Could the standard interpretation of Gettier cases reflect a fundamental confusion? Indeed so. How well can epistemologists argue for the truth of that standard interpretation? Not so well. A methodological mistake is allowing them not to notice how they are simply (and inappropriately) being infallibilists when regarding Gettiered beliefs as failing to be knowledge. There is no Gettier problem that we have not merely created for ourselves by unwittingly being infallibilists about knowledge.

Exploring the Illusion of Free Will and Moral Responsibility is an edited collection of new essays by an internationally recognized line-up of contributors. It is aimed at readers who wish to explore the philosophical and scientific arguments for free will skepticism and their implications.

The Appendix to the Transcendental Dialectic of Kant's first Critique is notorious for two reasons. First, it appears to contradict itself in saying that the idea of the systematic unity of nature is and is not transcendental. Second, in the passages in which Kant appears to espouse the former alternative, he appears to be making a significant amendment to his account of the conditions of the possibility of experience in the Transcendental Analytic. I propose a solution to both of these (...) difficulties. With regard to the first, I argue that Kant does not contradict himself. With regard to the second, I argue that Kant is not making any change to his view of the conditions of the possibility of experience espoused in the Transcendental Analytic. The underlying cause of these apparent problems is also their solution: the transcendental illusion that nature is necessarily systematic. (shrink)

In this chapter I consider various potential challenges to free will from the modern mind sciences. After motivating the importance of considering these challenges, I outline the argument structure for such challenges: they require simultaneously establishing a particular condition for free will and an empirical challenge to that condition. I consider several potential challenges: determinism, naturalism, and epiphenomenalism, and explain why none of these philosophical challenges is bolstered by new discoveries from neuroscience and psychology. I then respond to relevant empirical (...) challenges to the role of consciousness and rationality in action. (shrink)

During my childhood I was fascinated by videogames. One game that stands out in my memory is Pacman. It wasn’t the gameplay that interested me so much as the behavior of the ghosts. As you watch them roam around the maze, you get the feeling that they are intelligent. They seem to be making decisions about how best to catch Pacman. But how free are their decisions? One of the interesting things I noticed was that I could play exactly the (...) same game over and over if I moved Pacman in precisely the same way each time. The ghosts always followed the same behavioral pattern and didn’t deviate from that pattern until I changed my pattern. Experimenting with Pacman in this way revealed to me something about the ghosts’ behavior. True, they make decisions, but their decisions are firmly and predictably determined by the way I move around the maze. (shrink)

Ist die Moral Überbleibsel einer vergangenen Welt und als solches nichts weiter als ein Mittel, der eigenen Meinung Autorität zu verleihen? Die Fragen "Warum überhaupt moralisch sein?" und "Gibt es moralisches Wissen?" helfen uns, der Realität der Moral auf die Spur zu kommen.

It has been claimed that empirical work in psychology requires the attribution of representational content to perceptual states: that is, the attribution of veridicality conditions to those states. This is a claim that can only be evaluated by the examination of actual empirical research. In this paper I argue that talk of ‘representation’ in at least one area of research in the psychology of perception can be reinterpreted so as to avoid the attribution of veridicality conditions. This area is the (...) study of human capacities to perceive the relative numerosities of collections of objects. (shrink)

The world looks three-dimensional unless one looks closely, when it looks 3N-dimensional. But which appearance is veridical, and which the illusion? Albert contends that the three-dimensionality of the everyday world is illusory, and that 3N-dimensional wavefunction one discerns in quantum phenomena is the reality behind the illusion. What I try to do here is to argue for the converse of Albert's position; the world really is three dimensional, and the 3N-dimensional appearance of quantum phenomena is the theoretical analog (...) of an illusion; we represent quantum reality to ourselves as 3N-dimensional in order to more readily visualize the correlations between wave packets. (shrink)

