur, Jürgen Habermas, and Jacques Derrida are currently preoccupied with such vexed issues as the nature of European identity, the role of forgiveness in the contemporary milieu, and the refugee crisis currently bedevilling so many states today. I think the answer (...) is quite simple: all of these thinkers are hermeneuts to a greater or lesser degree, in that each one is committed to the belief that we are, from the beginning, embedded in socio-linguistic frameworks, that we are, in other words, factically situated in a web of beliefs and practices not of our own making. As such, they consider interpretation as possessing a pivotal status in questions of identity and meaning. To understand oneself, that is, is not a matter of suspending or circumventing cultural and linguistic features of experience, but of wrestling with them in an effort to see how we can, from the point of view of our particular sociocultural provenance, build solidarity with those of differing perspectives and varying linguistic or interpretative backgrounds. The nature and function of “communication” is thus what most interests Ricoeur, Habermas, Gadamer, and Derrida. (shrink)

The notion of sound symbolism receives increasing interest in psycholinguistics. Recent research – including empirical effects of affective phonological iconicity on language processing (Adelman et al., 2018; Conrad et al., 2022) – suggested language codes affective meaning at a basic phonological level using specific phonemes as sublexical markers of emotion. Here, in a series of 8 rating-experiments, we investigate the sensitivity of language users to assumed affectively-iconic systematic distribution patterns of phonemes across the German vocabulary:After computing sublexical-affective-values (SAV) concerning valence (...) and arousal for the entire German phoneme inventory according to occurrences of syllabic onsets, nuclei and codas in a large-scale affective normative lexical database, we constructed pseudoword material differing in SAV to test for subjective affective impressions.Results support affective iconicity as affective ratings mirrored sound-to-meaning correspondences in the lexical database. Varying SAV of otherwise semantically meaningless pseudowords altered affective impressions: Higher arousal was consistently assigned to pseudowords made of syllabic constituents more often used in high-arousal words – contrasted by less straightforward effects of valence SAV. Further disentangling specific differential effects of the two highly-related affective dimensions valence and arousal, our data clearly suggest arousal, rather than valence, as the relevant dimension driving affective iconicity effects. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Demise of the Aesthetic in Literary StudyEugene GoodheartAnumber of years ago at an MLA convention I was on a search committee interviewing candidates for a position in Victorian literature in our department. One of the candidates had done a dissertation on Christina Rossetti in which “Goblin Market” played a prominent role. As I recall, the candidate was putting forth a New Historicist or feminist argument about the (...) poem, when one of my colleagues on the committee interrupted her with the question: “But is it a good poem?” The question took me by surprise, for I didn’t remember such a question having been asked of students in years. It dumbfounded the candidate. She had apparently never considered the question. The poem was there as an occasion for... I was about to write interpretation or analysis, but it would be more accurate to say: a placement in a particular discourse—historicist, feminist, deconstructionist, ideological. The candidate’s fluency about the poem came to a halt. She spluttered a few phrases about the power of the poem. She was unprepared to answer the question, having never been asked or taught to ask it by her teachers of any poem or novel or play that she had read.We may not have been fair in our judgment of her. If we had been consistent and asked the same question of all the candidates, I don’t think we would have met with greater success. Our candidate’s disability was, indeed still is, built into the profession of literary studies at the present time. That aesthetic judgment is not one of the current professional practices is clear not only from its absence in the content of literary study but from the styles of the discoursers. No longer written [End Page 139] in a vernacular style, criticism has become a species of sociological prose once held in contempt by literary scholars: ponderous, abstract, obscure, ungainly, jargonish. There are practitioners of New Historicism, ideology critique, and deconstruction who write well, but who seem to regard their own gifts of expression as incidental, and are not in the least discomfited by the bad writing of others.Style is not an incidental matter. Orwell made a compelling case for its political and moral significance. In his classic essay “Politics and the English Language,” he preaches the virtues of plain speech, the transparent and elegant style as a mark of self-honesty. (Transparency makes it difficult to conceal your ideas from yourself.) In Writing Degree Zero and subsequent writings, Barthes deconstructed, so to speak, the Enlightenment myth of transparency as a guarantor of honesty and truth. Reality was not as perspicuous to “natural” plain writing as the Enlightenment believed. Barthes’s own style (rich, inventive, personal, alternately perspicuous, and obscure) is that of an imaginative writer. I don’t want to adjudicate the differences between Orwell and Barthes, but I should note what may not be obvious: they have a shared aesthetic concern with style, a concern that has virtually disappeared from academic discourse.It has become almost an embarrassment to speak in behalf of aesthetic value in the academy. One of the few unembarrassed exceptions is the voice of Harold Bloom whose jeremiad The Western Canon begins defiantly with an affirmation of the aesthetic against its demystifiers. “‘Aesthetic value’ is sometimes regarded as a suggestion of Immanuel Kant’s rather than an actuality, but that has not been my experience during a lifetime of reading.” 1 I take it that Bloom is saying that aesthetic value is an experience and not a theory. Indeed, if we insist on a theoretical justification of the aesthetic, we will end up speaking as does Barbara Herrnstein Smith of its contingent and subjective status (it is in the eye of the beholder and every beholder sees things differently) or we may find that the aesthetic is inescapably contaminated by political, moral, and philosophical interests. “Contaminated” perhaps, but as Bloom says, not reducible to these interests. It is useful to remember that aesthetics has been traditionally associated with the idea of disinterestedness. As Jerome Stolnitz remarks, we perceive beauty when it is the object of a “disinterested and sympathetic attention... