This chapter contains sections titled: Games Form a Family What Is Common to All These Leaves? Expressions Constructed on Analogical Patterns The Human Form of Life Clusters and Families A Case for Methodological Pluralism.

In this paper we extend Wittgenstein’s notion of family resemblance to translation, interpretation, and comparison across traditions. There is no need for universals. This holds for everyday concepts such as green and qing 青, philosophical concepts such as emotion and qing 情, as well as philosophical categories such as form of life and dao 道. These notions as well as all other concepts from whatever tradition are family resemblance concepts. We introduce the notion of quasi-universal, which (...) connects family resemblance concepts from a limited number of traditions. The possibility and necessity of extending family resemblance concepts across traditions dissolves the false antinomy of universalism versus relativism. (shrink)

"Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn to Christianity. Nietzsche (...) contrasts Wagner's decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works. (shrink)

This dissertation presents an objection to Wittgenstein's concept of family resemblances, three possible solutions to the objection, evaluations of the solutions, and a sketch of Wittgenstein's approach to the objection. My thesis is that none of the three proposed solutions is satisfactory, but that Wittgenstein can deal with the objection. ;Chapter I presents the Problem of the Under-Determination of Extension, the claim that family resemblances are not enough to explain the extension of a concept, (...) since resemblances may be postulated between cases falling under different concepts. ;Chapters II and III discuss three solutions proposed by commentators on family resemblances. The Basic Predicates Solution claims that points of family resemblance are sufficient conditions, and is incorrect since Wittgenstein denies that one can infer the applicability of a concept based on the presence of a resemblance to an instance of the concept. The Simple Properties Solution claims that only some concepts are family resemblance concepts, and depend upon concepts which are not family resemblance concepts, and is incorrect, since Wittgenstein does not require that family resemblance concepts be reducible to non-family resemblance concepts. The Bi-Directional Determination of Concepts Solution is the claim that a concept is determined by an interaction between facts about cases subsumed under it, and needs and purposes of language-users. This solution is non-Wittgensteinian by ignoring the ramifications of his concepts of grammar and language-games. ;Chapter IV argues that Wittgenstein deals with the original objection by developing new models for understanding language, involving the concepts of grammar and language-games. (shrink)

We argue that all general concepts are family resemblance concepts. These include concepts introduced by ostension, such as colour(s). Concepts of colour and of each of the specific colours are family resemblance concepts because similarities concerning an open‐ended range of colour or of appearance features crop up and disappear. After discussing the notion of “same colour” and Wittgenstein's use of the phrase “our colours”, we suggest family resemblance concepts in one tradition can often (...) be extended to family resemblance concepts in another tradition, illustrated by Wittgenstein's use of the words Spiel and “game”. (shrink)

We argue that all general concepts are family resemblance concepts. These include concepts introduced by ostension, such as colour. Concepts of colour and of each of the specific colours are family resemblance concepts because similarities concerning an open-ended range of colour or of appearance features crop up and disappear. After discussing the notion of “same colour” and Wittgenstein's use of the phrase “our colours”, we suggest family resemblance concepts in one tradition can often (...) be extended to family resemblance concepts in another tradition, illustrated by Wittgenstein's use of the words Spiel and “game”. (shrink)

Resumen Según la tesis principal de este artículo, para articular el alcance e interés del tema wittgensteineano de los parecidos de familia se requiere ver en él, no una respuesta a la pregunta por lo que sea un concepto en general, sino una propuesta de carácter metodológico. Dos preguntas orientan la parte central del texto: (1) ¿Qué significa “conceptos de parecidos de familia”? (2) ¿Cuáles serían los conceptos en cuestión? Con respecto a (1), intento mostrar que el término no es (...) unívoco: un primer sentido dice relación con el dictum de los “parecidos que se superponen y entrecruzan” (IF 67) y se diferencia de un segundo sentido asociado al tema de los “bordes borrosos” (IF 71). Con apoyo en esta distinción ofrezco una respuesta a (2): en el primer sentido del término, no existe ningún concepto de familia, mientras que de acuerdo con el segundo todos los conceptos lo son. En la parte final propongo reinterpretar el tema en clave metodológica. Afirmar que conceptos como los de lenguaje, comprender, pensar, etc., son conceptos de familia significa que la reflexión filosófica sobre ellos no pasa fundamentalmente por buscar definiciones; que tanto o más importante es la cuidada descripción de ejemplos paradigmáticos, como “centros de variación” (EPB 190). Abstract According to the main thesis of this article, in order to articulate the scope and interest of Wittgenstein’s family resemblances topic, we should see into it not an answer to the question what concepts in general are, but a methodological proposal. Two questions guide the central part of the text: (1) What does “family-resemblances concepts” mean? (2) What concepts fall within the corresponding class? Regarding (1) I try to show that “family-resemblances concepts” is not an unequivocal term: a first sense has to do with the dictum of “similarities overlapping and criss-crossing” (IF 67) and is to be distinguished from a second sense associated with the topic of “blurred edges” (IF 71). This distinction lies behind the answer I offer to (2): in the first sense of the term, there is no family concept at all, while according to the second sense all concepts are of this kind. In the final part I propose a reinterpretation of the issue from a methodological perspective. To say that concepts like language, understanding, thinking, etc. are family concepts means that the philosophical reflection on them should not centre on the praxis of looking for definitions. As important ―maybe more important― as that it’s the careful description of paradigmatic examples, as “centers of variation” (EPB 190). (shrink)

