We show that the consistency of the theories “ holds below ” + “there is an injection ” + “both and fail” and + “ holds below ” + “there is an injection ” + “ satisfies the tree property” follow from the appropriate supercompactness hypotheses. These provide answers in a choiceless context to certain long‐standing open questions concerning, weak square, approachability, and the tree property. There is nothing special about, and the injection into can be from any ordinal λ (...) (which means that pcf theory can fail badly in the models constructed if ). (shrink)

Throughout his philosophical career Thomas Reid was an opponent of scepticism. When providing some remarks on his philosophical development he informs us that initially he accepted Berkeley’s version of the theory of ideas, thinking it adequately secured knowledge of ordinary things and events, until Hume demonstrated the sceptical problems with knowledge of the self encountered by the doctrine. This led to Reid’s re-examination and ultimate rejection of the theory of ideas.

1. T. Wilhelm Wundt als deutscher Denker, von Felix Krueger. Wundts Prinzip der schöpferischen Synthese, von Friedrich Sander. Wundt und die Relativität, von August Kirschmann. Die Völkerpsychologie in Wundts Entwicklungsgang, von Hans Volkelt. Zur Geschichte des Leipziger Psychologischen Instituts, von Otto Klemm.--2. T. Die Stellung der Philosophie Wilhelm Wundts im 19. Jahrhundert, von Peter Petersen. Wundts Aktualitätstheorie, von Willi Nef. Die mechanische Naturerklärung und das Naturgesetz, von Friedrich Lipsius. Über die psychischen Elemente und ihre Bedeutung in der Lehre Wundts, von (...) Friedrich Kiesow. Stellung und Aufgabe von Wundts Völkerpsychologie und der Begriff des Volkes, von Walther Schmied-Kowarzik. (shrink)

Suitable for the teaching of medieval philosophy, this title features judicious selections and translations based on critical editions.

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Romanticism fabricated a poet of vast oracular powers largely from superstitious notions and suspicious philosophies which the Renaissance had gathered up somewhat by chance with the rational part of the Graeco-Roman legacy. The model was surely an imposture and, historically considered, a scandal. Seer, sage, prophet, mage—the pretensions varied, but all were titles to transcendent disclosure in times increasingly committed, at least officially, to a unified scientific view. That the poet could be confirmed to any degree in this anachronistic role (...) was probably owing to the circumstance that the general cultural reflex following the Enlightenment reawakened widespread interest in those dark and excluded passages of the human spirit which mystics and seers were thought to frequent. Poets who pretended to voyance benefited from the muffled but persistent rumor of profound mysteries accessible to the high priests of Kabbala and the Corpus Hermeticum, to Illuminists, Rosicrucians, and Neopythagoreans. Western Europe had never ceased to acknowledge, even in such unlikely periods as the later Middle Ages, the aboriginal priestly and prophetic functions of the poet; but romanticism contrived—out of occultism and neoplatonism, antirationalism and anticlassicism—such a warrant for unabashed oracular saying as Antiquity had scarcely imagined. While perhaps none of the romantic was actually prepared to grant the poet his ancient powers in full measure, few seemed inclined to diminish the stature of the heroic abstraction, who symbolically contested the claims of naturalism and positivism. (shrink)

There is an obscure passage in a letter from Keats to Benjamin Bailey, written in 1817, which says: I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination...This does not seem to make much sense. Nor does it help much to find an echo of that passage in the famous last lines of the Ode on a Grecian Urn, written two years later: Beauty is truth, truth beauty — that is all Ye (...) know on earth, and all ye need to know. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)