L'articolo esplora il concetto di essere figli e figlie da una prospettiva filosofica e antropologica, concentrandosi sul significato e sul segreto inerente alla nascita. Attraverso un'analisi approfondita, viene esaminato come l'atto di nascere non implichi solo un evento biologico, ma anche una dimensione esistenziale e spirituale. Si discute l'importanza del riconoscimento dell'altro come figlio o figlia e le implicazioni etiche e sociali di questa relazione fondamentale. Inoltre, viene analizzato come diverse tradizioni culturali e religiose affrontino il mistero della nascita e (...) della filiazione. (shrink)

The recent proliferation of deepfakes and other digitally produced deceptive representations has revived the debate on the epistemic robustness of photography and other mechanically produced images. Authors such as Rini (2020) and Fallis (2021) claim that the proliferation of deepfakes pose a serious threat to the reliability and the epistemic value of photographs and videos. In particular, Fallis adopts a Skyrmsian account of how signals carry information (Skyrms, 2010) to argue that the existence of deepfakes significantly reduces the information that (...) images carry about the world, which undermines their reliability as a source of evidence. In this paper, we focus on Fallis’ version of the challenge, but our results can be generalized to address similar pessimistic views such as Rini’s. More generally, we offer an account of the epistemic robustness of photography and videos that allows us to understand these systems of representation as continuous with other means of information transmission we find in nature. This account will then give us the necessary tools to put Fallis’ claims into perspective: using a richer approach to animal signaling based on the signaling model of communication (Maynard-Smith and Harper, 2003), we will claim that, while it might be true that deepfake technology increases the probability of obtaining false positives, the dimension of the epistemic threat involved might still be negligible. (shrink)

Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in the (...) two books, with responses by the two authors in defence of their respective positions. (shrink)

Through the last decade of the last millennium, several influential books were published on Fiction, notably among these are Kendall Walton’s Mimesis and Make B.

The relation between art and morality is one of the vexed issues of aesthetics; it has a history at least from Plato and has been written about, or commented on, by most if not all the luminaries in aesthetics—it is not coincidence that one of the most influential papers on these debates is also one of the most cited papers of this journal. Also, the (im)pertinence of moral concerns for the assessment of artworks is arguably one of the most discussed (...) philosophical issues in the public opinion (albeit not always informed by philosophical insights). The prompt for this Special Issue was the publication, over a short space of time, of four books in the area: James Harold’s Dangerous Art: On Moral Criticisms of Artwork (2020), Erich Hatala Matthes’s Drawing the Line: What to Do with the Work of Immoral Artists from Museums to Movies (2022), Ted Nannicelli’s Artistic Creation and Ethical Criticism (2020), and Mary Beth Willard’s Why It’s OK to Enjoy the Art of Immoral Artists (2021). In this issue, each of these authors provides a précis of their own book, a criticism of one of the other books, and then a defence of their own work against this criticism. Although each book is, obviously, very different, there are some overlapping concerns that make for an especially productive interaction. In particular, one thread that runs through is the current vexed issue of what attitude an audience should take on a work of art in the light of facts about the moral character of its creator. With the wars over ‘cancel culture’ raging in the popular discourse, it is important to subject this issue to detailed philosophical examination. (shrink)

This article explores how cinema’s material discontinuity can stimulate the attention of a distracted audience and prompt reflectionon historical violence. By examining Yasujiro Ozu’s Sanma no aji (1962) and Greta Gerwig’s Little Women (2019), it argues that ellipsis is a powerful technique used to construct an argument about the relationship between war and women’s social roles. Specifically, the article analyses how these films use the ellipsis to enhance the resistance of women who act against the official thread of History. Finally, (...) the findings highlight the potential of cinema to challenge dominant narratives and encourage alternative approaches to representing violence and social roles. (shrink)

A partir del libro IX del De Trinitate, Agustín refl exiona sobre el modode conocerse el alma a sí misma y plantea que no puede el alma anhelarconocerse si no se conoce ya de algún modo, porque “nadie ama lodesconocido”. En este contexto hay un pasaje en el que Agustín describeexplícitamente el conocimiento que el alma tiene de sí como sustancial,comparando su modo de existir en el alma con el modo de existir el almamisma. Luego de exponer qué puede signifi (...) car el término sustancial enel De Trinitate, y cómo es posible que el alma se busque si ya se conoce,mostraremos que se puede afi rmar que el alma tiene un conocimientosustancial de sí, a pesar de la ambigüedad –en algunos casos terminológicay en otros, de sentido– de los textos. (shrink)