It is a commonly raised argument against the family resemblance account of concepts that there is no limit to a concept's extension. An account of family resemblance which attempts to provide a solution to this problem by including both similarity among instances and dissimilarity to non-instances has been developed by the philosopher of science Thomas Kuhn. Similar solutions have been hinted at in the literature on family resemblance concepts, but the solution has never (...) received a detailed investigation. I shall provide a reconstruction of Kuhn's theory and argue that his solution necessitates a developmental perspective wchich builds on both the transmission of taxonomies between generations and a progressive development through history. (shrink)

Wittgenstein's remarks about family resemblance in the Philosophical Investigations should not be construed as implying a comprehensive theory of universals. They possess, rather, a defensive function in his exposition. The remarks allow one, nevertheless, to draw certain general conclusions about how Wittgenstein thought about concepts. Reflection on the notion of family resemblance reveals that kinship and similarity considerations intersect in it in a problematic fashion.

Ben-Yami presents Wittgenstein’s explicit criticism of the Platonic identification of an explanation with a definition and the alternative forms of explanation he employed. He then discusses a few predecessors of Wittgenstein’s criticisms and the Fregean background against which he wrote. Next, the idea of family resemblance is introduced, and objections answered. Wittgenstein’s endorsement of vagueness and the indeterminacy of sense are presented, as well as the open texture of concepts. Common misunderstandings are addressed along the way. Wittgenstein’s ideas, (...) as is then shown, have far-reaching implications for knowledge of meaning and the nature of logic, and with them to the nature of the philosophical project and its possible achievements. (shrink)

The so-called ‘‘species problem’’ has plagued evolution- ary biology since before Darwin’s publication of the aptly titled Origin of Species. Many biologists think the problem is just a matter of semantics; others complain that it will not be solved until we have more empirical data. Yet, we don’t seem to be able to escape discussing it and teaching seminars about it. In this paper, I briefly examine the main themes of the biological and philosophical liter- atures on the species problem, (...) focusing on identifying common threads as well as relevant differences. I then argue two fundamental points. First, the species problem is not primarily an empirical one, but it is rather fraught with philosophical questions that require—but cannot be settled by—empirical evidence. Second, the (dis-)solution lies in explicitly adopting Wittgenstein’s idea of ‘‘family resemblance’’ or cluster concepts, and to consider spe- cies as an example of such concepts. This solution has several attractive features, including bringing together apparently diverging themes of discussion among bio- logists and philosophers. The current proposal is con- ceptually independent (though not incompatible) with the pluralist approach to the species problem advocated by Mishler, Donoghue, Kitcher and Dupre ́, which implies that distinct aspects of the species question need to be emphasized depending on the goals of the researcher. From the biological literature, the concept of species that most closely matches the philosophical discussion pre- sented here is Templeton’s cohesion idea. (shrink)

I develop in this paper a conception of artefacts based on L. Wittgenstein’s idea of family resemblance. My approach peruses the notion of frame, which was invented in cognitive psychology as an operationisable extension of this philosophical idea. Following the metaphor of life-cycle I show how this schematic notion of frame may be filled with the content relevant for artefacts if we consider them from the point of view of their histories. The resulting conception of artefacts provides a (...) new insight into the current debate on artefact categorisation. (shrink)

The paper explores how Wittgenstein and Waismann interpreted Goethe’s ideas from The Metamorphosis of Plants. These ideas laid the foundation for Wittgenstein’s concept of “family resemblance”, which Waismann also embraced in The Principles of Linguistic Philosophy. However, the paper argues that Wittgenstein’s and Waismann’s metaphilosophical implications evolved differently in their later works. Notably, it is Waismann, rather than Wittgenstein, who took these ideas to their extreme, concluding in How I See Philosophy that all forms of philosophical theorizing (...) should be rejected. By contrast, Wittgenstein rejected only the kind of theorizing in philosophy which aims at offering monistic and reductionist explanations of key philosophical concepts. (shrink)

This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which (...) Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ("athlete-in-motion is forever frozen") can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's "Nude Descending a Staircase." Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. "Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of "static" rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian." Prof. Kathleen Higgins. (shrink)

Even though there is an ineluctable abyss between Analytic and Continental Philosophy, it is not hard to argue that in his later works Ludwig Wittgenstein draws a closer philosophical attitude to the latter in terms of that the notions developed by him, such as language-games, family resemblances, meaning-in-use or rule-following, apart from his earlier nomological approach to language, leave room for various understandings and uncertainty in language. In the present work, my primary task is to concentrate on the close (...) relationship between the Wittgenstein’s notion of family resemblances and Gadamer’s idea of the fusion of horizons. But both philosophers, coincide in criticizing the authority of the Cartesian subject and private language and in allowing different understandings and uncertainty in language. Starting from this point of view, the linguistic turn, I will turn my remarks on the question how we learn color concepts since the structure of these concepts radically differs from the words that are able to subject to ostensive definitions. This last section will also offer a hermeneutical reading of Wittgenstein’s notion of family resemblances. (shrink)

