El filósofo español Fernando Miguel Pérez Herranz publica Cuatro cuadros y cuatro contrastes. En torno a la cuestión vasca en septiembre de 2022. El libro aborda, en principio, un tema ideológico, sin embargo, tras su lectura lo que se ve es un ejercicio de la mejor filosofía. El tema del nacionalismo queda en él magníficamente tratado. Y toda su argumentación se sostiene no solo sobre un trabajo ad hoc muy preciso sino sobre toda su filosofía anterior. Era preciso reconstruir esta (...) filosofía, esquemáticamente al menos, para entender mejor este magistral último libro. (shrink)

The idea that educational research should be 'scientific', and ideally based on randomised control trials, is in danger of becoming hegemonic. In the face of this it seems important to ask what other kinds of educational research can be respectable in their own different terms. We might also note that the demand for research to be 'scientific' is characteristically modernist, and thus arguably local and temporary. It is then tempting to consider what non-modernist approaches might look like. The purpose of (...) this article is to sketch a case for one particular reaction against modernist thinking: romanticism. How might our understanding (apprehension, sense) of education be changed by readmitting the insights and perspectives of romanticism? And, crucially, what confidence could we have in educational research that was thus inspired and that took the 'romantic turn'? (shrink)

The essay examines passages from Henry David Thoreau's journal and Walden as illustrations of Goethe's phenomenological approach to nature, focusing on the influence on Thoreau of Goethe's discovery of metamorphosis as the generative principle of plants, and his proclamation that "first to last the plant is nothing but leaf." The essay shows how Goethe and Thoreau bring a poet's heightened awareness of language to their scientific observation of nature, and argues that their attention to figurative language, its limits as well (...) as its possibilities, helps them and their readers to develop the needed flexibility to think along with rather than merely about nature. (shrink)

In this essay, I give an analysis of the account of non-being in the Weltalter, focusing on the ways in which this account reflects Schelling’s new ontology of revelation. I begin by discussing the connection between non-being and the fundamental distinction between the principles in God. I then turn to the relationship of non-being to being in the Weltalter and show how a new meaning of being allows Schelling to distinguish non-being from nothing. The new meaning of being also makes (...) possible a distinction between essential non-being and de facto non-being; this distinction allows for the temporal sequence of revelation and the possibility of evil. I conclude by showing the implications of Schelling’s theory of non-being for his understanding of creation. (shrink)

This study investigates the Proteus effect from the first-person perspective and during avatar embodiment in actual exercise. In addition to the immediate measurements of the Proteus effect, prolonged effects such as next-day perception and exercise-related outcomes are also explored. We theorized the Proteus effect as altered perceived self-concept and explored the association between virtual reality avatar manipulation and self-concept in the exercise context. While existing studies have mainly investigated the Proteus effect in a non-VR environment or (...) after VR embodiment, we aim to contribute to the literature by addressing this concern to explore how the Proteus effect works in actual VR exercise. Through a 2 × 2 between-subject experiment, the results partially support the Proteus effect. Regarding actual physical activity, embodying an avatar with a six pack during exercise creates fewer body movements. No significant effect was found for perceived exertion. We also explored the role of sex as a potential moderator in the association of the Proteus effect on exercise outcomes. The Proteus effect was supported by immediate and next-day self-efficacy for core-muscle exercise only among female participants. The between-subject design allowed us to probe how avatar manipulation of muscular body shape with a six pack as opposed to normal body shape influences participants’ self-concept and exercise outcomes, as limited VR studies have employed within-subject comparisons. This also contributes to the literature by providing an upward comparison as opposed to the previous downward comparison regarding body fitness. The overall results supported the Proteus effect in the context of core-muscle exercise when comparing normal and ideal body shape avatars. However, the Proteus effect as an altered self-concept and its effects on self-efficacy for exercise were supported among females but not males. Whereas the female participants who embodied avatars with a six pack associated themselves more with the muscular concept than other people, the male participants who embodied avatars with a six pack perceived themselves as more normal than others. Theoretical and practical implications are discussed. (shrink)

