By thinking on my personal (som)aesthetic experience as a would-be jazz saxophonist, I will argue that the relationship between musician and instrument can exemplify the “extended self” thesis in the artistic/aesthetic realm. As can happen with a human partner, a special affective relationship may arise between human being and instrument and, through repeated practice, the instrument can become an indispensable element of the aesthetic habits by virtue of which we interact with the environment, thus becoming part of the (...) (extended) self. As I will suggest, this special bodily and affective relationship is due to the affordances offered by the instrumental partner and to the expressive experiences that this encounter makes possible. This affective relationship is one of the reasons behind the regret we feel for the destruction or loss of artifacts. Thanks to the assiduity of a somaesthetic relationship, it happens that these objects become extensions not only of the body but also of the mind or “soul.”. (shrink)

By thinking on my personal (som)aesthetic experience as a would-be jazz saxophonist, I will argue that the relationship between musician and instrument can exemplify the “extended self” thesis in the artistic/aesthetic realm. As can happen with a human partner, a special affective relationship may arise between human being and instrument and, through repeated practice, the instrument can become an indispensable element of the aesthetic habits by virtue of which we interact with the environment, thus becoming part of the (...) (extended) self. As I will suggest, this special bodily and affective relationship is due to the affordances offered by the instrumental partner and to the expressive experiences that this encounter makes possible. This affective relationship is one of the reasons behind the regret we feel for the destruction or loss of artifacts. Thanks to the assiduity of a somaesthetic relationship, it happens that these objects become extensions not only of the body but also of the mind or “soul”. (shrink)

In response to this issue’s theme of Can robots be sensual? two propositions are discussed from a design researcher’s perspective. Four devices across two speculative projects Habitat Robots and Soil Protector Robots are presented. Speculative Realist ideas provide reasoning for design approaches to metaphorise sensed environmental data into multi-sensorial performances that the devices embody. Facilitated through the projects are philosophy of design concerns, such as asymmetrical relations, the nature of data, and language about the devices prefiguring sensorial expectations. The performative (...) behaviours of these multi-sensorial robots evoke a sense of things by removing the truthiness of data and thereby emancipating language from privilege and expertise, subverting expectations of technology, and notions of urban Nature. Through Harman’s Quadruple Object, we speculate on asymmetricality within object relations, including between the devices and the practices of design itself. Thereby, allowing ontological design implications to be reviewed – where acts of designing in turn design us; design processes are not only entwined prefiguratively, but are companion output artefacts of these technological ecology interfaces. The devices bring together and physicalise questions of contextual boundaries and politics between humans, technology, and Nature. (shrink)

We analyse the way in which the principle that ‘the whole is greater than the sum of its parts’ manifests itself with phenomena of visual perception. For this investigation we use insights and techniques coming from quantum cognition, and more specifically we are inspired by the correspondence of this principle with the phenomenon of the conjunction effect in human cognition. We identify entities of meaning within artefacts of visual perception and rely on how such entities are modelled for corpuses (...) of texts such as the webpages of the World-Wide Web for our study of how they appear in phenomena of visual perception. We identify concretely the conjunction effect in visual artefacts and analyse its structure in the example of a photograph. We also analyse quantum entanglement between different aspects of meaning in artefacts of visual perception. We confirm its presence by showing that well elected experiments on images retrieved accordingly by Google Images give rise to probabilities and expectation values violating the Clauser Horne Shimony Holt version of Bell’s inequalities. We point out how this approach can lead to a mathematical description of the meaning content of a visual artefact such as a photograph. (shrink)

Technologies and artefacts have long played a role in the structure of human memory and our cognitive lives more generally. Recent years have seen an explosion in the production and use of a new regime of information technologies that might have powerful implications for our minds. Electronic-Memory, powerful, portable and wearable digital gadgetry and “the cloud” of ever-present data services allow us to record, store and access an ever-expanding range of information both about and of relevance to our lives. (...) Already, for a decade we have been carrying around expansive gadgetry which allows us to collect, store and use what would have been almost unimaginable amounts of digital information only a short time ago. Now, thanks to the wireless internet adding vast processing and storage potential to the powerful portable devices which many of us carry constantly or wear, this information can be accessed and customised in an ever-greater variety of ways. How should we assess the implications of the new portable and pervasive cognitive technologies on offer? Does E-Memory and the wider panoply of cloud-enabled cognitive technologies really promise, or threaten, a radical change to the human cognitive abilities and perhaps the very nature of our minds? If so, how are we to assess the possibilities and attempt to understand whether they offer a hopeful or dangerous turn in the human condition? This investigation is structured around four related factors of the new technology: Totality, Practical Incorporability, Autonomy and Entanglement. We use these factors to inquire into the implications of this cloud-based memory technology for our minds and our sense of self. (shrink)

In contemporary human and social sciences, it has become almost a commonplace to attribute to objects and artefacts the features of personhood and subjectivity. In the last decades, significant attempts have been made, in different disciplines, to show how things and material realities have the power to act upon the world and to transform human cognition as well as social processes. In order to describe the transformative power of things, scholars have then recurred to the semantic sphere of (...) action and will, to stop seeing agency anthropocentrically as a solely human property, by recognizing to inanimate entities, if not intention and desire, at least the role of social «agents» or «actors». By focusing on the recourse to the notion of «agency», I will single out some of the internal tensions that still inhabit this scientific trend, and, by drawing on the notion of «performativity», introduced by J.L. Austin and developed by Judith Butler, I will suggest a way to develop further the entanglement between material culture and the construction of identity. (shrink)