This article inquires into the second book of Plato’s Republic, where Glaucon tells the myth of Gyges’ ring, drawing the limit for a corrupt notion of justice. This narration allows the radical emergence of the main problem in the dialogue. Multiple images serve to build a distinct scene that alludes to the universal question of mankind’s capacity of choice. Issues regarding history, politics and economics are present, with allusions to the work of Archilocus and Herodotus. In this context, the myth (...) represents an explicit invitation to recognize the responsibility of choice, always concerning life in a community and the possibility of attaining different media to modify the appearance of this presence. (shrink)

We often encounter heated disputes about what constitutes good eating or the correct ways to cook particular meals or dishes. These disagreements presuppose that some methods of preparing and appreciating food, as well as the judgments about these activities, are better or worse, or more or less appropriate. This paper offers an exploratory analysis of such culinary disputes, focusing on the underlying reasons for these disagreements and their normative implications. We argue that while these disputes are aesthetic in nature, they (...) are rarely about taste alone. Instead, we propose that they may be addressed by appealing to the internal norms at play within specific culinary aesthetic practices. However, we identify two significant challenges to this approach. First, these internal norms often conflict, and their interdependence complicates attempts to resolve disputes by assigning varying degrees of justification to different norms. Second, many collective behaviors and attitudes within culinary practices may not qualify as full-fledged social norms, thereby weakening their normative force. (shrink)

Este artículo brinda una consideración ontológica de la labor educativa, como estrategia metodológica para sentar las pautas para una educación que disponga al alumno o la alumna a su comprensión auténtica, es decir, a la ruptura del estado del "uno" de la publicidad anónima. En el primer apartado, se examinan los tres momentos que distinguen al método fenomenológico hermenéutico: reducción, destrucción y reconstrucción, a partir de los cuales se desarrolla un modelo de educación en contrasentido con el proceso desvividor de (...) las ciencias, el enfoque de la pedagogía tradicional. En el segundo apartado, a partir de una consideración de la tarea existencial como cuidado, se señalan orientaciones generales para "deshacer el proceso desvividor". Estas orientaciones se basan en la relación con el mundo que ya tienen los alumnos y las alumnas en tanto que Dasein: el cuidar de las cosas, el cuidar de los otros y el cuidado de sí-mismo. (shrink)

El mundo digital pone en cuestión los conceptos y las categorías fundamentales de la antropología filosófica. Los aspectos definitorios y exclusivos de los seres humanos pierden su vigencia con la aparición de entidades sintéticas que comparten dichas características. En este artículo nos hemos propuesto realizar un análisis filosófico de la antropología digital. Primero, hemos examinado las cuatro estrategias seguidas hasta el momento para dar cuenta de las continuidades ontológicas entre seres humanos y tecnologías. Defendemos que ninguna de ellas resulta convincente (...) por dos razones: las tres primeras reducen la antropología a ontología y la última descarta completamente la dimensión ontológica. Por ello, nos hemos ocupado, en segundo lugar, de desarrollar un nuevo enfoque antropológico que dé cuenta de forma más exitosa del mundo digital, a saber, una concepción estructurista que entienda al ser humano como un ser biopsicosocial abierto a entablar relaciones con otras entidades. Esto nos ha llevado, en tercer lugar, a desarrollar los aspectos relacionales del mundo digital a través del concepto de mediación tecnológica. La noción de información que introducen las nuevas tecnologías media de un modo cualitativamente novedoso nuestra acción y percepción: produce entornos digitales cerrados, inclina a la igualdad informacional e induce dinámicas de descontextualización. Por último, hemos desarrollado las implicaciones epistémicas, la posverdad, y éticas, los cambios tecnomorales, de la mediación tecnológica digital. (shrink)

This chapter is focused on the philosophy of film sound in the analytic tradition and its limitations; drawing from current literature in other fields, it aims to complement some philosophical discussions typically centered on the image with their aural counterparts. Firstly, it provides an overview of early skeptical views on the contribution of sound to the artistic status of films and critically questions the status of sound in contemporary philosophical conceptions of film suggesting a revision that takes seriously the idea (...) of film as an audio-visual medium. Secondly, it discusses a central topic in the philosophy of film, the idea of film realism, showing how the discussion of sound may open new directions along three different dimensions: illusion, likeness, and transparency. (shrink)

