Abstract: Philosophers who have addressed the problems of enduring racial injustice have been suspicious of the role played by ideal theory in ethics and political philosophy generally, and in contemporary liberal political philosophy in particular. The theoretical marginalization of race in the work of Rawls has led some to charge that ideal theory is at the very least unhelpful in understanding one of the most significant forms of contemporary injustice, and is at worst ideological in the pejorative sense. To explore (...) these concerns, I formulate five related criticisms of ideal theory and examine each as it would be applied to Rawls's political philosophy. My thesis is that the strongest criticisms—namely, that ideal theory is essentially ideological and cannot provide adequate grounds for justifying race-conscious, equality-securing measures—ultimately miss the mark. But other criticisms of ideal theory are more plausible, and most plausibly directed to an area of Rawls's thought often ignored in discussions of liberalism and race, namely, his account of citizenship and public reasoning. (shrink)

"Annabelle Lever montre très bien à quel point une vie accomplie est aussi une vie privée." - Gil Delannoi, Sciences Po "La nature et l'étendue de nos droits à la vie privée est une des questions centrales de notre époque. Dans ce livre accessible et agréable à lire, Annabelle Lever examine ce que signifie la vie privée et les liens complexes que celle-ci entretient avec la démocratie. Lever offre une contribution remarquable à notre compréhension de l'importance de la (...) vie privée pour les sociétés démocratiques, en révélant non seulement sa valeur mais, aussi, les coûts qu'elle engendre. " - Jonathan Wolff, University College London. (shrink)

This is a book about the theory of the city or commonwealth, what would come to be called the state, in early modern natural law discourse. Annabel Brett takes a fresh approach by looking at this political entity from the perspective of its boundaries and those who crossed them. She begins with a classic debate from the Spanish sixteenth century over the political treatment of mendicants, showing how cosmopolitan ideals of porous boundaries could simultaneously justify the freedoms of itinerant beggars (...) and the activities of European colonists in the Indies. She goes on to examine the boundaries of the state in multiple senses, including the fundamental barrier between human beings and animals and the limits of the state in the face of the natural lives of its subjects, as well as territorial frontiers. Drawing on a wide range of authors, Brett reveals how early modern political space was constructed from a complex dynamic of inclusion and exclusion. Throughout, she shows that early modern debates about political boundaries displayed unheralded creativity and virtuosity but were nevertheless vulnerable to innumerable paradoxes, contradictions, and loose ends.Changes of State is a major work of intellectual history that resonates with modern debates about globalization and the transformation of the nation-state. (shrink)

This valuable resource provides academic and student affairs practitioners with the tools to make informed legal and ethical decisions in their college and university contexts. Law is constantly changing and is interpreted differently from campus to campus based on institutional culture and history. This text provides higher education practitioners with tools to anticipate practical and responsible action, engaging readers in anticipatory and reflective practice. In this text, Boettcher and Salinas introduce the Institutional Intelligence Model, a helpful framework that guides practitioners (...) in examining a wide variety of campus issues. Throughout the book, readers can explore perspectives from current practitioners and utilize case studies to examine specific topics including admissions, academics, student living, confidential resources, and graduate student experiences. By using the strategies in this book, practitioners will be equipped to successfully navigate legal and ethical issues on their campuses. This text is ideal for graduate students, student and academic affairs professionals, and those in leadership positions responsible for working with and supporting students and staff teams. (shrink)

This article shows that judicial review has a democratic justification even though judges may be no better at protecting rights than legislatures. That justification is procedural, not consequentialist: reflecting the ability of judicial review to express and protect citizen’s interests in political participation, political equality, political representation and political accountability. The point of judicial review is to symbolize and give expression to the authority of citizens over their governors, not to reflect the wisdom, trustworthiness or competence of judges and legislators. (...) Above a threshold level of competence – which may be impossible to determine a-priori – the legitimacy of judicial review does not turn on the special wisdom, virtue or personal qualities of judges. Instead, it reflects the importance that democracies properly attach to the ordinary virtues and competences of individuals in justifying power and authority. Hence, this article takes issue with the defence of judicial review in Eisgruber and Brettschneider, as well as with the critiques of judicial review found in Waldron and Bellamy. (shrink)

