Baselitz is one of the most important artists of today. His works can be found in major museums around the world. For over 30 years, photographer Benjamin Katz has been documenting Baselitz at work in different studios. This volume now captures Baselitz's exceptional life at work and at home. Benjamin Katz is famous for his photographic portraits of artists. Among his previous subjects are Gerhard Richter, Joseph Beuys, Sigmar Polke, Rosemarie Trockel, and Martin Kippenberger. Because Katz is friends with most (...) of the artists, he is able to capture them when they are completely at ease. But, as he explains in this book, he prefers to photograph people while they are in the process of doing something. Katz shows Baselitz with paintbrush and hammer, and dog and cigar - the close relationship between the two artists is almost palpable. The photographs are the result of a friendship in an artistic world that they have been sharing for many decades. Cornelia Gockel's essay discusses Katz's unique, new window on the world of Georg Baselitz. (shrink)

While generally accepted as an interpretive theory, Bull’s emblematic text demonstrates strong structural characteristics. Subsequent attributions move between the interpretive or ‘reflexive’ and t...

Powerful ultrastructural tools are providing new insights into neuronal circuits, revealing a wealth of anatomically‐defined synaptic connections. These wiring diagrams are incomplete, however, because functional connectivity is actively shaped by neuromodulators that modify neuronal dynamics, excitability, and synaptic function. Studies of defined neural circuits in crustaceans, C. elegans, Drosophila, and the vertebrate retina have revealed the ability of modulators and sensory context to reconfigure information processing by changing the composition and activity of functional circuits. Each ultrastructural connectivity map encodes multiple (...) circuits, some of which are active and some of which are latent at any given time. (shrink)

In light of the sociological insight that it is left to the art system what counts as art, new artistic forms inevitably alter the prevailing concept of art. The article examines how artistic morphogenesis occurs in a twofold manner in the case of contemporary art: as self-referential process through new form combinatorics or asynchronous artistic operations whose artworks elude the gaze, and as other-referential relation. One of the main features of contemporary art lies in its strong reference to the present, (...) based on a conception of operative time. Time is not understood as a sequence of past, present, future, but rather as the linking of respective presences. Contemporary art shares this understanding of time with event-based social theories. This is analysed as other-referential act of synchronization within the art system with its societal environment. Empirical evidence is provided by select works of art and by self-descriptions of the art system. (shrink)

This paper explores one organisation’s journey into non-financial reporting, initially motivated by a crisis in public confidence that threatened the organisation’s legitimacy to the present with the organisation embracing integrated reporting. The organisation’s journey is framed through a legitimation lens and is illustrated by aligning internal reflections with external outputs guided by predominant paradigms of good practice, such as the GRI guidelines and more recently integrated reporting 〈IR〉. We find that the organisation’s relationship with external guidelines has evolved from pragmatic (...) adoption as a means of seeking external legitimation to the present position where those that prepare external reports are informed by the organisation’s strategic positioning and not constrained by the promulgation of voluntary guidelines. From the case study, we suggest that the International Integrated Reporting Council may face two hurdles: First, organisations may define social norms based on a broader definition of stakeholders than the definition currently published by the IIRC. The second hurdle is to convince report preparers that adopting integrated reporting 〈IR〉 will positively impact on capital flows. (shrink)

: The love of ruins has generated various epistemes and disciplines: In the sixteenth century it informed philology, in the nineteenth century historiography and criminology. Its status has changed from an allegorical one in the Renaissance to a literal, positivistic one at the beginning of the twentieth century. Johann Gustav Droysen was among the first who reflected the positivistic treatment of ruins systematically. The Prussian historiographer formulated a theory of remains including both written documents and material objects. In the twentieth (...) century the positivistic view lost its appeal for scholars. They began to question the supposed ability of ruins to access the past. The physicality of remains was no longer trusted to guide the process of memory. This disillusion in the power of remains led to a practice of mere tabulation where statistics instead of historical narrative were generated. The contemporary philosopher Giorgio Agamben proposes yet another way of dealing with remains. He liberates ruins from their materialistic shell altogether and takes them consequently in their. (shrink)

