Expression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. _Expression and Truth_ rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the (...) ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein’s scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world. “Recent years have seen the return of the claim that music’s power resides in its ineffability. In _Expression and Truth_, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology’s most influential thinkers.”—Susan McClary, _Desire and Pleasure in Seventeenth-Century Music_. (shrink)

Central to the freedom of association is the freedom to exclude. In fact, American constitutional law permits associations to discriminate on otherwise prohibited grounds, a principle of expressive discrimination or what I call "expressive exclusion." However, we lack a complete normative defense of it. Too often, expressive exclusion is justifi ed as a simple case of religious accommodation, or a simple case of freedom of association or speech—justifi cations that are defi cient. I argue that expressive exclusion is essential in (...) creating genuine space for democratic dissent. It stands at the intersection of speech, association, and democracy. (shrink)

The question whether facial expression processing may be impaired in Parkinson’s disease (PD) patients so far has yielded equivocal results – existing studies, however, have focused on testing expression processing in recognition tasks with static images of six standard, emotional facial expressions. Given that non-verbal communication contains both emotional and non-emotional, conversational expressions and that input to the brain is usually dynamic, here we address the question of potential facial expression processing differences in a novel format: we test (...) a range of conversational and emotional, dynamic facial expressions in three groups – PD patients ( n = 20), age- and education-matched older healthy controls ( n = 20), and younger adult healthy controls ( n = 20). This setup allows us to address both effects of PD and age-related differences. We employed a rating task for all groups in which 12 rating dimensions were used to assess evaluative processing of 27 expression videos from six different actors. We found that ratings overall were consistent across groups with several rating dimensions (such as arousal or outgoingness) having a strong correlation with the expressions’ motion energy content as measured by optic flow analysis. Most importantly, we found that the PD group did not differ in any rating dimension from the older healthy control group (HCG), indicating highly similar evaluation processing. Both older groups, however, did show significant differences for several rating scales in comparison with the younger adults HCG. Looking more closely, older participants rated negative expressions compared to the younger participants as more positive, but also as less natural, persuasive, empathic, and sincere. We interpret these findings in the context of the positivity effect and in-group processing advantages. Overall, our findings do not support strong processing deficits due to PD, but rather point to age-related differences in facial expression processing. (shrink)

It is possible to understand the expressive power of a logic as issuing from its capacity to express properties of its models. There are some ways to formally capture whether a property of models is expressible, among them is one based on the notion of definability, and one based on the notion of discrimination. If the logics to be compared are defined within the same class of models, one can employ the notions of definability and discrimination directly to obtain formal (...) conditions for relative expressiveness. This paper studies generalizations of these formal conditions to cases where the compared logics are defined within different classes of models. There have been proposed in the literature formal conditions of two main kinds: with forward and with backward model-mappings. It is shown that none of them is adequate, despite their initial reasonableness. Moreover, we argue that general and reasonable formal conditions for relative expressiveness involving forward mappings are not likely to be found, given that they turn out to be highly dependent on specific features of the compared logics. On the other hand, it will be argued that there is a reasonable formal condition involving backward model-mappings. (shrink)

Mitchell S. Green presents a systematic philosophical study of self-expression - a pervasive phenomenon of the everyday life of humans and other species, which has received scant attention in its own right. He explores the ways in which self-expression reveals our states of thought, feeling, and experience, and he defends striking new theses concerning a wide range of fascinating topics: our ability to perceive emotion in others, artistic expression, empathy, expressive language, meaning, facial expression, and speech acts. He draws on (...) insights from evolutionary game theory, ethology, the philosophy of language, social psychology, pragmatics, aesthetics, and neuroscience to present a stimulating and accessible interdisciplinary work. (shrink)

Expressions of emotion pose a serious challenge to the view that we perceive other people’s emotions directly. If we must perceive expressions in order to perceive emotions, then it is only ever the expressions that we are directly aware of, not emotions themselves. This paper develops a new response to this challenge by drawing an analogy between expressions of emotion and perceptual media. It is through illumination and sound, the paradigmatic examples of perceptual media, that we (...) can see and hear objects around us. Instead of screening these objects from view, however, they enable our perception while being transparent to us. With reference to perceptual constancy and transparency, I show how expressions show up in our experience of emotions in a surprisingly similar way. Given this, we can understand expressions as the media _through_ which we perceive emotions and overcome the above challenge to an otherwise attractive view. (shrink)