This is a preprint draft. Please cite published version (DOI: 10.1111/mila.12385). The aim of this paper is to provide a novel analysis of anorexia nervosa (AN) in the context of the sense of agency literature. I first show that two accounts of anorexia nervosa that we ought to take seriously— i.e., the first personal reports of those who have experienced it firsthand as well as the research that seeks to explain anorexic behavior from an empirical perspective— appear to be thoroughly (...) in tension with one another in their descriptions of anorexic actions. Rather than proceeding at this point by way of disregarding anorexic testimony as meaningless or insincere, I instead offer a positive account of the sense of agency in anorexia nervosa that renders these two depictions compatible. The resultant picture of anorexic behavior is one that accommodates current empirical findings while also providing valuable insight into how it is that anorexics can sincerely report feeling fully in control over their food restriction. (shrink)

Our perceptual experience is largely based on prediction, and as such can be influenced by knowledge of forthcoming events. This susceptibility is commonly exploited by magicians. In the Vanishing Ball Illusion, for example, a magician tosses a ball in the air a few times and then pretends to throw the ball again, whilst secretly concealing it in his hand. Most people claim to see the ball moving upwards and then vanishing, even though it did not leave the magician’s hand (...) (Kuhn & Land, 2006; Triplett, 1900). But what exactly can such illusions tell us? We investigated here whether seeing a real action before the pretend one was necessary for the Vanishing Ball Illusion. Participants either saw a real action immediately before the fake one, or only a fake action. Nearly one third of participants experienced the illusion with the fake action alone, while seeing the real action beforehand enhanced this effect even further. Our results therefore suggest that perceptual experience relies both on long-term knowledge of what an action should look like, as well as exemplars from the immediate past. In addition, whilst there was a forward displacement of perceived location in perceptual experience, this was not found for oculomotor responses, consistent with the proposal that two separate systems are involved in visual perception. (shrink)

In a paper presented at a symposium on structuralism at the Johns Hopkins University in 1968, the historian Charles Morazé analyzed the issue of invention largely with reference to mathematics and the theory of Henri Poincare.1 Poincare, along with the physiologist Hermann von Helmholtz, was the first to put forward a theory of scientific discovery as occurring in discrete phases. In 1926, Joseph Wallas generalized this theory to apply to all creativity, positing phrases which closely resemble those of Morazé. While (...) both Poincare and Wallas use a four-phrase model of invention, Morazé reduces his to three phrases: information, cogitation, and intellection. In information, the inventor becomes familiar with the sign systems and knowledge, the "collective contributions of society," relevant to his field of problems. Cogitation assembles these materials and concentrates them until "a certain moment" when "a light breaks through." This "sudden illumination...forces us to insist upon the neurological character" of the inventive moment. Finally, in intellection, the inventor rationally evaluates the utility of his invention and thus, in a sense, steps outside of himself and rejoins society. The distinction which organizes Morazé 's entire account, as well as most of the discussion that followed his presentation, is between the "collective" support and control of the inventor and his own individual, or "neurological," act of synthesis or creation. · 1. See Charles Morazé 's "Literary Invention," in The Structuralist Controversy: The Languages of Criticism and the Sciences of Man, ed. Richard Macksey and Eugenio Donato, pp. 22-55. Loy D. Martin is an assistant professor of English at the University of Chicago. He has written The Language of Invention, a study of Robert Browning and the genesis of the dramatic monologue. "A Reply to Carl Pletsch and Richard Schiff" appeared in the Spring 1981 issue of Critical Inquiry. (shrink)

A simple experimental paradigm creates the powerful illusion that one is touching one’s own hand even when the two hands are separated by 15 cm. The participant uses her right hand to administer stimulation to a prosthetic hand while the Examiner provides identical stimulation to the participant’s receptive left hand. Change in felt position of the receptive hand toward the prosthetic hand has previously led to the interpretation that the participant experiences self-touch at the location of the prosthetic hand, (...) and experiences a sense of ownership of the prosthetic hand. Our results argue against this interpretation. We assessed change in felt position of the participant’s receptive hand but we also assessed change in felt position of the participant’s administering hand. Change in felt position of the administering hand was significantly greater than change in felt position of the receptive hand. Implications for theories of ownership are discussed. (shrink)