The following text provides a conceptual and theoretical introduction to a collection of essays written by members of the multidisciplinary network of scholars, artists and cultural producers named ‘Poetics of Resistance’, which seeks to analyse and encourage discussion of the relationships between creativity, culture and political resistance, in the context of neoliberal globalization. The introduction also provides a critical glossary of a set of loosely interlinking keywords, following Raymond Williams, that mark points of encounter and departure between the approaches of (...) the various authors (not to be confused with the list of keywords used to index each article). Rather than presenting a completed research project, this issue serves as a basis for continuing collaborative research and dialogue in the field, and invites readers to join in the ongoing debate. The contributors to this issue are Paulina Aroch Fugellie, Burghard Baltrusch, Arturo Casas, María do Cebreiro Rábade Villar, Roberto Echavarren, Marcos Giadas Conde, Cornelia Gräbner, Nathalia Jabur, Thomas Muhr and David Wood. (shrink)

The 2D:4D-Ratio, as an indirect measure of the fetal testosterone to estradiol ratio, is potentially very important for understanding and explaining different personality traits. It was the aim of the present study to replicate the findings from Fink et al. (2004) about the relation between individual differences in 2D:4D-Ratios and the Five Factor Model in different cultural groups. Therefore a sample of n = 78 Chinese and n = 370 German participants was recruited. Every participant provided hand scans of both (...) hands, from which 2D:4D-Ratios were computed. Moreover, all participants filled in the NEO Five Factor Inventory (NEO-FFI). Significant sex differences were found for ratios of both hands in the expected direction, with females showing higher ratios than males. With respect to links between personality and the digit ratio, a positive association was observed between 2D:4D-Ratio and Neuroticism in females, as shown in the earlier study. These findings were observed in both female subsamples from China and Germany, as well as in the full sample of participants. But in contrast to the results for the whole and the German female sample, where 2D:4D-Ratio of both hands were related to Neuroticism, in the Chinese female sample only left hand 2D:4D-Ratio was significantly and positively related to Neuroticism. There were no significant correlations found in any of the male samples. Thus, prenatal exposure to sex steroids appears to influence the personality factor Neuroticism in females specifically. This finding potentially has implications for mental health, as Neuroticism has been shown to be a risk factor for various forms of psychopathology. (shrink)

The first and most important impetus motivating a feminist engagement with the complex of art and aesthetics is – as has been the case in many other realms of social life – the exclusion of women from participation in the respective sphere of activity: the denial of women's entry into formal and institutional education, training, active practice in the profession, and the continuous discrimination and marginalization that women have had to endure even after the end of their formal exclusion. A (...) second stage in the feminist engagement with art and aesthetics is reached when the considerable accomplishments are made visible that women have attained despite all obstacles, although these achievements have so often been overlooked, forgotten, denied, or overtly suppressed. The discovery of the resistance women have always mounted to all hindrances placed in their way, the (re)discovery of “women worthies,” takes place in the fields of art, literary, and music history much in the same way as feminism has begun to dig up the lost memory of women's efforts in the fields of history, science, and so on. (shrink)

In spite of many attempts to define courage, from Plato’s Laches and Aristotle’s Nicomachean Ethics to recent moral philosophy, courage remains ambiguous: it is a classical virtue and a requirement of soldiers, and yet, it is not clear what courage means in specific situations. In this article, I investigate courage in view of a complex military context stretching beyond the battlefield into an ethically grey area of war and military operations, namely, a case from ISAF Afghanistan. I explore courage in (...) relation to context-specific factors that inspire soldiers’ judgments and choice of action, and look at the meaning of both physical and moral courage in the given context. The relationship between character and situation plays an important part in the quest to be courageous, and courage proves to be a notion dependent on such factors as level of risk. One of the more essential questions regarding courage seems to be: What should soldiers fear? I argue that we need a deeper understanding of risk and fear to understand courage in complex military contexts. Furthermore, courage is dependent on other virtues, which corresponds with an understanding of courage that is close to Plato’s notion of the unity or interdependence of the virtues. (shrink)

The reign of paper files would seem to be over once files are reduced to the status of icons on computer screens, but Vismann's book, which examines the impact of the file on Western institutions throughout history, shows how the creation of order in medieval and early modern administrations makes its returns in computer architecture.

Der Band plädiert für eine Resymmetrisierung des Sprachlichen und des Bildlichen für das Verständnis der Gegenwartsgesellschaft. Bildlichkeit wird als eine vom Wahrnehmungsmodus unterschiedene genuin soziale Sinnform aufgefasst. Wir verlassen uns darauf, dass auch Andere ganz selbstverständlich dargestellte Welt von wahrgenommener Welt unterscheiden. Auf die Darstellungen von Darstellungsformen hat sich moderne Kunst spezialisiert. Am Beispiel der Gegenwartskunst wird die Vermehrung, Kombinatorik und wechselseitige Bezugnahme künstlerischer Formen als Katalysator für innerkünstlerische Transformationen identifizierbar.

