Lex Luthor despises Superman. He obsesses about Superman. He tries to kill Superman. Luthor takes existentialism to the extreme, though, rejecting ethics and becoming an anti‐hero. In Superman: Secret Origin, Luthor is presented as self‐directed from an early age. Friedrich Nietzsche can help us understand Luthor as an iconoclast, literally one who breaks sacred images. Luthor also explains why he is so obsessed with bringing down Superman. Luthor thinks that Superman interferes with people viewing their lives as an existential (...) project. Lex Luthor underscores the complexities of existentialist philosophy. While he is creative, self‐determined, and autonomous, he is also completely immoral. His willingness to sacrifice anything or anyone takes existentialism to an extreme that Nietzsche, Sartre, and Kierkegaard would reject. And so, we are left to wonder: is Lex Luthor an evil genius and an abomination to existentialism, or might he be a true evolution of what existentialism can become. (shrink)

This chapter is unique for several reasons. First, it brings together two unlikely authors, a PhD ethicist and her 15‐year‐old high‐school daughter, whose diverse interests include thinking about depictions of female characters in graphic novels. Second, it compares two unlikely DC female characters, Wonder Woman (the Amazonian princess heroine who protects innocent citizens from evil) and Harley Quinn (the ever‐evolving anti‐hero who vacillates between being an outright villain to being merely window dressing for her boyfriend, the Joker). The conclusion (...) of the chapter is unlikely, too: neither Wonder Woman nor Harley Quinn can ultimately succeed in their roles as moral hero and immoral anti‐hero when their popularity depends upon them being depicted as sexual objects. The chapter uses Aristotle's ethics to show that it isn't Wonder Woman's virtue that is thwarted, but her phronesis. Harley's antiheroism is similarly in jeopardy, since phronesis helps any person set and meet goals. (shrink)

There is hardly any other art form as immersive as film. Thus, if a movie focuses on the abyss of human behaviour, dealing with crimes, violence or even murder, it is often accused of being immoral and corrupting its audience. On the basis of selected examples from Alfred Hitchcock’s ›Rope‹ to Martin Scorsese’s ›Taxi Driver‹ and Lars von Trier’s ›Dogville‹, this critical essay explores the question of the moral claims movies can make. Considering contemporary films such as ›Promising Young (...) Woman‹ and ›Joker‹ this text asks how modern anti-heroes influence the audience and what changes can be seen over the last decades in the moral reception of movies. Finally, the essay concludes with the latest attempts of censorship and looks at who determines the moral value of art. (shrink)

This book chapter in Neon Genesis Evangelion and Philosophy (Open Universe) draws parallels between the main anti-heroes in Albert Camus's The Stranger and Neon Genesis Evangelion, and introduces common existential concepts such as facticity/transcendence and bad faith, aimed at a general readership.

American History X (hereafter AHX) has been accused by numerous critics of a morally dangerous cinematic seduction: using stylish cinematography, editing, and sound, the film manipulates the viewer through glamorizing an immoral and hate-filled neo-nazi protagonist. In addition, there’s the disturbing fact that the film seems to accomplish this manipulation through methods commonly grouped under the category of “fascist aesthetics.” More specifically, AHX promotes its neo-nazi hero through the use of several filmic techniques made famous by Nazi propagandist Leni (...) Riefenstahl. Now most critics admit that, in the end, the film claims to denounce racism and attempts to show us the conversion of the protagonist to the path of righteousness, but they complain that nonetheless the film (perhaps unintentionally) ends up implicitly promoting the immoral worldview it rather superficially professes to reject in its final act. This charge of hypocrisy is connected to another worry: the moral conversion in the film is said to fall flat because the intellectual resources on display to support the character’s racism are not counterbalanced by equally explicit (but superior) arguments for the anti-racist position ultimately embraced by the character. In other words, just as the devil is said to get all the good lines in Milton’s Paradise Lost, in AHX the racists get all the arguments. This has been taken to be a morally problematic flaw of the film. Critics lament that Derek’s conversion seems to result not from relevant logical inferences and valid rational argumentation but from overly simplistic and arguably egoistic insights (e.g., “has anything you've done made your life better?”) combined, perhaps, with a hackneyed cliché (in prison, one of his best friends is a black person!) In this paper I’ll attempt to rebut these charges and defend the film as a powerful, and powerfully moral, work of art. I’ll be suggesting that the seductive techniques employed allow for many viewers a degree of sympathy towards the protagonist that is crucial, both for making that character’s more horrific actions especially unsettling, and also for making his eventual conversion plausible and ultimately compelling. I’ll also argue that the manner in which his conversion is presented is in fact subtler than many critics have allowed: Derek’s transformation is not artificial or implausible but is depicted as resulting from a cumulative series of emotionally powerful life events and personal engagements. It is certainly true that it is not represented in the way some would seemingly have preferred, i.e. as straightforwardly resulting from a process of gradual intellectual improvement in Derek’s reasoning on questions of race and politics. However, I’ll argue that the decidedly emotional basis of his moral evolution is both refreshingly realistic and no hindrance to accepting his conversion as rational. Finally, properly understanding the legitimacy of the emotional foundations of much moral thought will also allow us to appreciate the ways in which our initial worries about this film’s (not insignificant) ability to persuade viewers through the engagement of emotions need not, in itself, be seen as a barrier to endorsing the film as a morally praiseworthy work. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Confessions of an American PsychoJames Hogg’s and Bret Easton Ellis’s Anti-Heroes’ Journey from Vulnerability to ViolenceDaniel Cojocaru (bio)My vitals have all been torn, and every faculty and feeling of my soul racked, and tormented into callous insensibility.... I could perceive no bottom, and then—not till then, did I repeat the tremendous prayer!—I was instantly at liberty; and what I now am, the Almighty knows! Amen.—James Hogg, The Private Memoirs (...) and Confessions of a Justified Sinner1My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist.... My pain is constant and sharp.... But even after admitting this... and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself.... This confession has meant nothing.—Bret Easton Ellis, American Psycho2A hundred and sixty-seven years lie between the publication of James Hogg’s The Private Memoirs and Confessions of a Justified Sinner (1824) (henceforth referred to as Confessions) and Bret Easton Ellis’s American Psycho (1991). Yet one cannot but be amazed at the striking similarities of the main [End Page 185] protagonists’s insights at the end of these two novels. Although connections between works of Gothic Romanticism and postmodern narratives have been duly noted, the possible reasons for the analogies remain largely unexplored.3It will be argued here that both novels are representations of worlds immersed in what René Girard, in Deceit, Desire, and the Novel (henceforth referred to as Deceit), has termed “deviated transcendency,” resulting in similar stages of narrative progression, which in turn can be analyzed in terms of Girard’s mimetic cycle of violence.At a first glance, the two pieces seem to be concerned with themes that to a secularized age must appear most disparate. But as Girard has noted: “The very idea of mediation encourages literary comparisons at a level which is no longer that of genre criticism or thematic criticism.... It may illuminate the works through each other.”4 Hogg’s narrative deals with the problem of antinomianism and the resulting spiritual pride. The anti-hero of the narrative, Robert Wringhim, relies on his belief that he is one of the elect and cannot fall from grace and consequently is convinced by his elusive friend Gil-Martin to become a murderer without having to fear punishment. American Psycho on the other hand is concerned with the consequences of the crass materialism of the U.S. yuppie generation, culminating at the end of the 1980s, as experienced by the serial-killing first-person narrator Patrick Bateman. However, one could argue that in its very first pages, American Psycho presents the reader with a secularized version of antinomianism. Michael Steig has fleetingly noted that the egocentric doctrines of antinomianism psychologically resemble the “I’m alright tenets” of yuppie pseudo-psychology.5 Timothy Price, one of Bateman’s colleagues on Wall Street, expresses this in the following words: “In essence what I’m saying is that society cannot afford to lose me. I’m an asset.”6 Translated into antinomian terms, one could say that he is one of the elect, one of the privileged enjoying a capitalist heaven on earth; and by saying that society cannot afford to lose him, he, like Robert Wringhim, is showing that he believes he cannot fall from grace—or at least he tries to believe it.“I was well aware that the devilish powers of his mother would finally prevail; and either the dread of this, or the inward consciousness of having wronged him, certainly unnerved my arm.”7 If, in this reference to a quarrel with a fellow pupil at school, Robert gives away the fact that he doubts his own words, through the rhetorical device of correctio, so does Timothy Price by his choice of words. In fact, it is exactly because he is an asset that society can afford to lose him. As he is literally transformed into a commodity, society can discard him and in the novel indeed does so. It is one of the many ironies of the narrative that Price disappears soon after the above... (shrink)