L’irruption de l’image animée dans l’espace de la scène, pour n’être pas récente, réactualise pourtant un vieux débat qui opposerait ceux qui comme Goethe plaident pour de strictes frontières à ceux qui, après Hegel, derrière Wagner et le chapitre V d’ Opéra et Drame (1851), constatent que chaque art, puisqu’il « tend à une extension indéfinie de sa puissance », est commandé par une sorte de loi du « passage à la limite ». La mise en scène de l’avenir est-elle (...) désormais tributaire d’une alliance avec les autres formes artistiques dont le cinéma et la vidéo, ou la vérité du théâtre ne saurait-elle outrepasser les limites de la scénographie « traditionnelle »? Quelques expériences récentes alimentent un débat qui opposait déjà au xviii e siècle les contempteurs de l’opéra face au théâtre : la parole proférée par l’acteur est-elle nécessaire et suffisante ou faut-il y ajouter le « merveilleux » spectaculaire? (shrink)

Le docu-fiction diffusé par la chaîne publique belge en décembre 2006 a servi de révélateur à la reconnaissance publique du clivage grandissant entre les deux communautés francophones et flamandes qui cohabitent dans ce pays. Les réalités culturelles, linguistiques et politiques sont de plus en plus hétérogènes, et favorisent des mouvements centrifuges qui manifestent que l'identité belge ne repose plus sur une base communément partagée. La diversité et le souhait d'une séparation négociée l'emportent désormais sur la volonté d'un "vivre-ensemble".The docu-drama broadcast (...) by Belgian public in December 2006 was revealing to the public recognition of the growing rift between the Flemish and Francophone communities who live in this country. The cultural, linguistic and political are increasingly heterogeneous and promote centrifugal movements which show that Belgian identity is no longer based on a commonly shared. Diversity and the desire for a negotiated separation now outweigh the desire for a "living together". (shrink)

Less salient, lower contrast disks appear to be more numerous than more salient, higher contrast disks when intermingled in equal numbers into the same display, but they are equal in perceived numerosity when segregated into different displays. Comparative judgements indicate that the apparent numerosity of the lower contrast disks is unaffected by being intermingled with high contrast disks, whereas the high contrast disks are reduced in numerosity by being intermingled with the low contrast ones. Here, we report that this (...) class='Hi'>illusion also occurs for absolute judgements of the numerosities of displays of from 20 to 80 disks. A model based on luminance-difference contrast normalization explains the illusory loss of high-contrast items along with veridical perception of the low-contrast ones. The model correctly predicts that perceived numerosity is linearly related to the square-root of the number of disks, with the extent of the illusion depending on an attentionally-weighted function of contrast and assimilation. (shrink)

We seem, or so it seems to some theorists, to experience a rich stream of highly detailed information concerning an extensive part of our current visual surroundings. But this appearance, it has been suggested, is in some way illusory. Our brains do not command richly detailed internal models of the current scene. Our seeings, it seems, are not all that they seem. This, then, is the Grand Illusion. We think we see much more than we actually do. In this (...) paper I shall (briefly) rehearse the empirical evidence for this rather startling claim, and then critically examine a variety of responses. One especially interesting response is a development of the so-called ‘skill theory’, according to which there is no illusion after all. Instead, so the theory goes, we establish the required visual contact with our world by an ongoing process of active exploration, in which the world acts as a kind of reliable, interrogable, external memory (Noe, Pessoa and. (shrink)

The common image of the fully virtuous person is of someone with perfect self‐command and self‐perception, who always makes correct evaluations. However, modesty appears to be a real virtue, and it seems contradictory for someone to believe that she is modest. Accordingly, traditional defenders of phronesis (the view that virtue involves practical wisdom) deny that modesty is a virtue, while defenders of modesty such as Julia Driver deny that phronesis is required for virtue. I offer a new theory of modesty—the (...) two standards account—under which phronesis and modesty are reconciled. Additionally, since the two standards account involves reflection on moral ideals, I provide an account of the proper nature of moral ideals. (shrink)