This book offers a systematic framework for thinking about the relationship between language and technology and an argument for interweaving thinking about technology with thinking about language. The main claim of philosophy of technology—that technologies are not mere tools and artefacts not mere things, but crucially and significantly shape what we perceive, do, and are—is re-thought in a way that accounts for the role of language in human technological experiences and practices. Engaging with work by Wittgenstein, Heidegger, McLuhan, Searle, (...) Ihde, Latour, Ricoeur, and many others, the author critically responds to, and constructs a synthesis of, three "extreme", idealtype, untenable positions: only humans speak and neither language nor technologies speak, only language speaks and neither humans nor technologies speak, and only technology speaks and neither humans nor language speak. The construction of this synthesis goes hand in hand with a narrative about subjects and objects that become entangled and constitute one another. Using Words and Things thus draws in central discussions from other subdisciplines in philosophy, such as philosophy of language, epistemology, and metaphysics, to offer an original theory of the relationship between language and technology centered on use, performance, and narrative, and taking a transcendental turn. (shrink)

Robots equipped with artificial intelligence pose a huge challenge to traditional ontological differentiations between the spheres of the human and the non-human. Drawing mainly from neo-animistic and perspectivist approaches in anthropology and science and technology studies, the paper explores the potential of new forms of interconnectedness and rhizomatic entanglements between humans and a world transcending the boundaries between species and material spheres. We argue that intelligent robots meet virtually all criteria Western biology came up with to define ‘life’ (...) and that it ultimately makes sense to recognize them as a new species that is part of our social universe. Contrasting dualistic concepts of man and nature with a monistic approach, we show that traditional properties of life (agency, self-replication, etc.) may apply to artefacts and that, once we accept the idea that social relationships are ultimately open connections to matter of any kind, the seemingly strict boundaries between species and material spheres can no longer be sustained. Instead, we propose to include ‘matter’ and ideas into the sphere of the social as agents in their own right to form a _relational ontology of multi-species assemblages_ (ROMA). (shrink)

Informed by understandings of affect theory, the pedagogic potential of object itineraries, or simply, the journey of things, is proposed in this case as a form of sensual a-r-tography. A pair of sporty shoes as mundane objects are at the heart of this deliberation, and the mechanism through which to consider the scope of conversations underway about more-than-human perspectives and how objects can be activated as sites of educational inquiry. The embodiment of each step in this walk is an (...) opening to interrogate how the potential materiality of artefacts ‘enflesh’ object-body-space as artist-researcher-teacher. Mapping geographies of self-in-relation, and guided by the betweenness in landscape encounters as relational and contingent, this speculative account with theoretical perspectives is rendered through the entanglements offered by story shoes. (shrink)

This essay examines how nature pertains to social life. Part I describes the social ontology the essay employs to address this issue. This ontology is of the site variety and is opposed to ontologies of both the individualist and socialist sorts. Part II describes where nature appears in this ontology. Artifacts are differentiated from nature, and much of ?nature? is shown to be second nature, a type of artifact that looks and feels like nature. Part II concludes by disputing (...) the idea that nature forms a backdrop against which society develops semi-autonomously. Part III examines the idea of human history as a natural history. Opposing construals of natural history that treat human-social existence as a piece of nature, it defends the necessity of maintaining distinctions between social life and nature and between social history and natural change. None the less, it continues, human history is a natural history. These claims are held together via a neo-Marxian conception of human natural history as the development of humankind through its entanglement with nature. Elements of the ?metabolism of humankind with nature are described. (shrink)

So well established was the cliché which connected TB and creativity that at the end of the century one critic suggested that it was the progressive disappearance of TB which accounted for the current decline of literature and the arts'. Some biochemical evidence does indeed invite a hypothesis that M. tuberculosis originally joined the human holobiont as a brain evolution-enhancing endosymbiont, thus possibly contributing towards the development of human consciousness and creative potential. Exploring the complexity of mycobacteria's entanglements (...) within human corporeality leads us to questions that challenge anthropocentric conceptions of creativity in a twofold manner. As noted above, the tubercle bacillus forms machinic assemblages and operates as an endosymbiont with human bio-systems. It is possible that these endosymbiotic assemblages contribute towards human creativity and destabilize simple notions of its origin. In a double reflection, the concept of creativity itself could be revisited along alternative lines: it can no longer be considered only as the production of human cultural artefacts and experiences, but rather it can be understood as ubiquitous activity performed by heterogeneous highly dynamic machinic assemblages (comprising of human, animal, computational, social, molecular, bacterial, viral and other processes), which lead to the production of novel modes of existence. (shrink)

This book brings together anthropological studies of human-animal relations among Indigenous Peoples in three regions of the Americas: the Andes, Amazonia and the American Arctic. Through ethnographic essays, the authors illustrate and compare entanglements of human and other-than-human lives.

