The expression “the invisible hand of the market” (from the Adam Smith’s “Wealth of Nations”) sometimes acquires in modern ecomomical and everyday journalism the most unexpected overtones, like “why “the invisible hand of the market» totally disregard writer”? In the area of the scientific economic thinking “the «invisible hand” is interpreted as the objective market mechanism which coordinates the decisions of buyers and sellers. The attempts to analyze the epistemological status of “the invisible hand” are quite (...) rare, especially in the modality of the formation of the Economics as a science. Meanwhile, as it is shown in the article, there is reason to see here the first fundamental step to the origination of the scientific research program of the economic science in the strict sense. The author assumes that phenomena like “the invisible hand of the market” is comparable to what Thomas Kuhn designates as “the metaphysical parts of paradigms”, i. e. basic ontological models, which define peculiar scientific vision of the reality under research. The main difficulty for the scientific rationality in the attempts of generating scientific knowledge about society, was to represent the corresponding processes of human activity in the form of objective reality, which is required by the basic ideological attitude of the science as such. (shrink)

The invisible object, in the eighteenth century, is not an evidence. It is the result of textual and semantic learning. Which concrete strategies are used to construct and depict objects out of sight? How do we make them a cognitive reality acceptable to a scientific community? This paper first highlights the conditions for the emergence of a field of microscopic knowledge and its epistemological consequences. Then we consider the microscopic gaze in terms of learning, situated between the act of (...) observation as such and discursive practices. We conclude by studying a concrete case of “negotiation of the invisible” in a correspondence between Carl Linnaeus and John Ellis concerning corpuscles observed in mushroom infusions. (shrink)

In this paper I will discuss the idea of the invisible hand in the connection of its recent use in the philosophy of science. It has been invoked by some philosophers of science with a naturalistic bent as a part of their account of science. Some have made explicit references to the idea (Hull, 1988a) and others have only presupposed it (Giere, 1988; Goldman, 1991; Kitcher, 1993). I will argue that there are some problematic features in the way the (...) idea of the invisible hand isused inthese accounts. I will first discuss some general properties of the invisible hand explanations and then present some motives for its use in the theory of science. Then I will show how one particular philosopher of science, David Hull, uses the idea. I will use Hull's account as a practising target and offer some comments and criticism in order to promote more disciplined use of this model of explanation in science studies. (shrink)

From time to time our tiny intellectual worlds are simultaneously shaken by big ideas – ideas that, however big they are, have their expiration-date. Such is the case with the idea of the impossibility to find life outside language. In this essay, I picture what I think is the current state of the philosophy of history after the so-called linguistic turn and what I think the direction is where the philosophy of history might be headed by taking into account the (...) important job done by linguistic theories. I regard the abandonment of epistemology and the arrival to the realm of aesthetics as a point of no return, and conclude that a new philosophy of history has to have an aesthetic character. However, due to the omnipotence of language I also detect a narrow constructive potential in linguistic theories and argue that a new philosophy of history has to have the dual task of searching for life outside language while remaining in the realm of aesthetics. As a next step, I identify Frank Ankersmit’s notion of an individual historical experience as a move towards the fulfillment of this dual task. Finally, because Ankersmit’s experience remains mute, in the second half of the essay I attempt to present an outline of the possibility of a fruitful cooperation between the philosophy of history and phenomenology. More precisely, I am trying to synchronize Ankersmit’s notion of an individual historical experience with László Tengelyi’s phenomenological experiments with experience and let Tengelyi speak where Ankersmit “stops talking”. As a result, with the help of Tengelyi, an aperture can be found in language through which experience might worm its way. Due to this fissure, experience might be regarded as an invisible driving force behind linguistic expressions, and thus behind historical writing. (shrink)

With reference to Steven Feld’s “acoustemology,” his epistemology of sounding and listening, developed in the Bosavi Rainforest in Papua New Guinea, where the trees are too dense to afford a distant view and meaning has to be found up close, on the body with other human and more-than-human bodies, this essay deliberates how sound knows in entanglements and from the in-between: in a being with as a knowing with rather than from a distance. In this way, this essay, from (...) the densities of the rainforest, critiques Western knowledge and its reliance on visual categories, straight lines, and universalising principles that pretend objectivity and a distant view. Instead, it turns to the relational indivisibility of sound that lets us hear interdependencies and confronts us with the invisible of which we are part. In conclusion, it proposes that sound studies as applied, transversal studies enable such a paradigm shift that at once reveals what hegemonic knowledge strands exclude and invites a different dialogue from the in-between of everything. (shrink)

Computers have transformed science and help to extend the boundaries of human knowledge. However, does the validation and diffusion of results of computational inquiries and computer simulations call for a novel epistemological analysis? I discuss how the notion of novelty should be cashed out to investigate this issue meaningfully and argue that a consequentialist framework similar to the one used by Goldman to develop social epistemologySocial epistemology can be helpful at this point. I highlight computational, mathematical, representational, and social (...) stages on which the validity of simulation-based belief-generating processes hinges, and emphasize that their epistemic impact depends on the scientific practices that scientists adopt at these different stages. I further argue that epistemologists cannot ignore these partially novel issues and conclude that the epistemology of computational inquiries needs to go beyond that of models and scientific representations and has cognitive, social, and in the present case computational, dimensions. (shrink)

Building on work by Popper, Schweber, Nozick, Sober, and others in a still-growing literature, I explore here the conceptual kinship between Adam Smith''s ''invisible hand'' and Darwinian natural selection. I review the historical ties, and examine Ullman -Margalit''s ''constraints'' on invisible-hand accounts, which I later re-apply to natural selection, bringing home the close relationship. These theories share a ''parent'' principle, itself neither biological no politico-economic, that collective order and well-being can emerge parsimoniously from the dispersed action of individuals. (...) The invisible hand operates on ''memes'' the way natural selection operates on genes. Like Darwin''s concept, it brings together traditional opposites, ''nature'' and ''selection,'' forming a saltation-mitigating transition between biological instinct and full-blown conscious design. Herschel''s criterion of confirmation, which Darwin long strove to satisfy, is itself an invisible hand-like meme – a ''Midas effect'' revealing and rewarding the fittest theories, Darwin''s and Smith''s emphatically among them. (shrink)

This text focuses on how to think the visual culture of disappearance – more closely, disappearance of animals. It takes as its starting point the Ernst Jünger novel The Glass Bees from 1957 in order to start an excavation into obsolescence, animals and the ecological crisis. The aesthetic themes of visibility/invisibility are entangled with the ecological questions of disappearance and pollution. This sort of media ecological question is unravelled, furthermore, with examples concerning the mass extinction of bees, also discussed in (...) Lenore Malen's video installation The Animal That I Am (2009–10). In this way, it argues for a media theoretical understanding of the visual culture of ecocrisis as well as the complex question of epistemology of such a visibility/invisibility. (shrink)