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:RELIGION AND SYMBOLIC VIOLENCE Paul Ricoeur Université de Nanterre Paris X These are issues that I take very much to heart, so I will risk my own thoughts on the relation between religion and violence, not excluding the violence in and ofreligion. This is to say that I am not evading the objection made by Jean-Pierre Changeux in a recent discussion, namely, that religion as such produces violence. I (...) do not wish to evade the objection nor to hide behind the collateral explanation that it is when religion is detoured by politics that it produces violence. It is the presupposition that religion produces violence that brings me into discussion with René Girard. I encountered his work several decades ago and I have met him intermittently, with moments of distancing and rediscovery. This is the case for me again today regarding one of his later books, The Scapegoat. I cannot forget the dazzling excitement of 1972 when Violence and the Sacred first appeared. And then for me came a moment of hesitation, of doubt: isn't this explanation too psychologizing? Aren't the Gospels too easily exonerated ofthe accusation ofviolence? But I thereafter experienced disappointment with alternative accounts, principally sociological ones, and in particular with the one given by Maurice Bloch in La Violence du religieux. I am going to take the risk of a personal interpretation ofthe intimate relation between religion and violence. My own conviction, at bottom, is that I have been able, by broadening and deepening the issue, to discern the point where this very movement of going deeper bifurcates and branches out toward external violence. I have clarified my position in La Critique et la conviction and in my more recent debate with J.R Changeux, Ce quifait que nouspensons on this complicity between religion and violence. And it was in pursuing the direction opened up in La Critique et la conviction that I rediscovered an 2 Paul Ricoeur interest in The Scapegoat. I found his interpretation not only to be complementary to my own, but its necessary complement. I will now proceed to show how René Girard's thesis is necessary to my own thinking. So now I will go directly to my interpretive proposal, then I will turn to the position of Bloch in La Violence du religieux, a sociological interpretation, in order to come back in the end to Girard. It is by way of reflection on tolerance considered as a progressive initiation that I arrived at the interpretation I am going to present. At its minimal state, we find only the tolerance ofthe intolerant person, who states, "I don't agree with what you believe, I disapprove of it, but I cannot prevent it. I tolerate it in the sense of not being able to prevent it; I would like to prevent it, but I do not have the power to do so." At a second level, tolerance is more positive, saying, "I maintain the conviction that I am the one who has the truth, but I recognize, by way of being accommodating, that you have the right to profess what I hold as false, and I do this in the name ofjustice. That is to say, you certainly have the right, and it is one equal to mine, to profess what you believe, although I take it as false." I would say that the force of the principle ofjustice as thus expressed is this: any other life is worth as much as mine. Let us say that what I recognize here is the right to error. But at this stage I am torn within by the truth that I believe to be unilaterally mine and the justice that entails recognition ofthe other, which I place on another level from that oftruth. I make a further step in pursuing the issue, at a level farther advanced, when I say, "My adversary has perhaps a part ofthe truth but I don't know what it is." I would say that this is the perspectival version oftolerance: the other person sees a side of things, which I cannot see. But our positions cannot be substituted for each other. At this stage there is a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Interpreting from the IntersticesThe Role of Justice in a Liberal Democracy—Lessons from Michael Walzer and Emmanuel LevinasNicholas R. Brown (bio)1As anyone who is familiar with more recent theological debate can attest, the appraisal of the liberal democratic tradition has undergone a radical reevaluation in the wake of Stanley Hauerwas’s and Alasdair MacIntyre’s scathing critiques. As a result of their blistering assault, religious ethicists and philosophers now find themselves (...) operating within a discursive milieu that is almost the photo negative of the one they previously inhabited. For what has followed After Virtue and After Christendom is a situation in which compliance with liberal democratic norms is now perceived as actively inveighing against justice rather than as an integral prerequisite to its pursuit.There are cracks, however, beginning to emerge in the MacIntyre/Hauerwas edifice. For what is becoming disputed and increasingly so among a growing chorus of religious ethicists and philosophers is whether their critical reading of liberal democracy offers the most [End Page 155] helpful or even the most biblical way to think through its own moral dimensions as well as those undergirding its relationship with justice.It is the emergence of these criticisms that forms the basis for this essay. For the thesis that I wish to advance below is that liberal democracy offers religious ethicists and philosophers alike a moral framework and vocabulary from which it is possible to comprehend and enact the normative precepts encapsulated within a biblical understanding of justice. Accordingly, some aspects of my argument will build upon the rhetorical trajectories that have been already charted by the ethicists and philosophers I mention above.What distinguishes my approach, however, is that I will proceed from a more focused examination of some of the ethical and political undercurrents found within contemporary Jewish thought. More specifically, I want to probe the ethical philosophy of Emmanuel Levinas and the political philosophy of Michael Walzer, for I believe the juxtapositional methodology of interpretation which informs each of their perspectives is illustrative of an interstitial hermeneutic that helps further illuminate the moral compatibility between biblical and democratic accounts of justice.2By now, MacIntyre’s and Hauerwas’s critiques of the liberal democratic tradition have been so thoroughly documented, discussed, and dissected that a review of their perspectives cannot help but have a certain pleonastic quality.Probably the most significant and disturbing problem that MacIntyre and Hauerwas see belying the liberal democratic tradition stems from its conception of time and space, or more precisely, its lack thereof. For what they discover upon a more careful probing of its moral and epistemological underpinnings is a pursuit of transcendence not dissimilar to Gnostic metaphysics. In the case of liberalism, however, the existential encumbrances to be excised are not corporeal and carnal in nature, but historical and social. [End Page 156]Such conditionalities, surmise liberal theorists, are so shot through with conceptual prejudices that they comprise an interpretative straight-jacket that vitiates against the kind of objectivity necessary to engage in a nonparochial process of moral and political discernment. For it is precisely this ability “to be able to stand back from any and every situation in which one is involved, from any and every characteristic that one may possess, and to pass judgment on it from a purely universal and abstract point of view that is totally detached from all social particularity” which MacIntyre sees as constituting “the essence of moral agency” of modern liberalism (AV 31–32). Therefore, “liberalism is successful,” maintains Hauerwas, “exactly because... [it] provide[s] that philosophical account of society designed to deal with” the moral and political implications such a social and historical denuding portends, namely “a system of rules that will constitute procedures for resolving disputes as they pursue their various interests.”1However, what liberalism defines as success MacIntyre and Hauerwas see as anything but. Instead, both judge its “system of rules” to be an insidious prescription for a particularly virulent form of moral nihilism and political bankruptcy. For by stripping moral and political discourse of their historical and social referents, liberalism, ironically and tragically, eviscerates itself of the very heuristic and discursive practices necessary to make those... (shrink)