One thing about technical artefacts that needs to be explained is how their physical make-up, or structure, enables them to fulfil the behaviour associated with their function, or, more colloquially, how they work. In this paper I develop an account of such explanations based on the familiar notion of mechanistic explanation. To accomplish this, I outline two explanatory strategies that provide two different types of insight into an artefact’s functioning, and show how human action inevitably plays a role in (...) artefact explanation. I then use my own account to criticize other recent work on mechanistic explanation and conclude with some general implications for the philosophy of explanation.Keywords: Artefact; Technical function; Explanation; Levels of explanation; Mechanisms. (shrink)

A 2015 experiment by Hanson and Delft colleagues provided further confirmation that the quantum world violates the Bell inequalities, being the first Bell test to close two known experimental loopholes simultaneously. The experiment was also taken to provide new evidence of ‘spooky action at a distance’. Here we argue for caution about the latter claim. The Delft experiment relies on entanglement swapping, and our main claim is that this geometry introduces an additional loophole in the argument from violation of (...) the Bell inequalities to action at a distance: the apparent action at a distance may be an artifact of ‘collider bias’. In the absence of retrocausality, the sensitivity of such experiments to this ‘Collider Loophole’ depends on the temporal relation between the entanglement swapping measurement C and the two measurements A and B between which we seek to infer a causal connection. CL looms large if the C is in the future of A and B, but not if C is in the past. The Delft experiment itself is the intermediate case, in which the separation is spacelike. We argue that this leaves it vulnerable to CL, unable to establish conclusively that it avoids it. (shrink)

One way to address such questions about artifact kinds is to look for clues in the available literature on parallel questions that have been posed with respect to kinds in the natural domain. Philosophers have long been concerned with the ...

In our performanceEntangled Speech, we connect the integration of microbial agency into a new complex ‘common good’ with the shared values of language. Drawing on a posthuman commons we aim for a hybrid language that not only processes formal symbols but also interacts with the microbes in the speaker’s mouth. We argue that the metaphors historically used to frame the relationship between microbiomes and speech cannot account for the co-creative material relationship between human speech and posthuman microbial, environmental and (...) biotechnological needs. In our performances, first we harvest sensitized microbes from a speaker’s mouth who had repeated those phonemes, which lead to a deviation of pH of saliva. This makes the microbes sensitive for the further processing: via a spectrogram, phonemes repetitively spoken by the audience drive pumps, which add pheromones to the microbes, the pheromones, which then are faded out. In the microbes, for some replication cycles, an ecological adaptation to the individual phonemes persists, which – in our definition – affirms some phonemes as ecological and others to be deleted, thereby changing the alphabetical order of the input word. Although parts of the process are digitally animated, the major parts develop in real time. We propose ‘microbial speech’ as a category beyond semantic meaning, with ecological qualities such as a transcorporeal mattering between words and the body. We aim at a language becoming a biological state in order to protect its own ecology. We propose a more entangled mode of microbes existing in common with language, affirming posthumanist transversal relations of all living and non-living matter. (shrink)

What is the value of fictions, metaphors, figures and scenarios in adjudication? This book develops three models to help answer that question: inquiry, artefacts and imagination. -/- Legal language, it is argued, contains artefacts – forms that signal their own artifice and call upon us to do things with them. To imagine, in turn, is to enter a distinctive epistemic frame where we temporarily suspend certain epistemic norms and commitments and participate actively along a spectrum of affective, sensory and kinesic (...) involvement. -/- The book argues that artefacts and related processes of imagination are valuable insofar as they enable inquiry in adjudication, ie the social (interactive and collective) process of making insight into what values, vulnerabilities and interests might be at stake in a case and in similar cases in the future. -/- Artefacts of Legal Inquiry is structured in two parts, with the first offering an account of the three models of inquiry, artefacts and imagination, and the second examining four case studies (fictions, metaphors, figures and scenarios). -/- Drawing on a broad range of theoretical traditions – including philosophy of imagination and emotion, the theory and history of rhetoric, and the cognitive humanities – this book offers an interdisciplinary defence of the importance of artefactual language and imagination in adjudication. (shrink)

"In Entangled Empathy, scholar and activist Lori Gruen argues that rather than focusing on animal rights, we ought to work to make our relationships with animals right by empathetically responding to their needs, interests, desires, vulnerabilities, hopes, and unique perspectives. Pointing out that we are already entangled in complex and life-altering relationships with other animals, Gruen guides readers through a new way of thinking about and practicing animal ethics. Lori Gruen is Professor of Philosophy and Coordinator of Wesleyan Animal Studies (...) at Wesleyan University. She is the author of Ethics and Animals and co-editor, with Carol Adams, of Ecofeminism: Feminist Intersections with Animals and the Earth."--Back cover. (shrink)

In The Entanglement, philosopher Alva Noë explores the inseparability of life, art, and philosophy, and argues that we have radically underestimated the significance of this long recognized but underappreciated reality, what he refers to as the "entanglement." The core of The Entanglement is the idea that human existence is inextricably aesthetic and philosophical. In the first half of the book, Noë offers a detailed examination of pictures and seeing, writing and speech, and choreography and dancing, which (...) serve as case studies and the base in which the phenomenon of entanglement is set. In later chapters, Noë deepens this analysis by exploring the nature of the aesthetic itself, and its place in our lives, examining what the entanglement can teach us about science, and, in particular, the project of applying science in the domain of the human. In these later chapters he covers a range of topics, including sex, gender, and the body, psychology and AI, the problem of style, and the nature of 'nature.' Drawing on his work in perception, consciousness, and the philosophy of art, Noë offers a new model for thinking about the nature of the human, the limits to what a natural science of the human can do on its own, and the irreplaceable importance of art and philosophy for the larger project of studying and understanding ourselves. (shrink)