Abstract. Traditional epistemology of knowledge and belief can be succinctly characterized as JTB-epistemology, i.e., it is characterized by the thesis that knowledge is justified true belief. Since Gettier’s trail-blazing paper of 1963 this account has become under heavy attack. The aim of is paper is to study the Gettier problem and related issues in the framework of topological epistemic logic. It is shown that in the framework of topological epistemic logic Gettier situations necessarily occur for most topological models (...) of knowledge and belief. On the other hand, there exists a special class of topological models (based on so called nodec spaces) for which traditional JTB-epistemology is valid. Further, it is shown that for each topological model of Stalnaker’s combined logic KB of knowledge and belief a canonical JTB-model (its JTB-doppelganger) can be constructed that shares many structural properties with the original model but is free of Gettier situations. The topological model and its JTB-doppelganger both share the same justified belief operator and have very similar knowledge operators. Seen from a somewhat different perspective, the JTB-account of epistemology amounts to a simplification of a more general epistemological account of knowledge and belief that assumes that these two concepts may differ in some cases. The JTB-account of knowledge and belief assumes that the epistemic agent’s cognitive powers are rather large. Thereby in the JTB-epistemology Gettier cases do not occur. Eventually, it is shown that for all topological models of Stalnaker’s KB-logic Gettier situations are topologically characterized as nowhere dense situations. This entails that Gettier situations are epistemologically invisible in the sense that they can neither be known nor believed with justification with respect to the knowledge operator and the belief operator of the models involved. (shrink)

Few studies in the business ethics literature explore marginalized populations, such as the racially minoritized entrepreneur. This absence is an ethical issue for the business academy as it limits the advancement of racial epistemologies. This study explores how this exclusionary space emerges within the academy by identifying white solipsistic behavior, an ‘othering’ of minoritized populations. Using a multi-method approach, we find the business literature homogenizes the racially minoritized business owner regardless of race/ethnic origin and categorizes them as lacking in comparison (...) to White entrepreneurs. A critical discourse analysis of university entrepreneurship website language and images reveals that the racially minoritized are presented as the outgroup. The language used to describe entrepreneurs was found to be predominantly agentic, building a hegemonic categorization of White men dominating entrepreneurship. Troublingly, but consistent with the literature review, when racialized minorities were present in images, we found them to be marginalized. Employing an experimental design to mock-up four websites featuring student entrepreneurs differing by race and gender, we ask ‘what if we make these under-represented entrepreneurs visible?’ Results show that women, and specifically racially minoritized women, have a greater impact on the entrepreneurial interests of university students compared to men. Overall, the results provide empirical evidence for white solipsism in the business academy. We call for self-reflexivity to transparentize the ‘invisible’ racially minoritized entrepreneur and fill the ‘white space’ by changing the framing and context of business research to be more inclusive. (shrink)

According to a common view, prejudice always involves some form of epistemic culpability, i.e., a failure to respond to evidence in the appropriate way. I argue that the common view wrongfully assumes that prejudices always involve universal generalizations. After motivating the more plausible thesis that prejudices typically involve a species of generic judgment, I show that standard examples provide no grounds for positing a strong connection between prejudice and epistemic culpability. More generally, the common view fails to recognize the extent (...) to which prejudices are epistemically insidious: once they are internalized as background beliefs, they quite reasonably come to control the assessment and interpretation of new evidence. This property of insidiousness helps explain why prejudices are so recalcitrant to empirical counterevidence and also why they are frequently invisible to introspective reflection. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Epistemology of Protest by José MedinaShannon Brick (bio)Review of José Medina, The Epistemology of Protest ( Oxford University Press, 2023)José Medina's previous book, The Epistemology of Resistance (2012), examined epistemic practices as forms of political resistance. His latest book, The Epistemology of Protest, takes up an obviously political action and examines it as a distinctly epistemic phenomenon. He argues that from an epistemic (...) perspective, protest does much more than convey knowledge, and it is more than an action from which new knowledge might emerge. Instead, protest is a group action by which new forms of epistemic and communicative agency are brought into being. It is a kind of group action, moreover, with respect to which all people shoulder obligations—to listen and, sometimes, to join. Medina's account seeks to clarify the relationship between protesting and silencing, while accommodating a plurality of forms of protest. Various aspects of the account shed light on how silencing might be resisted, both from the perspective of the protesters and of members of the non-protesting public who take their obligations to listen seriously.The Epistemology of Protest has two parts. The first, "Protest as a Matrix of Communicative Resistance," (17) establishes in broad strokes the key aspects of Medina's account of protest. This part will be of primary interest to applied philosophers of language, and those interested in the normative questions raised by protest. The second, "Forging Communicative Solidarity and Re-Making the Polis: Changing Ourselves and Changing the World through Protest," (133) takes up in greater detail the four communicative dimensions of protests that are sketched in the first part of the book: the expression of dissent, as well as the testimonial, evaluative, and prescriptive dimensions of protest. Foregrounded throughout these chapters are the political struggles of actual communities, especially the radical (and often uncivil) protests of liberation movements. The rich discussions of these struggles will be of particular interest to social philosophers and those working on applied speech act theory, as well activists and the public more generally. [End Page E-1]The Epistemology of Protest opens by motivating a basic normative claim: all people have a duty to listen to protest and, in certain circumstances, a defeasible prima facie duty to protest. The latter aspect of this claim—that, in certain circumstances, we have a duty to protest—is situated within the context of the broader, imperfect duty to resist injustice (Medina 2023, 28; see also Delmas 2018). However, joining a protest is not just one way of discharging our imperfect duty to resist injustice, but a way of discharging the duty that all citizens ought to exercise whenever conditions of "social uprising against injustice" (22) obtain—when there is a real opportunity for a growing mass movement to achieve social change. Importantly, this is not a duty that has its roots in our political associations, but one that extends beyond the bounds of even the nation state (a position defended in Chapter Two by way of Martin Luther King Jr.'s famous assertion, in his "Letter from Birmingham Jail," that "injustice anywhere is a threat to justice everywhere." (King 1963/1990, 5, as cited in Medina 2023, 72).Central to Medina's argument for this claim is that some especially grave sorts of injustice produce not just material harms but, as per Richard Pildes and Richard Niemi, "expressive harms." (1993, 485). These are harms that occur when people are marked as inferior or subordinate, and that—like all injustices—tend to become socially invisible and inaudible, especially for those whom they benefit. Unless one interrupts the generation of these harms by protesting, one becomes complicit in their production. Hence, our duty of justice cannot be discharged simply by refraining from actively participating in the unjust practices that produce expressive harms.This discussion around expressive harms implies that our protest-duties are much stronger than the basic normative claim suggests. If a failure to protest amounts to complicity, why do we only shoulder a prima facie duty to protest when conditions of social uprising obtain? Siding with Candice Delmas (2018), Medina suggests that we cannot all be expected to devote ourselves entirely to... (shrink)