While individuals interact, they coordinate their feelings and emotions. They also coordinate several kinds of expression while interacting, like facial expressions and gestures. Inspired by Karl Bühler’s Organon model and Henri Bergson’s description of remembering experiences, we explore interpersonal coordination during a collaborative remembering task between two people. We present a case study of one dyad employing videography to identify and distinguish two types of spontaneous interpersonal coordination. In a later stage, separate interviews of both participants are analyzed to (...) establish whether content, freely remembered, is related to the previously observed coordination. The data describes that expressive-affective coordination during interaction is directly linked to the subjective organization of experience in individual remembering. We discuss these results, emphasizing the intersubjective aspects of lived experience and their relationship to expressive and representational aspects of coordination and remembering. (shrink)

According to Dewey, we are responsible for our conduct because it is “ourselves objectified in action”. This idea lies at the heart of an increasingly influential deep self approach to moral responsibility. Existing formulations of deep self views have two major problems: They are often underspecified, and they tend to understand the nature of the deep self in excessively rationalistic terms. Here I propose a new deep self theory of moral responsibility called the Self-Expression account that addresses these issues. The (...) account is composed of two parts. The first part answers the question, What is a deep self? Theorists have tended to favor cognitive views that understand the deep self in terms of rationally formed evaluative judgment. I propose instead a conative view that says one’s deep self consists of a distinctive kind of pro-attitude, cares, and I provide an account of cares in terms of their distinctive psychological functional role. The second part answers the question, When does an action express one’s deep self? I criticize the agentially demanding conditions set out in existing views and propose a more minimalist alternative. I show that the Self-Expression account handles issues that bedeviled traditional deep self views, including how to explain moral responsibility for spontaneous, out of character, and weak-willed actions. (shrink)

The discourse concerning musical expression hinges on a fundamental analogy between music and language. While the extant literature commonly compares music to language, this essay takes the reverse direction, following Wittgenstein’s approach. The discussion contrasts the theoretical underpinnings of the “music as language” simile with those of the “language as music” simile. The emphasis on characterization, performance, mutual tuning-in relationships, the interaction between language and music, and the open-ended effort to reorient ourselves as we draw in significance challenges the “informing (...) paradigm” that has been paramount across contemporary philosophical theories of musical expression. One of the most promising philosophical avenues that emerges as we move beyond the “informing paradigm” is recognizing the inseparable relationship between musical expression and our power to shape our own language. (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses (...) on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

Kaplan (1999) argued that a different dimension of expressive meaning (“use-conditional”, as opposed to truth-conditional) is required to characterize the meaning of pejoratives, including slurs and racial epithets. Elaborating on this, writers have argued that the expressive meaning of pejoratives and slurs is either a conventional implicature (Potts 2007) or a presupposition (Macià 2002 and 2014, Schlenker 2007, Cepollaro and Stojanovic 2016). We argue that an expressive presuppositional theory accounts well for the data, but that expressive presuppositions are not just (...) propositions to be added to a common ground. We hold that expressives, including pejoratives and slurs, make requirements on a contextual record governed by sui generis norms specific to affective attitudes and their expressions. (shrink)

The expression of products encoded by the major histocompatibility complex (MHC) on tumor cells has recently been studied extensively. It has been found that many malignant tumor cells have their MHC antigens ‘switched‐off’ but that these antigens are re‐expressed following DNA‐mediated gene transfer, with increased tumor immunogenicity as a result and the consequence that these ‘transformed’ tumor cells are rejected in vivo.: This review will discuss approaches that have been taken to induce strong tumor‐specific immunity by the manipulation of MHC (...) expression on tumor cells. (shrink)

I propose an ‘intellectual genealogy’ of the widespread contemporary lifestyle called ‘expressive individualism’, tracing it back first to the cult of the artist as genius, which flourished during the 19th century, but which has been democratized and universalized in our time. I then trace it back one step further, somewhat surprisingly, to the altered depiction of Lucifer John Milton gives in his poem Paradise Lost. Milton's Lucifer rejects not only Jesus as the highest creature, he rejects the Father as father; (...) he announces ‘I know none before me; I am self-begot.’ To the extent that we embrace the ethic of ‘expressive individualism’, therefore, we are implicitly committed to Milton's Lucifer as an archetype for human fulfilment, which I suggest, however, is a toxic model. (shrink)

According to an influential view about directed expressive duties (e.g., duties to express gratitude to benefactors, remorse to victims, forgiveness to wrongdoers), these duties do not have rights as their correlates, because they are not demandable and enforceable. The chapter argues that this view is mistaken. Like other directed duties, directed expressive duties are demandable and enforceable. While this does not entail that these duties have rights as their correlates, it does create a strong presumption of this being the case. (...) This shifts the burden of proof from those who hold that expressive duties correlate with rights to those who deny it. (shrink)

