ZusammenfassungDie fragmentierte und scheinbar kontingente Struktur von Goethes Roman Wilhelm Meisters Wanderjahre folgt, so soll hier gezeigt werden, nicht zuletzt auch einem besonderen Zeitregime. Der Roman erprobt vor allem in seiner um Wilhelm und Lenardo gruppierten Handlung Formen des analeptischen Erzählens, das die Ereignisse nicht chronologisch-linear, sondern in wiederholten Rückgriffen und Zeitschleifen entwickelt. Dieses Erzählen von und in Vorgeschichten folgt einem Schema, das Goethe in den homerischen Epen vorgeprägt sieht, das aber auch mit Zeitreflexionen aus seinen geologischen Studien korrespondiert.The fragmented (...) and apparently contingent structure of Goethe’s novel Wilhelm Meisters Wanderjahre introduces, as will be shown here, a specific time regime. The novel unfolds the stories of its main characters Wilhelm and Lenardo in an analeptical fashion developing its events not in their chronological order, but in time loops and regressions. This narrative of and in ›Vorgeschichten‹ harks back to Goethe’s reading of Homeric epic and also corresponds to temporal reflections voiced in his geological studies. (shrink)

In view of the increasing social and economic inequality in recent decades, both globally and locally, more and more attempts are being made in political philosophy to understand social structures not only in terms of their symbolic and idealistic constitution, but also in the light of their underlying political-economic foundations. However, the concepts of materialism used in these works, especially in feminist thought over the last ten years, have caused much confusion due to their different meanings, especially when they are (...) considered transnationally. This article discusses the numerous publications on materialism in feminist and queer thought and situates them in their respective contexts of origin. Their analysis is then placed in a broader context of philosophical debates on materialism in order to gain a better understanding of the dynamics at play but also in order to better grasp the contributions of feminist and queer thought to the philosophical study of materialism. (shrink)

Johann Gottfried Herder (1744-1803) gilt weithin als Autor des literarischen Sturm und Drang bzw. der philosophischen und theologischen Spataufklarung. Dass er jedoch auf vielen Gebieten die Klassische Deutsche Philosophie massgeblich beeinflusste, wird eher selten in den Blick genommen. Der Band untersucht dieses sowohl kritische als auch affirmative Rezeptionsverhaltnis Kants, Schellings, Schlegels, Humboldts oder Hegels zu Herder auf den Gebieten der Geschichtsphilosophie, der Metaphysik, der Ethik und Politik sowie der Asthetik und Anthropologie. - Mit Beitragen von Andreas Arndt, Manfred Baum, Christoph (...) Binkelmann, Martin Bondeli, Nigel De Souza, Stefan Greif, Andree Hahmann, Cornelia Klinger, Christian Krijnen, Stephan Nachtsheim, Angelica Nuzzo, Ludger Roth, Gideon Stiening, Violetta Stolz und Gunter Zoller. (shrink)

A bold and all-embracing exploration of the nature and progress of knowledge from one of today's great thinkers. Throughout history, mankind has struggled to understand life's mysteries, from the mundane to the seemingly miraculous. In this important new book, David Deutsch, an award-winning pioneer in the field of quantum computation, argues that explanations have a fundamental place in the universe. They have unlimited scope and power to cause change, and the quest to improve them is the basic regulating principle (...) not only of science but of all successful human endeavor. This stream of ever improving explanations has infinite reach, according to Deutsch: we are subject only to the laws of physics, and they impose no upper boundary to what we can eventually understand, control, and achieve. In his previous book, The Fabric of Reality, Deutsch describe the four deepest strands of existing knowledge-the theories of evolution, quantum physics, knowledge, and computation-arguing jointly they reveal a unified fabric of reality. In this new book, he applies that worldview to a wide range of issues and unsolved problems, from creativity and free will to the origin and future of the human species. Filled with startling new conclusions about human choice, optimism, scientific explanation, and the evolution of culture, The Beginning of Infinity is a groundbreaking book that will become a classic of its kind. (shrink)

The goal of the article is to offer a framework against which relations between gesture and sign can be systematically explored beyond the current literature. It does so by (a) reconstructing the history of the discussion in the field of gesture studies, focusing on three leading positions (Kendon, McNeill, and Goldin-Meadow); and (b) by formulating a position to illustrate how this can be achieved. The paper concludes by emphasizing the need for systematic cross-linguistic research on multimodal use of language in (...) its signed and spoken forms. (shrink)

Dieses Buch schreibt Theorie. Es entwirft am Beispiel von Wilhelm Raabes Erzähltexten zwischen 1856 und 1902 den Grundriss einer ontologischen Narratologie, der über seinen historischen Gegen-stand hinaus systematische Gültigkeit beansprucht. Den Ausgangspunkt bildet die Frage: Was ist Welt?

