This chapter contains sections titled: I II III IV V Notes References.

Schopenhauer was the first and greatest philosophical influence on Wittgenstein, a fact attested to by those closest to him. He began by accepting Schopenhauer's division of total reality into phenomenal and noumenal, and offered a new analysis of the phenomenal in his first book, the Tractatus Logico‐Philosophicus. The Logical Positivists, who believed that only the phenomenal existed, took this as the paradigm for their philosophy. Wittgenstein, however, moved away from it and proposed a new and different analysis in (...) his book Philosophical Investigations, and this became the most influential text in linguistic philosophy. Thus, Wittgenstein produced two different philosophies, each of which influenced a whole generation that remained largely oblivious of its Schopenhauerian origins. (shrink)

Schopenhauer has influenced the work of more, and more distinguished, creative writers than any philosopher since his day, more even than Marx. This is especially true among novelists: Tolstoy, Turgenev, Zola, Maupassant, Proust, Hardy, Conrad, and Thomas Mann must be included. He also influenced short‐story writers such as Maugham and Borges, poets such as Rilke and Eliot, and dramatists such as Pirandello and Beckett. They were attracted, variously, by his psychological insight, his understanding of unconscious motivation, his disenchanted view of (...) human beings, and his non‐religious view of the cosmos, as well as by his teachings about the arts and the fact that he was himself a great prose writer. (shrink)

This paper addresses the questions raised by the evidence presented that many cardinal psycho-analytic notions bear a strong resemblance to the ideas of Schopenhauer and Nietzsche. In the process, the author considers not only that the 19th century Zeitgeist, given its preoccupation with the unconscious, created a fertile ground for the birth of psychoanalysis, but the influence on the Weltanschauung of Freud, Schopenhauer and Nietzsche of their common German cultural heritage, their shared admiration for Shakespeare and love of (...) Hellenic culture, and the meteoric rise of science. Although influence may not be sharply separated from confluence, the parallels between Freud's concepts and those of Schopenhauer and Nietzsche are too specific to be coincidental. And yet, Freud vehemently denied ever having read these philosophers’ works until “very late in life”. It is suggested that an unconscious sense of guilt may have induced that denial.This study adopts a cross-sectional approach that juxtaposes Freud's cardinal concepts with the ideas of Schopenhauer and Nietzsche. Its tripartite structure has the advantage of observing similarities and differences not only between Freud and the two philosophers, but also between Nietzsche and Schopenhauer. The focal concepts include: the unconscious; ego, id and superego; libido; drives; repression; sublimation; dreams; catharsis; free association; primary and secondary process thinking; Oedipus complex; repetition compulsion; the pleasure principle; mourning and melancholia; a criminal from a sense of guilt; and the death instinct. (shrink)

This chapter contains sections titled: Case Study I: Jokes and Their Relation to the Unconscious (1905) Case Study II: Beyond the Pleasure Principle (1920) Case Study III: The Future of an Illusion (1927) Conclusion References Further Reading.

This article critically evaluates S. Freud's Mourning and Melancholia and challenges both the celebratory and reactionary views that treat this essay as an ahistorical and decontextualized "foundation-stone" of depression. Although many biographies have been written on Freud, the possible influences on his thinking in the area grief and depression have not been examined. Moreover, no reviews have investigated Freud's understanding of mourning and melancholia from the perspective of his own experiences with these difficulties. Following a brief overview (...) of Freud's seminal paper, the historical psychiatric views on depression and the influences on Freud's conceptualization of mourning and melancholia are briefly discussed. Finally, an exegesis of the contextual validity of this model is presented. 2012 APA, all rights reserved). (shrink)