The Defender of the Peace of Marsilius of Padua is a massively influential text in the history of western political thought. Marsilius offers a detailed analysis and explanation of human political communities, before going on to attack what he sees as the obstacles to peaceful human coexistence - principally the contemporary papacy. Annabel Brett's authoritative rendition of the Defensor Pacis was the first new translation in English for fifty years, and a major contribution to the series of Cambridge Texts: all (...) of the usual series features are provided, included chronology, notes for further reading, and up-to-date annotation aimed at the student reader encountering this classic of medieval thought for the first time. This edition of The Defender of the Peace is a scholarly and a pedagogic event of great importance, of interest to historians, political theorists, theologians and philosophers at all levels from second-year undergraduate upwards. (shrink)

This paper looks at recent efforts within the Cherokee Nation of Oklahoma to expel descendants of the freedmen, persons of African descent held as slaves until their emancipation and subsequent adoption as tribal citizens according to the terms of an 1866 treaty. The unavoidable racial dimensions of this controversy lead me to examine it as an example of the internal minorities problem, i.e., the problem of minorities within minority cultures, familiar from the literature on liberal multiculturalism. I argue that while (...) no single approach to the internal minorities problem is fully adequate for resolving the controversy, the balance of reasons drawn from these approaches shows expulsion of the freedmen descendants to be unjust. Furthermore, in contrast to leading theoretical approaches, a deliberative approach to multiculturalism can best account for the need to encourage critical public dialogue about underlying notions of blood, race and Cherokee identity. (shrink)

The ethical conduct of research rests largely on researchers, and as such, an understanding of how they perceive and enact their role in research is paramount. However, the literature around ethics and research mostly focuses on researchers’ perception of Research Ethics Boards roles and functions. To fill that gap, we analyzed the perceptions of researchers, REB members, and influential parties about researchers’ role in the ethical conduct of research through discourse analysis. Three discourses emerged: researchers as reflective practitioners, protectors of (...) participants, and technicians. Understanding the commonalities and differences among the discourses may foster a shared and compelling institutional research culture. (shrink)

ExcerptEmmanuel Levinas's Talmudic readings were given as lectures at the Colloque des Intellectuels Juifs de Langue Française, a conference that has been held every year in Paris since 1957. His commentaries on the Talmud purported to be non-technical, accessible, and popular adaptations of his philosophical thinking, which had been developed in difficult books written in the technical language of Husserlian phenomenology.1 In fact, however, a full understanding of these Talmudic readings often requires knowledge of their philosophical assumptions. Conversely, Levinas used (...) his biblical and Talmudic interpretations to formulate philosophical arguments: There are two ways of reading a…. (shrink)

Objective The objective of this article is to provide an ethical analysis of a high-risk, advanced treatment case where the patient received transcatheter aortic valve insertion (TAVI), for aortic valve stenosis. Particular emphasis will be placed upon the significance of evidence and the implications for priority setting. Method One paradigmatic case involving a TAVI patient from a large university hospital in Norway is described and analysed. The method used was ethical case analysis modified after Kymlicka by Miljeteig et al. Perioperative (...) mortality risk was estimated using the Euroscore risk-logarithm and the Society of Thoracic Surgeons’ risk model, STS. These predict the risk of operative mortality and morbidity associated with adult cardiac surgery. GRADE, the Grading of Recommendations Assessment, Development and Evaluation, was used to evaluate the evidence. Results In the case analysis, we found that it would be ethically justifiable not to recommend TAVI treatment for this patient. Although the patient had a severe condition in need of treatment, the expected improvement was marginal, the quality of evidence was low and the opportunity costs for other patients and society were higher than usually deemed appropriate. Conclusions Decision-making in the absence of high quality evidence from randomized trials is a complex process involving difficult ethical judgments. Novel high-risk devices often enter the European market with limited clinical evidence. Transparency and improved clinical evaluation are required so patient safety is not jeopardized. We argue that implementation of high risk, high cost interventions should be better regulated at a national level. Background All clinical decisions imply priority setting and therefore indirectly affect other patients and other patient groups. The use of expensive, innovative health technologies has an affect on individual patients as well as on other patient groups competing for the same resources. (shrink)