Baselitz is one of the most important artists of today. His works can be found in major museums around the world. For over 30 years, photographer Benjamin Katz has been documenting Baselitz at work in different studios. This volume now captures Baselitz's exceptional life at work and at home. Benjamin Katz is famous for his photographic portraits of artists. Among his previous subjects are Gerhard Richter, Joseph Beuys, Sigmar Polke, Rosemarie Trockel, and Martin Kippenberger. Because Katz is friends with most (...) of the artists, he is able to capture them when they are completely at ease. But, as he explains in this book, he prefers to photograph people while they are in the process of doing something. Katz shows Baselitz with paintbrush and hammer, and dog and cigar - the close relationship between the two artists is almost palpable. The photographs are the result of a friendship in an artistic world that they have been sharing for many decades. Cornelia Gockel's essay discusses Katz's unique, new window on the world of Georg Baselitz. (shrink)

This paper explores one organisation’s journey into non-financial reporting, initially motivated by a crisis in public confidence that threatened the organisation’s legitimacy to the present with the organisation embracing integrated reporting. The organisation’s journey is framed through a legitimation lens and is illustrated by aligning internal reflections with external outputs guided by predominant paradigms of good practice, such as the GRI guidelines and more recently integrated reporting 〈IR〉. We find that the organisation’s relationship with external guidelines has evolved from pragmatic (...) adoption as a means of seeking external legitimation to the present position where those that prepare external reports are informed by the organisation’s strategic positioning and not constrained by the promulgation of voluntary guidelines. From the case study, we suggest that the International Integrated Reporting Council may face two hurdles: First, organisations may define social norms based on a broader definition of stakeholders than the definition currently published by the IIRC. The second hurdle is to convince report preparers that adopting integrated reporting 〈IR〉 will positively impact on capital flows. (shrink)

From the discovery of distant galaxies and black holes to the tiny interstices of the atom, here is the very best on physics and astronomy from the New York Times! The newspaper of record has always prided itself on its award-winning science coverage, and these 125 articles from its archives are the very best, covering more than a century of breakthroughs, setbacks, and mysteries. Selected by former science editor Cornelia Dean, they feature such esteemed and Pulitzer Prize-winning writers as (...) Malcolm W. Browne on teleporting, antimatter atoms, and the physics of traffic jams; James Glanz on string theory; George Johnson on quantum physics; William L. Laurence on Bohr and Einstein; Dennis Overbye on the recent discovery of the Higgs Boson; Walter Sullivan on the colliding beam machine; and more. (shrink)

The 2D:4D-Ratio, as an indirect measure of the fetal testosterone to estradiol ratio, is potentially very important for understanding and explaining different personality traits. It was the aim of the present study to replicate the findings from Fink et al. (2004) about the relation between individual differences in 2D:4D-Ratios and the Five Factor Model in different cultural groups. Therefore a sample of n = 78 Chinese and n = 370 German participants was recruited. Every participant provided hand scans of both (...) hands, from which 2D:4D-Ratios were computed. Moreover, all participants filled in the NEO Five Factor Inventory (NEO-FFI). Significant sex differences were found for ratios of both hands in the expected direction, with females showing higher ratios than males. With respect to links between personality and the digit ratio, a positive association was observed between 2D:4D-Ratio and Neuroticism in females, as shown in the earlier study. These findings were observed in both female subsamples from China and Germany, as well as in the full sample of participants. But in contrast to the results for the whole and the German female sample, where 2D:4D-Ratio of both hands were related to Neuroticism, in the Chinese female sample only left hand 2D:4D-Ratio was significantly and positively related to Neuroticism. There were no significant correlations found in any of the male samples. Thus, prenatal exposure to sex steroids appears to influence the personality factor Neuroticism in females specifically. This finding potentially has implications for mental health, as Neuroticism has been shown to be a risk factor for various forms of psychopathology. (shrink)

In this short introductory article the origin of this special issue in a Cambridge conference in 2019 is briefly sketched. Moreover, the specific approach which the organizers wanted to highlight is elucidated. Also, a preview is offered of the various contributions to this special issue.