There are certain metaphysical theories which present a view of the world and of the position of human-beings within it which have seemed attractive or at least impressive to many irrespective of the arguments that are marshalled in their favour. That is certainly true of Schopenhauer. His identification of the inner nature of reality with the will, and the conclusions which he drew from this as regards the nature of human-beings and their place in the world, have seemed striking and (...) perhaps even illuminating to many thinkers, not all of whom have been philosophers in the most obvious sense and not all of whom have had much concern for the underlying argument that led Schopenhauer to his conclusions. It is in this way too, perhaps, that certain of Schopenhauer's ideas have become well known—his emphasis on the will to live, his pessimism and his views on suicide, and his thoughts about human nature and about sex that have been seen as something of an anticipation of Freud. In recent times attention has also been directed to his influence on Wittgenstein. In all these respects, however, it is Schopenhauer's ideas that have been influential, rather than the argument that underlies them. Indeed it is sometimes said that Schopenhauer was not a very systematic thinker at all. If that seems true it is so in the sense that Kant too has seemed to some unsystematic in the details of his argument. That does not mean that the main structure of the argument is not clear. So it is with Schopenhauer. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:"The Veil of Maya": Schopenhauer's System and Early Indian ThoughtStephan Atzert"The Veil of Maya": Schopenhauer's System and Early Indian Thought. By Douglas Berger. Binghamton: Global Academic Publishing, 2004. Pp. 319.Arthur Schopenhauer's (1788-1860) philosophy combines a number of inquiries into epistemology, metaphysics, ethics, aesthetics, and psychology. Schopenhauer read widely in several languages and incorporated many influences, including his reading of Anquetil Dupperon's Latin translation of selected (...) Upanishads. From a contemporary perspective it is fair to say that Schopenhauer does not offer a systematic philosophy, internally consistent in all its parts, but rather a philosophical approach that is descriptive and sensitive to a wide range of issues. Despite definite exceptions, the strength of Schopenhauer's writing lies in his attempt to be descriptive about the human experience, in combination with a willingness to incorporate its possibilities, and therefore his writings provided, and still do provide, points of departure for a wide variety of investigations.Schopenhauer became especially popular with artists, due to the fact that he proposed a metaphysical theory of art that offered artists possibilities for self-flattering. Aside from the role he played for Nietzsche, this is perhaps the only area in which Schopenhauer's impact is well understood. By contrast, Schopenhauer's decisive role in the development of Freud's psychoanalytic theory has only begun to be appreciated in the past few years. And although there exists a significant tradition of relating Advaita Vedānta and Buddhism to Schopenhauer's philosophy-the approaches of Paul Deussen, Helmuth von Glasenapp, and Wilhelm Halbfass marking conceptual shifts in this tradition-truly comprehensive perspectives are emerging only now. The fascinating exploration of Schopenhauer's exposure to relevant indological texts, commentaries, and scholars is still far from complete, as only a comparatively small selection of Schopenhauer's manuscript remains has been published, by Arthur Hübscher in 1966. As recently as 1998 Urs App was able to conclude, from his study of Schopenhauer's unpublished annotations to the Asiatick Researches, that it has been a misconception-although one carefully nourished by Schopenhauer himself-to assume that Indian concepts only confirmed what Schopenhauer had conceptualized intuitively of his own accord. Douglas Berger's timely study, "The Veil of Maya": Schopenhauer's System and Early Indian Thought, shows that this case can be made by way of a careful analysis of the development of Schopenhauer's philosophy without recourse to unpublished manuscript remains. In this respect Berger states:After reading Schopenhauer for some years, I became convinced that some crucial aspects of his system, specifically how he made argumentative transitions from epistemology to metaphysics to ethics, transitions about which much dispute still rages in the secondary literature, could not be well assessed without taking into consideration how Scho-penhauer understood the Upanishadic and Vedantic notion of maya.(p. xii) [End Page 675]On the basis of the published manuscript remains Berger traces how the early system developed. Here Berger shows very convincingly that the formation of Schopenhauer's system was strongly influenced by his appropriation of one particular element of Hinduism-or better, of Brahmanic world views-namely the idea of maya. Maya in the Upanishads is "most often identified to be the magical power of God employed to create the world and then to hide behind the matter out of which it was made" (p. 62). As Berger has traced in the manuscript remains,Schopenhauer develops an understanding of maya over time which makes it at once an epistemological category of falsification and an existential fetter that causes human beings to comport themselves... in an ethically pernicious way. More specifically Scho-penhauer believes maya to be a way the world appears to us as something it is not.... Epistemologically, maya entails an erroneous perception of things and a fallacious assessment of their nature; axiologically, it is the inauthentic valuation of world and other; metaphysically, it is the mere phenomenal appearance of a noumenal reality; and ethically, it leads to an unjustifiable alienation of other from self.(p. 63)In Schopenhauer's own words from a manuscript dating to 1814:In so far as he is alive... a human being... is doomed not merely to... (shrink)

Schopenhauer is considered to be the most readable of German philosophers. This book gives a succinct explanation of his metaphysical system, concentrating on the original aspects of his thought, which inspired many artists and thinkers including Nietzsche, Wagner, Freud, and Wittgenstein. Schopenhauer's central notion is that of the will--a blind, irrational force that he uses to interpret both the human mind and the whole of nature. Seeing human behavior as that of a natural organism governed by the will (...) to life, Schopenhauer developed radical insights concerning the unconscious and sexuality which influenced both psychologists and philosophers. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his (...) work as a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

More than two hundred years after the publication of his seminal The World as Will and Representation, Arthur Schopenhauer's influence is still felt in philosophy and beyond. As one of the most readable and central philosophers of the 19th century, his work inspired the most influential thinkers and artists of his time, including Nietzsche, Freud, and Wagner. Though known primarily as a herald of philosophical pessimism, the full range of his contributions is displayed here in a collection (...) of thirty-one essays on the forefront of Schopenhauer scholarship. Essays written by contemporary Schopenhauer scholars explore his central notions, including the will, empirical knowledge, and the sublime, and widens to the interplay of ethics and religion with Schopenhauer's philosophy. Authors confront difficult aspects of Schopenhauer's work and legacy--for example, the extent to which Schopenhauer adopted ideas from his predecessors compared to how much was original and visionary in his central claim that reality is a blind, senseless "will," the effectiveness of his philosophy in the field of scientific explanation and extrasensory phenomena, and the role of beauty and sublimity in his outlook. Essays also challenge prevailing assumptions about Schopenhauer by exploring the fundamental role of compassion in his moral theory, the Hindu, Christian, and Buddhist aspects of his philosophy, and the importance of asceticism in his views on the meaning of life. The collection is an internationally constituted work that reflects upon Schopenhauer's philosophy with authors presently working across the globe. It demonstrates fully the richness of Schopenhauer's work and his lasting impact on philosophy and psychoanalysis, as well as upon music, the visual arts, and literature. (shrink)