ArgumentJ. Robert Oppenheimer was a complex person. His work in physics during the 1930s, at Los Alamos during the 1940s, and as governmental advisor in the immediate postwar period, gave him a deep sense of connection with communities that had distinctive purposes. But he found it difficult to conceive an overall creative vision for himself or to devise a compelling objective for the community he belonged to if one had not been formulated at the time he assumed its leadership. I (...) analyze the reasons for his successes: the vision and demands of physics during the 1930s, the make-up of Los Alamos, and the challenges of the postwar atomic world. In each of these enterprises he assumed a distinctive role and came to represent a distinctive persona – but he could not integrate his activities into a coherent whole that might be a model for the intellectual in the new world he had helped to shape. (shrink)

No livro “As vozes da igualdade” (“Las voces de la igualdad. Bases para una teoría crítica de la justicia”. Ed. Proteus, 2010. 288 páginas – Ainda sem tradução para o português), o Prof. Dr. Gustavo Pereira, da Universidad de la Republica, Uruguai, procura analisar estas questões investigando as principais teorias de justiça contemporâneas que pretendem respondê-las e apresenta sua proposta de um caminho para a fundamentação de uma teoria crítica de justiça renovada, mais abrangente, que ofereça meios mais adequados (...) e eficazes para promover a justiça social e desenvolver as capacidades humanas necessárias para a construção de uma “eticidade democrática”. (shrink)

As Van Dijk proposed in the first issue of Discourse and Communication, the main purpose of this journal is to bridge the two cross-disciplines of communication and discourse studies. Given this goal, this article sought to help clear the ground for such interdisciplinary development by investigating how organizational researchers use the terms `discourse' and `communication' and cast discourse—communication relationships. By reviewing 112 organizational discourse studies from major journals in communication, organizational studies, and interdisciplinary journals published between 1981 and 2006, this (...) study identified diverse conceptualizations of these basic concepts. The findings help dispel some of the misunderstandings that scholars from one research field may possess toward the other and sort through some, if not all, the confusions regarding the terms `discourse', `communication', and their relationships. (shrink)

Is the perfection of a being a result of its perfectibility, that is to say its imperfection? Is the greatness of a human being a function of how much he is a man in the making? Can the human being elude all determination in order to construct itself freely or, at the very least, expose itself to an infinite number of potential destinies? This dream of absolute freedom was at times the humanists’ dream. The following paper will try to show (...) that behind the Renaissance philosophy of existence lay the principles of incompletion and transformation; that these principles were the source both of the power of Renaissance philosophy and also of its irresolution, which is what places it on the threshold of modernity. (shrink)

Volume 1: The Dance of Civa Collum Originally published in 1927. "It has substance and thought to it." Spectator "A very interesting account of the work of Sir Jagadis Bose." Oxford Magazine This essay suggests that recognition of the ceaseless flow of the Dance of Civa is the most promising cure for the misunderstandings that have arisen from a Western habit of assuming that conventional categories have tangible existence. Quo Vadimus? Glimpses of the Future E E Fournier d’Albe Originally published (...) in 1925. "A wonderful vision of the future. A book that will be talked about." Daily Graphic "Interesting and singularly plausible" Daily Telegraph This volume discusses the possible advances of life on earth and asks whether a new race will arise or whether the earth will remain the dominant planet in the solar system for human life. 92pp. Ethnos or the Problem of Race Arthur Keith Originally published in 1931 The author argues that the global unrest of the 1930s arises from qualities inherent in human races and he maintains that if the world is to have peace the problems engendered by diversity of race must first be understood. 86pp Tantalus Or the Future of Man F C S Schiller Originally published in 1924. "…brilliantly clever…" Morning Post "Immensely valuable and infinitely readable" Daily News This volume discusses the threats which face mankind and ways in which destruction may be avoided. 66pp. (shrink)