: The love of ruins has generated various epistemes and disciplines: In the sixteenth century it informed philology, in the nineteenth century historiography and criminology. Its status has changed from an allegorical one in the Renaissance to a literal, positivistic one at the beginning of the twentieth century. Johann Gustav Droysen was among the first who reflected the positivistic treatment of ruins systematically. The Prussian historiographer formulated a theory of remains including both written documents and material objects. In the twentieth (...) century the positivistic view lost its appeal for scholars. They began to question the supposed ability of ruins to access the past. The physicality of remains was no longer trusted to guide the process of memory. This disillusion in the power of remains led to a practice of mere tabulation where statistics instead of historical narrative were generated. The contemporary philosopher Giorgio Agamben proposes yet another way of dealing with remains. He liberates ruins from their materialistic shell altogether and takes them consequently in their. (shrink)

Spricht man heute von Pathos, dann meint man meist peinlichen Gefühlskitsch. Diese Abwertung ist das Ergebnis einer Begriffsgeschichte, die um 1800 kippt. Während die Poetik und Ästhetik des 17. und 18. Jahrhunderts den hohen Kunstformen eine pathetische Ausdrucksweise vorschreiben, fasst Hegel das Pathos nur noch als das Leiden des vormodernen naiven Helden. Warburg beschreibt das Pathetische schließlich als eine in der Antike geprägte Stilform. Zu dieser Historisierung des Pathos, das vom zeitlosen Ideal der Kunst zu einer ihrer Entwicklungsstufen wird, gehört (...) die Diagnose vom Pathosverlust in der versachlichten Moderne. Trotz aller Versuche einer Reaktivierung pathetischer Kunst, etwa im Expressionismus, wandert ein mit Übertreibung und Trivialität assoziiertes Pathos im 20. Jahrhundert in die Populärkultur ab. Vom modernen Unbehagen am Pathos aus adressieren die im Band versammelten Beiträge aus Literaturwissenschaft, Rhetorik, Kunstgeschichte und Filmwissenschaft problematische Punkte historischer Pathoskonzepte. Auf der Suche nach Widersprüchen setzen sie an historischen, diskursiven und medialen Übergängen an: am Transfer zwischen Rhetorik und Poetik; zwischen Ethos und Pathos, zwischen realer Gewalterfahrung und ihrer formalisierten Darstellung, zwischen großen Gesten und privatem Gefühlsausdruck im 18. Jahrhundert. Diskutiert werden ebenfalls die Ausprägungen eines prosaischen Pathos im 19. Jahrhundert und dessen Verhältnis zu medizinischen und psychiatrischen Diskursen sowie die Remodellierung des Pathos in den Bildmedien des 20. Jahrhunderts. (shrink)

In the preliminary work for his Theses On the Concept of History, Walter Benjamin quotes a passage from Henri Focillon’s La vie des formes, using Focillon’s description of classical style for his own notion of the dialectical image. The Essay locates Benjamin’s surprising reception of Focillon in their common interest in a life of forms, not so much in the sense of aesthetic liveliness as defined by Kant, but in its productiveness of other forms. Focillon’s idea of art history is (...) based on the dynamis or potentiality of artistic shapes giving way to ever new figures and forms. This is not only a key to Benjamin’s concepts of Fortleben/Nachleben in the early Essay The Task of the Translator but also to the ‘dialectical image‘ outlined in the Arcades Project. Benjamin, this Essay argues, refers to Focillon’s life of forms to conceptualise disharmonious and sudden changes of form. (shrink)

While generally accepted as an interpretive theory, Bull’s emblematic text demonstrates strong structural characteristics. Subsequent attributions move between the interpretive or ‘reflexive’ and t...

The reign of paper files would seem to be over once files are reduced to the status of icons on computer screens, but Vismann's book, which examines the impact of the file on Western institutions throughout history, shows how the creation of order in medieval and early modern administrations makes its returns in computer architecture.

First published in 2010, Cornelia Vismann’s article has already attained the status of a classic. In a formulation inspired by linguistic theory, the author argues that the relation between cultural techniques and media can be understood in analogy to grammatical operations. Thus, cultural techniques define the agency of media and execute the procedural rules which the latter set in place. Together, they articulate a critique of subjectivity and sovereignty that proceeds by re-examining the notion of ‘culture’ via its agricultural (...) origins to the current moment when the ‘preservation of cultural techniques’ has entered legal and academic discourse. Ultimately, despite their apparent separation from praxis, cultural techniques continue to proliferate through axes of substitution and displacement. (shrink)

Cornelia Dean draws on her 30 years as a science journalist with the New York Times to expose the flawed reasoning and knowledge gaps that handicap readers when they try to make sense of science. She calls attention to conflicts of interest in research and the price society pays when science journalism declines and funding dries up.--.