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential preliminary (...) to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential preliminary (...) to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

In two lively and independent essays, Rosset builds a good case for an appreciation of Schopenhauer's importance in the history of philosophy by treating those aspects of his thought which signal a definitive rupture with classical philosophy and merit his being aligned with the spirit of modern times. These aspects, each the subject of one of the essays, are the genealogical treatment of ideas and the intuition of the absurd. The author establishes Schopenhauer's originality in both of these (...) areas, outlining Schopenhauer's direct influence on Nietzsche, his parallels with Marx, and his possible links with Freud. At no point does he inflate the influence of Schopenhauer's but vaguely formulated ideas which invite comparison with their more developed expressions in other philosophers. Rosset does, however, contend that Schopenhauer was most original in his central intuition of the absurd, being the first to construct a philosophy upon this vision. In this regard, the author's consideration of the Schopenhauerian themes of finality, desire, necessity, and static time is excellent. He maintains convincingly that the usual interpretation of Schopenhauer, which emphasizes the Romantic themes of pessimism, esthetic idealism, and a morality of pity and renouncement, stresses only secondary aspects of his thought. A more balanced picture of Schopenhauer reveals an almost Beckettian tragi-comic [[sic]] view of life.—C. M. R. (shrink)

Arthur Schopenhauer is something of a maverick figure in the history of philosophy. He produced a unique theory of the world and human existence based upon his notion of will. This collection analyses the related but distinct components of will from the point of view of epistemology, metaphysics, philosophy of mind, aesthetics, ethics, and the philosophy of psychoanalysis. This volume explores Schopenhauer's philosophy of death, his relationship to the philosophy of Kant, his use of ideas drawn from both Buddhism (...) and Hinduism, and the important influence he exerted on Nietzsche, Freud, and Wittgenstein. (shrink)

Schopenhauer, "le vieux prophete", disait Nietzsche. Paru en 1819 dans l'obscurite la plus totale, son ouvrage majeur, Le Monde comme Volonte et comme representation, lui a valu d'atteindre en 1900 a une celebrite posthume telle qu'aucun penseur n'en a jamais connue - influence que son extension meme a fini par occulter aujourd'hui. Car Schopenhauer a fait cristalliser la crise des croyances qui marque la fin du XIXe siecle, dessinant pour l'avenir la physionomie de l'homme moderne. Un homme qui sous (...) un ciel vide eprouve dans le ressentiment la condition qu'il s'est lui-meme assignee : un intellect regi secretement par des pulsions irrationnelles, une concurrence vitale qui l'isole de ses semblables et de la nature, une sexualite dominatrice mais sans joie, une irresponsabilite aveugle vis-a-vis de son propre comportement comme de l'histoire collective, bref l'enracinement de son existence entiere dans une inconscience fondamentale. Nietzsche et Freud n'ont pas ete les seuls heritiers de Schopenhauer qui a remodele ce territoire invisible sur lequel la litterature edifie son discours. Aussi est-il present, on l'ignore generalement, dans la genealogie de tant de grands ecrivains - de Tolstoi, Strindberg, Maupassant, Conrad, Proust, Pirandello, jusqu'a Kafka, Thomas Mann, Celine, Beckett, Bernhard. Ce sont les voies de ce renouvellement inventif qui sont ici tracees. (shrink)

Nietzsche’s break from Schopenhauer is usually regarded as coextensive with his movement toward ontological naturalism, the view that all there is is limited by the scope of what is naturally observable. Moral norms like good and evil are accordingly ruled out as “things,” but naturalized as human, all-too-human constructions, just as much as are God and the soul, just as much as would Schopenhauer’s non–naturally observable one world Will. While I think that basic picture is correct, I also think that (...) scholars have regarded the problem with insufficient attention to the historical context of that transition, especially when it comes to naturalistic explanations of choice and agency. The move away from a.. (shrink)

This volume collects 12 essays by various contributors on the subject of the importance and influence of Schopenhauer’s doctoral dissertation for both Schopenhauer’s more well-known philosophy and the ongoing discussion of the subject of the principle of sufficient reason. The contributions deal with the historical context of Schopenhauer’s reflections, their relationship to idealism, the insights they hold for Schopenhauer’s views of consciousness and sensation, and how they illuminate Schopenhauer’s theory of action. This is the first full-length, English volume on (...) Schopenhauer’s Fourfold Root and its relevance for Schopenhauer’s philosophy. The thought-provoking essays collected in this volume will undoubtedly enrich the burgeoning field of Schopenhauer-studies. (shrink)

In a letter from May 10, 1852 Adam von Doss, Schopenhauer declared himself a Buddhist. This book is the first study to do justice to Schopenhauer's passion for Buddhism, reconstructing the notions of Buddhism he acquired through his Buddhist readings as well as their influence on his thought.