In this paper I use philosophical accounts on the relationship between trust and knowledge in science to apprehend this relationship on the Web. I argue that trust and knowledge are fundamentally entangled in our epistemic practices. Yet despite this fundamental entanglement, we do not trust blindly. Instead we make use of knowledge to rationally place or withdraw trust. We use knowledge about the sources of epistemic content as well as general background knowledge to assess epistemic claims. Hence, although we (...) may have a default to trust, we remain and should remain epistemically vigilant; we look out and need to look out for signs of insincerity and dishonesty in our attempts to know. A fundamental requirement for such vigilance is transparency: in order to critically assess epistemic agents, content and processes, we need to be able to access and address them. On the Web, this request for transparency becomes particularly pressing if (a) trust is placed in unknown human epistemic agents and (b) if it is placed in non-human agents, such as algorithms. I give examples of the entanglement between knowledge and trust on the Web and draw conclusions about the forms of transparency needed in such systems to support epistemically vigilant behaviour, which empowers users to become responsible and accountable knowers. (shrink)

Human-Plant Entanglement: Thinking with Plants in the Anthropocene is an edited collection that redefines the boundaries of phytocentric scholarship. By foregrounding the question of the Anthropocene at the centre of plant studies, this book illustrates how attentiveness to plant life can allow our habitual anthropocentric/instrumental assumptions to be invaded by a unique 'phytocentric' impression that presents a new ethical imaginary for a human-plant relationship. With twelve carefully argued essays, this book sets a new benchmark in the field (...) of Critical Plant Studies. (shrink)

We aim to show that far-related primates like humans and the capuchin monkeys show interesting correspondences in terms of artifact characterization and categorization. We investigate this issue by using a philosophically-inspired definition of physical artifact which, developed for human artifacts, turns out to be applicable for cross-species comparison. In this approach an artifact is created when an entity is intentionally selected and some capacities attributed to it (often characterizing a purpose). Behavioral studies suggest that this notion (...) of artifact is not specific to the human kind. On the basis of the results of a series of field observations and experiments on wild capuchin monkeys that routinely use stone hammers and anvils, we show that the notions of intentional selection and attributed capacity appear to be at play in capuchins as well. The study also suggests that functional criteria and contextualization play a fundamental role in terms of artifact recognition and categorization in nonhuman primates. (shrink)

The fact that social welfare professions including social work, youth work and community work deal with the lives and relationships of human beings is far from controversial. What is contentious is that in light of increasing intellectual work on the nature of social practices there is a failure in the human services literature to adequately examine the interdependencies and entanglements between conceptualisations of the stuff that the helping professions deals with and understandings of practice. This article examines the (...) nexus and mediations between the phenomena and practice of social service work. The case is made that human services and the human beings they deal with are often imagined and represented in one-dimensional, unambiguous, calculable and orderable ways that align with neo-liberal inspired and technical approaches to practice. I argue that these accounts are inadequate and I suggest that practices of care and the people engaged in such practices should be constituted as complex, unpredictable, wicked and emergent. A key to good practice in the people professions is acknowledging and attending to this complexity and aporia. (shrink)

In this paper we discuss the hypothesis that, ‘moral agency is distributed over both humans and technological artefacts’, recently proposed by Peter-Paul Verbeek. We present some arguments for thinking that Verbeek is mistaken. We argue that artefacts such as bridges, word processors, or bombs can never be (part of) moral agents. After having discussed some possible responses, as well as a moderate view proposed by Illies and Meijers, we conclude that technological artefacts are neutral tools that are at most bearers (...) of instrumental value. (shrink)

Technological advancements raise anthropological questions: How do humans differ from technology? Which human capabilities are unique? Is it possible for robots to exhibit consciousness or intelligence, capacities once taken to be exclusively human? Despite the evident need for an anthropological lens in both societal and research contexts, the philosophical anthropology of technology has not been established as a set discipline with a defined set of theories, especially concerning emerging technologies. In this paper, I will utilize a New Materialist (...) approach, focusing particularly on the theories of Donna Haraway and Karen Barad, to explore their potential for an anthropology of technology. I aim to develop a techno-anthropological approach that is informed and enriched by New Materialism. This approach is characterized by its relational perspective, a dynamic and open conception of the human being, attention to diversity and the dynamics of power in knowledge production and ontology, and an emphasis on the non-human. I aim to outline an anthropology of technology centered on New Materialism, wherein the focus, paradoxically, is not exclusively on humans but equally on non-human entities and the entanglement with the non-human. As will become clear, the way we understand humans and their relationship with technology is fundamental for our concepts and theories in ethics of technology. (shrink)

In this paper, I explore a line of argument against one form of realism about fictional characters : abstract artifact theory, the view according to which fictional characters like Harry Potter are part of our reality, but, they are abstract objects created by humans, akin to the institution of marriage and the game of soccer. I will defend artifactualism against an objection that Mark Sainsbury considers decisive against it: the category-mistake objection. The objection has it that artifactualism attributes to (...) people who produce and process sentences and thoughts about Harry Potter massive error, indeed, a category mistake about what kind of thing Harry Potter is; for an abstract object isn’t the sort of thing that can wear glasses, ride a double-decker bus, attend school. Given problems with this objection, artifactualism, I shall conclude, remains a tenable contender. (shrink)