This is a collection in translation of essays by Paul Ricoeur which presents a comprehensive view of his philosophical hermeneutics, its relation to the views of his predecessors in the tradition and its consequences for the social sciences. The volume has three parts. The studies in the first part examine the history of hermeneutics, its central themes and the outstanding issues it has to confront. In Part II, Ricoeur's own current, constructive position is developed. A concept of the text is (...) formulated as the implications of the theory are pursued into the domains of sociology, psychoanalysis and history. Many of the essays appear here in English for the first time; the editor's introduction brings out their background in Ricoeur's thought and the continuity of his concerns. The volume will be of great importance for those interested in hermeneutics and Ricoeur's contribution to it, and will demonstrate how much his approach offers to a number of disciplines. (shrink)

In the ancient Russian art of the XV–XVI centuries, there are often works with the image of St. St. Nicholas of Myra, represented in various iconographic types and accompanied by images of holy wives. These monuments have a similar compositional structure. Among them, the most significant are those icons where the image of the Myrlician saint is placed in the centerpiece, and the figures of selected saints are represented in the margins. The subject of the study in this work is (...) the corpus of monuments with the central image of St. Nicholas as well as the figures of the chosen saints in the fields and the images of female holiness in the margins. The purpose of this article is to determine the role of the figures of the holy women in these icon compositions by the example of monuments of a certain iconographic origin and to offer an interpretation of this previously insufficiently studied plot. To do this, we will resort to the iconographic method of research, which allows us to identify certain nuances of compositional construction, to reveal the spiritual content of the image. The method of comparative analysis is no less important in this work. The works of interest to us are united by the composition of the figures of the few holy women in the lower field, which are associated with evangelical events and the theme of steadfastness in faith (st. Paraskeva, st. Varvara or st. Ulyana), or have pronounced motives for appearing at the Last Judgment (St. Catherine). The stable tradition of depicting these holy women in the iconographic composition of these monuments suggests their correlation with the central image. We believe that they were designed to emphasize the idea of the intercession of the female saints and were organically into iconographic system. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bonhoeffer the Assassin? Challenging the Myth, Recovering His Call to Peacemaking by Mark Thiessen Nation, Anthony G. Siegrist, and Daniel P. UmbelDallas J. GinglesBonhoeffer the Assassin? Challenging the Myth, Recovering His Call to Peacemaking Mark Thiessen Nation, Anthony G. Siegrist, and Daniel P. Umbel grand rapids, mi: baker academic, 2013. 272 pp. $29.99In their new book Bonhoeffer the Assassin?, Mark Thiessen Nation, Anthony G. Siegrist, and Daniel P. (...) Umbel painstakingly reread primary texts in order to challenge the widely held belief that Dietrich Bonhoeffer participated in an attempt to assassinate Adolf Hitler. Their alternative to the usual narrative of Bonhoeffer’s life holds that early in his career, long before the crisis of the Confessing Church and the rise of Nazism, Bonhoeffer made a commitment to [End Page 205] Christian pacifism that endured even through the war years and his resistance to Hitler.To argue for this alternative telling, the authors analyze Bonhoeffer’s three main “ethical” texts: the early “Barcelona lectures,” Discipleship, and finally Ethics. On their telling, while the early ethics lectures were theologically deficient, by the time that Bonhoeffer wrote Discipleship he had developed “integration,” which was “the primary theological catalyst for the ethical transition from Barcelona to Discipleship” (129). Discipleship is, they conclude, the pinnacle of Bonhoeffer’s thought, and anything that comes after it, including Ethics, cannot in any fundamental way differ from it.Alongside this diachronic analysis of Bonhoeffer’s main ethics texts, the authors emphasize two letters that Bonhoeffer wrote in 1935 and 1936. In the first, Bonhoeffer asserts that, because of his theology, he is “sometimes perceived as fanatical” (223). The second he wrote describing his “conversion experience” in 1930, in relation to the Sermon on the Mount and “Christian pacifism.” Read singly, these letters are interesting examples of Bonhoeffer’s thought and life of faith. As the authors present the argument, though, the letters comprise a unified narrative and function as an interpretive lens by which the primary texts should be understood. They think that the “fanaticism” of the first letter refers to the faith brought about in the conversion experience described in the second. The “fanaticism” letter is important because in it he asserts that, “if he were to become more ‘reasonable,’ he would have to ‘chuck [his] entire theology’” (223).Because Bonhoeffer wrote that he would have to “chuck” his theology if he made it more “reasonable,” the authors think that the theology that emerged from the conversion experience has a foundational role in his later works. Whatever Bonhoeffer wrote in Ethics, then, simply cannot disagree with the “fanaticism” that “is most fully articulated in … Discipleship” (223). Because of the importance of the “Christian pacifism” of the conversion and Discipleship, it is thus impossible—or at least highly unlikely—that Bonhoeffer participated in the assassination attempts.Bonhoeffer scholars and nonspecialists alike will find this text provocative and interesting. The conclusions, though, are finally unconvincing. For the authors, the “conversion experience” is the central key to understanding Bonhoeffer, and it is clear that they understand “Christian pacifism” to be of primary importance in the conversion, but they never tell us to what variety of Christian pacifism Bonhoeffer converted. It is very likely that Bonhoeffer’s Christian pacifism was different in kind than the Christian pacifism that the authors seem to endorse. That anachronistic reading alone renders the conclusions of the text suspect.Apart from simple historical questions, the methodology the authors use to construct their hermeneutical lens is also problematic. It is difficult to submit [End Page 206] Bonhoeffer’s entire corpus to two earlier letters that he wrote a full year apart. While readers may understand and agree that Bonhoeffer was not, in reality, an assassin (the minor claim), it will be hard to convince readers of the impassibility of his “Christian pacifism” (the major claim).Dallas J. GinglesSouthern Methodist UniversityCopyright © 2015 Society of Christian Ethics... (shrink)

Interest in interpretation has emerged in recent years as one of the main intellectual paradigms of legal scholarship. This collection of new essays in law and interpretation provides the reader with an overview of this important topic, written by some of the most distinguished scholars in the field. The book begins with interpretation as a general method of legal theorizing, and thus provides critical assessment of the recent "interpretative turn" in jurisprudence. Further chapters include essays on the (...) nature of interpretation, its objectivity, the possible determinacy of legal standards, and their nature. Concluding with a series of articles on the role of legislative intent in the interpretation of statutes, this work offers new and refreshing insights into this old controversy. (shrink)

The relationship between Marxism and ecology has been sullied by Martinez-Alier's influential interpretation of Engels's reaction to the agricultural energetics of Sergei Podolinsky. This introduction to the first English translation of Podolinsky's 1883 Die Neue Zeit piece evaluates Martinez-Alier's interpretation in light of the four distinct but closely related articles Podolinsky published over the years 1880–3. This evaluation also emphasises the important but previously underrated role of energy analysis in Marx's Capital. Engels's criticisms of Podolinsky are found (...) to be quite justified from both political-economy and ecological perspectives. From the standpoint of Marx and Engels's metabolic and class-relational approach to production, Podolinsky's attempt to reduce use-value to energy is fraught with problems. Podolinsky's energy reductionism does not even come close to representing an alternative value analysis – let alone a groundbreaking perspective on ecological history – as was suggested by Martinez-Alier. Far from Marx and Engels's vision of communism as an ecologically sustainable and coevolutionary human development, Podolinsky's conception of human labor as an energy accumulation machine seems to uncritically mimic the standpoint of the capitalist interested in using nature only to extract as much energy throughput as possible from the labour-power of the worker. (shrink)