El artículo esboza el culto heroico venezolano a partir de algunos de sus trazos literarios e historiográficos. El argumento se ilustra con las grandes líneas de desarrollo de una sociedad que parece haberse destinado a desenvolverse, de manera irremisible, entre el permanente culto al Héroe nacional-Padre de la Patria y la sumisión recurrente al Antihéroe nacional-padrote de la Patria.

Education as a Thick Epistemic Concept (ETEC) is a thick epistemology project that highlights the role of education in both epistemic virtues acquirement and motivation. In this paper, I argue that ETEC is not satisfactory because it relies on a version of Virtue Responsibilism (VR) that is also not plausible, in so far as it relies on the premise that both the motivation and the action-guidedness of epistemic and moral virtues are unified. By rejecting this unification premise, I show that (...) an epistemically virtuous person is not necessarily a morally virtuous/caring person either. It might happen to be the case that an epistemically virtuous person is also a morally virtuous person. However, there is no necessary connection between the two since there can be a sharp gap between their motivation and their action-guidedness. I also argue that there are bad forms of education that can further sharpen the gap between epistemic and moral virtues, further undermining ETEC. Thus, when it comes to education, a thick epistemology project should consider how different forms of education can sharpen the gap in the motivation and the action-guidedness of different types of virtues developed by learners. (shrink)

Non-naturalist realists are committed to the belief, famously voiced by Parfit, that if there are no non-natural facts then nothing matters. But it is morally objectionable to conditionalise all our moral commitments on the question of whether there are non-natural facts. Non-natural facts are causally inefficacious, and so make no difference to the world of our experience. And to be a realist about such facts is to hold that they are mind-independent. It is compatible with our experiences that there are (...) no non-natural facts, or that they are very different from what we think. As Nagel says, realism makes scepticism intelligible. So the non-naturalist must hold that you might be wrong that your partner matters, even if you are correct about every natural, causal fact about your history and relationship. But to hold that conditional attitude to your partner would be a moral betrayal. So believing non-naturalist realism involves doing something immoral. (shrink)

This paper uses detailed art criticism to ground a distinctive take on debates about the interaction of moral and aesthetic value. Immoralists claim that moral flaws can make artworks aesthetically better than they would otherwise be. I argue that whether or not immoralism is true, immoralists have not provided compelling characterizations of strategies that might constitute this kind of “immoral artistry.” The main exception is found in the work of A. W. Eaton. I critique Eaton’s perspective by way of (...) sustained interpretive-philosophical discussion of The Wire and especially The Sopranos. The discussion has implications for value interaction debates, conceptualizations of the “rough hero” genre, theories of appropriate response to fictions, and more applied debates about the moral criticism of film and television. (shrink)