Resumen Este artículo estudia la transformación de las bases del escepticismo antiguo en el pensamiento agustiniano; para presentar el proceso se parte de la crisis que supuso la ruptura con experiencia maniquea, se distingue su preocupación y consideración sobre el modo y los límites del conocimiento y se analiza la función de la imagen mítica de Proteo en Contra Académicos; esta imagen permite ponderar la capacidad de la representación mítica como contrafuerte del carácter discursivo del saber humano. Mediante este recurso, (...) san Agustín afirma que la razón no puede quedar aislada de otros modos complementarios de comprensión, hace propio el núcleo de la actitud escéptica y amplía la noción de racionalidad para la filosofía cristiana.This paper studies the transformation of the foundations of ancient skepticism in Augustinian thought; to present the process we start from the crisis that led to the break with Manichaean experience, we distinguished their concern and consideration about the mode and limits of knowledge and analyzed the function of Proteo's mythical image in Contra academicos; this image allows us to weigh the capacity of mythical representation as a buttress of the discursive character of human knowledge. Through this resource, St. Augustine affirms that reason cannot be isolated from other complementary modes of understanding, appropriates the core of the skeptical attitude and broadens the notion of rationality for Christian philosophy. (shrink)

Our focus is the dialectic relationship between personal, social, collective, and institutional powers; that is the Proteus-like nature of power; “how power produces power”, how one form of power founds another form of it. Even the magic, “count as”, performative power of institutional acts is given from the institution to the lay-agent, but hidden is given to the institution by the acceptance and conformity of the mass of people. We provide an ‘ontology’ of personal powers, deriving from them (plus (...) the interdependencies relations) the most important forms of power at the interpersonal level (‘comparative power’, ‘power-over’, rewarding power’, ‘power of influencing’, ‘negotiation power’, ‘collective power’, ‘deontic power’). In the second part, we discuss a more institutional notion of power, the process of ‘empowerment’ and its relation with ‘permission’. (shrink)

In the light of the remarkable changes of political colour which Aeschylus has undergone in the hands of scholars, there is a certain amusing irony about the fact that the satyr-play which followed the Oresteia was the Proteus. Sadly, we know too little of the Proteus to say whether it would have resolved this debate about the Oresteid's political stance, though one may have one's doubts.

Moving beyond the piecemeal approach to the Euthyphro that has dominated much of the previous secondary literature, I aim in this article to understand the dialogue as an integrated whole. I argue that the question of myth underlies the philosophical and dialogical progression of the Euthyphro. It is an adherence to traditional myth that motivates each of Euthyphro’s definitions and that also accounts for their failure. The dialogue thus presents a broad criticism of traditional myth. But, as Socrates’s references to (...) Daedalus and Proteus show, myth can have a positive role and can be used for philosophical purposes. (shrink)

El autor pasa revista a la concepción de la historia como disciplina que exhibe el filósofo Fernando Miguel Pérez Herranz. El motivo de este concienzudo análisis es la publicación en marcha del magno proyecto Más allá de imperios y naciones (4 vols.) iniciado en 2023 y que ya cuenta con dos tomos en el mercado: Rutas, fronteras y complejidad y Singularidad imperial: del Mediterráneo al Atlántico. Esta concepción del estatuto gnoseológico de la historia tiene en Lindos y tornadizos (2016) y (...) en Ambiguus proetus (2019) dos momentos esenciales que dibujan el paso Herranz a su perspectiva (la morfología filosófica) en el debate entre Gustavo Bueno y Ricardo Sánchez Ortiz de Urbina a cuenta del sujeto trascendental. En tal contexto cobran relevancia las hipercategorías formuladas por Pérez Herranz y cuyo estatuto resulta problemático. (shrink)