The precise nature of the relation between cognition and aesthetic judgment is clearly central to an understanding of Kant’s theory of taste in the “Critique of Aesthetic Judgment.” The Critique of Judgment itself is necessary, Kant says, because judgment constitutes a cognitive power in its own right, and its critique is therefore necessarily a part of the overall critique of pure reason. More particularly, however, the connection between cognition and aesthetic judgment plays a crucial role in Kant’s deduction of (...) judgments of taste: That deduction is intended to vindicate the claim to intersubjective validity implicit in the judgment of taste. This claim can only be justified, Kant thinks, if the judgment of taste has as its “determining ground” some form or aspect of cognition, for “[n]othing... can be communicated universally except cognition, as well as presentation insofar as it pertains to cognition.” The “purposiveness without purpose” exhibited by the beautiful object must therefore be purposiveness for “cognition in gener¬al.”[Erkenntnis überhaupt, V:217] But this use of cognition to establish the intersubjective validity of judgments of taste is also the source of the most serious problem with Kant’s theory. Kant clearly holds the view that to judge an object to be beautiful is to judge that it is in some sense suited for cognition. The theory of knowledge presented in the Critique of Pure Reason, however, concludes that all objects of experience are cognizable in the sense of being susceptible of subsumption under pure concepts of the understanding. If to say that an object is beautiful is to say that it is cognizable, and all objects are cognizable, then Kant’s theory has the consequence that all objects are beautiful. Furthermore, this connection between beauty and cognition threatens to make beauty a determinate concept, like the concepts of ‘cause’ or ‘chair.’ The result is that dealing with what I will call the problem of ugliness has become, in the words of one commentator, the “pre-eminent task” of interpretation of the third Critique. I will argue that this problem is best solved if we recognize a connection between Kant’s need in both the first and third Critiques for a defense of reason, and his claim, at the end of the “Critique of Aesthetic Judgment” that “beauty is the symbol of the morally good.”[V:353] The latter claim is the culmination of the “Critique of Aesthetic Judgment,” the argument of which is intended by Kant to show that every rational being must view at least some objects in nature as being suited for inclusion in a philosophical system organized around ideas of pure reason. In this system moral reason and theoretical understanding are related in a harmonious whole, with moral reason taking the leading role. The cognizability which is claimed for the object in the judgment of taste does not consist in the object’s being susceptible of subsumption under a concept. Rather, to say that an object is suited for “cognition in general” is to attribute to it the more specific property of being subsumable under a concept which can in turn be included in a unified philosophical system. At the same time, the relation between beauty and morality is only “indirect,” which is why beauty is the symbol but not the schema of the morally good. A key aspect of this reading will be the claim that from an epistemological standpoint the relation between natural beauty and the idea of the morally good is just the same as that between appearances and ideas of pure reason if the systematization of cognition is to be possible– the existence of beauty in nature serves to “establish the reality” of these ideas. Adopting this reading of the argument of the “Critique of Aesthetic Judgment” not only allows us to avoid saddling Kant with the view that all objects are beautiful, but also makes clear the hitherto less than clear relation between the published Introduction to the Critique of Judgment, in which Kant is primarily concerned with the concept of a philosophical system, and the “Critique of Aesthetic Judgment,” which centers on the seemingly unrelated notion of beauty as “purposiveness without purpose.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Being in Time: Selves and Narrators in Philosophy and LiteratureRuth GroenhoutBeing in Time: Selves and Narrators in Philosophy and Literature, by Genevieve Lloyd; 192 pp. New York: Routledge, 1993, $49.95 cloth, $19.95 paper.Philosophers have long been telling stories about temporal consciousness. Augustine explained it as an imperfect reflection of the eternal God in whose image persons are made; Kant explained it as the transcendental unity of apperception, assumed (...) in any act of understanding while always just out of range; Nietzsche explained it as eternal recurrence. These issues also appear in literary treatments of the self, particularly those by Proust and Woolf. In this book, Genevieve Lloyd compares a broad range of philosophical discussions to these two writers. [End Page 404]Being in Time argues for several fascinating conclusions, among them a rejection of the claim that modern and premodern philosophy implicitly assumed the existence of a unified subject. Although Proust and Woolf are often held up as paradigmatic of the fragmented self, which also plays a prominent role in Derrida, this is not a postmodern discovery, Lloyd claims; the unified subject has been problematic throughout the Western philosophical tradition. She concludes, nonetheless, that postmodern thought does represent a new departure, at least to the extent that it treats the fragmentation of self not as a problem to be solved, but as a fundamental feature of what it is to be human.Meanwhile, Being in Time also pursues a second theme: the relationship between philosophy and fictional narrative. Drawing on Ricoeur and Aristotle, Lloyd argues that the best way to understand philosophy is to approach it as a story that illuminates and explains the human self by means of metaphor. Literature and philosophy both involve the telling of stories that allow us to make sense of our world and our place in it.Does it follow that literature and philosophy are indistinguishable? They belong to the same family; each offers insight into the human condition, and does so through the medium of myth, story, narrative, or fiction. They are not identical twins, however, since philosophy uses stories and metaphors to draw connections among universals while literature tells its stories about universals by means of particulars. (Compare Hobbes’s State of Nature to Defoe’s Robinson Crusoe.) For Lloyd, though, it is a mistake to discard the narrative and literary aspects of a philosophical work in an effort to get at what might be considered its real point (namely, deductive arguments). The illuminating power of philosophy lies not in truncated arguments, but rather in the richer narratives, metaphors, and stories that are used to develop and explain them.Her claim for the unique nature of postmodern philosophy may not stand up to scrutiny—from Heraclitus through the skeptics and into the nominalist tradition of the Middle Ages, there has been a strand of Western thought that emphasizes the fragmentary, contingent nature of the self—but Lloyd’s claims for the family resemblance between literature and philosophy should be of interest to students of both subjects, particularly those concerned with the ways in which style, choice of metaphor, and narrative voice are relevant to philosophical study. The book makes an eloquent plea for reading philosophy instead of stripping its arguments of the narrative flesh with which they were originally endowed.Ruth GroenhoutSouthwest Missouri State UniversityCopyright © 1995 The Johns Hopkins University Press... (shrink)

The topic of Chief Executive Officer (CEO) compensation has been a focus of interest for many years. The purpose of this article is to explore the ethical dimensions of various generally accepted theories of CEO renumeration. We argue that a contractarian approach, based on the Kantian ethical framework, can be used to augment the existing contingent pay models.While the neoclassical economic model of the firm views the maximization of the shareholders'' wealth as the sole responsibility of top management, a contractarian (...) approach regards the balancing of various stakeholders'' interests as the primary task of top management. Ethical problems emerge when there are divergent, yet equally justifiable interests which compete in order to channel organizational resources to meet their own needs. In this situation, given the inherent ambiguities and ever present possibilities of multiple perspectives, it may not always be feasible to provide a categorical answer to the question of whether the CEO''s decisions are ethical. We suggest that a broad interpretation of the neoclassical theory of the firm, one that is grounded in Kantian and contractarian ethics, can serve as a basis for a reconciliation of different theories of executive compensation. (shrink)

This essay is the first of two seeking to draw out an ontology of peace from Paul Ricoeur’s thought. This first essay (Part I) argues that Ricoeur’s hermeneutics of creation provides the best starting point because of its insistence on the goodness of created being. Ricoeur develops this conviction from his reading of the biblical creation accounts, which I follow through three texts from three periods of Ricoeur’s work. In The Symbolism of Evil, Ricoeur show that peace rather than violence (...) is most fundamental to creation. In his essay “On the Exegesis of Gen 1:1-2:4a,” he expands his interpretation to consider the combat imagery in the Psalms, but shows how the text interprets the separation and ordering of creation as a work of providential wisdom rather than violence. In Thinking Biblically, Ricoeur complicates his earlier hermeneutics of creation by bringing in themes of mastery, chaos, and fragility—three themes that need careful interpretation in order to preserve Ricoeur’s earlier emphasis on the goodness and peacefulness of creation. This preservation is possible, I argue, by recovering Ricoeur’s early Christological reflections in The Symbolism of Evil, which point to the hope of an ultimate, eschatological victory over violence. I conclude by arguing that Ricoeur’s hermeneutics can help us to imagine peace, which is crucial to the practice of peace. (shrink)