In this paper I have two objectives. First, I attempt to call attention to the incoherence of the widely accepted anti-essentialist interpretation of Wittgenstein’s family resemblance point. Second, I claim that the family resemblance idea is not meant to reject essentialism, but to render this doctrine irrelevant, by dissipating its philosophical force. I argue that the role of the family resemblance point in later Wittgenstein’s views can be better understood in light of the provocative (...) aim of his philosophical method, as stated (for instance) in PI 133: “[t]he philosophical problems” - associated with essentialism in this case, "should completely disappear". (shrink)

This paper aims to pay tribute to Figal’s comprehensive and innovative analysis of the artwork and beauty, while challenging both his realist position on the immediacy of meaning and his monist stance that reduces sublimity to beauty. To enquire into the origin of aesthetic feelings and sense, and thus, to break the hermeneutic circle, we first trace the origin of this reduction to the reception of Burke’s concept of the sublime by Mendelssohn and Kant. We then recur to Husserl (...) and Dufrenne to trace the origin of the sense of the feeling of sublimity in the realm of affectivity or sensuousness. This genesis takes place in passive experience, where we identify an excess of sensuous sense over categorial meaning that is constitutive of the affective sense that our bodily sensations give to hyletic material. It is argued that this sensuous excess evokes a sublime experience in the phenomenological sense, involving an affective and disruptive bodily experience and an endless process of sense formation. Affective or sensuous sense is thus an event that irreversibly affects the bodily surface. To elucidate this phenomenon, we draw on the theoretical framework of Breton and Bataille, positing it as a form-transgressive ‘convulsive’ sublime, which we then illustrate in the architectural works of Tschumi and Eisenman. In short, we have retrieved the origin of aesthetic experience and redefined the feeling of the sublime as a phenomenological ‘convulsive’ sublimity. (shrink)

Recent Anglophone scholarship has successfully shown that Nietzsche's thought makes important contributions to a wide range of contemporary philosophical debates. In so doing, however, scholarship has lost sight of another important feature of Nietzsche's project, namely his desire to challenge the very conception of philosophy that has been used to assess his merits as a philosopher. In other words, contemporary scholarship has overlooked Nietzsche's contributions to metaphilosophy, i.e. debates around the nature, methods, and aims of philosophy. This important new collection (...) of essays brings together an international group of distinguished scholars to explore and discuss these contributions and debates. It will appeal to anyone interested in metaphilosophy, Nietzsche studies, German studies, or intellectual history. (shrink)

I argue that close examination of Wittgenstein’s remarks on family resemblances shows that he is proposing a theory about the development of language over time. According to this theory, a concept is enlarged to a newly discovered object when it is similar to other objects falling under this concept. However, being empirical, theories of language-development cannot be regarded as philosophical positions. I therefore argue that Wittgenstein puts forward this theory only for therapeutical reasons. He thereby wants to (...) bring the metaphysical question “Why do we call all games ‘games’?” back to its everyday use. (shrink)

Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, (...) and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book. (shrink)

The purpose of this book is to examine and explicate a definition given in Philosophical Investigations. The definition of the meaning of a word is that "the meaning of a word is its use in the language." Hallett understands this as a definition in the strict sense of the word. In Chapter I, the author looks to the Tractatus for its treatment of the picture theory of meaning and the Bedeutung/sinn distinction. The conclusion which he pulls from the early work (...) is that, for Wittgenstein, meaning was already in a proposition by way of the meaning of names. Yet, only in the use or application, i.e., in a proposition with sense is meaning revealed. Although the Tractatus is far from saying that meaning is use, certain guiding themes are elaborated and carried into later works; namely, the search for meaning, the impossibility of meaning outside use, and meaning as revealed by use. Chapter II, III, and especially IV bear the brunt of establishing Hallett’s thesis that Wittgenstein presented a significant and sound definition. He begins by showing what Wittgenstein proved meaning not to be: meaning is not images, objects, mental referents, nor feelings. All of these theories have convincing confirmation in certain respects, yet analysis, i.e., observation of the actual working of language, shows each to be too narrow. In making his transition to the true definition, the author shows Wittgenstein elaborating the theses that meaning is to be found in the system or context of language. These are elaborated only to be cast aside as were the previous suggestions. The pattern elicited from these examinations is that meaning is use and, hence, defined as such. To explicate the definition, Hallett presents and examines seven characteristics of use: complexity, regularity and utility, abstraction, openness, vagueness, variety, and family resemblances. The book concludes with a consideration of the major objections to Wittgenstein’s definition. There are too many objections presented to be handled justly. For the most part, the argument is superficial, usually presuming a familiarity with the issue, and with but an indication of how the objection could be handled. The strength of the book is that it gives an organization to Wittgenstein’s later thinking, especially by way of the above-mentioned seven characteristics. In identifying and elucidating them, Hallett does Wittgenstein students a great service. Its chief weakness, although pale in regard to the overall worth, is that the main thesis is not firmly established. To say that a precise and complete definition is given is contrary to what is maintained throughout the Investigations, and perhaps a serious misreading of the German word, erklaren, as the precise English phrase, "to define." There are extensive notes and an adequate index.—W. A. F. (shrink)