In spite of many attempts to define courage, from Plato’s Laches and Aristotle’s Nicomachean Ethics to recent moral philosophy, courage remains ambiguous: it is a classical virtue and a requirement of soldiers, and yet, it is not clear what courage means in specific situations. In this article, I investigate courage in view of a complex military context stretching beyond the battlefield into an ethically grey area of war and military operations, namely, a case from ISAF Afghanistan. I explore courage in (...) relation to context-specific factors that inspire soldiers’ judgments and choice of action, and look at the meaning of both physical and moral courage in the given context. The relationship between character and situation plays an important part in the quest to be courageous, and courage proves to be a notion dependent on such factors as level of risk. One of the more essential questions regarding courage seems to be: What should soldiers fear? I argue that we need a deeper understanding of risk and fear to understand courage in complex military contexts. Furthermore, courage is dependent on other virtues, which corresponds with an understanding of courage that is close to Plato’s notion of the unity or interdependence of the virtues. (shrink)

In light of the sociological insight that it is left to the art system what counts as art, new artistic forms inevitably alter the prevailing concept of art. The article examines how artistic morphogenesis occurs in a twofold manner in the case of contemporary art: as self-referential process through new form combinatorics or asynchronous artistic operations whose artworks elude the gaze, and as other-referential relation. One of the main features of contemporary art lies in its strong reference to the present, (...) based on a conception of operative time. Time is not understood as a sequence of past, present, future, but rather as the linking of respective presences. Contemporary art shares this understanding of time with event-based social theories. This is analysed as other-referential act of synchronization within the art system with its societal environment. Empirical evidence is provided by select works of art and by self-descriptions of the art system. (shrink)

Powerful ultrastructural tools are providing new insights into neuronal circuits, revealing a wealth of anatomically‐defined synaptic connections. These wiring diagrams are incomplete, however, because functional connectivity is actively shaped by neuromodulators that modify neuronal dynamics, excitability, and synaptic function. Studies of defined neural circuits in crustaceans, C. elegans, Drosophila, and the vertebrate retina have revealed the ability of modulators and sensory context to reconfigure information processing by changing the composition and activity of functional circuits. Each ultrastructural connectivity map encodes multiple (...) circuits, some of which are active and some of which are latent at any given time. (shrink)

The intuitive notion of a binary relation on information-bearers, comparingthem with respect to their closeness to the available information, is oftenconstrued in terms of comparing their symmetric difference with, orcompositional similarity to, the available information. This happens forinstance in some treatments of verisimilitude. We expound an abstractmathematical rendering of the relevant data-dependent relation in theframework of Boolean algebras. For every element t of a Boolean algebra B we construct the t-modulated Boolean algebra Btin which the order relation represents `is at (...) most as compatible with t as'' or `is at best as similar to t as''. In the case of Lindenbaum-Tarskialgebras, t expresses the available information, and the compatibilityrelation turns out to be an entwinement of inferential and conjecturalrelations. It is just classical entailment when no information is available(i.e., when t is logically true) and becomes more boldly abductive themore information is available. The rich algebraic structures of a Boolean algebra –- including its Boolean group structures –- play a significant role in this combination of deduction and abduction and also induce cautious anddaring variants of the compatibility relation. Links with the literature onverisimilitude, abduction, and related topics are indicated. (shrink)

An extraordinary and challenging synthesis of ideas uniting Quantum Theory, and the theories of Computation, Knowledge and Evolution, Deutsch's extraordinary book explores the deep connections between these strands which reveal the fabric ...

The first and most important impetus motivating a feminist engagement with the complex of art and aesthetics is – as has been the case in many other realms of social life – the exclusion of women from participation in the respective sphere of activity: the denial of women's entry into formal and institutional education, training, active practice in the profession, and the continuous discrimination and marginalization that women have had to endure even after the end of their formal exclusion. A (...) second stage in the feminist engagement with art and aesthetics is reached when the considerable accomplishments are made visible that women have attained despite all obstacles, although these achievements have so often been overlooked, forgotten, denied, or overtly suppressed. The discovery of the resistance women have always mounted to all hindrances placed in their way, the (re)discovery of “women worthies,” takes place in the fields of art, literary, and music history much in the same way as feminism has begun to dig up the lost memory of women's efforts in the fields of history, science, and so on. (shrink)

Schanbacer, William D: The Politics of Food: The Global Conflict Between Food Security and Food Sovereignty Content Type Journal Article DOI 10.1007/s10806-010-9267-1 Authors Cornelia Butler Flora, Iowa State University 317 East Hall Ames IA 50011-1070 USA Journal Journal of Agricultural and Environmental Ethics Online ISSN 1573-322X Print ISSN 1187-7863.