Recent work on a small European cave salamander (Proteus anguinus) has revealed that it has exceptional longevity, yet it appears to have unexceptional defences against oxidative damage. This paper comes at the end of a string of other studies that are calling into question the free‐radical damage theory of ageing. This theory rose to prominence in the 1990s as the dominant theory for why we age and die. Despite substantial correlative evidence to support it, studies in the last five (...) years have raised doubts over its importance. In particular, these include studies of mice with the major antioxidant genes knocked out (both singly and in combination), which show the expected elevation in oxidative damage but no impact on lifespan. Combined, these findings raise fundamental questions over whether the free‐radical damage theory remains useful for understanding the ageing process, and variation in lifespan and life histories.Editor's suggested further reading in BioEssays Blind cave salamanders age very slowly: A new member of Methuselah's Bestiary Abstract. (shrink)

In Book IV of The Odyssey , Menelaus tells Telemachus as much as he knows of Odysseus' wanderings. He reports that Odysseus, wanting to learn the end of his travels and needing directions for returning safely home through the dangerous seas, captured Proteus and held fast to him, though Proteus transformed himself into a bearded lion, a snake, a leopard, a bear, running water and finally into a flowering tree. Proteus eventually wearied, and consented to tell Odysseus (...) something of what he wished to know. (shrink)

Reseña de: Siurana, Juan Carlos (2009) La sociedad ética. Indicadores para evaluar éticamente una sociedad, Barcelona, Proteus.

