ABSTRACT In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what (...) we – as possessors of practical reason – may hope for. The main question of the third Critique is, ‘What may we hope if we act as we should, i.e. act rationally?’ Kant’s implicit answer is, ‘to attain the ideals of reason, which leads to happiness as a consequence of it.’ This novel reconstruction of the argumentative structure of the third Critique contributes to the literature by (i) explaining how the two parts of the third Critique on aesthetics and teleology are connected, (ii) clarifying how the ideals of reason are connected to hope and happiness, and (iii) showing how the spheres of nature and freedom can be synthetically unified through the faculty of judgment. (shrink)

Hegel repeatedly identifies rational self-consciousness as a real example of the concept, and its tripartite constituents: universality, particularity, and individuality. In what follows I will show that the concept as such, along with its tripartite constituents, are constitutive of rational self-consciousness. On the one hand, by showing how Hegel’s concept of the concept applies to rational self-consciousness, I aim to provide a concrete example of the concept of the concept in a real being whose being is not merely logical. On (...) the other hand, I aim to show that Hegel’s application of the concept to rational self-consciousness is motivated by a problem within the philosophy of mind. For this reason, Hegel’s application of the concept of the concept to the mind is not arbitrary, but motivated by significant philosophical problems. (shrink)

In this essay, I show how the virtues, for Maximus the Confessor, contribute to the formation of a positive orientation toward (a deep and abiding desire for) the relevant epistemic goods (e.g., contemplation of God in and through nature, illumination of divine truths, wisdom, and experiential knowledge of God). The first section offers a brief overview of how three character-based virtue epistemologies envision the role of the intellectual virtues in the cognitive life. The second section draws attention to Maximus’s understanding (...) of the relationship between the virtues and the relevant epistemic goods. The third section argues that a relationship of this sort entails a seamless connection (though without confusion) between the practical and contemplative aspects of deiform existence. The fourth section clarifies how select virtues foster within the self a praiseworthy desire for the relevant epistemic goods. (shrink)

Excerpt from The Principle of Synthetic Unity in Berkeley and Kant This little volume was prepared as a thesis for the degree of Doctor of Philosophy in the University of Michigan. By the advice of Dr. John Dewey I have undertaken to interpret the Metaphysical Notes of Berkeley's Commonplace Book, and as far as possible discover the Principle of Unity which occasionally manifests itself in Berkeley's works and which formed a basis for a Treatise on the Will (...) which Berkeley contemplated but never produced. I wish to express my indebtedness to Dr. Dewey for his assistance in the selection of collateral reading and for his suggestions in the development of the thesis. No literature could be secured bearing upon the interpretation of the Notes, hence the Notes have been classified and such as bear upon the theme under discussion have been used. Often the phraseology has been preserved but where that could not be done the thought has been expressed in phraseology as nearly Berkeleian as the author could select so as to preserve the unity that runs through the Notes. This principle of unity found in Berkely has been compared and contrasted with the Unity of Kant. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Inspired by Kant, Merleau-Ponty and Sellars, I illustrate and identify certain kinds of unity which are typical (if not universal) features of our conscious experience, and argue that Kant was right to claim that such unities are produced by unconscious processes of synthesis: A perceptual experience of succession is not reducible to a succession of perceptual experiences. The experience of perceiving one object as having several features is not reducible to a conjunction of perceptual experiences of those features. A (...) cross-modal perceptual experience is not reducible to a conjunction of single-modality perceptual experiences. Incoming perceptual information is synthesized into a single scene-a representation of the world as perceived from a spatio-temporal point of view. Any two of the simultaneous features of the experience of a subject S can be thought of together by S. Many of the experiences of a subject S can be thought of by S at a later time as part of his or her history of experience. These can be summarized in the general principle: An experience of a complex is not a complex of experiences. This is consistent with Sellars’ principle that: A sense-impression of a complex is a complex of impressions because the latter applies at the sub-personal, unconceptualized level, and the former at the conscious level of conceptualized experiences. (shrink)

In the Transcendental Aesthetic, Kant famously characterizes space as a unity, understood as an essentially singular whole. He further develops his account of the unity of space in the B-Deduction, where he relates the unity of space to the original synthetic unity of apperception, and draws an infamous distinction between form of intuition and formal intuition. Kant ’s cryptic remarks in this part of the Critique have given rise to two widespread and diametrically opposed readings, (...) which I call the Synthesis and Brute Given Readings. I argue for an entirely new reading, which I call the Part-Whole Reading, in part by considering the development of Kant ’s views on the unity of space from his earliest works up through crucial reflections written during the silent decade. (shrink)

Kant calls the Principle of the Synthetic Unity of Apperception the “highest point” to which we “must affix all use of the understanding, even the whole of logic and, after it, transcendental philosophy.” In this article, I offer an original interpretation of this “supreme principle.” My argument is twofold. First, I argue that the common identification of this principle with the “I think” or even the form of the I think misses the basis on which this principle is (...) capable of grounding Kant’s transcendental deduction. It must be understood as a purely formal, transcendental principle. Second, I argue that this highest principle must be understood as a purely formal principle of pure synthesis in order for Kant’s account of the mind to lay valid claim to such spontaneity without invoking the very dogmatic idealism that he critiques. The reduction of this principle to the real I think, or even to the Transcendental Unity of Apperception, undermines the basic distinction on which Kant’s deduction depends. I pay particular attention to important, recent arguments from Longuenesse on the TUA, Williams on the Original Unity of Apperception, Allison and Pollok on the status of a priori principles, and McLear on the claim that unity necessarily presupposes synthesis. (shrink)

이 논문의 목표는 『순수이성비판』제2판 「선험적 감성론」의 공간론과 통각의 종합적 통일의 관계를 규명하는 것이다. 논문의 내용은 다음 테제들의 정당화이다. 1. 「선험적 감성론」에서 전개된 공간론은 세 단계로 이루어진 하나의 논증이다. 첫 단계는 공간의 근원적 표상은 아프리오리한 순수 직관임(1)을 증명하고, 둘째 단계는 공간은 우리의 외감 일반의 형식 혹은 외적 직관의 형식임(2)을 증명하고, 셋째 단계는 공간은 사물 자체도 사물들 자체의 관계도 아니며 오직 외적 현상의 형식일 뿐임(3)을 증명한다. 이 공간론 전체 논증은‘(1)이다, 그러므로 (2)이다, 그러므로 (3)이다’라는 추론 형식의 증명 구조를 갖는다. 2. 공간론 전체 논증의 (...) 대전제인 (1)을 증명하는 첫 단계는 다시금 네 개의 논증으로 이루어져 있다. 이 중 첫째와 둘째 논증은 공간 표상의 아프리오리함을 대상 인식에서 공간 표상이 갖는 역할을 분석하여 증명하고, 셋째와 넷째 논증은 공간 표상의 직관임을 공간 자체의 본성을 분석하여 증명한다. 3. 이 셋째와 넷째 논증의 증명은 ‘공간은 유일하고 무한히 큰 전체로 표상됨’을 전제한다. 4. 이 전제는 최종적으로 통각의 종합적 통일에 근거해서만 가능하다. 왜냐하면 공간의 통일(유일성과 무한성)은 공간의 형식적 직관의 통일과 같은 것으로서 하나의 종합적 통일이고, 이 통일은 형상적 종합에 의해 가능하고, 이 종합은 다시금 통각의 종합적 통일에 따라서만 가능하기 때문이다. 5. 그러므로 통각의 종합적 통일은 공간론 전체 논증의 최종근거이다. 왜냐하면 공간론 논증 첫 단계의 네 가지 논증은 모두 다 유일하고 무한히 큰 전체로 표상(생각)된 공간을 다루기 때문이다. (shrink)