Among the processes of canon-formation is the habit of coupling writers; and among the most powerful of couples in the traditional English literary canon is Spenser-and-Milton. Much of my own professional life has probably been determined by my first teaching assignment of 1963, which included “Spenser-and-Milton,” in those days at Toronto a famous cornerstone course carrying the tamp of the stamp of the formidable Renaissance scholar A. S. P. Woodhouse, known affectionately if disrespectfully to his students as Professor Nature-and-Grace. For (...) several years I labored mightily, though neither naturally nor, I suspect, gracefully, on Spenser-and-Milton, sensing all the time that the connections I made, the doctrines I was conveying, lacked persuasion; and no doubt the seed of this essay was sown in those days, although its angle of sight was not then available, obscured on all sides by institutional pillars.When we couple writers we usually imply a criterion of fit or at least explicable mating. While there is nothing to prohibit a merely comparativist curiosity, or coupling in the service of some other agenda, we presumably give greater authority to relationships that imply causality, even, or especially, if causality is defined as the influence of the one writer on the other. Most of such relationships are unidirectional, from the earlier to the later dead, and a plausible coupling requires either the successor’s own testimony that the influence-relation existed, or other evidence that the influence-relation was strong enough to be formative; or, preferably, both. Annabel Patterson, professor of literature and English at Duke University, is the author of Hermogenes and the Renaissance , Marvell and the Civic Crown , Censorship and Interpretation , Pastoral and Ideology: Virgil to Valéry , and Shakespeare and the Popular Voice. (shrink)

This book is about the postructural Franco-Jewish philosopher Emmanuel Levinas. This book covers Jewish ethics in the twentieth century and also cultural philosophy.

From climate change forecasts and pandemic maps to Lego sets and Ancestry algorithms, models encompass our world and our lives. In her thought-provoking new book, Annabel Wharton begins with a definition drawn from the quantitative sciences and the philosophy of science but holds that history and critical cultural theory are essential to a fuller understanding of modeling. Considering changes in the medical body model and the architectural model, from the Middle Ages to the twenty-first century, Wharton demonstrates the ways in (...) which all models are historical and political.0Examining how cadavers have been described, exhibited, and visually rendered, she highlights the historical dimension of the modified body and its depictions. Analyzing the varied reworkings of the Holy Sepulchre in Jerusalem-including by monumental commanderies of the Knights Templar, Alberti's Rucellai Tomb in Florence, Franciscans' olive wood replicas, and video game renderings-she foregrounds the political force of architectural representations. And considering black boxes-instruments whose inputs we control and whose outputs we interpret, but whose inner workings are beyond our comprehension-she surveys the threats posed by such opaque computational models, warning of the dangers that models pose when humans lose control of the means by which they are generated and understood. Engaging and wide-ranging, 'Models and World Making' conjures new ways of seeing and critically evaluating how we make and remake the world in which we live. (shrink)

In Considerations on Representative Government, John Stuart Mill concedes that secrecy in voting is often justified but, nonetheless, maintains that it should be the exception rather than the rule. This paper critically examines Mill’s arguments. It shows that Mill’s idea of voting depends on a sharp public/private distinction which is difficult to square with democratic ideas about the different powers and responsibilities of voters and their representatives, or with legitimate differences of belief and interest amongst voters themselves. Hence, it concludes, (...) we should reject the assumption, which many of us share with Mill, that the secret ballot is justified only on prudential grounds and recognise how central privacy is to any democratic conception of citizenship and politics. (shrink)