The paper aims to apply the epistemologies of ignorance framework to racial issues outside the Anglo-American world, the region where it is has been developed and which has been its almost exclusive focus. Centering on the French context, which is often considered as a unique or particularly acute example of the tension between a republican intellectual tradition of colorblindness, and a lived reality of racial discrimination, the paper identifies two renewed and opposed anti-racist positions in France: a publicly dominant, republican (...) colorblind race-eliminativist position on the one hand, and a critical approach on the other hand. The latter puts the emphasis on the significance of racial concepts as decisive epistemic tools, used to identify specific racial inequalities that tend to remain invisible, even taboo, in the dominant French public discourse. This paper analyzes French republican colorblind race-eliminativism as a distinctive form of epistemology of ignorance that enacts epistemic injustice, and argues that critical anti-racism is a form of epistemology of resistance, aiming at epistemically empowering racialized agents. (shrink)

Against certain positivistic and neopositivistic strictures still rooted in our society, Agazzi argues that knowing the invisible is possible, not just in science, but also in metaphysics, in morals, in aesthetics, and in other areas, including, in a sense, religion. The book also examines many examples of such knowledge, surveying not only the great classics of philosophy, but various immortal masterpieces of art, music and literature. It is not just a treatise in epistemology, but a book of philosophy (...) in the most complete and traditional sense, for it discusses knowledge not only for its own sake, but also as a guide to culture, morality, happiness and to the sense of life. Thus, it also provides some important suggestions on how to face our time of crisis and an uncertain future. Despite Agazzi’s proverbial rigor and clarity, his project is so momentous and demanding that I discuss certain points which might deserve further explication and argumentation. (shrink)

This article analyzes the innovations produced by the concept of experience, introduced from the feminist theory during the eighties. The experience was an epistemic invention to give account of what used to result exceeding, subsidiary, or invisible to the science legitimated as such. This theoretical-methodological tool led to redefinitions around the sense of objectivity and pointed out the political condition of a perspective that was declared as neutral. This work tries to throw some light over the critical strength that (...) this epistemic tool had during those years, for which it chooses the historical perspective. At the same time, this article advances towards a critical analysis around certain modelling of the tool. In this sense, the article aims to sharpen the epistemic surveillance and to review the commitments that this has been acquiring with the institutionalization of the feminist perspective during the last decades. El presente artículo analiza las innovaciones que produjo en el campo del conocimiento la herramienta de la experiencia, introducida desde la teoría feminista en los años ochenta. La experiencia fue una invención epistémica que tuvo como objetivo dar cuenta de aquello que resultaba excedente, subsidiario o invisible a la ciencia legitimada como tal. Este instrumental teórico-metodológico conllevó redefiniciones en torno al sentido de la objetividad y señaló la condición política de una perspectiva declarada neutral. El presente trabajo apunta a alumbrar la potencia crítica que dicha herramienta epistémica tuvo en aquellos años, para lo cual elige la perspectiva histórica. Asimismo, el artículo avanza en un análisis crítico en torno a ciertas modelizaciones contemporáneas de dicha herramienta. En este sentido, el artículo aspira a agudizar la vigilancia epistémica y a revisar los compromisos que ha ido adquiriendo con la institucionalización de la perspectiva feminista de las últimas décadas. (shrink)

In the space of all possible beliefs, conspiracy theories stand out with a special and possibly unique feature: they are the only beliefs that predict an absence of evidence in their favor, and even the discovery of counterevidence. In the traditional, narrow sense of the term, a ‘conspiracy theory’ refers to an alternative explanation of a historical event in terms of a small group of actors working together to achieve some nefarious goal. In a broader sense, however, any theory that (...) involves a form of invisible intentional agency can adopt the contours of a conspiracy theory. In this paper, I adopt a broader and more abstract definition of conspiracy theories, based on a conceptual core that unifies all such theories. By drawing comparisons between conspiracy theories in a range of different domains, we gain more insight into their central epistemological defects, as well as their cultural dynamics. Some belief systems are inherently conspiratorial, in that they posit some form of intelligent agency that deliberately wants to escape detection, while others merely resort to conspiratorial reasoning when threatened with counterevidence. This paper builds on earlier research into the cultural evolution of belief systems. (shrink)

This paper offers a situated analysis of infrastructures of surveillance and control in Rotterdam through Latour & Hermant’s concept of the oligopticon. Oligopticons are networked devices and their supporting infrastructures that render the city in extremely narrow but very clear representations, in this case as a city of waste hotspots. In Rotterdam, public management is designing data-hungry oligopticons that map, control and intervene in the illegal disposal of waste and litter. An analysis of two vignettes from the author’s ethnographic fieldwork (...) finds that these oligopticons do more than simply make visible and control these practices of waste disposal: they instead engage in punitive politics that frames those who illegally dispose of waste as exceptions to a normalizing way of life, fighting not waste but difference. Through ethnographic comparison, this paper aims to evoke thought, imagination and reflection in readers regarding the consequences of infrastructures of surveillance and control and the intimate knowledge that may escape these infrastructures. (shrink)

The article examines epistemological and ontological underpinnings of reasearch performed by means of magnetic resonance imaging and functional magnetic resonance imaging. It takes as its guiding line the important distinction between instruments and apparatuses drawn by Rom Harré. According to Harré, instruments such as barometers or thermometers do not cause the states they measure into existence. Apparatuses, in contradistinction, cause material states into existence to begin with, whereby theses states are subsequently processed according to suitable methods. Thus, when the objects (...) of examination are subjected to 2 or more Tesla in fMRI, a strength of magnetic field never occuring in earthly nature, technical means literally create the states to be examined. Close examination of the functioning of MRI and fMRI indicates that brain states, e.g., are not simply read, or perceived as degrees of temperature are read on scale. Hence, one does not see any mental funtion when looking at fMRI outputs, for the visible output has been semantically processed on the basis of invisible quantum mechanical processes that have undergone translations into digital data caused by the fMRI device itself. (shrink)