The text considers the possibility of studying the Freudian psychoanalysis as a certain form of transcendentalism. In particular, it analyses the relation of Freud’sproposition concerning the strangeness within the subject—a strangeness called unconsciousness—to Kant’s claim about the necessity of the synthetic unity ofapperception. The study commences with Ricoeur’s reading of Freud’s teachings in order to demonstrate how, by introducing the language of transcendental philosophy into the reading of Freud’s works, Ricoeur omits the issue of the subjective conditions for (...) the constitution of any possible meaning. Next, searching for the possibility to formulate these conditions on the grounds of Freudian psychoanalysis, the text investigates relevant Heidegger’s reading of Kant. It finds in it the model justification for such understanding of the unity of “I think” which makes it, already at its core, conditioned by diversity identified with temporality. By attempting to grasp the contradiction between such a temporal condition for subjectivity and Freud’s postulate on the timeless nature of unconsciousness, the text applies Derrida’s criticism of the metaphysical conception of time, which is directed exactly at Heidegger’s metaphysics of Dasein. In consequence, it turns out that a profound justification seems to exist for the seemingly paradoxical Freudian statement about unconsciousness as linked with, on the one hand, the most primal intuitions still grounded in animism, and on the other, with a continuation of Kant’s teachings. (shrink)

In the 3rd Analogy, Kant claims that I can perceive that things coexist by synthesizing my perceptions in an order-indifferent way. Reigning orthodoxy holds that I first successively perceive different things, and then (through some further act) determine that the things I perceive coexist. Focusing on prominent examples of this approach, I argue that these accounts fail to do justice to the order-indifferent synthesis that Kant describes: Strawson explains the synthesis in a way which renders Kant’s argument in the 3rd (...) Analogy obviously unconvincing, Watkins makes the synthesis irrelevant to Kant’s argument, while Longuenesse and Allison make the unity of the synthesis obscure. The problems with these views, I contend, show that Kant thinks the rule for synthesizing my perceptions is already operative in the successive perceptions, such that the fundamental act of perception already involves ‘objective time-determinations.’ This connects with the recent dispute about whether Kant is a conceptualist: my argument provides additional evidence that Kant is a conceptualist, while also extending the conceptualist reading to the 3rd Analogy in a novel way. For those who think conceptualism is wrong, my argument serves as a critical notice that non-conceptualists have yet to offer a satisfying interpretation of the 3rd Analogy. (shrink)

Three types of unity that self-governing systems possess are discussed. The first is the synthetic unity attained when information drawn from incommensurate sources is mapped into a common frame of reference. The second is the unity of voice—or “univocity”—attained when a set of separate, potentially conflicting informational streams is united into a single collective voice. The third is the dynamical unity achieved when the parts of a system operate under the command of a single voice. (...) Peeling back the curtain and looking at how the personal point of view arises, and how the unities that are given introspectively are generated by work that the brain does dispels the mystery that is at least partly behind the imaginative pictures of self as mental substance or soul-stuff. (shrink)

This essay chiefly concerns the unity of self-consciousness expounded under the heading "the original synthetic unity of apperception" in Kant's transcendental deduction. It focuses mainly on Kant's identification of this unity with the understanding, the faculty of knowledge, with the aim of throwing light on the understanding and on knowledge as well as on synthetic unity.

In the context of a critique of James Conant’s (2016) important new reading of the main argument of the Deduction, I present my current, most detailed interpretation of the well-known Leitfaden passage at A79, which in my view has been misinterpreted by a host of prominent readers. The Leitfaden passage is crucial to understanding the argument of, not just the so-called Metaphysical Deduction, but also the Transcendental Deduction. This new account expands and improves upon the account of the Leitfaden I (...) gave in Chap. 5 of Kant’s Deduction From Apperception. While I agree with the core of Conant’s critique of what he calls the ‘layer-cake’ reading of the Deduction argument, in this new account I make clearer my position on why the unity of judgement, in which concepts and intuitions are a priori synthetically unified, is wholly determined in virtue of the unity of apperception as the unitary function of the understanding, without this leading to a strong form of conceptualism such as that of Conant and others. (shrink)