Some public reason liberals identify coercive law as the subject matter of public justification, while others claim that the justification of coercion plays no role in motivating public justification requirements. Both of these views are mistaken. I argue that the subject matter of public justification is not coercion or coercive law but political decision-making about the basic institutional structure. At the same time, part of what makes a public justification principle necessary in the first place is the inherent coerciveness of (...) a legally organized basic institutional structure. While most public reason liberals seem to presuppose that the meaning of “coercion” is sufficiently obvious so as not to warrant further analysis, my defense of the essay’s main thesis explicitly draws on an account of coercion as a powerful agent’s employment of enforceable constraints to determine the will of another agent. (shrink)

This paper explores issues of abstraction and space in Sande Zeig's movie The Girl (2001), based on a novella by Monique Wittig, who also co-wrote the script. It argues that, with this movie, Zeig and Wittig strive to re-materialize the lesbian body abstracted by the ‘Straight Mind’ as defined by Wittig in her 1980 essay. The plot revolves around the love affair of two women, the narrator and the Girl (a lesbian painter and a straight B-grade jazz singer), under the (...) oppressive scrutiny of the Man (the Girl's boss). Each part of this paper corresponds to one space where the characters interact: first, it shows how the nightclub stands as a space of transgression for the lesbian subject and how it opens a reflection on temporality as represented by space; then the analysis of the hotel room where the Girl lives and meets the narrator demonstrates how, notably through the use of close-ups in erotic scenes, Zeig redefines abstraction as a new way to envisage the materiality of the lesbian body; finally, in the third part, the discussion on abstraction moves on to the narrator's studio where, through her work as a painter, she also explores abstract representations of the female body. This approach reconciles Wittigian theory with post-modern queer theory, and confirms that the former still offers paths to positive reformulations of modes of relationality through the de-spatialization of gender – de-genderization; the rematerialization of the body outside of heteronormative conventions; and a reconfiguration of human relationships that refuses the inevitability of social and amorous hierarchy, and that shifts the representation of the erotic from possessiveness to disinterested reciprocity. (shrink)

This article shows that Merleau-Ponty’s philosophy is traversed by a tension between an interpretation of history and existence in terms of crisis and the recognition of an insurmountable vertigo, the Heraclitean model of an eternal return of the singular and the partial, without possible synthesis. Our thesis is that the model of the crisis is marked by a classical positivism which makes it the secret ally of a conservative and anti-democratic politics. It is also an impasse in Merleau-Ponty’s philosophy since (...) it supposes a reference to an overlooking point of view that the whole of Merleau-Pontian reflection has shown to be impossible. The phenomenology of perception and ontology of the perceived world show that we have access only to a mystified consciousness and that even the world itself is undecided. The Heraclitean path must win against the interpretation in terms of crisis, but the persistence of the second path in Merleau-Ponty’swork is also explained by the extremely difficult character of the first path. The theory of chronic vertigo takes us closer to nihilism, and this is an aspect of Merleau-Pontian philosophy whose radical and highly problematic – perhaps even aporetic – character must not be underestimated. How to decide on practice and politics without absolute reference, without being able to guarantee anything? The use Merleau-Ponty makes of crucial references to Machiavelli and Marx at the heart of his political philosophy is very revealing this regard: in the first movement, this is a matter of “disarming” these philosophies, making them instruments for the disruption of action. But Merleau-Ponty’s final goal is not to return to the philosophy of contemplation, abstract ontology, but to build a new practical model: that of symbolic action, which integrates vertigo rather than surpassing it and constitutes a praxis inseparable from the enterprise of knowledge and artistic creation. We could say that it is saved by its openness to sense, but this means that it cannot rely on any positive established meaning and must find its wellspring in a ‘wild’ ability to be unceasingly decentered, to take nothing for granted, to approach our values and beliefs as foreign. This raises the question of the possibilityof the incarnation of such a model in an effective political institution. (shrink)