Quartz & Sejnowski (Q&S) disregard evidence that suggests that their view of dendrites is inadequate and they ignore recent results concerning the role of neurotrophic factors in synaptic remodelling. They misrepresent neuronal selectionism and thus erect a straw-man argument. Finally, the results discussed in section 4.2 require neuronal proliferation, but this does not occur during the period of neuronal development of relevance here. Footnotes1 Address correspondence to TE at te@proteus.psyc.nott.ac.uk.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Euripides' Escape-Tragedies: A Study of Helen, Andromeda, and Iphigenia among the TauriansHelene P. FoleyMatthew Wright. Euripides' Escape-Tragedies: A Study of Helen, Andromeda, and Iphigenia among the Taurians. Oxford: Oxford University Press, 2005. viii + 433 pp. Cloth, $125.Due to their putatively lighter tone, exotic foreign settings, and concluding "resolutions" of past misfortunes, Euripides' Helen, fragmentary Andromeda, and Iphigenia Among the Taurians (henceforth IT) have often been described as (...) proto-romances or tragi-comedies. Wright's study follows recent trends in defining ancient Greek dramatic genres above all through their performance context; he argues that the plays belong firmly in the tragic camp and develop serious philosophical and religious themes that deliberately leave their audience in a state of aporia. The plots of these plays share an escape from disaster/remote and threatening environments. Although we cannot firmly date IT, Wright tries to make the case that these apparently unique shared elements suggest that the plays were performed as a coherent trilogy in 412 B.C.E. The book does not [End Page 465] attempt to address in detail many aspects of these (relatively neglected) plays that have been extensively discussed by other critics. Instead Wright focuses on the plays' generic status, their possible mythical innovations, their remote settings, and their philosophy and theology.Although there are many unusual mythical elements in these plays, Wright makes a detailed case that Euripides most probably recombined elements previously known in the tradition to a novel effect, rather than inventing them. He casts considerable doubt on Stesichorus' palinode and Herodotus as origins for Euripides' innocent Egyptian Helen, however. Wright challenges previous assumptions by arguing that Euripides does not develop the plays' barbarian settings. Indeed, there is little ethnic or geographical detail beyond a few initial sketchy references, and the plays blur the differences between Greeks and barbarian "others." The Egyptians Proteus, Theoclymenus, and Theonoe are, genealogically speaking, Greek (183). After a lengthy discussion of the problems of defining philosophical elements in tragedy, Wright links the plays' extensive treatment of the unreliable nature of human language and knowledge of reality to discussions of comparable themes in the fragments of the Sophists, especially Gorgias and Democritus. Finally, Wright argues that the plays, by stressing the impossibility of understanding the divine forces that govern the universe, represent an unusually bleak theological picture. The dei ex machina that conclude Helen and IT belatedly outline mysterious divine patterns governing the confusing dramatic events, but humans can only repeatedly misinterpret their experience and name the divine forces governing their lives, erroneously in Wright's view, as tuche\.These issues, above all the themes of illusion and reality and the nature of divinity in the plays, have in fact been discussed before, but Wright attempts a fuller (with the exception of his attenuated discussion of ritual) and methodologically tighter discussion. This represents both the book's strength and weakness. Without its exhaustive review of dated and (putatively) weakly argued earlier critical views, the book could, and in my view ideally should, have made its positive case more forcefully in half the length. At the same time, by failing to engage with important earlier treatments of central topics, Wright leaves the reader with the impression that scholarly work on these issues is far less nuanced than it has in fact been. To give a few examples that he neglects altogether, his discussion of Aristophanes' parody of Euripides in Thesmophoriazusae (120, n. 196; see also 50–51) does not take advantage of Zeitlin's seminal article on the topic ("Travesties of Gender and Genre in Aristophanes' Thesmophoriazusae," published most recently in her Playing the Other: Gender and Society in Classical Greek Literature [Chicago, 1996], 375–416); he does not make use of John H. Finley's extensive study of Euripides, Thucydides, and the sophists (Three Essays on Thucydides, [Cambridge, Mass., 1967]); other important methodologically sophisticated work on philosophy and tragedy, such as that of Mary Whitlock Blundell (Helping Friends and Harming Enemies: A Study in Sophocles and Greek Ethics [Cambridge, 1989]) or Christopher Gill (Personality in Greek Epic, Tragedy, and Philosophy: The Self in Dialogue [Oxford, 1996]), does not even appear in the notes. [End Page 466... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:René Girard LOVE DELIGHTS IN PRAISES: A READING OF THE TWO GENTLEMEN OF VERONA Valentine and Proteus have been friends since their earliest childhood in Verona, and their two fathers want to send them to Milan for their education. Because of his love for a girl named Julia, Proteus refuses to leave Verona; Valentine goes to Milan alone. In spite ofJulia, however, Proteus misses Valentine greatly (...) and, after a while, he, too, goes to Milan. The two friends are reunited in the ducal palace; the duke's daughter, Silvia, is present and Valentine briefly introduces Proteus. After she departs, Valentine announces that he loves her and his hyperbolical passion irritates Proteus. Once alone, however, Proteus has his own announcement to make: he no longer loves Julia; he, too, has fallen in love with Silvia: Even as one heat another heat expels, Or as one nail by strength drives out another, So the remembrance of my former love Is by a newer object quite forgotten.1 If there ever was a "love at first sight," this must be it, we think, but Proteus is not so sure: in three crucial lines, he suggests a different explanation: Is it mine eye, or Valentinus' praise, Her true perfection or my false transgression, That makes me reasonless, to reason thus? (Il.iv. 196-98) 231 232Philosophy and Literature The entire comedy massively confirms the crucial role of Valentine in the genesis of Proteus's sudden passion for Silvia. According to our romantic and individualistic ideology, a borrowed sentiment such as this one is not genuine enough to be really intense. This is not true in Shakespeare; Proteus's desire is so furious that he would actually rape Silvia if Valentine did not rescue her in extremis. When Shakespeare wrote his plays, the second-hand desire he portrays had no name, no official existence, but this is no longer true. We call it mimetic or mediated desire. Valentine is the model or mediator of this desire. Proteus is its mediated subject and Silvia is their common object. Mimetic desire can strike with the speed of lightning because it does not really depend upon the visual impact made by the object; it only seems to. Proteus desires Silvia not because their brief encounter made a decisive impression on him but because he is predisposed in favor of whatever Valentine desires. Mimetic desire is not some modern idea that I would force upon an unwilling writer; it is Shakespeare's own idea and we can see this again in Proteus's soliloquy, which keeps minimizing the role of perception in the genesis of his desire for Silvia: She is fair; and so is Julia that I love, That I did love,... (Il.iv. 199-200) IfSilvia is no more desirable objectively thanJulia, her only advantage is that Valentine already desires her. Shakespeare undermines the predominance of sight in the expression love at first sight. In A Midsummer Night's Dream as well, the two girls are said to be equally beautiful, also for the purpose of reinforcing the case for mimetic desire. II The dramatic context of this first mimetic desire, and of many others in Shakespeare, is the close and ancient friendship of the two protagonists. When Proteus is about to arrive in Milan, Valentine describes this friendship to Silvia and her father: I knew him as myself; for from our infancy We have convers'd and spent our hours together. (II.iv.62-63) René Girard233 When two young men grow up together, they learn the same lessons, they read the same books, they play the same games, and they agree on just about everything. They also tend to desire the same objects. This perpetual convergence is not incidental but essential to the friendship ; it occurs so regularly and inevitably that it seems preordained by some supernatural fate; it really depends on a mutual imitation so spontaneous and constant that it remains unconscious. When we think of imitation, we imagine two people copying each other's manners, habits, accents, and even their likes and dislikes in the still childish and innocent manner of two childish friends. We never think of what Proteus's desire for... (shrink)