In the final years of his life, the Belgian phenomenologist Marc Richir started to question if philosophical writing would become pointless when artists, great poets for example, have already achieved so well what philosophers have always aspired to achieve. There is no doubt that Richir considers himself in alliance with artists, since he basically believes that “phenomenology is trying to say the same thing as poets or musicians, or even possibly painters, but with philosophical language”. He seems thereby to imply (...) that phenomenology is destined to become self-aware as a sort of art. There is no surprise in this regard if we notice how frequently, throughout his entire career of philosophical production, he employs the Kantian term of the sublime to express what constitutes the phenomenon as nothing but phenomenon. This article goes through his phenomenological interpretation of Kantian aesthetics, his elaboration of the affinity between phenomenology and art, and then his genealogical conception of art, in order to introduce an original thought on what he calls “the moment of the sublime”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Myth, Song, and Music Education:The Case of Tolkien's The Lord of the Rings and Swann's The Road Goes Ever OnEstelle R. Jorgensen (bio)In this article I explore how myth and song intersect in J. R. R. Tolkien's The Lord of the Rings trilogy—The Fellowship of the Ring, The Two Towers, and The Return of the King—and Donald Swann's song cycle setting of Tolkien texts, The Road Goes Ever On.1 (...) In so doing I am drawn back to Tolkien's The Hobbit, the novel from which The Lord of the Rings grew,2 and in the way of myth, I go back to the beginning to see what is there. After sketching some important themes in The Hobbit and The Lord of the Rings, and commenting as I go on Swann's musical setting of Tolkien's poems,3 I note several implications for music education.Why this particular tale? There are several reasons for my interest. Penned as a novel a half century ago, it was reborn at the turn of the twenty-first century in a widely circulated and highly acclaimed film trilogy. Its pagan and northern European roots are likewise intriguing, pointing back to a distant and imagined past. This extended historical tale can be seen as an epic journey in the genre of The Iliad and Beowulf.4 Such stories of other times were often sung as well as spoken, and Albert Lord describes the process whereby the telling and retelling of stories would be accommodated to the needs and interests of listeners, all of whom could be presumed to more or less know the story and identify with its characters.5 In a mass-mediated and technologically driven society in which attention is often focused on the present, evocations of the past fill a human need to know, individually and collectively, the story of how we came to be here. They prompt important philosophical questions such as those regarding the nature of good and [End Page 1] evil, ways to live a happy life, the role of supernatural events in human existence, and our responsibility to technology and the environment. And when studied in the context of a song cycle, we may better understand how myth and song intersect and be able to better reflect on what can be learned from this intersection for music education and its place in general education.Swann's song cycle evokes the cyclical journeys undertaken by Bilbo and Frodo, beginning with a party at home and ending triumphantly at home, although their pilgrimages generate yet others as ends become new beginnings. There is no end to this story; its beginning culminates yet others chronicled in The Hobbit and The Silmarillion, and its end commences another tale yet to be told. The rings in Tolkien's novel are figurative of these cycles: three rings for the elves, seven rings for the dwarves, and nine for mortal men. Bilbo's ring chronicled in The Hobbit is unveiled in The Lord of the Rings as the strategically most powerful one. Numerology, or the ancient study of numbers and their mythic significance, serves as a frame for the dense narrative that follows in Tolkien's texts. Swann sets a song cycle comprised of six songs, offering yet another number (whether intentional or not) in counterpoint to Tolkien's.The HobbitWithin this narrative are to be found various mythic qualities: a pilgrim on a quest, the band of travelers bound together in friendship by a common objective, the climactic but eventually successful journey, the struggle between good and evil, the crucial role of elemental natural forces and the interventions by powerful supernatural persons and forces in shaping events, the blurring of the natural and supernatural worlds, the inevitable tests that must be overcome in order to achieve the journey's objectives, the frailties of character demonstrated by the protagonist and his fellows, and the transformative quality of the journey on all those who undertake it.6 The action is set at a particular time and in a particular place with its own languages and kinds of writing (including runes or archaic angular writing that... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 523-541 [Access article in PDF] Antiquarianism, the History of Objects, and the History of Art before Winckelmann Thomas DaCosta Kaufmann [Figures] To the Memory of Franklin LeVan Baumer. In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth century has not (...) yet been thoroughly challenged. This is the claim made by Johann Joachim Winckelmann in the foreword to the Geschichte der Kunst des Altertums, originally published in 1764, that he had created a new history of art which was distinct from a history of artists and also different from what had previously been written about antiquities (Altertümer): The history of the art of antiquity, which I have undertaken to write, is no mere account of the chronological order and change of art, but I take the word history in the wider sense, that it has in the Greek language, and my intention is to offer an attempt at a system.... But the essence of art is in every part the most eminent aim, in which the history of artists has little influence, and this [sort of history of artists], which has been compiled by others, is therefore not to be sought here... those who have treated antiquities, examine either only such where erudition was to be applied, or, if they speak of art, this happens in part with common eulogies, or their judgment is built on peculiar, false grounds. 1 [End Page 523]Wolf Lepenies once described this claim as one of the many foundational myths of the Enlightenment and presented instead some parallels between the writing of art history and natural history in the eighteenth century. 2 As interest in the historiography of art has revived, publications have continued to pour forth on Winckelmann. 3 Yet the critique suggested by Lepenies has largely not been followed. Winckelmann's claim to originality remains a starting or major turning point for most accounts of the history of the discipline of art history. 4 [End Page 524]It may be that Winckelmann's claim has remained largely unchallenged because his differentiation of his accomplishment from that of Gelehrsamkeit in particular coincides with and helps to support another distinction made at his time, that between "philosophy," or criticism, and erudition, the latter being at best necessary but inferior. 5 This distinction, which was fostered by the philosophes and their counterparts in other countries, has been frequently heard in scholarly debates, and it is echoed in current discussions where empirical scholarship is disparaged in favor of what is often now called Theory. 6 Thus while in the twentieth century the Enlightenment came in for heavy going starting with at least the critique of Max Horkheimer and Theodor W. Adorno, 7 this is one Enlightenment opinion which, despite the rise of critical theory among other trends in recent scholarship, has gained in fashion, especially in the English-speaking world.But the contrast between philosophy, or critique, and erudition makes a distinction that is ultimately untenable, even if it is also one that has continued to dominate many views of the history of eighteenth-century scholarship. The case at hand suggests that supposed innovations of the eighteenth century in the historiography of art, as in many other fields of study, are much more bound up with late humanism and encyclopedism than their promulgators might have wished to admit. Scholars of a number of disciplines have begun to revise interpretations of the role of the so-called antiquarians of the sixteenth to eighteenth centuries--those who dealt with Altertümer. 8 Some recent studies of the historiography of art have pointed to some connections between the antiquarian tradition and that of the historiography of art. 9 These approaches, however, have primarily dealt with Italian and French writers and, moreover, have left Winckelmann's position largely untouched. 10 Winckelmann's situation in the [End Page 525] broader European historical and geographical context also remains... (shrink)

In the general introduction to the first part of his Philosophie de la Volonté, Le volontaire et l’involontaire Paul Ricoeur writes that the phenomenological or ‘pure description […] of the Voluntary and the Involuntary’ is ‘constituted by bracketing’ two things: first the fault, which is essentially a perversion of the pure nature or the essence of human willing; and second ‘Transcendence which hides within it the ultimate origin of subjectivity’. Evil, the condition of brokenness or the reality of the fault, (...) asks for an empirical description of concrete myths and symbols. He will remove this first bracketing in the second part of his Philosophy of the Will and in the long ‘series of detours’ of his hermeneutical writings. The second bracketing, however, will turn out to be much more difficult to remove. It demands a ‘poetics’, which would threaten Ricoeur’s effort to separate his Christian faith from his ‘autonomous’ philosophizing. In this article I argue that Ricoeur eventually did present his poetics, though only in the epilogue to his penultimate book on ‘Difficult Forgiveness’. The article indicates why this epilogue might fulfil the promise of a poetics, explains why this could only be done in an epilogue and gives at least one possible reason why Ricoeur could write at the end of his oeuvre, what he could not at its beginning. (shrink)