The Roe v. Wade decision was overturned in the United States in 2022. This implies that while abortion remains legal in most jurisdictions, it is no longer a constitutional right, thus paving the way for making it illegal. Ever since the Roe v. Wade decision, there have been bombings and other violent attacks against abortion providers and abortion clinics, claiming some fatal victims. The overwhelming majority of anti-abortion activists condemn such violence. At the same time, most anti-abortion activists consider the (...) fetus a person, and ultimately believe that abortion is a form of murder. In this article, I argue that if abortion is murder, then anti-abortion violent activists have moral license to bomb abortion clinics. To do so, I rely on the principles of Just War theory. Ultimately, I rely on a modus tollens argument to prove that abortion is not murder: if abortion is murder, then activists have moral justification in bombing abortion clinics; activists do not have moral justification in bombing abortion clinics; therefore, abortion is not murder. Apart from attempting to prove that abortion is not murder, I also attempt to show the incoherence of the anti-abortion view. (shrink)

In this paper, I argue the practice of procreation is immoral regardless of the consequences of human presence such as climate change and overpopulation; the lack of consent, interests and moral desert on the part of nonexistent individuals means someone could potentially suffer in the absence of moral justification. Procreation is only morally justified if there is some method for acquiring informed consent from a non-existent person; but that is impossible; therefore, procreation is immoral.

This article is concerned with the status and stakes of Gilles Deleuze’s “break” with structuralism. With a particular focus on a transitional text of Deleuze, the 1967/1972 article “How Do We Recognize Structuralism?,” it asks how Deleuze understood structuralism and why, after his encounter with Félix Guattari and Guattari’s own transitional text, 1969’s “Machine and Structure,” Deleuze felt the need to break with structuralism. It argues that reading these two texts together allows us to see that Deleuze already perceived tensions (...) within the structuralist project, and argues that Guattari’s non-structural account of the machine allowed Deleuze to clarify this perception, and see it as necessitating a departure from structuralism. To close, however, it turns to recent work by philosophers such as Étienne Balibar and Patrice Maniglier that re-examines the structuralist moment and identifies an ongoing legacy that the “poststructuralism” of Deleuze and Guattari may be part of. By considering Deleuze and Guattari’s break with structuralism in light of this work, this article considers how the polemical rejection of structuralism by Deleuze and Guattari may not fully account for the ongoing legacy of the structuralist program and the persistence of a structuralist problematic in their thought. (shrink)

Looking to the popularity of superheroes, true crime stories, and anti-heroic characters like Tony Soprano, we investigated whether moral extremity, especially moral badness, piques curiosity. Across five experiments (N = 2429), we examine moral curiosity, testing under what conditions the moral minds of others spark explanation-seeking behavior. In Experiment 1, we find that among the most widely watched Netflix shows in the US over a five-month period, the more immoral the protagonist, the more hours people spent watching. In Experiments (...) 2a and 2b, we find that when given a choice to learn more about morally good, bad, ambiguous, or average others, people preferred to learn more about morally extreme people, both good and bad. Experiment 3 reveals that people are more curious for explanations about (vs. descriptions of) morally bad and ambiguous people compared to morally good ones. Finally, Experiment 4 tests the uniqueness of curiosity for moral ambiguity. We find that people are more drawn to moral rather than aesthetic ambiguity, suggesting that ambiguity, which is cognitively taxing and sometimes avoided, preferentially engenders information seeking in the moral domain. These findings suggest deviations from moral normativity, especially badness, spur curiosity. People are curious about immorality and agents who differ from the norm. (shrink)

In Ancient Greece, the figure of the hero was identified as a demigod, possessed of altruistic and virtuous deeds. When Pierre de Coubertin reinstated the Olympic Games, the athlete was personified as a modern hero. Its antithesis, the anti-hero, has more virtue that defects, no evil but he does not care on the means to achieve his goals. In the eyes of everyone involved in sports competition, these characters captivate and at the same time, create conflicts of ethics and aesthetics. (...) The purpose of this paper is to perform an ethical reflection linked to principles that contribute for the human growth and accomplishment, as well as the aesthetic on the perception of the sensitive, reverberated by sensations and feelings emerging from athletes. Connecting the ethic with the aesthetic spheres, we could have in the sports a phenomenon walking toward a common point between moral and aesthetic, between the good and the beauty. (shrink)

Follow the leader: why people go against their better judgment? -- How could they do that?: understanding the many sources and faces of evil -- Silently standing by: why we do or don't come to the aid of those who need us -- Paving the way to resistance: the gift of good during the Nazi occupation 1939-1945 -- Preconditions of resistance during the Armenian and Rwandan genocides -- Nature of goodness -- The world of heroes: why we need heroes -- (...) Conclusion. (shrink)

New technology has a prominent place in the theory and practice of innovation, but the association between high tech and innovation is not inevitable. In this paper, we discuss six metaphorical heroes of agricultural innovation, starting with the dominant hero of frontier science and technology. At first sight, our six heroes can be divided in those who are pro- and those who are anti-technology. Yet in the end technology, and more specifically GM technology, does not emerge as the main issue. (...) Empowering the poor, finding solutions for urgent climate problems, and enhancing the quality of our daily relations to food and the environment – these are the issues the heroes are fighting for. Relations between innovation and technology are better seen as a matter of pragmatic consideration, we will argue. (shrink)

New technology has a prominent place in the theory and practice of innovation, but the association between high tech and innovation is not inevitable. In this paper, we discuss six metaphorical heroes of agricultural innovation, starting with the dominant hero of frontier science and technology. At first sight, our six heroes can be divided in those who are pro- and those who are anti-technology. Yet in the end technology, and more specifically GM technology, does not emerge as the main issue. (...) Empowering the poor, finding solutions for urgent climate problems, and enhancing the quality of our daily relations to food and the environment – these are the issues the heroes are fighting for. Relations between innovation and technology are better seen as a matter of pragmatic consideration, we will argue. (shrink)