_Introducción_: la Limitación del Esfuerzo Terapéutico (LET) busca reorientar las medidas del acompañamiento terapéutico durante el final de la vida; actualmente existe legislación sobre este tema. _Objetivo: _caracterizar el conocimiento y la claridad conceptual y jurídica del personal de salud del Hospital de San José (HSJ) de Bogotá sobre la LET. _Métodos: _estudio descriptivo transversal usando encuesta de libre preparación. Se estableció claridad conceptual con resultado superior al 70% de respuestas correctas. Datos levantados con cuestionario de selección múltiple vía Formularios (...) Google, tabulados en Microsoft Excel ® y analizados con Stata ® vía estadística descriptiva. _Resultados:_ 36 % de encuestados tuvo claridad conceptual y jurídica sobre LET; el 82,3 % de encuestados diferenciaron LET de eutanasia y el 95,6 %, LET de cuidados paliativos. El 61 % de los encuestados no tuvo conflicto moral/jurídico con LET; el 60 % y el 70 % de los encuestados creen, respectivamente, que suspender el oxígeno y la ventilación mecánica no hacen parte de la LET. Finalmente, el 78,9 % expresó no haber recibido suficiente información sobre el tema. _Conclusiones_: el personal encuestado carece de claridad conceptual suficiente sobre la LET,lo que señala la necesidad de mayor educación al respecto. (shrink)

Philosophers sometimes discuss cases of forgery and appropriation in art as similar but contrasting examples to understand issues relevant to the artistic value of artworks (Irvin 2005, Hick 2010). Something interesting about these cases is that both in forgeries and in ‘appropriation art’, we find works that can look very similar, and yet, deserve different value judgements or are actually evaluated differently. Moreover, despite the similarity of the cases, the philosophical analysis of what justifies different evaluations in the case of (...) forgeries and appropriation art provides different conclusions in each case. I propose a third contrasting example: a case of cultural (mis)appropriation exemplified by what I will call the Chiapas tote bag and a questionably fancier doppelgänger. (shrink)

Walton has controversially claimed that all pictures are fiction because, in seeing a picture one imagines that one is seeing the depicted content in the flesh; and that in seeing a photograph one _literally – _although indirectly – _sees_ the photographed object. Philosophers have found these claims implausible for various reasons: it is not the case that all pictures are fiction; explaining depiction does not require an imaginative engagement and seeing objects in photographs is not tantamount to seeing the object. (...) I agree with Walton’s critics in all of these claims. However, I try to give some plausibility to Walton’s view. Firstly, I claim that is a misunderstanding. Second, I try to clarify Walton’s view of depiction by contrasting pictorial experience with perceptual experience more generally. Finally, I focus on the case of photographs and I l claim that although Walton is not right in claiming that _seeing_ objects _in_ photographs is a case of literally perceiving the objects, photographs share an important feature with perceptual experience: the content of photographs, like the content of pictorial experience, is particular in character, and that explains their peculiar phenomenology. I content, however, that the experience of photographs is closer to memory than to perception. (shrink)

With few remarkable exceptions, portraiture has been a very much neglected topic in philosophy in general, and in aesthetics in particular. This might be due to.

Kendall Walton has recently claimed that the notion of fictionality is more fundamental and philosophically relevant than the distinction between (works of) fiction and (works of) non-fiction. In this chapter, I argue that one of the reasons why the latter distinction is important is precisely that it affects what turns out to be fictional or true in a representational work. This is specifically relevant for Walton’s view – many of the examples he uses to show that his (former) notion of (...) fictionality is flawed – those that are photographic in nature – depend on an implicit classification of those works as fiction or non-fiction. This being the case, even if it is true that the notion of fictionality is more fundamental than categorizing a work as fiction or non-fiction, the former depends partly on the latter. My second aim in this chapter is to clarify the consequences that Walton’s reconsidered view of fictionality has for his theory of pictorial representation. Paying attention to the examples he uses to argue for his new view on fictionality makes it clear that his account of depiction, despite being modelled on his notion of fictionality, is relevantly different from it. (shrink)

En este artículo propongo que Pelea de gallos de Ampuero exhibe la naturalización de lo inhumano del capitalismo gore en las relaciones socioafectivas de la vida íntima. A partir de Sayak Valencia, explico cómo los cuentos muestran una economía simbólica que mercantiliza a los cuerpos femeninos y animales y convierte la violencia en contra de estos en productos de consumo. Luego, analizo los cuentos “Crías” y “Subasta”, para mostrar que los personajes femeninos devienen-animal-deshecho como estrategia para escapar de esta codificación. (...) Considero que estos devenires redistribuyen la propiedad del saber de los humanos a los animales y a la naturaleza y subvierten la economía semántica y afectiva del consumismo como horizonte común. Estas formas de deshumanización le permiten a los cuerpos femeninos una reapropiación parcial y efímera del cuerpo que les ha sido robado. (shrink)