Pouvons-nous sortir de la bulle anthropocentrique qui maintient de nombreuses cultures humaines contemporaines dans un état d’aveuglement et de déni et les condamne largement à l’inefficacité? Les philosophies postmodernes sont certainement des alliées précieuses à cet égard, car elles déconstruisent les schémas de pensée sclérosés, mais leur suspicion à l’endroit des sujets peut devenir un obstacle significatif au développement de nouvelles perspectives et agentivités écologiques. Cet article explore une voie alternative, en adoptant une approche phénoménologique renouve-lée qui part de la (...) subjectivité animale et étudie les liens entre les sujets animaux non-humains et les sujets animaux humains. La question centrale : comment l’intégration de sujets animaux non-humains dans notre perspective modifie-t-elle notre relation au monde? À partir d’une réflexion sur les travaux de Merleau-Ponty, Deleuze, Derrida et Haraway, j’étudie les structures d’une phéno-ménologie de l’intersubjectivité homme-animal et je développe le concept de sujets imaginaires. Can we exit the anthropocentric bubble in which many human cul-tures are trapped and which is a source of blindness, denial, and inefficiency? Postmodern philosophies are valuable allies in this re-spect, as they explode ossified thinking patterns, but their suspicion toward subjects can also become a barrier to the development of new ecological worldviews and agencies. This article explores an alternative path, adopting a renewed phenomenological approach that starts from animal subjectivity and investigates the links be-tween non-human and human animal subjects. The central ques-tion: how does the integration of non-human animal subjects into our perspective modify our relation to the world? Discussing Mer-leau-Ponty’s, Deleuze’s, Derrida’s, and Haraway’s works, I investi-gate the structures of a phenomenology of human-animal intersub-jectivity and I develop the concept of imaginary subjects. (shrink)