In many jurisdictions the list of factors for which anti-discrimination law applies has been expanded to include sexual orientation. As a result, moral and legal difficulties have arisen for religious organizations whose basic beliefs include the belief that sexual acts between persons of the same sex are immoral. In light of these difficulties, is anti-discrimination law of this sort unjust? Recently John Finnis has argued that, as commonly applied, such anti-discrimination law is disproportionate and therefore unjust. In this essay, (...) I critically examine Finnis’s argument, and argue that, on account of the conception of disproportionateness that is employed, it does not succeed. So as to enable the argument from disproportionateness to succeed, I develop and defend a modified conception of disproportionateness. -/- . (shrink)

This book is an attempt to write about Kierkegaard's philosophy in the style of Kierkegaard's philosophy: energetic, playful, free spirited, surprising, and joyous. It is a deliberately crumby book in the sense that it seeks out the fragments, scraps, and crumbs of philosophical arguments that are generally ignored or swept away, like so much rubbish, but that are actually the most interesting parts of the meal. The Anti-Assistant-Professor Method that this book follows adopts Kierkegaard's many excellent jokes about assistant professors (...) as a guide to how not to write about Kierkegaard's philosophy; specifically: - Don't cease to be human. - Don't be a parasite, merely feeding off other people's creations and never creating anything new. - Don't reduce or simplify or systematize Kierkegaard's ideas in order to make life easier for everyone (because that was never the point). - Don't kill Kierkegaard's philosophy by lecturing on it, thereby turning it into a collection of dead ideas for nonhumans rather than subjective truths that need to be lived. Following these guidelines, the book attempts to extend and amplify some of Kierkegaard's most important ideas in a way that combats the persistent problem of nihilism--a disease that even Kierkegaard succumbed to at the end of his life. (shrink)

Dans un article de 1984 intitulé « Le libéralisme et l’art de la séparation », Michael Walzer critique le fantasme libéral d’autodétermination. Afin d’illustrer sa thèse, il convoque la dernière tragédie de Shakespeare, Coriolan : « The liberal hero, author of himself and of social roles, is a mythic invention. It is Shakespeare’s Coriolanus, that aristocratic warrior and anti-citizen, who claims (and fails) to live “as if he were the author of himself and knew no other kin” ». Cet article (...) entend discuter cette interprétation. Au-delà d’une tragédie sur le rêve d’autonomie brisé, Coriolan donne à voir un personnage aux prises avec l’aliénation liée à l’éthique aristocratique. Relire Shakespeare dans le sillage de certaines exégèses marxistes et féministes invite donc à interroger la pertinence du « communautarisme libéral ». (shrink)

Modern television is awash in programs that focus on the rough hero, a protagonist that is explicitly depicted as immoral. In this paper I examine why audiences find these characters so compelling, focusing on archetypal rough heroes in two programs: The Sopranos and Breaking Bad. I argue that the ability of rough-hero programs to engender a certain degree of empathy for morally deviant characters despite viewers' resistance to empathizing with these characters' moral views is an aesthetic achievement. In addition, (...) I argue that empathy for the rough hero has cognitive value in that it enables us to reflect on the nuances of the psychology underlying moral deviance. In defending these claims, I offer my view as an alternative to A.W. Eaton's robust immoralist view that the aesthetic value of rough-hero programs lies in their ability to make audiences empathize with immoral perspectives; my claim is that empathy for rough heroes does not extend to their moral outlooks. My view also provides an alternative to Matthew Kieran's cognitive immoralist view that a work's depiction of immorality has cognitive value insofar as it imparts a normative lesson; my claim is that rough-hero programs are cognitively valuable not because they teach us about the perils of acting immorally, but because they help us understand the moral psychology that underlies immoral behavior. I defend an interpretation of rough-hero programs that incorporates insights from Eaton's and Kieran's immoralist views but does not support immoralism. (shrink)

Given the pain, discomfort, anxiety, heartbreak, and boredom that most humans experience in their lives, is it morally permissible to create them? Some philosophers lately have answered ‘No’, contending that it is wrong to create a new human life when one could avoid doing so, because it would be bad for the one created. This view is known as ‘anti-natalism’. Some contributors to this volume argue that anti-natalism is true because: agents have a prima facie duty to prevent suffering; it (...) is immoral to violate another’s right not to be harmed without having consented to it; and it is a serious wrong to exploit the weakness of a poorly off being to become a biological parent. Others here argue against anti-natalism on the ground, for instance, that many of our lives are not so bad and in fact are quite good and that the logic of anti-natalism absurdly entails pro-mortalism, the view that we should kill off as many people as possible. This book explores these and related issues concerning the evaluative question of how to judge the worthwhileness of lives and the normative question of what basic duties entail for the creation of new lives. Most chapters initially appeared as part of a special issue of the _South African Journal of Philosophy_ (2012) and are here reprinted along with two additional essays on the topic. (shrink)

This publication is an article 2, expanding on the topic, outlined in article 1, published earlier in “Philosophical thoughts” (1019, No. 1). The author considers the constitutional prerequisites of the anthropological anti-Utopia of the Third Reich, the main principles of which were deduced from the folk-political and folk-cultural versions of the German philosophical anthropology completed with ideological statements of the industrialism. The functional potential of the human ideals is regarded. These ideals are canonized in the ideology of the national-socialism with (...) the symbolic representation as Leader, Worker and Soldier as practical persons are conceptualized as antipodes, which in the further myth creations of the national-socialism are concretized and became the features of heroes. The idea and realities of the folk educational state are analyzed including the chronological and topological characteristics of this anti-utopia with the practically unrestricted life-time and the dialectic of the European idea with paradox prescribing to it the Nordic origin. The significance of sacral meaning of the Third Reich is clarified in the categorical schemes of the political romantic. The consequences of intentional primitivism of the world view culture of the youth are detected in the landscapes of the anthropological anti-utopia with the transforming of the normal student into “the political soldier” and recognition of the masculine community as a structuring model of society. The anti-human intentionality of biological reduction of the new world view, which is founded on the myth of the origin and the race theory, is unveiled as a distinction between a “worse” and “non- worse” life what makes this anti-utopia a repressive one and legitimates the crime practices of the re-education and liquidation. (shrink)