This essay develops its idiosyncrasy by concentrating primarily on the trend of body hacking. The practitioners, self-defined as body hackers, self-made cyborgs or grinders, work in different ways to develop functional and physiological modifications through the contributions of technology. Their goal is to develop by themselves an empirically man-technique fusion. These dynamic “scientific” subcultures are producing astonishing innovations. From pocket-sized kits that sample human DNA, microchip implants that keep tabs on our internal organs, blood sugar levels or moods, and (...) even 3D printers that produce tailored hip replacements, the technical innovations of the body hacking trend are beginning to filter into mainstream use, and the repertoire increases every day. These physical transformations with intersecting techniques actively challenge long-held normative beliefs about what bodies do, what they should look like and how they should behave. They provide an alternative discourse on man’s correlation with the world and its biocenosis. Sculpting oneself has become an existential data. Medical technoscience crystallizes the effectiveness of new powers over the organism. Scientific temptation to recreate and enhance the human according to its normative principles has brought up experimental practices that have become the edge of a radical activism operating in the core of western societies, which will be the theme of this paper. (shrink)

Ecological Entanglement in the Anthropocene brings together academics, activists, and artists to explore how human and nonhuman worlds act upon and transform one another. This book examines how numerous local practices can productively gesture to actions that exceed the current predictions of impending ecological destruction, with a particular focus upon agriculture, indigeneity and aesthetics.

In this paper we examine the possibilities of combining two central intuitions about artefacts: that they are functional objects, and that they are non-natural objects. We do so in four steps. First we argue that, contrary to common opinion, functions cannot be the cornerstone of a characterisation of artefacts. Our argument suggests an alternative view, which characterises artefacts as objects embedded in what we call use plans. Second, we show that this plan-centred successor of the function-focused view is at odds (...) with the non-naturalness intuition. Third, we show that this intuition can be developed by defining artefacts as produced or human-made objects, but that the resulting definition might collapse into the plan-centred view, and has trouble distinguishing artefact types or kinds. Finally, we propose a division of labour between production and use plans: among objects in general, artefacts are distinguished as human-made objects; within the domain of artefacts, types or kinds are characterised by the use plans in which artefacts are embedded. (shrink)

This brief paper argue about a possible philosophical description of the implicate order starting from a simple theoretical experiment. Utilizing an EPR source and the human eyes of a "single" person, we try to investigate the philosophical and physical implications of quantum entanglement in terms of implicate order. We know, that most specialists still disagree on the exact number of photons required to trigger a neural response, although there will be many technical challenges, we assume that neural response (...) will be achieved in some way. The objective of paper is to investigate possible links between: quantum mechanics, quantum cognitive science, brain and mind. At the moment, the questions are more than the answers. We argue that we are perennially immersed in the implicate order and that the "real path" of quantum entanglement process is from the implicate order towards explicate order, not vice versa. Finally, we speculate about the common ground between the implicate order and chitta. (shrink)

Bidirectional deep brain stimulation (DBS) platforms have enabled a surge in hours of recordings in naturalistic environments, allowing further insight into neurological and psychiatric disease states. However, high amplitude, high frequency stimulation generates artifacts that contaminate neural signals and hinder our ability to interpret the data. This is especially true in psychiatric disorders, for which high amplitude stimulation is commonly applied to deep brain structures where the native neural activity is miniscule in comparison. Here, we characterized artifact sources in (...) recordings from a bidirectional DBS platform, the Medtronic Summit RC + S, with the goal of optimizing recording configurations to improve signal to noise ratio (SNR). Data were collected from three subjects in a clinical trial of DBS for obsessive-compulsive disorder. Stimulation was provided bilaterally to the ventral capsule/ventral striatum (VC/VS) using two independent implantable neurostimulators. We first manipulated DBS amplitude within safe limits (2–5.3 mA) to characterize the impact of stimulation artifacts on neural recordings. We found that high amplitude stimulation produces slew overflow, defined as exceeding the rate of change that the analog to digital converter can accurately measure. Overflow led to expanded spectral distortion of the stimulation artifact, with a six fold increase in the bandwidth of the 150.6 Hz stimulation artifact from 147–153 to 140–180 Hz. By increasing sense blank values during high amplitude stimulation, we reduced overflow by as much as 30% and improved artifact distortion, reducing the bandwidth from 140–180 Hz artifact to 147–153 Hz. We also identified artifacts that shifted in frequency through modulation of telemetry parameters. We found that telemetry ratio changes led to predictable shifts in the center-frequencies of the associated artifacts, allowing us to proactively shift the artifacts outside of our frequency range of interest. Overall, the artifact characterization methods and results described here enable increased data interpretability and unconstrained biomarker exploration using data collected from bidirectional DBS devices. (shrink)

We show that data collected from corpuses of documents violate the Clauser-Horne-Shimony-Holt version of Bell’s inequality and therefore indicate the presence of quantum entanglement in their structure. We obtain this result by considering two concepts and their combination and coincidence operations consisting of searches of co-occurrences of exemplars of these concepts in specific corpuses of documents. Measuring the frequencies of these co-occurrences and calculating the relative frequencies as approximate probabilities entering in the CHSH inequality, we obtain manifest violations of (...) the latter for all considered corpuses of documents. In comparing these violations with those analogously obtained in an earlier work for the same combined concepts in psychological coincidence experiments with human participants, also violating the CHSH inequality, we identify the entanglement as being carried by the meaning connection between the two considered concepts within the combination they form. We explain the stronger violation for the corpuses of documents, as compared to the violation in the psychology experiments, as being due to the superior meaning domain of the human mind and, on the other side, to the latter reaching a broader domain of meaning and being possibly also actively influenced during the experimentation. We mention some of the issues to be analyzed in future work such as the violations of the CHSH inequality being larger than the ‘Cirel’son bound’ for all of the considered corpuses of documents. (shrink)

Stibbard-Hawkes challenges the link between symbolic material evidence and behavioural modernity. Extending this to non-human species, we find that personal adornment, decoration, figurative art, and musical instruments may not uniquely distinguish human cognition. These common criteria may ineffectively distinguish symbolic from non-symbolic cognition or symbolic cognition is not uniquely human. It highlights the need for broader comparative perspectives.