Some stories generate in us a peculiar experience of intense narrative engagement. This common experience, which we call narrative immersion, has been the object of a vast literature in psychology and other disciplines. Philosophers, however, have only recently engaged with this topic and the tendency has been to explain it by postulating specific kinds of mental states. We propose a different approach, explaining narrative immersion by means of a particular distribution of attention over the content of ordinary mental states. First, (...) we provide a characterization of narrative immersion based on studies by psychologists and other theorists. Then, we discuss alternative views and develop our own proposal. We articulate how attention works as we engage with the narrative, and how the adequate distribution of attention over the mental states involved in understanding the storyworld can offer the resources to explain the characteristic features of narrative immersion. Unlike alternative proposals, ours avoids the need to postulate controversial mental states. (shrink)

Esta investigación analiza cómo se han visto afectados los vendedores informales/ambulantes y sus familias frente a la pandemia, teniendo en cuenta que la economía informal se ha visto afectado debido a las medidas dispuestas por el gobierno, las cuales estuvieron ligadas a limitar el uso del espacio público por parte de las personas, se busca analizar los siguientes aspectos: ¿cómo ha cambiado la forma en la que venden y promocionan sus productos durante la pandemia?, ¿cómo han manejado su economía?, ¿qué (...) beneficios han recibido por parte del gobierno y que opinión tienen frente a la reactivación económica que propuso el gobierno?. (shrink)

This paper claims that the “question concerning technology” became, along the development of Heidegger’s philosophy, the most important issue in ontological analysis, and also became an ethical approach of the relationship between Being and the human being. The two fundamental periods ofHeid..

RESUMENLas nanotecnologías constituyen actualmente elsector másinnovador y desafiante en el desarrollo tecnocientífico-industrial. Dado que nuestrastecnociencias no son capaces de crearsistemas que sean tanto o más consistentes, más estables y autosustentables que los sistemas naturales, son necesarias e indispensables la supervisión y la regulación prudencial y precautoria de sus efectos y consecuencias, esperadas e inesperadas, mediante un debate público con amplia participación democrática. La nanoética es una forma de poner en acción una racionalidad colectiva prudencial que, en vistas del alcance omniabarcador (...) de las nanotecnologías, tiene que ser construida a partir de principios éticos de alcance global y debe tener un carácter prospectivo.PALABRAS CLAVENANOTECNOLOGÍA, REGULACIÓN, RIESGO TECNOLÓGICO, NANOÉTICAABSTRACTNowadays nanotechnologies constitute the most innovative and challenging sector in technoscientific-industrial development. Our technosciences aren’t capable of generating equally or more consistent stable and self-sufficient systems than natural systems. Therefore, supervision together with reasonable and precautionary regulation of their effects and consequences -being these expected or unexpected-, in the form of public debate with ample democratic participation proves to be necessary. Nanoethics is a way of starting a reasonable collective rationality movement which, in view of the all-containing span of nanotechnologies, must be constructed from ethic principles that have a global reach and must as well have a prospective character.KEYWORDSNANOTECHNOLOGY, REGULATION, TECHNOLOGICAL RISK, NANOETHICS. (shrink)

The Jola are intensive wet-rice cultivators in the Lower Casamance region of Senegal. In this study, the author examines the reasons behind startling contrasts in the organization of agricultural tasks among three Jola communities located within a 45-kilometre radius from Ziguinchor. In Sambujat, situated in the non-Islamisized region south of the river, wet rice is a monocrop cultivated by both men and women. In Jipalom, in the Kajamutay region north of the river, Islam and cash cropping have been adopted; and (...) in Fatiya, in the so-called 'Mandingized' region of the Kalunay, social relations have become hierarchical and this has had profound effects on the cropping system and on the division of labour. The author examines the shift of power relations over time, and their effects on the way in which production has been organized by age and gender, kin and class. Larger issues dealt with are Islamization, women's labour and the introduction of cash cropping. A concluding section places the history of Jola labour relations within the context of the political economy of Senegal. (shrink)

La investigaci n filos fica sobre el mundo tecnol gico constituye un verdadero imperativo tico de nuestro tiempo. el prop sito fundamental de este libro es contribuir a dicha tarea. Para ello, el autor se apoya en la exploraci n de las ideas de cinco pensadores que intentaron realizar un diagn stico y un pron stico global del mundo tecnol gico, y que advirtieron sobre la presencia de un riesgo mayor Para el futuro de una vida aut nticamente humana en (...) la tierra. (shrink)