In 1941 Father Maximilian Kolbe, a Polish friar from Warsaw was arrested for publishing anti-Nazi pamphlets and sentenced to Auschwitz. There he was beaten, kicked by shiny leather boots, and whipped by his prison guards. After one prisoner successfully escaped, the prescribed punishment was to select ten other prisoners who were to die by starvation. As ten prisoners were pulled out of line one by one, Fr. Kolbe broke out from the ranks, pleading with he Commandant to be allowed to (...) take the place of one of the prisoners, a Polish worker with a wife and children dependent upon him. "I'm an old man, sir, and good for nothing. My life will serve no purpose," the 45 year old priest pleaded. He was taken, thrown down the stairs into a dank dark basement with the other nine prisoners and left to starve. Usually, prisoners punished like this spent their last days howling, attacking each other and clawing the walls in a frenzy of despair. (shrink)

Burchill is a British journalist who was involved in the punk-rock explosion and has contributed to such mainstream and esteemed organs as The Sunday Times and New Society. The punk-rock scene has now passed. Any remnants of The Sex Pistols, the Clash, the Damned, The Dead Kennedys and their followings have been co-opted and tamed by media and fashion: New Wave, as the name suggests, is now little more man a hair style; and Burchill feels mat the punk soul was (...) always more theatrical, lazy and liberal than the dogmatic radicals of The Socialist Workers Party with whom the punks worked in the Rock Against Racism and Anti-Nazi League pressure groups. (shrink)

On 2 July 2000, Yad Vashem, Israel's Holocaust Martyrs and Heroes Remembrance Authority, deferred action on the petition to have Dietrich Bonhoeffer named a righteous gentile. My contention is that critics of this decision conceal a more pernicious difficulty that arises in Bonhoeffer's Lutheran legacy. David Nirenberg's recent Anti-Judaism: The Western Tradition, demonstrates the history and development of such categories with particular attention to Luther. What goes unnoticed is the ongoing operations of anti-Judaism in later theologians such as Bonhoeffer. Although (...) Bonhoeffer may not have been anti-Semitic, the degree to which his theology remained bound to centuries old anti-Judaism is another matter. (shrink)

Our article will take the reader on a tour through collected observations based on digital images, created both by the Syrian Al-Assad regime and anti-regime groups. The pool of digital images on which our observations and deductions are based, are scraped from social media such as Facebook and YouTube. We do not claim to have an entirely representative nor objective collection, but perceive the selected images as being valuable to understand and decode the current political situation since the Syrian uprising (...) started in early 2011. We trace the development and strategies connected to online image production and distribution. What began in 2011 as a euphoric and celebratory use of online images by anti-government protestors, soon became a web of propaganda. On opposing sides of the battle skilled Photoshoppers and hackers join forces in a virtual battle of images and data. Manipulated images, strategic false campaigns, identities and rumours became the norm. We contemplate the lack of identity of the Syrian opposition, as a result of vague and splintered fighters, activists and disappointing leaders. We speculate around the ways that historic images of leaders and childhood characters are re-inscribed to claim an important place online, where leaders and heroes are missing. (shrink)

This essay discusses the views of historian Gertrude Himmelfarb, who sets forth that democratic societies tend toward a determinist outlook; she fears that the weakened belief in free will and its heroes endangers a democratic society. She regards H. G. Wells as the founder in 1920 of the "new history," with its antiheroic bias. She welcomes therefore the television series The Civil War for having achieved "a history from above and history from below," with its heroes among common soldiers as (...) well as the generals and statesmen. Himmelfarb criticizes the "debunking" historians who not only belittle the significance of heroes but find in "small causes" (e.g., the origins of Hitler's obsessive anti-Semitism) a basis for large-scale events (e.g., the Holocaust). Himmelfarb finds that H. G. Wells's Outline of History was intended not only to displace military conquerors as the heroes of history but to elevate the scientific elite in their place as history's truly constructive people. Americans, however, were, earlier, first introduced to another variety of "new history" by two Columbia University professors, Charles A. Beard and James Harvey Robinson, who wrote textbooks used by perhaps millions of high school students; Beard had derived the concept in 1906 when he read the Socialist History of France, much of it written by the French socialist, Jean Jaurès. The philosophy of history still remains in a position similar to that which has long prevailed in the philosophy of physics, where determinism and indeterminism have persisted irreconcilably. (shrink)

In the last thirty years historians of republicanism have offered us the image of Harrington as the true hero of Machiavellism. This paper suggests instead that Harrington adopted Machiavelli's method in political science, but shared only few of his master's values, often referring to those cherished in anti-Machiavellian circles, as in the case of the agrarian laws. Indebted to the anti-Machiavellian Petrus Cunaeus's analysis of the Jewish Jubilee laws, Harrington transformed Cunaeus's specific observations into a general law of his own (...) political science. This paper emphasizes the originality and modernity of such science, based on the inextricable interconnectedness between politics and economics. Further, it argues that this science entails a new, post-Machiavellian theory of liberty and property. (shrink)

The idea that the city is a place of sin and immorality is as old as urban civilization. But what does anti-urban thought mean in societies which are highly urbanized under the conditions of modern industrialism? Furthermore, is anti-urbanism in the interwar period a German völkisch phenomenon––one further stride on Germany's special path? And what does rural revival and the “back-to-the-land” cult mean in Great Britain, the first industrial nation? This article seeks to provide an answer to these questions by (...) exploring anti-urbanist writing between the End of the First World War and 1933 in Germany, and 1939 in Britain. By examining two key themes it aims to show that the clear-cut distinction between German anti-urban radicalisation and the West's coming to terms with urbanisation cannot be maintained. Firstly, attention will be drawn to the ambiguity of perceptions of the city in the writings of “Conservative Revolutionary” authors in the Weimar Republic. In a second step, the British “back-to-the-land” movement, whose advocates developed comprehensive anti-urban third-way theories in the interwar period and were themselves part of a broader popular anti-industrial movement and a rural cult throughout the 1930s, will be examined. (shrink)