In the context of a critique of James Conant’s (2016) important new reading of the main argument of the Deduction, I present my current, most detailed interpretation of the well-known Leitfaden passage at A79, which in my view has been misinterpreted by a host of prominent readers. The Leitfaden passage is crucial to understanding the argument of, not just the so-called Metaphysical Deduction, but also the Transcendental Deduction. This new account expands and improves upon the account of the Leitfaden I (...) gave in Chap. 5 of Kant’s Deduction From Apperception. While I agree with the core of Conant’s critique of what he calls the ‘layer-cake’ reading of the Deduction argument, in this new account I make clearer my position on why the unity of judgement, in which concepts and intuitions are a priori synthetically unified, is wholly determined in virtue of the unity of apperception as the unitary function of the understanding, without this leading to a strong form of conceptualism such as that of Conant and others. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Concepts, Judgments, and Unity in Kant's Metaphysical Deduction of the Relational Categories CHARLES NUSSBAUM 1. INTRODUCTION TO ANY ATTENTIVEREADERof the section of the Critique of Pure Reason' known as the "Metaphysical Deduction of the Categories" (A67/B92-A83/B to9), one paragraph in that section stands out particularly by virtue of its special importance for Kant's developing argument: The same function Which gives unity to the various representations in ajudgment (...) also gives unity to the mere synthesis of various representations in an intuition; and this unity, in its most general expression, we entitle the pure concept of the understanding. The same understanding, through the same operations by which in concepts, by means of analytical unity, it produced the logical form of a judgment, also introduces a transcendental content into its representations, by means of the synthetic unity of the manifold of intuition in general.... (CPR A79/B loS) The importance of this paragraph is, however, more than equaled by its difficulties, which center on the question of how the function which operates by means of analytical unity can be the same as one that operates by means of the synthetic unity of the manifold of intuition in general. Put shortly, the problem is this. If the functions are really the same, then how do we distinguish at all between analytic and synthetic operations? But if they are different, then how can these forms of judgment serve as a clue for the discovery of the categories? ' Immanuel Kant, Critiqueof Pure Reason, trans. Norman KempSmith (London: Macmillan and Co., Ltd., 1963).Hereafter CPR. [89] 9~ JOURNAL OF THE HISTORY OF PHILOSOPHY 28:1 JANUARY 1990 The results of this dilemma which can be observed in the literature are not surprising: commentators tend to grasp one horn or the other. They either emphasize the difference between analysis and synthesis, and reject or dilute the claims as to sameness of function; or they take seriously Kant's argument concerning sameness of functions, and try to minimize the difference between analysis and synthesis. The major twentieth-century representant of the former approach is Kemp Smith," and of the latter, Paton. 3 This latter approach has found a formidable contemporary champion in the person of Henry Allison. By Allison's own admission,4 however, his position on this controversial topic was suggested (in part) by arguments first put forward over fifty years ago by Klaus Reich in a most remarkable book entitled Die Volls~ndigkeit der Kantischen Urteilstafel, 5 a book, by the way, also greatly admired by Paton. 6 In the first section of this paper I will try to show that Reich's arguments are rather more subtle than Allison apparently takes them to be, and that Reich is one commentator who attempts to go between the horns of the dilemma described above, and who essays an interpretation of our crucial paragraph that unifies its seemingly divergent tendencies. In the second section of the paper I will introduce some interpretive elements of my own. 2. Let us begin by reacquainting ourselves with Kant's notion of analytical unity, one aspect of this debate which is not particularly controversial and is largely agreed upon by all parties. For Kant, analytical unity is the sort of unity achieved by all general concepts (conceptus communes) insofar as they abstract from all differences that subsist between the objects under them, or the lower concepts subordinated to them. 7 A general concept unifies these objects or concepts by means of a common mark or set of marks. Thus Kant's example at CPR A69/B94 of the unification of bodies under the concepts 'body' and 'divisible' is a perfectly representative instance of unification via analytical unity, as the function upon which such concepts "rest." Let us note that the " Norman KempSmith,A CommentarytoKant's "Cr/t~rueofPureReason"(NewYork:HumanitiesPress, 196~). 3 H.J. Paton, Kant's MetaphysicofExperience, 2 vols.(London:George Allenand Unwin,Ltd., 1936). 4 Henry Allison,Kant's TranscendentalIdealum (NewHaven:YaleUniversityPress, 1983), 144 n. 3o. Hereafter KTI. 5 KlausReich,Die Vollst~ndigkeitderKantischenUrteilstafel,3rd. ed. (Hamburg: Meiner, 1986). Hereafter VKU. 6 Paton, Kant's Metaphysic, 1:302. Kant, we should note, does not makethis important logicaldistinctionbetweensubordination... (shrink)

The article focuses on re-evaluating Kant’s Transcendental Dialectic by initially highlighting its seemingly negative function within the Critique of Pure Reason as a mere regulative form for cognition and experience. The Dialectic, however, does not only have such a negative-regulative function but also its very own positive and founding character for cognition that even is present in the supposedly most immediate forms of intuition. In exploring this positive side of the Transcendental Dialectic it becomes clear that it manifests itself as (...) a bridge between the so-called theoretical and practical reason inasmuch as it fills in their gap within Kant’s philosophy. From the practical side, the Dialectic is manifest as an action full of purposiveness, maxims, and imperatives within cognition, from a theoretical side it assumes the form of syllogistic inference, which is the adequate and acting theoretical form of practical reason. Therefore, the unity of reason is shown in presenting its inner gap as a dialectical misunderstanding that Kant not only highlights in the Transcendental Dialectic but also tends to leave unsolved mostly. Nevertheless, the Dialectic can be shown as the a priori synthetic act of unifying reason, if investigated in the context of Kant’s complete critical endeavour. (shrink)

1) Gaukroger estimates that there exist two irreconcilable theses in the Cartesian method in the Rules. The first thesis concerns the problem of the cognitive grasp of inference, the other the problem of the method of discovery. Descartes, by integrating deduction as a simple object of intuition, rejects the psychologicalinterpretation of inference, and elevates deduction to the status of a necessary condition of knowledge. On the other hand, the problem of the method of discovery requires that inference produces a new (...) truth as its conclusion. Descartes takes the algebraic solution of equations as the model of this method. But this orientation leads Descartes to deny all cognitive function operating in the inference of synthetic form. Thus, according to Gaukroger, these two theses tendto be opposed, calling into question the unity of the method. 2) We admit the cognitive analysis of Gaukroger on the Cartesian inference. However, Gaukroger does not see the importance of “the natural power of the mind” in the Rules. Indeed, the cognitive role of inference is always understood by Descartes, in light of this natural power. Thus, the main role of the method is to teach ways of increasing this power. Descartes tries to pose, by the algebraic treatment of questions, an analogy between the mathematical order and the order of the operations of the mind, enabling him to discover pure schemes of these operations. And, It is by theses schemes that the mind exercise itself in order to increase its natural power. For this reason, we must reconsider Gaukroger’s thesis that Descartesassimilates literally the method of discovery and algebraic solution, as well as his thesis of the inconsistency of the Cartesian method. (shrink)

Metaphors allow us to come to terms with abstract and complex information, by comparing it to something which is structured, familiar and concrete. Although modern science is “iconoclastic”, as Gaston Bachelard phrases it, scientists are at the same time prolific producers of metaphoric images themselves. Synthetic biology is an outstanding example of a technoscientific discourse replete with metaphors, including textual metaphors such as the “Morse code” of life, the “barcode” of life and the “book” of life. This paper focuses (...) on a different type of metaphor, however, namely on the archetypal metaphor of the mandala as a symbol of restored unity and wholeness. Notably, mandala images emerge in textual materials related to one of the new “frontiers” of contemporary technoscience, namely the building of a synthetic cell: a laboratory artefact that functions like a cell and is even able to replicate itself. The mandala symbol suggests that, after living systems have been successfully reduced to the elementary building blocks and barcodes of life, the time has now come to put these fragments together again. We can only claim to understand life, synthetic cell experts argue, if we are able to technically reproduce a fully functioning cell. This holistic turn towards the cell as a meaningful whole also requires convergence at the “subject pole”: the building of a synthetic cell as a practice of the self, representing a turn towards integration, of multiple perspectives and various forms of expertise. (shrink)

The outputs of generative artificial intelligence (generative AI) are often called “synthetic” to imply that they are not natural but artificial. Against that use of the term, this article focuses on a different denotation of synthesis, stressing the unifying and compositional aspects of anything synthetic. The case of large language models (LLMs) is used as an example to address synthesis philosophically alongside notions of representation in contemporary computational systems. It is argued that synthesis in generative AI should be (...) understood as a search for unity that is fundamental to the making of a representational reality. This representational reality, internal to computation, is a stable (if imperfect) whole, a togetherness of distributed representations. The article thus demonstrates that developing the philosophical concept of synthesis to investigate today’s generative AI involves examining how structuring occurs in LLMs and studying the kinds of forms that structuring results in. (shrink)