« Sous les masques, il n’y a pas de visages, l’homme historique n’a jamais été homme, et pourtant nul homme n’est seul » : notre article s’interroge sur le sens et les enjeux éthiques de cette affirmation merleau-pontyenne énoncée dans la préface de Signes. Partant du caractère énigmatique et très inquiétant de cette thèse et constatant sa résonance avec l’affirmations deleuzienne, dans Différence et répétition, « Les masques ne recouvrent rien, sauf d’autres masques », nous avons voulu explorer la possibilité (...) de prendre pleinement au sérieux la formule merleau-pontyenne et de lui donner l’envergure d’une théorie des simulacres rendue éthiquement féconde. Le contexte, un dialogue avec Sartre et Nizan entre désenchantement, découragement et nouvelles perspectives éthiques et politiques, nous projette d’emblée dans un pensée de l’adversité et des apories indissociables de la rencontre d’autrui. Il permet également d’entrer avec Merleau-Ponty dans la quête d’une théorie éthique et politique de la communauté non exclusive de l’altérité radicale. A partir d’une analyse de la notion de masques et de ses occurrences dans les travaux de Merleau-Ponty, nous montrons que toute image est essentiellement un masque ontologiquement premier, c’est-à-dire qui ne copie ni ne recouvre une réalité plus authentique. La formulation de Signes qui nous intéresse fait d’emblée apparaître la dimension éthiquement dramatique de cette ontologie. Ce qui est en cause est une hyper-crise, une pensée de l’abîme et des ruptures de sens. Comment agir quand tout être est évasif et autre que soi? Nous aimerions montrer que surgit, dans l’oeuvre merleau-pontyenne, une tension entre une première solution pratique centrée sur la foi et une seconde voie « centrée », si l’on peut dire, sur la temporalité tourbillonnaire de l’institution. Ces deux issues pratiques, qui ne sont pas si nettement circonscrites explicitement par Merleau-Ponty, mais se déploient plutôt de texte en texte sous des formes parfois entremêlées, parfois incompatibles, doivent être, selon nous, soigneusement distinguées. La première, la solution de la foi, fait trop peu de cas du caractère trompeur de l’Urdoxa et des dangers d’une action qui ne s’inquiète pas de la mystification et des biais sur lesquels, peut-être, elle repose. La seconde, la voie de l’institution ne prétend plus surmonter le vertige, mais parvient à en faire un atout. Les masques, compris comme essentiellement instituants – en même temps qu’ils éclairent sur le sens de la notion merleau-pontyenne d’institution – peuvent retrouver un rôle éthique : passer de masque en masque sans jamais trouver de visage, autrement dit répondre à côté, c’est répondre tout de même et cela peut même être la meilleure réponse et compréhension possibles puisque les masques euxmêmes, comme institutions, sont des « visées à côté » qui réclament indéfiniment de nouvelles reprises et ont le pouvoir de relier entre elles, dans une structure de dialogue sans fin, des réinstitutions pourtant minées par une opacité à soi et aux autres. Les simulacres peuvent ainsi devenir en tant que tels notre plus grande chance : véhicules d’altérité radicale et de communication pourtant ininterrompue. Cette théorie élaborée à partir des thèses et analyses merleau-pontyennes fait place aux expériences commotionnantes, mais a, en même temps et sans contradiction, le mérite d’insister davantage, sans attendrissement, sur l’heureuse nature de l’être au lieu de déboucher sur la misosophie que développera Deleuze.“Under the masks, there are no faces: historical man has never been man, and yet, no man is alone.” This article questions the meaning and the ethical stakes of this Merleau-Pontian affirmation articulated in the preface of Signs. Beginning with the enigmatic and very worrisome character of this thesis, and while noticing its resonance with Deleuzian affirmations in Difference and Repetition—“masks recover nothing apart from other masks”—we wanted to explore the possibility of taking seriously the Merleau-Pontian formula and to give it meaning as a theory of ethically productive simulacra. The context, a dialogue between Sartre and Nizan regarding disenchantment, despondency and new ethical as well as political perspectives, immediately projects us toward the thought of adversity and the inseparable aporias in the encounter with the Other. Equally, it permits us to enter with Merleau-Ponty into a search for a political and ethical theory of the community that is not exclusive to radical alterity. Starting from an analysis of the concept of masks and its occurrences in the works of Merleau-Ponty, we show that all image is essentially first an ontological mask; that is to say, one that does not copy nor recovers a more authentic reality. The formulation in Signs which interests us immediately reveals the dramatic ethical dimension of this ontology. That which is a cause is a hyper-crisis, a thought of the damage and the rupture of meaning. How does one act when all being is evasive and other than oneself? We would like to show that what surfaces in Merleau-Ponty’s work is a tension between a primary practical solution centered on faith and a second path “centered,” if we can say this, on the turbulent