The article begins by considering Wittgenstein’s notion of family-resemblance concepts. The article purports to defend that there is something wrong with the idea that language is a family-resemblance concept, that is, that we take behaviour as being linguistic merely in virtue of undetermined similarities with paradigmatic linguistic behaviour. In order to achieve this goal, it is first clarified in which sense so-called psychological concepts are not family-resemblance concepts. The essential link between the use (...) of the expressions “language” and “linguistic behaviour” and the use of some expressions conveying psychological concepts, such as “saying something”, is then demonstrated. (shrink)

In this paper, I examine the three interpretations of sections 65-67 in Wittgenstein’s Philosophical Investigations, where he answers the question “do we call different things by the same word because of a common feature?” Interpretation A holds that we call different things by the same word because of overlapping similarities between them; Interpretation B adopts a socio-historical reading, where concepts evolved and extended historically on the basis of some similarities; and interpretation C includes aspects of the first two interpretations, but (...) sees similarities as just one of several kinds of relations and affinities between concepts which explain why we call different things by the same word. Through an investigation of Wittgenstein’s answer and the objections made to interpretation A, I argue that interpretation C, although not prominent in the secondary literature, provides better answers to the objections raised. (shrink)

This paper addresses the questions raised by the evidence presented that many cardinal psycho-analytic notions bear a strong resemblance to the ideas of Schopenhauer and Nietzsche. In the process, the author considers not only that the 19th century Zeitgeist, given its preoccupation with the unconscious, created a fertile ground for the birth of psychoanalysis, but the influence on the Weltanschauung of Freud, Schopenhauer and Nietzsche of their common German cultural heritage, their shared admiration for Shakespeare and love of (...) Hellenic culture, and the meteoric rise of science. Although influence may not be sharply separated from confluence, the parallels between Freud's concepts and those of Schopenhauer and Nietzsche are too specific to be coincidental. And yet, Freud vehemently denied ever having read these philosophers’ works until “very late in life”. It is suggested that an unconscious sense of guilt may have induced that denial.This study adopts a cross-sectional approach that juxtaposes Freud's cardinal concepts with the ideas of Schopenhauer and Nietzsche. Its tripartite structure has the advantage of observing similarities and differences not only between Freud and the two philosophers, but also between Nietzsche and Schopenhauer. The focal concepts include: the unconscious; ego, id and superego; libido; drives; repression; sublimation; dreams; catharsis; free association; primary and secondary process thinking; Oedipus complex; repetition compulsion; the pleasure principle; mourning and melancholia; a criminal from a sense of guilt; and the death instinct. (shrink)

Wittgenstein's complex and demanding work challenges much that is taken for granted in philosophical thinking as well as in the theorizing of art, theology, science and culture. Each essay in this collection explores a key concept involved in Wittgenstein's thinking, relating it to his understanding of philosophy, and outlining the arguments and explaining the implications of each concept. Concepts covered include grammar, meaning and meaning-blindness language-games and private language, family resemblances, psychologism, rule-following, teaching and learning, (...) avowals, Moore's Paradox, aspect seeing, the meter-stick, and criteria. Students new to Wittgenstein and readers interested in developing their understanding of specific aspects of his philosophical work will find this book very welcome. (shrink)

Recent years have seen an increasing amount of studies of the history of the term “religion” and how it figures in conceptions of “the secular” and of cultural differences generally. A recurrent theme in these studies is that “religion” carries associations with Protestant Christianity and thus is not as universal a category as it might appear. The aim of this paper is to explore some resources in Wittgenstein’s philosophy to obtain greater clarity about the contexts of ascription of religion-status to (...) various phenomena and thus to gain perspective on claims made by scholars who investigate the genealogy of the term. While there is good reason to be circumspect about uncritical use of the term “religion” (no less in philosophizing about religions or conducting interreligious dialogue), I argue that instead of abandoning the term or proffering a critical theory of religion, investigation of ascriptions of religion will help philosophers to perceive more clearly the social dynamics that have led to some- one or thing being called religious and thus avoid equivocations that could obstruct the ends of philosophical inquiry or dialogue. (shrink)

With Imagining Karma, Gananath Obeyesekere embarks on the very first comparison of rebirth concepts across a wide range of cultures. Exploring in rich detail the beliefs of small-scale societies of West Africa, Melanesia, traditional Siberia, Canada, and the northwest coast of North America, Obeyesekere compares their ideas with those of the ancient and modern Indic civilizations and with the Greek rebirth theories of Pythagoras, Empedocles, Pindar, and Plato. His groundbreaking and authoritative discussion decenters the popular notion that India was (...) the origin and locus of ideas of rebirth. As Obeyesekere compares responses to the most fundamental questions of human existence, he challenges readers to reexamine accepted ideas about death, cosmology, morality, and eschatology. Obeyesekere's comprehensive inquiry shows that diverse societies have come through independent invention or borrowing to believe in reincarnation as an integral part of their larger cosmological systems. The author brings together into a coherent methodological framework the thought of such diverse thinkers as Weber, Wittgenstein, and Nietzsche. In a contemporary intellectual context that celebrates difference and cultural relativism, this book makes a case for disciplined comparison, a humane view of human nature, and a theoretical understanding of "family resemblances" and differences across great cultural divides. (shrink)