Plato was the first author to use the term mûthos (myth) in our modern sense.1 He described the role of myth in Athens, in order to contrast it with an argumentative philosophical discourse aimed at the truth. Even so, he had recourse to this unverifiable story not only in a practical role, in order to persuade the citizen to obey moral norms and political laws, but also in a theoretical context, evoking premises from which philosophical discourse could develop, (...) and picturing realities such as the soul, that could not be grasped by either the senses or the intellect. With the disappearance of the city-state and the constitution of Kingdoms and Empires, the social and political aspects of myth tended to disappear in the Mediterranean world, allowing the soul to take “centre-stage.” While theogony, cosmogony, and anthropogony persisted, they did so only to provide a framework for a vast drama—that of the salvation of the human soul—as described in the Chaldaean Oracles and the treatises of the Sethian Gnostics. (shrink)

In theology, how language about God communicates is inseparable from what is being communicated, and the form that theological discourse takes must be part of what is considered when it is interpreted. Although analogy has been given pride of place in theology, more recent interest in metaphor, from theologians, philosophers, and linguists, reveals new debates over how deeply embedded metaphor is in language, how metaphor shapes our cognition and perception, and metaphor's role in theological understanding. This article provides an (...) overview of the relevance for theology of two recent approaches to metaphor—those of the philosopher Paul Ricoeur and the cognitive linguistic approach—and ultimately argues that the most fitting understanding of how metaphor operates theologically is to say that it is mystical, because it contains both affirmations of identity and acknowledgement of difference (between the divine and the human, the spiritual and the material). (shrink)

Since the early decades of the sixteenth century, Pomponazzi has been a name to conjure with: to some, the first of the modern atheists; to others, a hero of the new philosophy. But how much direct influence did his work have? This question is explored in terms of the way in which oracular divination is treated. In the sixteenth century, the range of conceptual categories available to explain such phenomena was threefold: natural, supernatural or simply unreal. In some cases, such (...) as those of demonic possession, the person was able to be examined directly. But the same conceptual triad was also applied to another kind of case, one whose subject could not be examined, since she had long been consigned to history ? the Pythia or priestess of the ancient Delphic oracle, who had famously foamed and babbled during her prophetic frenzy. For some writers on divination, this subject was of particular interest, since it had been explicitly discussed by ancient sources: whether the Pythia's ravings were real or invented, natural or supernatural, could be analysed with categories borrowed from Cicero, Plutarch and, above all, Aristotle. Within the sixteenth?century territory disputes over Aristotle's corpus, the pagan oracles, represented above all by the Pythia, offered a test case for the broader problem of the place of divination within the natural world. The central antagonist in this tussle was Pietro Pomponazzi, whose treatment of the ancient oracles, although brief, played an important part in his radical interpretation of Aristotle. For many of his contemporary readers, it was this subject, with its specific historical dimension, that highlighted the faults in his positions on nature and divination. (shrink)

As Ihde points out, he has undertaken the perilous task of writing a book about a philosopher who is still actively at work and developing his thought. Yet he has succeeded in providing the reader with an access to Ricoeur’s work which makes it plain to those who are not familiar with Ricoeur why he has achieved such prominence. After an illuminating introduction, Ihde devotes the opening chapters of his book to Ricoeur’s "structural phenomenology," a more or less orthodox Husserlian (...) employment of the phenomenological method. This is exemplified by Ricoeur’s "eidetic" analysis of the will in Freedom and Nature and in a modified way in Fallible Man. Ihde then passes on to Ricoeur’s later "hermeneutic phenomenology," a phenomenology of interpretation which is to be found in his analysis of myth and symbol in The Symbolism of Evil. The growing interest in hermeneutics explains Ricoeur’s concern with the problem of language, which is Ricoeur’s current line of interest. The study translated under the title Freud and Philosophy is discussed in this context. There is much to recommend Ricoeur to the English reader, not the least of which is his open admission of the limits of the phenomenological method and his attempt to complement it with the "objectivistic" approaches, and particularly in recent years with linguistic analysis and the various linguistic sciences. For Ricoeur, no one philosophical method is exclusively valid; the true method is a dialectic between various and even opposed methods. There is an extensive bibliography of Ricoeur’s works and a helpful index of names and topics.—J.D.C. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato's Essentialism: Reinterpreting the Theory of Forms by Vasilis PolitisTravis ButlerPOLITIS, Vasilis. Plato's Essentialism: Reinterpreting the Theory of Forms. New York: Cambridge University Press, 2021. x + 251 pp. Cloth, $99.99The reinterpretation of the theory of forms to which Politis refers in this book's subtitle is accomplished by foregrounding the conception of forms as essences—the kinds of beings we must countenance if we pose, pursue, and believe we (...) can answer the "What is F?" question. Politis argues that some of Plato's arguments for introducing forms have been distorted by the assumption that he is primarily interested in the Aristotelian question about substance or a Parmenidean quest for stable objects of thought and knowledge. By focusing on forms as the targets of the "What is F?" [End Page 154] question, we can dispel these misconceptions and bring the Platonic theory more clearly into view.Chapter 1 includes the cornerstone of Politis' interpretation—an original reading of a brief passage in the Hippias Major. Hippias is an important interlocutor for the project because he holds that the "What is F?" question can be answered by asking instead, "Which things exemplify F?" Let's call the claim that "What is F?" can be answered by examples "The Exemplar Doctrine" (ED). Politis argues that Hippias' commitment to ED leads him to deny the existence of a single exemplar for all cases—a denial he is forced subsequently to rescind. Thus, by endorsing the search for exemplars over the search for essence, Hippias sows the seeds of his own refutation.Readers might wonder how an account of a brief passage in the Hippias Major, apparently innocent of transcendent metaphysics, could serve as the cornerstone of a reinterpretation of the theory of forms. The initial answer in chapter 2 is that the rejection of ED is taken to imply that forms are imperceptible. The implication follows because Politis takes the supposition that F is definable by example to be biconditionally related to the claim that the essence of F is perceivable by the senses. When Socrates gets Hippias to reject ED, then, he gets him (tacitly) to accept that the essence of F is not perceivable by the senses. A central tenet of Platonism, the imperceptibility of forms, thus follows from an initial point about the proper way to answer the "What is F?" question.Chapter 3 continues in a similar vein, arguing that many special features attributed to forms in the Phaedo and Republic, such as their unity, uniformity, and incompositeness, follow from facts about inquiry into essences. Politis argues that these features belong, in the first instance, to defining accounts of forms and only secondarily to the forms themselves. Skeptical readers might observe that the focus in the Phaedo is much more on the forms than on defining accounts of them. In addition, it should be noted that the list of special features on which Politis focuses is somewhat selective. Chapters 2 and 3 include no discussion of the divinity and purity of forms or their status as alone by themselves. The divinity of forms is crucial for their role in Plato's ethics, but it seems unlikely to be explained by anything related to the "What is F?" question.In chapter 4, Politis defends a novel account of the epistemology of the Phaedo. He argues that it should be viewed through the lens of the account of inquiry in that dialogue, though not the central notion of inquiring with the soul by itself. Instead, we should focus on the passage in which Socrates claims that sense perception of deficiently equal sticks puts us in mind (ennoēsai) of the equal itself (74c–75b). Politis takes this claim to imply that sense perception plays a justificatory and not merely causal role in acquiring knowledge, though the textual arguments of this chapter fall short of establishing that striking claim.Chapter 5 takes on arguments in the Phaedo and Republic that appear to distinguish forms from sensibles on the grounds that the latter but not the former suffer the compresence of opposites (for example, appearing [End Page 155] both equal and unequal). Politis argues that scholars... (shrink)