temporality of the institution. These two practical issues, which are not so explicitly circumscribed by Merleau-Ponty, but which rather reveal themselves from text to text in somewhat intermingled and sometimes incompatible forms must be carefully distinguished. The first, the solution of faith, makes too little of the falsifying character of the Urdoxa and the dangers of an action that is not concerned with the mystification and biases on which, perhaps, it rests. The second, the path of the institution, does not attempt to surmount the vertigo, but nevertheless manages to hold the advantage. The masks, understood essentially as “instituted,” which at the same time clarify the meaning of the Merleau-Pontian notion of the institution, are able to rediscover an ethical role: passing from mask to mask without ever uncovering a face or, stated otherwise, responding side by side, is nevertheless a response. Moreover, this might provide an even better response and possible understanding since the masks themselves, as institutions, are proximate viewfinders which indefinitely reclaim new recoveries and which have the ability to link up with each other in a never-ending structure of dialogue regarding “reinstitutions” despite being undermined by the opacity of self and other. The simulacra can also become as they are in themselves a greatest chance: vehicles of radical alterity and communication, but uninterrupted. This theory, elaborated from the theses and analyses of Merleau-Ponty, gives way to experiences of shock, but, at the same time and without contradiction, to the right to insist further, without tenderness, on the happy nature of being instead of opening itself up to the misosophie that Deleuze will develop.“Dietro le maschere non ci sono volti, l’uomo storico non è mai stato uomo, e tuttavia nessun uomo è solo”: il nostro articolo si interroga sul senso e sulla posta in gioco etica di questa affermazione merleau-pontyana che troviamo nella Prefazione a Segni. Partendo dal tratto enigmatico e inquietante di questa tesi, e dalla constatazione della sua risonanza con l’affermazione deleuziana secondo cui “le maschere non ricoprono nulla, se non altre maschere”, abbiamo voluto esplorare la possibilità di prendere sul serio la formula merleau-pontyana ricavandone una teoria dei simulacri eticamente feconda. Il contesto, quello di un dialogo con Sartre e Nizan intorno ai temi del disincanto e delle nuove prospettive etiche e politiche, ci proietta direttamente nello spazio di un pensiero dell’avversità e delle aporie indissociabili dall’incontro con l’altro, e consente parimenti di farci strada con Merleau-Ponty in direzione di un’etica e di una politica della comunità non esclusiva della dimensione dell’alterità radicale. A partire da un’analisi della nozione di maschera e delle sue occorrenze nei testi merleau-pontyani mostriamo che ogni immagine è una maschera ontologicamente prima, che non copia e non ricopre affatto una realtà più autentica. La formulazione richiamata da Segni introduce immediatamente alla dimensione eticamente drammatica di tale ontologia. La sua posta in gioco è quella di un ipercriticismo, di un pensiero dell’abisso e dell’interruzione del senso. Come agire quando ogni essere è evasivo ed è altro rispetto a se stesso? Vorremmo mostrare che a quest’altezza si fa strada nell’opera merleau-pontyana una tensione tra una prima soluzione pratica, affidata alla dimensione della fede, e una seconda via d’uscita “incentrata”, se così si può dire, sulla temporalità spiraliforme dell’istituzione. Questi due esiti pratici, che in Merleau-Ponty non risultano nettamente ed esplicitamente circoscritti, ma si dispiegano di testo in testo dando luogo a sovrapposizioni e al limite a contraddizioni, vanno invece, a nostro avviso, accuratamente distinte. La prima, la soluzione della fede, fa troppo poco spazio al carattere ingannevole dell’Urdoxa e ai pericoli di un’azione che non si preoccupa di farsi carico delle mistificazioni e delle deformazioni su cui essa forse si fonda. La seconda, la soluzione dell’istituzione, non pretende più di oltrepassare la vertigine ma arriva a farne una risorsa. Le maschere, intese come essenzialmente istitutive, facendo luce sulla nozione merleau-pontyana di istituzione vengono a giocare un ruolo etico: passare di maschera in maschera senza mai trovare volti, in altri termini rispondere “a lato”, significa rispondere comunque e forse rispondere nel modo migliore, secondo la migliore comprensione possibile. Poiché le maschere stesse in quanto istituzioni sono delle “visées à côté” che chiamano indefinitiamente a nuove riprese e hanno il potere di legare tra loro in un dialogo senza fine una serie di re-istituzioni inevitabilmente opache a sé e agli altri. I simulacri possono così diventare, proprio in quanto simulacri, la nostra più grande chance: veicoli di alterità radicale e di comunicazione ininterrotta. Questa teoria, elaborata a partire dalle tesi e dalle analisi merleau-pontyane, consente di fare spazio a esperienze di grande momento emotivo, e allo stesso tempo, senza contraddizione, di insistere senza sentimentalismi sulla felice natura dell’essere, evitando infine la “misosophia” a cui approda Deleuze. (shrink)