In the modern world of total technologization, scientific knowledge devoid of worldview correction (humanitarian expertise) carries a threatening tendency of self-denial: without a constant, philosophically correct transformation of objective knowledge about certain fragments (branches) of the surrounding reality into human knowledge (questions) about itself, the practical effectiveness of such knowledge inevitably accumulates in itself the threat of practical helplessness. Aim and the tasks of the research. Based on an in-depth analysis of the category of existence, as well as on modern (...) philosophical reflections on the methodological and cognitive insolvency of the idea of the world, to find out the real meaning of those changes that this idea meaningfully undergoes in the conditions of the modern total technologization of human life. The research methodology. From a methodological point of view, the author prefers a dialectical approach, considering the analyzed phenomena, regardless of the mode of their reality, in their development and internally contradictory essence. H. Plesner’s theory of eccentric positionality serves as a certain base point for the analysis of human nature and, accordingly, the world of human existence. Research results: The problematic existence of the world and the epistemological «failure» of the corresponding category, declared in some modern philosophical reflections, are connected exclusively with its anthropological and worldview function, which is based on the fundamental uncertainty of a man’s place in the world. The «worthlessness» («futility») of worldview thematization is derived from the allencompassing inability of the human figure in the world, from that «emptiness» and «invisibility» (specific own transparency) of the spiritual dimension of human existence, on which, however, this existence is based. Discussion. The human «option» of fulfilling the unity of living being can be characterized as extremely intense. In this variant, the phylogenetic line of development turns into an ontogenetic point of worldliness devoid of predetermined content, a fundamentally new type of integration. The horizons of such integration far exceed primarily because of its understanding. And the subject of such a meaningful life is forced to integrate everything that happens to him every time into a certain system (synthesis) of the world. That subjectivity the world has distinguishes the subject from the thing. Subjectivity and the world mutually belong to each other - they are correlative. A thing exists because it is what it is. The subject (and with it his world) does not exist like that. A subject is how and to what it relates. But the relation «how» and «to what» is not carried out completely anew and isolated every time, but exists in its multiplicity in a certain relationship. Each individual case, each individual action (method of action) acquires its meaning from a wider, structured context – in whole or in part. This context is the «world», the «life world» of the real subject, or the «world» as an anthropological idea. Conclusions. The task of modern humanitarianism is not only to find opportunities for rational use of the fact of the fundamental openness of the human being, but also to cultivate the ability to reconcile a man with himself, to accept himself. This gives us certain reasons to hope for the enduring significance of worldview thematization. Criticism regarding the seemingly paradoxical conclusion that to become a man, one must already be one, could be considered fair, but only if one does not take into account the principled nature of such an aphoristic position, because this is exactly how the human world exists - as the art of tolerance uncertainty. (shrink)

Jeffrey Bishop’s The Anticipatory Corpse exposes a functional metaphysics at the root of contemporary medical practice that gives rise to inhumane medicine, especially at the end of life. His critique of medicine argues for alternative spaces and practices in which the communal significance of the body, its telos, can be restored and the meaning of a “good death” enriched. This essay develops an alternative epistemology of the body, drawing from Christian theological accounts of the communal or Eucharistic body and (...) linking liturgical practices to the cultivation of solidarity. It argues for an epistemology of the body that makes visible the invisible bodies at medicine’s margins and illumines the disparate worlds of health care globally. (shrink)

The paper investigates, first of all, the epistemological status of one of the most elusive, yet vital, genres of literature, that aimed at childhood and adolescence. The “for” or “of” with which reference is made to the literature also known as ” youth” risks, in fact, to preserve the status quo of a discipline that has struggled (and still struggles) to find its own validity and legitimacy, discounted over time with an “invisibility” or a derubrication to derivative literature, secondary, weak (...) in its artistic and aesthetic canons. On the contrary, the aim here is to confirm, as witnessed by the most recent scientific studies, the total autonomy of literature for childhood and adolescence which, relying on at least two codes, iconic and verbal, boasts considerable expressive freedom, lending itself also as a faithful interpreter of post-modernity. One theorises, therefore, the possibility of speaking of a literature ‘from’ childhood and ‘from’ adolescence, underlining the need to consider the specification in the same way as a geographical and cultural location. Since we are dealing with works written and illustrated by individuals who are not boys or girls by birth (since the latter are not yet masters of iconographic writing), the most relevant will be those that faithfully draw on the physical and metaphysical region of childhood, restoring its complexity and expression, as a direct emanation of that other culture, which still and always exists and resists in us. (shrink)

I reconstruct Adam Smith’s theory of irony and its application. I illustrate how he defines it as a combination of something “grand” with something “mean” and how this is consistent with his anti-Cartesian and post-skeptic epistemology. I suggest that, for Smith, “systems” of any kind, from Cartesian physics to philosophical monotheism, Stoic ethics, and the “mercantile system” draw their apparent plausibility from some disease of human imagination. I argue that in every field, including political economy, in his view, the (...) philosopher’s task is partially sceptical and partially ironical. That is, it is the task to fight erroneous systems by showing how these arise from unwarranted associations of ideas between apparently “grand” ideas —say, the public interest— with “mean” ones, say, the merchants’ self-interest. In this light, the phrase “invisible hand” turns out to be both an ironic joke and one more application of Smith’s post-skeptical theory of knowledge whose target is dismantling all kind of “invisible” entities that human imagination tends to create. (shrink)

In the working notes to The Visible and the Invisible, Merleau-Ponty uses punctum caecum (physiological blind spot) as a metaphor for the unconscious and the invisible of the visible. I read the punctum caecum alongside Merleau-Ponty’s call in another working note to “[e]laborate a phenomenology of the other world.” I take up a phenomenology of the other world as directed toward the punctum caecum of this world. I begin with a discussion of Merleau-Ponty’s unconscious and continue its unfinished (...) thought by drawing in other iterations of the punctum caecum – the involuntary memories in Marcel Proust’s, In Search of Lost Time, the punctum Roland Barthes finds in Camera Lucida and in words that refer to other worlds. Among Merleau-Ponty, Proust, and Barthes I sense something shared – a latent intentionality, and a question about mourning expressed across their disparate texts: the other who existed once, do they exist still? The other who looked at me once, do they look at me still? (shrink)

Over the last decades, science has grown increasingly collaborative and interdisciplinary and has come to depart in important ways from the classical analyses of the development of science that were developed by historically inclined philosophers of science half a century ago. In this paper, I shall provide a new account of the structure and development of contemporary science based on analyses of, first, cognitive resources and their relations to domains, and second of the distribution of cognitive resources among collaborators and (...) the epistemic dependence that this distribution implies. On this background I shall describe different ideal types of research activities and analyze how they differ. Finally, analyzing values that drive science towards different kinds of research activities, I shall sketch the main mechanisms underlying the perceived tension between disciplines and interdisciplinarity and argue for a redefinition of accountability and quality control for interdisciplinary and collaborative science. (shrink)

Recent work on analyticity distinguishes two kinds, metaphysical and epistemic. This paper argues that the distinction allows for a new view in the philosophy of logic according to which the claims of logic are metaphysically analytic and have distinctive modal profiles, even though their epistemology is holist and in many ways rather Quinean. It is argued that such a view combines some of the more attractive aspects of the Carnapian and Quinean approaches to logic, whilst avoiding some famous problems.