This three-part article reinforces crosscurrents between cybernetician Gordon Pask’s work towards creating responsive machines applied to theater and education, and Vygotsky’s theory, to advance sociohistorical approaches into the internet age. We first outline Pask’s discovery of possibilities of a neoclassical cybernetic framework for human–human, human–machine, and machine–machine conversations. Second, we outline conversation theory as an elaboration of the reconstruction of mental models/concepts by observers through reliance on sociocultural psychological approaches, and apply concepts like the zone of proximal development and perezhivanie (...) to Paskian aesthetic technologies. Third, we interpret Pask’s teaching/learning devices as zones of proximal development, and outline how Paskian algorithms in digital devices like THOUGHTSTICKER have been generalized on today’s internet, supplemented by corporate interests. We conclude that Paskian theory may offer understandings of the roles of internet technologies in transforming human thinking, and suggest (re)designing tools incorporating algorithms that contextually advance conceptual understanding that deviates from current indexing approaches. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 87 Rationalism in Greek Philosophy. By George Boas. (Baltimore: The Johns Hopkins Press, 1961. Pp. xii + 488. $7.50.) This is an interesting and provocative work. It is not, as Boas warns his readers, a history of Greek philosophy in general. It is concerned, rather, with several large topics which the author uses to explicate the general theme of Greek rationalism. The topics chosen are: the distinction (...) between appearance and reality, the methods used to draw this distinction, the conception of human life, and ethics. The treatment of these topics, so central and important in the history of Greek thought, results in a work of very considerable scope. In temporal span also the work is substantial, for it studies and interprets these selected topics from the Pre-Socratics through the Neo-Platonists. The work is complex. Each chapter undertakes to resolve controversial questions both of textual and philosophical criticism. Boas's judgment in these matters is often insightful, always fresh and stimulating. In a difficult and compressed Preface, Boas explains what he understands by rationalism. Rationalism is described as a "systematic study" of accepted premises, which means, in part, the testing of the implications of accepted premises for logical consistency. A premise is, ideally, a generalization from experience, for "... general laws... are wanted in science and philosophy" (p. vii). But premises may sometimes be derivative from such sources as common sense or intuition. Whatever their source, premises and their implications must run the test of consistency and, in addition provide a "... verifiable account of an important set of facts" (p. x). Quite apart from the troubling remark about "general laws," two elements are mentioned in the Preface which constitute what Boas intends by "rationalism." One wonders at the beginning bow these methodological criteria will serve in the interpretation of Greek rationalism. Boas, in practice, uses a much more generous conception of rationalism as a method than that proposed in the Pre[ace.Sometimes rationalism stands for the appeal to reason or experience or both in contrast to the appeal to authority and revelation. It is toward the end of the book that one finds perhaps the best statement of rationalism as a method which has guided this study. Professor Boas writes, reflecting back on the course ol Greek thought: We know too little about the Milesians and the Pythagoreans to say more than that they translated the ancient myths of cosmic birth and decay into rational language. But when we come to the figures of lteraclitus, Parmenides, and Democritus, we meet with that independence of mind which seems to us characteristic of the great scientific investigators. The double role of reason, that of criticism and that of construction, was played wholeheartedly by them, and apparently the mere fact that a belief was traditional did not give it special plausibility. The same may be said of both Plato and Aristotle (p. ~54). It dearly requires some conception such as this, in contrast to that of the Preface, to understand, on the methodological side, Boas's strong claims that Plato and Aristotle are "... the greatest rationalists in the history of philosophy..." and that Plato is the "major defender of rationalism" (p. 128). One needs, however, much more than just the commitment of the "double role of reason" to understand these claims about Plato and Aristotle. Rationalism is also used to denote a number of philosophical doctrines, some of which Plato and Aristotle shared in common. It is carefully argued, for instance, that both Plato and Aristotle are committed to the epistemological view that reason alone is the source of knowledge in the strict sense, a doctrine, which in the case of Aristotle, is sometimes obscured. To this 88 HISTORY OF PHILOSOPHY basic feature of rationalism Boas adds the following: "The inability, or perhap the unwillingness, to conceive of anything transient as real is at the heart of the rationalist tradition..." (p. 184). It is this notion of rationalism as certain substantive philosophical doctrines which often dominates Boas's account of this central theme in the history of Greek thought. It becomes especially clear in an interesting chapter on Aristotle that it is adherence to certain philosophical doctrines rather than adherence... (shrink)

The philosophy of Maurice Merleau-Ponty is becoming more and more known. He is assuming the part of a major figure in the history of both phenomenology and existentialism. Works on Merleau-Ponty and excerpts from his writings separately published have been either piece-meal, displaying only certain areas of his philosophical interest, or are simple resumes of what he had to say. My thesis is that his interpretation of the cogito inspires his work as a whole. My intention, then, is to (...) render intelligible the philosophy of Maurice Merleau-Ponty in the light of his formulation of the cogito. Because his philosophy was consciously developed within the context of certain scientific and philosophical movements, these shall have their place in this work. With the exception of Le visible et l'lnvislble. a work posthumously published, all of Merleau-Ponty's philosophical works are available in English translation. When any of this untranslated work appears in the body of the dissertation, the English translation will by my own and the French text will be immediately available in a footnote. This holds also for the standard commentary on Merleau-Ponty, Alphonse de Waelhens' La philosophie de l'amiguite. Important texts from the other works will be marked with an asterisk and will be available in French, in the Appendix. (shrink)

This article tells, in academic terms, the story of a famous Romanian TV ad: the one where two men throw a priest from a tower mistaking him for the famous Batman movie character and hoping he would fly. As expected, this spot gave rise to a lot of discussion and debates over the years. But this is not the main reason that recommends it for this type of analysis. The most interesting aspect about this spot is the fact that although (...) it was subsequently censored and it was aired on TV only for one day, it is still incredibly popular and it still receives important awards at various advertising festivals. Besides its popularity, this TV commercial is bringing forward very important aspects regarding the interesting relation between orthodox religious symbols and advertising. In the first section of my article I shall focus on the way profane media myths are responsible for framing the social reality. The second section consists in an empirical research conducted on first-year students enrolled in a communication and public relation program. The main objective is to determine some of the reasons that make this commercial so attractive despite its offensive script. The last section of this article consists in an analysis of the reasons why the mainstream Christian faith is being replaced by magical thinking and irrational beliefs in the magical power of the brands. (shrink)