This book first published in the year 2021 June. Paperback: 240 pages Publisher: Kuhn von Verden Verlag. Includes bibliographical references. 1). Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 19th century. 5). Philosophy, German and Greek Influences Metaphysics. 6). Nihilism (Philosophy). 7). Eternal return. I. Nietzsche, Friedrich Wilhelm, 1844-1900. II. Ferrer, Daniel Fidel, 1952-.[Translation from German into English of Friedrich Nietzsche’s notes of 1881]. New Translation and Notes by Daniel Fidel Ferrer. Many of (...) the notes have never been translated into English before. Go inside the workshop of a great philosopher's mind and read these notes. Table of Contents Introduction and Preface (Pages: 1-11 ) Notebook: 11 = M III 1. Spring - Autumn 1881 11 [1 to 348] (Pages: 12-167 ) Nietzsche’s Notebooks in English: a Translator’s Introduction and Afterward (Pages: 168-183 ) The thought of the eternal return of the same (Pages: 184-197 ) Later Recapitulation note of 1888 14 [188] (Pages: 198-204 ) Rejection of the idea of eternal (Pages: 205 ) Translation of 4 notes by Nietzsche on Perspectivism (Pages: 206-210 ) Nietzsche gets some final few words (Pages: 211-216 ) Bibliographies (Pages: 217-236 ) Project started in summer of 2012. No one else has read this book for errors. As always, any errors, mistakes or oversights etc. are mine alone. Given a couple more years, I could improve this book. This is a philosophical translation and not a philological translation. If you want to get in to more philological details you must learn German (see Nietzschechannel plus many published books on the topics). Translation notes. I have not tried to fix, polish-up, or clarify Nietzsche’s unpublished writings. Some of the translator have really refined Nietzsche’s ideas and positions. I have not “fixed” Nietzsche. I have not dropped or added words or changed the wording to make Nietzsche’s position clearer or stronger (others have done enough damage). Learn German and read the texts in German – my best recommendation and advice to you the reader. There are groups on the internet that work on all the details of translating Nietzsche’s remarks. There are many nuances and shades of the meaning in attempting to translate anyone’s language. Some words I could not translate from German and French; and I left those few words in German, but more words in French. I think most of the French texts are quotes that Nietzsche wrote down from French authors that he was reading at the time he wrote these notes. Reader beware. There are many historical and philosophical allusions as in all of Nietzsche’s philosophical writings and these notebooks are similar. Remember these are “notebooks” and include lots of notes or jottings -- and these are neither fragments nor polished drafts for publication. Nietzsche may have written these notebooks from back to front and re-used various notebooks at a later time. In the German text there are missing punctuations marks, missing quotation marks, missing words, abbreviation of words, miss numbered section, working table of contents for project books he wanted to publish, projects outlined, quotes without quote marks. Enjoy reading and thinking with Nietzsche in his unpublished notes. (shrink)

In this work I defend, not the content, but, rather, the logical coherence of Descartes’s system by insisting on the ontological priority of substance over attributes in spite of the fact that Descartes seems, on occasion, to suggest otherwise. This, in turn, however, allows us to better grasp the nature of Descartes’ Augustinian conception of the soul, and what it might resemble should it be granted God’s concurrence, and, thus, eternal life. At the same time, I demonstrate, by means of (...) his Thomistic inheritance, the philosophically sound reasons why Descartes leaves these issues somewhat opaque. Finally, these reflections lead us to Nietzsche, and by contrasting the latter’s thoughts on science and freedom to those of Descartes we are led to what, for Nietzsche, would be the ultimate desideratum of such Cartesian longings for the ‘tranquility’ and ‘happiness’ of life-everlasting: a ‘will to nothingness.’. (shrink)