In these reflections, we want to prove a thesis whereby normativity of rules and norms may be linked to the domain of artefacts which we understand as social things. We claim that some norms and rules are situated in human socio-material ecosystems especially when it comes to the role played by affordances. The thesis advanced in this article will also enable us to indicate one of the potential interpretations of Wittgenstein’s ‘forms of life’ concept, demonstrating that some solutions suggested (...) by the author of Philosophical Investigations are still relevant today. We will relate the issue of the normativity of artefacts to the problem of rule recognition which Wittgenstein also raises in some of his later studies. We will demonstrate that the problem of normativity recognition is linked to relational properties of objects, that is affordances; structured nature of the world of human communities; and the ability to recognise affordances related to the ability to create predictions about future states of affairs. The analyses presented herein will show that it is possible to link the perspectives of cognitive ecology, design practice and philosophical analyses focused on the problem of normativity. (shrink)

During the mid-twentieth century, Soviet scientists developed the “natural focus” theory–practice framework to explain outbreaks of diseases endemic to wild animals and transmitted to humans. Focusing on parasitologist-physician Evgeny N. Pavlovsky and other field scientists’ work in the Soviet borderlands, this article explores how the natural focus framework’s concepts and practices were entangled in political as well as material ecologies of knowledge and practice. We argue that the very definition of endemic plague incorporated both hands-on materialist experience and ideological concepts (...) that supported Soviet colonization. Theorizing and fighting plague assisted with the goals of controlling and improving landscapes and peoples in southern Russia and Central Asia. The history of the natural focus framework illustrates how Soviet disease ecology co-developed with the needs of local and central political powers in the Soviet borderlands. (shrink)

My aim in this programmatic paper is to explore the relationship among three important notions: intentionality, disposition and artefact. There wouldn’t be artefacts without what I call “intentional work,” a sustained activity directed to the production of some good. I first present contextualism as a method. Then I use it to delimit the problematic concept ARTEFACT, with the intention to apply it to repertoires of mental dispositions that affect directly our personal identity. The unavoidable but loose criterion of human (...) intervention is used, at least to some degree. Attitudes are intentional states with conceptual content, and concepts are dispositions. We acquire concepts during our lives, sometimes unconsciously, sometimes explicitly through definition of some kind, and each cognitive agent has a unique repertoire of concepts and a unique idiolect as well. The idea that our mental representations are artefacts might sound strange at first sight, but I shall try to show that it makes full sense. Most of our mental dispositions –those provided with a conceptual content– are themselves artefacts. At the end, we are all different psychologically and culturally because our idiolects and repertoires of concepts are different. For a large part, what makes our species so special is an ongoing process through which homo sapiens makes itself what it is.Keywords: Intentionality, disposition, artefact, contextualism, repertoire. (shrink)

The Information Artifact Ontology (IAO) was created to serve as a domain‐neutral resource for the representation of types of information content entities (ICEs) such as documents, data‐bases, and digital im‐ages. We identify a series of problems with the current version of the IAO and suggest solutions designed to advance our understanding of the relations between ICEs and associated cognitive representations in the minds of human subjects. This requires embedding IAO in a larger framework of ontologies, including most importantly (...) the Mental Func‐tioning Ontology (MFO). It also requires a careful treatment of the aboutness relations between ICEs and associated cognitive representa‐tions and their targets in reality, which implies in turn a new treatment of the relation of truthmaking. (shrink)

The scope of the paper is to present the concept of the radical dyad of the “non-human,” in an attempt to think radical humanity in terms of Marxian materialism, which is the product of approaching Marx’s writings on “the real” and “the physical” by way of François Laruelle’s non-philosophical method. Unlike posthumanism, inspired by critical theory and the method of poststructuralism, the theory of the non-human, as a radical dyad of technology in the generic sense of the word (...) (ranging from the techné of speaking a natural language to AI technology) and the organic understood as physicality, does away with anthropocentrism. Moreover, it does away with any anthropomorphology of thought, that is, it does away with any theorizing or philosophy that is centered on the notion of (human) subjectivity or, to borrow a Laruellian term, any “posture of thought” that is molded according to the structure of subjectivity centered thinking. (shrink)

While debate is heating up regarding the development of AI and its perceived impacts on human society, policymaking is struggling to catch up with the demand to exercise some regulatory control over its rapid advancement. This paper aims to introduce the concept of entangled AI that emerged from participatory backcasting research with an AI expert panel. The concept of entanglement has been adapted from quantum physics to effectively capture the envisioned form of artificial intelligence in which a strong (...) interconnectedness between AI, humans, society, and nature is reflected. Entanglement assumes that AI should serve nature, social well-being, justice, and the resilience of this intertwined network simultaneously and promote a dynamic balance among these factors. This approach allows us to understand the pervasive role of this technology and the scope of human agency in its development. The study shows how such concepts seem to transcend the dominant discourses related to expectations, technological determinism, and humanism. An additional aim of this paper is to demonstrate how backcasting can contribute to generating useful understandings of the future of AI and fruitful insights for policymaking. (shrink)