Video game spaces have vastly expanded the built environment, offering new worlds to explore and inhabit. Like buildings, cities, and gardens before them, these virtual environments express meaning and communicate ideas and affects through the spatial experiences they afford. Drawing on the emerging field of embodied cognition, this book explores the dynamic interplay between mind, body, and environment that sits at the heart of spatial communication. To capture the wide diversity of forms that spatial expression can take, the book builds (...) a comparative analysis of twelve video games across four types of space, spanning ones designed for exploration and inhabitation, kinetic enjoyment, enacting a situated role, and enhancing perception. Together, these diverse virtual environments suggest the many ways that video games enhance and extend our embodied lives."--Publisher's website. (shrink)

Advocates of truthmaker theory (like David Armstrong) regularly postulate both maximalism (that every truth has a truthmaker) and expressibility (that any truth can be expressed in a propostion). My aim in this paper is to demonstrate that these two theses are inconsistent, and hence that we must abandon one of them if we are to preserve truthmaker theory.

The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a whole, and the word “expressiveness” (...) is used for the audience-centered aspect, and I shall keep to this usage. In this paper I shall argue that although expression is closely related to expressiveness, the two concepts are distinct and, in particular, expressiveness cannot be analyzed in terms of expression, as has been recently suggested by Stephen Davies and Jerrold Levinson. Nonetheless, the richest examples of expression in the arts involve both expression and expressiveness. (shrink)

Is deduction of use in application to our everyday problems? Aristotle said that in practical matters we cannot use a strictly deductive attitude: "we must be content...in speaking about things which are only for the most part true, with premises of the same kind, to reach conclusions that are no better" (Nic.Eth.I,4 - my underlining). We may content ourselves with conclusions which - according to the usual views - are not true; but what happens when we realize that such conclusions (...) bring us into contradiction with some of our deepest beliefs? We have to pursue our search of rationality in the most compelling manner, and this effort forces us to express our background beliefs in order to check what may be wrong with that. In this paper I will give two classical examples, one form the history of cinema and another from the history of artificial intelligence: in comparing these two examples I claim that logical compulsion - the deep need for convention - is highly valuable where feelings are not enough. (shrink)

Critics have argued that human-controlled avatar interactions fail to facilitate the kinds of expressivity and social understanding afforded by our physical bodies. We identify three claims meant to justify the supposed expressive limits of avatar interactions compared to our physical interactions. First, “The Limited Expressivity Claim”: avatars have a more limited expressive range than our physical bodies. Second, “The Inputted Expressivity Claim”: any expressive avatarial behaviour must be deliberately inputted by the user. Third, “The Decoding Claim”: users must infer or (...) figure out the expressive meaning of human-controlled avatars’ behaviour through cognitively onerous processes. With the aim of critically assessing all three claims, we analyze data collected through observations of and interviews with expert players of the avatar-based video game League of Legends. Focusing on Daniel Stern’s (2010) notion of vitality, we analyze the participants’ descriptions of seeing and interacting with other avatars during performance. Our analysis shows that the informants experience human-based avatarial interactions as qualitatively different than interactions with bots, that the informants see the movements of other players’ avatars as having different expressive styles, and that the informants actively use and manipulate this avatarial expressivity during performance. The results of our analysis, we argue, provide reasons for loosening or resisting the three claims concerning the limits of avatarial expressivity. (shrink)

Upon completing Marthe Atwater Chandler's Expressing the Heart's Intent: Explorations in Chinese Aesthetics I am struck by how much can be gleaned retroactively from the title. At the outset the title indeed made me somewhat wary, having seen how on many occasions Chinese philosophical terms become mangled in English-language translation in ways that unnecessarily import, either implicitly or explicitly, misleading conceptual frameworks. Words like "expressing," "heart," and "intent" all triggered various suspicions on my part. Fortunately, these suspicions were quickly addressed, (...) as Chandler advances an adept reading of the shi yan zhi 詩言志 conceit so central to Chinese aesthetics since its introduction in the... (shrink)

Many philosophers favour the simple knowledge account of assertion, which says you may assert something only if you know it. The simple account is true but importantly incomplete. I defend a more informative thesis, namely, that you may assert something only if your assertion expresses knowledge. I call this 'the express knowledge account of assertion', which I argue better handles a wider range of cases while at the same time explaining the simple knowledge account's appeal. §1 introduces some new data (...) that a knowledge account of assertion well explains. §2 explains the simple knowledge account's advantage over two of its main competitors. §3 presents a problem for the simple account and offers a solution, which is to adopt the express knowledge account. §4 encapsulates the case for the express knowledge account, and offers a unifying vision for the epistemology of belief and assertion. §5 answers an objection. §6 briefly sums up. Even those who ultimately reject my conclusion can still benefit from the new data presented in §1, and learn an important lesson from the problem discussed in §3, which demonstrates a general constraint on an acceptable account of the norm of assertion. (shrink)