A new, comprehensive English anthology What is the meaning of life? How should I live? Is there any purpose to the universe? Generations have turned to the great German philosopher Arthur Schopenhauer for answers to such essential questions of existence. His influence has extended not only to later philosophers—Nietzsche, Freud, and Wittgenstein among them—but also to musicians, artists, and important novelists such as Tolstoy, Thomas Mann, and Proust. The Essential Schopenhauer, the most comprehensive English anthology now available of (...) this seminal thinker’s writings, will open English readers to Schopenhauer’s profound ideas. Selected by Wolfgang Schirmacher, president of the International Schopenhauer Association, The Essential Schopenhauer is an invaluable and accessible introduction to Schopenhauer’s powerful body of work. (shrink)

From the first part of the title, Schopenhauer’s Encounter with Indian Thought, the reader could expect a study of the influence that Indian philosophy had on Schopenhauer. And even though this expectation will be met, Stephen Cross primarily presents a well-documented analysis of parallels between Schopenhauer’s philosophy and that of the Buddhist schools of Madhyamaka and Yogācāra, of the early Advaita Vedānta, and those of other configurations of religious and philosophical ideas prevalent in India. Cross employs their philosophical deliberations (...) to elucidate questions posed by Schopenhauer: in this sense a meeting of Schopenhauer with Indian thinking does take... (shrink)

In the first part of this essay, the author discusses certain aspects of the Hindu and Buddhist philosophical and religious conceptions that could have made some impact on the European ethics before Schopenhauer. In the second part, he deals with various channels of possible Buddhist influence on Schopenhauer's ethical thought. Finally, in discussing Buddhist-Wittgenstein relationship, one is confronted with convergent, yet independent, responses to similar sets of problems. Independently, and less systematically than Buddhist philosophical schools, Wittgenstein indicates the (...) way of liberation that cures from the "metaphysical pain " emerging from inappropriate use of language. His own project, however, was not metaphysical, but meta-linguistic in a very specific sense. The philosophical "cure" from the language disease leads ultimately to the "purification " and "decontamination " of thought: in turn, the mind rests in peace and silence before the senseless, paradoxical questions of the moral, esthetical religious or metaphysical character. Ovaj esej se sastoji iz tri dela. U prvom delu autor razmatra izvesne aspekte hinduistickih i budistickih filozofskih i religijskih doktrina koje su mogle imati uticaja na evropsku etiku do Sopenhauera. Na primer, Pironov metod uzdrzavanja od suda ispoljava zapanjujucu slicnost s izvornim budistickim metodom meditacije. U evropskoj filozofiji slican metod je razvijen u Huserlovoj fenomenologiji, iako na jedan puno slozeniji teorijski nacin. Razmatranje postklasicnih, helenistickih moralnih doktrina vodi od problema izvora do nekih specificnih pitanja komparativne ili hermeneuticke prirode. Pa ipak, u povesti zapadne filozofije nije se jasno ukazalo na dug budistickoj etici sve dok Sopenhauer nije napisao Svet kao volja i predstava. U drugom delu rada autor se stoga bavi razlicitim tokovima moguceg budistickog uticaja na Sopenhauerovu eticku misao. Vrlo cesto Sopenhauerovi kljucni argumenti su pozajmljeni iz indijskih soterioloskih ucenja. S druge strane, on je u stanju da prilagodi ta orijentalna ucenja svojim vlastitim pojmovima i idejama. Izmedju njegove filozofije i indijskih filozofija moguce je uspostaviti odnos konvergentnosti. Iz toga je proizislo jedinstveno stapanje dveju perspektiva koje se ponekad oznacava i kao "evropski budizam". Za razliku od Sopenhauera Vitgenstajn ne upucuje ni na kakvo delo, ili odlomak iz hinduisticke ili budisticke literature. Stavise, tesko je braniti stav da je Sopenhauer imao ikakvu znacajniju posrednicku ulogu u budjenju Vitgenstajnovog interesovanja za budizam. Mnogo je, u stvari, lakse ukazati na vaznost Sopenhauerovog uticaja na "etickog" Vitgenstajna iz Tractatusa, nego utvrditi ikakvu slicnost izmedju sopenhauerovsko-budisticke i Vitgenstajnove eticke koncepcije. Raspravljajuci o odnosu izmedju Vitgenstajna i budizma, susrecemo se s konvergentnim, ali nezavisnim odgovorima na slicne vrste problema. Nezavisno, i manje sistematicno od budistickih filozofskih skola, Vitgenstajn ukazuje na put oslobodjenja sto leci od "metafizicke boli" zasnovane na nepravilnoj upotrebi jezika. Medjutim, njegov vlastiti projekat nije bio metafizicki, vec metalingvisticki u jednom vrlo specificnom smislu. Filozofsko "izlecenje" od bolesti jezika vodi, u krajnjoj liniji, do "ociscenja" i "dekontaminacije" misli. Kao rezultat toga, um nalazi spokoj i mir pred besmislenim, paradoksalnim pitanjima moralnog, estetickog religijskog ili metafizickog karaktera. (shrink)