From 1918 to the late 1940s, a host of influential scientists and intellectuals in Europe and North America were engaged in a number of far-reaching unity of science projects. In this period of deep social and political divisions, scientists collaborated to unify sciences across disciplinary boundaries and to set up the international scientific community as a model for global political co-operation. They strove to align scientific and social objectives through rational planning and to promote unified science as the driving (...) force of human civilization and progress. This volume explores the unity of science movement, providing a synthetic view of its pursuits and placing it in its historical context as a scientific and political force. Through a coherent set of original case studies looking at the significance of various projects and strategies of unification, the book highlights the great variety of manifestations of this endeavour. These range from unifying nuclear physics to the evolutionary synthesis, and from the democratization of scientific planning to the utopianism of H.G. Wells's world state. At the same time, the collection brings out the substantive links between these different pursuits, especially in the form of interconnected networks of unification and the alignment of objectives among them. Notably, it shows that opposition to fascism, using the instrument of unified science, became the most urgent common goal in the 1930s and 1940s. In addressing these issues, the book makes visible important historical developments, showing how scientists participated in, and actively helped to create, an interwar ideology of unification, and bringing to light the cultural and political significance of this enterprise. (shrink)

The articles analyzes the original concept of immortality, presented by F.M. Dostoevsky in a handwritten sketch written on April 16, 1864, the day after the death of the writer’s first wife. The authors argue that this concept was created under the influence of the ideas of German romantic natural philosophy, in particular G.T. Fechner’s work of The Book of Life After Death (1836). According to the pantheistic ideas of Dostoevsky and Fechner, every person after death continues to exist in the (...) earthly world. Having lost a limited biological body in death, a person can get a more extensive “cosmic” body, covering significant areas of the material universe. His personal spirit continues to exist in mankind, and the degree of his influence depends on what kind of spiritual success he achieved during his lifetime. In the concept of Fechner and Dostoevsky, posthumous life can be very different: great personalities (Goethe, Shakespeare, Napoleon, etc.) acquire an even more significant being than during life, and they continue to influence humankind, which, developing in history, strives for an absolute “synthesis” -the merger of all people into an organic whole and at the same time the merger with the universe. Individuals who, during their lifetime, confined themselves to their selfish interests can even disappear. In this concept, God is defined as “universal Synthesis,” i.e., the goal of the world process and the final merging of everything with everything. Jesus Christ is understood as an absolute, perfect man who, after death, does not resurrect in his previous bodily form, but completely dissolves in humankind and acts as a force guiding it toward unity and synthesis with the material world. (shrink)

I argue that Kant’s distinction between the cognitive roles of sensibility and understanding raises a question concerning the conditions necessary for objective representation. I distinguish two opposing interpretive positions—viz. Intellectualism and Sensibilism. According to Intellectualism all objective representation depends, at least in part, on the unifying synthetic activity of the mind. In contrast, Sensibilism argues that at least some forms of objective representation, specifically intuitions, do not require synthesis. I argue that there are deep reasons for thinking that Intellectualism (...) is incompatible with Kant's view as expressed in the Transcendental Aesthetic. We can better see how Kant’s arguments in the first Critique may be integrated, I suggest, by examining his notion of the 'unity' [Einheit] of a representation. I articulate two distinct ways in which a representation may possess unity and claim that we can use these notions to integrate Kant’s arguments in the Aesthetic and the Transcendental Deduction without compromising the core claims of either Sensibilism or Intellectualism—that intuition is a form of objective representation independent of synthesis, and that the kind of objective representations that ground scientific knowledge of the world require synthesis by the categories. (shrink)

We argue that a framework for comprehending the basic differences between the mental structures of humans and machines (as they currently exist) is established by Transcendental Analytics' argument in the _Critique of Pure Reason_. It will be demonstrated that Kant's theory of the synthetic unity of apperception, as established by Transcendental Analytics' argument in the _Critique of Pure Reason_, along with Dummett's theory of meaning for meaning-theoretical predictions of inferential connections, can assist in establishing this framework. When combined, (...) these form a framework for organizing a coherent differentiation between what we refer to as the conscious grasp of the unity that is present during judgment and the machine-performed manipulation of signs. In the end, we will present an appendix on the underdevelopment of the Kantian framework for distinguishing artificial intelligence from human intelligence. (shrink)

The European project was aimed from the outset, alongside reconciliation (peace) and economic reconstruction (prosperity), at a degree of political integration too. Political integration has progressed modestly. Not everybody is convinced of its benefits. Besides, the notion of a European polity opens the question about its sources of cohesion. Those sources are more or less evident in the member states – language, history, legal, political and religious traditions, for instance. They give, say, Latvia, Italy or Hungary a certain degree of (...) unity – a national identity. But what ought to be that source of cohesion – or identity – for the European Union (EU) considered as a whole? This paper analyses five normative conceptions about such ‘European identity’ (EI) – cultural, legal, economic, international and cosmopolitan – and suggests that they are not mutually exclusive, but can be combined in a synthetic notion that promises to reflect in a more comprehensive and accurate way the sources of the minimal unity required to hold the EU polity together. (shrink)

According to the standard interpretation, Italian pragmatism is split into two groups. On the one hand is the mathematician Giovanni Vailati, Peano’s former collaborator, and his disciple, the economist Mario Calderoni. On the other hand, there are the two “brats,” Giovanni Papini and Giuseppe Prezzolini, naïve philosophers with eccentric ideas. While Vailati and Calderoni followed Peirce’s mathematical and logical pragmatism, the other two articulated a “magical” pragmatism, a kind of relativist, post-modern version of the original American movement. The paper shows (...) that this narrative is incomplete. During the years 1905-6, while Vailati was living in Florence, Italian pragmatists listed three kinds of pragmatism among themselves. Relying on the third stripe, attributed to Vailati, they found a more Unitarian, theoretical project that united the will to belief and the precision of reasoning. The unity did not last very long because Vailati moved from Florence in 1906. However, the common project from 1905-6 remains the highest peak of their awareness of pragmatism and, possibly, an original way to interpret it. (shrink)