The essay articulates a rhapsodic reflection on the place of images, their surfacing, and the invisible that sustains them. By way of introduction, it focuses on (1) the initial scenes of Pasolini’s Medea (1969). Following this spellbinding sequence, it addresses (2) the abiding philosophical attraction to the phenomenon of dreams and visions. This will lead to (3) the story of a momentous flight from the Eastern Mediterranean to the Western coast of Italy, sometime during the VI century BCE. One (...) of the outcomes of this event was the founding of Velia, Elea in Attic Greek. These meanderings take us to the periphery of the region “we” call “the West.” More precisely, they point to the periphery of a certain received way of thinking and may contribute to unsettle it. For what begins to emerge from this rhapsody is an unusual profile of the most celebrated pre-classical thinker: Parmenides. (shrink)

We present a model of the distribution of labour in science. Such models tend to rely on the mechanism of the invisible hand . Our analysis starts from the necessity of standards in distributed processes and the possibility of multiple standards in science. Invisible hand models turn out to have only limited scope because they are restricted to describing the atypical single-standard case. Our model is a generalisation of these models to J standards; single-standard models such as Kitcher (...) are a limiting case. We introduce and formalise this model, demonstrate its dynamics and conclude that the conclusions commonly derived from invisible hand models about the distribution of labour in science are not robust against changes in the number of standards. (shrink)

Alison Bailey’s The Weight of Whiteness: A Feminist Engagement with Privilege, Race, and Ignorance examines how whiteness misshapes our humanity, measuring the weight of whiteness in terms of its costs and losses to collective humanity. People of color feel the weight of whiteness daily. The resistant habits of whiteness and its attendant privileges, however, make it difficult for white people to feel the damage. White people are more comfortable thinking about white supremacy in terms of what privilege does for them, (...) rather than feeling what it does to them. The first half of the book focuses on the overexposed side of white privilege, the side that works to make the invisible and intangible structures of power more visible and tangible. Bailey discusses the importance of understanding privileges intersectionally, the ignorance-preserving habits of “white talk,” and how privilege and ignorance circulate in educational settings. The second part invites white readers to explore the underexposed side of white dominance, the weightless side that they would rather not feel. The final chapters are powerfully autobiographical. Bailey engages readers with a deeply personal account of what it means to hold space with the painful weight of whiteness in her own life. She also offers a moving account of medicinal genealogies, which helps to engage the weight she inherits from her settler colonial ancestors. The book illustrates how the gravitational pull of white ignorance and comfort are stronger than the clean pain required for collective liberation. The stakes are high: Failure to hold the weight of whiteness ensures that white people will continue to blow the weight of historical trauma through communities of color. -/- All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher. -/- -/- . (shrink)

Introduction : schizoanalysis, digital screens and new brain circuits -- Schizoid minds, delirium cinema and powers of machines of the invisible -- Illusionary perception and powers of the false -- Surveillance screens and powers of affect -- Signs of time : meta/physics of the brain-screen -- Degrees of belief : epistemology of probabilities -- Powers of creation : aesthetics of material-force -- The open archive : cinema as world-memory -- Divine in(ter)vention : micropolitics and resistance -- Logistics of (...) perception 2.0 : multiple screens as affective weapons -- Conclusion : the neuro-image : brain-screens from the future. (shrink)

There is, it is claimed, a long-standing link between photography and the realist novel. Nancy Armstrong in particular argues that the pictorial veridicality of literary realism is at least partly premised upon the rapid propagation of photographic images through late 19th century culture. In doing so, Armstrong argues that photography and realist fiction were mutual participants in an epistemological project wherein the horizons of the ‘real world’—at least within the context of literary fiction—were continuously and unconsciously drawn and redrawn. Meanwhile, (...) within the context of science and technology history, it is often taken for granted that late 19th century science photographers assumed that photographs provided direct, untrammelled access to an entirely different notion of the real: a real unviolated by the messy business of human perception and agency. While this notion is a gross misrepresentation of the facts of the matter, this is not to imply that late 19th century science photographs were ‘fictive’, at least in the sense intended by Armstrong, Novak, Helen Groth, and others. Although it might be the case that non-scientific applications of photography in the late 19th century were conducted in a fictive register, science photography proves a rather more challenging case. In the wake of this observation, this chapter first demarcates and define these conflicting notions of realism, in which I will demonstrate that the epistemic commitments of literary and metaphysical realism (specifically Cartesian realism) are categorically incompatible, though they share a common intuition. Subsequently, I then explain the value of photography to scientific practitioners by appealing to the formal properties of photographs. Third, I argue that although photographic processes guarantee that photographs are traces of the world, there is no further guarantee that those traces will be isomorphic to experience; whilst 19th century science photographs were undeniably visions of the world, they are parts of the world hitherto unseen by human eyes. Finally, I contend that science photography in the late 19th century anticipated key developments in philosophical realism—not least the transition from 18th and 19th century Cartesian realism to 20th century scientific realism. By revealing an invisible universe entirely unlike the one of our phenomenological experience, late 19th century science photography helped reintroduce humanity to a world in which we lack ontological rank or priority. (shrink)

A certain conception of the relevance of virtue epistemology to the philosophy of education is set out. On this conception, while the epistemic goal of education might initially be promoting the pupil's cognitive success, it should ultimately move on to the development of the pupil's cognitive agency. A continuum of cognitive agency is described, on which it is ultimately cognitive achievement, and thus understanding, which is the epistemic goal of education. This is contrasted with a view on which knowledge (...) is the epistemic goal. (shrink)

"F. A. Hayek and the Epistemology of Politics is an exploration of an important problem that has largely been ignored: the problem of policymaker ignorance, and the limits of political epistemology. Scott Scheall explores Hayek's attitude to the philosophy of science and political philosophy, arguing that Hayek defended a philosophy of science that implied certain potential dangers of politicized science, and that his political philosophy established the potential dangers of misapplying scientific methods and results to matters of public (...) policy. The book offers an explanation for why policymaking often fails and why constituents, whatever their political affiliations, are so often disappointed with political leaders. In this primarily philosophical examination of his work, Hayek's ideas are not merely discussed, analysed, and contextualized, but extended; the book both draws and defends previously unrecognized implications from the Hayekian canon. The book also explores the historical context within which these ideas flourished. The book will be of interest to scholars and researchers of the works of F.A. Hayek, policymakers, and to those of all political, philosophical, and social-scientific persuasions"--. (shrink)