이 글의 목적은 분석미학사에서 이뤄졌던 ‘예술의 열린 개념’ 논쟁을 검토하고, 비트겐 슈타인의 ‘가족유사성’ 개념에 제기되는 상대주의 문제를 ‘자연사’에 대한 이해와 ‘미학적 인간의 공공성’의 관점에서 완화하는 데 있다. 먼저 예술의 열린 개념 논제는 ｢미학에서 이론의 역할｣(1956)이라는 와이츠의 논문으로부터 출발한다. 와이츠는 이 논문에서 예술 을 필요충분조건으로 정의할 수 없는 열린 개념이라고 규정하고, 가족유사성에 근거한 예 술 정의의 가능성을 제시했기 때문이다. 그러나 후기 분석미학자인 캐럴은 예술의 열린 개 념 논제를 ‘정의불가론’이라는 회의주의자의 논변으로 분석한다. 그 주된 근거는 가족유사 성이 ‘전시적인’ 유사성에 토대를 둔다는 데 (...) 있다. 캐럴은 이 유사성에 제약이 없다면 1) 모든 것이 예술이 된다는 상대주의적인 결론을 함축하게 되거나, 2) 그러한 함축을 피하기 위해 필요 또는 충분조건을 제시하는 순간 더 이상 유사성에 기반한 정의를 실현할 수 없 는 조건적 정의가 된다고 비판한다. 이 문제에 필자는 와이츠의 문제의식과 비트겐슈타인 의 가족유사성 개념을 다시 옹호함으로써, 예술은 열린 개념이라고 주장한다. 대신 가족유 사성의 제약적 구조는 후기 비트겐슈타인 언어에 대한 자연사적 이해와 문화인류학자로서 디사나야케가 제공하는 ‘예술화’ 개념의 공공성을 통해, 예술의 기원에 관한 발생론적 해 명을 필요로 한다고 밝힌다. 그 결과 이 글은 예술 정의 문제에서 비트겐슈타인적인 탐구 의 방향은 여전히 유효하다고 제안한다. (shrink)

The multiple sources and functions of Heraclitus in Nietzsche’s writings should not be underestimated. Nietzsche’s early readings of Heraclitus are steeped in the Greek fragments, the doxographical tradition, and in philological scholarship. Hence, they are largely either fair interpretations of the extant fragments, clear translations of a select group of fragments into his own language, or improvisations based in part on a narrow subset of the spurious remarks set down in the doxographical tradition. Nietzsche’s later departures from this tradition (...) articulate an anti-metaphysical Heraclitus that he found in the Heraclitean fragments, which he takes to prefigure and later parrot his doctrines of becoming, the child, strife, chance, and eternal recurrence. For this reason, Nietzsche’s Heraclitus is necessarily no objective, individual historical person, but at various times and to various degrees a copy, an appropriative invention, and a personal-philological-philosophical archetype filtered through the lenses of ancient Greek understandings of how he must have lived, given what he said and what philosophy is; nineteenth-century German philological reconstructions of Heraclitean thought; and Nietzsche’s own need for such a precursor to voice his own doctrines and thereby lend them heft against the Platonic tradition of metaphysical philosophy. (shrink)

This is a composite review of three intriguing and provocative books that address the interconnections between East Asian and Western philosophy. Firstly, in _Phenomenology and Intercultural Understanding: Toward a New Cultural Flesh_, Kwok-Ying Lau thinks that phenomenology can help construct a “cultural flesh” between civilizations that encourages East-West philosophical dialogues, and that China needs to adopt Western terminology to facilitate an intercultural engagement. Merleau-Ponty’s “inter-world” can help this bridge. Secondly, in _Fundamentals of Comparative and Intercultural Philosophy_, Lin Ma and Jaap (...) van Brakel argue that Chinese thinkers of the modern world invent “Chinese philosophy” in order to engage with Western thought. In a distinct fashion, they incorporate a Wittgenstein-inspired scenario whereby the necessary precondition for comparative intercultural philosophy is the “attitude-toward-a-soul principle” alongside the “family resemblance principle” which includes the “no need to speak the same language principle” or no need for one tradition to adopt another’s terminology. Thirdly, in _Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought_, Eric S. Nelson proposes that intertextual analysis opens multi-dimensional spaces of interpretation to situate changing views of East-West encounters in Germany ranging from Hegel and Kant to Buber and Heidegger. Daoism, Confucianism, Chan and Zen Buddhism are sites for examination by Western thinkers that open portals to East Asian culture and philosophy. (shrink)

This book about philosophy of medicine bestows a bottom-up and not a top-down approach. It starts from clinical medicine and epidemiology, analyzing their interrelations with philosophical instruments. The book criticizes the constant search for generalities and the essentialism that too often characterizes this discipline, which results in philosophers of medicine dialoguing with each other without direct contact with medical science. In the light of Ludwig Wittgenstein's philosophy, this book proposes an approach to the philosophy of medicine based on the (...) quorum of language, what Wittgenstein calls family resemblances. In this way the author establishes a philosophy of medicine that is closely related to the medical clinic and to public health and as such avoids armchair philosophy. “Don’t think, but look", wrote Wittgenstein. (shrink)

This paper attempts to elucidate Wittgenstein’s remark about the “strange resemblance between a philosophical investigation (especially in mathematics) and an aesthetic one” from 1937 by looking at its textual and philosophical context. The conclusion is that the remark can be seen both as a description of a particular conception of philosophy, a prescription or declaration of intent (to proceed in a particular way), and a reminder (to Wittgenstein himself) about the form of a philosophical investigation. Furthermore, it is concluded (...) that the Darstellungsform he has in mind is the one that finds expression especially in the first part of the PI. (shrink)