Impressions, energy radiated by phenomena in the momentary environmental scene, enter sensory neurons, creating in afferent nerves a data stream. Following Kant, by our inner sense the mind perceives its own thoughts as it ties together sense data into an internalized scene. The mind, residing in the brain, logically a Language Machine, processes and stores items as coded grammatical entities. Kantian synthetic unity in the linguistic brain is able to deliver our experience of the scene as we appear (...) to see it. Uniquely, the brain records its own history, synthesizing a Movie-in-the-Brain, called the Noumenal Cosmos. Attempting thereby to represent the actual Universe, this makes for a sovereign brain that governs itself. The brain is domicile of an Ego, with its selfhood at stake at all times. Yet, it can know itself only by its actions, in which it appears as an actor in its own movie. Phenomena enter garbled, as confused apparitions, and must be put in good form using top–down feedback control by Ego, so that each movie frame makes rational sense within the overall context of the Noumenal Cosmos. A stack of frames is processed typically in 40 Hz rhythm with 300 ms process time each, for about 12 in the stack at any time. Successive neural centers are processing the stack in the brain assembly line, based on data from increasingly global receptive fields. Ego stitches together the movie frames, but only the top frame is in consciousness for 25 ms. The top frame contains the whole scene where the Ego makes an appearance as the actor that imposes Kantian synthetic unity on the scene, merely an assembly of grammatical texts, in a system-internal coded process language, fitting the scene into the Noumenal Cosmos. But Ego observes Ego only to the extent permitted by the objectivity rule, only what it does and thinks, not its true face. From the Noumenal Cosmos, the Ego receives grammatical messages in the internal sense code. They are integrated into a whole in the reaction of the Ego to the momentary scene. The voluntary nature of Ego’s decisions is explained, based on its ability to code in advance its own actions sequentially in time, as it sees fit with a view to an orderly Noumenal Cosmos, records of code being arranged spatially in neural structures. (shrink)

The question of whether it is possible to philosophize outside the categories of rationalist philosophy is not limited to methodology. It has ideological overtones. Namely, the rationalism that has developed in philosophy in modern times, after Descartes, is inevitably supplemented by mechanics. The world is seen as a machine, the living is reduced to mechanisms. Rationalism becomes a machine of mentality. Taking it as a model of normal thinking, giving it a universal value, we thereby impose Western way of thinking (...) on other cultures with a different mentality. The question, therefore, is not about the method of scientific knowledge but about the power realized through the transformation of mentality. Scientific knowledge conquers space. Philosophy produces a transformation of mentality. New rationalism, according to G. Bachelard, is in dialectical relation with the usual realism of the natural Sciences. In this process, there is the implementation of new schemes developed in the complex interaction of “ratio” and experiment. Modern science is the collective creation of a new reality. This is the reality of the “picture of the world.” There is another view of science, rationalism and modern philosophy. According to him, rationalism is dualism, atomism and social individualism. These features reveal the anti-traditional and anti-metaphysical spirit of modern Western civilization. The traditional approach is non-duality, unity provided by metaphysical principles. The new rationalism in science is characterized by the belief in the infinite progress of knowledge. But knowledge itself, from the point of view of tradition, is devoid of great value. Philosophy uses categories of ancient Greek philosophy or German classical philosophy, but they cannot be considered universal. They corresponded not only to the time and place, the conditions in which they arose, but also to the characteristic mentality of the peoples and individuals who created them. They are not suitable for understanding the metaphysical doctrines of traditional cultures. The language of traditional cultures is symbolic and synthetic in contrast to the analytical language of Western science and philosophy. (shrink)

In this paper, I argue that Sellars’s conceptualist reading of Kant, though less radical than more contemporary approaches (e. g., Brandom, McDowell), relies on a controversial account of the relations between the givenness of intuitions, the productive imagination and the power of judgment. I will discuss: 1) how Sellars reconsidered Kant’s account of intuition; and 2) the kind of conceptualism he argues for. I will raise two main claims. First, Sellars’s conceptualist reading of intuition overlooks the role of space and (...) time as givenness conditions. Second, Sellars’s account of the productive imagination disregards the complementary significance of the power of judgment in a priori synthesis, the role of which is to grant synthetic unity. My aim is to reconstruct a consistent dialogue between Sellars and Kant by discussing Sellars’s reading of a priori synthesis and comparing his views to Kant’s original aims. (shrink)

Pandit Gopinath Kaviraj of Varanasi, India was a well-known interpreter of the Hindu Tantric traditions, who also practiced kundalini yoga according to his own understanding of four sequential paths. This study attempts to reconstruct the stages of Kaviraj's system of Tantric yoga by analyzing and integrating innumerable partial discussions scattered throughout his writings, in an effort to reveal the hidden structure of transformations. Primary research materials include collections of Kaviraj's essays on the Hindu Tantric traditions written in Bengali and Hindi, (...) and his philosophical notebook, Svasambedana . ;The concepts of formal and material ontologies, developed for linguistic theory by Ashok Kumar Gangadeen, are adopted in analyzing the category structure of Kaviraj's four paths. A synchronic methodology is used to present Kaviraj's interpretations of the Kashmir Saiva, S akta Tantric and Sahajiy a Vaisnava traditions in relation to known Tantric concepts and practices, found in the classical texts and secondary literature on these traditions. Categories that belong to the material ontologies of the various Tantric sects are examined for trans-sectarian thematic unity and for explicating the processual patterns that constitute the formal ontology which Kaviraj sees as underlying his own four paths. This formal ontology is based on the principle of increments of consciousness by which kundalini/ develops. ;Each of Kaviraj's Tantric paths incorporates orthodox Hindu forms of spiritual realization, but utilizes different means to them, as well as moves beyond them to uniquely Tantric forms of integral realization. Technical terms are discussed from the relevant traditional Hindu perspective and then from their revalorization in relation to uniquely Tantric forms of yogic realization. ;Kaviraj's systemic perspective on the architectonics of his four Tantric paths is also reconstructed and systematized from various schemata found in Svasambedana. Analyses are concerned both with structural replication and with understanding the series of paths as a single continuum based on laws of dialectical synthesis. Finally, there is a discussion of Kaviraj's supreme integral yoga , his own advanced practice for universal integral Self-realization, as taught by his guru and other adepts of the Jnanaganj asram of Tibet. An inquiry is made into its kala-structure, and it is suggested to be an innovative fifth path which utilizes the structure of the other four paths for the bestowal of universal grace. (shrink)

The main thesis defended in this paper is that Hildebrand’s distinction between what we could call quiddities—or “quasi-essences,” endowed with chaotic and accidental unity—and genuine essences possessing an intrinsically necessary unity, grounds the radical distinction between analytic and synthetic a priori knowledge. This thesis has not been expressly emphasized by Hildebrand himself. In order to prove it, we: (1) relate the three types of unities distinguished by Hildebrand with the three kinds of judgments discriminated by Kant; (2) (...) outline what we can call the “crux of empiricism”; (3) analyze four characteristic examples of synthetic a priori judgements; and (4) elaborate a provisional typology of synthetic a priori propositions, trying to include in it Hildebrand’s favorite examples. (shrink)

“Mathematics, synthetic unity and constitutive a priori”. Starting from the emphasis about the Kantian idea of the originary synthetic unity of apperception like the basic function on which rest the production of all synthetic judgment, in this paper I defend the idea of constitutive a priori of experience under the form of a similar synthetic principle but essentially formal, namely, the concept of transformation and group of transformations. To the same time, I try to (...) show that Kant himself inspired, for articulate his own position, on mathematics, especially on synthetic geometry. (shrink)