In works of literary fiction, it is a part of the fiction that the words of the text are being recounted by some work-internal 'voice': the literary narrator. One can ask similarly whether the story in movies is told in sights and sounds by a work-internal subjectivity that orchestrates them: a cinematic narrator. George M. Wilson argues that movies do involve a fictional recounting (an audio-visual narration ) in terms of the movie's sound and image track. Viewers are usually prompted (...) to imagine seeing the items and events in the movie's fictional world and to imagine hearing the associated fictional sounds. However, it is much less clear that the cinematic narration must be imagined as the product of some kind of 'narrator' - of a work-internal agent of the narration. Wilson goes on to examine the further question whether viewers imagine seeing the fictional world face-to-face or whether they imagine seeing it through some kind of work-internal mediation . It is a key contention of this book that only the second of these alternatives allows one to give a coherent account of what we do and do not imagine about what we are seeing on the screen. Having provided a partial account of the foundations of film narration, the final chapters explore the ways in which certain complex strategies of cinematic narration are executed in three exemplary films: David Fincher's Fight Club , von Sternberg's The Scarlet Empress , and the Coen brothers' The Man Who Wasn't There. (shrink)

Frederick F. Schmitt offers a new account of Hume's epistemology in A Treatise of Human Nature, which alternately manifests scepticism, empiricism, and naturalism. Critics have emphasised one of these positions over the others, but Schmitt argues that they can be reconciled by tracing them to an underlying epistemology of knowledge and probability.

One of the most significant difficulties that we encounter today in the post-truth era is in constructing a reality in the gap between deceptive pre-given facts and how we experience them in our lives. This gap is mostly caused by our incapacity to see reality beyond the given frames and this very characteristic of post-truth enforces us to examine the meaning of seeing more extensively. Two particular reasons make seeing things and people even more difficult: first, the claim of transparency (...) in politics is essentially deceptive; it suggests us a way of seeing, but what it does, is rather to determine what or whom to see and from which aspect we are allowed to see them. As a result, for politics, transparency turns into a means to a desired end. Second, instrumentalization in politics works effectively only when its administrators and its subjects become invisible ‘nobodies’ who can only act and see in the pregiven limits of reality. For an alternative political approach, this article turns to a phenomenological understanding of reality which emphasizes that reality can only be constituted in the plurality of aspects. For a reconstitution of reality and politics, first, this study offers an analysis of the strong need for such a plurality that requires the inclusion of the invisibles at all levels; second, in order to develop a genuine sense of embodied plurality, it proposes a new political category, here termed ‘the politics of the invisible’. (shrink)

The ArgumentIn this essay I will sketch a few instances of how, and a few forms in which, the “invisible” became an epistemic category in the development of the life sciences from the seventeenth century through the end of the nineteenth century. In contrast to most of the other papers in this issue, I do not so much focus on the visualization of various little entities, and the tools and contexts in which a visual representation of these things was (...) realized. I will be more concerned with the basic problem of introducing entities or structures that cannot be seen, as elements of an explanatory strategy. I will try to review the ways in which the invisibility of such entities moved from the unproblematic status of just being too small to be accessible to the naked or even the armed eye, to the problematic status of being invisible in principle and yet being indispensable within a given explanatory framework. The epistemological concern of the paper is thus to sketch the historical process of how the “unseen” became a problem in the modern life sciences. The coming into being of the invisible as a space full of paradoxes is itself the product of a historical development that still awaits proper reconstruction. (shrink)