The deconstruction of stupidity [in French bêtise] plays a crucial role in Derrida’s The Beast and the Sovereign. Through the concept of stupidity/bêtise the violence of our relationship with others, as inseparable from our relation to animality comes into view. “Stupidity” is deeply political, but also directly connected to the trace and, thus, cannot be simply overcome. While Sartre claimed that there are no fools, but just wicked men, Derrida embraces an uncanny version of stupidity. In this paper, guided by (...) Derrida’s reflections, we will examine the many paradoxes that undermine the pseudo-concept of stupidity, as well as several key moments of its history in Schelling’s, Nietzsche’s, Sartre’s, and Deleuze’s philosophies. Eventually our purpose will be to display the ethical statements which can be extrapolated from Derrida’s perspective: when the world is gone, how can we carry stupidity? (shrink)

This essay is a political reading of Ursula K. Le Guin’s ‘The Ones Who Walk Away from Omelas’, which examines agency and resistance in situations of political wrong. Le Guin’s short story allows us to reformulate the questions of the boundaries of popular sovereignty and the opposition to general consent. These concerns will be here regarded as elements of a critique of neoliberal capitalism, in which freedom and self-realization are founded on injustices that persist because of a prevalent conception of (...) the good life. The case of ‘Omelas’, moreover, challenges our understanding of resistance in revealing the blurred boundary between political action and mere noncompliance. The question asked will be about the nature of noncompliance: is noncompliance a form of resistance, and, if so, can it transform the political reality? (shrink)

Levinas establishes an intriguing connection between idolatry and ontology. This connection is aptly illustrated by the biblical character of Balaam, the ambiguous Mesopotamian prophet or sorcerer of Numbers 22-24, who is almost never mentioned in Levinas's work but who is present, albeit hidden, in the talmudic reading “Contempt for the Torah as Idolatry.“ A deconstruction of this talmudic reading uncovers Balaam's footprints. It also clarifies different meanings of idolatry—exposing its ontological violence, but also, perhaps, its necessity for ethics and law.

CETTE THESE INTERROGE DE MANIERE CRITIQUE LES RAPPORTS ENTRE UNE MANIERE TRADITIONNELLE DE PRATIQUER LA PHILOSOPHIE POLITIQUE, D'UNE PART, ET D'AUTRE PART LA PRATIQUE DE LA POLITIQUE QUI A ABOUTI AU VINGTIEME SIECLE AU PHENOMENE TOTALITAIRE. SON PROJET EST DE MONTRER L'URGENCE D'EMANCIPER LA PENSEE DU POLITIQUE DE CETTE TRADITION QUI SANS POUVOIR ETRE RENDUE RESPONSABLE DU TOTALITARISME EST TOUT AU MOINS CO-RESPONSABLE PAR SON IMPUISSANCE -PAR SA RESISTANCE- A PENSER LES CONDITIONS DU TOTALITARISME. LE TRAVAIL EST CONSTITUE PAR QUATRE (...) ETUDES CONSACREES RESPECTIVEMENT A H. ARENDT, M. STIRNER, F. ROSENZWEIG ET E. LEVINAS, QUI ONT SU CHACUN A SA MANIERE S'EMANCIPER DE LA MANIERE TRADITIONNELLE DE PHILOSOPHER, LES UNS EN OPPOSANT A LA TRADITION PHILOSOPHIQUE UNE RESISTANCE RADICALE, LES AUTRES EN OUVRANT CETTE TRADITION A DES HORIZONS DE PENSEE TOUT DIFFERENTS QUI LUI OFFRENT DES POINTS DE VUE AUTRES SUR ELLE-MEME ET SUR LA POLITIQUE. UN THEME TRANSVERSAL, CELUI DE L'ENTRE-DEUX, PERMET LA COMMUNICATION ENTRE CES PENSEES FORT DIFFERENTES LES UNES DES AUTRES, ET TOUT A LA FOIS DESSINE UNE DES PERSPECTIVES DANS LAQUELLE IL S'AGIRAIT DE REPENSER L'ESPACE DE LA POLITIQUE. (shrink)