As the demand for prosthetic limbs with reliable and multi-functional control increases, recent advances in myoelectric pattern recognition and implanted sensors have proven considerably advantageous. Additionally, sensory feedback from the prosthesis can be achieved via stimulation of the residual nerves, enabling closed-loop control over the prosthesis. However, this stimulation can cause interfering artifacts in the electromyographic (EMG) signals which deteriorate the reliability and function of the prosthesis. Here, we implement two real-time stimulation artifact removal algorithms, Template Subtraction (TS) and (...) ε-Normalized Least Mean Squares (ε-NLMS), and investigate their performance in offline and real-time myoelectric pattern recognition in two transhumeral amputees implanted with nerve cuff and EMG electrodes. We show that both algorithms are capable of significantly improving signal-to-noise ratio (SNR) and offline pattern recognition accuracy of artifact-corrupted EMG signals. Furthermore, both algorithms improved real-time decoding of motor intention during active neurostimulation. Although these outcomes are dependent on the user-specific sensor locations and neurostimulation settings, they nonetheless represent progress toward bi-directional neuromusculoskeletal prostheses capable of multifunction control and simultaneous sensory feedback. (shrink)

Artefacts are usually understood in contrast with natural kinds and conceived as a unitary kind. Here we propose that there is in fact a variety of artefacts: from the more concrete to the more abstract ones. Moreover, not every artefact is able to fulfil its function thanks to its physical properties: Some artefacts, particularly what we call “institutional” artefacts, are symbolic in nature and require a system of rules to exist and to fulfil their function. Adopting a standard method to (...) measure conceptual representation (the property generation task), we have experimentally explored how humans conceptualise these different kinds of artefacts. Results indicate that institutional artefacts are typically opposed to social objects, while being more similar to standard artefacts, be they abstract or concrete. (shrink)

100 years ago, the editors of the Journal of Educational Psychology conducted one of the most famous studies of experts’ conceptions of human intelligence. This was reason enough to prompt the question where we stand today with making sense of “intelligence”. In this paper, we argue that we should overcome our anthropocentrism and appreciate the wonders of intelligence in nonhuman and nonbiological animals instead. For that reason, we study two cases of octopus intelligence and intelligence in machine learning systems (...) to embrace the notion of intelligence as a non-unitary faculty with pluralistic forms. Furthermore, we derive lessons for advancing our human self-understanding. (shrink)

The idea of self-realization is one of the most significant points of intersection between ethics and philosophical anthropology, the disciplines that study, respectively, human conduct and human nature. An examination of this idea, therefore, allows us to shed light on these two fields and their entanglement. In this article I present two possible accounts of self-realization: the Essentialist Account, which understands it as the actualization of an intrinsic potential, and the Interactionist Account, which conceives it as the (...) successful interaction between an individual and her environment. My goal is to argue for the Interactionist Account, in the comprehensive version developed by John Dewey. To do so, I proceed as follows: I introduce the Essentialist Account; I present Dewey’s alternative, by examining first the "Outlines of a Critical Theory of Ethics" and then some major later works, thereby showing the continuity (and discontinuity) of his conception of self-realization, or growth, throughout his career; after a closer comparison between the Interactionist Account and the Essentialist Account, I finally clarify the relevance of Dewey’s view for understanding the entanglement between ethics and anthropology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Entanglement: How Art and Philosophy Make Us What We Are by Alva NoëFrederik M. Bjerregaard-NielsenNOË, Alva. The Entanglement: How Art and Philosophy Make Us What We Are. Princeton, N.J.: Princeton University Press, 2023. 288 pp. Cloth, $27.95In The Entanglement, Alva Noë sets forth a minimal yet meaningful definition of art and philosophy and asks how they make us what we are. Art and philosophy (...) are the modes of practice that disrupt and disorganize our habitual ways of doing things, everything from dancing to language, to philosophy and art themselves. They are the reflection at a distance of what we do. “In this sense, then, art is disruptive. Always: everywhere.” From this basis, he tackles a wide range of phenomena from dancing, seeing, writing, and so forth, to introduce a distinction between these as everyday phenomena and their function as art. This delimitation is not material, nor intrinsic to any of the analyzed phenomena; rather, it depends on each practice’s ability to disrupt, disorganize, and force upon us the question of what dancing, seeing, writing is at all. Noë provides an example: At an art exhibition one is confronted with a painting that is ungraspable, foreign, meaningless. But, through a mediation (pointers from a friend, new knowledge of the era, analyses of the style, and so forth) the painting starts becoming significant; it starts to make sense. The viewer is stopped in her tracks, and a painting that was before closed is now opened up to a new perception, a new way of seeing.But Noë extends this aesthetic domain to experience and perception. In perception, we are actively engaged in achieving the things around us, achieving the world. And, in art, this habitual way of attainment is obstructed, for art presents us with new ways of seeing, listening, feeling, and so forth. Noë thus challenges common (especially neuro-aesthetic) views on perception and experience in favor of a more phenomenological approach by which he accentuates the active engagement in the world by which perception and experience come about. And this aesthetic domain, broadly understood, is the locus of showing how we, through these disruptive practices, create new ways of doing, perceiving, understanding, and, even further, create ourselves. We “all operate in a space of significance held open by art.” In other words, it is through a reassessment of the aesthetic that Noë shows how art and philosophy make us what we are. For what we are, for Noë, is this ability of disruption, development, and creation of ourselves. This is what makes us human. Human nature is therefore essentially cultural, a disruption of habit and new avenues of development, but one that is rooted in our body as a horizon of possibilities. Even though he does not conclude on this phylogenetic question, Noë does seem to suggest that the species’s ability to generate art (exemplified by early cave paintings) and philosophy are foundational [End Page 724] to its development or, more strongly, necessary to it being what it is. He thus proposes an alternative to the traditional schism of the nature/nurture and natural/cultural debate, which takes this wide view of aesthetics as its central term.One might raise the question whether the text would have benefited from more thorough analyses of the thinkers who are at play, sometimes at the margin, sometimes at the foundation of the disruption Noë’s text attempts, notably: Merleau-Ponty, with his extensive analyses of habit and style and their place in our life engaging behavior; Derrida’s deconstruction of phonocentrism, which attacks written language’s subordination to the spoken and asks the fundamental question of the ontology of language as such; or perhaps most present by its absence, Nietzsche’s grandiose thought of the human being and life itself as an aesthetic phenomenon. For Nietzsche thereby incorporated both ontology and critique in the sphere of aesthetics in his revaluation of all values. This, quite like Noë, allowed Nietzsche to set forth the human being as a creature of its own creation. These authors are given brief treatments, relegated to footnotes, or left out entirely.But such a critique might be too... (shrink)