Episodic memory is usually regarded in a Conceptualist light, in the sense of its being dependent upon the grasp of concepts directly relevant to the act of episodic recollection itself, such as a concept of past times and of the self as an experiencer. Given this view, its development is typically timed as being in the early school-age years. We present a minimalist, Non-Conceptualist approach in opposition to this view, but one that also exists in clear contrast to the kind (...) of minimalism espoused by Clayton and Dickinson with regard to memory in food-caching birds. While emphasising the nonconceptual elements of episodic memory we also insist on the essentially phenomenological nature of the memory. We propose the third year of life as a plausible onset period. Our view is rooted in Kantian assumptions about the spatiotemporal content of experience and about the synthetic unity of experience—and thus of re-experience. We answer two objections to this position. (shrink)

Objects of representation: Kant's Copernican revolution re-interpreted -- Synthetic unities of experience -- Three ways in which space and time might be said to be transcendentally ideal -- The given, the unconditioned, the transcendental object, and the reality of the past -- A theory of everything?: Kant speaks to Stephen Hawking -- Opinion, belief or faith, and knowledge -- Freedom of judgment in Descartes, Spinoza, Hume and Kant -- Six levels of mentality -- A Kantian defense of freewill.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Shimmering Maya and Other EssaysPatrick HenryThe Shimmering Maya and Other Essays, by Catharine Savage Brosman; 149 pp. Baton Rouge: Louisiana State University Press, 1994, $24.94.When the author was fifteen, she held the rank of “prospector” at Girl Scout Camp. Now, over forty years later, she is “digging down through the layers, sifting through the running stream of memory” (p. 14). Her art of prospecting affords the reader (...) a linear impression of a journey that begins with “The Shimmering Maya,” a recountal of a family move in August 1944 from Colorado to South Texas. “Desert Silvery Blue” describes life in Alpine, Texas, while “Leaving for Good” narrates her experience of displacement as she departs Alpine in 1951 to attend Rice Institute, known then as “the atheist school” (p. 37). From Alpine to Houston, she experiences the greening of America and the shock of Gulf Coast humidity, “a sensation of being hit in the face and smothered” (p. 42). At Rice, she finishes her degrees, travels to France, her intellectual home, and returns, in “Cherry Time”—“Yes, Virginia, there is a Virginia” (p. 52)—to describe her life in full bloom during this relatively short but intense period, spent in and around the state of Virginia, before her permanent move to New Orleans. Two essays conclude the volume even as they bend back toward its beginning. “Winter Light” narrates the life of her grandfather, Edward Hill, newspaperman, teacher, doctor, writer, and formidable learner whom she knew only in the winter of his life but whose light illuminated her being and “whose heir I feel, or wish, myself to be” (p. 130). “Turn My Face Out to the West” recounts a recent camping trip in New Mexico but, more profoundly, a return to the Western land of her youth. Like the Anasazi and Pueblo Indians, she too was born there and, reclaiming their heritage as partly hers, extols their solar-based science, courage, sense of community, independent spirit, and love and respect for the land.Brosman paints being, however, as well as becoming. Essays six through eleven focus more centrally than the others on her habitual self: her self-portrait as teacher, scholar, poet, traveler, and traditional woman. As a teacher of language, she offers “at once an end and a means” (p. 86) and, as literature teacher, not “entertainment chiefly but the pursuit of truth” (p. 88), undogmatically attempting to elicit self-awareness without imposing a single view. [End Page 136] A traditional woman who has never felt uncomfortable around men and doesn’t consider them her enemies, Brosman thinks Women’s Studies are “regressive” (p. 84), deplores language “barbarisms” such as “chairperson” and “herstory” (p. 75), and holds for a “nongendered intellectual patrimony of arts, letters, and science” (p. 84). While she admits that it’s a miracle that all marriages don’t simply fall apart, the differences between the sexes, she argues, constitute “the whole basis for attraction” (p. 70), and she prefers her cigar-smoking husband “to men who boast about their Hollandaise sauce” (p. 70). Not interested “in valorizing only the male principle” (p. 70), she seeks “vigor of mind” in all persons and considers herself a “feminist in the cupboard,” one who operates within the family but travels freely and enjoys a rich professional life. She links herself to her Aunt Margaret and other “closet feminists” (p. 100) in her family’s history who demonstrated self-reliance and a sense of their own value, and argues, against de Beauvoir’s thesis in The Second Sex, that female work for American women of the nineteenth century did indeed, like male work, go beyond biology “to remake the world through invention (production)” (p. 102).Brosman demands a metaphysical self-consciousness that recognizes unhappiness, anguish, and disorder but concomitantly posits the good life as the synthetic unity of the mind, body, and heart. This metaphysical consciousness is deeply rooted in the physical world—we are not only in the world but of it—and in a shared sense of place and a commitment to communal enterprises. Her thought is perhaps above all characterized throughout by a sense of “grace” and the “intimation of... (shrink)