This chapter analyzes how Wittgenstein explicitly addresses the possibility of distinguishing between word types, and not only in the form of presentation of examples. Wittgenstein might be using the terms “kind of word” and “part of speech” in a quite unusual way. The author focuses on just one language, thus no longer being concerned with the possibility of developing diverse new languages without limit. It is not surprising that in the natural languages very many more word types than did “the (...) logicians,” above all Frege, Russell, and the Wittgenstein of the Tractatus, particularly if one does not limit one's interest in language to the expression of a “judgeable content.”. Wittgenstein hints that the classification of words or sentences by their ways of usage on one hand and by their belonging to different types on the other, is a result of two different standpoints on the classification of elements of language. (shrink)

Feminist critical engagement with those sciences which have been put to work to legitimise oppressive social relations, made explicit the cultural situatedness of science and its mediation by the imaginaries in which scientists are placed. In response, what has been termed the ‘new materialism,’ claims to bring ‘the materiality of the human body and the natural world into the forefront of feminist theory and practice,’ in the face of, what it suggests were, overly constructivist accounts emerging from such feminist critique. (...) I link these discussions to the writings of Merleau-Ponty. I suggest that the picture which Merleau-Ponty offers, of our bodies expressing the world, provides a metaphysics which undercuts the apparent opposition of these schools of thought. (shrink)

BackgroundModern literary appreciation seems to be reading literary works phenomenally. In fact, appreciation is not a general reading, which has an important difference from general reading. It is the identification and appreciation of literary works and a complex spiritual activity for people to feel, understand, and imagine literary and artistic works. At the same time, literary appreciation is also a cognitive activity, an aesthetic activity, and a re-creation activity.MethodIn this paper, the machine learning algorithm was creatively used to classify the (...) emotions of figures in modern literary works, to analyze the emotions of the figures that the writer wanted to depict in modern literary works.ResultsExperimental results verify the accuracy of the emotion classification method through experiments, which is helpful for us to better understand the emotion expression in modern literary works. (shrink)

The larval arms of echinoid plutei are used for locomotion and feeding. They are composed of internal calcite skeletal rods covered by an ectoderm layer bearing a ciliary band. Skeletogenesis includes an autonomous molecular differentiation program in primary mesenchyme cells (PMCs), initiated when PMCs leave the vegetal plate for the blastocoel, and a patterning of the differentiated skeletal units that requires molecular cues from the overlaying ectoderm. The arms represent a larval feature that arose in the echinoid lineage during the (...) Paleozoic and offers a subject for the study of gene co-option in the evolution of novel larval features. We isolated new molecular markers in two closely related but differently developing species, Heliocidaris tuberculata and Heliocidaris erythrogramma. We report the expression of a larval arm-associated ectoderm gene tetraspanin, as well as two new PMC markers, advillin and carbonic anhydrase. Tetraspanin localizes to the animal half of blastula stage H. tuberculata and then undergoes a restriction into the putative oral ectoderm and future location of the postoral arms, where it continues to be expressed at the leading edge of both the postoral and anterolateral arms. In H. erythrogramma, its expression initiates in the animal half of blastulae and expands over the entire ectoderm from gastrulation onward. Advillin and carbonic anhydrase are upregulated in the PMCs postgastrulation and localized to the leading edge of the growing larval arms of H. tuberculata but do not exhibit coordinated expression in H. erythrogramma larvae. The tight spatiotemporal regulation of these genes in H. tuberculata along with other ontogenetic and phylogenetic evidence suggest that pluteus arms are novel larval organs, distinguishable from the processes of skeletogenesis per se. The dissociation of expression control in H. erythrogramma suggest that coordinate gene expression in H. tuberculata evolved as part of the evolution of pluteus arms, and is not required for larval or adult development. (shrink)