"Ever Since This World Began" from Love Dog (Penny-Ante Editions, 2013) by Masha Tupitsyn continent. The audio-essay you've recorded yourself reading for continent. , “Ever Since the World Began,” is a compelling entrance into your new multi-media book, Love Dog (Success and Failure) , because it speaks to the very form of the book itself: vacillating and finding the long way around the question of love by using different genres and media. In your discussion of the face, one of the (...) themes of Love Dog , I think there is something to be said about the surfaces media create and how you constantly manipulate them in your work. This seems important for thinking also about your book LACONIA: 1,200 Tweets on Film ; a book on film written in tweets, interposing already three sets of expectations and pushing the boundaries of each medium's faciality, it's surface tension. In Love Dog , is there another kind of facial interaction? Perhaps the discursive faces of approaching love as topic and love as method? If so, how did/do these intersect for you, do/did they drive the creation of this book? MASHA TUPITSYN With LACONIA and Love Dog , I wanted to pay homage to the work modernism has done on subjective time and chronological time by carrying that experiment over into the digital economy. Because LACONIA is a time-based work of cultural criticism that employs the aphorism to look at 21 st century American culture, it is also an archival work of cultural mourning and memory. And in Love Dog , which is also a work about mourning as it relates to love, I wanted to think with all my senses, and to reflect that in the writing itself by using a multi-media form. LACONIA tackled the sound bite and the promotional image--the everyday language of consumer culture--which often wants to communicate ideological agendas through the repetition of a single image or reductive phrase. I had always been interested in the approaches of artists like Barbara Kruger and Jenny Holzer and essayistic, typographical filmmakers, like Chris Marker and Godard. In both cases, I felt it was important to try to compose a book in which deep—critical—thinking happens in so-called immediate, informal, and disposable contexts. That is, in places where you are either not supposed to be serious or are not required to take things seriously. To me the most intervention is needed in every day instances of culture and representation. In order to do that, I had to utilize and interrogate the very structures I was critiquing. In other words, the writing had to materialize in that live, digital, public space. It couldn’t simply happen at home on a piece of paper or in a word document on my computer that no one could see until it was finished. It had to unfold in real time, amidst everything else. And it had to literally be surrounded by the cultural landscape I wanted to assess. In both LACONIA and Love Dog , I wanted to know how and if we can get away from what we cannot get away from? From which there is no respite. Given this, I don’t think hypertexts can really be called hypertexts anymore. Hypertexts are simply the world today. This is not only the way we read the world now. It is the way the world reads. Likewise, interfaciality, as you put it, works on a number of levels for me, both on and off the page. There is my relation to epistemological and phenomenological surfaces—the screen, the body, the face, the voice, gender; the official story. Then there is the way this dovetails formally, and to which the digital adds yet another dimension. It’s also where sound comes into Love Dog (giving the book a sound; giving tonality to the book’s ideas and feelings). As Anne Carson pointed out in her essay “The Gender of Sound,” the two are connected, and of course so are love and gender. In “Ever Since This World Began,” I wanted to think about the phenomenology of the voice, which is why I visualize the sonic in the book and why in my writing about faces, I look at the tonal aspects (the things a face voices and a voice faces) of a face. This was standard to do when images and faces were “silent” in the silent era. Those images/faces were extraordinarily audible. The greatest screen face, to me, is still Falconetti’s in Dreyer’s The Passion of Joan of Arc . We can hear her face—even though there is no actual sound on screen of her speaking. The internet is a similarly “silent” space where actual voices are lacking. So intertextuality goes with interfaciality. I’ve also talked a lot about how categorization worked when it came to the reception of my first book, Beauty Talk & Monsters . How despite the fact that Beauty Talk is a text that crisscrosses form and content in a variety of ways, not pinpointing its exact genre—choosing one genre over another—only made things worse. Fiction was the category people were most adverse to me using, even though of course there is a lot of fiction in the book. Part of how fiction works in Beauty Talk is in the reader not knowing exactly where the fiction resides. In Godard’s 1967 film, Weekend , for example, everything matters. Everything is political, whether it’s real or imaginary, film or reality. In Weekend , life is not a game and neither is the game a game. The game is really life. Either everything is important or nothing is. But many people want clear answers and demarcations so that they can decide what is important and what is not important. My use of the “I,” subjective criticism, made everything “real” in Beauty Talk . But fiction is in the construction. It is in the blending. This is why I perforate the movie screen and connect the onscreen and the offscreen; the official story and the backstory. Although I don’t think there is a difference between onscreen and offscreen anymore. Nor is there a dialectic. It’s all screen all the time now. Non-fiction, on the other hand, was more tolerated as a moniker. Unlike Love Dog , Beauty Talk wasn’t explicitly or tangibly (what is tangible is a question in all these books) working with digital forms or within this digital economy, so some people resisted the book’s hypertextuality or intertextuality because they couldn’t see its other forms, if that makes sense. It was a problem of invisibility; of how to make something appear (this is where Nietzsche, big presence in Love Dog , comes in—the nature of appearances). Something people don’t necessarily want to see. Some readers couldn’t see the way forms were interfacing in that book. On the surface, Beauty Talk was simply a text about media culture—the domination of entertainment as a mode of being and knowing—and most readers could only see that one side of the book. But as Godard puts it in Wim Wenders’ documentary about the future of cinema, Room 666 , “Films are made, images are made, when there’s no one looking. That’s what the invisible is, that which we don’t see. That’s what the incredible is, that which we don’t see. And cinema shows you that which we don’t see, the incredible.” We are living in the aftermath of narrative and temporal collapse, which means we don’t read or feel in the same way. I began to use digital forms in my writing because I don’t see us as traditional book people anymore. I would add that power also resides in the invisible, in the things we make invisible by making them visible. Or it did for a long time. The new face of power is quickly becoming so-called transparency, which is even more corrupt because even though we now live in a behind-the-scenes culture, and see and know how the mechanisms of power and corruption operate, we still don't change. The world still doesn't change. Finally, another important thing that Godard says in Room 666 that relates to Love Dog is: “I’m here in front of the camera, and yet in my body and in my head, I’m behind it. My world is the imaginary and the imaginary is a journey between forwards and backwards.” This idea of visible/invisible, foresight and hindsight , backwards and forwards is an important dialectic in relation to time and the idea of the destinal. This is why I wanted Love Dog to travel, literally, figuratively, and discursively. You have to be open to not knowing. To epistemological, geographical, chronological, and emotional aporias. In Love Dog my story is both visible and invisible to me. Sometimes I could see where I was going. Other times I was completely in the dark existentially. Truth procedure, which love is, as bell hooks and Badiou tell us, requires expedition and openness to possibility. Unless you want a story you already know, but that is not truth procedure. So I tried to create this backwards and forwards journey in the book—this sense of travel and motion, hope and doubt—by jumping between forms, media, time; traveling to different places, texts, and emotional registers. The book’s “Time-Jump series,” which mostly takes the form of music—songs—but also a series of “green” videos that I shot, is the most obvious tribute to this idea of subjective and chronological time. continent. Your work aligns with writers that play with the form of their language, or have assumed the role of performance artist at some point: Kathy Acker, Chris Kraus, Avital Ronell, and Anne Carson to name a few representing varied approaches that show up in Love Dog . At the risk of ossifying the work, or missing the point—as these experimental modes of writing stack-up in piles of published works, do they approach a genre? MASHA As I noted in my book Life As We Show It , in Chelsea Girls the poet Eileen Myles points out, “You can’t get money without a category.” More importantly, you can’t get a category—or respect, rank—without a clear genre. This makes genre and gender an obvious pair. The two words are even linked etymologically and both genre and gender concern taxonomies of legitimacy—of sorting through what and who is valuable. So the words share common prejudices. The things one does not want to read is often synonymous with who one doesn't want to read about. Therefore a break-up of or with genre is maybe the genre or anti-genre that could be said to link these writers. Avital Ronell breaks up with philosophical tradition and modes of inquiry. Like Nietzsche, she revaluates methods of evaluation, testing out things you are not supposed to use philosophy to test (and, by the same token, testing philosophy in ways it’s not supposed to be tested), like drugs and stupidity—where philosophy fails and we fail philosophy. And Chris Kraus does something similar in her experimental fiction, using different forms to put female subjectivity “to the test,” so to speak. All these female writers and thinkers have tried to destabilize the systems that have been set up in (and against) writing. Thus missing the mark with genre, even intentionally, means that we have missed the point in some sense as writers and thinkers. And that to me is a good thing, however difficult. We’ve started at the wrong point and gone somewhere else instead. We’ve acknowledged that writing and thinking are also about failure, and that failure is always embedded in the act of writing and in our reasons for writing. So that missing the point is also the point. Derrida insisted: “We must invent a name for those ‘critical’ inventions which belong to literature while deforming its limits.” But how can you give something that resists and deforms, a name? Wouldn’t the name also be deformed? Isn't this why the aforementioned writers get hyphenated descriptors like ficto-criticism? Do we need a proper name to be able to read something carefully? I don’t think so. I don’t need it as a reader. I’ve always taken a work on its own terms. But for most people, if you don’t have an address, people don’t know how to find you. A lot of time, they won’t even know how to look. And in some cases, they’ll think you’re not even worth finding. You are not on the map because you have to literally make the map in order to exist. In her essay, “The Gender of Sound” Carson asks, “Why is female sound bad to hear?” I think for the same reason something uncategorizable (pedagogically, creatively, racially, and sexually)—Other—is hard to read. *For an audio recording of Florida , read by Masha Tupitsyn click here . continent. : We're also curious to hear know how you see the significance of 'performance' (and why the label sticks to the shoes of these authors like toilet paper) in describing this kind of writing work? MASHA I think I responded to the parenthetical portion of this question in my previous answer. As far as how performance relates to Love Dog , in Acker’s Don Quixote , which is another big presence in the book, she writes, “there is no other reality than anthropomorphism.” In Don Quixote , the dog is human and the human is dog. Which brings us to the title of Love Dog and the totemic function of the dog in the book: giving human things animal characteristics and animal things human characteristics. Rather than investing all our human love ideals into dogs, which we do constantly as a culture of dog lovers, I wanted to put the dog into love. It is the difference between the consumption of love as a patriarchal institution or status position and the essence of a type of radical and liberatory relation that would benefit humans in their bonds with other humans. So the dog in Love Dog is not simply the book’s cover or performative affect, so to speak. Love has always needed the dog, which is why the dog is the very embodiment of belief in love . Recall Argos The Great Dog and Odysseus. Argos is the only one who remembers and recognizes the ragged and old Odysseus even after his 20-year absence. So love is the high ideal and the dog, both common and dependable, is the bridge between the sacred and the profane. The dog is the house of love. And because Love Dog is a digital project, it seemed impossible to think about the post-human, technology, the virtual, or difference (which Badiou says is essential to love in In Praise of Love ) without thinking about animal-being and being-animal. Instead of simply “performing” these ideas and characteristics as literary affects, I’m interested in being-becoming. Which means the book’s tropes, leitmotifs, series, and even its titles are in service of that truth procedure. In other words, I actually want to live this way, not just write this way. And, more importantly, I want to live this way not just think this way. So Love Dog became both my totem animal and my autobiographical animal. This made the book organic, anthropomorphic—beyond literary. See the trailer to Masha Tupitsyn's new book available now from Penny Ante Editions. (shrink)