Wittgenstein's notorious sample of a ‘complete primitive language’ is often thought to be closer in kind to animal forms of communication than human language. Indeed, it has been criticised on precisely these grounds. But such debates make little sense if we take seriously Wittgenstein's idea that language is a family resemblance concept. So, rather than argue that the builders’ game ‘really is a language’, I propose to turn the debate on its head and welcome the (...) comparison. By changing our perspective in this way, I suggest that we can see that the learning of language is crucially dependent on forms of communication that are animal in nature. I then discuss how these lessons might shed light on empirical research into both the ontogenetic and phylogenetic origins of linguistic communication. (shrink)

In this paper, I explore Wittgenstein’s conception of a hypothesis as articulated in Chapters XII and XXII of ‘Philosophical Remarks’. First, I argue that in Chapter XII, Wittgenstein draws on his account of infinity to begin to challenge the view that all hypotheses can be proven by empirical evidence. I then argue that in Chapter XXII that Wittgenstein sharpens this conception of hypotheses claiming that no hypotheses can be verified. Finally, I suggest that Wittgenstein’s conception of a hypothesis relates to (...) his practical view of how language functions. (shrink)

This article first surveys the established views on Wittgenstein's relation to analytic philosophy. Next it distinguishes among different ways of defining analytic philosophy—topical, doctrinal, methodological, stylistic, historical, and the idea that it is a family‐resemblance concept. It argues that while certain stylistic features are important, the historical and the family‐resemblance conceptions are the most auspicious, especially in combination. The answer to the title question is given in section 3. Contrary to currently popular “irrationalist” interpretations, (...) Wittgenstein was an analytic philosopher in all phases of his career, albeit an exceedingly exotic one whose style transcends the limits of academic philosophy in general. On the historical understanding he qualifies because he was influenced by and in turn influenced mainly analytic philosophers. On the family‐resemblance conception he qualifies both because he developed and employed logico‐linguistic analysis and because he initiated the linguistic turn and the distinction between philosophy and science that characterizes one important strand in analytic philosophy. (shrink)

In a context in which there is manifest multiplicity in women’s daily lives, feminists have struggled to identify what it uniquely means to be a woman, without falling prey to charges of essentialism. Conscious, however, of the role which collective gender identity plays in providing coherence and motivation to feminist activity, a number of theorists have sought to find a way to retain group cohesion in the face of internal diversity. In this article, the merits and demerits of pre-existing attempts (...) in this regard will be discussed. Having done so, an alternative approach, which builds on Wittgenstein’s concept of ‘family resemblances’, will be put forward and defended. (shrink)

This article explores how a nonreductionist account of Nietzsche's influence on Michel Foucault can enrich our understanding of key concepts in singular works of both philosophers. I assess this exegetical strategy by looking at the two dichotomies Apollinian/Dionysian and ars erotica/scientia sexualis in The Birth of Tragedy and volume 1 of The History of Sexuality, respectively. After exploring the relation between these two dichotomies, I link the science of sexuality to the Apollinian art instinct via the existence of Socratic culture (...) and argue against the "pleasure of analysis" as a sublated form of (Dionysian) ars erotica. These considerations lead to the notions of history in Nietzsche's and Foucault's philosophies that result in situating the polyvalent Ursprung of Greek tragedy and the descent of ars erotica and scientia sexualis in an antimetaphysical and nonteleological picture of historical development.. (shrink)

Connecting poetry and philosophy of language, Philip Mills bridges the continental and analytical divide by bringing together the writings of Nietzsche and Wittgenstein. Through an expressivist philosophy of poetry, he argues that we can understand some of the core questions in the philosophy of language. Mills highlights the continuity of poetic language with ordinary language, and positions Nietzsche and Wittgenstein's thinking as the clearest way to expand the philosophy of poetry. By tracing the expressivist tradition of philosophy of language, (...) this study locates its roots in German Romanticism right through to the work of contemporary expressivists such as Huw Price and Robert Brandom. Where poetry has been difficult to grasp with the traditional philosophical tools used by aestheticians, A Poetic Philosophy of Language operates at the crossroads between philosophy of art and language, proposing a new philosophy of poetry with wide-ranging potentialities. (shrink)

Purpose. The paper is aimed at analyzing in a comparative way the philosophical conceptions of the human, proposed by Ludwig Wittgenstein and Martin Heidegger as the main representatives of the analytic and continental tradition of philosophizing in the XXth century. The theoretical basis of the study is determined by Wittgenstein’s legacy in the field of logical and linguistic analysis, as well as Heidegger’s existential, hermeneutical, and phenomenological ideas. Originality. Based on the analysis of the philosophical works of Wittgenstein and (...) Heidegger, the initial principles of their anthropological concepts in the unity of transcendental preconditions, essential foundations, and correlations to the world in the technosphere are reconstructed. It is demonstrated that, despite the difference in the explanation of the peculiarities in the interpretation of the realm of the transcendental and basic characteristic of the inner world of human, both philosophers emphasized the understanding of the human being through the prism of language and the need for anthropologization of science and technology. Conclusions. Wittgenstein and Heidegger developed their own original considerations on the nature of human being, which fully conform to the basic theoretico-methodological principles of their philosophical conceptions. The former focused on how language reflects a human’s world and serves as a means of expressing their knowledge and aspirations. The latter, on the contrary, interpreted the world as a reflection of language that expresses itself through human. As a supporter of analytic methodology and, accordingly, of accuracy in formulations, Wittgenstein came to the concept of the unspeakable in the process of reflection on the being of human over the language. But in Heidegger’s existential discourse, which is full of metaphors and neologisms, being of human is limited by the concept of Nothing. As a consequence, it is noted that the ontological status of values is transcendental to the world according to Wittgenstein, but it is immanent to the world, according to Heidegger. It is argued that the Austrian thinker developed a linguo-psychological approach to the study of human through the prism of the mental, but the German philosopher comprehended the human on the basis of the concept of self in the ontological sphere. It has been demonstrated that both thinkers have pointed to the challenges faced by humans in the development of science and technology while emphasizing the importance of substantiating their anthropological foundations. (shrink)