Previous research has demonstrated how emotion resembling cues in the face help shape impression formation. Perhaps most notable in the literature to date, has been work suggesting that gender-related appearance cues are visually confounded with certain stereotypic expressive cues. Only a couple studies to date have used computer vision to directly map out and test facial structural resemblance to emotion expressions using facial landmark coordinates to estimate face shape. In one study using a Bayesian network classifier trained to detect (...) emotional expressions structural resemblance to a specific expression on a non-expressive face was found to influence trait impressions of others. In another study, a connectionist model trained to detect emotional expressions found different emotion-resembling cues in male vs. female faces. Despite this seminal work, direct evidence confirming the theoretical assertion that humans likewise utilize these emotion-resembling cues when forming impressions has been lacking. Across four studies, we replicate and extend these prior findings using new advances in computer vision to examine gender-related, emotion-resembling structure, color, and texture and their impact on gender-stereotypic impression formation. We show that all three are meaningfully related to human impressions of emotionally neutral faces. Further when applying the computer vision algorithms to experimentally manipulate faces, we show that humans derive similar impressions from them as did the computer. (shrink)

This article reviews recent developments in experimental facial attractiveness research. It outlines the important social consequences of facial attractiveness in social life and briefly reviews the structural factors associated with attractiveness in both sexes taking a theoretical perspective largely influenced by evolutionary biology. The study discusses individual differences in preferences from this theoretical perspective. Attractiveness is also affected by aspects of the face that are manifestly not static. Facial motion and expression involve changing configurations of the face and the execution (...) of specific, discrete gestures that are likely to contribute to attractiveness and yet are largely neglected in the current literature. It shows how an evolutionary viewpoint is also useful when considering attractiveness judgments when expressive or dynamic cues are present in stimuli. (shrink)

This paper proposes a semantics for free choice permission that explains both the non-classical behavior of modals and disjunction in sentences used to grant permission, and their classical behavior under negation. It also explains why permissions can expire when new information comes in and why free choice arises even when modals scope under disjunction. On the proposed approach, deontic modals update preference orderings, and connectives operate on these updates rather than propositions. The success of this approach stems from its capacity (...) to capture the difference between expressing the preferences that give rise to permissions and conveying propositions about those preferences. (shrink)

Compositionality in Plant Fixed Expressions Shelley Ching-yu Hsieh, Chinfa Lien, Sebastian Meier Abstract This paper examines fixed expressions that contain plant names in Mandarin Chinese and German corpora. It aims to reveal the compositionality of the concepts of the vehicle flower by means of frame semantics, and then popular vehicles (plant names) and underlying conceits (the associations between vehicles and meanings) of plant fixed expressions in these two languages will be explored. The linguistic frames of flowers show (...) that German focuses on function by adopting usability and edibility of plants in their expressions, whereas Mandarin Chinese perceives outer appearance of plants and compile “visualized” Chinese expressions. People observe and perceive plants from different standpoints and thus compose different concepts in their minds and languages. Chinese vehicles fall mainly into the categories of trees and flowers, while German vehicles are fruits and divisions of plants such as seeds and roots. This confirms the functional and visual perspective of the respective languages and further suggests the individualism of the Germans as well as the holism of the Mandarin Chinese speakers. (shrink)

A key feature of facial behavior is its dynamic quality. However, most previous research has been limited to the use of static images of prototypical expressive patterns. This article explores the role of facial dynamics in the perception of emotions, reviewing relevant empirical evidence demonstrating that dynamic information improves coherence in the identification of affect (particularly for degraded and subtle stimuli), leads to higher emotion judgments (i.e., intensity and arousal), and helps to differentiate between genuine and fake expressions. The (...) findings underline that using static expressions not only poses problems of ecological validity, but also limits our understanding of what facial activity does. Implications for future research on facial activity, particularly for social neuroscience and affective computing, are discussed. (shrink)

Many philosophers hold that punishment has an expressive dimension. Advocates of expressive theories have different views about what makes punishment expressive, what kinds of mental states and what kinds of claims are, or legitimately can be expressed in punishment, and to what kind of audience or recipients, if any, punishment might express whatever it expresses. I shall argue that in order to assess the plausibility of an expressivist approach to justifying punishment we need to pay careful attention to whether the (...) things which punishment is supposed to express are aimed at an audience. For the ability of any version of expressivism to withstand two important challenges, which I call the harsh treatment challenge’ and the ‘publicity challenge’ respectively. will depend on the way it answers them. The first of these challenges has received considerable discussion in the literature on expressive theories of punishment; the second considerably less. This is unfortunate. For careful consideration of the publicity challenge should lead us to favor a version of the expressive theory which has been under-discussed: the view on which punishment has an intended audience, and on which the audience is society at large, rather than—as on the most popular version of that view—the criminal. Furthermore, this view turns out to be better equipped to meet the harsh treatment challenge, and to be so precisely because of the way in which it meets the publicity challenge. (shrink)