Despite being what is commonly regarded as major influence on Michel Foucault, Freud and psychoanalysis are rarely directly addressed in his works. A notable exception, often cited, is towards the very end of ‘Madness & Civilization’ . Where the early Foucault ends his thesis proposing the conception of madness as social structure with back handed praise by of Freud’s re-engagement with madness via dialogue. Madness, from the mid 1600’s onwards was ignored or 'silenced’ from its ‘zero-point’ of (...) separation as a distinct group from the social mainstream. Foucault’s hand swings quickly back however, as mere lines later Freud is criticized for; maintaining- in fact amplifying- the unbalanced power of the physician-patient relationship, reinforcing the ‘judging’ and ‘alienating’ figure of the doctor essential to psychoanalytic practice; and retaining much in its conception from religious and medical tradition. Foucault sees these traditions as means of exercising social control, and psychoanalysis is regarded as consistent with them in this disciplining respect. We will look at two aspects of psychoanalytic thought addressing this continuance of traditional authority, and conclude with a comparison of the two philosopher’s differing conceptions of the object of psychoanalysis- human mentality. (shrink)

RESUMO O artigo examina algumas influências teóricas de Freud para recuperar os valores epistemológicos que subjazem à composição de sua concepção de ciência da natureza. Se, por um lado, Freud teve acesso ao pensamento de autores específicos que participaram efetivamente dos caminhos percorridos pela psicologia em sua reivindicação de uma identidade científica, por meio de entrelaçamentos com a física e a fisiologia, por outro lado, ele também teve contato com certos filósofos que lhe permitiram uma aproximação a alguns (...) defensores da cientificidade da psicologia que não abandonam o naturalismo, nem recorrem ao solo fisiológico. Nossa avaliação histórica constituiu-se como uma defesa de que Freud sofreu diversas influências no tocante ao status da psicologia no campo das ciências da natureza. A pluralidade dessas influências evoca uma necessidade de abertura para a avaliação do modo pelo qual podemos colocar em perspectiva a epistemologia e a concepção do naturalismo de Freud. ABSTRACT This article examines some of the theoretical outlooks Freud used to acquire the epistemological values that underlie the foundation of his notion of natural science. On the one hand Freud was familiar with the ideas of specific authors, who had made major contributions that support of psychology's status as a science by appealing to physics and physiology. On the other hand, his contact with certain philosophers allowed him to use their defenses of psychology's scientific status without abandoning naturalism and without recourse to physiology. Our historical evaluation of these struggles supports that Freud was affected by various points of view concerning psychology's standing within the natural sciences. Owing to the diverse influences on Freud, we need to figure out how we can put his epistemology and his concept of naturalism into perspective. (shrink)

© British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: [email protected] even opening the pages of Bart Vandenabeele’s The Sublime in Schopenhauer’s Philosophy, it is an encouraging sight to behold. For, there are surprisingly few single-author monographs focused solely on Schopenhauer’s aesthetic philosophy, at least in the Anglophone literature—much less on Schopenhauer’s theory of the sublime in particular, as is rightfully boasted in the blurb (...) to Vandenabeele’s book. The paucity of such books is all the more surprising given, first, that Schopenhauer is often noted as having continuously exerted an influence upon artists and writers from the time of his own life up to the present day; and second, and more relevantly to Vandenabeele’s book, that few philosophers have held aesthetic experience, of nature as well as art, in any higher regard... (shrink)

There are numerous traces of Nietzsche's influence in Wang Guowei's "On the Dream of the Red Chamber" even though there is not a single mention of Nietzsche's name in that seminal essay. Nietzschean thought looms large where Wang openly disagrees with or quietly departs from the views of Schopenhauer and, to a lesser extent, those of Kant and Aristotle. His questioning of Schopenhauer's "no-life-ism" harks back to Nietzsche's challenge to Schopenhauer's life-negating ethics. His portrayal of Bao Yu (...) reveals three distinctive character traits of the Nietzschean overman. In particular, the praise of Bao Yu's rebellious character reveals Wang's preference for the iconoclastic Nietzschean overman over the passive Schopenhauerian saint. A strong influence of Nietzsche's views of tragedy may also be observed in Wang's discussion of the tragic form. His modification of Aristotle's catharsis seems to have been made in the spirit of Nietzsche's criticism of its "pathological discharge." His stress on the ultimate salvational function of the Dream strongly reminds us of what Nietzsche has said about the life-saving role of the Dionysian tragedy in the Birth. Finally, in his conditional endorsement of "live-life-ism" we can see a thinly disguised repudiation of the extreme Darwinian tendency he mistakenly reads into Nietzsche's works. It should not be surprising that there are so many echoes of Nietzschean thought in "On the Dream." While writing this essay Wang was deeply occupied with the study of Nietzsche's aesthetic and ethical theories through comparisons with Schopenhauer's. If this influence of Nietzsche can be established on the basis of the evidence given above, there is then a need to reassess Nietzschean thought as a catalyst more important than hitherto thought for the rethinking of traditional Chinese literary and cultural traditions--a broad twentieth-century critical and intellectual trend initiated by none other than Wang's "On the Dream.". (shrink)