In this short introductory article the origin of this special issue in a Cambridge conference in 2019 is briefly sketched. Moreover, the specific approach which the organizers wanted to highlight is elucidated. Also, a preview is offered of the various contributions to this special issue.

Spricht man heute von Pathos, dann meint man meist peinlichen Gefühlskitsch. Diese Abwertung ist das Ergebnis einer Begriffsgeschichte, die um 1800 kippt. Während die Poetik und Ästhetik des 17. und 18. Jahrhunderts den hohen Kunstformen eine pathetische Ausdrucksweise vorschreiben, fasst Hegel das Pathos nur noch als das Leiden des vormodernen naiven Helden. Warburg beschreibt das Pathetische schließlich als eine in der Antike geprägte Stilform. Zu dieser Historisierung des Pathos, das vom zeitlosen Ideal der Kunst zu einer ihrer Entwicklungsstufen wird, gehört (...) die Diagnose vom Pathosverlust in der versachlichten Moderne. Trotz aller Versuche einer Reaktivierung pathetischer Kunst, etwa im Expressionismus, wandert ein mit Übertreibung und Trivialität assoziiertes Pathos im 20. Jahrhundert in die Populärkultur ab. Vom modernen Unbehagen am Pathos aus adressieren die im Band versammelten Beiträge aus Literaturwissenschaft, Rhetorik, Kunstgeschichte und Filmwissenschaft problematische Punkte historischer Pathoskonzepte. Auf der Suche nach Widersprüchen setzen sie an historischen, diskursiven und medialen Übergängen an: am Transfer zwischen Rhetorik und Poetik; zwischen Ethos und Pathos, zwischen realer Gewalterfahrung und ihrer formalisierten Darstellung, zwischen großen Gesten und privatem Gefühlsausdruck im 18. Jahrhundert. Diskutiert werden ebenfalls die Ausprägungen eines prosaischen Pathos im 19. Jahrhundert und dessen Verhältnis zu medizinischen und psychiatrischen Diskursen sowie die Remodellierung des Pathos in den Bildmedien des 20. Jahrhunderts. (shrink)

Cornelia Dean draws on her 30 years as a science journalist with the New York Times to expose the flawed reasoning and knowledge gaps that handicap readers when they try to make sense of science. She calls attention to conflicts of interest in research and the price society pays when science journalism declines and funding dries up.--.

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three (...) separate chapters: "Krsna," "Visnu," and "Siva." The chapter "The Goddess" presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names given the gods and goddesses in the Sanskrit texts have been retained since their multiplicity is an essential part of the richness of the original. The editors have provided a thorough glossary to make these names accessible. (shrink)

Dem Postmarxismus wird haufig ein mangelndes Verstandnis des Staats vorgeworfen. Dieser Band stellt sich dieser Lesart entgegen und zeichnet ein vielfaltiges Bild der Staatsverstandnisse von Abensour, Agamben, Badiou, Balibar, Bauman, Butler, Castoriadis, Deleuze und Guattari, Derrida, Hardt und Negri, Hall, Holloway, Lefort und Gauchet, Laclau und Mouffe, Nancy, Ranciere und zizek. Die Zugange dieser Autor_innen zum Staat werden anhand zentraler Konzepte in leicht zuganglicher Form dargestellt und von marxistischen und neomarxistischen Staatstheorien abgegrenzt. Im letzten Teil werden die gegenseitigen Beeinflussungen zwischen (...) postmarxistischen Staatsverstandnissen einerseits und feministischen und postkolonialen Zugangen andererseits beschrieben, wie auch die Verschrankung postmarxistischer Theorien mit zeitgenossischen politischen Bewegungen. Insgesamt bietet der Band damit einen erstmaligen Uberblick zu den Konzepten und der Bedeutung postmarxistischer Staatsverstandnisse. (shrink)

In diesem Aufsatz mochte die Autorin den Einstieg in ein neues Forschungsfeld mit dem Namen "Affektlogik" beginnen, dessen Begrunder, Luc Ciompi, den hohen Stellenwert seiner "Hypothese" fur das interdisziplinare Gesprach von Psychologie bzw. Psychiatrie, Neurobiologie, Politik, Philosophie und -- von Ciompi ausdrucklich in diesem Zusammenhang genannt -- der Wissenschaftstheorie entdeckt. (edited).

This book describes the major changes in state relations which have occurred this century and the sources from which they emerged. An invaluable introduction to the structures of modern international relations.