Given these worries about strategic ethical egoism, we might conclude that morality and rationality are two independent points of view. We might agree that morality is impartial but insist that practical reason is instrumental or prudential. If so, we can see how there might be conflicts between practical reason and other-regarding morality, because other-regarding duties need not always advance the agent's own aims and interests. If there can be such conflicts, then immoral action is not necessarily irrational. If so, (...) we should reject the rationalist element in the problematic about the authority of morality. On this view, the authority, but not the scope or content, of morality depends on the aims or interests of agents. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:74 Feminist Studies 46, no. 1. © 2020 by Feminist Studies, Inc. Jennifer L. Holland “Survivors of the Abortion Holocaust”: Children and Young Adults in the Anti-Abortion Movement During the last three decades of the twentieth century, children across the United States regularly encountered adults who both hailed them as survivors of a holocaust and pleaded with them not to perpetrate one. These adults were not talking about war, (...) at least not in a traditional sense. They were talking about legal abortion. Children and young adults often heard this pitch in school presentations like one made in the mid-1970s by a California anti-abortion group, United Parents Under God, in which pictures of aborted fetuses (whose “feet will never kick a football... run on a playground... or play hopscotch”) and their imagined lost life stories were the centerpiece. Next to pictures of aborted fetuses were pictures of two prematurely born infants of color (the only people of color in the presentation) who were supposedly in danger under Roe v. Wade. With murder hovering in the air, activists asked their teen audience, “Is someone you love next?” According to these California anti-abortion activists, young people were physically and intellectually vulnerable to pro-choice views because they inhabited “atheistic” classrooms “where evil can no longer be called ‘evil.’” “You are quite literally ‘trapped’ in a completely ‘pagan’ situation in our secular society and schools and we must reach you anyway we can,” they continued. In the so-called “pro-life” worldview, liberals were brainwashing children and young people through the media, public schools, and many other institutions. Jennifer L. Holland 75 “Women’s liberal abortion speakers,” political scientists, “who typically work for the STATE” and for whom the “ends justify the means,” and new “secular-science textbooks”—all were trying to frighten teenagers to “into killing [their] OWN OFFSPRING,” activists said. Anti-abortion women, “ordinary women... who LOVE you” according to the California presentation, sought to protect children while feminist “witches... distort [ed] God’s purposes of sexuality.”1 In order to counteract what they viewed as corruption, anti-abortion activists had to wage a counter -battle, politicizing children in order to make them innocent again. In practice, that meant bringing the abortion wars—with their attendant graphic imagery and discussions of immorality, murder, and “holocausts ”—into the haven of childhood. From the movement’s early days, anti-abortion activists waged their fight in the name of innocent young people; abortion, they said, was a genocide of children. While these activists were certainly not the only US movement to use the supposed vulnerability of children to elicit public support for their cause, they also did something different. For the anti-abortion movement, children and young adults were more than just endangered innocents; they were also potential perpetrators. Young people, it seemed, were more liberal than their elders, having allegedly been reared in and indoctrinated by liberal culture. They seemed, in short, to be a potentially pro-choice generation. Thus, adult activists spoke more to and about young people at the end of the century. Adults needed young people to speak for fetuses as “Survivors of the Abortion Holocaust,” but they also needed to convert and save America through them. The anti-abortion narrative of childhood vulnerability offered the restoration of social hierarchies as a solution to the problem of abortion. It was “women’s liberal abortion speakers” and feminist “witches” who were the sources of societal indoctrination. Pro-choice women separated sex and reproduction, thus undermining women’s role in society and changing their relationships with men. More subtly, anti-abortion 1. United Parents Under God, “That They May Live: A Presentation on Abortion,” n.d., folder 1, United Parents Under God Ephemeral Materials, Wilcox Collection of Contemporary Political Movements, Kansas Collection, Kenneth Spencer Research Library, University of Kansas. This publication was probably created in the early to mid-1970s because the few citations contained within are from between 1970 and 1973. 76 Jennifer L. Holland activists—who were almost always white—mourned the loss of past racial hierarchies while also envisioning theirs as a civil rights movement. In the California presentation mentioned above, activists explicitly compared abortion to mandated... (shrink)

Nietzsche's late works are brilliant and uncompromising, and stand as monuments to his lucidity, rigour, and style. This volume combines, for the first time in English, five of these works: The Antichrist, Ecce Homo, Twilight of the Idols, Nietzsche contra Wagner, and The Case of Wagner. Here, Nietzsche takes on some of his greatest adversaries: traditional religion, contemporary culture, and above all his one-time hero, the composer Richard Wagner. His writing is simultaneously critical and creative, putting into practice his alternative (...) philosophical vision, which, after more than a hundred years, still retains its startling novelty and audacity. These new translations aim to capture something of the style and rhythm of the original German, so that the reader can get a sense of Nietzsche as not just a philosopher but also a consummate artist, capable of 'dancing with his pen', and as untimely as he claims to be. (shrink)