Janaway provides a detailed and critical account of Schopenhauer's central philosophical achievement: his account of the self and its relation to the world of objects. The author's approach to this theme is historical, yet is designed to show the philosophical interest of such an approach. He explores in unusual depth Schopenhauer's often ambivalent relation to Kant, and highlights the influence of Schopenhauer's view of self and world on Wittgenstein and Nietzsche, as well as tracing the many (...) points of contact between Schopenhauer's thought and current philosophical debates about the self. (shrink)

One of the most significant events in European intellectual history of the last century and a half was the injection by Schopenhauer of a subjective brand of Neo-Platonism into Post-Kantian thought. This study first describes Schopenhauer's position by concentrating on his account of the Genius, and proceeds to trace reactions to that figure in the works of Nietzsche, Jung, Freud, and Wittgenstein. The author's ambition is twofold: to resolve certain issues of interpretation regarding the positions of those following (...) Schopenhauer, and to relate the history of a movement that encompassed both ordinary language philosophy, psychoanalysis, analytic psychology, and the work of Nietzsche. (shrink)

Sigmund Freud is occasionally perceived as outdated and his work no longer relevant to academia. The citing papers that cited Freud works were collected from Web of Science and analyzed. The 10 most common research areas of the CPs were noted, and the overall volume of the respective bodies of literature were retrieved. I computed the annual percentage of the respective bodies of literature that cited Freud. On a separate note, I computed the annual percentage of citations (...) coming from psychology and psychiatry. Results based on 42,571 CPs found that psychology accounted for over half of the citations to Freud. The percentage of psychology papers citing Freud declined gradually from around 3% in the late 1950s to around 1% in the 2010s, in an extent of −0.02% per year over the entire survey period spanning across 65 years from 1956 till 2020. In psychiatry, a similar decline was observed, from around 4–4.5% in the late 1950s to just below 0.5% in the 2010s, in an extent of −0.1% per year. However, a reverse trend was observed for psychoanalysis literature, which generally increased from 10–20% before the 1980s to 25–30% since the 2000s, in an extent of +0.2% per year. Meanwhile, the annual percentage of CPs coming from psychology and psychiatry was decreasing by 0.4% per year. Bibliometric data supported the notion that Freud's influence was on a decline in psychology and psychiatry fields. (shrink)

It is a well established fact that Arthur Schopenhauer was the first major Western thinker who was so much influenced by the Upanishads that he wrote, "In the whole world there is no study so beneficial and so elevating as that of the Upanishads. It has been the solace of my life, it will be the solace of my death”. This view of Schopenhauer about the Upanishads not only shows his familiarity with the Eastern thought but also it reflects his (...) adoration for Indian philosophy, religion and culture, which influenced him in a significant way. Thus in the World As Will and Representation Schopenhauer clearly states that readers can understand his writings better with prior acquaintances with the philosophy of - Plato, Kant and that of Hindus. Unfortunately however, though some attempts have been made earlier by others to find out the links between Schopenhauer and the East, not much work has been done so far to find out the connection between Schopenhauer and Indian thought especially by Indian scholars. Being so motivated I propose to examine this relationship between Schopenhauer and Sankara, a great Vedantist of India in a comparative manner with a focus on the problem of the relationship between the ‘Will and the world as its representations’ in Schopenhauer and of the ‘Brahman and the world of multiplicity’ in Sankara’s philosophy of Monism. I do this in an analytical framework of interpreting the Ontology of the Absolute and its manifestation in the phenomenal world in the literatures of Schopenhauer and Sankaracarya and then I shall try to find out asolution to this problem through the application of the Vedantic notion of identity between the Brahman and the atman in both these thinkers. (shrink)

Here is the concluding volume of Sir Anthony Kenny's monumental four-volume history of philosophy, the first major single-author narrative history to appear for several decades. In this volume, Kenny tells the fascinating story of the development of philosophy in the modern world, from the early nineteenth century to the end of the millennium. Alongside (and intertwined with) extraordinary scientific advances, cultural changes, and political upheavals, the last two centuries have seen some of the most intriguing and original developments in philosophical (...) thinking, which have transformed our understanding of ourselves and our world. In the first part of the book, Kenny offers a lively narrative introducing the major thinkers in their historical context. Among those we meet are the great figures of continental European philosophy, from Schopenhauer, Kierkegaard, and Nietzsche to Heidegger, Sartre, and Derrida; the Pragmatists such as C.S. Pierce and William James, who first developed a distinctively American philosophical tradition; Marx, Darwin, and Freud, the non-philosophers whose influence on philosophy was immense; and Wittgenstein and Russell, friends and colleagues who set the agenda for analytic philosophy in the twentieth century. Kenny then proceeds to guide the reader lucidly through the nine main areas of philosophical work in the period, offering a serious engagement with ideas and arguments about logic, language, epistemology, metaphysics, ethics, aesthetics, politics, and the existence of God. Graced with many beautiful illustrations, Philosophy in the Modern World concludes Kenny's stimulating history of the intellectual development of Western civilization, allowing readers to trace the birth and growth of philosophy from antiquity to the present day. (shrink)