I has been argued, foremost by David Wiggins, that artefact kinds are defined in a way that makes the existence and persistence of their members, say clocks, dependent on human pragmatic considerations. This supposedly sets artefact kinds apart from natural kinds of things, say tigers, for which some inherent principle determines their existence and persistence. Consequently, artefact kinds would not be acceptable as real kinds in the sense that natural kinds of things are real, i.e. included in the ‘furniture (...) of the universe’. I argue against this position that the stated differences between natural kinds and artefact kinds are not as categorical as claimed. Natural kinds are to some extent similarly subject to ‘ontological vagueness’. The argument for the ‘overall’ indeterminateness of artefact kinds depends largely on their conception as functional kinds. I show that if artefact kinds are conceived as historical subkinds of structural kinds, they can be considered as in relevant respects similar to natural kinds of things, and therefore ontologically on a par with them. The combination of historical and structural determination is one, moreover, that we are well acquainted with for some paradigmatically real kinds of natural things: biological organisms. (shrink)

Recent work in cognitive and computational neuroscience depicts the human cortex as a multi-level prediction engine. This ‘predictive processing’ framework shows great promise as a means of both understanding and integrating the core information processing strategies underlying perception, reasoning, and action. But how, if at all, do emotions and sub-cortical contributions fit into this emerging picture? The fit, we shall argue, is both profound and potentially transformative. In the picture we develop, online cognitive function cannot be assigned to either (...) the cortical or the sub-cortical component, but instead emerges from their tight co-ordination. This tight co-ordination involves processes of continuous reciprocal causation that weave together bodily information and ‘top-down’ predictions, generating a unified sense of what’s out there and why it matters. The upshot is a more truly ‘embodied’ vision of the predictive brain in action. (shrink)

Every day we experience relationships with artefacts, which describe material objects made by humans in order to reach a goal and exploit the human feature to plan ahead. Artefacts bring together cognitive evolution and technical enhancement. Although artefacts are conceived as technical, we are now facing a relationship with Information Technology artefacts. IT artefacts include both hardware and software, as a two-sided entity. The definition of IT artefact corresponds with the Saussurean linguistic sign: a two-sided entity constituted by the (...) signifier and the signified. I claim that IT artefacts share this ontological trait with the linguistic sign. I will show that IT artefacts are the result of design and planning, while language—which is an institution—is not the fabrication of one human but linked to collective human activity. (shrink)

Systems of oppression function by exploiting the most vulnerable amongst us. Where these oppressive systems overlap, the victims are pitted against one another. Slaughterhouses provide a particularly brutal example, wherein speciesism, capitalism, and carcerality intersect at the expense of their collective victims. In a dozen compelling essays from around the world, Vegan Entanglements: Dismantling Racial and Carceral Capitalism examines the ways human and animal bodies are controlled, manipulated, and sectioned within a system that commodifies labor, production, and individual beings (...) for profit. The book is divided into four sections: 1: The Intersection(s) Between Prison- and Animal-Industrial Complexes; 2: Critical Animal Geographies and the Panopticon; 3: Law, Veganism, and the Carceral State; and 4: Fighting for Our Collective Liberation with Consistent Anti-Oppression. (shrink)

The study of ancient DNA has gained increasing attention in science and society as a tool for tracing hominin evolution. While aDNA research overlaps with the history of population genetics, it embodies a specific configuration of technology, temporality, temperature, and place that, this article suggests, cannot be fully unpacked with existing science and technology studies approaches to population genetics. This article explores this configuration through the 2010 discovery of the Denisovan hominin based on aDNA retrieved from a finger bone and (...) tooth in Siberia. The analysis explores how the Denisovan was enacted as a technoscientific object through the cool and even temperatures of Denisova Cave, assumptions about the connection between individual and population, the status of populations as evolutionary entities, and underlying colonialist and imperialist imaginaries of Siberia and Melanesia. The analysis sheds light on how aDNA research is changing the parameters within which evolutionary history is imagined and conceptualized. Through the case study, it also outlines some ways in which the specific technoscientific and cultural entanglements of aDNA can be critically explored. (shrink)