The paradox marking Spinoza’s reappearance in modernity is well known. If Mendelssohn wished to “give him new credence by bringing him closer to the philosophical orthodoxy of Leibniz and Wolff,” and Jacobi, “by presenting him as a heterodox figure in the literal sense of the term, wanted to do away with him definitively for modern Christianity”—well, “both failed in their goal, and it was the heterodox Spinoza who was rehabilitated.” The Mendelssohn-Jacobi debate can be grafted onto the crisis of a (...) specific philosophical model. It generates a figure of Spinoza capable of assuaging the exacerbated spiritual tension of that epoch, and of constituting the systematic preamble of the relation between power and substance—between subject and nature. Spinoza, the damned Spinoza, had a resurgence in modernity as a Romantic philosopher. Lessing won out by recognizing in Spinoza an idea of nature which was capable of balancing the relation between feeling and intellect, freedom and necessity, and history and reason. Herder and Goethe, against the subjective and revolutionary impatience of the Sturm und Drang, based themselves on this powerful image of synthesis and recomposed objectivity: Spinoza is not only the figure of Romanticism; he constitutes its grounding and its fulfillment. The omnipotence of nature was no longer to break off into the tragedy of feeling, but it was to triumph over it, by opposing it to a kingdom of completed forms. Spinoza’s first reception within Romanticism was thus an aesthetic reception, a perception of motion and perfection, of dynamism and forms. And it remained such, even when the general frame and the particular components of Romanticism were subjected to the labor of philosophical critique. Fichte, the real philosophical hero of Romanticism, considered both Spinoza’s and Kant’s systems to be “perfectly coherent,” in the incessant ontological movement of the I. For the Schelling of the 1790s, the assertion of a radical opposition between 1 critical philosophy and dogmatic philosophy—that is, between a philosophy of the absolute I founding itself on the critical philosophy and a dogmatic philosophy of the absolute object and Spinozism—was quickly resolved into an analysis of action which dialectically took on the weight of the objective. Far from becoming antinomial, the absolute position of the I composes itself into a necessary process which, above tragedy, exalts the “spiritual automatism” of the relation between subject and substance. The aesthetic dimension of this synthesis consists in ceaselessly and tirelessly bringing back power and substance, the productive element and the form of production, to perfection. Romanticism, according to Hegel, is characterized by a capacity to overcome the pure objectivity of the ideal and the natural as a true idea of beauty and truth, initially to destroy the union of the idea and its reality, and to locate the latter in the difference, so as then to bring to manifestation the inner world of absolute subjectivity and reconstruct its objectivity where the overcoming of sensibility is appeased in the absolute character of the result. The filiation of this process is still Lessingian, but the new dialectic expresses and articulates its motivations, while insisting on the propaedeutic of the beautiful along the path leading to the absolute. Spinoza, a certain Spinoza, becomes the central figure in this process. (shrink)

Psychopathy is increasingly in the public eye. However, it is yet to be fully and effectively understood. Within the context of the DSM-IV, for example, it is best regarded as a complex family of disorders. The upside is that this family can be tightly related along common dimensions. Characteristic marks of psychopaths include a lack of guilt and remorse for paradigm case immoral actions, leading to the common conception of psychopathy rooted in affective dysfunctions. An adequate portrait of psychopathy (...) is much more complicated, however. Though some neural regions and corresponding functions are commonly indicated, they range across those responsible for action planning and learning, as well as emotional processes. Accordingly, a complete fine-grained map of all neural mechanisms responsible for psychopathy has not been realized, and even if it were, such a map would have limited utility outside of the context of surgical or chemical intervention. The utility of a neural-level understanding of psychopathy is further limited by the fact that it is only applicable in the clinical identification of individual subjects, and the neuro-chemical/biological correction of those subjects after they are positively identified as psychopaths. On the other hand, an information processing model of moral cognition provides for wider-ranging applications. The theoretical and practical implications for such a feasible working model of psychopathic personalities are assessed. Finally, this chapter raises the possibility of directed modification of social-environmental factors (including at the meta-organizational level) discouraging the development of psychopathic personalities in the first place, modifications which are also open to simulation and testing in terms of the same model of moral cognition. (shrink)

This article analyzes the problem of harmonization between traditional values and modern values, alongside the struggle against traditional and modern anti-values for the construction of sustainable peace in contemporary Burundi. It starts from a reminder of the historical events in Burundi which, from the advent of European colonizers and the confrontation on Burundian soil between Germans and Belgians, and the brutal accession to independence in 1962, have fundamentally caused the loss of axiological and cultural references, coupled with trauma experienced by (...) Burundians due to the unprecedented violence of these events. The analysis of the traditional values of ubuntu and ubutungane/intahe makes it possible to show that Burundian society was based both on the virtue ethics and on deontological ethics which should urgently be rediscovered to reinvigorate democratic institutions. Rediscovering these values requires a corollary work of struggle against the anti-values of uwawe and igihugu ntikiribw’ivu which corresponds to the modern anti-values of ethnocentrism and capitalist greed. The article proposes that education of the Burundian people in the values cited above and against these anti-values be promoted as a solid path to the formation of a new leadership embodied by ethically committed leaders who can carry with responsibility the project of a new Burundi, peaceful and prosperous, which was the dream of the two national heroes celebrated every year: the Prince Louis Rwagasore, the father of Independence, and President Melchior Ndandaye, the hero and martyr of democracy. (shrink)

The tension between Kant’s egalitarian conception of persons as ends in themselves and his rejection of the right of revolution has been widely discussed. The crucial issue is more fundamental: Is Kant’s defense of absolute obedience consistent with his own principle of legitimate law, that legitimate law is compatible with the Categorical Imperative? Resolving this apparent inconsistency resolves the subsidiary inconsistencies that have been debated in the literature. I argue that Kant’s legal principles contain two distinct grounds of obligation to (...) obey political authority. One lies in his metaphysical principles of law, according to which there is only a duty to obey legitimate law or fully legitimate authorities. Another lies in his moral-pragmatic principles. He believes that membership in the state helps improve one’s character by counter-balancing one’s immoral inclinations. This is his ultimate ground for obedience to de facto, imperfectly legitimate states. On this ground, the duty to obey an actual state is conditional. Kant’s strong statements about the duty to obey actual states is explained by the ease with which he thinks the relevant condition is met by extant states. The apparent ambiguities in his discussion of obedience point to some important philosophical and historical shortcomings of his analysis of the division of govemmental powers and of judicial competence which hamper his analysis of the duty to obey the state. (shrink)