Contemporary Kant-scholarship has a tendency to allign Kant’s understanding of depravity closer to Erasmus than Luther in their famous debate on the freedom of the will (1520–1527). While, at face value, some paragraphs do warrant such a claim, I will argue that Kant’s understanding of the radical evil will draws closer to Luther than Erasmus in a number of elements. These elements are (1) the intervention of the Wille for progress towards the good, (2) a positive choice for evil, (3) (...) the inscrutability of moral progress, (4) the rejection of prudence as a means for salvation and (5) the rejection of moral sentimentalism. I believe that Kant-scholarship mistakenly pegs Kant’s rational Enlightenment optimism for an existential optimism while Kant’s view of fallen nature draws closer to Lutheran than Erasmusian depravity. A tacit Lutheran influence pervades Kant’s moral philosophy which could explain the influence Kant’s has had on some more pessimistic 19th century philosophers such as Arthur Schopenhauer and Friedrich Nietzsche. (shrink)

This article examines Schopenhauer’s influence on Nietzsche’s work. It considers how Nietzsche adopted some of his central ideas from Schopenhauer, how he exploited some of Schopenhauer’s positions to suit his own purposes, and how he developed some of his ideas as alternatives to Schopenhauerian positions. Nietzsche’s first published book, The Birth of Tragedy, is based on a Schopenhauerian metaphysical framework. Schopenhauer’s principle of individuation applicable to the world of representations is the key element in Nietzsche’s concept of the Apollonian (...) and Schopenhauer’s principle of the undifferentiated nature of ultimate reality of the will is the key element in Nietzsche’s concept of the Dionysian. (shrink)

In the past several decades of scholarship on Arthur Schopenhauer, a cottage industry has emerged that investigates the relationship between Schopenhauer and Indian thought. Studies on Schopenhauer and Indian thought usually fall into one of three categories: comparative studies of Schopenhauer’s views and Indian philosophies such as Advaita Vedānta and Buddhism,1 studies on Schopenhauer’s reception of Indian thought,2 and studies examining the extent to which Indian sources might have influenced the development of Schopenhauer’s philosophical views.3 As early as 1816, Schopenhauer (...) himself gave impetus to studies of this third type with his famous remark: “I confess, by the way, that I... (shrink)

Durkheim’s claim in Suicide that humanity’s ‘inextinguishable thirst’ (soif inextinguible) causes suffering was adopted from Arthur Schopenhauer’s argument that the will-to-live’s ‘unquenchable thirst’ (unlöschbaren Durst) causes suffering, which was previously adopted from the Buddha’s argument that ‘ceaselessly recurring thirst’ (tṛṣṇā) causes suffering. This article retraces this demonstrable though seemingly unlikely history of ideas and reveals that the philosophical underpinnings of Durkheim’s theory of anomie are rooted, through Schopenhauer, whose thought influenced many thinkers during the Neo-Romantic fin de siècle period, including (...) Durkheim, in the Buddha’s Second Noble Truth – a doctrine made available to Schopenhauer in European translations of Buddhist texts during the previous turn of the century’s ‘Oriental Renaissance’. By achieving a more thorough understanding of the ambiguous concept of anomie through its Eastern intellectual origins, this project shows that the common conceptualization of anomie as ‘normlessness’ is inconsequential without presupposing that humans thirst and unconstrained thirst causes pain. (shrink)

This dissertation develops a reading of Arthur Schopenhauer’s theory of agency and autonomy that centers on the notion of the acquired character. I argue for a non-homuncular functionalist reading of Schopenhauerian self-government. On my reading, to be self-governing in Schopenhauer’s sense is just for a certain organizational structure to obtain between one’s individual character and one’s motivation. This structure is put in place through the hard-fought achievement of acquiring genuine self-knowledge of one’s characteristic patterns of acting, evaluative commitments, and, most (...) importantly, one’s volitional necessities. This is the achievement of what he calls the 'acquired character'. My reading also stresses the importance of the phenomena of self-expression and sublimation for Schopenhauer's view of autonomy. I also explore the overlap between Schopenhauer's views and contemporary non-homuncular models of agency, particularly Harry Frankfurt’s hierarchical model of agency, on the one hand, and Michael E. Bratman’s planning theory of autonomous self-governance, on the other. Whereas others have been skeptical of the very idea of Schopenhauerian autonomy, I argue that these reservations rest on a failure to recognize the non-homuncular option. An exploration of contemporary philosophical work on agency helps make this point stick. In the final chapter, I propose that we can see Nietzsche's famous prescription that we ‘give style' to our character as carrying forward certain elements of Schopenhauer's view of autonomy, particularly its aesthetic dimensions. This accomplishes two things. First, it shows that Schopenhauer's influence on Nietzsche goes deeper into the latter's ethical thought than many tend to think. Second, it points towards an elaboration of the view of Schopenhauerian autonomy that I establish earlier on. With the aesthetic dimensions of agency in view, acquired character can be seen as a process through which an agent develops an individual style of acting; it is a process through which one comes to fully act within themselves by embodying their character, just as the best stage and screen actors do. (shrink)