There is no necessary connection between the ideas of history and of narration. The historical work should be explanatory, but a narrative is not itself a form of explanation. Walsh, despite Danto's objections, is correct in distinguishing "plain" from "significant" narratives. Both White's causal-chain model and Danto's model of causal input suggest that an historical narrative can be eq~planatory only if it offers causal explanation. But Gallie's followable contingency model contains several structural ideas which bring him into logical conflict with (...) the claims of these causal models. According to Gallie, explanations are intrusive, required only by failure of narrative continuity. A narrative becomes explanatory when it can incorporate contingencies, which may be necessary conditions instead of causes. History, unlike science, strives for synthetic unity rather than for the removal of all contingency from its subject matter. The role narrative plays in achieving this unity deserves increased philosophic attention. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Paradox of Subjectivity: The Self in the Transcendental TraditionJeffrey EdwardsDavid Carr. The Paradox of Subjectivity: The Self in the Transcendental Tradition. New York/Oxford: Oxford University Press, 1999. Pp. xii + 150. Cloth, $35.00.This book presents a response to contemporary attacks on the concept of the subject. Carr investigates the historical background to the criticisms of the "Metaphysics of the Subject" that are found in French post-structuralist thought (...) and in critical theories descended from the Frankfurt School. In explaining this background, he targets the widely held assumption that the history of modern philosophy can best be understood in terms of a fundamentally unified conception of the subject and subjectivity that unfolds inevitably from Descartes and culminates in twentieth-century phenomenology and existentialism. Those who share this assumption fail to recognize the significance of what Husserl (in the Crisis of European Sciences) called the "paradox of subjectivity," which derives from the necessity of understanding the knowing subject both as a subject for the world and as an object in the world.The origins of contemporary interpretations of the metaphysics of the subject are found primarily in Heidegger's thought. Carr thus devotes the first chapter of this study to the critical assessment of Heidegger's view of modern metaphysics starting with Descartes. For Heidegger, Descartes took over the dominant concept of substance from traditional ontology and transferred it to the human subject. The Cartesian subject, then, was revealed as an underlying hypokeimenon that absorbs or overpowers the world by reducing it to the representational contents of the thinking thing. Moreover, Heidegger maintained that modern thinkers did not go beyond the reductive conception of subjectivity intrinsic to the Cartesian metaphysics of substance. This Heideggerian judgment applies to the major modern thinkers. Even Kant and Husserl figure as representatives of a tradition in which "the knowing subject takes the role of substance; everything is reduced to first properties, whether as immanent in consciousness, object for the subject, or, as in transcendental philosophy, construct and product of subjective activity" (Carr, 31).In chapters 2-4, Carr argues that the Heideggerian interpretation is inadequate with respect to Kant and Husserl. In supporting this position, Carr emphasizes the close affinities between Kant's and Husserl's conceptions of objectivity for consciousness and between their portrayals of subject and self. Specifically, Carr argues (1) that both thinkers were committed to the representationalist view of cognition that is typical of other major modern philosophers; and (2) that both presented parallel, and indeed unifiable, accounts of the relationship between the transcendental and the empirical self.The key to explaining the fundamental agreement between Kant's and Husserl's transcendental theories lies in the concept of intentionality. There are, of course, significant differences between Husserl's phenomenological method and the procedure of inquiry into the possibility conditions of objective experience that Kant follows in the Critique of Pure Reason. Still, Husserl's portrayal of the intentional character of consciousness provides the basis for understanding how Kant's account of transcendental apperception and the original synthetic unity of self-consciousness grounds a non-representationalist theory of the subject's relation to a world of objects. Husserl's portrayal of intentionality also enables us to see how Kant's concept of transcendental [End Page 609] apperception allows for a description of the empirical self as something that is part of the objective world. Conversely, the Kantian distinction between the transcendental and the empirical self, or subject, sheds light on the sense of the distinction that Husserl draws between transcendental and natural reflection. In natural reflection, I "appear to myself as an empirical subject within a world to which I relate in causal-bodily and intentional [i.e., purposive]-motivational ways" (89). On the other hand, the consciousness of self at issue in transcendental reflection involves my awareness of the meaning-constituting cognitive accomplishments by which I am consciousness of the world as the horizon of possible objects and, at the same time, as something transcendent to consciousness.It is Husserl's conception of intentionality, combined with Kant's understanding of the transcendental-empirical distinction, that allows us to grasp the full significance of the paradox... (shrink)

The distinction between judgments of perception and judgments of experience in Kant’s Prolegomena has long been a controversial issue in Kantian studies. On the one hand, this distinction challenges the close connection between the synthetic unity of self-consciousness and the categories. On the other hand, a distinction between the subjective and the objective is unavoidable in our cognitive life. I will show in this paper that the interpretive difficulties arise from the ambiguity of Kant’s use of the concept (...) of perception and his misleading formulation of the judgments of perception. After clarifying these problems and adopting the regulative use of the concept of the I in Kant’s theory of perception, the place of judgments of perception in his transcendental cognitive theory can be clarified, and the consistency of his system can be observed. (shrink)

This paper focuses on Kant’s and Schopenhauer’s models of self-consciousness and their specific relation to time. It aims to show that genuine philosophical theories can explain the idiosyncratic relation between ourselves and the world without relying on pure metaphysical speculations or strictly empirical and phenomenally oriented conceptions, as many contemporary proponents of analytic philosophy entail. The first groundbreaking doctrine in this regard is Kant’s transcendental theory of apperception, which unfolds a new theoretical dimension of thinking, grounding the logical unity (...) of thought in the pure, originally synthetic unity of the subject itself. In order to constitute a structural order within the appearing phenomenal world, Kant conceptualizes a theory of self-affection in the second edition of the Critique of pure reason, positing a dynamic relation between the spontaneously acting intellect and the purely receptive inner sense of time as a result of productive transcendental imagination. The problematic relation between self-reliance and empirical consciousness that Kant did not resolve completely led to various subsequent transformations of Kant’s transcendental principles, one of which boasts Schopenhauer as a prominent but rarely considered representative. Schopenhauer’s systematic approach consists in a modified version of Kant’s transcendental idealism, which ties the Kantian subject of logical and transcendental unity to an intuitive corporeal individual that can only conceptualize itself as an original, willing subject. The Schopenhauerian subject unfolds its empirical character in accordance with its own inner impulses and motivations, which manifest themselves in time but can only be interpreted as a phenomenal representation of a higher, metaphysical unity, which Schopenhauer calls the will as a thing in itself. Schopenhauer reaches his final metaphysical conclusion via a problematic analogy, positing another perspective on the corporeal nature of the individual which, by means of abstraction, can be extended to the whole phenomenal world. Therefore, Schopenhauer interprets the underlying character of the subject and the phenomenal world as a whole as a timeless, omnipresent will to live which can be temporally experienced within the nature of our own subjectivity. (shrink)

In this article, I explicate Martin Luther King, Jr.’s account of emancipatory history and activism by examining the influence of G. W. F. Hegel’s account of world-historical individuals on his thought. Both thinkers, I argue, affirm that history’s spiritual destiny works through individuals who are driven by the contingencies of their subjective character and given situation to undertake particular actions, and yet who nevertheless freely and decisively break the new from the old by forsaking subjective satisfaction to spur events forward (...) to a more rational state of affairs. This synthetic unity of abstract freedom and concrete embodiment reflects the ‘civil war’ between the universal and infinite essence, and particular and finite passions, that King and Hegel identify as equally constitutive of human will. Through an examination of King’s account of Rosa Parks’ pivotal arrest, I develop the consequences of this ‘Hegelian’ view for our understanding of political action and historical progress. (shrink)

Husserl conceived of the "reduction" in the "logical investigations" in a different manner than he conceived of it in his later works. In this book, The "reduction" is not a bracketing of the empirical ego so as to attain a self-Enclosed transcendental ego with its intentional acts, Hyletic data, And noemata. Rather it is a reduction that proceeds in part through an adequate inner perception, And in part through recollection and "empirical assumption," and which results in an empirical ego that (...) is nothing more than the synthetic unity of its intentional acts and hyletic data. (shrink)

Both descending love of western erotic novels and eastern poetry that ascends love to heavens are considered non-acceptable. Neither eastern maximalism and mysticism, nor western extreme rationalism and pragmatism are approved. Studying the “rational” appearance standing between these two extremes is preferred. Individual-human, real love stands somewhere between the Earth and sky, erotic and divine love. Differing from the understanding of love as a pure idea (Plato, Pushkin), and as a pure psychophysiological phenomenon (“Kama Sutra”, Sigmund Freud), synthetic (...) class='Hi'>unity of these two factors that leads to more realistic description of love is preferred in this article. (shrink)