The general slogan in the title of this paper gives a general, but nevertheless accurate, expression of Strawson’s view concerning the nature of formal logic per se in relation to natural language. What is at stake here is the extent to which the formal methods and the formal semantics of contemporary symbolic logic can render the meanings of natural language expressions. Strawson sets up an agenda for logical theory which, although rather dated for a logic text, is what one (...) naturally expects from an introduction to elementary formal logic and a systematic analysis of certain crucial metalogical concepts, most notably entailment. However, my own reading is that Strawson’s approach to logic makes a lasting contribution to understanding the inner workings of natural language through his critical discussion of the limits of the formal renderings of the semantics of natural language expressions via canonical first-order notations. One can recognize in this critical attitude towards the limits of formal methods a consistent generalization of Strawson’s own strategy from his critical response to Russell’s theory of descriptions.In my paper I shall focus on certain examples which illustrate the general slogan that characterizes Strawson’s views on the nature of logic in connection with ordinary language and talk. (shrink)

Partant de l'idée énoncée par le philosophe Charles Taylor, selon laquelle les êtres humains sont « des animaux capables d'auto-interprétation », cet article vise à comprendre le rôle constitutif de l'auto-interprétation dans la connaissance de soi. Une conception satisfaisante de l'auto-interprétation devrait à la fois rendre compte de l'autorité de la connaissance de soi en première personne et satisfaire les exigences du réalisme ordinaire. Si la version constitutiviste de l'auto-interprétation semble incompatible avec de telles exigences, c'est parce qu'elle considère ce (...) pouvoir constituant comme le privilège du sujet de modeler ses états mentaux au gré de sa volonté. Pour autant, il est possible de conserver un rôle constitutif à l'auto-interprétation en évitant toute implication volontariste et en maintenant une certaine indépendance des contenus mentaux du sujet envers lui-même. C'est ce que proposent les philosophes américains Richard Moran et David Finkelstein, le premier, en redéfinissant l'activité d'auto-interprétation en termes de croyance impliquant l'adhésion du sujet à ses attitudes mentales. Considérant le sujet en tant qu'agent responsable de ses attitudes, Moran défend une conception cognitive et engagée de l'interprétation, un point de vue pratique du sujet sur lui-même. La délibération fournit ainsi les raisons d'adopter une croyance, un désir, une émotion,... raisons qui justifient en même temps l'auto-interprétation. Moins attaché à la valeur cognitive de l'auto-interprétation, Finkelstein développe également une conception pratique de la connaissance de soi, fondée sur la fonction expressive des auto-attributions et où l'auto-interprétation a valeur de contexte de cela même qu'elle interprète. (shrink)

En comparant et en opposant la définition husserlienne du sens comme noyau d’identité et la définition merleau-pontienne du sens comme différence ou écart, le présent article vise à développer une réflexion originale sur le sens originel des sciences, sur la signification, les raisons et les solutions possibles de leur crise ; et enfin sur la relation entre la science et la philosophie. Tout d’abord, j’esquisserai deux conceptions possibles et assez opposées de l’expression et de la sédimentation du sens (sect. 1). (...) À partir de ces résultats, une conception différente de la méditation historique et de la Rückfrage sera esquissée : la validité et l’authenticité des formations scientifiques seront montrées comme fondées non pas sur le sens originel, mais plutôt sur leur propre expressivité, c’est-à-dire sur le fait que toute opération scientifique est une déformation cohérente mais irréductible de sa propre tradition (sect. 2). Un sens particulier de la crise des sciences émergera de ces analyses : la crise sera définie non pas comme la perte du sens originel, mais plutôt comme la reproduction statique d’une essence identique. En conséquence, une description originale de la relation entre les sciences et la philosophie sera exposée dans la conclusion, permettant d’esquisser une réflexion sur le rôle que la philosophie peut jouer par rapport à la pensée scientifique et à sa crise (sect. 3). (shrink)

Metaphorical utterances are construed as falling into two broad categories, in one of which are cases amenable to analysis in terms of semantic content, speaker meaning, and satisfaction conditions, and where image-construction is permissible but not mandatory. I call these image-permitting metaphors, and contrast them with image-demanding metaphors comprising a second category and whose understanding mandates the construction of a mental image. This construction, I suggest, is spontaneous, is not restricted to visual imagery, and its result is typically somatically marked (...) sensu Damasio. IDM’s are characteristically used in service of self-expression, and thereby in the elicitation of empathy. Even so, IDM’s may reasonably provoke banter over the aptness of the imagery they evoke. (shrink)