Roughly half way through the fourthGeorgic, Virgil confronts a sad reality: on occasion the entire population of a hive can perish without warning and leave the bee-keeping farmer bee-less. In response to such a devastating loss, the poet describes an Egyptian procedure, to which modern critics have given the namebugonia, whereby the farmer acquires a new swarm of bees from the putrefying carcass of a dead ox (4.281–314). After the account ofbugonia, the poem takes a notoriously unexpected turn. Virgil asks (...) the Muses about the origins of this practice and then recounts the exploits of Aristaeus, an inhabitant of the georgic world whose own bees once succumbed to famine and disease. In the narrative that follows, Aristaeus consults his mother Cyrene and the seer Proteus, who tells him about Orpheus’ descent to the underworld. The narrative ends when Aristaeus, thanks to the teaching of his mother, performs a series of activities that culminates in a new swarm of bees bursting forth from the putrefying carcass of a dead ox (4.315–558). The aetiological character of the Aristaeus narrative is clear—Virgil promises to trace the Egyptian procedure back to its firstorigo(4.286), and when he addresses the Muses, he specifically asks what god discovered the practice and whence it took its first beginnings (4.315–16). But for what activity does the story actually offer anaition? (shrink)

Resumen: En este trabajo estudiamos la génesis de la concepción de la percepción de Simone Weil. Apoyándonos en algunos textos clave de juventud de la autora, hacemos el seguimiento al manejo que le da la filósofa a la figura mitológica de Proteo y a las nociones de tiempo y espacio. Así, nuestra intención es evidenciar la aparición de los principales fundamentos teóricos que estructurarán la fenomenología weiliana de los años de madurez.2 En este sentido, intentamos demostrar en particular que si (...) bien el proceso perceptivo weiliano de los años de juventud está determinantemente influenciado por la fenomenología kantiana, aparece ya un aporte original en lo que atañe a la relación de la conciencia del sujeto y los datos espaciotemporales que se le revelan al aprehender el objeto.: In this work we study the genesis of Simone Weil's conception of perception. We discuss her use of the notions of time, space, and the mythological figure of Proteus, analyzing some of the author's key early texts. Our goal is to then make clear the appearance of the main important theoretical bases that organize Weil's phenomenology in her mature years. In this way, we try to demonstrate that although the perceptive process as conceived by the young Weil is strongly influenced by Kantian phenomenology, it already appears as an original contribution with regard to the relation between the consciousness of the subject and the spatiotemporal data revealed in the apprehension of the object. (shrink)