There is a serious problem with arguing that God intended to lock the epistemology of the 7th century into the immutable text of the Qur’an, and then intended to hold Muslims hostage to this epistemological framework for all ages to come. Among other things, this would limit the dynamism and effectiveness of Divine text because the Qur’an would be for ever locked within a knowledge paradigm that is very difficult to retrieve or re-create. The author argues for the recognition (...) of three critical categories in Islamic theology: haqq, hikma and ma‘arifa. While haqq connotes the objective and constant truth, it is not reachable without hikma. Hikma is the balance [mizan] of truths in every historical moment with all of its contingencies. Ma‘arifa is the epistemology or the way to searching the objective and constant truth as well as the search for the hikma appropriate for each stage in human consciousness. The author contends that it is contrary to the very nature of a merciful and compassionate God to leave Muslims with a Revelation that is not fully equipped to deal with the altered states of consciousness and perceptions that are inevitable in every stage of human development. (shrink)

The contemporary consensus in analytic philosophy concerning cultural relativism is: it is impossible to formulate relativism coherently, diversity does not provide good reason for accepting relativist conclusions anyway, and if relativism is false, or incoherent, then cross-cultural disagreement, however intractable, raises no important epistemological challenge. I challenge every aspect of this consensus in the light of contemporary theories of reference and knowledge, focussing on various traditional cultures' supernatural explanations of illness. ;I defend the coherence of relativism against standard objections, arguing (...) that: it is possible to make sense of the claim that a sentence has different truth-conditions in different frameworks, while, in significant respects, retaining the same meaning; cultural relativism does not rule out the possibility of rational discussion between distinct cultural traditions; even self-referential relativist theses are neither self-refuting nor self-undermining. I suggest a distinctive way of arguing from cross-cultural differences to relativism, which is plausible, though inconclusive. ;I then argue that the alternative to relativism about rationally irresolvable cross-cultural disagreement is skepticism. Far from undermining the anthropological challenge to the objective justification of our beliefs--as might be thought--naturalistic epistemology and semantics themselves provide reasons to appreciate the force of this challenge, though they require us to rethink its nature. Reliability of belief production or regulation is not sufficient to provide knowledge, or even justification, in cases in which rival methods of belief assessment pose salient alternatives and there is no "neutral" reason for supposing one method to be more reliable. If, as I argue, neutral reasons for rejecting traditional methods of witchcraft detection are not available, then we do not know that witches do not exist. The resulting skepticism, however, would be a fairly circumscribed one. Most scientific beliefs we ordinarily take to be well confirmed--including beliefs about unobservable entities--remain so on the standards I defend. What proves less epistemically secure are the deeper metaphysical commitment to materialism and naturalism associated with Western science, commitments underlying our rejection of supernatural explanations of illness. (shrink)

The goal of this article is to introduce a philosophical analysis of a widely neglected condition which affects between 3% and 18% of the population. People affected by this condition experience a lower level of wellbeing than the average population and are discriminated against in both their professional and their personal life. I will argue that this form of discrimination should be taken more seriously in philosophical debate and that social, legal and medical measures ought to be taken in order (...) to improve the quality of life of people affected by this condition. (shrink)

Table of Contents I. WHO ARE THE SCIENTISTS? Historically. Women in the Origins of Modern Science, Londa Schiebinger. Women of Third World Descent in the Sciences, Sandra Harding. Recently. Women in Science: Half In Half Out, Vivian Gornick.”How Can a Little Girl Like You Teach a Great Big Class of Men?’ the Chairman Said, and Other Adventures of a Woman in Science, Naomi Weisstein. The Anomaly of a Woman in Physics, Evelyn Fox Keller. Currently. Women Join the Ranks of Science (...) but Remain Invisible at the Top, Natalie Angier. Creeping Toward Inclusivity in Science, Phyllis Goldberg. II. WHAT KIND OF ENTERPRISE IS SCIENCE? Science’s Aims, Methods, and Norms of Behavior. Patriarchy, Scientists, and Nuclear Warriors, Brian Easlea. Culturally Inclusive Chemistry, Catherine Hurt Middlecamp. A World of Difference, Evelyn Fox Keller. Interviewing Women: A Contradiction in Terms, Ann Oakley. Science’s Subject Matter. Have Only Men Evolved?, Ruth Hubbard. Empathy, Polyandry, and the Myth of the Coy Female, Sarah Blaffer Hrdy. The Importance of Feminist Critique for Contemporary Cell Biology, The Biology and Gender Study Group. The Engendering of Archaeology: Refiguring Feminist Science Studies, Alison Wylie. Still Seeking Transformation: Feminist Challenges to Psychology, Sue Wilkinson. Science’s Social Effects. Androcentric Bias in Clinical Research, Sue Rosser. Man-Made Medicine and Women’s Health, Nancy Krieger and Elizabeth Fee. The New Procreative Technologies, Ruth Hubbard. A Question of Genius: Are Men Really Smarter Than Women?, Anne Fausto-Sterling. III. WHAT KIND OF ENTERPRISE OUGHT SCIENCE TO BE? Feminist Empiricism. Subjects, Power, and Knowledge: Description and Prescription in Feminist Philosophies of Science, Helen Longino. Epistemological Communities, Lynn Hankinson Nelson. Feminist Standpoint Theory. ”Strong Objectivity’: A Response to the New Objectivity Question, Sandra Harding. Introduction to Tomorrow’s Tomorrow: The Black Woman, Joyce Ladner. Feminist Postmodernism. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective, Donna Haraway. Though This Be Method, Yet There Is Madness in It: Paranoia and Liberal Epistemology, Naomi Scheman. (shrink)