Hume’s theory of justice, intricately linked to his account of moral development, is at once simplistic and mysterious, combining familiar conventionalistelements with perplexing, complicated elements of his rich moral psychology. These dimensions of his theory make interpreting it no easy task, although many have tried. Emerging from these many different attempts is a picture of Hume as defending an account of justice according to which justice consists of expedient rules designed to advance one’s self-interest. The mistake of this view, I (...) argue, lies in its narrow focus on the material rather than psychological effects of the conventions of justice. My goal here is to isolate the psychological effects of the rules of justice by analyzing the psychological transformation of the parties who morally commit to justice. (shrink)

The purpose of this book is to illustrate the heuristic power of semiotics for the interpretation of texts. It oscillates between two poles: the concrete practical pole of encounter with specific texts and the theoretical pole of constructing a model for thematizing both the role of the reader and the structure of the text itself in the creation of meaning. The book consists of eight previously published, but widely scattered, essays of one of semiotics' most talented proponents, and (...) it offers a welcome supplement to the materials contained in his A Theory of Semiotics, whose goal was a systematic overview of the whole field of sign theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Lao-tzu and the Tao-te-chingJonathan R. HermanLao-tzu and the Tao-te-ching. Edited by Livia Kohn and Michael LaFargue. Albany: State University of New York Press, 1998. Pp. xii + 330.Modern scholarship on the Tao Te Ching has tended to focus on questions of authorship and the intended meaning of the text, often working from both the unquestioned assumption that matters of origination are of primary historical importance and the quasi-theological (...) bias that the original textual meaning is somehow the "right" or authoritative one. But the role of the Tao Te Ching in Chinese history and culture, as well as that of its purported author, is a much more complex affair. The text has been the subject of more than seven hundred commentaries and has been appropriated by vast networks of scholars, government officials, self-conscious religious communities, and laypeople, while Lao Tzu himself has undergone a fascinating history of deification and aesthetic representation. With Lao-tzu and the Tao-te-ching, editors Livia Kohn and Michael LaFargue take steps toward filling in some of the complicated (and much overlooked) post-canonical history by assembling essays on subjects ranging from the ritual uses of the text to modern hermeneutic experiments. The volume includes nine new essays, as well as three older ones reprinted or translated from earlier sources.The book is organized in four sections—"Ancient Myths," "Chinese Interpretations," "Modern Readings," and "Critical Methods"—although there is noticeable [End Page 625] overlap among the parts. The twelve essays are of varying quality and of varying use for different readers. Some of the material is highly technical and presupposes a sinological audience, while other material rehearses data that should already be familiar to scholars of ancient Chinese philosophy but may be tremendously useful to those who are interested in the text but lacking the scholarly background. One case of the latter is Julia Hardy's "Influential Western Interpretations of the Tao-te-ching," which does not especially break new ground but is a wonderful historical synopsis of Western scholarship on the text, as it meticulously identifies the key interpretive voices and sorts out their positions. Hardy gives only brief attention to the earliest eighteenth- and nineteenth-century scholarship—omitting, for example, any mention of Victor von Strauss' 1870 German rendition—which might actually have been most edifying for specialists. LaFargue and Julian Pas' "On Translating the Tao-te-ching" is essentially a primer on hermeneutic problems relevant to the text that serves as an intelligent corrective to the uncoordinated body of Taoist materials available to novice readers.What may be most clear from several of the essays taken in tandem is that the popular Western "mystical" reading of the text not only is one of many historical interpretations but is also very much heir to Wang Pi's intellectual lineage. In "A Tale of Two Commentaries: Ho-shang-kung and Wang Pi on the Lao-tzu," Alan K. L. Chan notes how such standard tenets as the spiritualized metaphysical understanding of Tao, the relationship between nonbeing and creativity, and the identification of naturalness and nonaction with spontaneity originate with Wang Pi but are nowhere to be found in the earlier Ho-shang-kung reading. The latter employs typical Han dynasty correlative cosmological interpretive methods, referring to naturalness as the preservation of energies in the physical body and to "the One" not as an abstract metaphysical oneness but as "the original substance of life itself, energy in its most pure and potent form" (p. 93). According to Isabel Robinet's "Later Commen-taries: Textual Polysemy and Syncretistic Interpretations," the panoply of text interpretations falls into roughly three categories—"technical or specialist readings," "philosophical exegeses," and "inner alchemy interpretations," which she then proceeds to divide further into "philological" and "ideological" readings. This is all further complicated when one considers the Tao Te Ching not as a strictly philosophical text but as a collection of polemical aphorisms, as LaFargue does in "Recovering the Tao-te-ching's Original Meaning: Some Remarks on Historical Hermeneutics," or as a ritual, liturgical or meditative aid, as Kohn does in "The Tao-te-ching in Ritual."Lao-tzu and the... (shrink)

Six essays loosely organized around varieties of interpretation and the cultural and social situations that elicit interpretation. The first essay, "Interpretation and Its Occasions," treats the nature of interpretation and its relation to the world of external reality; the pervasiveness of interpretation, even in the sciences, in contemporary intellectual life; and the necessity of interpretation in our pluralistic world. In "Style as Interpretation," Mazzeo views style, broadly defined, not so much as an esthetic (...) matter, but as a reflection of the ways people view reality. "New Wine in Old Bottles: Reflections on Historicity and the Problem of Allegory" and "The Platonic Debate over Myth, Truth, and Virtue" are "case histories" of interpretations designed to "save the texts" of the Bible and classical literature, when interpreters have recurrently found elements of these texts repugnant to their moral or philosophical ideas. "Interpretation, Humanistic Culture, and Cultural Change" draws parallels between biological and cultural evolution and focuses on the role of interpretation as a mediator between old meanings and new, between stability and innovation in a culture. In his final essay, "Myth and Science in the Theology of Rudolph Bultmann," Mazzeo discusses "the most ambitious and instructive interpretive effort of our time," Bultmann’s efforts to demythologize the Bible. (shrink)

The philosophical concept of anxiety, which is usually associated with Kierkegaard and Heidegger's existential philosophy, seems to be an underestimated notion in Paul Ricoeur's phenomenological hermeneutics, while its role is important - anxiety appears to serve as the grounding for hope in his hermeneutics of self. The article aims to show how the anxiety is explained in Ricoeur's philosophy through attention and recognition, and how the anxiety is reflected in the narrative forms, or descriptions of vivencia. These descriptions may (...) be seen as the verbal explanation of the so-called affective niche or affective scaffolding, which is a form of cultural adaptation, attempting to interpret and comprehend one's state of mind and way of the perception of the world as such in the given moment. The research and further dialogue based on these narrations may become an important source to recover from anxiety disorder, by discovering its existential meaning and, at the same time, accepting personal responsibility for it. Ricoeur's phenomenological hermeneutics made an important theoretical contribution in understanding the essential aspects of anxiety and hope; but it also developed prolific methods of interpretation, that could be practically applied in health care and psychotherapy; these can be shown on the example of the psychotherapeutic method of the usage of so-called 'anxiety protocols', which aim to arrange the hermeneutical co-research to help patient/client to recognize and overcome its anxiety disorders. (shrink)