Buddhistiska ballader och larodikter. Bokförlaget Forum, Tegnérgatan 40, S-113 59 Stockholm.

A folk tune is brief enough to be readily grasped and remembered as a whole; it has an inner unity that makes it shapely to the ear and mind. As a temporal event, or succession of notes, it consists of a little tour through a sonic landscape; so that as we follow the course we recognize its topography; the setting forth, the approach to a turning point, a moment of heightened interest, a pause of retrospection or anticipation, a homecoming. It (...) falls naturally into related, self-defining stages of its whole extent, revealing balance, contrast, and decision. The balance normally relies on approximately the same number of stresses in corresponding phrases; the contrast usually on tonal sequence and management; the decision appears in cadential statement, and held, or repeating, notes, like signposts at an intersection or junction. Because the tune is seized as a whole, and because several parts have these mutual references, we gain already the suggestion of stanzas of a certain pattern and identical length. Since the phrasal cadences get their weight and meaning from their relative emphasis and relation to the tonic, they inherently prompt corresponding verbal emphases of rhyme or pause. By their perceptible division or separation they exert, moreover, a pressure on the verbal partner, so that the total syntactical and rhetorical structure is palpably affected, and restricted, by their influence. Bertrand H. Bronson is the author of such influential works as Joseph Ritson: Scholar-at-Arms, Johnson Agonistes and Other Essays, In Search of Chaucer, and Facets of the Enlightenment and is the editor of the four-volume The Traditional Tunes of the Child Ballads. Among other honors, he has received the American Council of Learned Sciences Award. "Traditional Ballads Musically Considered" will appear in a slightly different version as the introduction to Singing Tradition, to be published by Princeton University Press. (shrink)

Boba Fett's cultural significance stands in striking contrast with his minimal screen time, and even more so with his infrequent and tersely spoken lines. With Boba Fett, a small head tilt, as well as how he cradles his gun become important signs. Boba Fett's status as an intermediary might make him seem amoral relativist. As is often the case with characters in Star Wars, Boba Fett has father issues. Bounty hunting in Boba's work occupies a gray zone between the white (...) of his clone trooper brethren and the black of Vader. Boba may be a “good son” who takes up his father's business, but the business itself is a troublesome affair. Repeated screenings of The Empire Strikes Back and Return of the Jedi may have convinced many viewers that Boba Fett's iconic status as an “antihero” was grounded in the appearance of amoralism being at the heart of mercenary work. (shrink)

A new semiotic model for the generation of musical texts is introduced in this article. The idea of a generative grammar is here understood in the sense of the generative trajectory, a model elaborated by A. J. Greimas. Four levels are chosen from his trajectory for the study of musical texts, namely, those of isotopies, spatial, temporal and actorial categories, modalities and semes or figures.As an illustration, the G minor Ballade by Fr. Chopin has been examined through all these levels. (...) The most formalized aspect of the analysis is constituted by what has been called a modal grammar of the piece (the term modality understood here in its philosophico-linguistic sense). The analysis tries to show how the musical form emerges from its inner processual traits, kinetic, epistemic and other aspects of a modal nature. It thus approaches for instance the problem of segmentation from the processual and dynamic nature of musical works. Moreover, the analysis is also an attempt to study the narrativity in music, since the narrative content of a piece like Chopin's G minor Ballade is clearly seen as the result of its modal processes. (shrink)