Linguists and philosophers of language have shown increasing interest in the expressions that refer to quantifiers: determiners like ‘every’ and ‘many’, in addition to determiner phrases like ‘some king’ and ‘no cat’. This thesis addresses several puzzles where the way we understand quantifier expressions depends on features that go beyond standard truth conditional semantic meaning. One puzzle concerns the fact that it is often natural to understand ‘Every king is in the yard’ as being true if all of (...) the kings at the party are in the yard, even though the standard truth conditions predict it to be true if and only if every king in the universe is in the yard. Another puzzle emerges from the observation that ‘Every American king is in the yard’ sounds odd relative to contexts where there are no American kings, even though the standard truth conditions predict it to be trivially true. These puzzles have been widely discussed within linguistics and philosophy of language, and have implications for topics as diverse as the distinction between semantics and pragmatics and the ontological commitments of ordinary individuals. Yet few attempts have been made to incorporate discussions from the linguistics literature into the philosophical literature. This thesis argues that attending to the linguistics literature helps to address these puzzles. In particular, my solutions to these puzzles rely on notions from work on information structure, an often overlooked area of linguistics. I will use these notions to develop a new theory of the pragmatics of ordinary discourse, in the process of resolving the puzzles. In the first two chapters, I provide accessible overviews of key notions from the literature on quantifier expressions and information structure. In the third chapter, I discuss the problem of contextual domain restriction. In the fourth chapter, I consider the problems posed by empty restrictors. In the final chapter, I tackle the issue of category mistakes. (shrink)

Expressives like damn and bastard have, when uttered, an immediate and powerful impact on the context. They are performative, often destructively so. They are revealing of the perspective from which the utterance is made, and they can have a dramatic impact on how current and future utterances are perceived. This, despite the fact that speakers are invariably hard-pressed to articulate what they mean. I develop a general theory of these volatile, indispensable meanings. The theory is built around a class of (...) expressive indices. These determine the expressive setting of the context of interpretation. Expressives morphemes act on that context, actively changing its expressive setting. The theory is multidimensional in the sense that descriptives and expressives are fundamentally different but receive a unified logical treatment. (shrink)

Human expression is open-ended, versatile, and diverse, ranging from ordinary language use to painting, from exaggerated displays of affection to micro-movements that aid coordination. Here we present and defend the claim that this expressive diversity is united by an interrelated suite of cognitive capacities, the evolved functions of which are the expression and recognition of informative intentions. We describe how evolutionary dynamics normally leash communication to narrow domains of statistical mutual benefit, and how expression is unleashed in humans. The relevant (...) cognitive capacities are cognitive adaptations to living in a partner choice social ecology; and they are, correspondingly, part of the ordinarily developing human cognitive phenotype, emerging early and reliably in ontogeny. In other words, we identify distinctive features of our species' social ecology to explain how and why humans, and only humans, evolved the cognitive capacities that, in turn, lead to massive diversity and open-endedness in means and modes of expression. Language use is but one of these modes of expression, albeit one of manifestly high importance. We make cross-species comparisons, describe how the relevant cognitive capacities can evolve in a gradual manner, and survey how unleashed expression facilitates not only language use, but also novel behaviour in many other domains too, focusing on the examples of joint action, teaching, punishment, and art, all of which are ubiquitous in human societies but relatively rare in other species. Much of this diversity derives from graded aspects of human expression, which can be used to satisfy informative intentions in creative and new ways. We aim to help reorient cognitive pragmatics, as a phenomenon that is not a supplement to linguistic communication and on the periphery of language science, but rather the foundation of the many of the most distinctive features of human behaviour, society, and culture. (shrink)

John Searle's Speech Acts made a highly original contribution to work in the philosophy of language. Expression and Meaning is a direct successor, concerned to develop and refine the account presented in Searle's earlier work, and to extend its application to other modes of discourse such as metaphor, fiction, reference, and indirect speech arts. Searle also presents a rational taxonomy of types of speech acts and explores the relation between the meanings of sentences and the contexts of their utterance. The (...) book points forward to a larger theme implicit in these problems - the basis certain features of speech have in the intentionality of mind, and even more generally, the relation of the philosophy of language to the philosophy of mind. (shrink)

The classical liberal doctrine of free expression asserts the priority of speech as an extension of the freedom of thought. Yet its critics argue that freedom of expression, itself, demands the suppression of the so-called “silencing speech” of racists, sexists, and so on, as a threat to the equal expressive rights of others. This essay argues that the claim to free expression must be distinguished from claims to equal speech. The former asserts an equal right to express one’s thoughts without (...) interference; the latter the right to address others, and to receive a hearing and consideration from them, in turn. I explore the theory of equal speech in light of the ancient Athenian practice of isegoria and argue that the equality demanded is not distributive but relational: an equal speaker’s voice should be counted as “on a par” with others. This ideal better captures critics’ concerns about silencing speech than do their appeals to free expression. Insofar as epistemic and status-harms provide grounds for the suppression and exclusion of some speech and speakers, the ideal of equal speech is more closely connected with the freedom of association than of thought. Noticing this draws attention to the continuing—and potentially problematic—importance of exclusion in constituting effective sites of equal speech today. (shrink)