The neural structures implicated in crying are reviewed, based on studies in animals. Brain regions involved include the anterior cingulate gyrus (a cortical structure), amygdala, thalamic tegmentum, periaqueductal gray of the midbrain, and the nucleus ambiguus of the caudal brainstem. It is hypothesized that the crying associated with colic may be a manifestation of differing developmental stages in the brain circuits involved.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 127.2 (2006) 309-312 [Access article in PDF] Mark Buchan. The Limits of Heroism: Homer and the Ethics of Reading. The Body, In Theory: Histories of Cultural Materialism. Ann Arbor: University of Michigan Press, 2004. x + 282 pp. Cloth, $65. Buchan's introduction challenges the critical consensus on the Odyssey as both "too teleological" and "not teleological enough." The epic's partisan perspective on its hero, with (...) an ethical universe designed to exculpate his violence, has been too long taken for granted. Meanwhile, critics do not take seriously enough the epic's insistence that Odysseus' return to his home is not the end he longs for. Buchan thus raises the hope for a genuinely new reading of the Odyssey, and to a great degree, the book lives up to its promise with close textual studies framed by Lacanian theory on human desire. Buchan's opening gambit of defining his ideas against a consensus grows less appealing, however, when it becomes a trope that cites only two or so scholars on any issue. The gesture conforms to Buchan's method of textual analysis, which exploits the provocative detail or juxtaposition, and his approach suggests how fruitfully psychoanalytic readings can expose a text's unconscious universe. But the lure of the big picture—the telos of the epic—irresistibly draws Buchan onto less yielding interpretive ground. Still, his results are illuminating for Homer and instructive about the limits of psychoanalytic interpretation.Buchan studies the "dangers of certain fantasies of the self" exploited by Odysseus in his return home (4). The fantasies that define the Phaeacians and Cyclopes are exposed and ruined through their encounters with Odysseus, in part because these peoples arrive at a correct interpretation of themselves too late. Odysseus has already gotten what he needs and left his victims with rocks hanging over them and a new sense of identity wrought by loss. Buchan's view of Odysseus is unexpected and provocative; it rejects his ethics and reads him purely as the agent of trauma that introduces those he meets to the human condition of desire. This style of analysis yields its best results in the early chapters on the "victims" of the returning hero: the Cyclops, the Phaeacians, and, with Menelaus, the sea-god Proteus.Each of these chapters reveals an artifact of human culture that comes into being at a moment of loss and thus marks an awakening to self-consciousness. These artifacts represent for the newly acculturated their loss as a predication of their humanity. Polyphemus' blinding causes the Cyclops to name him for the [End Page 309] first time, creating social language as a symptom of his loss and a concomitant desire for the Father as authority. Competition with Odysseus is the beginning of a truly human culture for the Phaeacians, who were formerly self-sufficient, never doubting themselves as contestants or fathers. When Odysseus defeats their athletes, they learn that their "games-without-loss" culture is no longer a sustainable system. Buchan's perspective yields arresting insights on both episodes, including a suggestive dialectic among the images of stone imperiling the Phaeacians, from the discus throw that opens an insurmountable gap to a mountain hanging over them when they vanish from our view. But Buchan's insights come at a cost of readerly indulgence, because they depend on a decidedly selective treatment of the text. For instance, he insists on Polyphemus' namelessness before he meets Odysseus and the lack among the Cyclopes of a father as an authority figure. His discussion of the Phaeacians requires the assumption that they have never lost a competition, although they compel every visitor to participate (197 and n. 29).Buchan's final study of a victim of an heroic nostos best illustrates the gains and costs of his method. Menelaus tricks Proteus into human desire by disguising himself and three comrades as seals: the god is compelled to count himself, a deft double entendre (4.453) to make up the counting unit of five by which he keeps track of his seals Proteus thus confounds... (shrink)

Versión previa de un capítulo del libro inédito Interdependientes y ecodependientes. Iniciación a la ética ecológica , que publicará Ed. Proteus (Barcelona) en 2012.