ExcerptThe Omens In November 1961, the Einaudi publishing house published Renzo De Felice's Storia degli ebrei italiani sotto il fascismo.1 The Wiener Library in London and both the Yad Vashem Martyrs' and Heroes' Memorial Authority in Jerusalem and the YIVO Institute for Jewish Research of New York City had just published (respectively, at the beginning and the end of 1960) two bibliographies concerning the persecution of Jews in Europe, one authored by Ilse R. Wolff and the other by Philip Friedman (...) and Jacob Robinson.2 According to their works (in particular, according to the latter, more extensive one),…. (shrink)

Anti-vivisectionists charge that animal experimenters are speciesists people who unjustly discriminate against members of other species. Until recently most defenders of experimentation denied the charge. After the publication of `The Case for the Use of Animals in Biomedical Research' in the New England Journal of Medicine , experimenters had a more aggressive reply: `I am a speciesist. Speciesism is not merely plausible, it is essential for right conduct...'1. Most researchers now embrace Cohen's response as part of their defense of animal (...) experimentation. Cohen asserts that both rights and utilitarian arguments against the use of animals in research fail because they `refuse to recognize the moral differences among species'.2 If we appreciate the profound differences between humans and non-human animals, he says, we would understand why animals do not and could not have rights and why animal pain does not have as much moral weight as human pain. Animal liberationists think speciesism is immoral because they mistakenly equate it with racism and sexism. Cohen claims this equation is `unsound', `atrocious', `utterly specious', and `morally offensive'. Doubtless Cohen is right that the charge of speciesism is founded on an analogy with racism and sexism. He is mistaken, however, in asserting that the comparison is categorically illicit. (shrink)

The purpose of this paper is to provide an answer to the following question: should we blame ourselves more than we blame others, like some of Taylor’s song such as High Infidelity, Would’ve, Could’ve Should’ve, Afterglow or Anti-Hero seem to suggest? In order to settle this question, I discuss an asymmetry in our intuitions about the ethics of self-blame and other-blame. The asymmetry is this: for a given wrongdoing, let us say arriving late to a concert, it often seems morally (...) appropriate for an agent to blame herself more than it would be morally appropriate for others to blame her. -/- . (shrink)

First published in 1970, original blurb: 'Alienation' is the catchword of our time. It has been applied to everything from the new politics to the anti-heroes of today's films. But what does it meanto say that someone is alienated? Is alienation a state of mind, or a relationship? If modern man is indeed alienated, is it from his work, his government, his society, or himself - or from all of these? Richard Schacht, in this intelligent analysis, gets to the root (...) of these questions. Examining the concept of alienation in the works of Hegel and Marx, he gives a clear account of the origins of the modern usage of the term. Among the many insights to be gained from this analysis is a clear understanding of Hegel's influence on Marx in this most crucial area. Mr Schacht goes on to discuss the concept of alienation in recent philosophical and sociological literature, particularly in the writings of Erich Fromm. Here he finds a great deal of confusion, which has resulted in a series of almost universally unquestioned misconceptions. This, then, is a book for all of us who use - and mis-use - the term 'alienation', and who are interested in the concepts it brings to mind. The arguments of Professor Walter Kaufmann's introductory essay provide a useful background for Mr Schacht's analysis. In this essay, Professor Kaufmann states that 'henceforth nobody should write about alienation without first reading Schacht's book.'. (shrink)

Sogo/Gakuryu Ishii is one of the pioneers of the punk/cyberpunk movement in Japanese cinema. Though his style changed throughout his career, his early films have been a great influence to filmmakers around the world. His unique filmic style presents questions, observations and interpretations regarding the role of violence as normalized in the daily lives of heavily marginalized punk youth portrayed in an amplified and stylized cyberpunk Japan. What is so captivating about Ishii's style and motivation is that he was not (...) only a filmmaker interested in making embellished political or social commentary, Ishii was also part of the emerging punk movement in Japan and several musicians of punk rock bands were also involved in his films. My main aim in my inquiry into Ishil's early films involves two parts regarding the same concept. The first is the ethical issues that arise both with portrayal of violence in films as well as the intention of such an endeavor in general. The second part is the way in which violence is made to be part of the film in terms of form and style. This may be interpreted as either glorifying and stylizing violence or showing that violence is nothing but a destructive force that the outcasts of society may not be able to escape. To the last statement Ishii seems to be silent but very active. What I mean by this is that the simplistic plot-lines of his early films are contrasted by heavy punk music, fast editing, constant moving camera and rage, fear and disappointment in the faces of the anti-heroes. (shrink)

‘Jason…chosen leader because his superior declines the honour, subordinate to his comrades, except once, in every trial of strength, skill, or courage, a great warrior only with the help of magical charms, jealous of honour but incapable of asserting it, passive in the face of crisis, timid and confused before trouble, tearful at insult, easily despondent, gracefully treacherous in his dealings with the love-sick Medea but cowering before her later threats and curses, coldly efficient in the time-serving murder of an (...) unsuspecting child (sic), reluctant even in marriage.’ So Carspecken put the case against Jason's heroism. In the face of such an indictment, Lawall's plea in mitigation, ‘it must be admitted that [Jason] often reveals the qualities of a true gentleman’, seems somehow inadequate. Criticism since Carspecken has found various overlapping categories for Jason which both take account of the earlier negative judgements and preserve the centrality of his ‘personality’ and character in the poem: Jason is the quiet diplomat who works through consensus rather than force, his is a heroism of sex-appeal, he is an anti-hero, the embodiment of Sceptic ‘suspension of judgement’, or, alternatively, he is ‘one of us’, credible and lifelike. Carspecken himself tried a different tack: the poem is concerned not with individual heroism but with the heroism of the group (cf. 1.1, 4.1773–81). (shrink)