This paper discusses the problem of the unity of moral good, concerning the kind of unity that moral good or the concept thereof constitutes. In particular, I am concerned with how Wittgenstein’s identification of various complex modes of conceptual unity, and his introduction of a methodology of clarification for dealing with such complex concepts, can help with the problem of unity, as it rises from the moral philosophical tradition. Relating to this I also address the disputed question, whether Wittgenstein (...) regards good as a family-resemblance concept, and make an attempt to characterize family-resemblance concepts generally by way of their similarities and differences from certain other complex modes of conceptual unity. I argue that whilst Wittgenstein does regard good as a family-resemblance concept, in the Philosophical Investigations he seeks to make a more general methodological point. I conclude with a suggestion of how Wittgenstein’s methodological points can help us to put into a broader perspective famous criticisms of the moral philosophical tradition by Michael Stocker and Bernard Williams, and how Wittgenstein's methods more generally can help to address the problem of the unity of good. This illustrates one way in which Wittgensteinian methods can help resolve disputes in moral philosophy, where the main approaches, Aristotelian, Kantian and utilitarian theories, seem to be locked in a stalemate. As I argue, this situation has to do with their assumptions about the unity of moral good. The response isn’t to reject those theories, however, but to re-interpret them in a way consistent with the Wittgensteinian methodology. (shrink)

A critique of attempts by Charles Travis and others to read contextualism back into Philosophical Investigations. The central interpretive claim is that this reading is not only unsupported; it gets Wittgenstein's intent, in the parts of the text at issue, precisely backwards. The focus of the chapter is on Wittgenstein's treatment of explanation, understanding, proper names, and family-resemblance concepts.

It has been widely recognized that Wittgenstein's theory of family resemblance solved the problem of universals. This theory may be considered in two ways, however. (1) Family resemblance may be understood in a manner of abstract universals theory. Most commentators accept this interpretation. Though in this case, I would argue, Wittgenstein's contribution to the problem of universals seems to be overestimated. (2) Wittgenstein's theory may also be considered, following one of contemporary Polish philosophers (...) J. Szymura, as a view connected with the Hegelian theory of concrete universals. The article is devoted to put forward some arguments for this interpretation. Firstly, it is coherent with all Wittgenstein's theses on family resemblance and states that there is literally nothing common in things. Secondly, it fits to Wittgenstein's language (terms such as "family", "Ähnlichkeit" and so on). Thirdly, there are some biographical pieces of evidence that Wittgenstein was inspired by Goethe's concept of "Urpflanze", which is very close to concrete universal. (shrink)

This paper discusses an important phase in Ludwig Wittgenstein’s analytic philosophy through a comparative examination of the profound correspondences that exist between his concept of silence and the poetics of another crucial authorial figure of the 20th century: James Joyce. Based on the hypothesis that there are striking resemblances between their early works, that is, between Joyce’s realistic short-story collection Dubliners and Wittgenstein’s Tractatus Logico-Philosophicus, the article employs mostly close-reading, analytical-interpretative and comparative methods. It argues that silence was an (...) intentional intellectual, aesthetic and ethical choice of both these authors, their way to preserve the autonomy of metaphysics and to honour the beauty of the unspoken. Starting from their common critical treatment of the habitual and largely alienated speech, the discussion connects Wittgenstein’s philosophical attitudes regarding the imprecision and inadequacy of every-day language and Joyce’s notion of ‘spiritual paralysis’ of the city-life, which he saw as the main motive for writing his collection about fin-desiècle Dublin. On the grounds of their shared views about the limits of words, behind which there are worlds that cannot be properly uttered, the idea of silence – or the highly significant narrative absence – grows to permeate the work of both. In the case of Wittgenstein, it is a call for a new philosophy, or anti-philosophy, which in negating metaphysics in effect preserves its independence from a discursive speech which cannot express it, whereas in the case of Joyce, correspondingly (and almost simultaneously), it is a quest for a new literary mode that will foreground a particular Modernist allusiveness, rhetoric of omission and deliberately incomplete, gnomonical narrative structures. (shrink)

A critique of attempts by Charles Travis and others to read contextualism back into Philosophical Investigations. The central interpretive claim is that this reading is not only unsupported; it gets Wittgenstein's intent, in the parts of the text at issue, precisely backwards. The focus of the chapter is on Wittgenstein's treatment of explanation, understanding, proper names, and family-resemblance concepts.