In this paper, the aim is to explore how there can be a role for expression of affect in illocution, drawing upon some ideas about expression put forward by Karl Bühler. In a first part of the paper, I map some active discussions and open questions surrounding phenomena that seem to involve “expression of affect”. Second, I home in on a smaller piece of that larger puzzle; namely, a consideration of how there may be non-conventional expression of affect. I provide (...) some examples of what I take that to involve and set out some premises for approaching it. In a third section, I motivate such an interest by pointing to a question in speech act theory concerning ‘force conventionalism’. This is whether and how illocution can be performed non-conventionally—that is, whether (at least some) utterances can be communicated with illocutionary force without need of convention. I propose that where expression of affect may occur non-conventionally, it may in turn constitute one important route through which at least some kinds of illocution are achieved. In the fourth part of the paper, I sketch an account of such non-conventional expression of affect for the purposes of illocution, by exploring a broadly Bühlerian account of some affects; namely, that some affects are teleological in character, that coordinations may be involved in their satisfactional states, and that uptake of the expressed affect constitutes one subset of such satisfactional states. That exposition points to the contemporary relevance of the “action theory of expression” proposed by Bühler. (shrink)

This paper extends a notion of local grammars in formal language theory to autosegmental representations, in order to develop a sufficiently expressive yet computationally restrictive theory of well-formedness in natural language tone patterns. More specifically, it shows how to define a class ASL\ of stringsets using local grammars over autosegmental representations and a mapping g from strings to autosegmental structures. It then defines a particular class ASL\ using autosegmental representations specific to tone and compares its expressivity to established formal language (...) grammars that have been successfully applied to other areas of phonology. (shrink)

According to limitarianism, it is morally impermissible to be too rich. We consider three main challenges to limitarianism: the redundancy objection, the inconclusiveness objection, and the commitment objection. As a distributive principle, we find that limitarianism fails to overcome the three objections—even taking recent theoretical innovations into account. Instead, we suggest that the core commitment of limitarianism can be drawn from the excess intuition. It entails that at some point, people's claims to retain wealth become qualitatively different: they become preposterous (...) from the point of view of interpersonal morality and justification. Extreme wealth, we argue, adds a distinctive expressive reason to worry about inequality and insufficiency, compounding these other distributive injustices. In retaining or wasting excess wealth while others have too little, the wealthy send a message of complete disregard for the interests of their co-citizens. They express that their disadvantaged compatriots have a diminished moral standing. (shrink)

In this article, Professors Wolff and Koppelman offer a critical analysis of the free speech claims that were asserted by the law schools and law faculty that sought to challenge the Solomon Amendment. Solomon is a federal statute that requires law schools to grant full and equal access to military recruiters during the student interview season. The military discriminates against gay men and lesbians under its t Ask, Don policy, and the law professors claimed a right to exclude the military (...) under the First Amendment doctrine of arguing that the presence of discriminatory recruiters would interfere with the ability of faculty to express their own message of inclusion toward their gay students. Those claims were ultimately rejected by the Supreme Court in Rumsfeld v. FAIR. Wolff and Koppelman argue that the law professors' litigation efforts, though well intentioned, were deeply misguided, seeking to extend a recent and aberrational decision in the law of expressive association to unsustainable lengths and, in the process, offering a characterization of the manner in which faculty engage in their own expression that is inconsistent with the ideals that should govern institutions of higher learning. (shrink)

The Expressiveness of the Body meditates on the contrasts between the human body described in classical Greek medicine and the body as envisaged by physicians in ancient China.

There is a standard objection against purported explanations of how a language L can express the notion of being a true sentence of L. According to this objection, such explanations avoid one paradox (the Liar) only to succumb to another of the same kind. Even if L can contain its own truth predicate, we can identify another notion it cannot express, on pain of contradiction via Liar-like reasoning. This paper seeks to undermine such ‘revenge’ by arguing that it presupposes a (...) dubious assumption about the linguistic expression of concepts. Successful revenge would require that there be a notion other than truth that plays the same role with respect to concept-expression that truth is naturally thought to play before we are confronted with the Liar paradox. (shrink)