We do not normally speak of “social categories” except when we use “category” in a loose sense applicable to any concept serving a classificatory purpose. Let us for the moment ignore the problem why we might want to use social categories and concentrate on the problems social categories may involve. In a very strict sense, that of Aristotle, categories have their place in general metaphysics or ontology; they express highest determinations of being in terms of “modes”. It is clear that (...) such a strict notion of category is insufficient for an ontological account of beings. This has been acutely felt in the case of the thinking and acting subject which, on these terms, cannot be significantly set off from things. Accordingly, with the advent of epistemology, or transcendental philosophy, respectively, the subject as the agent of knowledge and praxis came to be interpreted in new ways: as a self, as a monad, or as a synthetic unity analogous to the unity which a concept establishes among objects inter se, among subjects or cognitions inter se, and between subject and object. This new departure leads, as we can see, to a division of categories in terms of for-itself and in-itself, the in-itself serving, for the time being, as the locus of the classical categories. This new division is of a fundamental nature, introducing, as it were, supercategories overriding the traditional breakdown into categories. (shrink)

Kant took up the issue of origin in the Metaphysical Deduction of the Categories. He sought to demonstrate that the concepts of metaphysics, considered in themselves, are mere logical functions, that is, ways of synthesizing concepts to form judgments Accordingly, the metaphysical concept of substance/accident contains nothing more than the logical form of subject/predicate, whereby any arbitrary pair of concepts may be united in a judgment; cause and effect merely the hypothetical form of judgment, whereby any arbitrary pair of judgments (...) may be united as condition and conditioned; totality the form of subordination of one concept to another whereby any species of the one has the other as its genus; and so forth. Logical functions are what remain after we abstract from all content of the concepts in a judgment; they are merely the various ways in which any concept, or judgment, may be combined with any other, and so are utterly devoid of objective sense or signification. More importantly, they comprise the totality of that which may be attributed to the understanding taken by itself, in isolation from the other faculties of the mind: sensibility, desire, and feeling. The understanding, for Kant, is the capacity to judge ; it is not, when considered without relation to other faculties, a faculty of concepts, rules, principles, or even categories. Indeed, if categories may be said to express any content at all, it is simply and solely the relation of the understanding to another faculty. In the case of sensibility--a faculty comprising the manifold of the senses and its synthesis in imagination--categories are obtained when this synthesis is represented universally and a priori, and so represent the "pure synthetic unity of the manifold in general." Similarly, the categories tabulated in the Critique of Practical Reason express the relation of the capacity to judge to the capacity of desire. Thus, aside from "their possibility as a priori cognitions of objects of an intuition in general," the categories of the first Critique are nothing over and above sheer logical forms, through which no objective necessary connection whatsoever can be thought; indeed, so entirely void of all content and objective import are they that even Hume almost certainly would have countenanced them. (shrink)

This paper offers a limited defence of two seemingly disparate interpretive approaches to free thought in Hegel’s JenaPhenomenology of Spirit. On the one hand, I defend the view of so-called post-Kantian Hegelians, that Kant’s synthetic unity of apperception is central to Hegel’s account of free thinking in thePhenomenology. On the other hand, I argue that the notions ofdas Offenein Heidegger’sVom Wesen der WahrheitandAb-Lösungin his 1930/31 lectures on Hegel’sPhenomenologyare no less crucial to an understanding of free thought in Hegel’s (...) work. I show that absolution is a condition for the possibility ofdas Offene, which is a condition for the possibility of apperception in its reflexive capacity. (shrink)

Kant’s derivation of the table of categories from logical functions of judgments in the metaphysical deduction remains one of the least convincing arguments of the Critique of Pure Reason. This article presents an alternative approach to the question of the a priori origin of the table of categories. By circumventing the metaphysical deduction, I show the possibility of demonstrating the exact functions and necessity of the twelve categorial forms as emerging from the interaction of the synthetic unity of (...) apperception with the manifold content of the a priori intuition of space and time. I argue that this a priori material of cognition imposes a constraint on the spontaneity of understanding, thus giving rise to the specific rules of synthesis that make up the table of categories. On the reading I suggest, the table of categories can be understood as expressing the a priori form of self-consciousness in the face of space and time. (shrink)

The aim of this article is to examine Edmund Husserl’s theory of aesthetic consciousness and the possibility to apply it to site-specific art. The central focus will be on the idea of the limited synthetic unity of the aesthetic object that is introduced by Husserl in order to differentiate positional and aesthetic attitude towards the object. I claim that strongly site-specific art, which is a work of art about a place and in the place, challenges the view that (...) the synthetic unity of the aesthetic object is limited. Moreover, following Husserl’s theory, it becomes questionable whether strongly site-specific art is art at all. I try to answer these objections by explaining how the artist prescribes the appearances and boundaries of a strongly site-specific object of art, thereby satisfying the demand for the limitedness of the synthetic unity of the aesthetic object. (shrink)

Artikkel lähtub Hegeli filosoofilise süsteemi mittemetafüüsilisest tõlgendusest ja keskendub ühele aspektile Hegeli dialektilise meetodi juures, mille iseloomustamiseks oleks autori arvates kõige adekvaatsem kasutada narratiivi mõistet. Artikli tees on kokkuvõtlikult järgmine: Hegeli arvates ei ole filosoofiline tõde väljendatav ühe lause või propositsiooniga, vaid see nõuab tervet väidete jada, kusjuures mõistete määratlused selles väidete jadas peavad suutma teiseneda --- nii nagu kirjandusliku jutustuse käigus võivad teiseneda tegelaste iseloom ja arusaamine asjadest . Lisaks neile kahele omadusele on narratiivile iseloomulik talle omaste struktuurielementide abil (...) loodud terviklikkus, mis võimaldab tal anda edasi sellist mõtet, mis ei sisaldu üheski narratiivi moodustavas lauses üksikult võetuna. Need kolm omadust võimaldavad Hegeli "dialektilisele" meetodile narratiiviteooria vahenditega uut valgust heita ja spekulatiivse tõe loomust paremini mõista. The paper discusses the nature of Hegel's dialectical method and criticizes its wide-spread interpretation according to the thesis-antithesis-synthesis formula. It is argued that there is no evidence of triadic structures in Hegel's works. Rather, the elements or "determinations" ) that make up the body of Hegel's texts, are organized as "series" that form circles, in which, as Hegel maintains, the last element leads us back to the first. If synthesis means creating something new by using the initial elements then it is problematic whether anything becomes synthesized in Hegel texts. The paper argues against interpreting the every third element of the series or the end-points of the series as synthetic unities. Instead, the paper proposes that Hegel's speculative method uses the form of narrative for creating a vessel that is able to express the "speculative truth" which is "fluid" and which requires a "plastic" form of presentation. Narrative can accomplish what a singular proposition and a deductive system cannot, because it consists of a series of claims that is able to express the movement of what is said in each claim, and because its ending creates a point at which the story as a whole obtains a meaning that is not expressed in any particular sentence constituting the story. (shrink)