En este trabajo interpretaremos un pasaje de la Metafísica de Aristóteles, 1011a17-1011b, enmarcado en la defensa del Principio de No Contradicción y en la crítica de las posiciones relativistas que lo niegan. Nuestra lectura es que Aristóteles arguye que la adecuada descripción de “lo que aparece a alguien”, i.e., los fenómenos, conduce a la afirmación del Principio. Basándonos en la conexión del Principio con la ousía que proponen numerosos intérpretes, creemos que Aristóteles sugiere, aunque sin desarrollarla, una “vía fenomenológica” para (...) alcanzar la ousía que guarda cierta similitud con la fenomenología del siglo XX. (shrink)

Diarmuid Costello ha defendido recientemente una versión fuerte de lo que él llama, siguiendo a Dominic Lopes, La nueva teoría de la fotografía y ha criticado una versión anterior de esta nueva teoría, que él considera más débil y restringida. Ambas posiciones —radical y restringida— se oponen a la visión tradicional en filosofía analítica de la fotografía. Sin embargo, Costello sostiene que la posición débil está aún demasiado cerca de esta tradición. Este artículo defiende la posición débil y argumenta que (...) la supuesta versión fuerte es más prescriptiva, restrictiva e inadecuada. (shrink)

La humanidad evolucionó durante milenios para desarrollar unas características biológicas, culturales, cognitivas y simbólicas comunes, que han posibilitado la expansión de nuestra especie por toda la Tierra y el desarrollo cultural y tecnológico de nuestra era. En este artículo exploramos someramente las ideas del ser humano, proyecciones simbólicas de lo que hemos aspirado a ser, y nos concentramos en la idea moderna autopoiética o de autotransformación, que en nuestro tiempo está postulando la necesidad y posibilidad de una transmutación radical de (...) nuestra especie mediante las bio y neuro tecnologías, generando lo que se denomina «antropotecnologías». El transhumanismo o movimiento de automutación radical de la especie humana nos conducirá, probablemente, a un objetivo que alterará la historia de la humanidad y que, por tanto, debe ser revisado y evaluado desde una perspectiva filosófica y ética por sus profundas consecuencias. (shrink)

RESUMEN En este artículo problematizo el protagonismo del comprender en Ser y tiempo, para demostrar que la modificación conceptual que hace Nancy de la relación como remisión a la estructura relacional "ser-a" es el elemento clave para su transformación de la ontología heideggeriana en una ontología de los cuerpos. Para realizarlo, primero evalúo las implicaciones de la interpretación del lenguaje como dóxa en Heidegger. Luego, a partir de Nancy desarrollo la noción de sentido como transitividad del ser, soportada en la (...) estructura "ser-a". En tercer lugar, expongo otra noción de mundo correspondiente a la aperturidad ontológica sin ser apriorística, que atenta contra la preeminencia ontológica del humano y enfatiza la fundamentalidad del ser-con. Finalmente, resalto dos consecuencias de este cambio metodológico: la transformación de la existencia en creación de mundo en lugar de comprensión y de la comunidad como régimen ontológico singular-plural. ABSTRACT In this paper, I problematize the prominence of understanding in Being and Time. In order to demonstrate that the conceptual modification that Nancy does of the relation as "reference" to the relational structure "being-to" is the key element to transform the Heideggerian ontology into an ontology of bodies. To do it, first, I evaluate the implications of the interpretation of language as doxa in the first Heidegger. Then, departing from Nancy, I develop the notion of sense as transitivity of being, supported by the structure "being-to". In third place, I expose another notion of the world, corresponding to the ontological opening without being aprioristic; which works against the ontological preeminence of the human and emphasizes the fundamentality of being-with. Finally, I explain two consequences of this methodological change: the transformation of the existence as creation, instead of comprehension, and of the community as a singular-plural ontological regime. (shrink)

Zur Vertrags- und Revolutionstheorie -- Die Bestimmung der Geschichte bei Heidegger -- Hegels Philosophie der Geschichte -- Jaspers' Geschichtsdenken.

El Furry Fandom es una subcultura en torno al interés por animales o criaturas antropomórficas, pero apenas ha sido investigada su población hispanohablante, a pesar de la instigación de los medios de comunicación españoles reproduciendo estereotipos de los medios americanos. El artículo aborda cómo se construye la identidad furry en España y sus relaciones con la práctica del género (regulada sexualmente); así como el uso de jerga. El método consta de observación participante en foros y en entrevistas para análisis de (...) casos; lo cual permitió un análisis de contenidos diversos, repertorios interpretativos y un análisis crítico del discurso . Como conclusión, el furry fandom enmarca cuestiones feministas a partir de la metáfora del cyborg, tales como qué papel debe tener la ciencia, ideología sobre la naturaleza humana y la necesidad de coalición de identidades. (shrink)