In spite of claims made by Freud himself and others in his behalf that psychoanalysis rests on clinical investigations alone, free of historical influence, there is good reason to believe that Freud's work belongs to the mainstream of Western intellectual history. His theories on the psychology of artistic creation, for instance, indicate that he was deeply influenced by Nietzsche but was moved to quarrel with him in behalf of even older contentions which date back to Plato. The (...) very structure of Freud's theory of the mind can, indeed, be seen as the result of adjustments made in Nietzsche's psychology - adjustments which, in effect, amount to restatements of Platonic esthetic, political and social doctrine. (shrink)

The ‘Platonic Ideas’ in Schopenhauer’s metaphysics are appearances. On the other hand, as the immediate objecthood of the will, they are the essences of species and the only object of true aesthetic cognition, which leads beyond mere appearance. To explain this apparent incongruence, I offer an analysis of Schopenhauer’s early metaphysics, and its transformation into the metaphysics of will, fleshing out the several and divergent concepts of ‘idea’. Specifically, first, as part of his religious and neo-Platonic early philosophy; second, in (...) the context of his ‘true criticism’ in the spirit of Kantian transcendental philosophy; third, as identical to the thing in itself as part of the metaphysics of will, heavily influenced by Kant’s notion of ideas from CR and CJ. Explaining Schopenhauer’s mature notion of Platonic Ideas genetically as a set of homonymic notions helps us better explain its divergent meanings in WWR. (shrink)

Resumen: La influencia de Schopenhauer en la filosofía de la ciencia del siglo XX ha sido poco estudiada. En este artículo defiendo que la teoría del conocimiento de Schopenhauer impulsó históricamente la idea de que al menos un objetivo de la investigación científica estriba en la exploración tenaz y creativa del potencial heurístico de un sistema teórico, de una matriz disciplinar o de un programa de investigación científica. Sostengo que en ella también se origina una ambigüedad en el significado de (...) los conceptos de descubrimiento objetivo e innovación epistémica.: Little research has been done on Schopenhauer’s influence on twentieth-century philosophy of science. This article defends the thesis that Schopenhauer’s epistemology historically promoted the idea that at least one of the objectives of epistemic research is the tenacious and creative exploration of heuristic potential of a theoretical system, a disciplinary matrix and a scientific research program. I further state that his theory of science leads to ambiguity about the meaning of concepts such as objective discovery and epistemic innovation. (shrink)

The aim of this talk/paper is to briefly describe the influences on a human being that result in the feelings of helplessness, selfish attachment to objects and/or people, indifference, and a tendency to seek refuge in political, corporate, or religious hierarchies. Man as a social being is today faced with a situation of having to realize his or her personality within a “sick society” that neglects its members and overemphasizes hierarchical structures. The paper also aims at detecting the impact of (...) the media on the production of depressive passivity that prevents empathy and creates a “prison without walls.” A special dimension of the presentation has been to connect Freud’s interpretation of narcissism with the contemporary spread of this phenomenon due to the powerful influence of modern mass media. Narcissism as a phenomenon goes beyond the field of psychology and becomes a kind of behavioural matrix that can have far-reaching effects on all dimensions and forms of organizing social communities. (shrink)

This is a very important contribution to the slowly emerging literature on psychoanalysis and time. By examining the influences on Freud's thinking about time and the development of what were his mostly implicit ideas about temporality, Kelly Noel-Smith offers a lively and impeccably scholarly new way of understanding the background to current developments in psychoanalytic theory and practice." - Professor Stephen Frosh, Birkbeck, University of London, UK. "Dr Noel-Smith displays deep knowledge of Freud's oeuvre, the relevant Ancient Greek (...) sources that Freud drew upon, and modern philosophical thought. Her expertise is synthesized into a well-organized inquiry into what Freud thought about time. I learned a huge amount from reading this clear, well-informed and profound exposition." - Professor Charles Stewart, University College London, UK. Time and timelessness are fundamental principles of psychoanalysis yet Freud does not present a consolidated theory of temporality. In this book Kelly Noel-Smith pieces together Freud's scattered 'hints' and 'suspicions' about time and its negative, timelessness. She traces a careful temporal trail through Freud's published works and his daunting Nachlass, and provides a compelling reason as to why Freud kept his remarkable thoughts about time to himself. Kelly Noel-Smith combines a career in law with an academic interest in psychoanalysis and philosophy. (shrink)

Review Symposium on John Forrester and Laura Cameron’s Freud In Cambridge.

This article discusses the influence that Schopenhauer’s thought had on Mihai Eminescu’s work with reference to the idea of “pessimism.” It also considers Schopenhauer’s influence on Romanian philosophy and literature at the end of the nineteenth century. We shall examine Eminescu’s alleged “Schopenhauerian pessimism,” considering firstly “pessimism” as a part of Eminescu’s “myth.” Secondly, we shall cover the critical reception of Eminescu’s “Schopenhauerian pessimism,” discussing the existing literary and philosophical scholarship. Finding that there are issues for debate regarding (...) Schopenhauer’s alleged influence upon Eminescu, we argue that Eminescu’s “Schopenhauerian pessimism” may be a “legend.” The article examines the connection between Eminescu and one of Schopenhauer’s most influential followers, Eduard von Hartmann. (shrink)