The passage of time seems to be a fundamental aspect of experience. However, most descriptions of the passage of time itself are incompatible with the four-dimensional block universe model of space and time, in which time is extended like space, and all states of affairs exist equally and eternally in this varied tapestry of space and time. The tension between temporal passage and the block universe seems to leave one with the option of either abandoning the block universe in favor (...) of a metaphysics that can accommodate our experience, or holding that this experience of passage is illusory. I argue for a third option: that we have certain dynamic experiences, which lend themselves to the view that time passes, those dynamic experiences can be accounted for within the block universe model without any additional mechanism, and those dynamic experiences are not illusory, but veridical. (shrink)

Several aspects of Glover's planning–control model (PCM) appear incompatible with existing data. Moreover, there is no logical reason to suppose that separate visual representations should be required for the “planning” and “control” of actions in the first place. Although intuitively appealing, the PCM appears to lack strong empirical support.

Ist unser Bild der Welt nur das Produkt neuronaler Prozesse? Laut Forschern prägen die Eigenarten des Gehirns, was und wie wir wahrnehmen. Trotzdem sei unser Erleben kein Hirngespinst, halten Philosophen dagegen.»Wenn du die blaue Kapsel schluckst, ist es aus«, sagt Morpheus mit bedeutungsschwerem Blick. »Du wachst in deinem Bett auf und glaubst an das, was du glauben willst.« Der Computernerd Neo hat die Wahl: Entscheidet er sich gegen die blaue Kapsel und für die rote, wird er die Wahrheit sehen, verspricht (...) Morpheus. Neo nimmt – logisch: die rote! Im nächsten Moment erwacht er in einem schleimigen Kokon, aufgehängt in einem mit Flüssigkeit gefüllten Tank. Er ist nackt und an diverse Schläuche angeschlossen. Maschinen haben die Herrschaft auf der Erde übernommen und halten sich die Menschheit als Energiespender. Um sie in Ruhe ausbeuten zu können, speisen sie in das Nervensystem der Erdlinge eine Matrix ein: die Welt, wie Neo sie kannte. Sie ist in Wahrheit nichts weiter als eine kolossale Computersimulation. (shrink)

In this paper we argue that, in the Sophist, Plato provides the reader some elements about a revision of his ontology behind the discussion about the nature of non-being. We would want to show that the analysis of the notion of image gives some indications concerning the nature of the sensible, which is usually described as an image of the intelligible.

‘You can’t stop progress’, we are endlessly told. But what is meant by “progress”? What is “progress” toward? We are rarely told. Human flourishing? And a culture? That would be a good start – but rarely seems a criterion for ‘progress’. Rather, ‘progress’ is simply a process, that we are not allowed, apparently, to stop. Or rather: it would be futile to seek to stop it. So that we are seemingly-deliberately demoralised into giving up even trying.Questioning the myth of ‘progress’, (...) and seeking to substitute for it the idea of real progress – progress which is actually assessed according to some independent not-purely-procedural criteria – is a vital thing to do, at this point in history. Literally: life, or at least civilisation, and thus culture, may depend on it.Once we overcome the myth of ‘progress’, we can clear the ground for a real politics that would jettison the absurd hubris of liberalism and of most ‘Leftism’. And would jettison the extreme Prometheanism and lack of precaution endemic to our current pseudo-democratic technocracy. The challenge is to do so in a way that does not fall into complete pessimism or into an endorsement of the untenable and unsavoury features of conservatism. The challenge, in other words, is to generate an ideology or philosophy for our time, that might yet save us, and ensure that we are worth saving.This paper is then a kind of reading of Wittgenstein’s crucial aphorism on this topic: ‘Our civilization is characterized by the word progress. Progress is its form rather than making progress being one of its features.’. (shrink)